Elizabeth Keen Quotes

We've searched our database for all the quotes and captions related to Elizabeth Keen. Here they are! All 39 of them:

After the keen still days of September, the October sun filled the world with mellow warmth...The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her...In October any wonderful unexpected thing might be possible.
Elizabeth George Speare (The Witch of Blackbird Pond)
I choose to believe that I owe my very life to you--ay--smile, and think it an exaggeration if you will. I believe it, because it adds a value to that life to think--oh, Miss Hale!' continued he, lowering his voice to such a tender intensity of passion that she shivered and trembled before him, 'to think circumstance so wrought, that whenever I exult in existence henceforward, I may say to myself, "All this gladness in life, all honest pride in doing my work in the world, all this keen sense of being, I owe to her!" And it doubles the gladness, it makes the pride glow, it sharpens the sense of existence till I hardly know if it is pain or pleasure, to think that I owe it to one--nay, you must, you shall hear'--said he, stepping forwards with stern determination--'to one whom I love, as I do not believe man ever loved woman before.' He held her hand tight in his. He panted as he listened for what should come.
Elizabeth Gaskell (North and South)
truthfully, this is the fabric of all my fantasies: love shown not by a kiss or a wild look or a careful hand but by a willingness for research. i don’t dream of someone who understands me immediately, who seems to have known me my entire life, who says, i know me too. i want someone keen to learn my own strange organization, amazed at what’s revealed; someone who asks, and then what, and then what?
Elizabeth McCracken (The Giant's House)
Now, in Mr. Thornton’s face the straight brows fell over the clear deep-set earnest eyes, which, without being unpleasantly sharp, seemed intent enough to penetrate into the very heart and core of what he was looking at. The lines in the face were few but firm, as if they were carved in marble, and lay principally about the lips, which were slightly compressed over a set of teeth so faultless and beautiful as to give the effect of sudden sunlight when the rare bright smile, coming in an instant and shining out of the eyes, changed the whole look from the severe and resolved expression of a man ready to do and dare everything, to the keen honest enjoyment of the moment, which is seldom shown so fearlessly and instantaneously except by children.
Elizabeth Gaskell (North and South)
Looking back upon the year's accumulated heap of troubles, Margaret wondered how they had been borne. If she could have anticipated them, how she would have shrunk away and hid herself from the coming time! And yet day by day had, of itself, and by itself, been very endurable--small, keen, bright little spots of positive enjoyment having come sparkling into the very middle of sorrows.
Elizabeth Gaskell (North and South)
If she could have anticipated them, how she would have shrunk away and hid herself from the coming time! And yet day by day had, of itself, and by itself, been very endurable — small, keen, bright little spots of positive enjoyment having come sparkling into the very middle of sorrows.
Elizabeth Gaskell (North and South)
I do not want to be relieved from any obligation,' said he, goaded by her calm manner. 'Fancied, or not fancied - I question not myself to know which - I choose to believe that I owe my very life to you - ay - smile, and think it an exaggeration if you will. I believe it, because it adds a value to that life to think - oh, Miss Hale!' continued he, lowering his voice to such a tender intensity of passion that she shivered and trembled before him, 'to think circumstance so wrought, that whenever I exult in existence henceforward, I may say to myself, "All this gladness in life, all honest pride in doing my work in the world, all this keen sense of being, I owe to her!" And it doubles the gladness, it makes the pride glow, it sharpens the sense of existence till I hardly know if it is pain or pleasure, to think that I owe it to one - nay, you must, you shall hear' - said he, stepping forwards with stern determination - 'to one whom I love, as I do not believe man ever loved woman before.
Elizabeth Gaskell (North and South)
All this gladness in life, all honest pride in doing my work in the world, all this keen sense of being, I owe to her!" And it doubles the gladness, it makes the pride glow, it sharpens the sense of existence till I hardly know if it is pain or pleasure, to think that I owe it to one - to one whom I love, as I do not believe man ever loved woman before.
Elizabeth Gaskell (North and South)
He thought that he disliked seeing one who had mortified him so keenly; but he was mistaken. It was a stinging pleasure to be in the room with her, and feel her presence.
Elizabeth Gaskell (North and South)
And yet day by day had, of itself, and by itself, been very endurable--small, keen, bright little spots of enjoyment having come sparkling into the very middle of sorrows.
Elizabeth Gaskell (North and South)
Oh, don't get me started! I love fantasy, I read it for pleasure, even after all these years. Pat McKillip, Ursula Le Guin and John Crowley are probably my favorite writers in the field, in addition to all the writers in the Endicott Studio group - but there are many others I also admire. In children's fantasy, I'm particularly keen on Philip Pullman, Donna Jo Napoli, David Almond and Jane Yolen - though my favorite novels recently were Midori Snyder's Hannah's Garden, Holly Black's Tithe, and Neil Gaiman's Coraline. I read a lot of mainstream fiction as well - I particularly love Alice Hoffman, A.S. Byatt, Sara Maitland, Sarah Waters, Sebastian Faulks, and Elizabeth Knox. There's also a great deal of magical fiction by Native American authors being published these days - Louise Erdrich's Antelope Wife, Alfredo Vea Jr.'s Maravilla, Linda Hogan's Power, and Susan Power's Grass Dancer are a few recent favorites. I'm a big fan of Jane Austen, Charlotte Bronte, Charles Dickens, and Anthony Trollope - I re-read Jane Austen's novels in particular every year.Other fantasists say they read Tolkien every year, but for me it's Austen. I adore biographies, particularly biographies of artists and writers (and particularly those written by Michael Holroyd). And I love books that explore the philosophical side of art, such as Lewis Hyde's The Gift, Carolyn Heilbrun's Writing a Woman's Life, or David Abram's Spell of the Sensuous. (from a 2002 interview)
Terri Windling
Mary was like a caged tiger in the first days of her captivity. Keen, alert, and watchful, she listened tensely each dawn for the key that unlocked her door. After breakfast she watched the road for messengers, pacing back and forth like a confined feline. But no messengers ever came. Elizabeth had abandoned her. Or forgotten her. And the days passed. Little by little, the Queen of Scots grew accustomed to her captivity. She no longer heard the key in the lock, or the footsteps outside her door. More often than not it was the maid's cheerful voice that woke her, along with the hand on Mary's shoulder and the delicious smells wafting from the breakfast tray.
Margaret George (Mary Queen of Scotland and The Isles)
And while Elizabeth wasn’t entirely keen on the idea—she was a research chemist—she took the job for the usual reasons: it paid more and she had a child to support.
Bonnie Garmus (Lessons in Chemistry)
I don't think I ever saw her out of temper; but then I'm not sure if she takes things keenly to heart, and a certain obtuseness of feeling goes a great way towards a character for good temper, I've observed.
Elizabeth Gaskell (Wives and Daughters)
One thing about doing this kind of work, you develop a keen appreciation for the fact that you can walk. And see the sky. And feel the air on your face. And that you can check high and low and no, nothing in your body is hurting, not one thing. I
Elizabeth Berg (Tapestry of Fortunes)
The man opposite, divided between anger and relief at the stripping away of his defenses, his nerves jangling, was taken utterly aback by the extraordinary beauty of Hilary's eyes without their glasses, by their keen, straight glance, by the enveloping warmth of his utterly happy yet rather deprecating smile. The immense power of his goodwill, together with his personal humility, made a sudden unexpected appeal that got right under Malony's guard before he knew where he was. He wasn't out to do you good, this chap - he didn't think enough of himself for that - he was simply out to jog along beside you for a little, and pass the time of day, knowing you were down on your luck, and thinking a bit of companionship might not come amiss.
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
… the straight brows fell low over the over the clear, deep-set, earnest eyes, which, without being unpleasantly sharp, seemed intent enough to penetrate into the very heart and core of what he was looking at. The lines in the face were few but firm, as if they were carved in marble, and lay principally about the lips, which were slightly compressed over a set of teeth so faultless and beautiful as to give the effect of sudden sunlight when the rare, bright smile, coming in an instant and shining out of the eyes, changed the whole look from the severe and resolved expression of a man ready to do and dare anything, to the keen, honest enjoyment of the moment, which is seldom shown so fearlessly and instantaneously, except by children.
Elizabeth Gaskell
Yes, but you see, Jane is in a hypothetical situation. Pretty and sweet as she is, she has not had a single proposal, while you are in possession of two. You must open your eyes to Mr. Darcy’s good qualities, Lizzy. It is the only way you will be happy and respectable. And he is a respectable man. I do not know the particulars of what happened with Mr. Wickham, but I do know that he is always at the gaming tables when they are available, and I also know that he was very quick to tell you his tale of woe, and very keen to avoid Mr. Darcy.” He saw his daughter was about to protest and held up his hand. “You have a clever mind, Lizzy. Tell me, why did he speak to you as he did? Why did he not come to the Netherfield ball when he said he would? And why, I might ask, is a man his age only beginning in the militia? Do not let your mind be carried away by your vanity, Elizabeth. He complimented you while Mr. Darcy insulted you; yes, I see that. And he is handsome and amiable and very charming. But do not lose your head over it! You do not know the grief from choosing for the wrong reasons, Elizabeth, and I pray you never do.
Elizabeth Adams (Unwilling: A Pride and Prejudice Vagary)
While these thoughts crossed his mind, Margaret clung to the doorpost to steady herself: but a film came over her eyes—he was only just in time to catch her. 'Mother—mother!' cried he; 'Come down—they are gone, and Miss Hale is hurt!' He bore her into the dining-room, and laid her on the sofa there; laid her down softly, and looking on her pure white face, the sense of what she was to him came upon him so keenly that he spoke it out in his pain: 'Oh, my Margaret—my Margaret! no one can tell what you are to me! Dead—cold as you lie there, you are the only woman I ever loved! Oh, Margaret—Margaret!' Inarticulately as he spoke, kneeling by her, and rather moaning than saying the words, he started up, ashamed of himself, as his mother came in. She saw nothing, but her son a little paler, a little sterner than usual.
Elizabeth Gaskell (North and South)
It was towards the end of February, in that year, and a bitter black frost had lasted for many weeks. The keen east wind had long since swept the streets clean, though in a gusty day the dust would rise like pounded ice, and make people's faces quite smart with the cold force with which it blew against them. Houses, sky, people, and everything looked as if a gigantic brush had washed them all over with a dark shade of Indian ink.
Elizabeth Gaskell (Mary Barton)
[on "proportionate giving"] Proportionate to what? Proportionate to the accumulated wealth of one's family? Proportionate to one's income and the demands upon it, which vary from family to family? Proportionate to one's sense of security and to the degree of anxiety with which one lives? Proportionate to the keenness of our awareness of those who suffer? Proportionate to our sense of justice and of God's ownership for those who follow after us...? The answer, of course, is in proportion to all of these things.
Elizabeth O'Connor (Letters to scattered pilgrims)
The journey to Paris was effected at the end of September, and for about nine months they pitched their tent at No. 138 Avenue des Champs-Elysées. It was a fortunate time to be in Paris for those who had no personal nervousness, and liked to be near the scene of great events — a most anxious time for any who were alarmed at disturbances, or took keenly to heart the horrors of street fighting. Fortunately for the Brownings, they, whether by temperament or through their Italian experiences, were not unduly disturbed at revolutions, while the horrors of Louis Napoleon’s coup d’état were, no doubt, only partly known to Mrs. Browning at the time, and were palliated to her by the view she took of Napoleon’s character.
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
makes me more than sad, it makes my heart burn within me, to see that folk can make a jest of striving men; of chaps who comed to ask for a bit o’ fire for th’ old granny, as shivers i’ th’ cold; for a bit o’ bedding, and some warm clothing to the poor wife who lies in labour on th’ damp flags; and for victuals for the childer, whose little voices are getting too faint and weak to cry aloud wi’ hunger. For, brothers, is not them the things we ask for when we ask for more wage? We donnot want dainties, we want bellyfuls; we donnot want gimcrack coats and waistcoats, we want warm clothes; and so that we get ‘em, we’d not quarrel wi’ what they’re made on. We donnot want their grand houses, we want a roof to cover us from the rain, and the snow, and the storm; ay, and not alone to cover us, but the helpless ones that cling to us in the keen wind, and ask us with their eyes why we brought ’em into th’ world to suffer?” He
Elizabeth Gaskell (The Complete Works of Elizabeth Gaskell)
John, come back to me for this one evening. It will be late for Mrs. Hale. But that is not it. To-morrow, you will—— Come back to-night, John!” She had seldom pleaded with her son at all—she was too proud for that; but she had never pleaded in vain. “I will return straight here after I have done my business. You will be sure to enquire after them?—after her?” Mrs. Thornton was by no means a talkative companion to Fanny, nor yet a good listener while her son was absent. But on his return, her eyes and ears were keen to see and to listen to all the details which he could give, as to the steps he had taken to secure himself, and those whom he chose to employ, from any repetition of the day’s outrages. He clearly saw his object. Punishment and suffering, were the natural consequences to those who had taken part in the riot. All that was necessary, in order that property should be protected, and that the will of the proprietor might cut to his end, clean and sharp as a sword. “Mother! You know what I have got to say to Miss Hale, to-morrow?{149}” The question came upon her suddenly, during a pause in which she, at least, had forgotten Margaret. She looked up at him. “Yes! I do. You can hardly do otherwise.” “Do otherwise! I don’t understand you.” “I mean that, after allowing her feelings so to overcome her, I consider you bound in honour—” “Bound in honour,” said he scornfully. “I’m afraid honour has nothing to do with it. ‘Her feelings overcome her!’ What feelings do you mean?” “Nay, John, there is no need to be angry. Did she not rush down and cling to you to save you from danger?” “She did!” said he. “But, mother,” continued he, stopping short in his walk right in front of her. “I dare not hope. I never was faint-hearted before; but I cannot believe such a creature cares for me.
Elizabeth Gaskell (North and South)
It makes me more than sad, it makes my heart burn within me, to see that folk can make a jest of earnest men; of chaps who comed to ask for a bit o' fire for th' old granny, as shivers in th' cold; for a bit o' bedding, and some warm clothing to the poor wife as lies in labour on th' damp flags; and for victuals for the childer, whose little voices are getting too faint and weak to cry aloud wi' hunger. For, brothers, is not them the things we ask for when we ask for more wage? We donnot want dainties, we want bellyfuls; we donnot want gimcrack coats and waistcoats, we want warm clothes, and so that we get 'em we'd not quarrel wi' what they're made on. We donnot want their grand houses, we want a roof to cover us from the rain, and the snow, and the storm; ay, and not alone to cover us, but the helpless ones that cling to us in the keen wind, and ask us with their eyes why we brought 'em into th' world to suffer?" He lowered his deep voice almost to a whisper. "I've seen a father who had killed his child rather than let it clem before his eyes; and he were a tender-hearted man." He began again in his usual tone. "We come to th' masters wi' full hearts, to ask for them things I named afore. We know that they've gotten money, as we've earned for 'em; we know trade is mending, and that they've large orders, for which they'll be well paid; we ask for our share o' th' payment; for, say we, if th' masters get our share of payment it will only go to keep servants and horses, to more dress and pomp. Well and good, if yo choose to be fools we'll not hinder you, so long as you're just; but our share we must and will have; we'll not be cheated. We want it for daily bread, for life itself; and not for our own lives neither (for there's many a one here, I know by mysel, as would be glad and thankful to lie down and die out o' this weary world), but for the lives of them little ones, who don't yet know what life is, and are afeard of death. Well, we come before th' masters to state what we want, and what we must have, afore we'll set shoulder to their work; and they say, 'No.' One would think that would be enough of hard-heartedness, but it isn't. They go and make jesting pictures of us! I could laugh at mysel, as well as poor John Slater there; but then I must be easy in my mind to laugh. Now I only know that I would give the last drop o' my blood to avenge us on yon chap, who had so little feeling in him as to make game on earnest, suffering men!
Elizabeth Gaskell (Mary Barton)
These were common preoccupations for sophisticated Romans, who conducted their daily lives-in their private concerns as much as in affairs of finance or state-against a background of sacrifice, augury, omens and prophecies. Animals were offered on the charcoal brazier, statues venerated, libations poured out, entrails examined as keenly as the flight patterns of birds. Yet much of Roman religion-a broad and tolerant paganism-was conducted more as a matter of observance than of internalised faith.4 It was certainly no formalised theology offering the promise of divinely democratic judgement followed by an afterlife.
Elizabeth Speller (Following Hadrian: A Second-Century Journey through the Roman Empire)
believe that our planet is inhabited not only by animals and plants and bacteria and viruses, but also by ideas. Ideas are a disembodied, energetic life-form. They are completely separate from us, but capable of interacting with us—albeit strangely. Ideas have no material body, but they do have consciousness, and they most certainly have will. Ideas are driven by a single impulse: to be made manifest. And the only way an idea can be made manifest in our world is through collaboration with a human partner. It is only through a human’s efforts that an idea can be escorted out of the ether and into the realm of the actual. Therefore, ideas spend eternity swirling around us, searching for available and willing human partners. (I’m talking about all ideas here—artistic, scientific, industrial, commercial, ethical, religious, political.) When an idea thinks it has found somebody—say, you—who might be able to bring it into the world, the idea will pay you a visit. It will try to get your attention. Mostly, you will not notice. This is likely because you’re so consumed by your own dramas, anxieties, distractions, insecurities, and duties that you aren’t receptive to inspiration. You might miss the signal because you’re watching TV, or shopping, or brooding over how angry you are at somebody, or pondering your failures and mistakes, or just generally really busy. The idea will try to wave you down (perhaps for a few moments; perhaps for a few months; perhaps even for a few years), but when it finally realizes that you’re oblivious to its message, it will move on to someone else. But sometimes—rarely, but magnificently—there comes a day when you’re open and relaxed enough to actually receive something. Your defenses might slacken and your anxieties might ease, and then magic can slip through. The idea, sensing your openness, will start to do its work on you. It will send the universal physical and emotional signals of inspiration (the chills up the arms, the hair standing up on the back of the neck, the nervous stomach, the buzzy thoughts, that feeling of falling into love or obsession). The idea will organize coincidences and portents to tumble across your path, to keep your interest keen. You will start to notice all sorts of signs pointing you toward the idea. Everything you see and touch and do will remind you of the idea. The idea will wake you up in the middle of the night and distract you from your everyday routine. The idea will not leave you alone until it has your fullest attention. And then, in a quiet moment, it will ask, “Do you want to work with me?” At this point, you have two options for how to respond. What
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Yet in every story Lizzy is possessed of a keen intellect and an irrepressible spirit, and she is loved by Darcy for those very same qualities Lady Catherine scorned.
Christina Boyd (Elizabeth: Obstinate, Headstrong Girl)
July 10, 1980 WASHINGTON, D.C. The stunning collapse of the Justice Department’s attempt to throw Tom Soobzokov out of the country attracted little notice outside New Jersey. But in Washington, Elizabeth Holtzman was livid. The Brooklyn congresswoman had been watching the long-playing drama surrounding Soobzokov with keen interest, and she was seething
Eric Lichtblau (The Nazis Next Door: How America Became a Safe Haven for Hitler's Men)
It was terrible, though, when you couldn't tell people things. Olive felt this keenly as the days went by.
Elizabeth Strout (Olive Kitteridge (Olive Kitteridge, #1))
Sebastien had raised Jack Priest, and for all his fey flighty affection, Garrett’s estimation of the young man was that he was a keenly trained observer, and one who knew that the most relevant clues were sometimes those that seemed incomprehensible at the time. And that that ostensible delicacy masked a galvanized will. She kept a terrier. She knew the type.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
Like most kids who raised themselves, I can display narcissistic behavior. I can be withdrawn, disconnected. I have a deep yearning to understand and relate to the criminal mind.
Elizabeth Keen
Like most kids who raised themselves. I can display narcissistic behavior. I can be withdrawn, disconnected. I have a deep yearning to understand and relate to the criminal mind.
Elizabeth Keen
The Brethren? Whatever for? Do they wash a lot? Baptisms, wet clothes, that sort of thing?’ ‘Of course not. It was a museum piece; they took it off to sell it. They’re very keen on money. I think they’re dishonest, too.
Elizabeth Aston (Children of Chance)
The two young men walked up and down under the walnut trees for nearly an hour, Gerald Goring playing the unaccustomed part of consoler. He liked Edgar Turchill with an honest liking. There was a shade of condescension, of unconscious patronage in the feeling; but it was thoroughly sincere. The Saxon squire was distinctly on a lower intellectual level than the man of mixed race – the man whose father had thrust himself into the front walks of life by sheer force of will and brains, unaided by any conventional training of any kind; whose mother had been the last development of a family reared in courts and palaces. Compared with the quicksilver that flowed in his own veins, Edgar Turchill's blood was a fluid that smacked of the vegetable kingdom – watery stuff that oozes out of a turnip or cabbage when the cook-maid cuts it. Yet the man could feel, and so keenly, that Gerald was touched with tender pity.
Mary Elizabeth Braddon (Asphodel)
We do not learn to love those people we have lost less, nor feel the rent of their absence any less keenly.
G. Lawrence (The Heretic Heir (The Elizabeth of England Chronicles, #2))
He suddenly understood that power and pleasure were keenly entwined. One could succumb to such power. It corrupts the foolish and tests the resolute.
Linda Berdoll (The Darcys: New Pleasures (Darcy & Elizabeth, #4))
His uncaring mother did not alert him to the intrinsic nature of maternal love. It was keen as it was strong, and it's memory razor sharp.
Linda Berdoll (The Darcys: New Pleasures (Darcy & Elizabeth, #4))
I'd been thinking that not only colors are imprisoned on grey days but the sun too. For when there's a grey wall between one and the other who's to say which is prisoner and which is free? When the heart aches one for the other there's little to choose between them. That's a cruel thing men do to God, making a prisoner of Him." "I don't think I know what you mean," said Michael. "The grey clouds, they are like men's unbelief," said Harriet. "And men live frozen and afraid when a touch of the sun would change all that. But they imprison the sun." "Many who would like to believe, can't, Harriet," said Michael. "That's a lie," said Harriet calmly. "If you want a good thing badly enough you get it. Not overnight, maybe. But you get it." Michael looked at the old woman keenly . . . she had power . . . . He began to understand what immense concentration of power there can be in a life withdrawn if discipline can keep pace with withdrawal. Without discipline withdrawal was a disintegration, but with it what he felt in Harriet. This spring day was a festival day, a day for rejoicing in new warmth and new life for several people. How much that had to do with Harriet's refusal to imprison the sun, with one soul's power to dispel the clouds for another, he'd no idea.
Elizabeth Goudge (The Rosemary Tree)