Empty Purse Quotes

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A well dressed woman, even though her purse is painfully empty, can conquer the world.
Louise Brooks
what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose
Rupi Kaur (The sun and her flowers)
For all things there is a toll. We pay in breaths, and our purse is soon empty.
R. Scott Bakker (The Warrior Prophet (The Prince of Nothing, #2))
Let's talk about a decision that women have to make every morning- Big purse or little purse?
Lisa Scottoline (My Nest Isn't Empty, It Just Has More Closet Space: The Amazing Adventures of an Ordinary Woman)
If a man empties his purse into his head, no man can take it away from him. An investment in knowledge always pays the best interest.
Benjamin Franklin
Giving tells the Universe that you believe you are provided for. For even as you empty your purse, you fear not. The act alone is a demonstration of faith that you will remain whole, that your coffers will be replenished, and that love is what matters most. And for whomsoever believes these things to be true, it shall become their reality, and abundance shall be showered upon them unceasingly, as if the heavens had opened up.
Mike Dooley
You can gain experience, if you are careful to avoid empty redundancy. Do not fall into the error of the artisan who boasts of twenty years experience in craft while in fact he has had only one year of experience–twenty times. And never resent the advantage of experience your elders have. Recall that they have paid for this experience in the coin of life, and have emptied a purse that cannot be refilled.
Trevanian (Shibumi)
A dress is a weapon. It must dazzle his eye, raise his temperature . . . and empty his purse.
Loretta Chase (Scandal Wears Satin (The Dressmakers, #2))
better to keep a good conscience with an empty purse, than to get a bad opinion of myself, with a full one.
David Crockett (A Narrative of the Life of David Crockett, of the State of Tennessee)
I'm something of a bastard on the best of days. And that day was hardly my best.' Jean-François's gaze roamed Gabriel, toe to crown. 'Nor this one, I fear?' Gabriel tapped an empty leather pouch at his belt. 'Behold the purse in which I keep my fucks for what you think of me.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
When the purse becomes empty, the mind becomes full of issues.
Ernest Agyemang Yeboah
He who empties his purse into his mind, shall never go bankrupt.
Benjamin Franklin
This is the woman I'm t' marry! Where have ye been all me life, me love?" And without a blink, I replied, "Don't start with me, ye scoundrel! If ye come with an empty purse, ye can leave now, fer I'd rather be unwed than unfed.
Karen Hawkins (To Scotland, With Love (MacLean Curse, #2))
Here it is. You assume that I am rich; I am not. I shall have nothing once I have emptied my purse. You perhaps suppose that I am a man of high birth, and I am of a rank either lower than your own or equal to it. I have no talent which can earn money, no employment, no reason to be sure that I shall have anything to eat a few months hence. I have neither relatives nor friends nor rightful claims nor any settled plan. In short, all that I have is youth, health, courage, a modicum of intelligence, a sense of honor and of decency, with a little reading and the bare beginnings of a career in literature. My great treasure is that I am my own master, that I am not dependent upon anyone, and that I am not afraid of misfortunes. My nature tends toward extravagance. Such is the man I am. Now answer me, my beautiful Teresa.
Giacomo Casanova
The weather had freshened almost to coldness, for the wind was coming more easterly, from the chilly currents between Tristan and the Cape; the sloth was amazed by the change; it shunned the deck and spent its time below. Jack was in his cabin, pricking the chart with less satisfaction than he could have wished: progress, slow, serious trouble with the mainmast-- unaccountable headwinds by night-- and sipping a glass of grog; Stephen was in the mizentop, teaching Bonden to write and scanning the sea for his first albatross. The sloth sneezed, and looking up, Jack caught its gaze fixed upon him; its inverted face had an expression of anxiety and concern. 'Try a piece of this, old cock,' he said, dipping his cake in the grog and proffering the sop. 'It might put a little heart into you.' The sloth sighed, closed its eyes, but gently absorbed the piece, and sighed again. Some minutes later he felt a touch upon his knee: the sloth had silently climbed down and it was standing there, its beady eyes looking up into his face, bright with expectation. More cake, more grog: growing confidence and esteem. After this, as soon as the drum had beat the retreat, the sloth would meet him, hurrying toward the door on its uneven legs: it was given its own bowl, and it would grip it with its claws, lowering its round face into it and pursing its lips to drink (its tongue was too short to lap). Sometimes it went to sleep in this position, bowed over the emptiness. 'In this bucket,' said Stephen, walking into the cabin, 'in this small half-bucket, now, I have the population of Dublin, London, and Paris combined: these animalculae-- what is the matter with the sloth?' It was curled on Jack's knee, breathing heavily: its bowl and Jack's glass stood empty on the table. Stephen picked it up, peered into its affable bleary face, shook it, and hung it upon its rope. It seized hold with one fore and one hind foot, letting the others dangle limp, and went to sleep. Stephen looked sharply round, saw the decanter, smelt to the sloth, and cried, 'Jack, you have debauched my sloth.
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
I more proudly take a speck from a man with empty pockets,” said Sabetha, “than riches from a man whose purse stays heavy.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
Caroline spends her grief by the dollar, until her purse empties and she's down to nickel hiccups and penny whimpers.
Stacey Lee, The Downstairs Girl
There is a vast difference between having some coin and no coin. There is a feeling of helplessness that comes from an empty purse.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
For their love Llies in their purses, and whoso empties them By so much fills their hearts with deadly hate.
William Shakespeare (Richard III)
Loving does not empty the heart, nor giving empty the purse.
Suzanne Woods Fisher (Amish Proverbs: Words of Wisdom from the Simple Life)
Is a woman not entitled to her pride? When everything else is gone, is she not at least entitled to this, the coin without which her purse is entirely empty?
Stephen King (Needful Things)
The price I paid for that lesson has left my heart an almost empty purse, with just two coins or three clinking at the bottom.
Dean Koontz (Forever Odd (Odd Thomas, #2))
Once in every few publishing seasons there is an Event. For no apparent reason, the great heart of the Public gives a startled jump, and the public's great purse is emptied to secure copies of some novel which has stolen into the world without advance advertising and whose only claim to recognition is that The Licensed Victuallers' Gazette has stated in a two-line review that it is 'readable'.
P.G. Wodehouse (Mulliner Nights (Mr. Mulliner, #3))
With the toss of one last cardigan, I reveal … nothing. The suitcase is empty. I blink. My charger isn’t here. There is literally nowhere else it could be. I know it’s not in my purse. I check my purse for a third time anyway. It’s not even like I can borrow one. Deciding to be an Android in an iPhone family? Literally the worst decision ever right now.
Marisa Kanter (What I Like About You)
The duty of the inn-keeper,is to sell to the first comer, stews, repose, light, fire, dirty sheets, a servant, lice, and a smile; to stop passers-by, to empty small purses, and to honestly lighten heavy ones; to shelter travelling families respectfully: to shave the man, to pluck the woman, to pick the child clean; to quote the window open, the window shut, the chimney-corner,the arm-chair, the chair, the ottoman, the stool, the feather-bed, the mattress and the truss of straw; to know how much the shadow uses up the mirror, and to put a price on it; and, by five hundred thousand devils, to make the traveller pay for everything, even for the flies which his dog eats!
Victor Hugo (Les Misérables: Volume 1 of 2)
Whether it is Paul defending Judaism, Augustine pursing philosophical learnedness, Luther attempting complete ritual self-abasement, each finally realized he had given himself to secular forms of self-salvation and to a world filled with human achievement but empty of God.
William Dean (The American Spiritual Culture: And the Invention of Jazz, Football, and the Movies)
The camera observed me, but there was nothing in my bag except a pashmina, purse, and Lorazepam. I carried emptiness. Doors opened. Another camera recorded my progress. Doubtless there were thousands of my days repeated thus, interred digitally in limbo. I ascended two steps with nothing to look forward to,
Peter Carey (The Chemistry of Tears)
If you empty your purse into your head, no one can take it away from you. An investment in knowledge always pays the best interest.
Benjamin Franklin
a man's wealth is not in the purse he carries. A fat purse quickly empties if there be no golden stream to refill it. Arkad
George S. Clason (Richest Man in Babylon - Original Edition)
You do not get to empty my purse just because you parrot a word and think yourself wise.
Adrian Tchaikovsky (City of Last Chances (The Tyrant Philosophers #1))
Time flows like a canoe floats, and my love would fit in your purse if you’d just empty your money into my wallet.
Jarod Kintz (This Book is Not for Sale)
The pursuit of money is empty and soul-destroying, and so is your bank account if you don't do it.
Stewart Stafford
Each time our purse was empty, she would sell a few of our possessions. Basically, she had given up relying on my father. And
Nujood Ali (I Am Nujood, Age 10 and Divorced: A Memoir)
His purse is empty already. All's golden words are spent.
William Shakespeare (Hamlet)
An investment in knowledge always pays the best interest. Learning is to the Studious, and Riches to the Careful. If a man empties his purse into his head, no man can take it away from him.
John C. Bogle (The Little Book of Common Sense Investing: The Only Way to Guarantee Your Fair Share of Stock Market Returns)
He polished the mud off the coin—little enough even if gold—and pulled out his own purse. Now there was an empty bladder. He dropped the thin disk of metal into the leather mouth and stared down at its lonely glint. He sighed and tucked the pouch away. Now he had a hope for bandits to steal again. Now he had a reason to fear. He reflected on his new burden, so great for its weight,
Lois McMaster Bujold (The Curse of Chalion (World of the Five Gods, #1))
They'd had to empty their pockets and turn over Aunt Val's purse to the security guard. That way, I wouldn't be tempted to try to kill anyone with her lip gloss and her travel-size pack of tissues.
Rachel Vincent (My Soul to Lose (Soul Screamers, #0.5))
Nicholas said, ‘I hear he’s ordered two million bricks for rebuilding that crumbling old family place of his in Wiltshire – what’s it called, Wolf’s Hole?’ ‘Wolf Hall. All paid for by the public purse, empty though it is.
C.J. Sansom (Tombland (Matthew Shardlake, #7))
Happiness found me alone one day and took me by the hand. He showed me how the sun gave out its warmth across the land. Sadness found me content and smiling upward at the sun. He talked of droughts and blindness and what burning rays had done. Happiness found me alone again and pointed to the sky. He showed me how the storms created rainbows way up high. Sadness found me intrigued and took me to the rainbow’s end. He showed me how it disappeared to ne’er return again. Happiness found me alone and taught me how to sing a song. He sang a dozen melodies as I chirped right along. Sadness found me singing out and covered up his ears. He said the noise was deafening, and wished he couldn’t hear. Happiness found me alone and gave me seven coins of gold. He showed me many fancy things that merchants often sold. Sadness found me admiring the pretty things I’d bought. He pointed out my empty purse and money I had not. Happiness found me alone and helped me talk to someone new. He called the boy my friend and said that I was his friend too. Sadness found me together with my kind, attentive friend. He whispered of betrayal and how broken hearts don’t mend. Happiness found me alone and held me tight in his embrace. He whispered kindness in my ear and kissed me on the face. Sadness found me with Happiness but before he spoke at all, I told him he’d have better luck at talking to the wall.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
This woman Koharu could undo their coats and take the money from inside the purse. A technique called ‘nakanuki.’ What’s more, the story goes that after she emptied the purse she’d close it again and button up their coat. Incredible skill.” “Really?” “Surrounded by misery, those people laughed at the whole world.
Fuminori Nakamura (The Thief)
We need a distraction, an excuse to leave. Something believable, but not too disconcerting … What is that?” Steris had removed a small vial of something from her purse. “Syrup of ipecac and saltroot,” she said. “To induce vomiting.” He blinked in shock. “But why…” “I had assumed they might try to poison us,” Steris said. “Though I considered it only a small possibility, it’s best to be prepared.” She laughed uncomfortably. Then she downed the whole thing. Wax reached for her arm, but too late. He watched in horror as she stoppered the empty vial and tucked it into her purse. “You might want to get out of the splash radius, so to speak.” “But … Steris!” he said. “You’ll end up humiliating yourself.” She closed her eyes. “Dear Lord Waxillium. Earlier, you spoke of the power of not caring about what others thought of you. Do you remember?” “Yes.” “Well, you see,” she said, opening her eyes and smiling, “I’m trying to practice that skill.” She proceeded to vomit all over the table.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Clutter attracts clutter. If you drop the mail on the kitchen counter, someone else is going to find it natural to leave his keys there. A dresser with receipts is also going to collect coins. A purse dropped in the entry is soon going to be joined by shoes and gloves. An empty soda can on the end table usually winds up with a few candy wrappers next to it.
Joshua Becker (The Minimalist Home: A Room-by-Room Guide to a Decluttered, Refocused Life)
fresh tear slid down Bella’s cheek. “Mommy’s gone!” A chill crawled over Ellie’s skin. She slipped from beneath the covers and grabbed her robe from the foot of the bed. With the twins clinging to her legs, she crossed the hall to her bedroom. Her sister’s clothes that had been strewn across the furniture were gone, as was her cell phone and purse. After looking in the empty bedrooms for her sister,
Ashley Farley (Magnolia Nights (Magnolia Series #1))
This, then, is the fourth cure for a lean purse, and of great importance if it prevent thy purse from being emptied once it has become well filled. Guard thy treasure from loss by investing only where thy principal is safe, where it may be reclaimed if desirable, and where thou will not fail to collect a fair rental. Consult with wise men. Secure the advice of those experienced in the profitable handling of gold. Let their wisdom protect thy treasure from unsafe investments.
George S. Clason (The Richest Man in Babylon)
Now, exhale fully through pursed lips for maximum compression and air resistance, to strengthen the diaphragm. Blow all that air out, fully emptying yourself before your shoulders round or your face or jaw gets tense. Very soon, you will see how a full exhale prepares you for a good inhale, and vice versa. Repeat the process for five breaths and do two to three sets. Be sure to pause after each exhale for at least two counts to hold the isometric contraction—this is key, in DNS.
Peter Attia (Outlive: The Science and Art of Longevity)
I dreamed not long ago of that market with all its vivid textures. I walked through the stalls with a basket over my arms as always and went right to Edita for a bunch of fresh cilantro. We chatted and laughed and when I held out my coins she waved them off, patting my arm and sending me away. A gift, she said. Muchas gracias, señora, I replied. There was my favorite panadera, with clean cloths laid over the round loaves. I chose a few rolls, opened my purse, and this vendor too gestured away my money as if I were impolite to suggest paying. I looked around in bewilderment; this was my familiar market and yet everything had changed. It wasn't just for me—no shopper was paying. I floated through the market with a sense of euphoria. Gratitude was the only currency accepted here. It was all a gift. It was like picking strawberries in my field: the merchants were just the intermediaries passing on gifts from the earth. I looked in my basket: two zucchinis, an onion, tomatoes, bread, and a bunch of cilantro. It was still half empty, but it felt full. I had everything I needed. I glanced over at the cheese stall, thinking to get some, but knowing it would be given, not sold, I decided I could do without. It's funny: Had all the things in the market merely been a very low price, I probably would have scooped up as much as I could. But when everything became a gift, I felt self-restraint. I didn't want to take too much. And I began thinking of what small presents I might bring to the vendors tomorrow. The dream faded, of course, but the feelings of euphoria and then of self-restraint remain. I've thought of it often and recognize now that I was witness there to the conversion of a market economy to a gift economy, from private goods to common wealth. And in that transformation the relationships became as nourishing as the food I was getting. Across the market stalls and blankets, warmth and compassion were changing hands. There was a shared celebration of abundance for all we'd been given. And since every market basket contained a meal, there was justice.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
wicked ecclesiastics who show the worst example to the people,” and, above all, nobles who empty the purses of the poor by their extravagance, and disdain them for “lowness of blod or foulenesse of body,” for deformed shape of body or limb, for dullness of wit and uncunning of craft, and deign not to speak to them, and who are themselves stuffed with pride—of ancestry, fortune, gentility, possessions, power, comeliness, strength, children, treasure—“prowde in lokynge, prowde in spekyng,… prowde in goinge, standynge and sytting.” All would be drawn by fiends to Hell on the Day of Judgment.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
February 12 MORNING “For as the sufferings of Christ abound in us, so our consolation also aboundeth by Christ.” — 2 Corinthians 1:5 HERE is a blessed proportion. The Ruler of Providence bears a pair of scales — in this side He puts His people’s trials, and in that He puts their consolations. When the scale of trial is nearly empty, you will always find the scale of consolation in nearly the same condition; and when the scale of trials is full, you will find the scale of consolation just as heavy. When the black clouds gather most, the light is the more brightly revealed to us. When the night lowers and the tempest is coming on, the Heavenly Captain is always closest to His crew. It is a blessed thing, that when we are most cast down, then it is that we are most lifted up by the consolations of the Spirit. One reason is, because trials make more room for consolation. Great hearts can only be made by great troubles. The spade of trouble digs the reservoir of comfort deeper, and makes more room for consolation. God comes into our heart — He finds it full — He begins to break our comforts and to make it empty; then there is more room for grace. The humbler a man lies, the more comfort he will always have, because he will be more fitted to receive it. Another reason why we are often most happy in our troubles, is this — then we have the closest dealings with God. When the barn is full, man can live without God: when the purse is bursting with gold, we try to do without so much prayer. But once take our gourds away, and we want our God; once cleanse the idols out of the house, then we are compelled to honour Jehovah. “Out of the depths have I cried unto thee, O Lord.” There is no cry so good as that which comes from the bottom of the mountains; no prayer half so hearty as that which comes up from the depths of the soul, through deep trials and afflictions. Hence they bring us to God, and we are happier; for nearness to God is happiness. Come, troubled believer, fret not over your heavy troubles, for they are the heralds of weighty mercies.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Why don’t they have backpacks?” Luca asks. “Because they’re deportados. They live in the United States, güey. Like forever. Like, for ten years maybe. Since they were babies, maybe. And then they’re on their way to work one morning, or coming home from school one day, or playing fútbol in the park, or shopping at the mall for some fresh new kicks, and then bam! They get deported with whatever they happen to be carrying when they’re picked up. So unless they happen to be carrying a backpack when la migra gets them, they usually come empty-handed. Sometimes the women have their purse with them or whatever. They don’t get to go home and pack a bag. But they usually have nice clothes, at least. Clean shoes.
Jeanine Cummins (American Dirt)
BOOKS AND SUCCESS. Ignorance is the curse of God, Knowledge the wing wherewith we fly to heaven. —Shakespeare. Prefer knowledge to wealth; for the one is transitory, the other perpetual. —Socrates. If a man empties his purse into his head, no man can take it away from him. An investment in knowledge always pays the best interest. —Franklin. My early and invincible love of reading, I would not exchange for the treasures of India. —Gibbon. If the crowns of all the kingdoms of the empire were laid down at my feet in exchange for my books and my love of reading, I would spurn them all. —Fénelon. Who of us can tell What he had been, had Cadmus never taught The art that fixes into form the thought,— Had Plato never spoken from his cell, Or his high harp blind Homer never strung? —Bulwer.
Orison Swett Marden (How to Succeed or, Stepping-Stones to Fame and Fortune)
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky-tonks, restaurants and whore-houses, and little crowded groceries, and laboratories and flop-houses. Its inhabitants are, as the man once said, "whores, pimps, gamblers, and sons of bitches," by which he meant Everybody. Had the man looked through another peep-hole he might have said: "Saints and angels and martyrs and holy men," and he would have meant the same thing. In the morning when the sardine fleet has made a catch, the purse-seiners waddle heavily into the bay blowing their whistles. The deep-laden boats pull in against the coast where the canneries dip their tails into the bay. The figure is advisedly chosen, for if the canneries dipped their mouths into the bay the canned sardines which emerge from the other end would be metaphorically, at least, even more horrifying. Then cannery whistles scream and all over the town men and women scramble into their clothes and come running down to the Row to go to work. Then shining cars bring the upper classes down: superintendents, accountants, owners who disappear into offices. Then from the town pour Wops and Chinamen and Polaks, men and women in trousers and rubber coats and oilcloth aprons. They come running to clean and cut and pack and cook and can the fish. The whole street rumbles and groans and screams and rattles while the silver rivers of fish pour in out of the boats and the boats rise higher and higher in the water until they are empty. The canneries rumble and rattle and squeak until the last fish is cleaned and cut and cooked and canned and then the whistles scream again and the dripping, smelly, tired Wops and Chinamen and Polaks, men and women, straggle out and droop their ways up the hill into the town and Cannery Row becomes itself again-quiet and magical. Its normal life returns. The bums who retired in disgust under the black cypress-tree come out to sit on the rusty pipes in the vacant lot. The girls from Dora's emerge for a bit of sun if there is any. Doc strolls from the Western Biological Laboratory and crosses the street to Lee Chong's grocery for two quarts of beer. Henri the painter noses like an Airedale through the junk in the grass-grown lot for some pan or piece of wood or metal he needs for the boat he is building. Then the darkness edges in and the street light comes on in front of Dora's-- the lamp which makes perpetual moonlight in Cannery Row. Callers arrive at Western Biological to see Doc, and he crosses the street to Lee Chong's for five quarts of beer. How can the poem and the stink and the grating noise-- the quality of light, the tone, the habit and the dream-- be set down alive? When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will on to a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book-- to open the page and to let the stories crawl in by themselves.
John Steinbeck
A late yellow butterfly hovering past caught at his attention, and he watched it dance downward and settle on a dusty stem of shepherd's purse beside the way. And for a sort of gleam of time, he seemed to see it not only with his eyes, but with all of himself, the delicate veining of the yellow wings that quivered and half-closed and fanned open again, the dark velvety nap on the butterfly's slender body, the gray-green heart-shaped seedpods of the shepherd's purse, stirring in the stray breath of wind, sharing with the butterfly the last warmth of the autumn sun, and the shadow of both tangled in the hillside grass. Part of him longed to catch the butterfly, to hold it very carefully prisoned in his cupped hands and feel the life of it there and the flutter of its wings against his hollowed palms, as though in that way he could keep the small, shining moment from escaping. He had tried that once, when he was much younger, but the butterfly had turned broken and dead in his hands, and he had killed the moment and the shine and the beauty instead of keeping it, and been left with nothing but an empty feeling of desolation in his stomach because he could not mend the butterfly again.
Rosemary Sutcliff (The Witch's Brat)
A text comes from Wallace. An actual text too, not a message through the forum app. I gave him my number awhile back, before Halloween, but not because I wanted him to call me or anything. I wrote it on the edge of our conversation paper in homeroom and slid it over to him because sometimes I see something and think, Wallace would laugh at that, I should send him a picture of it, but the messaging app is terrible with pictures and texting is way better. So he texts me now, and it’s a picture. A regular sweet potato pie. Beneath the picture, he says, I really like sweet potato pie. I text back, Yeah, so do I. Then he sends me a picture of his face, frowning, and says, No, you don’t understand. Then another picture, closer, just his eyes. I REALLY like sweet potato pie. A series of pictures comes in several-second intervals. The first is a triangular slice of pie in Wallace’s hand. Then Wallace holding that slice up to his face—it’s soft enough to start collapsing between his fingers. The next one has him stuffing the slice into his mouth, and in the final one it’s all the way in, his cheeks are puffed out like a chipmunk’s, and he’s letting his eyes roll back like it’s the best thing he’s ever eaten. I purse my lips to keep my laugh in, but my parents are fine-tuned to the slightest hint of amusement from me, and they both look up. “What’s so funny, Eggs?” Dad says. “Nothing,” I reply. Nothing makes a joke less funny than someone wanting in on it, especially parents. Wow, I say to Wallace. You really like sweet potato pie. He sends one more picture, this one with him embracing the pie pan, gazing lovingly at it. We’re to be married in the spring. An actual laugh escapes me. I really hope Wallace is having a better Thanksgiving than I am. It seems like he is. I take a picture of myself pouting and send it to him, saying, Aw, the cutest of cute couples. ... Another picture from Wallace waits for me. In this one, an empty pie pan littered withcrumbs sits on the floor beside a large knife. Wallace kneels next to it with morecrumbs on his sweater, expression horrified. NOOOO WHAT HAVE I DONE MY LOVE OUR MARRIAGE ’TIS ALL FOR NAUGHT I text back: Oh no!! Not sweet potato bride! Another picture comes: Wallace sprawled on the floor beside the pie pan, one arm thrown over his eyes. Let me only be accused of loving her too much. Wallace is definitely having a better Thanksgiving than me.
Francesca Zappia (Eliza and Her Monsters)
But we may fairly say that they alone are engaged in the true duties of life who shall wish to have Zeno, Pythagoras, Democritus, and all the other high priests of liberal studies, and Aristotle and Theophrastus, as their most intimate friends every day. No one of these will be "not at home," no one of these will fail to have his visitor leave more happy and more devoted to himself than when he came, no one of these will allow anyone to leave him with empty hands; all mortals can meet with them by night or by day. No one of these will force you to die, but all will teach you how to die; no one of these will wear out your years, but each will add his own years to yours; conversations with no one of these will bring you peril, the friendship of none will endanger your life, the courting of none will tax your purse. From them you will take whatever you wish; it will be no fault of theirs if you do not draw the utmost that you can desire. What happiness, what a fair old age awaits him who has offered himself as a client to these! He will have friends from whom he may seek counsel on matters great and small, whom he may consult every day about himself, from whom he may hear truth without insult, praise without flattery, and after whose likeness he may fashion himself. We are wont to say that it was not in our power to choose the parents who fell to our lot, that they have been given to men by chance; yet we may be the sons of whomsoever we will. Households there are of noblest intellects; choose the one into which you wish to be adopted; you will inherit not merely their name, but even their property, which there will be no need to guard in a mean or niggardly spirit; the more persons you share it with, the greater it will become. These will open to you the path to immortality, and will raise you to a height from which no one is cast down. This is the only way of prolonging mortality—nay, of turning it into immortality. Honours, monuments, all that ambition has commanded by decrees or reared in works of stone, quickly sink to ruin; there is nothing that the lapse of time does not tear down and remove. But the works which philosophy has consecrated cannot be harmed; no age will destroy them, no age reduce them; the following and each succeeding age will but increase the reverence for them, since envy works upon what is close at hand, and things that are far off we are more free to admire. The life of the philosopher, therefore, has wide range, and he is not confined by the same bounds that shut others in. He alone is freed from the limitations of the human race; all ages serve him as if a god. Has some time passed by? This he embraces by recollection. Is time present? This he uses. Is it still to come? This he anticipates. He makes his life long by combining all times into one. But those who forget the past, neglect the present, and fear for the future have a life that is very brief and troubled; when they have reached the end of it, the poor wretches perceive too late that for such a long while they have been busied in doing nothing.
Seneca
Footsteps came to her, nearly invisible in the worn carpet. There were no words, just the creaking of old joints as they approached the bed, the lifting of expensive and fragrant sheets, and an understanding between two living ghosts. Jahns's breath caught in her chest. Her hand groped for a wrist as it clutched her sheets. She slid over on the small convertible bed to make room, and pulled him down beside her. Marnes wrapped his arms around her back, wiggled beneath her until she was lying on his side, a leg draped over his, her hands on his neck. She felt his moustach brush against her cheek, heard his lips purse and peck the corner of hers. Jahns held his cheeks and burrowed her face into his shoulder. She cried, like a schoolchild, like a new shadow who felt lost and afraid in the wilderness of a strange and terrifying job. She cried with fear, but that soon drained away. It drained like the soreness in her back as his hands rubbed her there. It drained until numbness found its place, and then, after what felt like a forever of shuddering sobs, sensation took over. Jahns felt alive in her skin. She felt the tingle of flesh touching flesh, of just her forearm against his hard ribs, her hands on his shoulder, his hands on her hips. And then the tears were some joyous release, some mourning of the lost time, some welcomed sadness of a moment long delayed and finally there, arms wrapped around it and holding tight. She fell asleep like that, exhausted from far more than the climb, nothing more than a few trembling kisses, hands interlocking, a whispered word of tenderness and appreciation, and then the depths of sleep pulling her down, the weariness in her joints and bones succumbing to a slumber she didn't want but sorely needed. She slept with a man in her arms for the first time in decades, and woke to a bed familiarly empty, but a heart strangely full.
Hugh Howey (Wool Omnibus (Silo, #1))
Stick around, though. I’m going to need all the help I can get to figure all this out.” “That’s me! Mister Helpful. Captain Dependable.” “That sounds like a brand of adult diapers.” “This nickname needs some work. Lord Wonderful? The Incredible Hunk?” “Please, for the love, go inside.” He laughed, then clomped up the steps and into the house. “Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!” “That tone and level of voice does nothing attractive you for, my love.” I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing. “You,” I said, glaring. “Fix it. Now.” A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . . Nothing. “You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic. “He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside. “Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!” “Evie! I’m . . . wow, why am I so bruised?” “Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that. “Maybe,” he said, between tracing my neck with kisses, “we could go inside?” “Maybe,” I agreed, not getting up. “Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.” Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved. “See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.
Kiersten White (Endlessly (Paranormalcy, #3))
As Frank promised, there was no other public explosion. Still. The multiple times when she came home to find him idle again, just sitting on the sofa staring at the rug, were unnerving. She tried; she really tried. But every bit of housework—however minor—was hers: his clothes scattered on the floor, food-encrusted dishes in the sink, ketchup bottles left open, beard hair in the drain, waterlogged towels bunched on bathroom tiles. Lily could go on and on. And did. Complaints grew into one-sided arguments, since he wouldn’t engage. “Where were you?” “Just out.” “Out where?” “Down the street.” Bar? Barbershop? Pool hall. He certainly wasn’t sitting in the park. “Frank, could you rinse the milk bottles before you put them on the stoop?” “Sorry. I’ll do it now.” “Too late. I’ve done it already. You know, I can’t do everything.” “Nobody can.” “But you can do something, can’t you?” “Lily, please. I’ll do anything you want.” “What I want? This place is ours.” The fog of displeasure surrounding Lily thickened. Her resentment was justified by his clear indifference, along with his combination of need and irresponsibility. Their bed work, once so downright good to a young woman who had known no other, became a duty. On that snowy day when he asked to borrow all that money to take care of his sick sister in Georgia, Lily’s disgust fought with relief and lost. She picked up the dog tags he’d left on the bathroom sink and hid them away in a drawer next to her bankbook. Now the apartment was all hers to clean properly, put things where they belonged, and wake up knowing they’d not been moved or smashed to pieces. The loneliness she felt before Frank walked her home from Wang’s cleaners began to dissolve and in its place a shiver of freedom, of earned solitude, of choosing the wall she wanted to break through, minus the burden of shouldering a tilted man. Unobstructed and undistracted, she could get serious and develop a plan to match her ambition and succeed. That was what her parents had taught her and what she had promised them: To choose, they insisted, and not ever be moved. Let no insult or slight knock her off her ground. Or, as her father was fond of misquoting, “Gather up your loins, daughter. You named Lillian Florence Jones after my mother. A tougher lady never lived. Find your talent and drive it.” The afternoon Frank left, Lily moved to the front window, startled to see heavy snowflakes powdering the street. She decided to shop right away in case the weather became an impediment. Once outside, she spotted a leather change purse on the sidewalk. Opening it she saw it was full of coins—mostly quarters and fifty-cent pieces. Immediately she wondered if anybody was watching her. Did the curtains across the street shift a little? The passengers in the car rolling by—did they see? Lily closed the purse and placed it on the porch post. When she returned with a shopping bag full of emergency food and supplies the purse was still there, though covered in a fluff of snow. Lily didn’t look around. Casually she scooped it up and dropped it into the groceries. Later, spread out on the side of the bed where Frank had slept, the coins, cold and bright, seemed a perfectly fair trade. In Frank Money’s empty space real money glittered. Who could mistake a sign that clear? Not Lillian Florence Jones.
Toni Morrison (Home)
Lark wrapped an arm around me and started to speak until Bailey’s startled voice interrupted us. A huge football player had her pinned against the wall and she was yelling for him to back off. Instead, he crowded her more while playing with her blonde hair. “Hey!” I yelled as Lark and I rushed over. Six four and wide shouldered, the guy was wasted and angry at the interruption. “Fuck off, bitches,” he muttered. Bailey clawed at his neck, but he had her pinned in a weird way, so she couldn’t get any leverage. While I was ready to jump on him in a weak attempt to save my friend, someone shoved the football player off Bailey. I hadn’t even seen the guy appear, but he stood between Bailey and the pissed jerk. “Fuck off, man,” the asshole said. “She’s mine.” “Nick,” Bailey mumbled, looking ready to cry. “He humped my leg. Crush his skull, will ya?” Nick frowned at Bailey who was leaning on him now. The football player was an inch or two bigger than Nick and outweighed him by probably fifty pounds. Feeling the fight would be short, the asshole reached for Bailey’s arm and Nick nailed the guy in the face. To my shock, the giant asshole collapsed on the ground. “My hero,” Bailey said, looking ready to puke. She caressed Nick’s biceps and asked, “Do you work out?” Running his hands through his dark wavy hair, Nick laughed. “You’re so wasted.” “And you’re like the Energizer Bunny,” she cooed. “My bro said you took a punch, yet kept on ticking.” Nick started to speak then heard the asshole’s friends riled up. I was too drunk to know if everything happened really quickly or if my brain just took awhile to catch up. The guys rushed Nick who dodged most of them and hit another. The room emptied out except for Nick, the guys, and us. I grabbed a beer bottle and threw it at one of the guys shoving Nick. When the bottle hit him in the back, the bastard glared at me. “You want to fight, bitch?” “Leave her alone,” Nick said, kicking one guy into the jerk looking to hit me. As impressive as Nick was against six guys, he was just one guy against six. A losing bet, he took a shot to the face then the gut. Lark grabbed a folding chair and went WWE on one guy. I was tossing beers in the roundabout direction of the other guys. Yet, Bailey was the one who ended the fight by pulling out a gun. “Back the fuck off or I’ll burn this motherfucking house to the ground!” she screamed then fired at a lamp. Everyone stopped and stared at her. When she noticed me wide-eyed, Bailey frowned. “Too much?” Grinning, I followed Lark to the door. Nick followed us while the assholes seemed ready to piss themselves. Well, except for an idiot who looked ready to go for Bailey’s gun. "Dude,” Nick muttered, “that’s Bailey Fucking Johansson. Unless you want to end up in a shallow grave, back the fuck off.” “What he said!” Bailey yelled, waving her gun around before I hurried her out of the door. The cold air sobered up Bailey enough for her to return the gun to her purse. She was still drunk enough to laugh hysterically as we reached the SUV. “Did you see me kill that lamp?” “You did good,” I said, groggy as my adrenaline shifted to nausea and the alcohol threatened to come back up on me. Nick walked us to the SUV. “Next time, you might want to wave the gun around before you get drunk and dance.” “Don’t tell me what to do,” Bailey growled, crawling into the backseat. Then, realizing he saved her, she crawled back to face him. “You were so brave. I should totally get you off as a thank you." “Maybe another time,” he said, laughing as she batted her eyes at him. “Are you guys safe to drive?” Lark nodded. “I’m sober enough to remember everything tomorrow. Trust me that there’ll be mocking.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
The Evejah tells us: When a man’s purse is empty, his rivals grow bolder.
Peter V. Brett (The Desert Spear (Demon Cycle, #2))
Even in these cramped, almost intolerable conditions, there was still the awareness of rank that permeated English society as a whole and that made Gates and Somers unwilling to cede any preference to the other. Gentlemen, even those like Strachey and Henry Paine whose purses were empty, whose shoes were worn, and whose clothing was threadbare, hardly would have mixed with those they thought of as “the lesser sort.” At meals, Mr. and Mrs. Rolfe and the Reverend Mr. Bucke and Mistress Horton would have dined with Strachey and other gentry, at a safe remove from the scruffier passengers who had obtained passage only by pledging their lives and labors for the next seven years.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
emptied the contents of her purse on the floor so the police would find her identification, and, looking at the dead Russian man again, he signaled Eva to
Jason Matthews (Palace of Treason (Red Sparrow Trilogy #2))
He’d come to Styria looking for honest work. But when the purse runs empty, dishonest work has to do.
Joe Abercrombie (Best Served Cold)
If a man empties his purse into his head, no man can take it away from him. An investment in knowledge always pays the best interest.
Kathy Collins (200 Motivational and inspirational Quotes That Will Inspire Your Success)
If a man empties his purse into his head, no man can take it away from him. An investment in knowledge always pays the best interest. - Benjamin Franklin
Kathy Collins (200 Motivational and inspirational Quotes That Will Inspire Your Success)
Never mind though our purses be as empty as the falcon's nest of a year ago. Let that not detain us. We are weary of being without gold in the midst of plenty. We wish to become men of means. Come, let us go to Arkad and ask how we, also, may acquire incomes for ourselves.
George S. Clason (The Richest Man in Babylon)
Joan—seated across from me—took an empty Ziploc from her purse and tidily filled it with meat for her dogs.
Andy Cohen (The Andy Cohen Diaries: A Deep Look at a Shallow Year)
a man’s wealth is not in the purse he carries. A fat purse quickly empties if there be no golden stream to refill
George S. Clason (The Richest Man in Babylon)
a purse that never emptied.
Joe Abercrombie (A Little Hatred (The Age of Madness, #1))
Nonsense,” reproved Kobbi, “a man’s wealth is not in the purse he carries. A fat purse quickly empties if there be no golden stream to refill it. Arkad has an income that constantly keeps his purse full, no matter how liberally he spends.” “Income, that is the thing,
George S. Clason (The Richest Man in Babylon)
To the Unknown Lover Horrifying, the very thought of you whoever you are, future knife to my scar, stay where you are. Be handsome, beautiful, drop-dead gorgeous, keep away. Read my lips. No way. OK? This old heart of mine’s an empty purse. These ears are closed. Don't phone, want dinner, make things worse. Your little quirks? Your wee endearing ways? What makes you you, all that? Stuff it, mount it, hang it on the wall, sell tickets, I won't come. Get back. Get lost. Get real. Get a life. Keep schtum. And just, you must, remember this — there'll be no kiss, no clinch, no smoochy dance, no true romance. You are Anonymous. You're Who? Here's not looking, kid, at you. Carol Ann Duffy, Love Poems (Picador USA, February 1st 2010)
Carol Ann Duffy (Love Poems)
Layla sighed. “Mom, can we maybe talk about some stuff tonight? I'll send Donny on his way, and I can ride with you.” “Tonight? Oh, sweetie, can we talk about it in the morning? You'll see things differently then anyway.” Layla's mother dug in her purse and pulled out her cell phone. Layla's heart sank. “Are you going out?” she asked, even though she knew the answer. “I've got a date,” her mom said, a distracted smile lighting her face as she scrolled through her text messages. A too-familiar pressure tightened in Layla's chest. She lowered her voice and said angrily, “You and Daddy are not divorced! He's coming back!” She and her mother had had this conversation far too many times. “Layla, I'm not going to marry the guy. We've been over this! I just deserve a little fun in my life,” her mother replied in exasperation. “Well, I hope you take a shower before you go out,” Layla lashed back. “You stink of chicken grease!” “And I bothered to hurry over and see you!” Mrs. Ridgewood fumed. “Tell Donovan to have you home at a decent hour.” Her eyes stinging with tears, Layla looked around and hoped no one had heard their conversation. The lobby was almost empty. Justin was leaning against a table, waiting for his dad, but he wasn't looking her way.
Sharon M. Draper (Panic)
Loving does not empty the heart, nor giving empty the purse
Haley Straw (My Journey into the Amish World (Tales of Driving the Amish))
Inside the white screen of the mosquito net, bathed in the sunlight streaming through the windows, she felt as if she were in her own little oasis. Isolated from the rest of the world and its hostility. Although she could barely see past the bright, sunlit cloth, a movement in the shadows behind the net caught her eye. She frowned, straining her eyes to see what it was when, slowly, the net parted to reveal a gigantic figure. The light shone on his body and face to reveal what turned out to be a dark-eyed, broad-shouldered man. A strange feeling was born in Bianca’s chest. A mixture of panic and embarrassment left her body in the shape of a scream. With no clear thoughts in mind, she yelled for someone to help her, until it dawned on her that she was in an unfamiliar apartment, in a town where no one knew about her, and where there was no one who could help her. She was alone, and the pervert in front of her undoubtedly wanted to take advantage of the situation. Stopping just enough to breathe and continue screaming, she got on her knees in the bed and kept on yelling at him, who then seemed to fall off whatever disgusting trance he was, and took a surprised step back. His fingers, still tangled in the mosquito net, ripped the fabric from the ceiling, exposing her further. Bianca knew she was on her own. She could not count on anyone else to save her. When that realization hit, an unknown instinct made its way inside her and all the accumulated frustration caused by the situation with the paparazzi, the betrayal of her husband and losing her company concentrated inside her like a laser to focus on a single aim: the man in front of her. Feeling powerful, she grabbed the sheet tight around her with one arm to cover the front of her body, set one foot on the ground, and grabbed the closest thing to her: the purse. Her screams, which initially were meant to ask for help, transformed into a sound of pure rage. Without taking her eyes off him, Bianca reached into her bag and threw everything she found inside it: a phone, an agenda, a bottle of water, a lipstick, a tissue, the box of condoms, a book. Even a small toiletry bag. When the bag was empty, she used it as a projectile too.
Sienna Mercier (The Woman In The Red Dress (Mediterranean Love #1))
A man's wealth is not in the purse he carries. A fat purse quickly empties if there be no golden stream to refill it.
George S. Clason (The Richest Man in Babylon)
Couldn’t I please give them one more chance? So I went to work the next day and the next. But every night, I’d dig through my drawers and fill my purse with my belongings, slowly emptying the office one lipstick at a time.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
A fat purse quickly empties if there be no golden stream to refill it. Arkad has an income that constantly keeps his purse full, no matter how liberally he spends.
George S. Clason (The Richest Man In Babylon)
Scholars call what I saw a “microaggression,” a term coined by eminent Harvard psychiatrist Chester Pierce in 1970. Pierce employed the term to describe the constant verbal and nonverbal abuse racist White people unleash on Black people wherever we go, day after day. A White woman grabs her purse when a Black person sits next to her. The seat next to a Black person stays empty on a crowded bus. A White woman calls the cops at the sight of Black people barbecuing in the park. White people telling us that our firmness is anger or that our practiced talents are natural. Mistaking us for the only other Black person around. Calling the cops on our children for selling lemonade on the street. Butchering Ebonics for sport. Assuming we are the help. Assuming the help isn’t brilliant. Asking us questions about the entire Black race. Not giving us the benefit of the doubt. Calling the cops on us for running down the street. As an African American, Pierce suffered from and witnessed this sort of everyday abuse. He identified these individual abuses as microaggressions to distinguish from the macroaggressions of racist violence and policies.
Ibram X. Kendi (How to Be an Antiracist)
It is terrible to disappoint the person you love; if you disappoint the person you love, what hope do you have of doing better with the people you don’t? So I tried harder to find a better way of dying for my son. My life, after all, had recently been emptied by death. My father. My mother. But I didn’t think a child could die of a heart attack. And it seemed too implausible that another family member would be struck by a train, even though I was on one. Meanwhile, my aunt was growing impatient. She was fiddling with the strap of her purse, fiddled with her glasses, her purse strap, and I felt an urgent need to please her and also a strong sense that I would fail to do what I urgently needed to do. “Kidney stones!” I finally blurted out, and my aunt smiled. “Rarely fatal,” she said, nodding, “and almost never in children unless left untreated for a long time. Pain. Neglect. Shame. Bewilderment. Denial. Death. Kidney stones. Very good, Calvin.
Brock Clarke (Who Are You, Calvin Bledsoe?: A Novel)
Now, let us see what he expects at the sinner’s hand.  Not to purchase this his favour  with a ransom out of his own purse!  No, he empties his Son’s veins to pay that.  But he requires us, (a) To lay down the weapons of our rebellion—for he cannot in honour treat with us while we have that sword in our hand with which we have fought against him.  (b) To accept our pardon and peace at the hands of free grace; at tributing the glory of it to the mere mercy of God as the moving, and Christ’s satisfactory obedience as the meritorious cause.  (c) That we shall swear fealty and allegiance to him for the future.  How reasonable these are, those that now reject them shall confess with infinite shame and horror for their folly, when Christ shall pack them to hell by his irrevocable sentence.
William Gurnall (The Christian in Complete Armour - The Ultimate Book on Spiritual Warfare)
You can win, for a time, through ruthlessness and stealth; you can garner in more of this world’s goods than you will need, by sheer force and shrewd strategy, without taking the time or going to the trouble of being agreeable; but, sooner or later, you will come to that point in life at which you will feel the pangs of remorse and the emptiness of your well filled purse.
Napoleon Hill (The Prosperity Bible: The Greatest Writings of All Time on the Secrets to Wealth and Prosperity)
Conscience may leave a person's purse empty but every loss is a win
Asuni LadyZeal
I tucked my laptop into a big enough handbag with my purse, phone, and keys, along with the other essentials like just-in-case sanitary products, a lip balm, a charge cable, a hairbrush, three pens, one pack of chewing gum, a half-empty bottle of water, three hundred receipts from the past two years, four car park tickets, the dried liver of a goat, six crow’s feet, and the blood of a virgin.
Emma Hart (Love Language (The Aristocrat Diaries, #1))
a man’s wealth is not in the purse he carries. A fat purse quickly empties if there be no golden stream to refill it.
George S. Clason (The Richest Man in Babylon)
While the sounds in the church were increasing, Elder Thomas made the regrettable mistake of increasing his volume too. Then suddenly, like a summer rain, Sister Monroe broke through the cloud of people trying to hem her in, and flooded up to the pulpit. She didn't stop this time but continued immediately to the alter, bound for Elder Thomas, crying "I say, preach it." Bailey said out loud, "Hot dog" and "Damn" and "She's going to beat his butt." But Reverend Thomas didn't intend to wait for that eventuality, so as Sister Monroe approached the pulpit from the right he started descending from the left. He was not intimidated by his change of venue. He continued preaching and moving. He finally stopped right in front of the collection table, which put him almost in our laps, and Sister Monroe rounded the alter on his heels, followed by the deacons, ushers, some unofficial members and a few of the bigger children. Just as the elder opened his mouth, pink tongue waving, and said, "Great God of Mount Nebo," Sister Monroe hit him on the back of his head with her purse. Twice. Before he could bring his lips together, his teeth fell, no, actually his teeth jumped, out of his mouth. The grinning uppers and lowers lay by my right shoe, looking empty and at the same time appearing to contain all the emptiness in the world. I could have stretched out a foot and kicked them under the bench or behind the collection table.
Maya Angelou (I Know Why The Caged Bird Sings)
I can’t pee if I know you’re listening.” His mouth snapped shut as he swallowed a gulp too quickly, and he blinked at me as if a speck of dust were caught in his eye. “What?” “I don’t want to have the door open—ever—when we’re doing our business in the bathroom. Some things should stay a mystery.” He watched me for a moment then shrugged. “Okay…that’s fine.” “And I don’t want you to carry my purse—not ever. I hate that, and I actually feel a level of severe moral reprehension about men carrying their spouses’ purses. Don’t even reach for it. You can have your own purse if you want one, but I don’t want you touching my purse.” His mouth was pressed together in a stiff line and eyes were watching me like I was the most fascinating creature he’d ever seen. “And sounds,” I continued. “I know you’ll make them, but you need to be cognizant of them, like farting. Try to do it elsewhere so I can’t hear. I’ll do the same with you. Make an effort, you know? It’s like, why share that with anyone?” “Burping too?” I thought about that then shook my head. “I’m glad you asked. For some reason I feel like loud, long burps are okay, but little burps are disgusting. So, let’s just say no to burps unless we’re having a contest.” He stared at me for a beat, nodded. “I can see that. That makes sense. I have a request.” “Sure, go for it.” “Don’t talk about your period—ever. I don’t want to see evidence of it either.” “Ever? But what about if you want to do something and I’m….” “Then we’ll put it on the calendar. We can have a code for it so I’ll know when it’s happening. I just don’t want to talk about it.” I frowned at that, nodded. “Then I don’t want to hear about stomach or digestion problems—unless something is really wrong and you need to go to the doctor.” “Sounds good.” “And,” I continued, thinking of another item, “I want you to kiss me when you leave and kiss me when you come home.” Quinn gave me a quick smile then leaned forward and brushed a kiss against my mouth. “I like that one.” He settled back against the couch. “Same goes for you. And you should also tell me you love me, every day.” “I love you and I will. That’s a good one. You should say it too.” “I’ll say it too, and I love you. Anything else?” I studied him, tried to think of other specific requests, came up empty. At length I shook my head. “I can’t think of any more, but if I do I’ll email them to you.” He stuck his hand out for me to take, saying, “I can agree to those terms.
Penny Reid (The Neanderthal Box Set)
Gabriel tapped an empty leather pouch at his belt. “Behold the purse in which I keep my fucks for what you think of me.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
If one has known poverty and suffering – not that genteel poverty of slender purse and shabby carpets – but the brutal poverty where the larder is oft-times empty, and where the frost lines the wall of one’s humble dwelling; then indeed it would seem that only love alone keeps the blood from congealing, then it is not so hard to understand the courage and endurance of the pioneer.
Laura Goodman Salverson
Rasselas listened to him with the veneration due to the instructions of a superior being, and waiting for him at the door, humbly implored the liberty of visiting so great a master of true wisdom. The lecturer hesitated a moment, when Rasselas put a purse of gold into his hand, which he received with a mixture of joy and wonder. “I have found,” said the Prince at his return to Imlac, “a man who can teach all that is necessary to be known; who, from the unshaken throne of rational fortitude, looks down on the scenes of life changing beneath him. He speaks, and attention watches his lips. He reasons, and conviction closes his periods. This man shall be my future guide: I will learn his doctrines and imitate his life.” “Be not too hasty,” said Imlac, “to trust or to admire the teachers of morality: they discourse like angels, but they live like men.” Rasselas, who could not conceive how any man could reason so forcibly without feeling the cogency of his own arguments, paid his visit in a few days, and was denied admission. He had now learned the power of money, and made his way by a piece of gold to the inner apartment, where he found the philosopher in a room half darkened, with his eyes misty and his face pale. “Sir,” said he, “you are come at a time when all human friendship is useless; what I suffer cannot be remedied: what I have lost cannot be supplied. My daughter, my only daughter, from whose tenderness I expected all the comforts of my age, died last night of a fever. My views, my purposes, my hopes, are at an end: I am now a lonely being, disunited from society.” “Sir,” said the Prince, “mortality is an event by which a wise man can never be surprised: we know that death is always near, and it should therefore always be expected.” “Young man,” answered the philosopher, “you speak like one that has never felt the pangs of separation.” “Have you then forgot the precepts,” said Rasselas, “which you so powerfully enforced? Has wisdom no strength to arm the heart against calamity? Consider that external things are naturally variable, but truth and reason are always the same.” “What comfort,” said the mourner, “can truth and reason afford me? Of what effect are they now, but to tell me that my daughter will not be restored?” The Prince, whose humanity would not suffer him to insult misery with reproof, went away, convinced of the emptiness of rhetorical sounds, and the inefficacy of polished periods and studied sentences.
Samuel Johnson (The History of Rasselas, Prince of Abissinia Annotated)
Ghost food wafting in crystalline recollection—a perfect besotted Manhattan, a half shell oyster shucked and glimmering with seawater, a bowl of minestrone curling with evergreen pesto, the first salty bite into a warm chocolate chip cookie—my mouth wets as my cunt once did. My jaws close on emptiness. Privation serves up these beggar’s purses of imagination, and I could die with want.
Chelsea G. Summers (A Certain Hunger)
Coorie isn't concerned with spending cash needlessly. It doesn't want you to empty your purse and wait until the next trend comes around then entice you to do it all over again. Coorie is about making the best of the time and money you have with innovative ideas.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
There is a vast difference between having some coin and no coin. There is a feeling of helplessness that comes from having an empty purse.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
though their name was noble, their purses were empty.
Mike Duncan (The Storm Before the Storm: The Beginning of the End of the Roman Republic)
intricate patterns on the pavement. Her enormous brown eyes glittered with happiness at the attention she had attracted. Sarah wasn’t the only passerby who had stopped to watch, entranced. Then the song ended, and the gathered crowd applauded. The girl bobbed a curtsey and looked around expectantly. In a moment, coins appeared, fished from pockets and purses and offered in tribute. The coins disappeared again as if by magic, spirited away by little fingers as nimble as the little feet had been and deposited into the pocket of her dress. While the crowd disbursed, the girl turned and hurried back to the man who had produced the music. That was when Sarah recalled her purpose in being here. The child was emptying her pocket and giving the coins to a handsome youth who sat on a small stool with his back against the building. He held the organ between his knees, resting on a small stand. He wore a dark shirt and trousers and had a red bandanna tied rakishly at his throat. He looked so perfect that Sarah almost didn’t notice the wooden crutches tucked discreetly between his stool and the wall. Finally, she saw the pant leg pinned up at the ankle. She’d never expected Georgio to have a child, which was why she’d been so slow to realize she’d found him. Taking advantage of this lull, she stepped over to where the man and the girl were conversing in Italian. There seemed to be some question about whether she’d given him all the coins she’d collected. “Georgio?” Sarah tried. He looked up from beneath the bill of his small cap. His eyes were dark and liquid, his smile big and bright and charming. “Si, Signorina, do you want to see the little one dance?” His English was very good, probably honed from conversing with his customers. “No, although she dances very well,” Sarah added, giving the child an approving smile, in case she didn’t understand the compliment. “I wanted to ask you about your sister Emilia.” His charming smile vanished, and the dark eyes grew wary. “She is dead,” he said very carefully. “I know. I’m very sorry.” “Who are you and what do you want?” he asked suspiciously. When he frowned, Sarah realized how much he looked like his mother. “My name is Sarah Brandt, and I met Emilia at the Prodigal Son Mission.” His expression hardened from wariness into anger. Plainly, none of the Donato family had any love for the mission. “She was such a lovely girl, and she was trying very hard to become a respectable young woman,” Sarah hurried on, wishing she had some idea how Georgio felt about his sister. Seeing that the grown-ups were going to talk a bit, the little girl sank down onto the pavement with a weary sigh and leaned back against the wall. Sarah wondered vaguely how many times she
Victoria Thompson (Murder on Mulberry Bend (Gaslight Mystery, #5))
Empty the coins of your purse into your mind, and your mind will fill your life with what you most desire
Michael de Gale
Empty the coins of your purse into your mind, and your mind will manifest that which you most desire.
Michael de Gale
a magic purse that can never be emptied no matter how much he spends.
Serinity Young (Women Who Fly: Goddesses, Witches, Mystics, and other Airborne Females)
He was also a poet, but of less merit than pretensions. His Chrysopeia, in which he pretended to teach the art of making gold, he dedicated to Pope Leo X., in the hope that the pontiff would reward him handsomely for the compliment; but the pope was too good a judge of poetry to be pleased with the worse than mediocrity of his poem, and too good a philosopher to approve of the strange doctrines which it inculcated; he was, therefore, far from gratified at the dedication. It is said, that when Augurello applied to him for a reward, the pope, with great ceremony and much apparent kindness and cordiality, drew an empty purse from his pocket, and presented it to the alchymist, saying, that since he was able to make gold, the most appropriate present that could be made him, was a purse to put it in. This scurvy reward was all that the poor alchymist ever got either for his poetry or his alchymy. He died in a state of extreme poverty, in the eighty-third year of his age.
Charles Mackay (Extraordinary Popular Delusions and the Madness of Crowds (Illustrated Edition))
…”this is the wish of the majority of the people. The aesthetic appeal of the Park can never be as strong as the demands of home and livelihood. The manatee and the orchids mean something to people in an abstract way, but he former can’t line their purse, nor the latter fill their empty bellies.
Michael Grunwald (The Swamp: The Everglades, Florida, and the Politics of Paradise)