Cat Dragged In Quotes

We've searched our database for all the quotes and captions related to Cat Dragged In. Here they are! All 100 of them:

Mencheres dragged her screaming from me only an hour after our binding!" Gregor said. "I don't give a rot if Mencheres yanked her off your throbbing, rigid cock," Bones snarled. "Go dream a little dream, you sod!
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
Next to her, I felt like Carrot Top in drag. Cat re: Annette
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
I think this’ll definitely tide me over while we’re apart,”Bones laughed, dragging me into his arms with far more strength and quickness than was fair, considering I still had trouble making my limbs operate. “Oh, Kitten,” he murmured as his lips dragged down my throat. “You didn’t really think we were done, did you?
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Now that that's settled, you're coming with me." "Never in a billion suns. Not even if Zeus showed up as a swan and tried to peck me in your direction. I wouldn't go with you even if my other option was Hades dragging me to the Underworld for an eternal threesome with Persephone.
Amanda Bouchet (A Promise of Fire (Kingmaker Chronicles, #1))
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Well, good afternoon, sunshine. How are you feeling?" "Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.
Adley Maddox (Racing Outside the Line (A Love Story at 190 mph #1))
So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one, in the end -- not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When young we think there will come one person who will savor and sustain us always; when we are older we know this is the dream of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by force of character, yet fragile and rickety forevermore, no matter how ferocious the defense and how many bricks you bring to the wall. You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman's second glance, a child's apple breath, the shatter of glass in the road, the words 'I have something to tell you,' a cat with a broken spine dragging itself into the forest to die, the brush of your mother's papery ancient hand in a thicket of your hair, the memory of your father's voice early in the morning echoing from the kitchen where he is making pancakes for his children.
Brian Doyle (One Long River of Song: Notes on Wonder)
The water is calm, but the currents pull beneath the surface. Though they can’t be seen, they have the power to drag cats to their deaths.
Erin Hunter
I'm not fooled, assassin. You may think you are removed from us—that you have come to terms with your own mortality—but I still had to drag Sora out of your arms.
T.L. Shreffler (Sora's Quest (The Cat's Eye Chronicles, #1))
Most people, when they move, well they just move depending on whatever's around them. At this very moment, as I am writing, Constitution the cat is going by with her tummy dragging close to the floor. This cat has absolutely nothing constructive to do in life and still she is heading toward something, probably an armchair.
Muriel Barbery (The Elegance of the Hedgehog)
Look what the cat dragged in.” He was playing to the audience. Never good. “Is he talking to me or you?” Curran asked. His voice was deceptively light. “I don’t know,” I said. “But I’m sure he’ll get around to telling us.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
Cat herding is simple. Just drag a string behind you.
Aaron Dennis
I need to attend to my steed. Entertain yourselves in my absence.” Said like he’s the fucking king of the castle and not what the cat dragged in.
Laura Thalassa (Pestilence (The Four Horsemen, #1))
He dragged me back - just in time. A tree had crashed down on to the side walk, just missing us. Poirot stared at it, pale and upset. "It was a near thing that! But clumsy, all the same - for I had no suspicion - at least hardly any suspicion. Yes, but for my quick eyes, the eyes of a cat, Hercule Poirot might now be crushed out of existence - a terrible calamity for the world. And you, too, mon ami - though that would not be such a national catastrophe." "Thank you," I said coldly.
Agatha Christie (The Big Four (Hercule Poirot, #5))
I feel like saying something back to her. Something like, 'Eat hanger, bitch.' Except that Skeletor here doesn't look like she's eaten anything at all since last October. But I don't say anything, of course. Instead I stand there and take shit from someone who looks like a praying mantis in drag. - Cat
Rebecca Sparrow (Joel and Cat Set the Story Straight)
Look what the cat dragged in," Ms. Skoglund said. "Were you waylaid by all your female admirers?" "It's nothing like that," the boy said. "Besides, you know I only have eyes for you." "Sure you do," Ms. Skoglund said. "I mean, why bother with one of those skinny little things your age when you can go for someone who's trying to lose another thirty pounds before her twenty-year class reunion next summer? That makes sense.
Jon S. Lewis (Invasion (C.H.A.O.S., #1))
Yes " Morrison said dryly. "I'm sure it would have helped with flying the car, if any of us had been calm and rational enough to think of taking a drum out and performing some theme music for your Jame's Bond meets Harry Potter special effects. But since we weren't, now I'm going to drum till you stop looking like something the cat dragged in. Don't argue with me.
C.E. Murphy
In my mind there is a scale. I do not know how many small lives add up to a big one, or if there is a formula to work it out. How many cats do I have to save? How many dogs? How many injured animals on the road do I have to drag to safety, their blood on my hands, their wild-smelling hair on my clothes?
Mindy McGinnis (The Female of the Species)
It’s not his last life,” she rasped, “and even if it were, I couldn’t kill him.” “Why not? StarClan would honor you for it.” Fireheart could not believe her words. The name Brokenstar had always made this old she-cat bristle with rage. Yellowfang dragged her gaze from Brokenstar and looked at Fireheart. Her eyes clouded with pain and grief as she murmured, “He is my son.
Erin Hunter (Fire and Ice)
Ivypool backed away. She twisted and ducked under him as he leaped, but his claws sank into her tail and pinned her to the ground. Thistleclaw and Snowtuft attacked from opposite sides, snarling, slicing her ears. She struggled away from them, crashing into hard muscle. Hawkfrost was behind her now. He stabbed his claws into her shoulders. With a gasp, Ivypool saw his teeth flashing beside her throat. Then a black pelt flashed over the top of the gorse. Paws landed with a thump beside her. "Get off her!" Hollyleaf yowled. Ivypool's world spun as the black warrior slammed into Hawkfrost and sent him reeling into the gorse. Free from Hawkfrost's claws, Ivypool turned on Thistleclaw and Snowtuft. She began slashing with her front paws, remembering in a crystalline moment every moon of training. Hollyleaf reared up beside her, matching her blow for blow, as though she instinctively knew where Ivypool would strike next. Blood sprayed the forest floor as Ivypool sliced Snowtuft's muzzle and tore Thistleclaw's nose. Turning she kicked with hind legs and knocked Thistleclaw backward, then sank her teeth into Snowtuft's neck. The white warrior screeched and ripped free from her jaws. Ivypool tasted his blood as he hared away through the bracken. She met Thistleclaw's gaze. Fear sparked in his eyes as she spat out a bloody clump of Snowtuft's fur. "Run," she hissed. "Because if you stay, I will kill you". Mouth open, Thistleclaw fled, disappearing through the gorse. A shriek exploded behind Ivypool. She turned and saw Hollyleaf swipe at Hawkfrost's muzzle. The force of the blow sent the Dark Forest warrior crashing away. He dropped with a thump and scrabbled to his paws. Blood dripping from his cheek, one eye swollen shut, he glanced at Hollyleaf and tore his way through the gorse. Ivypool stared at the black she-cat. "You saved my life!" Hollyleaf staggered and fell to the ground. "Hollyleaf!" Ivypool darted to her side and saw blood pulsing from a wound in her neck. Panic formed a hard lump in Ivypool's belly. Grasping Hollyleaf's scruff in her teeth, she began to half drag, half carry her Clanmate toward the ThunderClan border. Jayfeather would know what to do. "I'll get you home," Ivypool growled through gritted teeth. "I promise I'll get you home".
Erin Hunter (The Last Hope (Warriors: Omen of the Stars, #6))
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
His spiritual energy was completely drained. He was no different from an ordinary person at that time. He couldn't use a single technique, not even a simple communication spell. He could only carry you on his back and climb up the stairs of Sisheng Peak, step by step. And when he couldn't do that anymore, when he couldn't even stand, he had crawled on the ground, on his knees, dragging him until his fingers were torn and his hands covered in blood. All to bring him home.
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 3)
Well, you look like something the cat dragged in,” he remarked, immediately laying a hand on the warrior’s forehead and closing his eyes in order to assess the damage done to the warrior’s abused body. Gideon did not understand why Elijah found his remark so terribly funny, but the warrior was laughing so hard that his nurse pinched him in the arm to stop him. “I can’t keep pressure with your chest bobbing up and down. Besides, Gideon will never be that funny,” she said, giving him a cockeyed look.
Jacquelyn Frank (Elijah (Nightwalkers, #3))
knowing full well that I looked like something any self-respecting cat would refuse to drag in.
Nancy Atherton (Aunt Dimity's Death (An Aunt Dimity Mystery, #1))
You look like a cat tried to ear your face off.' She sniffed. 'And you smell like a swamp.' 'Being dragged through a bog will do that to you,' Cassian said.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
You look like something the goat dragged in.’ ‘Cat dragged in,’ said Shadow. ‘Goat,’ said Wednesday. ‘Huge rank stinking goat with big teeth.
Neil Gaiman (American Gods)
I reported to work the next morning looking like something the cat dragged in, half eaten yet somehow still alive.
Darynda Jones (The Dirt on Ninth Grave (Charley Davidson, #9))
There were numerous physical combats between husbands and wives, and not always the husbands that matched the wives. Kitty Hofman, for instance, had been given a black eye by Carter Davis when she kicked him in the groin for dunking her head in a punch bowl for calling him a son of a bitch for telling her she looked like something the cat dragged in. And so on.
John O'Hara (Appointment in Samarra)
We’ll stop at the next gas station and get you some breakfast. You’ll need to clean yourself up, too. You look like something the goat dragged in.” “Cat dragged in,” said Shadow. “Goat,” said Wednesday. “Huge rank stinking goat with big teeth.
Neil Gaiman (American Gods)
What man leaves a girl he just dragged to a strip joint to get interrogated by my dad?” “A smart and still living one.” There wasn’t an ounce of repentance in his reply or grin. “You are a bad cat.” “The baddest, honey. Feel free to punish me anytime.
Eve Langlais (Panther's Claim (Bitten Point #2))
memorial branch had fallen on its side, but it was still visible, poking up out of the water below the Highledge. Brackenfur and Dustpelt waded over to it and dragged it back to the bushes where the other cats waited. “It’s not floating very well,” Brackenfur
Erin Hunter (Bramblestar's Storm (Warriors Super Edition #7))
And there they stayed, a sole phenomenon in the Republic of Brooklyn, where cats hollered like people, dogs ate their own feces, aunties chain-smoked and died at age 102, a kid named Spike Lee saw God, the ghosts of the departed Dodgers soaked up all possibility of new hope, and penniless desperation ruled the lives of the suckers too black or too poor to leave, while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.
James McBride (Deacon King Kong)
There were numerous physical combats between husbands and wives, and not always the husbands that matched the wives. Kitty Hofman, for instance, had been given a black eye by Carter Davis when she kicked him in the groin for dunking her head in a punch bowl for calling him a son of a bitch for telling her she looked like something the cat dragged in.
John O'Hara (Appointment in Samarra)
Kass dragged home a stray kitten she found when she was a little girl. I would do anything to make that girl happy. But not a cat. She doesn't deserve that. No one does.
Charles Dean (The Bathrobe Knight: Volume II (The Bathrobe Knight, #2))
Shandy. Have you begun your Ptolemaic
Charlotte MacLeod (Something the Cat Dragged In (Peter Shandy #4))
You look like something the cat coughed up, dragged through dirt, ate, and coughed up again.
Thomm Quackenbush (Artificial Gods (Night's Dream, #3))
Life was the cat that dragged the parrot downstairs by its tail; his head banged against every step.
Julian Barnes (The Noise of Time)
Melancholy, at first, no doubt, lends a certain attractive grace, but it ends by dragging the features and blighting the loveliest face.
Honoré de Balzac (At The Sign Of The Cat And Racket)
Roark reached for the 'link again, cursed himself for a fool, then turned away from it. He wasn’t going to keep calling her, her friends, her haunts, hoping for a scrap. Bugger that. She’d be home when she came home. Or she wouldn’t. Christ Jesus, where was she? Why the hell was she putting him through this? He’d done nothing to earn it. God knew he’d done plenty along the way to earn her wrath, but not this time. Not this way. Still, that look on her face that morning had etched itself in his head, on his heart, into his guts. He couldn’t burn it out. He’d seen that look once or twice before, but not on his account. He’d seen it when they’d gone to that fucking room in Dallas where she’d once suffered beyond reason. He’d seen it when she tore out of a nightmare. Didn’t she know he’d cut off his own hand before he’d put that look on her face? She bloody well should know it. Should know him. This was her own doing, and she’d best get her stubborn ass home right quick so they could have this out as they were supposed to have things out. She could kick something. Punch something. Punch him if that would put an end to it. A good rage, that’s what was needed here, he told himself, then they’d be done with this nonsense once and for all. Where the fucking hell was she? He considered his own rage righteous, deserved—and struggled not to acknowledge it hid a sick panic that she didn’t mean to come back to him. She’d damn well come back, he thought furiously. If she thought she could do otherwise, he had a bulletin for her. He’d hunt her down, by Christ, he would, and he’d drag her back where she belonged. Goddamn it all, he needed her back where she belonged. He paced the parlor like a cat in a cage, praying as he rarely prayed, for the remote in his pocket to beep, signaling the gates had opened. And she was coming home.
J.D. Robb (Innocent in Death (In Death, #24))
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
Cats mewling in the middle of the night combined with evil clowns dragging long, black crusted fingernails over a chalkboard would not have been able to rival the sound that assailed our ears. It
Mark Tufo (Into the Fire (Indian Hill #5))
A chill penetrating wail of outrage screamed up from the depts of the Abyss. So loud and horrifying was it that all the citizens of Palanthas woke shruddering from even the deepest sleep and lay in their beds, paralyzed by fear, waiting for the end of the world. The guards on the the city walls could move neither hand nor foot. Shutting their eyes, they cowered in shadows, awaiting death. Babies wimpered in fear, dogs cringed and slunk beneath beds, cat's eyes gleamed. The shriek sounded again, and a pale hand reached out from the Tower gates. A ghastly face, twisted in fury, floated in the dank air. Raistlin did not move. The hand drew near, the face promised him tortures of the Abyss, where he would be dragged for his great folly in daring the curse of the Tower. The skeletal hand touched Raistlin's heart. Then, trembling, it halted. 'Know this,' said Raistlin calmly, looking up at the Tower, pitching his voice so that it could be heard by those within. 'I am the master of the past and the present! My coming was foretold. For me, the gates will open.' The skeletal hand shrank back and, with a slow sweeping motion of invitation, parted the darkness. The gates swung open upon silent hinges. Raistlin passed through them without a glance at the hand or the pale visage that was lowered in reverence. As he entered, all the black and shapeless, dark and shadowy things dwelling within the Tower bowed in homage. Then Raistlin stopped and looked around him. 'I am home,' he said.
Margaret Weis (Dragons of Spring Dawning (Dragonlance: Chronicles, #3))
Her kiss with Azad had been devouring, almost violent, but this was different, delicate - as delicate as a moth’s wing. Soraya felt like a cat stretched out in a patch of sunlight, luxuriating in the softness of Parvaneh’s mouth, in the slow drag of Parvaneh’s fingertips along the length of her neck. Parvaneh seemed to be trying to memorize the feel of Soraya’s skin, and Soraya, remembering the sight of her tattered wings, wondered when Parvaneh had last experienced any kind of touch that was not in violence.
Melissa Bashardoust (Girl, Serpent, Thorn)
Sunday night is my personal weekly Halloween. I walk along slowly and drag my fingertips along the bars of chocolate. Goddamn, you sexy little squares. Dark, milk, white, I do not discriminate. I eat it all. Those fluorescent sour candies that only obnoxious little boys like. I suck candy apples clean. If an envelope seal is sweet, I’ll lick it twice. Growing up, I was that kid who would easily get lured into a van with the promise of a lollipop. Sometimes, I let the retail seduction last for twenty minutes, ignoring Marco and feeling up the merchandise, but I’m so tired of male voices. “Five bags of marshmallows,” Marco says in a resigned tone. “Wine. And a can of cat food.” “Cat food is low carb.” He makes no move to scan anything, so I scan each item myself and unroll a few notes from my tips. “Your job involves selling things. Sell them. Change, please.” “I just don’t know why you do this to yourself.” Marco looks at the register with a moral dilemma in his eyes. “Every week you come and do this.” He hesitates and looks over his shoulder where his sugar book sits under a layer of dust. He knows not to try to slip it into my bag with my purchases. “I don’t know why you care, dude. Just serve me. I don’t need your help.” He’s not entirely wrong about my being an addict. I would lick a line of icing sugar off this counter right now if no one were around. I would walk into a cane plantation and bite right in... “Give me my change or I swear to God …” I squeeze my eyes shut and try to tamp down my temper. “Just treat me like any other customer.” He gives me a few coins’ change and bags my sweet, spongy drugs.
Sally Thorne (99 Percent Mine)
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued. “… have to find St. Vincent…” Marcus was saying. “No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.” “We need privacy.” “I believe there is a small room nearby— more of a vestibule, actually…” But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase. St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust. The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.” Dazedly Lillian murmured, “Marcus, wait—” She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters. White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded. “Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering. “Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Alone in her anxieties and insecurities, alone in the tyranny of her mind, but also simply, literally, physically alone, her only companion an oversized, paraplegic cat who dragged himself around the apartment like a mythological creature, his front half leonine and furry, his hindquarters shaved bald, for he no longer had the flexibility to groom them.
Joanna Rakoff (My Salinger Year: A Memoir)
For the most part in the course of our daily lives we abide the abundant evidence that no such universal justices exists. Like a cart horse, we plod along the cobblestones dragging our master's wares with our heads down and our blinders in place, waiting patiently for the next cube of sugar. But there are certain times when chance suddenly provides the justice that Agatha Christie promises. We look around at the characters cat in our own lives - our heiresses and gardeners, our vicars and nannies, our late-arriving guests who are not exactly what they seem - and discover before the end of the weekend all assembled will get their just deserts. But when we do so, we rarely remember to count ourselves among their company.
Amor Towles (Rules of Civility)
The ragged cat drags its belly across where the grass is short and the stones are sharp, under the lilacs that have no flowers. The flower smell is gone and the white falls off the trees. Seeds, Lark says, little seeds with parachutes to fly them, Termite, all in your hair, and she runs her fingers through his hair, saying how long and how pretty. He wants the grass long and strong, sounding whispers when it moves, but the mower cuts it. The mower cuts and cuts like a yowling knife. He hears the mower cutting and smells the grass pouring out all over the ground, the green stain so sharp and wet it spills and spills. The mower cuts everything away and Nick Tucci follows the mower, cutting and cutting while the orange cat growls low to move its soft parts across the chipped sharp stones. Deep under the lilacs where no one sees, the orange cat waits for the roar to stop.
Jayne Anne Phillips (Lark & Termite)
She pointed at our hands. “Are you two rutting?” “That is so gross.” Justine stood next to her with her mouth agape. “You are so gross.” “No,” Caitlin said, grinning. “We’re holding hands. What I did with your father, that was rutting.” Justine made a strangled squeaking noise, like a cat had lodged in her throat and was trying to kick its way out. Juliette stammered incoherently as she dragged her sister away by the arm. I let go of Caitlin’s hand just long enough to hold up my open palm. “High-five me.” She slapped her palm against mine. We settled into a comfortable silence. “You didn’t actually—” I eventually asked, and Caitlin arched an eyebrow. “They’ll always wonder,” she said. “I do hope you’re not the jealous type, Daniel. I am a succubus. If you want me to list my lovers, we’re going to be here a while.” I shook my head. “Not even a little bit.” “Good. But for the record? Never. You don’t rut with a pride demon; you hold up a mirror for him to stare into while he pleasures himself. I’m only slightly exaggerating.
Craig Schaefer (The Long Way Down (Daniel Faust, #1))
It takes me a while to drag him out, he's got himself stuck to the axle, and by the time I am done and stand over the body something strange has started to happen. The alley's filled with a half-dozen cats, runty little things with their ribs showing and their tails worn high like they're pointing to the moon. I stand there, breathing froth into the snowflakes and watch them gather round me, soft kitty paws, and now and then a patrol car rolls past in the distance. The cats are circling us, tails cocked at the moon, their muzzles bloodied by the tail lights' glow. They are vicious bastards, let me tell you: frost on their whiskers, eyes like cut glass, a half-dozen pairs, on me and the dead man. And then they start licking. Licking at the snow I mean, the blood in the snow, they lap it up like mother's milk. And all the while from their throats, from their whole bodies, there issues this sound, you hear it with your skin, it's like an engine running under your palm. That's when I realize they are purring, man, purring as they feed on the midget's death.
Dan Vyleta (Pavel & I)
We have to stop,” Harvard said, abrupt and desperate. “Wait, why?” Aiden murmured, reaching to drag Harvard back when Harvard pulled away, barely seeming to understand the words Harvard had spoken. “I don’t want to. You said you didn’t want to…” He trailed off, hands still grasping Harvard’s shirt, exerting pressure to bring Harvard back where he had been. Aiden’s eyes were heavy-lidded, almost as if he was drowsy, but it was an electric drowsiness. For a terrifying moment, Harvard looked at Aiden and couldn’t remember why they should stop. Then he looked at Aiden and did remember. “I don’t want to, but we have to,” Harvard tried to explain. Aiden looked suddenly wide awake and affronted to be so, like a cat disturbed from his rest. His voice as sharp this time as it had been soft before, he said, “Why?” When Aiden had agreed to help Harvard with practice dating, Harvard remembered vividly the exact words he’d used. I know how dating works. It doesn’t matter, and this wouldn’t even be real dating. It doesn’t mean anything. It won’t change anything. He looked at Aiden, his chest feeling cold and empty, bleak with despair. Harvard was just like all the rest of Aiden’s guys, only worse. He was the one who really knew Aiden, and he should know better. Harvard said, “Because this means nothing.
Sarah Rees Brennan (Striking Distance (Fence, #1))
I had a cat named Ginger when I was a kid. He was orange. I named him when I was three, before I knew Ginger was a girl’s name, according to most of the world. Anyway, when I was around eight, a raccoon attacked fierce Ginger. He came walking up our driveway with part of his intestines hanging out, dragging on the concrete. My dad said he’d be fine. No one believed my dad. Ginger somehow managed to climb into the rafters of our garage. I was 99 percent sure he was going there to die, but he didn’t. He spent seven days licking his wounds until he healed himself. Cats are awesome! We had a lot of respect for Ginger after that, even though he was kind of an asshole
Renee Carlino (Wish You Were Here)
When first he came to live at my expense, I never thought I should be able to get him to stop long.  I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live.  He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
Hunting parties spent weeks scouring the zone and shot all the abandoned family pets, which had begun to roam in packs. It was a necessary evil to avoid the spread of radioactivity, prevent decontamination workers from being attacked, and put the animals out of their misery. A quick death was better than slowly dying of starvation and radiation sickness. “The first time we came, the dogs were running around near their houses, guarding them, waiting for people to come back”, recounted Viktor Verzhikovskiy, Chairman of the Khoyniki Society of Volunteer Hunters and Fishermen. “They were happy to see us, they ran toward our voices. We shot them in the houses, and the barns, in the yards. We’d drag them out onto the street and load them onto the dump truck. It wasn’t very nice. They couldn’t understand: why are we killing them? They were easy to kill, they were household pets. They didn’t fear guns or people.220” They didn’t all die this way. At the beginning of June, Nikolai Goshchitsky, a visiting engineer from the Beloyarsk nuclear power station, witnessed some which had escaped the bullets. “[They] crawled, half alive, along the road, in terrible pain. Birds looked as if they had crawled out of water... unable to fly or walk... Cats with dirty fir, as if it had been burnt in places.221” Animals that had survived that long were now blind.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present. Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.” Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.” Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?” Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating. “What do you visualize when you see the beast in your mind?” he asked. “Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?” His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not. “Go ahead,” he said. “The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.” Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected. “Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?” He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
Paige Tyler (Her Fierce Warrior (X-Ops, #4))
BITCH THE POT Tea and gossip go together. At least, that’s the stereotypical view of a tea gathering: a group of women gathered around the teapot exchanging tittle-tattle. As popularity of the beverage imported from China (‘tea’ comes from the Mandarin Chinese cha) increased, it became particularly associated with women, and above all with their tendency to gossip. Francis Grose’s Classical Dictionary of the Vulgar Tongue lists various slang terms for tea, including ‘prattle-broth’, ‘cat-lap’ (‘cat’ being a contemporary slang for a gossipy old woman), and ‘scandal broth’. To pour tea, meanwhile, was not just to ‘play mother’, as one enduring English expression has it, but also to ‘bitch the pot’ – to drink tea was to simply ‘bitch’. At this time a bitch was a lewd or sensual woman as well as a potentially malicious one, and in another nineteenth-century dictionary the phraseology is even more unguarded, linking tea with loose morals as much as loquaciousness: ‘How the blowens [whores] lush the slop. How the wenches drink tea!’ The language of tea had become another vehicle for sexism, and a misogynistic world view in which the air women exchanged was as hot as the beverage they sipped. ‘Bitch party’ and ‘tabby party’ (again the image of cattiness) were the terms of choice for such gossipy gatherings. Men, it seems, were made of stronger stuff, and drank it too. Furthermore, any self-respecting man would ensure his wife and daughters stayed away from tea. The pamphleteer and political writer William Cobbett declared in 1822: The gossip of the tea-table is no bad preparatory school for the brothel. The girl that has been brought up, merely to boil the tea kettle, and to assist in the gossip inseparable from the practice, is a mere consumer of food, a pest to her employer, and a curse to her husband, if any man be so unfortunate as to affix his affections upon her. In the twenty-first century, to ‘spill the T’ has become a firm part of drag culture slang for gossiping. T here may stand for either ‘truth’ or the drink, but either way ‘weak tea’ has come to mean a story that doesn’t quite hold up – and it’s often one told by women. Perhaps it’s time for bitches to make a fresh pot.
Susie Dent (Word Perfect: Etymological Entertainment For Every Day of the Year)
Bobby ran up on the deck and skidded to a stop in front of them. “It’s time for the Kowalski Fourth of July Football Game of Doom!” Cat laughed and pushed herself out of her seat. “We’ll talk about this some other time, Emma. Go have fun.” “I’m not sure I want to play football. Especially if there’s doom involved,” she said, but Bobby grabbed her hand and dragged her off the deck. They were divvied up into teams roughly by size, each with an assortment of men, women and children. Emma was on Sean’s team, which was good. She’d just hide behind him, because the only thing she knew about football was that it involved a lot of hitting. It only took a few plays to see that the Kowalskis played by their own rules and the few they had were fluid. Mostly they served to ensure the smaller kids didn’t get plowed over, victims of the adults’ competitive streak. Five minutes into the game, Emma somehow ended up with the ball. She squealed and looked around for somebody—anybody—to hand it off to, but there was nobody. Well, there was Danny, but he was doubled over in laughter. “Run, Emma,” Lisa yelled. She ran in the direction her friend was frantically waving her hand, but she only went a few feet before two very strong arms wrapped around her waist and then she was falling. Luckily, she landed on a body instead of the ground. “I love football,” Mitch said, grinning up at her. Emma grimaced and managed to get one of her knees on solid ground so she could push herself to her feet. He was quicker and freed himself to stand and help her up. “They should give you the ball more often,” he said, his blue eyes sparkling and the grin so like Sean’s—but not quite as naughty—in full force. “Hands off my girl,” Sean told him, pulling on Emma’s elbow. “You should do a better job of blocking for her. “Let’s go,” Brian shouted. The very next play, Mitch intercepted Mike’s pass to Evan and turned to run toward the other end zone. He was halfway there when Sean took him down hard. They hit the ground with a bone-jarring thud that made Emma wince, and came up pushing and shoving. When Sean drew back his arm to throw the first punch, Mary blew her whistle from the sidelines. “Boys! Enough!” Instead of heading straight for the huddle, Sean walked to Emma and pulled her into his arms for a hard, almost punishing caveman kiss that made her skin sizzle and her knees go wobbly. Then he glared at his brother for a few long seconds and went back to his team, leaving Emma standing there breathless and discombobulated.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Back in Tahoe, when he had broken the news to her that they had to go home, he had been put on the defensive by the fact that he was the one who’d had personal contact with a murdered woman. He had the feeling now that she was never going to forgive him for what she viewed as rape, and this latest incident had only fueled her fire. For the first time in their married lives, she’d stood up to him and rejected his excuses. He was beginning to think she’d known about his dalliances for years but for her own reasons had chosen to play dumb. But when she’d learned that the police wanted to question him regarding Marsha Benton’s murder, her days of playing dumb seemed to have ended. Penny feigned interest in her magazine, but inside, her thoughts were tumbling wildly. Last night while Mark was in the shower, she’d called Ken Walters, their lawyer. Ken had started off by claiming he couldn’t divulge his conversations with Mark, at which point she promptly reminded him that the money in their house was hers first, not Mark’s, and if he wanted to stay on retainer for the Presley Corporation, he’d better start talking. So he did. Learning that Marsha had been pregnant when she was murdered had nearly sent her to her knees. Knowing that her body had been found on their oil lease outside Tyler only made what she was thinking worse. She’d known Mark was devious, but she’d never believed him capable of murder. Now she wasn’t so sure. What she was certain of was that she wasn’t going to be dragged down with him if he fell. Tonight they were back in Dallas in what had been her father’s home first and was now hers. This was her territory, and she wasn’t leaving anything to chance. Mark glanced up from the chair where he’d been reading, watching the casual attitude with which Penny was sipping her drink. She was flipping through the pages of the magazine in her lap and humming beneath her breath as if nothing was wrong. It was unnerving. As he watched, he began to realize Penny wasn’t her father’s daughter by birth alone. There seemed to be more of the old man in her than he would have believed. Ever since he’d put his hands around her neck back in Tahoe, she had been cold and unyielding, even when he’d apologized profusely. Then, when he’d had to tell her that the police demanded his presence back in Dallas for questioning regarding Marsha Benton’s death, she’d been livid. He’d tried to explain, but she wasn’t having any of it. He didn’t want to lose her. He couldn’t lose her. Even though the world assumed that Mark Presley was the reigning power behind the Presley Corporation, it was really Penny. Mark had the authority simply because Penny was his wife. If she kicked his ass to the curb, the only thing he would be taking with him were the bruises.
Sharon Sala (Nine Lives (Cat Dupree, #1))
Motion in space can proceed in any direction and back again. Motion in time only proceeds in one direction in the everyday world, whatever seems to be going on at the particle level. It’s hard to visualize the four dimensions of spacetime, each at right angles to the other, but we can leave out one dimension and imagine what this strict rule would mean if it applied to one of the three dimensions we are used to. It’s as if we were allowed to move either up or down, either forward or back, but that sideways motion was restricted to shuffling to the left, say. Movement to the right is forbidden. If we made this the central rule in a children’s game, and then told a child to find a way of reaching a prize off to the right-hand side (“backward in time”) it wouldn’t take too long for the child to find a way out of the trap. Simply turn around to face the other way, swapping left for right, and then reach the prize by moving to the left. Alternatively, lie down on the floor so that the prize is in the “up” direction with reference to your head. Now you can move both “up” to grasp the prize and “down” to your original position, before standing up again and returning your personal space orientation to that of the bystanders.* The technique for time travel allowed by relativity theory is very similar. It involves distorting the fabric of space-time so that in a local region of space-time the time axis points in a direction equivalent to one of the three space directions in the undistorted region of space-time. One of the other space directions takes on the role of time, and by swapping space for time such a device would make true time travel, there and back again, possible. American mathematician Frank Tipler has made the calculations that prove such a trick is theoretically possible. Space-time can be distorted by strong gravitational fields,and Tipler’s imaginary time machine is a very massive cylinder, containing as much matter as our sun packed into a volume 100 km long and 10 km in radius, as dense as the nucleus of an atom, rotating twice every millisecond and dragging the fabric of space-time around with it. The surface of the cylinder would be moving at half the speed of light. This isn’t the sort of thing even the maddest of mad inventors is likely to build in his backyard, but the point is that it is allowed by all the laws of physics that we know. There is even an object in the universe that has the mass of our sun, the density of an atomic nucleus, and spins once every 1.5 milliseconds, only three times slower than Tipler’s time machine. This is the so-called “millisecond pulsar,” discovered in 1982. It is highly unlikely that this object is cylindrical—such extreme rotation has surely flattened it into a pancake shape. Even so, there must be some very peculiar distortions of space-time in its vicinity. “Real” time travel may not be impossible, just extremely difficult and very, very unlikely. That thin end of what might be a very large wedge may, however, make the normality of time travel at the quantum level seem a little more acceptable. Both quantum theory and relativity theory permit time travel, of one kind or another. And anything that is acceptable to both those theories, no matter how paradoxical that something may seem, has to be taken seriously. Time travel, indeed, is an integral part of some of the stranger features of the particle world, where you can even get something for nothing, if you are quick about it.
John Gribbin (In Search of Schrodinger's Cat: Quantum Physics And Reality)
She frowned, thinking of going down there and explaining herself all over again, reliving the horror of finding Mimi’s body and trying not to think of how she’d looked when they’d dragged her up and out of the ravine. No sooner had she thought it than she heard Mimi’s voice, chastising her over a year ago. “You hide from life, Catherine. Even when you’re in the middle of it, standing toe to toe with all the bad guys you bring in, you manage to keep an emotional distance. I understand why you do it, but ultimately, you’re the one who will suffer. You’re the one who’s going to grow old alone.” Cat blinked back tears, remembering what she’d told her. I won’t be alone, Mimi. I’ll always have you. Obviously she had been wrong.
Sharon Sala (Nine Lives (Cat Dupree, #1))
I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory
Fernando Pessoa
I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory
Fernando Pessoa
Nick and Tesla went looking for Uncle Newt. They found him in the same place he’d been the last time they’d looked for him: the master bathroom on the second floor. They’d dragged him out of the shower for help with the rocket—even Tesla, bold as she could be, knew better than to try her luck with a power drill—and he must’ve jumped right back in the second he could. It was understandable, actually. His hair had still been half orange. The bathroom had what looked like a submarine airlock instead of a normal door, and unlike before it was now closed up tightly. When Nick and Tesla pressed their ears to the metal, they could dimly hear the sound of running water and Uncle Newt crooning “Winter Wonderland.” Outside, it was sunny and seventy degrees. “Gone awaaaaaaay is the something! Here to staaaaaaaay is the something! We da-da-da daaaaaa, la-la-la la laaaaaaa! Something in a something booby baaaaaaaa!” “Uncle Newt!” Tesla yelled. “Uncle Newt!” Nick yelled. “Uncle Newt!” they yelled together. “In the meadow we can something-something!” Uncle Newt sang. “And da-something something la-la-laaaaaa! We’ll have something something with the something! Until the who-who ha-has jooby jaaaaaaaa!” “Great,” Nick sighed. “He’s ignoring us now.” “I guess I can’t blame him,” said Tesla. “His hair was still half orange the last time we pulled him out of there.” “Well, I’m starving. Can we go see if the cat left us some cake?” Tesla thought it over, weighing her hunger against the chance of eating cake a cat had licked. She was very, very hungry. “Good idea,” she said.
Bob Pflugfelder (Nick and Tesla and the High-Voltage Danger Lab: A Mystery with Gadgets You Can Build Yourself ourself)
Grey stood up as they came in, Azeel hovering protectively behind Rodrigo. The young man stopped, taking a deep breath before bowing deeply to the gentlemen. “Your…servant. Sah,” he said to Grey, and then straightened, turned upon his axis, and repeated this process to the general, who watched him with a mixture of fascination and wariness. Every time he saw Rodrigo, Grey’s heart was torn between regret for what the young man had once been—and a cautious joy in the fact that some of that splendid young man seemed still to be present, intact, and might yet come back further. He was still beautiful, in a way that made Grey’s body tighten every time he saw that dark, finely carved head and the tall straight lines of his body. The lovely cat-like grace of him was gone, but he could walk again, almost normally, though one foot dragged a little.
Diana Gabaldon (Seven Stones to Stand or Fall: A Collection of Outlander Fiction)
Out of the corner of his eye, he saw the BloodClan deputy struggling free from Bramblepaw and Ashpaw. Before Firestar could spring at him, a screech of defiance sounded above the noise of battle and several more apprentices hurtled across the clearing. Bone was barely visible under the writhing heap of furious young cats. Bramblepaw and Ashpaw were there, with Featherpaw and Stormpaw and, yes, Tawnypaw, fighting beside her brother. Within a few heartbeats Bone had stopped trying to defend himself; his body went into a series of spasms, ending in his twitching tail, and as Firestar watched the twitching stopped. Ashpaw let out a hoarse cry of triumph. At the same instant Jaggedtooth appeared out of nowhere. Firestar felt his fur stand on end. Once a rogue, then a member of ShadowClan, and now part of the insult to the warrior code that was BloodClan. The massive warrior flung himself on the apprentices and fastened his teeth in the nearest—Bramblepaw—dragging him off Bone’s body. At once Tawnypaw launched herself at the rogue cat. “Let go of my brother!” she spat. The rest of the apprentices sprang forward with her, and Jaggedtooth abruptly dropped Bramblepaw, turning tail and fleeing across the clearing with all the apprentices in pursuit.
Erin Hunter (The Darkest Hour)
Omit the Mouth that Answers the scrub pine dropping needles in a hush. Omit the washer junked in the corner, mice making nests in its hose. Omit his key in the ignition. Omit exhaust. Omit the mouth that answers. Omit the barn cat curled asleep on a pile of kindling in the corner of the garage. Omit the bicycle noosed to its rack. Omit the saw blade's teeth, the workbench hammer, the uncut plywood beside the rake. Omit the work lamp with its filmy eye. Omit his face gone slack. Omit the mouth that answers. Omit the algebra book open on the seat. Omit the moonlight, the cottonwood's glut of hairy seeds. Omit the drag of the door. Omit the air let loose from his lungs. Omit the mouth that answers. Omit the rise of swallows: wing, beak and claw. Omit the phone call, the dial tone's skidding hum. Omit the daylight's questions. Omit our grieving tongues.
Bruce Snider (Paradise, Indiana)
No Dogs, find somewhere else." I looked at Cook, then back at the attendant. "What about cats?" I asked. "Cats are allowed," she said, giving me the 'you are a dumbass' look that's really popular with people these days. "Oh, great!" I said, then looked at Cook, "I unadopt you, get the hell out of here and go back to the shelter." Cook's ears went flat, he yelped in emotional anguish, his tail drooped, and he dramatically slunk out the front door, his belly dragging across the ground. Moments later, a small black cat rushed into the building and leapt at me, I caught him like we'd practiced it. The attendant's face went slack, like her brain had just shut off, eyes wide, mouth slightly open. "Oh my aren't you a cutie! A new cat, just what I always wanted!" I beamed at the attendant, then my face went flat. "How much for a room, I'm fucking exhausted.
Matthew Howry (The Death of Dirk Cooper (Dirk Cooper #2))
One way to find a sweetheart is to put an ad in the paper, another is to wait and see what the cat drags in.
Karen Elizabeth Gordon (The Transitive Vampire: A Handbook of Grammar for the Innocent, the Eager and the Doomed)
November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feat.
Ted Hughes
November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feet.
Ted Hughes
Larry's dog's named Earl P. Jessup Bowers, if you can get ready for that. And I should mention straightaway that I do not like dogs one bit, which is why I was glad when Larry said somebody had to go. Cats are bad enough. Horses are a total drag. By the age of nine I was fed up with all that noble horse this and noble horse that. They got good PR, horses. But I really can't use em. Was a fire once when I was little and some dumb horse almost burnt my daddy up messin around, twisting, snorting, broncing, rearing up, doing everything but comin on out the barn like even the chickens had sense enough to do. I told my daddy to let that horse's ass burn. Horses be as dumb as cows. Cows just don't have good press agents is all. I used to like cows when I was real little and needed to hug me something bigger than a goldfish. But don't let it rain, the dumbbells'll fall right in a ditch and you break a plow and shout yourself hoarse trying to get them fools to come up out the ditch. Chipmunks I don't mind when I'm at the breakfast counter with my tea and they're on their side of the glass doing Disney things in the yard. Blue jays are law-and-order birds, thoroughly despicable. And there's one prize fool in my Aunt Merriam's yard I will one day surely kill. He tries to "whip whip whippoorwill" like the Indians do in the Fort This or That movies when they're signaling to each other closing in on George Montgomery but don't never get around to wiping that sucker out. But dogs are one of my favorite hatreds. All the time woofing, bolting down their food, slopping water on the newly waxed linoleum, messin with you when you trying to read, chewin on the slippers.
Toni Cade Bambara
with younger kittens. Encourage him to chase the feather, and to get up and move around. This quickly teaches him that the halter doesn’t interfere with his movements. After five minutes, take it off. As with the crate training, short five-minute sessions repeated several times a day over the first three days work wonders. You can then gradually increase the amount of time that he wears the halter. Be sure to give him a scrumptious treat each time you take off the halter, so he recognizes there is a lovely end in sight when he puts up with the bother. Once your kitten wears the halter without protest, clip on the leash, pick up the end, and simply follow him around. Don’t try to influence his movements at first. Unlike leash-trained dogs that are supposed to “heel” and follow the owner, leash-trained cats direct the action. After several days of short sessions where you follow him around, try offering gentle guidance of his movements. One or two pull-release tugs are enough. Don’t drag him—that just invites him to
Amy Shojai (Complete Kitten Care)
Life can be long, Butler. Way too long. And if you’re not happy—really happy with who you are and whom you’re with and what you’re doing, fucking happy deep down in your soul, in your bones—then life is interminable. Life drags you along with it, shredding little pieces of you on its infinite winding, rocky road through time.
Cat Porter (Lock & Key: The Complete Series (Lock & Key, #1-4))
I could read it so you don’t have to?” she offers, but I’m already halfway through. I start to read aloud. “ ‘I had this vision for creating a platform that would help people to connect and coalesce around the things that mattered most to them. It was a natural extension of what I’d been doing for years. People used to call me a humanist spirit guide—I guess that’s what I’m bringing to WAI now, just on a larger stage.’ “He doesn’t even mention us. Doesn’t say anything about how Jules and I dragged him kicking and screaming into this. I wanted to create a platform. Cyrus just wanted to baptize cats.” “To be fair, the Cat Baptism is one of the most shared rituals,” Destiny says, trying to lighten the tone. “Eight hundred thousand videos and counting.” I keep going. “ ‘I’m attracted to the solitary life, Jones says. You can imagine him in a monastery, although he’d have to cut off that halo around his head. In addition to creating a social network that millions of people are turning to for meaning and community, he is also taking care of his employees—he has just kicked off a mentorship program to give the women on his team the support they need to thrive in their roles.’ ” Destiny tells me to stop reading. “It’s just bullshit.” I take a shaky deep breath. “That’s my mentorship program,” I whisper. “Cyrus is telling them what he wants to hear. You and I both know that.” I’m stammering now, but I keep going. “ ‘He’s otherworldly but handsome in an almost comical way. His sentences are long, and when you’re in the middle of one, you wonder, where is this going? But he always manages to bring whatever he’s saying to a satisfying conclusion. Everything he says is mysterious and somehow obvious at the same time.’ ” At least this one is funny. I allow Destiny to laugh briefly. I get to the last line. “ ‘I have to say, I’m developing something of a crush.’ ” “Oh, for God’s sake, another woman in love with Cyrus. Take a number, sister.” Destiny leans over, reads the byline. “George Milos. Guess Cyrus appeals to all genders.” As we get up to leave, she says, “I don’t think Cyrus is a bad person. He’s just basking in a sea of adoration, and it makes him think more of himself than he should.” “Where does that leave me?” “You have a tough gig. No one wants to be married to the guy everyone thinks is going to save the world.
Tahmima Anam (The Startup Wife)
I never said I don't think you can cut it, Violet.' 'You say it every day!' I snap. 'You say it when you walk me from formation to class, which I know makes you late for flight line. You say it when you yell at your wingleader when he takes me to the mat-' 'He had no right to-' 'He's my wingleader!' I shrug my tunic over my head. 'He has the right to do whatever he wants- including execute me.' 'And that's why you need to get the hell out of here!' Dain laces his fingers behind his neck, and begins to pace. 'I've been watching, Vi. He's just toying with you, like a cat plays with a mouse before the kill.' 'I've held my own so far!' My satchel is heavy with books as I settle it on my shoulder. 'I've won every challenge-' 'Except today when he wiped the floor with you time and again.' He grasps my shoulders. 'Or did you miss the part when he took every weapon so you knew exactly how easy it is to defeat you?' I raise my chin and glare at him. 'I was there, and I've survived almost two months in this place, which is more than I can say for a fourth of my year!
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Following Sam through Target is like opening a tiny window to the inside of her brain. And her thought process is like a cat chasing a ball of string. She follows one thread, then the ball rolls and she’s off going somewhere else. While she walks, her hand drags along the racks of clothing, stroking the fabric.
Emma St. Clair (Falling for Your Enemy (Love Clichés, #5))
From the blood and hair at the back of the hole, it was evident that the bobcat had gone to the end and turned around to fight off the dogs. One of the dogs had gone in and faced teeth and razor-sharp claws to bring her out. There was not room for both dogs to work, side by side. Pup had a habit, in a fight of any kind, of boring in and taking all his opponent could give, for the sake of a throat hold. That is just what he had done here. He had faced teeth and claws in a direct, frontal attack, where no strategy or maneuvering tactics could be employed. He had gone head-on into all that cat had to give, which was plenty, for the sake of getting a neck hold; and when he had got it, he had held it and dragged the bobcat out where Puse could help him kill it. The fact that the cat was dead right outside the miniature cave, showed that Pup had never released his hold. That act, I believe, took more nerve than anything I ever saw a dog do.
Elliott S. Barker (When The Dogs Bark 'Treed')
You’re the only thing I need to survive. I will follow you into the afterlife, little mouse. And then how will you escape me? There’s nowhere to run after you’ve been dragged to Hell.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Phoebe, Bethany, and Gloria were raped alongside me. Jillian kept her head down when she walked past us, but Sydney blatantly laughed in our faces, and all I wanted to do was grab her hair and drag her down on that dirty ground next to us.
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
Look around you,” he commands softly. Hesitantly, I pull my eyes away from his, dragging my gaze across the dozens of mirrors. “What you’re seeing now is what I see every day. No matter how far I run, how hard I try to escape you—you’re everywhere I go. You’re everything I see. Loving you is like being trapped in a house of mirrors, little mouse. And I’ve never felt so at home while being so lost inside you.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
She really looks like something the cat dragged in.
Neva Altaj (Stolen Touches (Perfectly Imperfect, #5))
It was only when the creature stepped into view on the path in front of her that her mind made the connection. Cat, she thought to herself. He was not immediately aware of her. His head was low, and he sniffed at the ground with his mouth open. Long yellow fangs extended past his lower jaw. His coat was an uneven black, darker dapples against blackness. His ears were tufted, and the muscles under his smooth fur bunched and slid as he moved. She was caught in disbelief, filled with wonder at the sight of an animal that no one had seen in ages. And then, almost immediately, her translation of an Elderling word popped into her mind. “Pard,” she breathed aloud. “A black pard.” At her whisper, he lifted his head and looked directly at her with yellow eyes. Fear flooded her. Her own scent trail. That was what he snuffed at. Her heart leaped, and then began hammering. The animal stared at her, perhaps as startled to see a human as she was to see a pard. Surely their kind had not met for generations. He opened his mouth, taking in her scent. She wanted to shriek but did not. She flung her panicky thought wide. Sintara! Sintara, a great cat stalks me, a pard! Help me! I cannot help you. Solve it yourself. The dragon’s thought was not uninterested, merely factual. Alise could feel, in that moment of connection, that the dragon had fed heavily and was sinking into a satiated stupor. Even if she had wished to rouse herself, by the time she took flight and crossed the river and located Alise… Useless thought. Focus now. The cat was watching her, and its wariness had become interest. The longer Alise stood there, frozen like a rabbit, the more his boldness would grow. Do something. “Not prey!” she shouted at the animal. She seized the lapels of her cloak and tore it open wide, holding it out to make herself twice her natural size. “Not prey!” she shouted at it again, deepening her voice. She flapped the sides of her cloak at the animal and forced her shaking body to jolt a step closer to it. If she ran, it would have her; if she stood still, it would have her. The thought galvanized her, and with a wordless roar of angry despair, she charged the beast, flapping the sides of her cloak as she ran. It crouched and she knew then it would kill her. Her deep roar became a shriek of fury, and the cat suddenly snarled back. Alise ran out of breath. For a moment, silence held between the crouched cat and the flapping woman. Then the animal wheeled and raced off into the forest. It had left the path clear, and Alise did not pause but continued her fear-charged dash. She ran in bounds, ran as she had never known that anyone could run. The forest became a blur around her. Low branches ripped at her hair and clothing, but she did not slow down. She gasped in the cold air that burned her throat and dried her mouth and still ran. She fled until darkness threatened the edges of her vision, and then she stumbled on, catching at tree trunks as she passed them to keep herself upright and moving. When finally her terror could no longer sustain her, she sank down, her back to a tree, and looked back the way she had come. Nothing moved in the forest, and when she forced her mouth to close and held her shuddering breath, she heard nothing save the pounding of her own heart. She felt as if hours passed before her breath moved easily in her dry mouth and her heart slowed to where she could hear the normal sounds of the forest. She listened, straining her ears, but heart only the wind in the bared branches. Clutching at the tree trunk, she dragged herself to her feet, wondering if her trembling legs could still hold her. Then, as she started down the path toward home, a ridiculous grin blossomed on her face. She had done it. She had faced down a pard, and saved herself, and was coming home triumphant, with wintergreen leaves for tea and berries, too. “Not prey,” she whispered hoarsely to herself, and her grin grew wider.
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
Still, I found myself holding my breath as Raihn stepped through the door, muscles coiling in preparation to drag him back out again if I had to. Meanwhile, he, of course, sauntered in as casual as a cat.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Now go and get some rest; you look like a cat dragged you backward through a blackberry bush.
S. Harrison (Infinity Rises (The Infinity Trilogy #2))
The catcalls and screams didn’t surprise Leo, nor did discovering Meena at the heart of chaos. There was his delicate flower, on the ground wrestling Loni, a lioness who’d come to town for the wedding. The same Loni who’d made numerous passes at him over the years, but whose high maintenance attitude made him steer clear. He wondered what had triggered the hair pulling and wrestling. He also really wished, once again, that Meena had worn panties. The occasional flash of her girly bits dragged the possessive side of him out— which really wanted to snarl, “Mine. Don’t look.” It also woke the hungry lover that wanted to toss her over a shoulder and take her somewhere private for ravishing. At least those closest to the fight and witness to her bare bottom were all women. The bad? They were all women. His usual method of smacking a few heads together to save time wouldn’t work in this situation. Boys shouldn’t hit girls. So how to stop the catfight? He stuck fingers in his mouth and blew, the whistle strident and cutting through the noise. In the sudden quiet, he said, “Vex, what the hell are you doing?” Meena, fist held back, poised for a serious blow, froze. She swiveled her head and smiled sweetly. No sign of repentance at being caught misbehaving. “Just give me a second, Pookie. I am almost done here.” He arched a brow. “Vex.” He used his warning tone. “Maybe you should let Loni go and forget about hitting her.” “Probably. But the thing is, I really want to smash her face in.” Sensing an out, Loni turned her head and whined, “Get this crazy bitch off me. I didn’t do a damned thing. She started it. She always starts shit. She should have never been unbanned. She’s trouble. Always has been.” Reba and Zena opened their mouths, ready to leap to Meena’s defense, but Leo raised a hand. They held their tongues— not an easy feat for cats— but their eyes spoke quite eloquently. Leo focused his attention on Meena. “Vex, is this true? Did you jump her?” Her shoulders slumped. “Yeah.” “Why?” “Does it matter?” she asked. “It does to me. Why do you want to rearrange her nose?” “She said we didn’t belong together and that maybe she should show you why she’s a better choice.” Meena couldn’t help but growl as she recounted the reason for her ire aloud. “Punch her.” To say a few mouths O’d in surprise would be an understatement. No one was more surprised than Meena at his order. “Seriously?” “Yeah, seriously. Given any idiot with eyes could see we were together, then that makes what she said mean and uncalled for. If you’re going to talk the talk, then you have to be prepared to pay the price. Since I can’t very well smack Loni for causing trouble, as pride omega”— and, yes, he thrust out his chest and put on his most serious mien—“ I am giving you permission to do so.” Permission granted, and yet Meena didn’t hit Loni. On the contrary, she stood, smoothed down her skirt, and tossed her head, sending her ponytail flying. “No need to rearrange her face. You just admitted in front of an audience we are together. That calls for a round of shots. Whee!” Meena did a fist pump and yelled, “In your face, bitch!
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Sheila Finch was born and raised in London, England. She did graduate work in medieval literature and linguistics at Indiana University. Dragged to California in 1962 by her (then) husband, she fell in love with the state and has stayed there ever since. She taught fiction writing and the literature of science fiction for thirty years at El Camino College, in Torrance, California. She lives in Long Beach with a cat and a retired racing greyhound.
Sheila Finch (Triad)
He couldn’t spot them, and the minor foot traffic on the sidewalk was not enough to hide. They must have entered a building or alley. Rather than searching all of them, he let his nose do its job. Big breath in. Filter the smells. Aha. There, up the sidewalk a few more storefronts then into an arcade. The wolves that dragged her probably hoped to hide their scent and sneak out the back. Except Hayder knew this place. He knew where the door to the alley was, thus, when the steel door swung open, he stood there, arms crossed waiting for them. “Shit, he’s here. Get back inside,” the chubby one grunted. “Oh, don’t leave on my account. I insist you stay.” And to make sure they did, he kicked the door shut. The two thugs backed away from him, the one who needed to invest in a treadmill holding Arabella, who hung limp in his grasp, before him as a shield. She was alive. However, her eyes bore a resigned expression Hayder didn’t like at all. “Baby, are you all right? Did they hurt you?” The answer was moot. At this point, he was going to punish them no matter what, violently. They’d done the unforgivable when they’d taken Arabella and scared her. However, if they’d actually hurt her, or if she cried… We’ll make them wish their mother had a headache the night they were conceived. Rawr. Her reply emerged so soft he almost missed it. “I told you this would happen. They’ll never let me be free.” How utterly convinced she seemed and miserable. Totally unacceptable. “Don’t you dare take this without a fight,” he growled. The chubby one should have spent more time on expanding his mind instead of his waistline because he showed no sense at all when he said, “Bella here knows her place, and after the next full moon, it will be on her knees, serving the new alpha of the pack.” Hell no. Hayder didn’t even think twice about it. His fist shot out, and it connected to the idiot’s nose with a satisfying crunch, and that left one wolf. An even dumber wolf that seemed to think the switchblade he’d pulled out of a pocket and waved around would really make a difference. “Are you stupid enough to think you can take me with that puny knife?” Hayder couldn’t stem the incredulity in his query. “Stay back, cat, or else. It’s silver.” Silver, which meant painful if he got sliced with it. Harder to heal, too. But a three-inch blade wasn’t going to keep Hayder away from his woman. As beta, though, he did try to give the idiot a chance. Show patience before acting, or so he’d been taught as part of those anger management courses Leo made him take. Hayder employed one of the tricks to control impulsive acts. He counted. “Three.” “I’ll cut you.” Slash. Slash. The knifeman sketched lines in the air. “Two.” “I mean it.” “One. You’re dead.” Hayder took a step forward even as the last dumb wolf took a step back, one hand clamped around Arabella’s arm. Lightning fast, Hayder shot a hand out to grab the wrist of the guy wielding the knife. This fellow had slightly faster reflexes than his pack brothers and actually managed to score a line of red across his palm. The blood didn’t bother Hayder. ’Twas but a scratch. However, the coppery scent did something to Arabella. Up snapped her head. Her nostrils flared. Her brown eyes took on a wildness. Her lips pulled back in a snarl. “Don’t. Touch. Him!” With a screech, she turned on her captor and then proceeded to go rabid on his ass. How cool.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
Audrey,” Beatrix implored, “do let me sit next to Lord Annandale.” As if it were some coveted privilege. “If you insist.” Audrey leaped from the settee as if she had been launched by a spring mechanism. Before Beatrix took her place, she bent to rummage beneath the settee. Dragging out a drowsing gray cat, she settled it on Annandale’s lap. “Here you are. Nothing warms you faster than a cat in your lap. Her name is Lucky. She’ll purr if you pet her.” The old man regarded it without expression. And to Christopher’s astonishment, the old man began to stroke the sleek gray fur. “This cat is missing a leg,” he remarked to Beatrix. “Yes, I would have named her Nelson, after the one-armed admiral, but she’s female. She belonged to the cheesemaker until her foot was caught in a trap.” “Why did you name her Lucky?” Annandale asked. “I hoped it would change her fortunes.” “And did it?” “Well, she’s sitting in the lap of an earl, isn’t she?” Beatrix pointed out, and Annandale laughed outright. He touched the cat’s remaining paw. “She is fortunate to have been able to adapt.” “She was determined,” Beatrix said. “You should have seen the poor thing, not long after the amputation. She kept trying to walk on the missing leg, or jump down from a chair, and she would stumble and lose her balance. But one day, she woke up and seemed to have accepted the fact that the leg was gone for good. And she became nearly as agile as before.” She added significantly, “The trick was forgetting about what she had lost…and learning to go on with what she had left.” Annandale gave her a fascinated stare, his lips curving. “What a clever young woman you are.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
So Lisa as your matron of honor and Stephanie as bridesmaid,” Cat was saying. “Do you know who Sean wants as best man?” “No. We haven’t gotten that far yet.” He didn’t hear any tension in Emma’s voice, but he guessed she was feeling it. Planning a wedding that wasn’t going to happen was weird, to say the least. “Maybe we could ask Mike’s oldest son—Joey, right?—to be a groomsman so he can escort Stephanie.” “I don’t know,” Emma said. “I don’t think it’s very fair to ask one of the boys and not the others.” “True. Maybe they could be ushers and then join their parents once everybody’s seated.” Sean had just decided to beat a fast retreat back to the living room, when he heard a chair scrape back. “We can talk about that later, Gram. Right now I should go wake Sean so he’s not still groggy when we ask him to fire up the grill.” He didn’t have time to escape, so he leaned against the counter and twisted the top of his beer. Emma paused when she saw him, and then grabbed his hand and dragged him down the hall to the living room. “Where did you disappear to?” he asked. “What? Oh, a client had an emergency. But—” “There are gardening emergencies?” She blew out an exasperated breath. “Yes. When you’re rich, everything’s an emergency. But did you hear what Gram was saying?” “Yeah. How the hell are guys supposed to pick a best man, anyway? I’ve got three brothers and I like them all. And what about Mikey? Or Kevin or Joe? It seems easier to pick a stranger off the street so you don’t have to play favorites. I guess maybe I’d ask Mitch. He’s the oldest, so most of what the rest of us know about catching a woman we learned from him.” “In case you’ve forgotten, you haven’t actually caught a woman yet. And it doesn’t really matter who you choose, because there is no wedding.” She was wound up like an eight-day clock, so he didn’t dare laugh at her. Her cheeks were bright and she kept spinning her ring around and around on her finger. Since there was nothing he could say to make her feel better about Cat wanting to plan their fake wedding, he slid the hand not holding his beer around her waist and hauled her close. “You worry too much,” he told her. “And you—” He kissed her to shut her up. And because all he’d been able to think about since the last time he’d had his hands on her was getting his hands on her again. And, most of all, because he liked kissing her. A lot. Maybe too much, if he thought about it. So he didn’t think about it. Instead, he lost himself in the taste of her mouth and the softness of her lips and the way her hands slid over his lower back, holding him close. “Oh,” Cat said from behind him. “I didn’t mean to interrupt.” “No,” Emma said. “We were just…talking.” “I can see that.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
His gaze fell to the rolling table beside his bed and the tattered brown teddy bear resting there. “Your boss said the little girl you saved wanted you to have it while you were sick, but she expects to get it back.” Emotion constricted his throat and he had to look away from Cat to clear it. Reaching out a finger, he stroked down the stuffed animal’s head. “She didn’t have to do that.” “Chad seemed very surprised she had given it up.” He nodded, his head throbbing from emotion and physical pain. He wanted to crawl into bed and drag Cat with him. She seemed to sense as well that he had almost reached his limit, because she peeled the blankets back on the bed. “Why don’t you chill for a little bit? We’ll go over our options later. Want me to help you with the sling?” Without argument he turned to let her release the Velcro strips, then shifted himself back to the mattress, dragging a spare pillow over his aching eyes. The lack of light immediately eased some of the tension in his head. “Can you hang out with me for a while?” She stroked her hand down his arm and squeezed his fingers. “I will.” Huffing
J.M. Madden (Embattled SEAL (Lost and Found #4))
Eve was, indeed, well along in her pregnancy. Deene, her husband, hovered like a mother cat, until Westhaven suggested the ladies might want their sister to themselves for a bit, and Deene was all but forcibly dragged off to the billiards room by the menfolk. While
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
It smells like a duffel bag full of dead cats dipped in a dirty grease-trap and dragged through a pool of piss
T.W. Brown (Midnight Movie Creature Feature)
My God, child, you look like something the cat dragged in!” Eileen bellowed. She was a suspiciously dark-haired woman about forty-five, with expensive clothes from the very best big women’s store. Her makeup was heavy but well done, her perfume was intrusive but attractive, and she was one of the most overwhelming women I’d ever met. Eileen was something of a town character in Lawrenceton, and she could talk you into buying a house quicker then you could take an aspirin.
Charlaine Harris (A Bone to Pick (Aurora Teagarden Mystery, #2))
The cats, being cats, ignored her in that complete way only cats seem to be able to manage, and continued to drag her soul into the darkness.
Lish McBride (Necromancer (Necromancer, #0.5))
In the GRW scheme, however, an object as large as a cat, which would involve some 10^27 nuclear particles, would almost instantaneously have one of its particles 'hit' by a Gaussian function (as in Fig. 6.2), and since this particle's state would be entangled with the other particles in the cat, the reduction of that particle would 'drag' the others with it, causing the entire cat to find itself in the state of either life or death. In this way, the X-mystery of Schrodinger's cat-and of the measurement problem in general-is resolved.
Roger Penrose (Shadows of the Mind: A Search for the Missing Science of Consciousness)
Cat stepped in close, wedging herself between his knees. She cupped his face in her strong hands and forced him to look at her. “You need to breathe. This is not the end of the world. In spite of what you think, your fucking right eye is not your life.” Harper dragged in a huge gulp of air, only then realizing he’d stilled as if readying for a shot, though his heart raced in panic. Nodding at her words, he forced his heartbeat to slow down. “What the hell am I going to do?” In spite of the world falling around them, she smiled that beautiful, soul-shattering smile she had. “You’re going to move to a different position in your company with different tasks. Or you’re going to learn to shoot with your other eye. It’s that easy.” Was it really though? Cat tightened her hands on his face and leaned forward to press kisses to his cheeks. She paused at the corner of his right eye and pressed a lingering kiss there, then moved to wrap her arms around his neck in a fierce hug. “You’re still gorgeous and you’re still a bad-ass mother fucker,” she whispered into his ear. “That eye is such a small part of you.” Harper wrapped his arms around her, so grateful that she’d managed to find him and be here.
J.M. Madden (Embattled SEAL (Lost and Found #4))
When her hand landed on the tense deltoid muscle, he reached up, grabbed her hand and dragged her into his heavy arms. Cat knew the hug was for his own peace of mind, but she savored the touch. For just a few seconds she allowed herself to burrow into his chest, the scalding heat of his skin wrapping her in a heavy cocoon. It was no surprise to hear the strident knock on the door of the room a few minutes later. “I’d better go smooth some feathers.” Even in the dim light she could see the flash of his white teeth as he grinned. “Just like old times, huh?” Cat snorted. “Absolutely.” When
J.M. Madden (Embattled SEAL (Lost and Found #4))
Well, look what the cat dragged in,” he drawled, running his gaze up and down. Harper snorted at the joke the two of them had never heard before. Cat laughed more appreciatively. But Duncan’s attention had been caught by the kids coming in behind them. “Duncan, you know Cat, but these are my kids, Dillon,” he rested a hand on her shoulder, “and Tate.” Harper lifted the boy up into his arms. Duncan pushed up out of the chair and circled the desk, his face creased in a smile. He shook each of the kids’ hands. “It’s a true pleasure to meet you. Your dad is really something.” Harper caught the narrow-eyed look Duncan threw at him and he knew there would be questions later, but that would be all right. He could deal with questions. “Hold
J.M. Madden (Embattled SEAL (Lost and Found #4))
He remembered Xue Meng’s words. His spiritual energy was completely drained. He was no different from an ordinary person at that time. He couldn’t use a single technique, not even a simple communication spell. He could only carry you on his back and climb up the stairs of Sisheng Peak, step by step. And when he couldn’t do that anymore, when he couldn’t even stand, he had crawled on the ground, on his knees, dragging him until his fingers were torn and his hands covered in blood.
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 3)
cats seem to be able to manage, and continued to drag her soul into the darkness. After Mrs. Clausen's ghostly white shoes vanished, the portal shut.
Lish McBride (Necromancer (Necromancer, #0.5))