Embarrassing Your Partner Quotes

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It’s all about our egos. She felt she was on the edge of understanding something important. They could fall in love with fresh, new people, or they could have the courage and humility to tear off some essential layer of themselves and reveal to each other a whole new level of otherness, a level far beyond what sort of music they liked. It seemed to her everyone had too much self-protective pride to truly strip down to their souls in front of their long-term partners. It was easier to pretend there was nothing more to know, to fall into an easygoing companionship. It was almost embarrassing to be truly intimate with your spouse; how could you watch someone floss one minute, and the next minute share your deepest passion or most ridiculous, trite little fears? It was almost easier to talk about that sort of thing before you’d shared a bathroom and a bank account and argued over the packing of the dishwasher.
Liane Moriarty (The Husband's Secret)
She was one of the most beautiful dancers I've ever seen. She made her partner feel as if he were about to be left behind, or already had been. It is a strange and wonderful and somewhat embarrassing feeling to hold someone in your arms who is trying to detach you from the earth and you aren't good enough to follow her.
Norman Maclean (A River Runs Through It)
Share with your partner an embarrassing moment in your life.
Vicki Grant (36 Questions That Changed My Mind About You)
Everybody was always trying to ship me with somebody. Thalia. Jason. Gwen. Even Frank. Oh, you'd be perfect together! That's who you need! But I was never really sure if I wanted that, or if I just felt like I was supposed to want it. People, well-meaning, would be like, Oh, you poor thing. You deserve somebody in your life. Date him. Date her. Date whoever. Find your soul mate.' She looked at me to see if I was following. Her words came out hot and fast, as if she'd been holding them in for a long time. 'And that meeting with Venus. That really messed me up. No demigod will heal your heart. What was that supposed to mean? Then finally you came along.' 'Do we have to review that part again? I am quite embarrassed enough.' 'But you showed me. When you proposed dating . . .' She took a deep breath, her body shaking with silent giggles. 'Oh, gods. I saw how ridiculous I'd been. How ridiculous the whole situation was. That's what healed my heart - being able to laugh at myself again, at my stupid idea about destiny. That allowed me to break free - just like Frank broke free of his firewood. I don't need another person to heal my heart. I don't need a partner . . . at least, not until and unless I'm ready on my own terms. I don't need to be force-shipped with anyone or to wear anybody else's label. For the first time in a long time, I feel like a weight has been lifted from my shoulders. So thank you.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
It seemed to her everyone had too much self-protective pride to truly strip off down to their souls in front of their long-term partners. It was easier to pretend there was nothing more to know, to fall into an easygoing companionship. It was almost embarrassing to be truly intimate with your spouse; because how could you watch someone floss one minute, and the next minute share your deepest passion or tritest of fears? It was almost easier to talk about that sort of thing before you’d shared a bathroom and a bank account and argued over the packing of the dishwasher.
Liane Moriarty (The Husband's Secret)
She asked him to come in, if only for a minute, as it would seem so odd otherwise, and as if she had been out alone in the dark. He gave way, and followed her in. Immediately that the door was opened he found, in addition to her parents, several neighbours sitting round. They all spoke in a congratulatory manner, and took him seriously as Arabella's intended partner. They did not belong to his set or circle, and he felt out of place and embarrassed. He had not meant this: a mere afternoon of pleasant walking with Arabella, that was all he had meant. He did not stay longer than to speak to her stepmother, a simple, quiet woman without features or character; and bidding them all good night plunged with a sense of relief into the track over the down. But that sense was only temporary: Arabella reasserted her sway in his soul. He walked as if he felt himself to be another man from the Jude of yesterday. What were his books to him? what were his intentions, hitherto adhered to so strictly, as to not wasting a single minute of time day by day? 'Wasting!' It depended on your point of view to define that: he was just living for the first time: not wasting life. It was better to love a woman than to be a graduate, or a parson; ay, or a pope!
Thomas Hardy (Jude the Obscure)
During the first days and weeks following the loss of a friendship, when the fact of it is so raw and sharp, we’ve learned from women that it’s typical to feel most alone, to feel embarrassed, depressed, shocked, and obsessed with why and how it happened. You often feel heartbroken, as if you’ve lost a great love. And you have. Not a romantic partner but a trusted holder of your secrets and truths.
Jessica Smock (My Other Ex: Women's True Stories of Losing and Leaving Friends)
8 Ways to Shine a Positive Light on Others 1. Let the other person appear smart. The person who desperately tries to be the smartest person in the room inevitably comes off as the least. 2. Don’t bring attention to anything which may embarrass another person. Whether your conversation partner has poor grammar, a pimple on his chin, or lacks social grace, a discreet person does not say or do anything which would make another feel ashamed, embarrassed, or humiliated. Allow the other person to maintain his own grace and dignity. 3. Ask their opinions, seek their advice, ask them inquiring questions. By allowing them to reveal their opinions and knowledge, you will demonstrate respect and make them feel important. 4. Practice patience. Sometimes it takes a person a moment to gather her thoughts, process information, or respond appropriately. Your patience is respectful and appreciated. 5. Maintain your calm. Rather than react with anger or defensiveness, regulate your response and shift the energy into a more positive direction. 6. Put your ego aside. Allow another to triumph and enjoy the spotlight. 7. Be aware and concerned for the feelings of others. 8. Purposely seek ways to put others at ease and make them feel comfortable.
Susan C. Young (The Art of Connection: 8 Ways to Enrich Rapport & Kinship for Positive Impact (The Art of First Impressions for Positive Impact, #6))
Did you just lose your virginity to me?” “What does it matter? Why are guys so obsessed with virgins anyway? Don't you want a more experienced partner? Jesus. It's not a commodity to be traded and won like a prize.” “That's not why I'm asking. I'm not obsessed with virgins; I'm obsessed with you. And I know that the first time can be weird or uncomfortable or even painful. If you'd told me, I would've …” “Would've what?” I whisper, my voice husky and low. I'm embarrassed, but I'm also enjoying this far more than I expected. My eyes lift to meet Spencer's, and this surge of happiness flows through me. He's alive. I feel like I've won the lottery or something. Just … don't tell him that. “I would've been more gentle,” he says, smiling slightly.
C.M. Stunich (The Secret Girl (Adamson All-Boys Academy, #1))
What are your terms?” he asked, and he made a final effort to tip the balance of power into her hands and out of his by adding, “I’m scarcely in a position to argue.” Elizabeth hesitated and then slowly began stating her terms: “I want to be allowed to look after Havenhurst without interference or criticism.” “Done,” he agreed with alacrity while relief and delight built apace in him. “And I’d like a stipulated amount set aside for that and given to me once each year. In return, the estate, once I’ve arranged for irrigation, will repay your loan with interest.” “Agreed,” Ian said smoothly. Elizabeth hesitated, wondering if he could afford it, half-embarrassed that she’d mentioned it without knowing more about his circumstances. He’d said last night that he’d accepted the title but nothing else. “In return,” she amended fairly, “I will endeavor to keep costs at an absolute minimum.” He grinned. “Never vacillate when you’ve already stipulated your terms and won a concession-it gives your opponent a subtle advantage in the next round.” Elizabeth’s eyes narrowed suspiciously; he was agreeing to everything, and much too easily. “And I think,” she announced decisively, “I want all this written down, witnessed, and made part of the original agreement.” Ian’s eyes widened, a wry, admiring smile tugging at his lips as he nodded his consent. There was a roomful of witnesses in the next room, including her uncle, who’d signed the original agreement, and a vicar who could witness it. He decided it was wise to proceed now, when she was in the mood, rather than scruple over who knew about it. “With you as a partner a few years ago,” he joked as he guided her from the room, “God knows how far I might have gone.” Despite his tone and the fact that he’d been on her side during the negotiations, he was nevertheless impressed with the sheer daring of her requests.
Judith McNaught (Almost Heaven (Sequels, #3))
When I was sixteen, we were at the UK championships in the Winter Gardens back in Blackpool. My partner and I were traveling clockwise around the floor doing a paso doble. I was really into it, envisioning myself as the fierce matador. I was intense. I paid no mind to what was going on around me--not the forty other dancers swirling around us, not the flow of the traffic. I thought to myself, “Man! I am on fire!” Then I heard a voice over the microphone: “Derek, you’re going the wrong way.” I froze in my tracks. It was Bill Irvine, the world champion and ballroom legend who was a commentator that day. Out of the corner of my eye I saw Corky waving his arms in the air like a madman, signaling me to turn around. I was mortified, but I didn’t want to show it. So I smiled, pretended I wasn’t the least bit embarrassed, and did a 360, pulling my partner with me. I went right back into the routine, unfazed. Corky always taught me both to be quick on my feet and to think quickly. And if I screwed up, to cover my tracks.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
I owe so much to sex workers when it comes to being more open about sex. About knowing how to talk about sex. And my understanding of consent—not just the idea of consent, but the practice. How to respond correctly to a no or “Cut!” or a safe word, which is to say: Never, ever less than fully and immediately. How to discuss the sex you’re about to have, even if you feel embarrassed or awkward talking about it. How to identify all the ways in which people coerce or pressure or push—sometimes without consciously knowing it—and not do those things. And how to have a conversation with a partner about what I want, and ask them the same. If society protected, respected, listened to, and learned from sex workers—well, then, sex education might actually stand a chance of being useful. And we all might be a little better at having those important conversations. Those difficult conversations, possibly even the ones that aren’t about sex. Because in the end, what I’m talking about is communication. Feeling safe. Knowing how to state, clearly, what you are feeling, and maybe even why. Imagine if violent homes came with safe words. Everybody stop. Hands on your head. Quiet on the set, please.
Isaac Fitzgerald (Dirtbag, Massachusetts: A Confessional)
Yes, that. Would you care to explain where the money is going, Madam President?” Letty laughed up at him with warm, loving eyes. “Certainly, Mr. Blackstone. Do you want to hear the explanation before or after I tell you that I have every reason to believe I'm pregnant?” That very morning Joel had decided that it was probably not possible for him to be any happier than he was already. Now he realized he was wrong. He forgot about the little matter of a fifty thousand dollar cost overrun and started to grin like an idiot. “You're pregnant?” Joel ignored the embarrassed expression on the face of the blond Adonis. “You're going to have our baby?” “It would appear so.” Letty pushed her glasses up onto her nose and smiled demurely. “What do you say to that, Mr. Blackstone?” Joel tossed the file over his left shoulder. The data on the ad budget was sent flying into the air. Eyes gleaming, he walked over to Letty and lifted her carefully into his arms. “I say the hell with the fifty thousand dollars. What's a few bucks between a president and her CEO?” “I knew you'd be reasonable about it, Joel.” Joel carried her out the door and down the hall. “Let's go back to my office, Mrs. Blackstone, and discuss something far more important than ad budget overruns.” “Yes, of course, Mr. Blackstone.” Letty glowed up at him. “And this time we must remember to lock the door before we start our discussions.” Joel's laughter echoed down the halls of Thornquist Gear. Life was very good.
Jayne Ann Krentz (Perfect Partners)
Dear Peter K, First of all I refuse to call you Kavinsky. You think you’re so cool, going by your last name all of a sudden. Just so you know, Kavinsky sounds like the name of an old man with a long white beard. Did you know that when you kissed me, I would come to love you? Sometimes I think yes. Definitely yes. You know why? Because you think EVERYONE loves you, Peter. That’s what I hate about you. Because everyone does love you. Including me. I did. Not anymore. Here are all your worst qualities: You burp and you don’t say excuse me. You just assume everyone else will find it charming. And if they don’t, who cares, right? Wrong! You do care. You care a lot about what people think of you. You always take the last piece of pizza. You never ask if anyone else wants it. That’s rude. You’re so good at everything. Too good. You could’ve given other guys a chance to be good, but you never did. You kissed me for no reason. Even though I knew you liked Gen, and you knew you liked Gen, and Gen knew you liked Gen. But you still did it. Just because you could. I really want to know: Why would you do that to me? My first kiss was supposed to be something special. I’ve read about it, what it’s supposed to feel like00fireworks and lightning bolts and the sound of waves crashing in your ears. I didn’t have any of that. Thanks to you it was as unspecial as a kiss could be. The worst part of it is, that stupid nothing kiss is what made me start liking you. I never did before. I never even thought about you before. Gen has always said that you are the best-looking boy in our grade, and I agreed, because sure, you are. But I still didn’t see the allure of you. Plenty of people are good-looking. That doesn’t make them interesting or intriguing or cool. Maybe that’s why you kissed me. To do mind control on me, to make me see you that way. It worked. Your little trick worked. From then on, I saw you. Up close, your face wasn’t so much handsome as beautiful. How many beautiful boys have you ever seen? For me it was just one. You. I think it’s a lot to do with your lashes. You have really long lashes. Unfairly long. Even though you don’t deserve it, fine, I’ll go into all the things I like(d) about you: One time in science, nobody wanted to be partners with Jeffrey Suttleman because he has BO, and you volunteered like it was no big deal. Suddenly everybody thought Jeffrey wasn’t so bad. You’re still in chorus, even though all the other boys take band and orchestra now. You even sing solos. And you dance, and you’re not embarrassed. You were the last boy to get tall. And now you’re the tallest, but it’s like you earned it. Also, when you were short, no one even cared that you were short--the girls still liked you and the boys still picked you first for basketball in gym. After you kissed me, I liked you for the rest of seventh grade and most of eighth. It hasn’t been easy, watching you with Gen, holding hands and making out at the bus stop. You probably make her feel very special. Because that’s your talent, right? You’re good at making people feel special. Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way? Probably not. People like you don’t have to suffer through those kinds of things. It was easier after Gen moved and we stopped being friends. At least then I didn’t have to hear about it. And now that the year is almost over, I know for sure that I am also over you. I’m immune to you now, Peter. I’m really proud to say that I’m the only girl in this school who has been immunized to the charms of Peter Kavinsky. All because I had a really bad dose of you in seventh grade and most of eighth. Now I never ever have to worry about catching you again. What a relief! I bet if I did ever kiss you again, I would definitely catch something, and it wouldn’t be love. It would be an STD! Lara Jean Song
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Gentleman,” I purr smoothly in greeting. Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable. While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress. I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait. “Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing. No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy. “I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot. “And who are you, Ma’am?” Ezra asks respectfully. “Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling. “Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment. I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely. “What did you say to upset her?” Ezra accuses Cortez. “Nothing,” Cort complains in confusion. “Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
Personal Questions As you move further into the realm of conversational intimacy, you may be tempted to ask a more personal question. Such questions entail risk that you will offend the other person. Ask them with extreme caution—especially on subjects such as financial matters, past relationships, and religion. If you feel you are developing a close rapport, you could broach a subject carefully by softening it with a qualifier such as: “Excuse me for asking, but . . .” “I don’t mean to get personal, but . . .” Don’t take it as a personal rejection should your interactive partner choose not to answer the question. Again, keep the conversation going. And if someone asks you a personal question that you don’t wish to answer, be prepared with an easy way to demur: “I’d rather not talk about that. But I was wondering . . .” Then use the techniques described in this chapter to change the subject gracefully. Being asked an overly personal question may embarrass you. Let your comfort level be your guide. If you do not wish to answer, that’s okay. The person probably meant no offense and was asking only out of genuine interest. Try to continue on in the conversation to see what else is there. If you find your anxiety level rising, use relaxation techniques to bring it under control.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
If y’all are with a guy who has a problem with you advocating for yourself or for others in times when you witness disrespect or rudeness occurring right in front of you, that’s a red flag. If they ever make you feel crazy or call you inappropriate for sticking up for what’s right, even if it’s in public—run! Ask yourself: Why does this man feel embarrassed when his partner is standing up for herself and for others? You’re not spewing entitlement or expecting more than you’re owed. You’re standing up for those that can’t stand up for themselves, and there is no shame in that heroic action. So if he’s not on your side, well, whose side is he on exactly?
Drew Afualo (Loud: Accept Nothing Less Than the Life You Deserve)
The music had started, the couples had begun a promenade, but Mr. Nobley paused to hold Jane’s arm and whisper, “Jane Erstwhile, if I never had to speak with another human being but you, I would die a happy man. I would that these people, the music, the food and foolishness all disappeared and left us alone. I would never tire of looking at you or listening to you.” He took a breath. “There. That compliment was on purpose. I swear I will never idly compliment you again.” Jane’s mouth was dry. All she could think to say was, “But…but surely you wouldn’t banish all the food.” He considered, then nodded once. “Right. We will keep the food. We will have a picnic.” And he spun her into the middle of the dance. While the music played, they didn’t speak again. All his attention was on her, leading her through the motions, watching her with admiration. He danced with her as though they were evenly matched, no indication that she was the lone rider of the Precedence Caboose. She had never before felt so keenly that Mr. Nobley and Miss Erstwhile were a couple. But I’m not really Miss Erstwhile, thought Jane. Her heart was pinching her. She needed to get away, she was dizzy, she was hot, his eyes were arresting, he was too much to take in. What am I supposed to do, Aunt Caroline? she asked the ceiling. Everything’s headed for Worse Than Before. How do I get out of this alive? She spun and saw Martin, and kept her eyes on him as though he were the lone landmark in a complicated maze. Mr. Nobley noticed her attention skidding. His eyes were dark when he saw Martin. His recent smile turned down, his look became more intense. As soon as the second number ended, Jane curtsied, thanked her partner, and began to depart, anxious for a breath of cold November air. “A moment, Miss Erstwhile,” Mr. Nobley said. “I have already taken your hand for the last half hour, but now I would beg your ear. Might we…” “Mr. Nobley!” A woman with curls shaking around her face flurried his way. Had Mr. Nobley been making visits to other estates while he was supposed to be hunting? Or was this a repeat client who might’ve known the man from a past cast? “I’m so happy to find you! I insist on dancing every dance.” “Just now is not…” Jane took advantage of the interruption to slip away, searching above the tops of heads for Martin. He’d been just over there…a hand grabbed her arm. She turned right into Mr. Nobley, their faces close, and she was startled by the wildness in him now, a touch of Heathcliff in his eyes. “Miss Erstwhile, I beg you.” “Oh, Mr. Nobley!” said another lady behind him. He glanced back with a harried look and gripped Jane’s arm tighter. He walked her out of the ballroom and into the darkened library, only then releasing her arm, though he had the good grace to look embarrassed. “I apologize,” he said. “I guess you would.” He was blocking the escape, so she gave in and took a chair. He began to pace, rubbing his chin and occasionally daring to look at her. The candlelight form the hallway made of him a silhouette, the starlight from the window just touching his eyes, his mouth. It was as dark as a bedroom. “You see how agitated I am,” he said. She waited, and her heart set to thumping without her permission. He wildly combed his hair with his fingers. “I can’t bear to be out there with you right now, all those indifferent people watching you, admiring you, but not really caring. Not as I do.” Jane: (hopeful) Really? Jane: (practical) Oh, stop that. Mr. Nobley sat in the chair beside her and gripped its arm. Jane: (observant) This man is all about arm gripping.
Shannon Hale (Austenland (Austenland, #1))
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shakkirammy
How has a failure, or apparent failure, set you up for later success? Do you have a “favorite failure” of yours? Many, many moons ago, I used to be a corporate lawyer. I was an ambivalent corporate lawyer at best, and anyone could have told you that I was in the wrong profession, but still: I’d dedicated tons of time (three years of law school, one year of clerking for a federal judge, and six and a half years at a Wall Street firm, to be exact) and had lots of deep and treasured relationships with fellow attorneys. But the day came, when I was well along on partnership track, that the senior partner in my firm came to my office and told me that I wouldn’t be put up for partner on schedule. To this day, I don’t know whether he meant that I would never be put up for partner or just delayed for a good long while. All I know is that I embarrassingly burst into tears right in front of him—and then asked for a leave of absence. I left work that very afternoon and bicycled round and round Central Park in NYC, having no idea what to do next. I thought I’d travel. I thought I’d stare at the walls for a while. Instead—and it all happened so suddenly and cinematically that it might defy belief—I remembered that actually I had always wanted to be a writer. So I started writing that very evening. The next day I signed up for a class at NYU in creative nonfiction writing. And the next week, I attended the first session of class and knew that I was finally home. I had no expectation of ever making a living through writing, but it was crystal clear to me that from then on, writing would be my center, and that I would look for freelance work that would give me lots of free time to pursue it. If I had “succeeded” at making partner, right on schedule, I might still be miserably negotiating corporate transactions 16 hours a day. It’s not that I’d never thought about what else I might like to do other than law, but until I had the time and space to think about life outside the hermetic culture of a law practice, I couldn’t figure out what I really wanted to do.
Timothy Ferriss (Tribe Of Mentors: Short Life Advice from the Best in the World)
When my eyes meet his gaze as we’re sitting here staring at each other, time stops. Those eyes are piercing mine, and I can swear at this moment he senses the real me. The one without the attitude, without the façade. Just Brittany. “What would it take for you to go out with me?” he asks. “You’re not serious.” “Do I look like I’m jokin’?” Mrs. Peterson wanders by us, saving me from answering. “I’m keeping my eyes on you two. Alex, we missed you last week. What happened?” “I kinda fell onto a knife.” She shakes her head in disbelief, then moves away to harass other partners. I look at Alex, wide-eyed. “A knife? You’re kidding, right?” “Nope. I was cuttin’ a tomato, and wouldn’t ya know the thing flung up and sliced my shoulder open. The doc stapled me back together. Wanna see?” he asks as he starts pulling up his sleeve. I slap a hand over my eyes. “Alex, don’t gross me out. And I don’t believe for one second a knife flung out of your hand. You were in a knife fight.” “You never answered my question,” he says, not admitting or denying my theory about his wound. “What would it take for you to go out with me?” “Nothing. I wouldn’t go out with you.” “I bet if we make out you’ll change your mind.” “As if that’ll ever happen.” “Your loss.” Alex stretches his long legs in front of him, his chem book resting in his lap. He looks at me with chocolate brown eyes that are so intense I swear they could hypnotize someone. “You ready?” he asks. For a nanosecond, as I’m staring into those dark eyes, I wonder what it would be like to kiss Alex. My gaze drops to his lips. For less than a nanosecond, I can almost feel them coming closer. Would his lips be hard on mine, or soft? Is he a slow kisser, or hungry and fast like his personality? “For what?” I whisper as I lean closer. “The project,” he says. “Hand warmers. Peterson’s class. Chemistry.” I shake my head, clearing all ridiculous thoughts from my overactive teenage mind. I must be sleep-deprived. “Yeah, hand warmers.” I open my chem book. “Brittany?” “What?” I say, staring blindly at the words on the page. I have no clue what I’m reading because I’m too embarrassed to concentrate. “You were lookin’ at me like you wanted to kiss me.” I force a laugh. “Yeah, right,” I say sarcastically. “Nobody’s watchin’ if you want to, you know, try it. Not to brag, but I’m somewhat of an expert.” He gives me a lazy smile, one that was probably created to melt girls’ hearts all over the globe. “Alex, you’re not my type.” I need to tell him something to stop him from looking at me like he’s planning to do things to me I’ve only heard about. “You only like white guys?” “Stop that,” I say through gritted teeth. “What?” he says, getting all serious. “It’s the truth, ain’t it?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Our requests to our lovers might sound as follows: I need you to accept—often and readily—the possibility that you might be at fault, without this feeling to you like the end of the world. You have to allow that I can have a legitimate criticism and still love you. I need you to be undefensive. I need you to own up to what you are embarrassed or awkward about in yourself. I need you to know how to access the younger parts of you without terror. I need you to be able to be vulnerable around me. I need you to respond warmly, gently, and compassionately to the fragile parts of who I am; to listen to, and understand, my sorrows. We need a union of mutual tenderness. I need you to have a complex, nuanced picture of me and to understand the emotional burdens I’m carrying, even though I wish I weren’t, from the past. You have to see me with something like the generosity associated with therapy. I need you to regularly air your disappointments and irritations with me—and for me to do the same with you—so that the currents of affection between us can remain warm and our capacity for admiration intense. If these five critical demands have been met, we will feel loved and essentially satisfied whatever differences then crop up in a hundred other areas. Perhaps our partner’s friends or routines won’t be a delight, but we will be content. Just as if we lack these emotional goods, and yet agree on every detail of European literature, interior design, and social existence, we are still likely to feel lonely and bereft. By limiting what we expect a relationship to be about, we can overcome the tyranny and bad temper that bedevil so many lovers. A good, simpler—yet very fulfilling—relationship could end up in a minimal state. We might not socialize much together. We might hardly ever encounter each other’s families. Our finances might overlap only at a few points. We could be living in different places and only meet up twice a week. Conceivably we might not even ask too many questions about each other’s sex life. But when we do come together it would be profoundly gratifying, because we would be in the presence of someone who knew how to be kind, vulnerable, and understanding. A bond between two people can be deep and important precisely because it is not played out across all practical details of existence. By simplifying and clarifying what a relationship is for, we release ourselves from overly complicated conflicts and can focus on making sure our urgent underlying needs are sympathized with, seen, and understood.
Alain de Botton (A Therapeutic Journey: Lessons from The School of Life)
Make three true “we” statements each. For instance, “We are both in this room feeling . . .” Complete this sentence: “I wish I had someone with whom I could share . . .” If you were going to become a close friend with your partner, please share what would be important for him or her to know. Tell your partner what you like about them; be very honest this time, saying things that you might not say to someone you’ve just met. Share with your partner an embarrassing moment in your life. When did you last cry in front of another person? By yourself? Tell your partner something that you like about them already. What, if anything, is too serious to be joked about? If you were to die this evening with no opportunity to communicate with anyone, what would you most regret not having told someone? Why haven’t you told them yet? Your house, containing everything you own, catches fire. After saving your loved ones and pets, you have time to safely make a final dash to save any one item. What would it be? Why? Of all the people in your family, whose death would you find most disturbing? Why? Share a personal problem and ask your partner’s advice on how he or she might handle it. Also, ask your partner to reflect back to you how you seem to be feeling about the problem you have chosen.
Jonah Berger (Magic Words)
To understand this, you need frist to Know some words which are formed from Arabic to English by me : 1- farcashize (V) : يُفركش 2- farcashization (N) : الفركشة 3- farcashized/farcashizational (Adj) : مُفركش 4- farcashizationally (Adv) : مُفركشآ The logic of the dating does not express the relationship, it is the relationship, otherwise the time that I spend with special someone is a neutral phenomenon and the observation of the neutral phenomenon in the term of the relationships changes its nature. Like every single Sudanese man, I know that I would like to be a one-man multinational fashion phenomenon but to be described as farcashizational man by some students is something I don't expect it at all. The phenomenon of farcashization becomes a part of Sudanese girl's speech, unfortunately it is like gossiping, I was chicken-hearted when my closed friend told me that many female students at EDC said that we were in love together and then you were farcashized by me. At that time we were laughing but deeply inside myself, an idea was rambling which was "maybe I am one of their desires" because when one has achieved the object of one's desires, it is evident that one's real desire was not the ignorant possession of the desired object but to know it as possessed as actually contemplated as within one, so maybe I was farcashizationally farcashized by my friend in thier mind as a wish that the same thing to be done with me by them and that leads to say "girls are dangerous creatures especially when they are your students". When there is both love and friendship, we dwell in the realm of the relationship and when there is neither love nor friendship, we exist in a vacuity of relationships, we can feel and we can express feelings but the more we feel, the further off we are, so what is not yet felt can't be shown and what is already desired can't be hidden so farcashization and desire are not distant, it's their principle that can't be seen. It would be a very naive sort of dogmatism to assume that every beautiful girl is an impossible creature to be got or to accept the man as he is and she is always going to embarrass and farcashize him, as if she is an indocile black wild cat, the beautiful girl is not a unique and homogeneous but she is immensely diversified, having as many different schemes and patterns as there are different ways of beauty, so the phenomenons which we find in our certain relationships such as farcashization are not transferable with all people but the attitude of the relationship, therefore the dating of two people is like the contact of two chemical substances, if there is any reaction between them depending on that attitude, both are transformed. Finally there is no relationship between any two partners looks like what we really see, yours doesn't, mine doesn't and people are much more complicated than what we imagine, then their relationships are more perplexing too, so you can't judge any relationship according the actions of the relationship's partners, it is true of every relation.
Omer Mohamed
What happened to you?” Monica accused over a tray of leafy greens. “What?” Joy said. “Nothing.” “Well, that nothing has you eating your salad with a spoon.” Embarrassed, Joy switched utensils, tucking her hair behind her ear and letting her fingers linger there. She grinned again. “I’m just thinking,” she said, poking the lettuce, “about stuff.” “Thinking stuff.” Monica nodded and chewed. “Sounds dangerous.” “Not yet,” Joy chirped. Monica slapped both hands on her tray, “Okay, that’s it— spill.” “What?” “What ‘what?’ Don’t give me ‘what’ and expect me not to ask ‘what?’” Monica pointed her fork at Joy’s nose. “You’ve been a total nut job ever since that night at the Carousel, and what with breaking windows and random notes and skipping off after school, you think I don’t know there’s a ‘what?’” Monica sounded angry, which was her protective-sisterhood thing. Joy tried not to laugh. “Is it drugs?” Monica hissed over her salad. “Because if it’s drugs, so help me, I will beat your sorry pale pink butt from here to next Thursday. I will call your dad, I will call the cops and I will even call Gordon and cancel our date!” “Whoa.” Joy waved a napkin in surrender. “It’s not drugs. No drugs. I swear. Remember? No Stupid,” Joy said, but had to add, “But there is a someone.” “A someone?” “A someone.” “A guy?” Joy rolled her eyes. “Yes, a guy. There’s a guy. I like guys.” Monica pursed her lips. “There’s a guy and you like guys and you met a guy, this Someone-A-Guy?” Joy prodded her lunch, picking at the crust of her sandwich. “There’s a guy and I don’t know what I think about him. I’m just…thinking about him. A lot.” “Mmm,” Monica said noncommittally. “So does this guy have a name?” Joy considered the question. “Yes.” “Yes?” Monica prompted with a wave of speared iceberg lettuce. “And?” “And there’s not much to talk about.” Joy shrugged and took a wide bite of sandwich, filling her mouth. She couldn’t decide whether Indelible was his first name or Ink, but neither sounded particularly normal. As opposed to Gordon Wiener-Schnitzel. Still, it was a subject best avoided. “Uh-huh.” Monica joined Joy in a long bout of chewing. They exchanged glances and evasions like fencing partners until Monica swallowed. “Okay,” she said. “So, this mysterious Someone-A-Guy that you can’t stop thinking about— would I, as your best friend, theoretically speaking, give him a thumbs-up or a thumbs-down?” Two thumbs down, definitely, for mysteryguywhostabbedmeintheeye. Joy swallowed. “He’s not your type,” she said diplomatically. “But he’s your type?” Monica said. “And, what is your type, exactly?” “He’s…” Joy stumbled, trying to find the words. “Exciting. Intellectual. A little sad, which can be sweet.” The flash in her eye inspired her. “He’s an artist.” “An artist?” Monica sneered around cukes. “Please do not tell me that you’re going to go all emo on me. That’s worse than drugs.
Dawn Metcalf (Indelible (The Twixt, #1))
STEP 2: Get together with your partner and compare the two lists. Take note of which items show up on both lists. Create a master list containing those items. STEP 3: This step has three parts. First, think about some activities that are similar to the activities you found exciting and are possible for you to do, and add them to the master list. Second, be on the lookout for new, novel activities that you believe both you and your partner will find exciting, and try them out. If your instincts were right, add them to the master list. Third, consider incorporating activities that intrigue you that you might ordinarily pass up because you feel they are too childish or have a potential to be embarrassing. Stretch by allowing yourself to feel some anxiety. As you discover new, exciting activities, add them to the master list. STEP 4: Engage in one of the activities on your master list for at least 11/2 hours every week. Add spice to these occasions by being sure to select examples from your master list of the three different types of activities discussed in step 3. After all, even the most exciting thing will start to feel mundane if you do it over and over again, and sometimes it takes a few tries before you and your partner find activities that are the right fit for you. Treat this 11/2 hour period each week as a very important appointment—don’t skip it unless you absolutely must.
Todd Kashdan (Curious?: Discover the Missing Ingredient to a Fulfilling Life)