Odysseus Pride Quotes

Abraham’s actions are explained not only by what is happening to him at the moment, nor yet only by his character (as Achilles’ actions by his courage and his pride, and Odysseus’ by his versatility and foresightedness), but by his previous history; he remembers, he is constantly conscious of, what God has promised him and what God has already accomplished for him—his soul is torn between desperate rebellion and hopeful expectation; his silent obedience is multilayered, has background. Such a problematic psychological situation as this is impossible for any of the Homeric heroes, whose destiny is clearly defined and who wake every morning as if it were the first day of their lives: their emotions, though strong, are simple and find expression instantly.

would ride into fire. For Odysseus that whip was pride.

Consider your self-respect, your pride. Do not lose yourself in an alien world. Avoid that swamp, that isle of Circe—for you are not Odysseus enough to dwell there unharmed. You will walk on all fours, you are tipping down onto your front limbs already, and will soon begin to grunt—beware!

Achilles’ rebuke of Odysseus, in its pride and despair, resonates throughout the Odyssey. Yet rather than spreading a gloom over the rest of the poem, it is a constant background reminder. We are moved, as the poet describes them, by the simplest of things human life has to offer: a bath, a meal, a courteous welcome to a stranger, a conversation by the fire. There is a radiance that surrounds our brief human actions, a beauty that makes even the life of a beggar or a slave, from Achilles’ perspective, seem like a privilege. These simple things are the givens longed for by him and the other ghosts, those that would have wept to step barefoot into reality, That would have wept and been happy, have shivered in the frost And cried out to feel it again, have run fingers over leaves And against the most coiled thorn, have seized on what was ugly And laughed . . .

Our most heated argument concerned the preponderance of women in my epic and Athene’s ubiquity, and the precedence given to famous women when Odysseus meets the ghosts of the departed. I had mentioned only Tyro, Antiope, Alcmene, Jocasta, Chloris, Leda, Iphimedeia, Phaedra, Procris, Ariadne, Maera, Clymene and, naturally, Eriphyle, and let Odysseus describe them to Alcinous. “My dear Princess,” said Phemius, “if you really think that you can pass off this poem as the work of a man, you deceive yourself. A man would give pride of place to the ghosts of Agamemnon, Achilles, Ajax, Odysseus’s old comrades, and other more ancient heroes such as Minos, Orion, Tityus, Salmoneus, Tantalus, Sisyphus and Hercules; and mention their wives and mothers incidentally, if at all; and make at least one god help Odysseus at some stage or other.” I admitted the force of his argument, which explains why, now, Odysseus first meets a comrade who has fallen off a roof at Circe’s house—I call him Elpenor—and cracks a mild joke about Elpenor’s having come more quickly to the Grove of Persephone by land than he by sea. I also allow Alcinous to ask after Agamemnon, Achilles and the rest, and Odysseus to satisfy his curiosity. For Phemius’s sake I have even let Hermes supply the moly in passages adapted from my uncle Mentor’s story of Ulysses. In my original version I had given all the credit to Athene.

Did you know he named his pistols?” she asked. He felt his jaw begin to tick and immediately forced himself to relax. “I think I’ve read that before.” “Well, I just read it recently. As if having a boy pistol and a girl pistol wasn’t bad enough, he goes and names them. Odysseus and Penelope.” She laughed. A full-throated, from-the-belly laugh. “But what can you expect from somebody named Lucious?” Over his four years as a Ranger, he’d traveled seventy-four thousand miles, made two hundred scouts, and one hundred eighty-two arrests. He’d endured cold, hunger, and fatigue without a murmur. He’d been said to have the eyes of a fox, the ears of a wolf, and the ability to follow scent like a hound. Yet this tiny bit of fluff could throw him off-kilter like no other. He counted to ten. “What’s wrong with the name Lucious?” She looked at him, incredulous. “What’s wrong with Lucious? It’s . . . it’s . . . I don’t know . . . silly, don’t you think? Sounds like luscious.” He was named after his father. The father whose life had been senselessly snuffed out by Mother Nature. Carrying his dad’s name was a great privilege and a source of pride for Luke. How dare she make fun of it. Anger simmering, he twisted the wires together and forced himself to respond as if he had nothing personal at stake. “Don’t guess I ever thought about it. Can’t say the name’s ever bothered me, though.” “That’s probably because it isn’t yours. I’m sure if it were, you’d think differently.” “Maybe so.” Picking up a cloth on the switchboard, he wiped his hands. “Did you get a look at this Lucious fellow?” “I did.” He raised a brow. “And was he luscious?” “Ha!” Folding the paper, she tossed it on the desk. “Hardly. If anybody was luscious, it was Frank Comer.

These are the two possibilities for human life. You can either do what your integrity tells you to do, or niftily find your way around the obstacles life throws in your path. That is the great question the poems pose. Which will you be? Achilles or Odysseus, the monument of obstinacy and pride or the slippery trickster in whom nothing is certain and from whom nothing can be trusted? The singular hero or the ingenious man?

For a woman to contemplate her own beauty is vanity, superficial pride, shallow beyond contempt, the sign of a mindless slut. Of course for a woman to be anything less than beautiful is for her to be ugly, or in the best case invisible and without merit, and that is also unacceptable, but still, but still. The most a woman born without socially acceptable perfection can do is worry about these things in secret, rather than be caught trying.