Enclosed In Single Quotes

i enclose two limp singles, i will make do with this thing till you find me a real Pepys. THEN i will rip up this ersatz book, page be page, AND WRAP THINGS IN IT.

Among the many worlds which man did not receive as a gift of nature, but which he created with his own mind, the world of books is the greatest. Every child, scrawling his first letters on his slate and attempting to read for the first time, in so doing, enters an artificial and complicated world; to know the laws and rules of this world completely and to practice them perfectly, no single human life is long enough. Without words, without writing, and without books there would be no history, there could be no concept of humanity. And if anyone wants to try to enclose in a small space in a single house or single room, the history of the human spirit and to make it his own, he can only do this in the form of a collection of books.

Every one of us is a zoo in our own right – a colony enclosed within a single body. A multi-species collective. An entire world.

No one thing shows the greatness and power of the human intellect or the loftiness and nobility of man more than his ability to know and to understand fully and feel strongly his own smallness. When, in considering the multiplicity of worlds, he feels himself to be an infinitesimal part of a globe which itself is a negligible part of one of the infinite number of systems that go to make up the world, and in considering this is astonished by his own smallness, and in feeling it deeply and regarding it intently, virtually blends into nothing, and it is as if he loses himself in the immensity of things, and finds himself as though lost in the incomprehensible vastness of existence, with this single act of thought he gives the greatest possible proof of the nobility and immense capability of his own mind, which, enclosed in such a small and negligible being, has nonetheless managed to know and understand things so superior to his own nature, and to embrace and contain this same intensity of existence and things in his thought.

Someone, somewhere, had tied up the darkness, he thought as he went: the bag of darkness had been tied at the mouth, enclosing within it a host of smaller bags. The stars were tiny, almost imperceptible perforations; otherwise, there wasn't a single hole through which light could pass. The darkness in which he walked immersed was gradually pervading him. His own footfall was utterly remote, his presence barely rippled the air. His being had been compressed to the utmost - to the point where it had no need to forge a path for itself through the night, but could weave its way through the gaps between the particles of which the darkness was composed.

Among the many worlds that humans did not receive as a gift from nature but created out of their own mind, the world of books is the greatest… Without the word, without the writing of books, there is no history, there is no concept of humanity. And if anyone wants to try to enclose in a small space, in a single house or a single room, the history of the human spirit and to make it their own, they can only do this in the form of a collection of books.

You understand, Monsieur Bertuccio: trees only give us pleasure because they give shade, and shade itself only pleases us because it is full of reveries and visions. I bought a garden, imagining that I was purchasing a simple space enclosed in walls; but it was not so at all: suddenly the space has become a garden full of ghosts, which were nowhere mentioned in the deed of sale. I like ghosts. I have heard it said that the dead have never done, in six thousand years, as much evil as the living do in a single day.

Still, this moment belongs to the two of them, Mom and this handsome stranger. He reaches the passenger side door and stares down at her with steely violet eyes-down at my mother who never cries, down at my mother who’s now bawling like a spanked child-his face contorted in a rainbow of so many emotions, some that I can’t even name. Then Grom the Triton king sinks to his knees in front of her, and a single tear spills down his face. “Nalia,” he whispers. And then my mother slaps him. It’s not the kind of slap you get for talking back. It’s not the kind of punch she dealt Galen and Toraf in our kitchen. It’s the kind of slap a woman gives a man when he’s hurt her deeply. And Grom accepts it with grace. “I looked for you,” she shouts, even though he’s inches from her. Slowly, as if in a show of peace, he takes the hand that slapped him and sandwiches it between his own. He seems to revel in the feel of her touch. His face is pure tenderness, his voice like a massage to the nerves. “And I looked for you.” “Your pulse was gone,” she insists. By now she chokes back sobs between words. She’s fighting for control. I’ve never seen my mother fight for control. “As was yours.” I realize Grom knows what not to say, what not to do to provoke her. He is the complete opposite of her, or maybe just a completion of her. Her eyes focus on his wrist, and tears slip down her face, leaving faint trails of mascara on her cheeks. He smiles and slowly pulls his hand away. I think he’s going to show her the bracelet he’s wearing, but instead he rips it off his wrist and holds it out for her inspection. From where I’m standing it looks like a single black ball tied to some sort of string. By my mom’s expression, this black ball has meaning. So much meaning that I think she’s forgotten to breathe. “My pearl,” she whispers. “I thought I’d lost it.” He encloses it in her hand. “This isn’t your pearl, love. That one was lost in the explosion with you. For almost an entire season, I scoured the oyster beds, looking for another one that would do. I don’t know why, but I thought maybe if I found another perfect pearl, I would somehow find you, too. When I found this though, it didn’t bring me the peace I’d hoped for. But I couldn’t bring myself to discard it. I’ve worn it on my wrist ever since.” This is all it takes for my mom to throw herself into his arms, bringing Rachel partially with her. Even so, it’s probably the most moving moment I’ve ever encountered in my eighteen years. Or at least it would be, if my mom weren’t clinging to a man who is not my dad.

eager to oppose Thomas Paine’s prescription in Common Sense for a huge single-house legislature that purportedly embodied the will of “the people” in its purest form. For Adams, “the people” was a more complicated, multivoiced, hydra-headed thing that had to be enclosed within different chambers.

When Orson Welles said "We're born alone, we live alone, we die alone", he was mistaken. Even when we are alone, we are never alone. We exist in symbiosis - a wonderful term that refers to different organisms living together. Some animals are colonised by microbes while they are still unfertilized eggs; others pick up their first partners at the moment of birth. We then proceed through our lives in their presence. When we eat, so do they. When we travel, they come along. When we die, they consume us. Every one of us is a zoo in our own right - a colony enclosed within a single body. A mutli-species collective. An entire world.

If we had been far apart even before the accident, what was I trying to recapture at this late date with all the fuss about the mask? Nothing was worth the trouble of getting back. There wasn’t a single thing to hide from the eight uneventful years we had spent together; since I was enclosed by a wall of nonexpression thicker than my bandages, I had lost all right to complain.

my soul, the time I trust will be, when thou shalt be good, simple, single, more open and visible, than that body by which it is enclosed. Thou wilt one day be sensible of their happiness, whose end is love, and their affections dead to all worldly things. Thou shalt one day be full, and in want of no external thing: not seeking pleasure from anything, either living or insensible,

The tea ceremonies of Japan are conceived in the spirit of the Taoist earthly paradise. The tearoom, called “the abode of fancy,” is an ephemeral structure built to enclose a moment of poetic intuition. Called too “the abode of vacancy,” it is devoid of ornamentation. Temporarily it contains a single picture or flower-arrangement. The teahouse is called “the abode of the unsymmetrical”: the unsymmetrical suggests movement; the purposely unfinished leaves a vacuum into which the imagination of the beholder can pour.

So it is that when on Friday, November 16, 1855, Denmark’s most venerable newspaper announced: “On the evening of Sunday, the eleventh of this month, after an illness of six weeks, Dr Søren Aabye Kierkegaard was taken from this earthly life, in his forty-third year, by a calm death, which hereby is sorrowfully announced on his own behalf of the rest of the family by his brother / P. Chr. Kierkegaard,” it did so with the full knowledge that enclosed in these simple lines raged a storm that threatened to spill out onto the quiet streets of Copenhagen and beyond. Or so they must have hoped.

I ASSURE you that I am the book of fate. Questions are my enemies. For my questions explode! Answers leap up like a frightened flock, blackening the sky of my inescapable memories. Not one answer, not one suffices. What prisms flash when I enter the terrible field of my past. I am a chip of shattered flint enclosed in a box. The box gyrates and quakes. I am tossed about in a storm of mysteries. And when the box opens, I return to this presence like a stranger in a primitive land. Slowly (slowly, I say) I relearn my name. But that is not to know myself! This person of my name, this Leto who is the second of that calling, finds other voices in his mind, other names and other places. Oh, I promise you (as I have been promised) that I answer to but a single name. If you say, "Leto," I respond. Sufferance makes this true, sufferance and one thing more: I hold the threads! All of them are mine. Let me but imagine a topic say... men who have died by the sword-and I have them in all of their gore, every image intact, every moan, every grimace. Joys of motherhood, I think, and the birthing beds are mine. Serial baby smiles and the sweet cooings of new generations. The first walkings of the toddlers and the first victories of youths brought forth for me to share. They tumble one upon another until I can see little else but sameness and repetition. "Keep it all intact," I warn myself. Who can deny the value of such experiences, the worth of learning through which I view each new instant? Ahhh, but it's the past. Don't you understand? It's only the past!

Everything is difficult at first—the bow is hard to draw and the naginata is awkward to flail. Whatever the weapon, you learn to draw a strong bow as your strength increases for the task, and a sword becomes easier to swing as you become attuned to it through training. The discipline of the sword is not predicated on swiftness in the strike. I will explain this next in the Water Scroll. The basic principle to remember in this Way is that the long sword is employed in open areas and the short sword in confined spaces. In my school, victory must be attainable equally with both long and short weapons. That is why I have no established length for the swords we use. The Way of my school is to win no matter what. The time when it is better to utilize two swords instead of one becomes evident when fighting single-handedly against multiple foes or when you are battling in an enclosed space. I will refrain from explaining this in detail here. Suffice to say, you need to understand ten thousand things by knowing just one thing well. When you practice the Way of combat strategy, let nothing go unseen. Reflect on this closely.

A moment ago, when he entered this human aviary, the pictures, modestly enclosed in four wooden mouldings, remained flat and silent before him; in order to wrest their secret from them, he must believe in them. He wanted to believe in them. He stood in front of one of the canvases. Between the two walls, drenched in sunlight, a single hoop rolled towards that point where the parallels meet in infinity. Little by little, as he looked at it, the picture came alive. What it was saying he could not be translated into words; it was said in painting and no other language could have expressed its meaning; but it spoke. He advanced a few paces. Under his attentive gaze, all the pictures came alive; they awoke memories more ancient than the beginning of the world; they evoked the unpredictable face of the earth far beyond the revolutions to come; they exposed the secrets of a jagged coastline, of a dessert sprinkled with shells, as they remained solitary within themselves, protected from any conscience. Statues without faces, men turned to pillars of salt, landscapes scorched by the flames of death, oceans frozen into immobility of the absolute instant: these were the thousand shapes of absence. And while he looked at this universe devoid of onlookers, it seemed as if he were absent from himself, and that he remained, outside his own personal history, in an empty white eternity. And yet that dream of purity and absence only existed because I was there to lend it the strength of my life.

Even if I ultimately do not know this stone absolutely, even if knowledge about the stone gradually approaches infinity but is never completed, it is still the case that the perceived stone is there, that I recognized it, that I named it, and that we agree upon a certain number of claims regarding it. So it seems we are led into a contradiction: the belief in the thing and in the world can only signify the presumption of a completed synthesis--and yet this completion is rendered impossible by the very nature of the perspectives to be tied together, since each of them refers indefinitely to other perspectives through its horizon. There is indeed a contradiction, so long as we are operating within being, but the contradiction ceases...if we operate within time, and if we succeed in understanding time as the measure of being. The synthesis of horizons is essentially temporal, that is...it does not suffer time, and it does not have to overcome time; but rather, it merges with the very movement by which time goes by. Through my perceptual field with its spatial horizons, I am present to my surroundings, I coexist with all the other landscapes that extend beyond, and all of these perspectives together form a single temporal wave, an instant of the world. Through my perceptual field with its temporal horizons, I am present to my present, to the entire past that has preceded it, and to a future. And at the same time, this ubiquity is not actual, it is clearly only intentional. The landscape that I have before my eyes can certainly announce to me the shape of the landscape hidden behind the hill, but it only does so with a certain degree of indetermination, for here there are fields, while over there might be a forest, and, in any case, beyond the next horizon I know only that there will be either land or sea, and beyond again, either open sea or frozen sea, and beyond again, either earth or sky, and, within the confines of the earth's atmosphere, I know only that there will be something to see in general. I possess no more than the abstract style of these distant landscapes. Likewise, even though each past is gradually enclosed entirely in the more recent past that it had immediately succeeded--thanks to the interlocking of intentionalities--the past degrades, and my first years are lost in the general existence of my body of which I know merely that it was already confronted with colors, sounds, and a similar nature to the one I presently see. My possession of the distant landscape and of the past, like my possession of the future, is thus only a possession in principle; my life slips away from me on all sides and it is circumscribed by impersonal zones. The contradiction that we find between the reality of the world and its incompleteness is the contradiction between the ubiquity of consciousness and its engagement in a field of presence...If the synthesis could be actual, if my experience formed a closed system, if the thing and the world could be defined once and for all, if spatio-temporal horizons could (even ideally) be made explicit and if the world could be conceived from nowhere, then nothing would exist. I would survey the world from above, and far from all the places and times suddenly becoming real, they would in fact cease to be real because I would not inhabit any of them and I would be nowhere engaged. If I am always and everywhere, then I am never and nowhere. Thus, there is no choice between the incompleteness of the world and its existence, between the engagement and the ubiquity of consciousness, or between transcendence and immanence, since each of these terms, when it is affirmed by itself, makes its contradiction appear. What must be understood is that for the same reason I am present here and now, and present everywhere and always, or absent from here and now and absent from every place and from every time. This ambiguity is not an imperfection of consciousness or of existence, it is their very definition.

armour in battle. I am also thankful for Captain Peter Stocking and Dr Justin Pepperell for ensuring I was factually correct in medical and surgical aspects. Finally, Mr Norman Franks was kind enough to lend his deep expertise on air power and help me comprehend the air contribution to the campaign. I have hugely appreciated the large number of veterans who have ensured that my historical understanding of the Army of 1944 has stayed on track. A full list of those who have helped is enclosed at the back of this book, but I would particularly like to single out Sydney Jary, Joe Lawler, Jon Majendie, Ian Hammerton, Ken Tout and Jack Swaab. Most of all I am indebted to Field Marshal the Lord Bramall

Agadez has only a handful of multi-storey buildings. The main ones are the mosque and, next door to it, the palace of the Sultan of Aïr, who still retains a role in the local judicial system. But the houses overlooked by this pair are mostly single-storey courtyards, each enclosed by a windowless wall. These are the compounds, and perhaps fifty of them are used by smugglers – though no one knows the exact total. And that’s the point: they’re the perfect places to hide a hundred migrants until they head north to Libya. Once inside, the haggling starts. The going rate between Agadez and Libya is thought to be about 150,000 West African francs (CFA), or £166. But one traveller said he paid as much as €500 (£363), while Cisse claims he charges each of his thirty passengers as little as 50,000 CFA (£55). With such big numbers, it is no surprise that the business continues in full force despite a recent ban.

Mary Beth initiated the evening by playing the sound of ocean waves breaking on a beach, as we sat quietly, focusing on a large diorama. As the evening darkened into night, she lit candles and asked me to sit inside a large, hollow sculpture, as each participant, in turn, spoke about giving birth. In that enclosed space, shaped almost like a birth canal, I felt the ritual focus intensify. Suddenly a single question formed in my mind: “Are you willing to be a channel?” That jolted me into awareness of something that had never entered my consciousness: I was terrified of dying in childbirth. In the shock of that recognition, something changed, perhaps an involuntary release of muscles tensed with fear. Later, astonished by what had happened, I couldn’t recall ever hearing anyone talk about a woman dying in childbirth, often as it has happened in other times and places; instead, this felt like a genetic memory of countless women’s experiences, stored in the cells of our bodies. During the final, intensely focused moments of our gathering, another sentence formed itself, startling me, as if speaking to my intense desire to control what we can’t control: “You don’t have to do this; it does itself.” Three weeks later, for the first time in my life, I discovered that I was pregnant.

It is in vain that they oppose OPINION; anything else they may subdue. They may conquer wind, water, nature itself; but to the progress of that secret, subtle, pervading spirit, their imagination can devise, their strength can accomplish, no bar: its votaries they may seize, they may destroy; itself they cannot touch. If they check it in one place, it invades them in another. They cannot build a wall across the whole earth; and, even if they could, it would pass over its summit! Chains cannot bind it, for it is immaterial — dungeons enclose it, for it is universal. Over the faggot and the scaffold — over the bleeding bodies of its defenders which they pile against its path, it sweeps on with a noiseless but unceasing march. Do they levy armies against it, it presents to them no palpable object to oppose. Its camp is the universe; its asylum is the bosoms of their own soldiers. Let them depopulate, destroy as they please, to each extremity of the earth; but as long as they have a single supporter themselves — as long as they leave a single individual into whom that spirit can enter — so long they will have the same labours to encounter, and the same enemy to subdue.

He looks out over his back yard, what’s left of it. With the forest gone, the property looks smaller than sixty acres, stripped and shrunken like a dog in the bath. Behind the house, the crew left a single patch of grass, twenty foot square. Beyond lies a vast expanse of bare earth, dry and cocoa-colored, enclosed with chain-link fence. A bleak view, but not half as bad as what lies over the hill. The

Not the center, not the Radch itself.” When most people spoke of the Radch they meant all of Radchaai territory, but in truth the Radch was a single location, a Dyson sphere, enclosed, self-contained. Nothing ritually impure was allowed within, no one uncivilized or nonhuman could enter its confines.

For centuries, new information technologies fuelled the process of globalisation and brought people all over the world into closer contact. Paradoxically, information technology today is so powerful it can potentially split humanity by enclosing different people in separate information cocoons, ending the idea of a single shared human reality. While the web has been our main metaphor in recent decades, the future might belong to cocoons.

Nagler-Rolz helicopter (unspecified type) Two types of ultra-light helicopter were designed by Bruno Nagler. Each of these could be strapped to a man’s back. The first, for which no designation has been reported, has a single rotor, and a small engine enclosed in a fairing is mounted on an extension of the rotor on the opposite side of the hub. The motor drives a shaft which is housed inside the blade and, in turn, through bevel gearing, drives two small propellers in opposite directions. The propellers are located at the centre of pressure, one at the leading-edge and one at the trailing-edge of the blade.     Nagler-Rolz NR

American writer and biologist Frederick Kenyon (1867-1941) was the first to explore the inner workings of the bee brain. His 1896 study, in which he managed to dye and characterize numerous types of nerve cells of the bee brain, was, in the words of the world's foremost insect neuroanatomist, Nick Strausfeld, 'a supernova.' Not only did Kenyon draw the branching patterns of various neuron types in painstaking detail, but he also high­lighted, for the first time in any organism, that these fell into clearly identifi­able classes, which tended to be found only in certain areas of the brain. One such type he found in the mushroom bodies is the Kenyon cells, named in his honor. Their cell bodies -- the part of the neuron that con­tains the chromosomes and the DNA -- decoding machinery -- are in a peripheral area enclosed by the calyx of each mushroom body (the mush­room's 'head'), with a few additional ones on the sides of or underneath the calyces. A finely arbored dendritic tree (the branched struc­ture that is a nerve cell's signal 'receiver') extends into the mushroom body calyx, and a single axon (the neuron's 'information-sending output cable') extends from each cell into the mushroom body pedunculus (the mushroom's 'stalk'). Extrapolating from just a few of these characteristically shaped neu­rons that he could see, Kenyon suggested (correctly) that there must be tens of thousands of such similarly shaped cells, with parallel outputs into each mushroom body pedunculus. (In fact, there are about 170,000 Kenyon cells in each mushroom body.) He found neurons that connect the an­tennal lobes (the primary relays processing olfactory sensory input) with the mushroom body input region (the calyces, where the Kenyon cells have the fine dendritic trees) -- and even suggested, again correctly, that the mushroom bodies were centers of multisensory integration. Kenyon's 1896 brain wiring diagram [is a marvel]. It contains several classes of recognizable neuron types, with some suggestions for how they might be connected. Many neurons have extensions as widely branched as full­grown trees -- only, of course, much smaller. Consider that the drawing only shows around 20 of a honey bee brain's ~850,000 neurons. We now know that each neuron, through its many fine branches, can make up to 10,000 connection points (synapses) with other neurons. There may be a billion synapses in a honey bee's brain -- and, since the efficiency of synapses can be modified by experience, near-infinite possibility to alter the informa­tion flow through the brain by learning and memory. It is a mystery to me how, after the publication of such work as Kenyon's, anyone could have suggested that the insect brain is simple, or that the study of brain size could in any way be informative about the complexities of information pro­cessing inside a brain. Kenyon apparently suffered some of the anxieties all too familiar to many early-career researchers today. Despite his scientific accomplish­ments, he had trouble finding permanent employment, and moved be­tween institutions several times, facing continuous financial hardship. Eventually, he appears to have snapped, and in 1899 Kenyon was arrested for 'erratic and threatening behavior' toward colleagues, who subsequently accused him of insanity. Later that year, he was permanently confined to a lunatic asylum, apparently without any opportunity ever to rehabilitate himself, and he died there more than four decades later -- as Nick Strausfeld writes, 'unloved, forgotten, and alone.' It was not to be the last tragedy in the quest to understand the bee brain.

Even when we're alone, we are never alone. We exist in symbiosis--a wonderful term that refers to different organisms living together. Some animals are colonised by microbes while they are still unfertilised eggs; others pick up their first partners at the moment of birth. We then proceed through our lives in their presence. When we eat, so do they. When we travel, they come along. When we die, they consume us. Every one of us is a zoo in our own right--a colony enclosed within a single body. A multi-species collective. An entire world.

Maybe Sloan would agree to a deal. I’d talk to someone about some of my issues if she would agree to go to grief counseling. It wasn’t me giving in to Josh like she wanted, but Sloan knew how much I hated therapists, and she’d always wanted me to see someone. I was debating how to pitch this to her when I glanced into the living room and saw it—a single purple carnation on my coffee table. I looked around the kitchen like I might suddenly find someone in my house. But Stuntman was calm, plopped under my chair. I went in to investigate and saw that the flower sat on top of a binder with the words “just say okay” written on the outside in Josh’s writing. He’d been here? My heart began to pound. I looked again around the living room like I might see him, but it was just the binder. I sat on the sofa, my hands on my knees, staring at the binder for what felt like ages before I drew the courage to pull the book into my lap. I tucked my hair behind my ear and licked my lips, took a breath, and opened it up. The front page read “SoCal Fertility Specialists.” My breath stilled in my lungs. What? He’d had a consultation with Dr. Mason Montgomery from SoCal Fertility. A certified subspecialist in reproductive endocrinology and infertility with the American Board of Obstetrics and Gynecology. He’d talked to them about in vitro and surrogacy, and he’d had fertility testing done. I put a shaky hand to my mouth, and tears began to blur my eyes. I pored over his test results. Josh was a breeding machine. Strong swimmers and an impressive sperm count. He’d circled this and put a winking smiley face next to it and I snorted. He’d outlined the clinic’s high success rates—higher than the national average—and he had gotten signed personal testimonials from previous patients, women like me who used a surrogate. Letter after letter of encouragement, addressed to me. The next page was a complete breakdown on the cost of in vitro and information on Josh’s health insurance and what it covered. His insurance was good. It covered the first round of IVF at 100 percent. He even had a small business plan. He proposed selling doghouses that he would build. The extra income would raise enough money for the second round of in vitro in about three months. The next section was filled with printouts from the Department of International Adoptions. Notes scrawled in Josh’s handwriting said Brazil just opened up. He broke down the process, timeline, and costs right down to travel expenses and court fees. I flipped past a sleeve full of brochures to a page on getting licensed for foster care. He’d already gone through the background check, and he enclosed a form for me, along with a series of available dates for foster care orientation classes and in-home inspections. Was this what he’d been doing? This must have taken him weeks. My chin quivered. Somehow, seeing it all down on paper, knowing we’d be in it together, it didn’t feel so hopeless. It felt like something that we could do. Something that might actually work. Something possible. The last page had an envelope taped to it. I pried it open with trembling hands, my throat getting tight. I know what the journey will look like, Kristen. I’m ready to take this on. I love you and I can’t wait to tell you the best part…Just say okay. I dropped the letter and put my face into my hands and sobbed like I’d never sobbed in my life. He’d done all this for me. Josh looked infertility dead in the eye, and his choice was still me. He never gave up. All this time, no matter how hard I rejected him or how difficult I made it, he never walked away from me. He just changed strategies. And I knew if this one didn’t work he’d try another. And another. And another. He’d never stop trying until I gave in. And Sloan—she knew. She knew this was here, waiting for me. That’s why she’d made me leave. They’d conspired to do this.

And around this hub, its center enclosed by the rounded rectangle of the elevated Loop tracks, clustered the dozens of individual neighborhoods that together formed this huge and diverse metropolis. Here was Little Poland, Little Italy, the Black Belt, and Greektown, the silk-stocking districts and the New World shtetls, each one of which—whether made up of crumbling tenements, luxurious mansions, or neat little worker cottages—stood in many ways apart from the others, a self-contained enclave with its own ethos and mores. From this height, one could also see the engines that kept this collection of urban villages in operation—the interlocking feedlots and slaughterhouses of the stockyards district to the southwest, the enormous steel mills to the far south, the reaper works, the railcar factories, the gasworks, the warehouses and merchandise marts of the retailing trade, and the endless railyards full of trains that connected the city to the rest of the world. To call this conglomeration by a single name—Chicago—seemed wildly inappropriate. It was less like a city than a world unto itself, bringing together the artifacts and energies of a vast multitude.

Dendera's so-called Light Bulbs rather portray two buds sprouting against each other while enclosing the geometry of the Great Pyramid. In this vivid relief, the snakes (from the passed night) of the 4th and 5th hours in the Duat exit the shafts at sunrise and sunset towards the pyramid's virtual apex. The settings of sunrise and sunset can be seen on the left and right buds respectively; on the left is a priest of Afu-Ra supporting the bud in the same direction of Afu-Ra's path while being on top of the seed whence it germinates, and on the right is the djed pillar (without Afu-Ra's priest) representing the support of the pyramid's structure itself. Both supports, however, do unequivocally depict the sacred location of the whole scenery being in the House of Ka which is (or part of) the House of Osiris (with his throne on top of the pyramid). The oval shape of the so-called bulbs is yet another indication of the relevancy of the process of regeneration (which takes place in the womb of the pyramid) to the Duat itself; birth takes place at sunrise and gets cycled back at sunset. Another evidence is found in a papyrus where the rising Osiris-Res is in the same pyramidal posture. And according to Budge (who quotes Bergmann), the djed pillar was also called 'The House of Sekher', which I cannot help but interpret as Seker. The elements on the left side are carried on top of a barque signaling Afu-Ra's slanted journey in the southern shaft, whereas the right bud is sprouting on top of a horizontal floor showing probably the King's Chamber horizontal displacement from the center of the pyramid. Another relief shows one single bud combining both of the other buds together in one single scene; the scene of the sunrise. This relief is found right across the hall on the opposite wall. It depicts Afu-Ra's travel from the northern shaft by placing the djed pillar on the boat and in front of the priest. Another subtle difference is seen on the djed pillar's ka in which it touches the snake instead of the oval womb. It hence emphasizes the events surmounting the 5th hour (instead of the 4th). The ka is plucking the snake-like scepter to enact the scene of the 6th hour when the souls rise on their scepters and get provided with knives. And surely enough, an odd creature stands right in front of the bud with two knives in his hands. The presence of giants on these reliefs -who carry these buds- prove my assertion that the whole scene is taking place on a huge structure (i.e. pyramid), and the presence of two priests at the center facing each other (instead of giving their backs to one another) is a vivid representation of the Equinoxes; the time when the snakes creep into and out from the shafts.