David Macmillan Quotes

™' (Just Doomed!) David Worthy Category: Character Appears in: Schooling Around series David Worthy is a class captain of 5B at Northwest Southeast Central School (David shares the captaincy with Fiona McBrain). David is very fond of rules and is never happier than when quoting from the school handbook. Appearances Treasure Fever! (2008) Pencil of Doom! (2008) Mascot Madness! (2009) Robot Riot! (2009) The Day My Bum Went Psycho Category: Novel Series: The Bum trilogy Author: Andy Griffiths Illustrator: Terry Denton Publisher: Pan Macmillan Year of publication: 2001

For books on Marx’s life, there is little need to go beyond David McLellan’s outstanding Karl Marx: His Life and Thought (Macmillan, London, 1973).

David McLellan’s The Young Hegelians and Karl Marx (Macmillan, London, 1969) gives useful background to Marx’s intellectual development.

Culture, technology and war are so interdependent that it is hard to say which drives which. War pushes ahead the development of technology but it also adapts what is already there.

In the spring of 1935, an editor at the New York publishing house Macmillan, while on a scouting trip through the South, was introduced to Mitchell and signed her to a deal for her untitled book. Upon its release in the summer of 1936, the New York Times Book Review declared it “one of the most remarkable first novels produced by an American writer.” Priced at $3, Gone with the Wind was a blockbuster. By the end of the summer, Macmillan had sold over 500,000 copies. A few days prior to the gushing review in the Times, an almost desperate telegram originated from New York reading, “I beg, urge, coax, and plead with you to read this at once. I know that after you read the book you will drop everything and buy it.” The sender, Kay Brown, in this missive to her boss, the movie producer David Selznick, asked to purchase the book’s movie rights before its release. But Selznick waited. On July 15, seeing its reception, Selznick bought the film rights to Gone with the Wind for $50,000. Within a year, sales of the book had exceeded one million copies. Almost immediately Selznick looked to assemble the pieces needed to turn the book into a movie. At the time, he was one of a handful of major independent producers (including Frank Capra, Alfred Hitchcock, and Walt Disney) who had access to the resources to make films. Few others could break into a system controlled by the major studios. After producing films as an employee of major studios, including Paramount and MGM, the thirty-seven-year-old Selznick had branched out to helm his own productions. He had been a highly paid salaried employee throughout the thirties. His career included producer credits on dozens of films, but nothing as big as what he had now taken on. As the producer, Selznick needed to figure out how to take a lengthy book and translate it onto the screen. To do this, Selznick International Pictures needed to hire writers and a director, cast the characters, get the sets and the costumes designed, set a budget, put together the financing by giving investors profit-participation interests, arrange the distribution plan for theaters, and oversee the marketing to bring audiences to see the film. Selznick’s bigger problem was the projected cost.

At mid-morning, David stood among the rows, among the young mustard plants, at the MacMillan vineyard. He felt useless, out of touch and more than a little panicked because his just-turnedseventeen- year-old son had driven off to school that morning behind the wheel of a secondhand convertible. "Don't you have some papers to push?" Tyler asked him. "Up yours." "In that case I won't suggest you head over to the caves to check on the month's drawing. We're going to be testing the '93 Merlot for starters.