Elevator Photo Quotes

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By 2020, the flat panel displays will likely come in a variety of forms. They will be miniaturized to work as wristwatch screens and may be added to eyeglasses or key chains. Eventually, they will become so cheap they will be everywhere: on the backs of airplane seats, in photo albums, in elevators, on notepads, on billboards, on the sides of buses and trains. They may one day be as common as paper.
Michio Kaku (Visions: How Science Will Revolutionize the 21st Century)
Help you?” he said without looking up. I glanced at Meg, silently double-checking that we were in the right building. She nodded. “We’re here to surrender,” I told the guard. Surely this would make him look up. But no. He could not have acted less interested in us. I was reminded of the guest entrance to Mount Olympus, through the lobby of the Empire State Building. Normally, I never went that way, but I knew Zeus hired the most unimpressible, disinterested beings he could find to guard the desk as a way to discourage visitors. I wondered if Nero had intentionally done the same thing here. “I’m Apollo,” I continued. “And this is Meg. I believe we’re expected? As in…hard deadline at sunset or the city burns?” The guard took a deep breath, as if it pained him to move. Keeping one finger in his novel, he picked up a pen and slapped it on the counter next to the sign-in book. “Names. IDs.” “You need our IDs to take us prisoner?” I asked. The guard turned the page in his book and kept reading. With a sigh, I pulled out my New York State junior driver’s license. I suppose I shouldn’t have been surprised that I’d have to show it one last time, just to complete my humiliation. I slid it across the counter. Then I signed the logbook for both of us. Name(s): Lester (Apollo) and Meg. Here to see: Nero. Business: Surrender. Time in: 7:16 p.m. Time out: Probably never. Since Meg was a minor, I didn’t expect her to have an ID, but she removed her gold scimitar rings and placed them next to my license. I stifled the urge to shout, Are you insane? But Meg gave them up as if she’d done this a million times before. The guard took the rings and examined them without comment. He held up my license and compared it to my face. His eyes were the color of decade-old ice cubes. He seemed to decide that, tragically, I looked as bad in real life as I did in my license photo. He handed it back, along with Meg’s rings. “Elevator nine to your right,” he announced. I almost thanked him. Then I thought better of it.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
The moment our love or concern for country takes precedence over our love for the people in our country, we are off mission. When saving America diverts energy, focus, and reputation away from saving Americans, we no longer qualify as the ekklesia of Jesus. We’re merely political tools. A manipulated voting demographic. A photo op. Again, we lose our elevated position as the conscience of the nation. We give up the moral and ethical high ground.
Andy Stanley (Not in It to Win It: Why Choosing Sides Sidelines The Church)
Redrum by Stewart Stafford A Winter's tale of horrors profound, The haunted hotel's dark tapestry, Supreme isolation's moonscape snowbound, A father gripped by homicidal history. He sought to write, heal, absolve sins, Overlooked the hotel’s Redrum plans, Vomiting up daymares of phantom twins, His mind possessed by unseen hands. Room Two Three Seven, malevolent, Forbidden to enter its dark hole, Where ageless ladies bathed decadent, Luring caretakers to an adulterer's role. His wife and son sensed the danger, A bloody elevator with nowhere to run, A father's warpath with axe and anger, He became the monster, the devil's son. It might horrify 42 ways from Sunday, Only his shining son grasped the fact, May as well be across the galaxy, As in a labyrinth with that maniac. He failed to kill, he froze, met his fate, The hotel consumed his spirit as its own, Purgatorial torture in damnation's bait, He smiled in the photo, eternally alone. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
Chris opens a Twix as he studies the photo. He has his annual medical in two months, and every Monday he convinces himself that this is finally the week he gets back into shape, finally shifts the stone or so that holds him back. The stone or so that gives him cramp. The stone or so that stops him from buying new clothes, just in case, and that stops him dating, because who would want this? The stone or so that stands between him and the world. Two stone if he's really honest. Those Mondays are usually good. Chris doesn't take the elevator on Mondays. Chris brings food from home on Mondays. Chris does sit-ups in bed on Mondays. But by Tuesday, or in a good week, Wednesday, the world creeps back in, the stairs seem too daunting, and Chris loses faith in the project. He's aware that the project is himself, and that drags him further down still. So out come the pastries and the crisps, the garage lunch, the quick drink after work, the takeaway on the way home from work, the chocolate on the way home from the takeaway. The eating, the numbing, the release, the shame, and then the repeat. But there was always next Monday, and one of these Mondays there would be salvation. That stone would drop off, followed by the other stone that was lurking. He'd barely break sweat at the medical, he'd be the athlete he always secretly knew he was. Text a thumbs-up to the new girlfriend he'd have met online. He finishes the Twix and looks around for his crisps.
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
John Brooks.’ Immediately, I thought of the odds. First of just surviving in such a place, next of surviving and then becoming a cop. ‘Vertical ghettos, each one of them. Me and John used to say it was the only time when you had to take the elevator up when you were going to hell.’ I just nodded. This was out of my realm completely. ‘And that’s only if the elevators were working,’ he added. I realized that I never considered that Brooks might be a black man. There was no photo in the computer printouts and no reason to mention race in the stories. I had just assumed he was white and it was an assumption I would have to analyze later. At the moment, I was trying to figure out what Washington was trying to tell me by taking me here. Washington pulled into a lot next to one of the buildings. There were a couple of dumpsters coated with decades of graffiti slogans. There was a rusted basketball backboard but the rim was long gone. He put the car in park but left it running. I didn’t know if that was to keep the heat flowing or to allow us a quick getaway if needed. I saw a small group of teenagers in long coats, their faces as dark as the sky, scurry from the building closest to us, then cross a frozen courtyard and hustle into one of the other buildings. ‘At this point you’re wondering what the hell you’re doing here,’ Washington said then. ‘That’s okay, I understand. A white boy like you.’ Again I said nothing. I was letting him run out his line. ‘See that one, third on the right. That was our building. I was on fourteen with my grand-auntie and John lived with his mother on twelve, one below us. They didn’t have no thirteen, already enough bad luck ’round here. Neither of us had fathers. At least ones that showed up.’ I thought he wanted me to say something but I didn’t know what. I had no earthly idea what kind of struggle the two friends must have had to make it out of the tombstone of a building he had pointed at. I remained mute. ‘We were friends for life. Hell, he ended up marrying my first girlfriend, Edna. Then on the department, after we both made homicide and trained with senior detectives for a few years, we asked to be partnered. And damn, it got approved. Story about us in the
Michael Connelly (The Poet (Jack McEvoy, #1; Harry Bosch Universe, #5))
ELEVATION: A love letter. A ticket stub. A well-worn T-shirt. Haphazardly colored cards from your kids that make you smile with delight. INSIGHT: Quotes or articles that moved you. Books that changed your view of the world. Diaries that captured your thoughts. PRIDE: Ribbons, report cards, notes of recognition, certificates, thank-yous, awards. (It just hurts, irrationally, to throw away a trophy.) CONNECTION: Wedding photos. Vacation photos. Family photos. Christmas photos of hideous sweaters. Lots of photos. Probably the first thing you’d grab if your house caught on fire.
Chip Heath (The Power of Moments: Why Certain Experiences Have Extraordinary Impact)
If you ask what is the most stressful job in the world, I would say waiting, waiting for anything, waiting for the bus, waiting for the best photo moment, waiting for the war to end, for the elevator to come, for a terrible rain to stop!
Mehmet Murat ildan
For all the gains the women’s movement has made over the past two centuries, we have done little to escape from a beauty culture that elevates white, able-bodied, cisgender, heterosexual, skinny bodies over and above everyone else. It’s hard to take these so-called advancements seriously when the overall culture remains the same. Photo spreads that include fat women, disabled women, or women wearing hijab ring hollow when they are treated as an attempt to meet a quota instead of an opportunity to change the status quo. The only thing worse than outright exclusion is condescending inclusion that values our presence as long as we agree that we won’t do too much to confront our oppression.
Ally Henny (I Won't Shut Up: Finding Your Voice When the World Tries to Silence You (An Unvarnished Perspective on Racism That Calls Black Women to Find Their Voice))
The only sounds at the late hour were the faint jingle of a phone ringing in the nurses’ station, the ping of an elevator, the faraway sound of the wheels of a cart, and the gentle beep of Brandon’s vital signs monitor. They wouldn’t allow any flowers or personal items in the ICU, but Sloan had snuck in an engagement photo. It sat on the table next to the bed. Her and Brandon on the beach, the surf crashing around their feet, her tattooed arm over his shoulder, them looking at each other. Both of them laughing. I looked back at him and sighed. “You’re going to have some gnarly scars, buddy.” They’d started the skin grafts for the road rash on his arm. “But you’ll get to do everything you planned to do with your life. One of us is going to get the girl. I’ll help you any way I can. Even if I have to wheel your ass to the altar.” I could picture his smile. With any luck I’d see it in a few hours. A knock on the door frame turned me around in my chair. “Hey, cutie.” Valerie came into the room for her vitals check. She turned the lights up, and I stood and stretched. As if sleeping in a chair wasn’t hard enough, the activity every two hours was the final kicker. I wouldn’t call anything I did on these overnight shifts sleeping. Maybe napping, but not sleeping. Every two hours Brandon was moved. They checked his airways, changed out bags, looked at his vitals. I don’t know how Sloan was handling doing this almost nightly for the last three weeks. Sloan was a good woman. I’d always liked her, but now she’d earned my respect, and I was grateful Brandon and Kristen had her. “Did you decide what day you want to bring the kids to the station?” I asked Valerie, yawning. She cycled the blood pressure cuff on Brandon’s arm and smiled. “I’m thinking Tuesday. You on shift Tuesday?” “Yup.” She wrote down some notes on Brandon’s chart and then gave me a raised eyebrow. “Any updates with your lady friend?” I laughed a little. “No.” The whole nursing staff knew about my depressing love life. I’d gotten hit on a few too many times by some of the younger nurses. I couldn’t claim to have a girlfriend, and I wasn’t married, so it was either “I’m gay” or “I’m in love with that girl over there.” I’d gone with the latter, and now I wished I’d said I was gay. They didn’t know why Kristen wouldn’t date me, just that she wouldn’t. It had turned into the favorite topic of the ICU. A real-life episode of Grey’s Anatomy. I rarely got through a Brandon visit without it coming up. The drama escalated when Kristen had been hit on by the nurses’ favorite single orthopedic surgeon. According to the nurses’ gossip circuit, Kristen told him to go fuck himself. And apparently she’d actually said, “Go fuck yourself.” After that everyone was sure she was holding out for me. Only I knew better.
Abby Jimenez
The dream sequence where Leonard was holding Penny in the elevator shaft is captured in a photograph of the pair on Penny’s refrigerator. But as executive producer Steve Molaro points out, that picture could technically never exist. Steve Molaro: It makes me crazy because technically that photo was from the fantasy sequence, so it shouldn’t be a real photo on her refrigerator. Unless Leonard said, “Hey, we should go re-create this image I have from a dream of mine and get in the elevator shaft and have somebody take a picture of us,” it doesn’t belong there.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
Ever since Roman married Emily, things have been a little different around here. The photos are a perfect example. Most of them are from their wedding. They’d said their vows at the penthouse, right out on the rooftop terrace, and all our smiling faces greet me as I step off the elevator. It’s a nice change. A little over a year ago, Roman’s sister was taken by sex traffickers, and we’ve put all our focus on finding her. She never did outgrow her crush on Matvey, and once she turned eighteen, that crush was finally starting to develop into something more between them, but then she just disappeared. It nearly destroyed all of us. Finding Alina is at the forefront of everything we do, and we will find her, but it’s nice to have moments where we can laugh and enjoy life. Emily has helped us remember that.
Sonja Grey (Paved in Venom (Melnikov Bratva Book 2))
Amid the campus buildings, along the campus walkways, there are enormous banners: action photos of the super athletes, the legends and giants and titans who’ve elevated Nike to something more than a brand. Jordan. Kobe. Tiger. Again, I can’t help but think of my trip around the world. The River Jordan. Mystical Kobe, Japan. That first meeting at Onitsuka, pleading with the executives for the right to sell Tigers… Can this all be a coincidence?
Phil Knight (Shoe Dog)