Empty Your Pockets Quotes

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If you can convince the lowest white man he's better than the best colored man, he won't notice you're picking his pocket. Hell, give him somebody to look down on, and he'll empty his pockets for you.
Lyndon B. Johnson
She did not seem to want to speak, or perhaps she was not able to, but she mad timid motions toward Neville, holding something in her outstretched hand. "Again?" said Mrs. Longbottom, sounding slightly weary. "Very well, Alice dear, very well- Neville, take it, whatever it is..." But Neville had already stretched out his hand, into which his mother dropped an empty Droobles Blowing Gum wrapper. "Very nice, dear," said Neville's grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, "Thanks Mum." His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he'd ever found anything less funny in his life. "Well, we'd better get back," sighed Mrs. Longbottom, drawing on her long green gloves. "Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now..." But as they left, Harry was sure he saw Neville slip the wrapper into his pocket.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
I almost miss the sound of your voice but know that the rain outside my window will suffice for tonight. I’m not drunk yet, but we haven’t spoken in months now and I wanted to tell you that someone threw a bouquet of roses in the trash bin on the corner of my street, and I wanted to cry because, because — well, you know exactly why. And, I guess I’m calling because only you understand how that would break my heart. I’m running out of things to say. My gas is running on empty. I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus and looked for synonyms for you but could only find rain and more rain and a thunderstorm that sounded like glass, like crystal, like an orchestra. I wanted to tell you that I’m not afraid of being moved anymore; Not afraid of this heart packing up its things and flying transcontinental with only a wool coat and a pocket with a folded-up address inside. I’ve saved up enough money to disappear. I know you never thought the day would come. Do you remember when we said goodbye and promised that it was only for then? It’s been years since I last saw you, years since we last have spoken. Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs against each other’s. I’ve forgotten almost everything about you already, except that your skin was soft, like the belly of a peach, and how you would laugh, making fun of me for the way I pronounced almonds like I was falling in love with language.
Shinji Moon
Never refuse any who ask you for help; if your pockets are empty, give them hope. Your every action must be born of kindness, your every word spoken with love. Live as God would have you live, and others will be inspired to do the same.
Immaculée Ilibagiza (Our Lady of Kibeho: Mary Speaks to the World from the Heart of Africa)
Time to cash in your chips put your ideas and beliefs on the table. See who has the bigger hand you or the Mystery that pervades you. Time to scrape the mind's shit off your shoes undo the laces that hold your prison together and dangle your toes into emptiness. Once you've put everything on the table once all of your currency is gone and your pockets are full of air all you've got left to gamble with is yourself. Go ahead, climb up onto the velvet top of the highest stakes table. Place yourself as the bet. Look God in the eyes and finally for once in your life lose.
Adyashanti
Poor whites are still taught to hate—but not to hate those who are keeping them in line. Lyndon Johnson knew this when he quipped, “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.” We
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn't eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it'd be set with a heaping double portion, served alongside the various other preferences that made you, you.
Michelle Zauner (Crying in H Mart)
The currency of life is passion, and as with any coin, it has two sides: pleasure, pain, joy, sorrow. Impossible to slip a single side of that coin in your pocket. You take all or nothing." "Perhaps we are alike, you and I, and I prefer my pockets empty." "My pockets are far from empty.
Karen Marie Moning (Burned (Fever, #7))
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
The easiest thing to sell is truth.
Daymond John (The Power of Broke: How Empty Pockets, a Tight Budget, and a Hunger for Success Can Become Your Greatest Competitive Advantage)
But you have no house and no courtyard to your no-house, he thought. You have no family but a brother who goes to battle tomorrow and you own nothing but the wind and the sun and an empty belly. The wind is small, he thought, and there is no sun. You have four grenades in your pocket but they are only good to throw away. You have a carbine on your back but it is only good to give away bullets. You have a message to give away. And you're full of crap that you can give to the earth, he grinned in the dark. You can anoint it also with urine. Everything you have is to give. Thou art a phenomenon of philosophy and an unfortunate man, he told himself and grinned again.
Ernest Hemingway (For Whom the Bell Tolls)
The emptiness of your pocket is not a recipe for you to discount the value of your passion!
Israelmore Ayivor (The Great Hand Book of Quotes)
Don't drive a car in the dream, else you won't drive it on earth. Don't wish to become, else you won't become. Don't associate with fools, else your ancestors will be insulted. Don't be addicted to wine, else your pocket will be empty. Don't be drunk, else you'll be attacked.
Michael Bassey Johnson
But it’s two sides of the same coin. You don’t get to have only one side or the other. You have to put the whole thing in your pocket and take both, or you get nothing at all. I don’t want to live with empty pockets anymore.
Roni Loren (The Ones Who Got Away (The Ones Who Got Away, #1))
The more and more as time goes on, I am convinced that the energy of love will liberate the most daunting of times. You can empty your pockets for the purchases of items to fill the void, but once all that you have; makes you feel less than you started, you will see like me; the intensity of Love, is the only way through.
Nikki Rowe
Poor whites are still taught to hate—but not to hate those who are keeping them in line. Lyndon Johnson knew this when he quipped, “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
You can go with an empty pocket and come back heavily loaded if you allow your passion to escort you!
Israelmore Ayivor (The Great Hand Book of Quotes)
It’s gotten to where an entire nation can be energized by the force of a single idea put out into the world in a passionate way through social media—at little or no cost.
Daymond John (The Power of Broke: How Empty Pockets, a Tight Budget, and a Hunger for Success Can Become Your Greatest Competitive Advantage)
Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux (The Book of Men)
Just put the stone in your pocket, then leave me in an empty room so I can gaze out at all the Edgleys and laugh. Or maybe I'll pretend to be a ghost and haunt Beryl - Echo-Gordon (Skulduggery Pleasant: Playing With Fire)
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
NEWT: That’s all very well, Dumbledore, but, forgive me for asking, why can’t you go? They stop. DUMBLEDORE: I can’t move against Grindelwald. It has to be you. (beat) Well, I don’t blame you, in your shoes I’d probably refuse too. It’s late. Good evening, Newt. DUMBLEDORE Disapparates. NEWT: Oh c’mon! DUMBLEDORE’S empty glove reappears and tucks the business card bearing the address of the safe house into NEWT’S top pocket. NEWT (exasperated): Dumbledore.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
A few years back, they jacked David Copperfield in West Palm Beach, for Chrissake. Yes, it's funny: "Yo, empty your pockets," and he pulls out a bunny rabbit. But it's also depressing. If someone who can make himself disappear isn't safe, who is?
Colin Quinn (The Coloring Book: A Comedian Solves Race Relations in America)
Extravagant love, as in every generation before us, has been ridiculed and scorned. it is seen as wasteful and reckless overspending. But extravagant love, the offering of everything, the emptying of the pockets of our life, is the essence of true Christianity.
Eric Ludy (When God Writes Your Love Story: The Ultimate Approach to Guy/Girl Relationships)
The store was empty, without a single customer or employee. It appeared in the Internet age, pianos, like physical books, were fast becoming culturally extinct. They’d probably stay that way unless Apple invented the iPiano, which fit inside your pocket and could be mastered via text message. With the iPiano, anyone can be an iMozart. Then, you could compose your own iRequiem for your own iFuneral attended by millions of your iFriends who iLoved you.
Marisha Pessl (Night Film)
be in the efforts business, not the results business.
Daymond John (The Power of Broke: How Empty Pockets, a Tight Budget, and a Hunger for Success Can Become Your Greatest Competitive Advantage)
Told myself it didn’t matter if my ride didn’t turn heads—it only mattered that it turned things around for me.
Daymond John (The Power of Broke: How Empty Pockets, a Tight Budget, and a Hunger for Success Can Become Your Greatest Competitive Advantage)
When your pockets are empty, go where your heart is full.
Dragos Bratasanu (The Pursuit of Dreams: Claim Your Power, Follow Your Heart, and Fulfill Your Destiny)
You are truly rich when your heart is full of joy, even if your pockets are empty.
Matshona Dhliwayo
I coax my palm into his lapel in search of my wish, returning his feverish kiss. "Checkmate, you son of a bug," I say against his mouth two seconds before my fingers find an empty pocket. "Sleight of hand, blossom," he says right back. "'Tis in fact in my pants pocket, if you'd like to search there." I shove him off and drop to the floor, wiping my mouth. "It's mine!" "And you'll receive it when the time is right." His lips, all I can look at, tilt into that smug smile that I've come to detest. He motions toward the chair. "Sit. You've just been soundly kissed. No doubt you're short of breath." "Don't flatter yourself." I huff in an effort to hide the gulp of air and hold the teddy bear against my chest. "That kiss meant nothing. It had underlying motivation." "Oh, to be sure. That kiss was nothing if not motivational.
A.G. Howard (Splintered (Splintered, #1))
remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn’t eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it’d be set with a heaping double portion, served alongside the various other preferences that made you, you.
Michelle Zauner (Crying in H Mart)
God Bless The Child" Them that's got shall have Them that's not shall lose So the Bible says and it still is news Mama may have, Papa may have But God bless the child that's got his own, that's got his own Yes the strong get smart While the weak ones fade Empty pockets don't ever make the grade Mama may have, Papa may have But God bless the child that's got his own, that's got his own Money, you've got lots of friends They're crowding around your door But when you're gone and spending ends They don't come no more Rich relations give crusts of bread and such You can help yourself, but don't take too much Mama may have, Papa may have But God bless the child that's got his own, that's got his own Money you've got lots of friends They're crowding around your door But when you're gone and spending ends They don't come no more Rich relations give crusts of bread and such You can help yourself, but don't take too much Mama may have, Papa may have But God bless the child that's got his own, that's got his own Here just don't worry about nothing cause he's got his own Yes, he's got his own
Billie Holiday
There is nothing quite as painful as a truly awkward silence. If you have fallen in love and you tell the object of your affection how you feel and she simply stares at you, the air still and empty, that's awkward. Perhaps you finally get up the nerve to ask your boss for a raise and after you master the courage to blurt out your request he lets it hang there in the open air. This can be an awkward silence as well. But for some reason both these examples pale in comparison to the kind of uncomfortable silence a person might experience when trapped in the stomach of a colossal snake, miles under ground, where there is nothing but total darkness and the sound of your own self taking your final hot breathes of musty, stale air, after you've just heard the news that the one person who you believe could save you just because he is so big and powerful is hiding out in the pocket of a friend as a . . . toothpick
Obert Skye (Leven Thumps and the Gateway to Foo (Leven Thumps, #1))
President Lyndon Baines Johnson once argued, “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.
Michael Eric Dyson (What Truth Sounds Like: Robert F. Kennedy, James Baldwin, and Our Unfinished Conversation About Race in America)
We just need to get through it. Walk fast, but don’t look like you know where you’re going. We can’t afford to carry anything—empty your arms and pockets or we might get attacked. We’ll just have to hope we can find things in the Lincoln Building.
James Dashner (The Kill Order (Maze Runner, #4))
I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn’t eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it’d be set with a heaping double portion, served alongside the various other preferences that made you, you.
Michelle Zauner (Crying in H Mart)
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever." "Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute. "What about me?" St. Clair examines his watch. "Sideburns. You'll be seeing him next month." He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really. But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny." Shut up,Anna. Shut.Up. St. Clair unbuckles and rebuckles and unbuckles his watchband. "I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward. He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it. "Oof," he says. "Hey,there's a bed there." "Thanks for the warning." "No problem." "It's freezing in here.Do you have a fan on or something?" "It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help." He pats his way around the bed and slides back in. "Ow," he says. "Yes?" "My belt.Would it be weird..." I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor. "Um," he says. "Would it be weird-" "Yes." "Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover. "All we need now are Sixteen Candles and a game of Truth or Dare." He coughs. "Wh-what?" "The movie,pervert.I was just thinking it's been a while since I've had a sleepover." A pause. "Oh." "..." "..." "St. Clair?" "Yeah?" "Your elbow is murdering my back." "Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm. NO! I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life. I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The southern strategy marked the switch of the parties’ positions over the issue of race. Johnson knew what that meant: that the nation’s move toward equality would provide a weapon for a certain kind of politician to rise to power. In a hotel in Tennessee after a day spent seeing racial slurs scrawled on signs and an evening of bourbon, Johnson explained the signs to his young aide Bill Moyers: “I’ll tell you what’s at the bottom of it,” he said. “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.”[15]
Heather Cox Richardson (Democracy Awakening: Notes on the State of America)
rumors. I’ll not say more on the subject. Cheese in your eggs?” “Yes, please.” * * * With Kendra gone, Seth got out the equipment he had bundled in his towel, including his emergency kit and the jar he had smuggled from the pantry. The jar was now empty, washed clean in the bathroom sink. Taking out his pocket knife, Seth used the awl to punch holes in the lid. Unscrewing the top, he gathered bits of grass, flower petals, a twig, and a pebble, and placed them in the jar. Then he wandered across the garden from the pool, leaving the skimmer behind. If skill failed, he would resort to cunning. He found a good spot not far from a fountain, then took the small mirror from his
Brandon Mull (Fablehaven (Fablehaven, #1))
The waves of mind demand so much of Silence. But She does not talk back does not give answers nor arguments. She is the hidden author of every thought every feeling every moment. Silence. She speaks only one word. And that word is this very existence. No name you give Her touches Her captures Her. No understanding can embrace Her. Mind throws itself at Silence demanding to be let in. But no mind can enter into Her radiant darkness Her pure and smiling nothingness. The mind hurls itself into sacred questions. But Silence remains unmoved by the tantrums. She asks only for nothing. Nothing. But you won’t give it to Her because it is the last coin in your pocket. And you would rather give her your demands than your sacred and empty hands. *** Everything leaps out in celebration of mystery, but only nothing enters the sacred source, the silent substance. Only nothing gets touched and becomes sacred, realizes its own divinity, realizes what it is without the aid of a single thought. Silence is my secret. Not hidden. Not hidden. —ADYASHANTI
Adyashanti (Emptiness Dancing)
I don’t think that’s a fact. Look here, Mr. Charles, would you take your oath, or even just tell me straight out, that you’ve been emptying your pockets to me right along?” There was no use saying yes—he would not have believed me. I said: “Practically.” “Practically, yes,” he grumbled. “Everybody’s been telling me practically the whole truth. What I want’s some impractical son of a gun that’ll shoot the works.” I could sympathize with him: I knew how he felt. I said: “Maybe nobody you’ve found knows the whole truth.
Dashiell Hammett (The Thin Man)
I feel in my private pocket and find my credentials – what I carry to prove my superiority. I have passed. I have papers in my private pocket that prove it. But your eyes, Susan, full of turnips and cornfields, disturb me. These papers in my private pocket – the clamour that proves that I have passed – make a faint sound like that of a man clapping in an empty field to scare away rooks. Now it has died down altogether, under Susan’s stare (the clapping, the reverberation that I have made), and I hear only the wind sweeping over the ploughed land and some bird singing – perhaps some intoxicated lark.
Virginia Woolf (The Waves)
Jules had listened in on nearly every word exchanged while they’d been back there together, and it was more than obvious that Max had yet to pull Gina into his arms and do his imitation of the Han Solo and Princess Leia big-moment kiss from The Empire Strikes Back. Maybe when Jules and the E-man walked out of the garage and climbed into that ancient Escort—which turned out to be part of the Testa fleet-Max would take the opportunity to plant a big, wet one on this woman that he still so obviously adored. Or maybe not. “Sweetie, I love the haircut,” Jules told Gina as he gave Max back his cell phone. “You look fabulous for a woman who’s been dead for five days.” “What?” she said, but it was time to go. “Max’ll fill you in,” he said. There. There was no way Max was going to be table to tell Gina about receiving the report of her death without getting a little misty-eyed. At which point Gina would, at the very least, throw her arms around him. If Max couldn’t manage to turn that into a truth-revealing kiss, he didn’t deserve the woman. “Ow,” he added as Emilio pressed his weapon into Jules’s kidney. “Sorry,” Emilio managed to put the right amount of apology into his voice, but he was obviously so stressed that he didn’t quite get the right facial expression to match. It was pretty odd. Particularly when he jabbed Jules again. “Let’s go.” Wow, wasn’t this going to be fun? Max, meanwhile, had stepped protectively in front of Gina. He caught and held Jules’s gaze. “We’ll wait for your call.” Silently, he sent another message entirely. If Emilio gave Jules any trouble, he should shoot him. Never mind the fact that Emilio was the one with the drawn weapon. Never mind that Jules’s hands were out and empty, and that he’d have a major bullet hole in his body if he so much as put said hands near his pockets.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
What does this F. — I.W. mean?” “Initial-slang,” informed Baines. “Made correct by common usage. It has become a worldwide motto. You’ll see it all over the place if you haven’t noticed it already.” “I have seen it here and there but attached no importance to it and thought nothing more about it. I remember now that it was inscribed in several places including Seth’s and the fire depot.” “It was on the sides of that bus we couldn’t empty,” put in Gleed. “It didn’t mean anything to me.” “It means plenty,” said Jeff. “Freedom — I Won’t!” “That kills me,” Gleed responded. “I’m stone dead already. I’ve dropped in my tracks.” He watched Harrison thoughtfully pocketing the plaque. “A piece of abracadabra. What a weapon!” “Ignorance is bliss,” asserted Baines, strangely sure of himself. “Especially when you don’t know that what you’re playing with is the safety catch of something that goes bang.” “All right,” challenged Gleed, taking him up on that. “Tell us how it works.” “I won’t.” Baines’ grin reappeared. He seemed to be highly satisfied about something. “That’s a fat lot of help.” Gleed felt let down, especially over that momentary hoped-for reward. “You brag and boast about a one-way weapon, toss across a slip of stuff with three letters on it and then go dumb. Any folly will do for braggarts and any braggart can talk through the seat of his pants. How about backing up your talk?” “I won’t,” repeated Baines, his grin broader than ever. He gave the onlooking Harrison a fat, significant wink. It made something spark vividly within Harrison’s mind. His jaw dropped, he dragged the plaque from his pocket and stared at it as if seeing it for the first time. “Give it back to me,” requested Baines, watching him. Replacing it in his pocket, Harrison said very firmly, “I won’t.” Baines chuckled. “Some people catch on quicker than others.
Eric Frank Russell (. . . And Then There Were None (Astounding Science Fiction, December))
He undid the lock and pulled open the cover to reveal a large stack of envelopes, each one labeled with a different name: Franklin Hobart, Brian Yancey, Everett Singer, Larry Steczynski…it was this last one he grabbed and pulled open, emptying its contents into his wallet and pockets. “Larry Steczynski?” I asked incredulously. Sage smiled. “You don’t think it suits me?” “Oh, I think you suits you perfectly. How many aliases do you have?” “I’m a bit of a collector.” I placed a hand on his wrist, stopping him as he transferred something into his wallet. “Does Larry Steczynski carry a black AmEx?” “He might.” “My mom doesn’t even carry a black AmEx.” “Apparently your mom doesn’t move in the same circles as Larry Steczynski.” “Sage,” Ben called from across the room. He had knelt down to gaze closely at a sculpted figurine that sat on an end table, and his voice broke with awe. “This...this is a real Michelangelo, isn’t it?” “Yeah, yeah it is.” “But it’s a Michelangelo!” “Yep.” “And that painting,” Ben said, nodding to a piece on the wall featuring a sketch of what looked like a somewhat cherubic version of Sage himself. “That’s a real Rubens?” “It is.” “It looks like you.” “Strong genetics in the family line,” Sage explained.
Hilary Duff (Elixir (Elixir, #1))
Your mouth can correct what is wrong. Your eyes can see evil and your mouth can speak righteousness. Your body can say I am sick while your mouth can say I am healed. Your eyes can say I am blind but your mouth can say I can see, Your pocket can say I am empty while your mouth can say I am swimming in abundance. Your Doctor can say that you are HIV Postive and Cancer but your mouth can say my body is a holy temple of God and by His stripes I am healed. Your womb can say that you are barren while your mouth can say "Behold, children are a gift of the LORD, The fruit of the womb is a reward." Don´t live by sight, live by faith. Put it in practice.
Patience Johnson (Why Does an Orderly God Allow Disorder)
Sonnet of Consumerism Ever wonder in a world of consumerism, Who's the consumer, who's the product! You may think that you are the one owning things, But it's the things that own you, head and heart. When unmoderated materialism is the world's norm, Consumer is the product, product does the consuming. And this insanity is revered as industrial growth, Then they wonder, why is there so much suffering! The point is, your insecurity is good for business, The shallower you are, the more your pocket empties. But if you don't wanna end up at la casa de loco, Stop living in products and focus on memories. Corporations chasing revenue cause economic disparity. Buy less, buy local, to construct a sustainable economy.
Abhijit Naskar (Giants in Jeans: 100 Sonnets of United Earth)
The southern strategy marked the switch of the parties’ positions over the issue of race. Johnson knew what that meant: that the nation’s move toward equality would provide a weapon for a certain kind of politician to rise to power. In a hotel in Tennessee after a day spent seeing racial slurs scrawled on signs and an evening of bourbon, Johnson explained the signs to his young aide Bill Moyers: “I’ll tell you what’s at the bottom of it,” he said. “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.”[15] The stage was set, with rhetoric and policy, for the rise of authoritarianism.
Heather Cox Richardson (Democracy Awakening: Notes on the State of America)
Mrs. Weasley came to a halt in front of them, her hands on her hips, staring from one guilty face to the next. She was wearing a flowered apron with a wand sticking out of the pocket. “So,” she said. “Morning, Mum,” said George, in what he clearly thought was a jaunty, winning voice. “Have you any idea how worried I’ve been?” said Mrs. Weasley in a deadly whisper. “Sorry, Mum, but see, we had to —” All three of Mrs. Weasley’s sons were taller than she was, but they cowered as her rage broke over them. “Beds empty! No note! Car gone — could have crashed — out of my mind with worry — did you care? — never, as long as I’ve lived — you wait until your father gets home, we never had trouble like this from Bill or Charlie or Percy —” “Perfect Percy,” muttered Fred. “YOU COULD DO WITH TAKING A LEAF OUT OF PERCY’S BOOK!” yelled Mrs. Weasley, prodding a finger in Fred’s chest. “You could have died, you could have been seen, you could have lost your father his job —” It seemed to go on for hours. Mrs. Weasley had shouted herself hoarse before she turned on Harry, who backed away. “I’m very pleased to see you, Harry, dear,” she said. “Come in and have some breakfast.” She
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Then I saw Vas, clutching a mug of tea with bleeding knuckles. When he noticed the blood, he dabbed at it with a handkerchief and stuffed it back into his pocket. “I know you can’t feel pain, Vas, but there is some value in taking care of your own body,” I said to him. He raised his eyebrows at me, then set his mug down. The others were gathered on the opposite end of the room, holding glasses, standing in small groups. Most had collected around Ryzek like debris around a drain hole. Yma Zetsyvis--white hair almost glowing against the dark backdrop of space--was among them, her body stiff with obvious tension. Otherwise the room was empty, the black floors polished, the walls just curved windows. I half expected us all to float away. “You know so little about my gift, for all the time we’ve known each other,” Vas said. “Do you know I have to set alarms to eat and drink? And check myself constantly for broken bones and bruises?” I had never thought about what else Vas had lost when he lost the ability to feel pain. “That’s why I let the little wounds slide,” Vas said. “It’s exhausting, paying this much attention to your own body.” “Hmm,” I said. “I think I might know something about that.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
There is a fairy tale by Hans Christian Andersen about a soldier who is going through a forest. He meets an old woman who gives him a magic apron and sends him down into a deep shaft. He finds rooms of treasure as he goes deeper and deeper—each treasure greater than the last and each treasure guarded by a terrifying dog, each dog with larger eyes. The first one has eyes as big as saucers; the last one has eyes as big as wagon wheels. He does as the old woman told him: spreads out the apron, picks up each dog and puts it on the apron, and this makes him safe. In the first room he finds copper and fills his pockets. In the second room he finds silver and has to empty his pockets of copper to make room for silver. In the third room he finds gold and has to throw away the silver in order to gather the greater treasure. This tale is a metaphor for the process of making art. There is danger in going down into the unknown. What we will find there, in the unconscious where creation happens, may call for all our skill, all our intuition. It may change us; it may redefine our lives. But I believe we have no other choice if we are to be artist/writers. The act of writing is a tremendous adventure into the unknown, always fraught with danger. But the deeper you go and the longer you work at your art, the greater will be your treasure.
Pat Schneider (Writing Alone and with Others)
Write me a story, Kitt,” she whispered, kissing his brow, the hollow of his cheek. His lips and his throat, until she felt like love was an axe that had cleaved her chest open. Her very heart was beating in the air. “Write me a story where you keep me up late every night with your typing, and I hide messages in your pockets for you to find while you’re at work. Write me a story where we first met on a street corner, and I spilled coffee on your expensive trench coat, or when we crossed paths at our favorite bookshop, and I recommended poetry, and you recommended myths. Or that time when the deli got our sandwich orders wrong, or when we ended up sitting next to each other at the ball game, or I dared to take the train west just to see how far I could go, and you just so happened to be there too.” She swallowed the ache in her throat, leaning back to meet his gaze. Gently, as if he were a dream, she touched his hair. She smoothed the dark tendrils from his brow. “Write me a story where there is no ending, Kitt. Write to me and fill my empty spaces.” Ronan held her gaze, desperation gleaming in his eyes. An expression flickered over his face, one she had never seen before. It looked like both pleasure and pain, like he was drowning in her and her words. They were iron and salt, a blade and a remedy, and he was taking a final gasp of air.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
Neville’s mother had come edging down the ward in her nightdress. She no longer had the plump, happy-looking face Harry had seen in Moody’s old photograph of the original Order of the Phoenix. Her face was thin and worn now, her eyes seemed overlarge, and her hair, which had turned white, was wispy and dead-looking. She did not seem to want to speak, or perhaps she was not able to, but she made timid motions toward Neville, holding something in her outstretched hand. “Again?” said Mrs. Longbottom, sounding slightly weary. “Very well, Alice dear, very well — Neville, take it, whatever it is . . .” But Neville had already stretched out his hand, into which his mother dropped an empty Drooble’s Blowing Gum wrapper. “Very nice, dear,” said Neville’s grandmother in a falsely cheery voice, patting his mother on the shoulder. But Neville said quietly, “Thanks Mum.” His mother tottered away, back up the ward, humming to herself. Neville looked around at the others, his expression defiant, as though daring them to laugh, but Harry did not think he’d ever found anything less funny in his life. “Well, we’d better get back,” sighed Mrs. Longbottom, drawing on long green gloves. “Very nice to have met you all. Neville, put that wrapper in the bin, she must have given you enough of them to paper your bedroom by now . . .” But as they left, Harry was sure he saw Neville slip the wrapper into his pocket. The door closed behind them.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
The other thing preferable about the weekday services is that no one is there against his will. That’s another distraction on Sundays. Who hasn’t suffered the experience of having an entire family seated in the pew in front of you, the children at war with each other and sandwiched between the mother and father who are forcing them to go to church? An aura of stale arguments almost visibly clings to the hasty clothing of the children. “This is the one morning I can sleep in!” the daughter’s linty sweater says. “I get so bored!” says the upturned collar of the son’s suit jacket. Indeed, the children imprisoned between their parents move constantly and restlessly in the pew; they are so crazy with self-pity, they seem ready to scream. The stern-looking father who occupies the aisle seat has his attention interrupted by fits of vacancy—an expression so perfectly empty accompanies his sternness and his concentration that I think I glimpse an underlying truth to the man’s churchgoing: that he is doing it only for the children, in the manner that some men with much vacancy of expression are committed to a marriage. When the children are old enough to decide about church for themselves, this man will stay home on Sundays. The frazzled mother, who is the lesser piece of bread to this family sandwich—and who is holding down that part of the pew from which the most unflattering view of the preacher in the pulpit is possible (directly under the preacher’s jowls)—is trying to keep her hand off her daughter’s lap. If she smooths out her daughter’s skirt only one more time, both of them know that the daughter will start to cry. The son takes from his suit jacket pocket a tiny, purple truck; the father snatches this away—with considerable bending and crushing of the boy’s fingers in the process. “Just one more obnoxious bit of behavior from you,” the father whispers harshly, “and you will be grounded—for the rest of the day.” “The whole rest of the day?” the boy says, incredulous. The apparent impossibility of sustaining unobnoxious behavior for even part of the day weighs heavily on the lad, and overwhelms him with a claustrophobia as impenetrable as the claustrophobia of church itself. The daughter has begun to cry. “Why is she crying?” the boy asks his father, who doesn’t answer. “Are you having your period?” the boy asks his sister, and the mother leans across the daughter’s lap and pinches the son’s thigh—a prolonged, twisting sort of pinch. Now he is crying, too. Time to pray! The kneeling pads flop down, the family flops forward. The son manages the old hymnal trick; he slides a hymnal along the pew, placing it where his sister will sit when she’s through praying. “Just one more thing,” the father mutters in his prayers. But how can you pray, thinking about the daughter’s period? She looks old enough to be having her period, and young enough for it to be the first time. Should you move the hymnal before she’s through praying and sits on it? Should you pick up the hymnal and bash the boy with it? But the father is the one you’d like to hit; and you’d like to pinch the mother’s thigh, exactly as she pinched her son. How can you pray?
John Irving (A Prayer for Owen Meany)
Is Joanna Gaines here? We have a warrant here for her arrest,” the officer said. It was the tickets. I knew it. And I panicked. I picked up my son and I hid in the closet. I literally didn’t know what to do. I’d never even had a speeding ticket, and all of a sudden I’m thinking, I’m about to go to prison, and my child won’t be able to eat. What is this kid gonna do? I heard Chip say, “She’s not here.” Thankfully, Drake didn’t make a peep, and the officer believed him. He said, “Well, just let her know we’re looking for her,” and they left. Jo’s the most conservative girl in the world. She had never even been late for school. I mean, this girl was straitlaced. So now we realize there’s a citywide warrant out for her arrest, and we’re like, “Oh, crap.” In her defense, Jo had wanted to pay those tickets off all along, and I was the one saying, “No way. I’m not paying these tickets.” So we decided to try to make it right. We called the judge, and the court clerk told us, “Okay, you have an appointment at three in the afternoon to discuss the tickets. See you then.” We wanted to ask the judge if he could remove a few of them for us. “The fines for our dogs “running at large” on our front porch just seemed a bit excessive. We arrived at the courthouse, and Chip was carrying Drake in his car seat. I couldn’t carry it because I was still recovering from Drake’s delivery. We got inside and spoke to a clerk. They looked at the circumstances and decided to switch all the tickets into Chip’s name. Those dogs were basically mine, and it didn’t make sense to have the tickets in her name. But as soon as they did that, this police officer walked over and said, “Hey, do you mind emptying out all of your pockets?” I got up and cooperated. “Absolutely. Yep,” I said. I figured it was just procedure before we went in to see the judge. Then he said, “Yeah, you mind taking off your belt?” I thought, That’s a little weird. Then he said, “Do you mind turning around and putting your hands behind your back?” They weren’t going to let us talk to the judge at all. The whole thing was just a sting to get us to come down there and be arrested. They arrested Chip on the spot. And I’m sitting there saying, “I can’t carry this baby in his car seat. What am I supposed to do?” I started bawling. “You can’t take him!” I cried. But they did. They took him right outside and put him in the back of a police car. Now I feel like the biggest loser in the world. I’m in the back of a police car as my crying wife comes out holding our week-old baby. I’m walking out, limping, and waving to him as they drive away. And I can’t even wave because my hands are cuffed behind my back. So here I am awkwardly trying to make a waving motion with my shoulder and squinching my face just to try to make Jo feel better. It was just the most comical thing, honestly. A total joke. To take a man to jail because his dogs liked to walk around a neighborhood, half of which he owns? But it sure wasn’t funny at the time. I was flooded with hormones and just could not stop crying. They told me they were taking my husband to the county jail. Luckily we had a buddy who was an attorney, so I called him. I was clueless. “I’ve never dated a guy that’s been in trouble, and now I’ve got a husband that’s in jail.
Joanna Gaines (The Magnolia Story)
I could stay,” he said. “I could leave tomorrow.” “No. I want you to go now.” “Do you?” “Yes.” “Ah, but what about what I want?” The softness in his voice made her lift her gaze. She would have answered him--how, she wasn’t sure--if Javelin’s attention hadn’t turned to him. The stallion began nuzzling Arin as if he were the horse’s favorite person in the world. Kestrel felt a pang of jealousy. Then she saw something that sent thoughts of jealousy and loneliness and want right out of her head, and just made her mad. Javelin was nibbling a certain part of Arin, waffling around a pocket exactly the right size to hold a-- “Winter apple,” Kestrel said. “Arin, you have been bribing my horse!” “Me? No.” “You have! No wonder he likes you so much.” “Are you sure it’s not because of my good looks and pleasing manners?” This was said lightly--not quite sarcastically, yet in a voice that nevertheless told Kestrel that he doubted he possessed either of these things. But he was pleasing. He pleased her. And she could never forget his beauty. She had learned it all too well. She blushed. “It’s not fair,” she said. He took in her rising color. His mouth curved. And although Kestrel wasn’t sure that he could interpret what effect he was having on her simply by standing there and saying the word pleasing, she knew that he always knew when he had an advantage. He pressed it. “Doesn’t your father’s theory of war include winning over the other side by offering sweets? No? An oversight, I think. I wonder…might I bribe you?” Kestrel’s fingers clenched. It probably looked like anger. It wasn’t. It was the instinctive gesture of someone dangerously tempted. “Open your hands, Little Fists,” said Arin. “Open your eyes. I haven’t stolen his love for you. Look.” It was true that in the course of their conversation, Javelin had turned away from Arin, disappointed by the empty pocket. The horse nosed Kestrel’s shoulder. “See?” Arin said. “He knows the difference between an easy mark and his mistress.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
Cam let go of Evie and approached Sebastian as the room emptied. “You fight like a gentleman, my lord,” he commented. Sebastian gave him a sardonic glance. “Why doesn’t that sound like a compliment?” Sliding his hands into his pockets, Cam observed mildly, “You do well enough against a pair of drunken sots—” “There were three to start with,” Sebastian growled. “Three drunken sots, then. But the next time you may not be so fortunate.” “The next time? If you think I’m going to make a habit of this—” “Jenner did,” Cam countered softly. “Egan did. Nearly every night there is some to-do in the alley, the stable yard, or the card rooms, after the guests have had hours of stimulation from gaming, spirits, and women. We all take turns dealing with it. And unless you care to get the stuffing knocked out of you on a weekly basis, you’ll need to learn a few tricks to put down a fight quickly. It causes less damage to you and the patrons, and keeps the police away.” “If you’re referring to the kind of tactics used in rookery brawls, and quarrels over back-alley bobtails—” “You’re not going for a half hour of light exercise at the pugilistic club,” Cam said acidly. Sebastian opened his mouth to argue, but as he saw Evie drawing closer something changed in his face. It was a response to the anxiety that she couldn’t manage to hide. For some reason her concern gently undermined his hostility, and softened him. Looking from one to the other, Cam observed the subtle interplay with astute interest. “Have you been hurt?” Evie asked, looking over him closely. To her relief, Sebastian appeared disheveled and riled, but free of significant damage. He shook his head, holding still as she reached up to push back a few damp amber locks that were nearly hanging in his eyes. “I’m fine,” he muttered. “Compared to the drubbing I received from Westcliff, this was nothing.” Cam interrupted firmly. “There are more drubbings in store, milord, if you won’t take a few pointers on how to fight.” Without waiting for Sebastian’s assent, he went to the doorway and called, “Dawson! Come back here for a minute. No, not for work. We need you to come take a few swings at St. Vincent.” He glanced back at Sebastian and remarked innocently, “Well, that got him. He’s hurrying over here.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Bored with Pisit today, I switch to our public radio channel, where the renowned and deeply reverend Phra Titapika is lecturing on Dependent Origination. Not everyone’s cup of chocolate, I agree (this is not the most popular show in Thailand), but the doctrine is at the heart of Buddhism. You see, dear reader (speaking frankly, without any intention to offend), you are a ramshackle collection of coincidences held together by a desperate and irrational clinging, there is no center at all, everything depends on everything else, your body depends on the environment, your thoughts depend on whatever junk floats in from the media, your emotions are largely from the reptilian end of your DNA, your intellect is a chemical computer that can’t add up a zillionth as fast as a pocket calculator, and even your best side is a superficial piece of social programming that will fall apart just as soon as your spouse leaves with the kids and the money in the joint account, or the economy starts to fail and you get the sack, or you get conscripted into some idiot’s war, or they give you the news about your brain tumor. To name this amorphous morass of self-pity, vanity, and despair self is not only the height of hubris, it is also proof (if any were needed) that we are above all a delusional species. (We are in a trance from birth to death.) Prick the balloon, and what do you get? Emptiness. It’s not only us-this radical doctrine applies to the whole of the sentient world. In a bumper sticker: The fear of letting go prevents you from letting go of the fear of letting go. Here’s the good Phra in fine fettle today: “Take a snail, for example. Consider what brooding overweening self-centered passion got it into that state. Can you see the rage of a snail? The frustration of a cockroach? The ego of an ant? If you can, then you are close to enlightenment.” Like I say, not everyone’s cup of miso. Come to think of it, I do believe I prefer Pisit, but the Phra does have a point: take two steps in the divine art of Buddhist meditation, and you will find yourself on a planet you no longer recognize. Those needs and fears you thought were the very bones of your being turn out to be no more than bugs in your software. (Even the certainty of death gets nuanced.) You’ll find no meaning there. So where?
John Burdett (Bangkok Tattoo (Sonchai Jitpleecheep, #2))
Ryder! What’s taking you so long?” “I’m on my way!” he yells back. It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He’s somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark. “Here,” he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door. “Seriously, Ryder? You brought the cake?” He shrugs. “I was hungry.” Hmm, I guess all that kissing worked up his appetite. For cake. I’m not sure if I should be offended or not. On the plus side, he doesn’t look like he’s about to puke. So we’re making progress as far as his fear of storms goes. I guess that’s something. “Did you happen to bring a fork?” I ask, setting the plate on the makeshift tabletop. He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn’t sound that bad out there. Still, the fact that we’re so calm--that Ryder’s so calm--should tell you how routine this is getting. As long as we don’t hear that awful freight-train sound, we’re good. “What happened to the cake?” he asks between bites. “It looks like someone mutilated it while I was gone.” “Sorry,” I mutter. “Guess I did some stress bingeing. You realize you’re not wearing a shirt, right?” He glances down and shrugs, his cheeks flushing ever so slightly. “Sorry ’bout that.” It might seem silly that he’s apologizing, but at Magnolia Landing, you don’t come to the table unless you’re fully dressed. It’s one of Laura Grace’s most unbendable rules--you dress for meals, even breakfast. Not that this counts as a meal, and I’m not sure you could call this plywood-on-top-of-a-crate thing a “table.” But still… By the time the sirens shut off, we’ve completely cleaned the plate, even scraping off the hardened frosting with our fingers. “That was quick,” I say, setting aside the now-empty plate. Ryder nods. “I guess we should give it a minute or two. You know, make sure it’s not coming back on.” So we wait. Silently. Ryder can’t even meet my eyes, and all I want to do is stare at his lips. This is crazy. I mean, what do we do now--now that the sirens are off and the cake is gone? Apparently, the answer is pretend like nothing happened.
Kristi Cook (Magnolia (Magnolia Branch, #1))
He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
WILL WORK FOR FOOD © 2013 Lyrics & Music by Michele Jennae There he was with a cardboard sign, Will Work For Food Saw him on the roadside, As I took my kids to school I really didn’t have time to stop, Already running late Found myself pulling over, Into the hands of fate The look in his eyes was empty, But he held out his hand I knew my kids were watching, As I gave him all I had My heart in my throat I had to ask, “What brought you here?” He looked up and straight into my eyes, I wanted to disappear. CHORUS He said… Do you think I really saw myself, Standing in this light Forgotten by society, After fighting for your rights WILL WORK FOR FOOD, WILL DIE FOR YOU I AM JUST A FORGOTTEN SOLDIER, I DON’T KNOW WHAT TO DO v. 2 He put the money in his pocket, Then he took me by the hand Thank you dear for stopping by, I am sure that you have plans He nodded toward my children, Watching from afar It’s time they were off to school, You should get in the car My eyes welled up and tears fell down, I couldn’t say a word Here this man with nothing to his name, Showing me his concern I knew then that the lesson, That today must be taught Wouldn’t come from textbooks, And it could not be bought CHORUS He said… Do you think I really saw myself, Standing in this light Forgotten by society, After fighting for your rights WILL WORK FOR FOOD, WILL DIE FOR YOU I AM JUST A FORGOTTEN SOLDIER, I DON’T KNOW WHAT TO DO v. 3 I told him then that I had a job, That I could give him work And in return he’d have a meal, And something to quench his thirst He looked at me and shrugged a bit, And followed me to the car We went right over to a little café, Just up the road not too far After I ordered our food he looked at me, And asked about the kids “Shouldn’t these tykes be in school, And about that job you said.” “Your job,” I said, “is to school my girls, In the ways of the world Explain to them your service, And how your life unfurled.” He said… Do you think I really saw myself, Standing in this light Forgotten by society, After fighting for your rights WILL WORK FOR FOOD, WILL DIE FOR YOU I AM JUST A FORGOTTEN SOLDIER, I DON’T KNOW WHAT TO DO v. 4He wasn’t sure quite what to do, As he ate his food And began to tell us all about his life… the bad… the good. He wiped his own tears from his eyes, His story all but done My girls and I all choked up, Hugged him one by one Understanding his sacrifice, But not his current plight We resolved then and there that day, That for him, we would fight. We offered him our friendship, And anything else we had He wasn’t sure how to accept it, But we made him understand LAST CHORUS That we had not really seen before, Him standing in the light No longer forgotten by us, We are now fighting for his rights He had… WORKED FOR FOOD HE HAD ALL BUT DIED FOR ME AND YOU NOT FORGOTTEN ANYMORE BUT STILL A SOLDIER IN TRUST
Runa Heilung
Jenks and I stood there like statues watching him twitch, his eyes rolling up in his head. He clutched at his clothes pulling the wooden pole they hung from down on top of him. Slowly his right hand came scrambling out away from his body to clutch at my left leg. Without thinking I shoved my crucifix at him and he pulled his hand back with a hiss, shielding his face again. As quickly as I could, I dug my tubes of Holy Water out of my coat pocket and emptied them on his head. He shrieked again and clawed at his face. Jenks followed suit, pouring his two vials on Skorzeny's body and legs. Skorzeny started to foam and bubble before our eyes. I was paralyzed. I couldn't quite believe what was happening. Those books hadn't described any of this. I was feeling dizzy and sick. The shrieks turned to groans and a gurgling deep in his throat. He pulled his hands away from his face and it looked like the disintegrating Portrait of Dorian Gray. I looked over to Jenks who had an odd expression on his face. I looked over to Jenks who had on odd expression on his face. He motioned to me and reached for my left hand which, I noticed, was still clutching the airline hag with the stake and hammer in it. I dropped it and he grabbed it off the floor, moving over to the smoking form still squirming in the closet which smelled even more foul than before, and oozing a greenish yellow pus from the crumpled clothing on his scarecrow frame. Jenks looked back at me and handed me the stake and hammer. 'Go ahead. This was your idea. Finish it.' I declined, turning away. Jenks spun me around violently and thrust the stake into my left hand. He pushed me toward what was left of Skorzeny and forced me to my knees. He forced my hand toward Skorzeny, positioning the stake over the man's chest. Then he stuck the hammer in my right hand. 'Do it, you gutless sonofabitch. Finish it... now!' And he stepped away. I looked at him and back at Skorzeny. Then I gave one vicious swing and hit the stake dead center. The thing made a gurgling grunt, like a pig snuffling for food, and started to regurgitate a blackish fluid from its mouth. I closed my eyes, took a deep breath and hit the stake three more times. Then I fell back and threw up. When I looked back, Skorzeny's hands, or what was left of them, clutched at the stake trying to pull it out. Suddenly, he emitted a kind of moaning, sucking sound, gagged and more bile-colored liquid flecked with black and red came coiling up in a viscous rope like some evil worm from his mouth. And he stopped moving, his hands still clutching the stake. Then a sort of gaseous mist started to rise from his body and it was so much worse than the original smell that I pushed Jenks aside and ran from the house. I ran all the way to a patrol car where I slumped against the left front wheel as Jenks slowly strolled toward me. He walked past me, ignoring me, and opened his trunk, taking out a couple of small gas cans, and headed back to the house. I wasn't paying much attention until he left the house again and I saw it was aflame.
Jeff Rice (The Night Stalker)
If the human race ever wishes to master time travel then the answer is through chemical and not mechanical means. Speed is time travel. It will pilfer away at the space-time around you without your consent, propelling you forward through time. The human body is a vehicle of flux. It is exhilarating to move rhythmically, pulsing, stepping through pockets of your existence in fluid motions. The time that speed steals from you, it gives back with interest, cold and hard on a Monday morning. It brings with it a terrifying despair that creeps upon you. It is a black, slow-motion suicide. The ceiling begins to drip and ooze grey-brown sludge. Aural hallucinations, the demons of psychosis, speak wordless words of pure dread... Sometimes I would laugh and giggle hysterically at inane nonsensical stories that would play out in my mind. I would watch them unfold, like a lucid dream, weird images, Boschian forms, twisted nightmares... And I would weep. I would weep for nothing with salty tears, rivers of anguish and existential pain running down my face, dripping quietly onto the carpet. Day after day, I would unravel myself, dissect, and analyse my life over and over until I was exhausted and insane. Speed is not an insightful drug. It will not delude you into a false sense of spirituality like hallucinogens. It is the aftermath and the come down from speed that will rip open your ego and show you the bare, horrible bones of yourself. It will open the beautiful black doorway inside you and it will show you nothing. Through the darkness of internal isolation, the amphetamine comedown will show you no god, no spirituality, no soul, just your own perishable flesh, and your own animal self-preservation. It will show you clearly just how ugly you really are inside. In the emptiness of yourself, there is only the knowledge of your eventual death. When you have truly faced yourself and recognised yourself as purely animal then you become liberated from the societal pretence that you are above or better than any other creature. You are a human animal. You are naturally motivated to be selfish. Everything you do, every act you partake of, is in its essence an act of survival. No act of the human-animal happens without the satisfaction of the ego’s position in existence…
Steven LaVey (The Ugly Spirit)
In Chicago, two days later, two black people beat and robbed a “white boy” in revenge for Trayvon. Eighteen-year-old Alton Hayes III and his fifteen-year-old accomplice walked up behind their nineteen-year-old victim and said “Empty your pockets, white boy.” They then “threw him to the ground and punched him ‘numerous times’ in the head and back before running away,” police said. After being arrested, Hayes told police he was upset by the Trayvon Martin case, and said he beat the victim up because he was white.4
Colin Flaherty (White Girl Bleed A Lot: The Return of Racial Violence to America and How the Media Ignore It)
Anecdotal Spores: The Crazy Uncle Late one cold and drizzly winter night while I was traveling through the mountains, I stopped in a roadside bar for a beer and a sandwich and decided to sit at the counter, which was empty except for a very fat man at the far end. The waitress was young and thin, with a bad complexion. She had glasses and wore her hair in pigtails. She was also a nervous blinker, blinking with every word she spoke as she asked what I wanted. I decided that a beer might make me too sleepy to drive, so I ordered a coffee, along with a bacon cheeseburger. When I’d ordered, I glanced down at the fat man and saw that he was staring at me. I nodded, then turned back and looked at the mirror behind the whiskey bottles. But with that first brief glance there seemed to be something oddly familiar about him. So after a moment I glanced back, and he was still sitting there staring at me. He was dressed in an old-fashioned shirt and tie and had a thick cluster of pens in his shirt pocket. Finally he said, “Don’t you recognize me?” “No, can’t say I do,” I told him. He nodded sadly. “How can that be? I’m your uncle.” I frowned at him a moment, then turned back and looked at the mirror. A moment later he said, speaking to nobody, “His own uncle, and he doesn’t know me.” Finally, sighing, he got up and ambled to the men’s room. The waitress came back to pour my coffee. Blinking, she said, “Don’t mind him; he’s crazy. He thinks he’s everybody’s uncle.” I shook my head. “Yes, but he does look familiar, somehow.” “People always say that, too,” the waitress said, blinking the words at me before going back to the serving slot in the wall to see if my bacon cheeseburger was ready.
Matt Hughes
Even at a distance, he recognized Emma sprawled headlong in the street, and he broke into a run. The road was empty, so was the boardwalk. He knelt beside her and helped her sit up. “Emma . . . honey, are you okay?” Tears streaked her dusty cheeks. “I-I lost my Aunt Kenny, and”—she hiccupped a sob—“m-my mommy’s gone.” Her face crumpled. “Oh, little one . . . come here.” He gathered her to him, and she came without hesitation. He stood and wiped her tears, and checked for injuries. No broken bones. Nothing but a skinned knee that a little soapy water—and maybe a sugar stick—would fix right up. “Shh . . . it’s okay.” He smoothed the hair on the back of her head, and her little arms came around his neck. A lump rose in his throat. “I won’t let anything happen to you.” Her sobs came harder. “Clara fell down too, Mr. Wyatt.” She drew back and held up the doll. “She’s all dirty. And she stinks.” Wyatt tried his best not to smile. Clara was indeed filthy. And wet. Apparently she’d gone for a swim in the same mud puddle Emma had fallen in. Only it wasn’t just mud, judging from the smell. “Here . . .” He gently chucked her beneath the chin. “Let’s see if we can find your Aunt Kenny. You want to?” The little girl nodded with a hint of uncertainty. “But I got my dress all dirty. She’s gonna be mad.” Knowing there might be some truth to that, he also knew Miss Ashford would be worried sick. “Do you remember where you were with Aunt Kenny before you got lost?” Emma shook her head. “I was talkin’ to my friend, and I looked up . . .” She sniffed and wiped her nose with the back of her hand. “And Aunt Kenny was gone.” Wyatt knew better than to think it was McKenna Ashford who had wandered away. “We’ll find her, don’t you worry.” “Clara’s dress is dirty like mine, huh?” She held the doll right in front of his face. Wyatt paused, unable to see it clearly. Easily supporting Emma’s weight, he took Clara and did his best to wipe the dirt and mud from the doll’s dress and its once-yellow strands of hair. His efforts only made a bigger mess, but Emma’s smile said she was grateful. “She likes you.” Emma put a hand to his cheek, then frowned. “Your face is itchy.” Knowing what she meant, he laughed and rubbed his stubbled jaw. He’d bathed and shaved last night in preparation for church this morning, half hoping he might see McKenna and Emma there. But they hadn’t attended. “My face is itchy, huh?” She squeezed his cheek in response, and he made a chomping noise, pretending he was trying to bite her. She pulled her hand back, giggling. Instinctively, he hugged her close and she laid her head on his shoulder. Something deep inside gave way. This is what it would have been like if his precious little Bethany had lived. He rubbed Emma’s back, taking on fresh pain as he glimpsed a fragment of what he’d been denied by the deaths of his wife and infant daughter so many years ago. “Here, you can carry her.” Emma tried to stuff Clara into his outer vest pocket, but the doll wouldn’t fit. Wyatt tucked her inside his vest instead and positioned its scraggly yarn head to poke out over the edge, hoping it would draw a smile. Which it did.
Tamera Alexander (The Inheritance)
This Paris where you woke bruised after tremendous nights—indelible nights, your pockets empty, the last bills scattered on the floor, the memories scattered too.
Vintage (Burning the Days: Recollection (Ambassador Book Awards) (Vintage International))
What the fuck happened between you two?” Logan asks as soon as the door closes. I shrug. Logan is famous for his shrugs. He should accept mine. But he doesn’t. Instead, he punches me in the shoulder. Shit, that hurt. “What the fuck?” I ask. “What happened?” he asks. He looks straight into my eyes. “Nothing,” I say. I shake my head. “Not a fucking thing.” “Dude, you had a pillow shoved in your lap, and you were getting off her bed when we walked in. Something happened.” He shoves my shoulder, almost knocking me over. Logan’s a big boy. A little bigger than me, and I’m a big guy. “Not to mention that she looked like she’d just been fucked.” I stop and turn to face him. I lay both lands flat on his chest and shove him as hard as I can. “Don’t ever fucking talk about her like that again,” I warn. Logan takes a few steps back. Then he grins. “It’s about fucking time,” he says. He holds up a hand to high five me. “Fuck you,” I say instead, and I keep walking toward my dorm. I can’t get there fast enough. “Did you kiss her?” he asks. He grins at me again, and I feel a smile tugging at my own lips. But it doesn’t last for more than a minute. His joviality isn’t contagious. “I was about to…. Then you guys busted in,” I admit. “She wants you, man. She’s got it as bad as you do. Trust me.” I shake my head. “She doesn’t.” “She does.” He claps a hand on my shoulder. “She told Emily. Emily told me.” He pauses and then says, “You’re welcome.” “What did she say?” I ask. I probably don’t want to know. “She said she wants to have your babies.” He jumps back when I go to punch him, and he laughs. “Shut up,” I say. “This is serious.” “Why’s it so serious all of a sudden?” Logan asks.  “This shit’s been going on between you two for a long time. Why does it suddenly matter so much?” “The contest is today. They’re raffling off a kiss from her.” I heave a sigh. “One lucky winner is going to get to kiss the woman I love. In front of everybody.” “Oh, fuck,” Logan breathes. “That’s shit.” “I asked her not to go,” I confess. “So, go buy all the tickets,” he says with a shrug, as though he just solved world poverty or AIDS. “It doesn’t work like that. You have to guess the number of jelly beans in her jar. If you get the wrong number, you don’t get anything. If you get the right number, you get to kiss her.” “So, we need to figure out how many jelly beans are in her jar,” he says simply. He looks at me. “Did you see the jar?” I nod. “It’s a pickle jar.” I hold out my hands to show him the size. “The big kind.” “So we need a jar that size, and we need to fill it with jelly beans and then count them. At least then you can get close, right?” I scrub a hand down my face. “This is stupid. I’ll never get it. Every guess costs a dollar.” I reach into my pocket and pull out my wallet. It’s nearly empty. “You’re just going to let somebody else kiss her?” “If I’m not there, I won’t see it.” I shrug my shoulders, trying to hide the fact that I feel as if I’m being gutted. He stares at me. He doesn’t say anything. “If it were Emily, I’d buy every fucking pickle and every damn jelly bean in the state of New York. There’s no way my girl would kiss some asshole.” “You’re right,” I say. “We need to go to the store.” Hope swells inside me. Do I have a chance? I won’t know until I try, I guess. Logan
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Miserly curmudgeons may help themselves, but considerate and generous believers the Lord will help. As you have done unto others, so will the Lord do unto you. Empty your pockets.
Charles Haddon Spurgeon (The Chequebook of the Bank of Faith: Precious Promises Arranged for Daily Use with Brief Comments)
Emily tossed her body armor down on her office floor with a curse. She turned at the sound of soft laughter behind her. Olivia stood in the doorway, her favorite white and red coffee mug cradled in both hands in front of her. “I never thought I’d hear the day where you’d cuss,” Olivia said. “Yeah well, you try putting together your Inceptor Body Armor,” she growled, “without instructions. There is not a single person in this entire clinic that knows how to do this.” She glared down at the pile of gear. “There’s pouches and pockets and straps and…” “And lions and tigers and bears, oh my,” Olivia said. Emily glared at her friend. “Not funny.” “It’s a little funny. Seeing you flustered like this? Totally funny.” Olivia moved closer to the pile of gear sitting next to the empty plastic bags it had come in. She toed an empty pouch. “Did you just pick this up?” “An hour ago. I thought it would come put together. I mean, who just hands a soldier a pile of gear and says ‘here you go, figure it out’?” “That would be the U.S. Army,” a male voice said.
Jessica Scott (A Place Called Home (Coming Home #4))
of my jacket pocket. By this point, with my full workday and tonight’s party of all parties to plan, I was more surprised when it wasn’t going off. A sound, deafening even by midtown Manhattan standards, hammered into my ears as I made the corner. Was it a jackhammer? A construction pile driver? Of course not, I thought, as I spotted a black kid squatting on the sidewalk, playing drums on an empty Spackle bucket. Luckily, I also spotted my lunch appointment, Aidan Beck, at the edge of the crowded street performance. Without preamble, I hooked elbows with the fair, scruffily handsome young man and pulled him into the chic Hudson. At the top of the neon-lit escalator, a concierge who looked like one of the happy, shiny cast members of High School Musical smiled from behind the Carrara marble check-in desk. “Hi. I called twenty minutes ago,” I said. “I’m Mrs. Smith. This is Mr. Smith. We’d like a room with a large double bed. The floor or view doesn’t matter. I’m paying cash. I’m really in a rush.” The clerk took in my sweating face and the contrast between my sexy office attire and my much younger companion’s faded jeans and suede jacket with seeming approval. “Let’s get you to your room, then,” the über-happy concierge said without missing a beat.
James Patterson (10th Anniversary (Women's Murder Club, #10))
You!’ he shouted, and he thrust his hand into his pocket, but it was empty. ‘Your wand’s here, son,’ said Ted, tapping it on Harry’s arm. ‘It fell right beside you, I picked it up. And that’s my wife you’re shouting at.
J.K. Rowling (Harry Potter and the Deathly Hallows)
Even if your pockets are empty, never forget to fill your heart with love.
Debasish Mridha
A man who smelled like a distillery flopped on a subway seat next to a priest. The man's tie was stained, his face was plastered with red lipstick, and a half empty bottle of gin was sticking out of his torn coat pocket. He opened his newspaper and began reading. After a few minutes, the disheveled man turned to the priest and asked, "Say, Father, what causes arthritis?" The priest replied "Mister, it's caused by loose living, being with cheap women, too much alcohol and a contempt for your fellow man."  "Well I'll be," the drunk muttered, returning to his paper. The priest, thinking about what he had said, nudged the man and apologized, "I'm very sorry. I didn't mean to come on so strong. How long have you had arthritis?"  "I don't have it Father. I was just reading here that the Pope does." A guy is going down on his girlfriend and says, "Man you have a big pussy! Man you have a big pussy!" She snaps back, "Why'd you say it twice?" He replies, "I didn't...
Adam Smith (Funny Dirty Jokes: 2016 LOL Edition (Sexual and Adult's Jokes) (Comedy Central))
Wiremu tried shoving the handful of notes into his trouser pocket. The movement did not go unnoticed. ‘I have no other debt with you and, as I said, I was just leaving,’ Wiremu said, getting up to leave. Jowl reached out, clasping the smaller man on his arm, digging his fingers in, dragging Wiremu back into his seat. ‘The thing is, Mister Kepa — oh yes, I know who you are. I’ve heard all about you. I know more about you than your mother does. See, you interfered with my family business, and the Jowl brothers don’t take kindly to others interfering in our business. We’re good churchgoing folk who abide by the word of Lord Jesus our Saviour, but we also need money to live, to follow the word of God. And when you owe the Jowl brothers, you pay the debt. You, sir, are well overdue on paying what you owe.’ Wiremu looked around the bar, trying to catch the eye of anyone watching, hoping they’d intervene, but no one would meet his eye. Since Jowl had sat at his table, most of the other patrons had decided they had things to do elsewhere. The room was almost empty. No one would help him; he was on his own. Resigned to his fate, Wiremu replied, ‘Fine. How much do I owe you?’ ‘You owe me for the bottles of liquor which smashed, two shillings ought to deal with that.’ Wiremu exhaled in relief. Two shillings was fine, it left him enough for the trip down country. He thrust his hand into his pocket and pulled out the cash. Joe changed his grip to Wiremu’s wrist, ‘I said two shillings would cover the bottles which were broke, but that won’t cover the loss of the girl.’ Wiremu frowned, ‘What
Kirsten McKenzie (The Last Letter (The Old Curiosity Shop #2))
Your father is singularly inexperienced,” Mrs Whatsit said, “though a fine man, and worth teaching. At the moment he still treats tessering as though he were working with a machine. We will not let the Black Thing get you. I don’t think.” This was not exactly comforting. The momentary vision and faith that had come to Meg dwindled. “But suppose I can’t get Charles Wallace away from IT—” “Stop.” Mrs Whatsit held up her hand. “We gave you gifts the last time we took you to Camazotz. We will not let you go empty-handed this time. But what we can give you now is nothing you can touch with your hands. I give you my love, Meg. Never forget that. My love always.” Mrs Who, eyes shining behind spectacles, beamed at Meg. Meg felt in her blazer pocket and handed back the spectacles she had used on Camazotz. “Your father is right,” Mrs Who took the spectacles and hid them somewhere in the folds of her robes. “The virtue is gone from them. And what I have to give you this time you must try to understand not word by word, but in a flash, as you understand the tesseract. Listen, Meg. Listen well.
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
He is thinking if there is any way by which he can explain just how and what it is he suffers. He is wondering if there is anyone in the whole wide world with a heart big enough to comprehend what it is he wants to tell. There are so many little things to say first, and will anyone have the patience to listen to the end? Suffering is no one thing: it is composed of invisible atoms infinite in number, each one a universe in the great macrocosm of pain. He could begin anywhere, with anything, with a silly word even, a word such as flapdoodle, and he could erect a cathedral of staggering dimensions which would not occupy so much as a pocket in the crevice of the tiniest atom. To say nothing of the surrounding terrain, of the circumambient aura, of things like coast lines, volcanic craters, fathomless lagoons, pearl studs and tons of chicken feathers. The musician has an instrument to work with, the surgeon has his implements, the architect his plans, the general his pawns, the idiot his idiocy, but the one who is suffering has everything in the universe except relief. He can run out to the periphery a trillion times but the circle never straightens out. He knows every diameter but no egress. Every exit is closed, whether it be an inch away or a billion light years distant. You crash a gate made of arms and legs only to get a butt blow behind the ear. You pick up and run on bloody, sawed-off stumps, only to fall into an endless ravine. You sit in the very center of emptiness, whimpering inaudibly, and the stars blink at you. You fall into a coma, and just when you think you've found your way back to the womb they come after you with pick and shovel, with acetylene torches. Even if you found the place of death they would find a way to blow you out of it. You know time in all its curves and infidelities. You have lived longer than it takes to grow all the countless separate parts of a thousand new universes. You have watched them grow and fall apart again. And you are still intact, like a piece of music which goes on being played forever. The instruments wear out, and the players too, but the notes are eternal, and you are made of nothing but invisible notes which even the faintest zephyr can shake a tune out of.
Henry Miller (The Air-Conditioned Nightmare (New Directions Paperbook))
If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
I’m leaving the army,” he said. Lily felt hope leap within her breast. Maybe Caleb had changed his mind; maybe he wanted to be a farmer after all. She held her breath, waiting for him to go on. “I want to go back to Pennsylvania.” Lily’s hopes plummeted. She could only stare at Caleb in misery. “I see,” she said finally, with dignity. Caleb reached into the pocket of his uniform coat and brought out a small box. “I want you to go with me, Lily,” he told her, setting the box in front of her. She opened it, hands trembling, to find an exquisite diamond ring inside. The larger center stone glittered and winked at her from amid the surrounding smaller gems. Her finger fairly burned, waiting to wear that ring. “I can’t,” she said resolutely, snapping the box closed and shoving it back toward Caleb. He leaned forward in his chair and lowered his voice. “Don’t sit there and tell me you don’t care for me, Lily, because I know you do. Yesterday you gave yourself to me in a woodshed, remember?” Lily colored to recall the wanton way she’d behaved, and she lowered her eyes. “I do care,” she answered, “but I don’t want to leave my land, and I don’t want a husband.” “You’d marry me if I agreed to stay and farm that damnable land with you?” Again hope stirred in Lily’s heart. “Yes.” “You just said you didn’t want a husband.” Lily bit her lower lip. “If we were going to live in the same house, we’d have to be married, wouldn’t we?” Caleb pushed the ring box back across the table. “Has it ever occurred to you that I could promise to live on the farm, marry you, and then take you anywhere I damn well please, whether you want to go or not?” “You’re not making a very good case for marriage,” Lily answered, ignoring the ring box and taking a steadying sip of her coffee. The truth was, she had never once considered the possibility Caleb had suggested; she knew he was honest to a fault. “Damn it,” he whispered, “I should have done it. I should have told you I’d homestead with you and then married you!” “I would never have forgiven you, and you know it. It would have soured everything between us.” “Not everything,” Caleb argued, making Lily blush again. “Must every conversation we have come back to that?” Caleb took the ring from the box, and then he lifted Lily’s left hand and shoved the diamond unceremoniously onto her finger. “I think the fact that you would probably let me make love to you damn near anywhere has some bearing on what we’re talking about, yes!” Lily looked around furtively to see if anyone was listening. Fortunately, the restaurant was nearly empty, and the few other diners were sitting some distance away. “There is absolutely no need for you to be so arrogant,” she fretted, trying to pull the ring off. It was just a tiny bit too small and wouldn’t come over her knuckle. Caleb’s amber eyes were glittering with triumph when she looked up at him. “Perfect fit,” he said. Lily pushed back her chair. “I’ll get it off if I have to have my finger amputated,” she replied, preparing to leave. “Get out of that chair and there will be a scene you’ll remember until the day you die,” Caleb promised. Lily sat down again. “I don’t want to marry you, and I don’t want to go to Pennsylvania, so why can’t you just leave me alone?” “Because I love you,” Caleb answered, and he looked as surprised to find himself saying the words as Lily was to hear them. “I beg your pardon?” “You heard me, Lily.” “You said you loved me. Did you mean it?” Caleb drove one hand through his hair. “Yes.” Lily stared at him and stopped trying to get the ring off her finger. “You’re just saying that. It’s a trick of some kind.” Caleb laughed, but there was no humor in the sound. “Believe me, it’s no trick—it’s a fact I’m going to have to live with for the next fifty years.” In
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
You like it with more cream than sugar, am I right? And my nose tells me the kitchen sent up a pekoe, which I’m guessing is more to your taste than Darjeeling. Here.” She watched bemused as he prepared her tea then passed her a cup and saucer. “Drink up. If I’d thought to bring my pocket pistol, we could be adding a dollop of medicinal courage. That might put the roses back in your cheeks.” He didn’t fix himself a cup; instead he studied her, which necessitated that she study her tea. He didn’t chatter; he let her finish her tea in silence. It was the smallest, most mundane pleasure in the world, to sip a cup of tea fixed just for her, but it was a comfort. “I am not myself today.” She set the empty cup and saucer back on the tray. “I apologize for the lack of roses in my cheeks.” “You, my dear, are cranky.” He sounded amused. When he reached out and tucked a lock of Maggie’s hair behind one ear, she was not amused in the least. “While I appreciate your solicitude, Mr. Hazlit, it isn’t necessary.” And
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
same threat-level warning issued ad nauseam. The security mandates—empty your pockets, remove your shoes, laptops out, gels and liquids in separate bags—repeated so many times that eventually everyone stopped hearing them. All of this so reflexive and automatic and habituated and slow that the travelers were a little zoned out and playing with their phones and just simply enduring this uniquely modern, first world ordeal that is not per se “difficult” but is definitely exhausting. Spiritually debilitating. Everyone feeling a small ache of regret, suspecting that, as a people, we could do better. But we don’t. The line for a McRib was quiet and solemn and twenty people deep.
Nathan Hill (The Nix)
Lyndon Johnson knew this when he quipped, “If you can convince the lowest white man he’s better than the best colored man, he won’t notice you’re picking his pocket. Hell, give him somebody to look down on, and he’ll empty his pockets for you.” We are a country that imagines
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
New job?” he asked. “New job,” Burton said. “I know you and Erich grew up together. Is this going to be a problem for you?” “Nope,” Timmy said, slipping the gun into his pocket. There hadn’t even been a pause. “You’re sure?” “Sure, I’m sure. I get it. They’ve got him in the system now. If they get him too, there’s all kinds of things he compromises. If they can’t get him, nothing gets compromised, and I’m the only guy who can get close to him without him seeing it coming.” “Yes.” “So I kill him for you,” Timmy said. He could have been saying, So I’ll pick up dinner on my way. There was no bravado in it. Burton sat, tilted his head. The friendly smile and the empty eyes met him. “All right, I’m curious,” Burton said. “Did you game this? This was your plan?” “Shit no, chief,” Timmy said. “This here’s just happy coincidence.
James S.A. Corey (The Churn (The Expanse, #3.5))
What if I tell you that for a fine dining experience, you don’t have to leave your home. Well, you may think that is not possible, but wait a minute, because we have done something impossible. You can transform your kitchen & dining room for a complete fine dining experience without emptying your pockets. All you have to do is just visit market99.com, and you will find a huge collection of the latest and best quality kitchen & dining products. There are so many good options that can make you confused. Well, that is why we compiled a list of the best kitchen & dining products available on Market 99 for a fine dining experience.
Vipin Mehta
Pale lights illuminate The Seven’s inner chamber. Once bright, the lamps are overgrown, dimmed by a sheet of stone. The room is octagonal, one side for the supplicant, unadorned. Six others each house a figure, statue-like, covered from head to toe in a thick layer of rock. All appear human shaped, with discernible wings, their postures neutral, dead. The seventh alcove lies empty. The Vagrant holds the sword up, letting it hum, calling, calling. As if returning from a dream, The Seven respond, slowly, sonorously. Splitting the shells that cover them, yawning into life. One by one, they catch the call and return it, till the harmony swells, reverberating from the walls and leaping up, vanishing into the fathomless, ceilingless dark above. Beautiful sounds mature, becoming words, musical, passed from one to the other, filling the chamber and the Vagrant’s ears. ‘Mourning has become morning, and we rejoice …’ ‘We rejoice in the proximity of your flame once more …’ ‘Once more we are Seven …’ ‘Are Seven together, come …’ ‘Come and join with us …’ ‘Join with us your light, diminished but still bright.’ Six arms drift out, gesturing to the last alcove, inviting. Neither Vagrant nor sword move. An eye studies the chamber, pausing at each alcove, noting the blades housed there, buried beneath layers of stone, useless. Rage simmers between sword and Vagrant. He takes a lock of hair from an inner pocket, throws it down on the floor between them. The sword lowers to point at it, then sweeps across the figures, then makes a hard stab towards the doors. Six faces freeze as the joyous echoes of song die out. The Vagrant swallows in a throat suddenly dry. Vesper dares a quick peek from behind the Vagrant’s coat. Alpha, of The Seven, sings out. The note begins wondrous but imperfect, the others soon match him. ‘We see now your pain, most furious …’ ‘Most furious you are and desperate to fight …’ ‘To fight once more, your desire …’ ‘Your desire we grant, go forth, take a second flame to our enemies …’ Voices come together, their force rocking the Vagrant backwards until he is pinned to the wall. Vesper holds his hand tightly, little feet rising from the floor. ‘Do not stop …’ ‘Stop when the cancer …’ ‘Cancer is cut …’ ‘Cut from the bones …’ ‘Bones and flesh …’ ‘Flesh of the land …’ ‘Land is clean!’ The Vagrant closes his eyes, squeezes them tight. He braces himself against the sound, pulling Vesper behind him raising the sword in front. Silvered wings unfurl protectively, shielding his face. An eye widens, blazing with indignation. ‘Then …’ ‘Then, then and only then …’ ‘Only then will you be free …’ ‘Be free to return to us …’ ‘Return to us and rejoice …’ ‘Rejoice for true, complete again. Immaculate.’ Six go quiet, demands echoing after. Vesper’s feet touch floor again and she wraps herself around a comforting leg. In the Vagrant’s hand, the sword trembles, humming dangerously. He takes a deep breath. From the depths of his stomach something is forged, travelling inevitably, gaining force as it goes, following tubes behind ribs, up through the chest, into the throat, teeth parting, allowing it outside. The Vagrant opens his eyes, they are full of weariness, disgust, conviction. ‘No.
Peter Newman
If you knew that you would die in 14 days, what would you do? What about a year? What about 25 years? My guess is, in each circumstance, that everyone would miss as much of their life as they do now. If you are in a habit of mindlessly putting your pennies into the slot machine, you will do it until your pockets are empty. This is why paying attention is so important.
Eric Overby
This whole painful irony is especially striking in the case of email, that ingenious twentieth-century invention whereby any random person on the planet can pester you, at any time they like, and at almost no cost to themselves, by means of a digital window that sits inches from your nose, or in your pocket, throughout your working day, and often at weekends, too. The ‘input’ side of this arrangement – the number of emails that you could, in principle, receive – is essentially infinite. But the ‘output’ side – the number of messages you’ll have time to read properly, reply to, or just make a considered decision to delete – is strictly finite. So getting better at processing your email is like getting faster and faster at climbing up an infinitely tall ladder: you’ll feel more rushed, but no matter how quickly you go, you’ll never reach the top. In ancient Greek myth, the gods punish King Sisyphus for his arrogance by sentencing him to push an enormous boulder up a hill, only to see it roll back down again, an action he is condemned to repeat for all eternity. In the contemporary version, Sisyphus would empty his inbox, lean back and take a deep breath, before hearing a familiar ping: ‘You have new messages
Oliver Burkeman (Four Thousand Weeks: Time and How to Use It)
Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
Kim Addonizio (Tell Me)
Mother Meera is a contemporary Hindu saint who teaches that if we want anything we have to ask for it with our whole heart in a way that “your heart can be empty and God can fill it.” To pray in this way it is necessary to remember that God has already given you the kingdom.
Joan Borysenko (Pocketful of Miracles: Prayer, Meditations, and Affirmations to Nurture Your Spirit Every Day of the Year)
A fool can learn from his own mistakes, but a wise man learns from the mistakes of others.
Daymond John (The Power of Broke: How Empty Pockets, a Tight Budget, and a Hunger for Success Can Become Your Greatest Competitive Advantage)
which
Daymond John (The Power of Broke: How Empty Pockets, a Tight Budget, and a Hunger for Success Can Become Your Greatest Competitive Advantage)
And he said... ...who will call you friend when your pockets are empty?
Anthony T. Hincks
I mean, wouldn’t it be grand, to have a legend that grew while you were alive to enjoy it? To sit in a tavern and hear all the people around you speak of what you’ve done, with no notion that you were among them as flesh and blood?” “I can sit in a tavern and be ignored anytime I please,” muttered Calo. “I want to see the Kingdom of the Marrows someday,” said Sabetha. “Game my way from city to city…on the arms of nobles, emptying their pockets as I go, charming them witless. I’d be like a force of nature. They’d come up with some elegant title for their shared affliction. ‘It was her… it was… it was the Rose.’” Sabetha rolled this off her tongue, obviously savoring it. “The Rose of the Marrows, they’ll say. ‘The Rose of the Marrows has been my ruin!’ And they’ll tear their hair out explaining everything to their wives and bankers, while I ride on to the next city.” “Are we all going to need stupid nicknames, then?” said Calo. “We could be…the Shrubs of the North.” “The Weeds of Vintila,” said Galdo. “And if you’re a rose,” said Calo, “Locke’s going to need something as well.” “He can be a tulip,” said Galdo. “Delicate little tulip.” “Nah, if she’s the rose, he can be her thorn,” Calo snapped his fingers. “The Thorn of Camorr! Now that’s got some shine to it!” “That’s the dumbest fucking thing I’ve ever heard,” said Locke.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
Giving up things you don't have is easy. It's easy to become a monk when your pockets are empty. It’s easy to become a minion when your dreams are empty. The real sacrifice is to give up something you love from every core of your heart.
Sarvesh Jain
And isn’t that what a college education is, after all? It’s the longest con of all: a promise that leaves your pockets empty and rarely deposits you where it says you’ll land. But maybe
Janelle Brown (Pretty Things)
Sure, Raoul, but let’s see your money.’ ‘Fuck you, Zachery Blubber.’ But he slapped twenty bucks down. Zak opened a beer, banged it on to the counter and sauntered back for the bourbon. ‘So how’s LA, man? You get all that fancy gear there?’ Raoul shrugged. His nose was running and he sniffed as Zak leaned against the bar, sliding the bourbon glass forwards. ‘Cool, it’s cool.’ ‘You look like you need to chill out.’ Raoul knocked back the bourbon and reached for the beer. ‘Your brothers are workin’ out back.’ ‘Uncle Fryer around?’ ‘Sleepin’, like always at this time. Place was jumpin’ last night, he played so much he got his big old lips swollen up, but he sure as hell can play that beat-up bugle o’ his.’ Raoul sniffed again, wiping his nose with his shirt cuff. He took out a thick roll of notes and peeled off another twenty. ‘Same again, have one yourself.’ Zak eyed the wad, and slowly moved back along the bar. ‘Don’t mind if I do, brother, don’t mind if I do.’ Raoul had to wait a while as a couple of customers needed refills. He was beginning to get the shakes and wondered why the hell he’d come back. He’d get more than the shakes when he showed his face back home. What had seemed like a good idea was now beginning to pale. Zak passed another beer and bourbon along, holding up a glass to indicate he’d taken his drink and started to chinwag with two old boys huddled at the far end of the bar. ‘Zak, eh, Zak man, come on down here a second, will ya?’ Raoul said loudly, gulping down his beer. ‘What you want?’ said Zak, handing out beers and tossing the empties into a crate beneath the bar. He kind of knew, so he opened a drawer under the till and took out a packet. ‘This what you want, bro?’ Raoul put his hand over the plastic bag. Zak leaned forward, whispering that it was good home-grown gear, he could vouch for it. ‘You got any skins?’ Raoul asked, peeling off fifty dollars. ‘Shit, man, what you want me to do, smoke it for you?’ He reached into the back pocket of his pants and tossed down a squashed pack of rolling
Lynda La Plante (Cold Blood (Lorraine Page, #2))
Be with people for whom your empty pocket does not matter.
Pratik Akkawar
Yeah, well, I--” He stops and his eyes shift behind me, wide in amusement. I turn my head to find a couple straight out of the 1980s at the end of the gelato line. They’re both sporting mullets and faded jeans. White sneakers. When I notice the matching red fanny packs, I have to look away. “You should take a picture of that,” he says, resting his forearms on the table. “What?” I lean in closer and speak just above a whisper. “No way.” “Do it!” he insists. “Five euros.” He digs into his pocket and clanks down five coins. I sneak a peek at the unsuspecting couple. The man is wiping sweat off his face with a hanky. They’re too close. I’d never get away with it. “I can’t,” I say. “Pansy.” With a grunt, I switch my camera on and set it to automatic. I raise it to my face and start to twist my upper body. “No, wait!” he says. “You’re doing it wrong.” I drop the camera to my lap and face him. “What?” “You’re too obvious. You need stealth. Watch and learn.” He retrieves a small point-and-shoot camera from his pocket and aims it toward me. “Say cheese!” he says so loudly that I’m sure everyone around us is looking. “Uh…cheese?” “Done.” He hits a few buttons and shows me the display screen. There they are. Looked right at him too. Clever. But I can’t let him win. “Wow. That’s pretty pixelated. What kind of setting do you have that on?” He frowns. “It’s just zoomed in.” “Oh.” I reach to zoom out, but he pulls it away too fast. “What? Why can’t I see? Did you actually take a picture of me or something?” “Stealth.” He shrugs and my cheeks turn pink. “Guess these are my winnings.” The coins scrape across the table as he scoops them up to put in his pocket. “You didn’t even give me a chance to redeem myself,” I defend. “Excuses, excuses. Just admit I’m the better photographer.” He laughs, standing to shoot his empty cup in the trash. “Finished?” I nod and he tosses mine too. “Braver maybe, but better? Your camera doesn’t have enough buttons.
Kristin Rae (Wish You Were Italian (If Only . . . #2))