Elegant Couple Quotes

Halt," said the elegant diplomat, "when you asked me to marry you, did you think we could just sneak off to a glade in the woods with a few close friends and get it done?" Halt hesitated. "Well, no...of course not." As a matter of fact, that was exactly what he had thought. A simple ceremony, a few friends, some food and drink and then he and Pauline would be a couple. But he felt that it might not be wise to admit that right now.

Arthur Less is the first homosexual ever to grow old. That is, at least, how he feels at times like these. Here, in this tub, he should be twenty-five or thirty, a beautiful young man naked in a bathtub. Enjoying the pleasures of life. How dreadful if someone came upon naked Less today: pink to his middle, gray to his scalp, like those old double erasers for pencil and ink. He has never seen another gay man age past fifty, none except Robert. He met them all at forty or so but never saw them make it much beyond; they died of AIDS, that generation. Less’s generation often feels like the first to explore the land beyond fifty. How are they meant to do it? Do you stay a boy forever, and dye your hair and diet to stay lean and wear tight shirts and jeans and go out dancing until you drop dead at eighty? Or do you do the opposite—do you forswear all that, and let your hair go gray, and wear elegant sweaters that cover your belly, and smile on past pleasures that will never come again? Do you marry and adopt a child? In a couple, do you each take a lover, like matching nightstands by the bed, so that sex will not vanish entirely? Or do you let sex vanish entirely, as heterosexuals do? Do you experience the relief of letting go of all that vanity, anxiety, desire, and pain?

The lessons of relationship that our primordial ancestors learned are deeply encoded in the genetics of our neurobiological circuits of love. They are present from the moment we are born and activated at puberty by the cocktail of neurochemicals. It’s an elegant synchronized system. At first our brain weighs a potential partner, and if the person fits our ancestral wish list, we get a spike in the release of sex chemicals that makes us dizzy with a rush of unavoidable infatuation. It’s the first step down the primeval path of pair-bonding.

Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin.

The middle of the 'Atlantis' the warm, luxurious cabins,ining-rooms, halls, shed light and joy, buzzed with the chatter of an elegant crowd, was fragrant with fresh flowers, and quivered with the sounds of a string orchestra. And again amidst that crowd, amidst the brilliance of lights, silks, diamonds, and bare feminine shoulders, a slim and supple pair of hired lovers painfully writhed and at moments convulsively clashed. A sinfully discreet, pretty girl with lowered lashes and hair innocently dressed, and a tallish young man with black hair looking as if it were glued on, pale with powder, and wearing the most elegant patent-leather shoes and a narrow, long-tailed dress coat, a beau resembling an enormous leech. And no one knew that this couple had long since grown weary of shamly tormenting themselves with their beatific love-tortures, to the sound of bawdy-sad music ; nor did any one know of that thing which lay deep, deep below at the very bottom of the dark hold, near the gloomy and sultry bowels of the ship that was so gravely overcoming the darkness, the ocean, the blizzard.

The most puzzling thing in the entire encounter occurred at a certain stage very late in the conversation, when she discovered she had been talking to a man. She had the feeling of a dream where things and people transmogrify, characters dissolve from one to the other like tricks in a film, monsters in a bottle. She had the sense, the very distinct sense, of her companion's female gender; she had been pleased to find it, had relaxed into it, had been even more delighted to find it coupled with an elegant wit and a sense of both joy and irony. The forces of life, she thought to herself, are flying high tonight.

Golden haze, puffy bedquilt. Another awakening, but perhaps not yet the final one. This occurs not infrequently: You come to, and see yourself, say, sitting in an elegant second-class compartment with a couple of elegant strangers; actually, though, this is a false awakening, being merely the next layer of your dream, as if you were rising up from stratum to stratum but never reaching the surface, never emerging into reality. Your spellbound thought, however, mistakes every new layer of the dream for the door of reality. You believe in it, and holding your breath leave the railway station you have been brought to in immemorial fantasies and cross the station square. You discern next to nothing, for the night is blurred by rain, your spectacles are foggy, and you want as quickly as possible to reach the ghostly hotel across the square so as to wash your face, change your shirt cuffs and then go wandering along dazzling streets. Something happens, however—an absurd mishap—and what seemed reality abruptly loses the tingle and tang of reality. Your consciousness was deceived: you are still fast asleep. Incoherent slumber dulls your mind. Then comes a new moment of specious awareness: this golden haze and your room in the hotel, whose name is “The Montevideo.” A shopkeeper you knew at home, a nostalgic Berliner, had jotted it down on a slip of paper for you. Yet who knows? Is this reality, the final reality, or just a new deceptive dream?

An apt analogy for how the brain consolidates new learning may be the experience of composing an essay. The first draft is rangy, imprecise. You discover what you want to say by trying to write it. After a couple of revisions you have sharpened the piece and cut away some of the extraneous points. You put it aside to let it ferment. When you pick it up again a day or two later, what you want to say has become clearer in your mind. Perhaps you now perceive that there are three main points you are making. You connect them to examples and supporting information familiar to your audience. You rearrange and draw together the elements of your argument to make it more effective and elegant.

Many of us drink in order to take that flight, in order to pour ourselves, literally, into new personalities: uncap the bottle, pop the cork, slide into someone else’s skin. A liquid makeover, from the inside out. Everywhere we look, we are told that this is possible; the knowledge creeps inside us and settles in dark corners, places where fantasies lie. We see it on billboards, in glossy magazine ads, in movies and on TV: we see couples huddled together by fires, sipping brandy, flames reflecting in the gleam of glass snifters; we see elegant groups raising celebratory glasses of wine in restaurants; we see friendships cemented over barstools and dark bottles of beer. We see secrets shared, problems solved, romances bloom. We watch, we know, and together the wine, beer, and liquor industries spend more than $1 billion each year*2 reinforcing this knowledge: drinking will transform us.

To me, Chicago was the bar in the twelfth-floor lobby of the Ritz-Carlton, where I drank strawberry daiquiris—sophisticated!—with my visiting parents and with girls I was trying to impress. It was the elegant shops at the new, fancy Water Tower Place. My favorite Chicago spots were primarily restaurants. Dianna’s Opaa, in Greektown on South Halsted Street, with its lanky, serpent-like owner, Petros Kogiones, performing his host duties that were as important as the food—on the nights he wasn’t there, you felt cheated—sliding back his sheet of long black hair to greet his female customers with an overly familiar kiss and their dates with a disarming, arms-flung-wide cry of “cousin!” then conducting his odd 9 p.m. ceremonies, calling up all the engaged couples to be officially blessed by Famous Petros in the name of God, the Greek Orthodox Church, and Dianna’s Opaa! We’d all cheer and raise our juice glasses of Roditis high. Or

Once again, he was deducing a theory from principles and postulates, not trying to explain the empirical data that experimental physicists studying cathode rays had begun to gather about the relation of mass to the velocity of particles. Coupling Maxwell’s theory with the relativity theory, he began (not surprisingly) with a thought experiment. He calculated the properties of two light pulses emitted in opposite directions by a body at rest. He then calculated the properties of these light pulses when observed from a moving frame of reference. From this he came up with equations regarding the relationship between speed and mass. The result was an elegant conclusion: mass and energy are different manifestations of the same thing. There is a fundamental interchangeability between the two. As he put it in his paper, “The mass of a body is a measure of its energy content.” The formula he used to describe this relationship was also strikingly simple: “If a body emits the energy L in the form of radiation, its mass decreases by L/V 2.” Or, to express the same equation in a different manner: L=mV 2. Einstein used the letter L to represent energy until 1912, when he crossed it out in a manuscript and replaced it with the more common E. He also used V to represent the velocity of light, before changing to the more common c. So, using the letters that soon became standard, Einstein had come up with his memorable equation: E=mc2

We need to leave as soon as possible." "Okay," Luce said. "I have to go home, then, pack, get my passport..." Her mind whirled in a hundred directions as she started making a mental to-do list. Her parents would be at the mall for at least another couple of hours, enough time for her to dash in and get her things together... "Oh, cute." Annabelle laughed, flitting over to them, her feet inches off the ground. Her wings were muscular and dark silver like a thundercloud, protruding through the invisible slits in her hot-pink T-shirt. "Sorry to butt in but...you've never traveled with an angel before, have you?" Sure she had. The feeling of Daniel's wings soaring her body through the air was as natural as anything. Maybe her flights had been brief, but they'd been unforgettable. They were when Luce felt closest to him: his arms threaded around her waist, his heart beating close to hers, his white wings protecting them, making Luce feel unconditionally and impossibly loved. She had flown with Daniel dozens of times in dreams, but only three times in her waking hours: once over the hidden lake behind Sword & Cross, another time along the coast at Shoreline, and down from the clouds to the cabin just the previous night. "I guess we've never flown that far together," she said at last. "Just getting to first base seems to be a problem for you two," Cam couldn't resist saying. Daniel ignored him. "Under normal circumstances, I think you'd enjoy the trip." His expression turned stormy. "But we don't have room for normal for the next nine days." Luce felt his hands on the backs of her shoulders, gathering her hair and lifting it off her neck. He kissed her along the neckline of her sweater as he wrapped his arms around her waist. Luce closed her eyes. She knew what was coming next. The most beautiful sound there was-that elegant whoosh of the love of her life letting out his driven-snow-white wings. The world on the other side of Luce's eyelids darkened slightly under the shadow of his wings, and warmth welled in her heart. When she opened her eyes, there they were, as magnificent as ever. She leaned back a little, cozying into the wall of Daniel's chest as he pivoted toward the window. "This is only a temporary separation," Daniel announced to the others. "Good luck and wingspeed.

Mowbray! Been a while since you bothered with the season. What brings you to town?” Lord Adrian Montfort, Earl of Mowbray, shifted his gaze from the couples whirling past on the dance floor and to the man who approached: the tall, fair, eminently good-looking Reginald Greville. He and Greville, his cousin, had once been the best of friends. However, time and distance had weakened the bond—with a little help from the war with France, Adrian thought bitterly. Ignoring Reginald’s question, he offered a somewhat rusty smile in greeting, then turned his gaze back to the men and women swinging elegantly about the dance floor. He replied instead, “Enjoying the season, Greville?” “Certainly, certainly. Fresh blood. Fresh faces.” “Fresh victims,” Mowbray said dryly, and Reginald laughed. “That too.” Reginald was well-known for his success in seducing young innocents. Only his title and money kept him from being forced out of town. Shaking his head, Adrian gave that rusty smile again. “I wonder you never tire of the chase, Reg. They all look sadly similar to me. I would swear these were the very same young women who were entering their first season the last time I attended…and the time before that, and the time before that.” His cousin smiled easily, but shook his head. “It has been ten years since you bothered to come to town, Adrian. Those women are all married and bearing fruit, or well on their way to spinsterhood.” “Different faces, same ladies,” Adrian said with a shrug. “Such cynicism!” Reg chided. “You sound old, old man.” “Older,” Adrian corrected. “Older and wiser.” “No. Just old,” Reg insisted with a laugh, his own gaze turning to the mass of people moving before them. “Besides, there are a couple of real lovelies this year. That blonde, for instance, or that brunette with Chalmsly.” “Hmmm.” Adrian looked the two women over. “Correct me if I’m wrong, but my guess is that the brunette—lovely as she is—doesn’t have a thought in her head. Rather like that Lady Penelope you seduced when last I was here.” Reg’s eyes widened in surprise at the observation. “And the blonde…” Adrian continued, his gaze raking the woman in question and taking in her calculating look. “Born of parents in trade, lots of money, and looking for a title to go with it. Rather like Lily Ainsley. Another of your conquests.” “Dead-on,” Reginald admitted, looking a bit incredulous. His gaze moved between the two women and then he gave a harsh laugh. “Now you have quite ruined it for me. I was considering favoring one or both of them with my attentions. But now you have made them quite boring.” -Reg & Adrian

He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.

You come to a wedding, you should dress with the dignity of a funeral, because who the fuck knows when you’ll ever see the couple again, and who the fuck knows when they’ll see you again. So you get your look right, you don’t glam it up, you don’t whore it up, even though it’s Las Vegas. No one ever got kicked out of a place in Las Vegas for dressing elegantly.

She sighed hard and shook her head, realized she was still staring at the same recipe card in her hand. She propped it against the monitor and read again, Elegant French Pork and Beans, by Carmine Grosz of Huron, South Dakota. She scanned the recipe, which called for haricot beans- a not inelegant bean, Olivia thought. Two kinds of sausage, two cuts of pork. Leeks. Well. This looked like a midwesternized cassoulet- definitely better than the usual "Casserole Corner" fare, which was largely made up of recipes containing endless and minute variations on the same hot dishes, issue after issue. For a couple of years there, chicken and broccoli had been all the rage: Chicken Broccoli Divan, Chicken Broccoli 'Divine', Chicken Broccoli Supreme ("Them's fightin' words," Ruby had told Vivian). Chicken Broccoli Surprise, Chicken Broccoli 'Rice' Surprise (David: "Where's the surprise? You've just listed all the ingredients in the title"). Elegant Company Chicken-Broccoli Casserole. "Which is the inelegant part," Olivia had asked over the phone from college, because she was studying ambiguous reference in her Linguistic Description of Modern English class, "the company or the casserole?

The S.S. Honolulu's ballroom was as magnificent as the rest of her. Sheer elegance was on grand display as gentlemen in perfectly tailored tuxedos and women in glittering floor-length dresses danced cheek to cheek to the new song urging them to do just that. Astaire and Rogers were not on hand but the band’s vocalist was more than adequate in inspiring couples to adhere to his romantic admonition.

John Bowlby understood that our need for someone to share our lives with is part of our genetic makeup and has nothing to do with how much we love ourselves or how fulfilled we feel on our own. He discovered that once we choose someone special, powerful and often uncontrollable forces come into play. New patterns of behavior kick in regardless of how independent we are and despite our conscious wills. Once we choose a partner, there is no question about whether dependency exists or not. It always does. An elegant coexistence that does not include uncomfortable feelings of vulnerability and fear of loss sounds good but is not our biology. What proved through evolution to have a strong survival advantage is a human couple becoming one physiological unit, which means that if she’s reacting, then I’m reacting, or if he’s upset, that also makes me unsettled. He or she is part of me, and I will do anything to save him or her; having such a vested interest in the well-being of another person translates into a very important survival advantage for both parties.

He discovered that once we choose someone special, powerful and often uncontrollable forces come into play. New patterns of behavior kick in regardless of how independent we are and despite our conscious wills. Once we choose a partner, there is no question about whether dependency exists or not. It always does. An elegant coexistence that does not include uncomfortable feelings of vulnerability and fear of loss sounds good but is not our biology. What proved through evolution to have a strong survival advantage is a human couple becoming one physiological unit, which means that if she’s reacting, then I’m reacting, or if he’s upset, that also makes me unsettled. He or she is part of me, and I will do anything to save him or her; having such a vested interest in the well-being of another person translates into a very important survival advantage for both parties.

Another variation of the layer cake we see commonly is one where layers refuse to share input and output types in the name of higher isolation and looser coupling.

It may be prudent to make use of domain events to reduce the amount of coupling between bounded contexts, making it a critical building block of DDD.

Summary of Design Heuristics Here's a summary of major design heuristics: More alarming, the same programmer is quite capable of doing the same task himself in two or three ways, sometimes unconsciously, but quite often simply for a change, or to provide elegant variation. — A. R. Brown W. A. Sampson Find Real-World Objects Form Consistent Abstractions Encapsulate Implementation Details Inherit When Possible Hide Secrets (Information Hiding) Identify Areas Likely to Change Keep Coupling Loose Look for Common Design Patterns The following heuristics are sometimes useful too: Aim for Strong Cohesion Build Hierarchies Formalize Class Contracts Assign Responsibilities Design for Test Avoid Failure Choose Binding Time Consciously Make Central Points of Control Consider Using Brute Force Draw a Diagram Keep Your Design Modular

Gregori glided closer to the couple, his graceful elegance failing to conceal the rippling strength of his muscles and the power emanating from his body. He looked totally confident, relaxed, completely fearless. The soft rumbling in Jacques’ throat increased; his fingers tightened possessively, crushing bones and tendon in Shea’s upper arm. Gregori stopped moving immediately. “I am sorry, woman, I know you are weak, but you will have to move to the other side of him or he will not allow me to help,” Gregori instructed calmly. What we need, Mikhail, is Raven’s calming influence. You look about as reassuring as a Bengal tiger. Oh, and you look like a bunny rabbit, Mikhail scoffed. “You could have brought Raven along,” Gregori chided softly, aloud. “You bring her along on every other dangerous thing she should not be involved in.” That was a clear reprimand. “You might have brought her where she could actually do some good.

When hunting season came around, though, Dad’s priority shifted from making duck calls to going out to hunt every single day. I joined him when I could or hunted with my brothers or my buddies. Jessica had gone hunting some with her dad. I’d been out with her dad a couple of times, and he had a beautiful deer stand with a heater. It was elegant and finished well and looked like a carpenter had built it. Dad’s old deer stand wasn’t near as nice. He’d built it twenty feet up in a big tree with a fork in the middle, and it was a ramshackle structure that I don’t think had a level spot in it. There was a big, rickety old ladder attached. When Jessica came deer hunting with me, I had to talk her into climbing the ladder. “Is this safe?” “Oh, yeah,” I reassured her. She spotted some old rotten felt that Dad had used to insulate the blind; it had seen better times. She examined the mold and fungus covering the felt and asked, “What all is on that thing?” “Oh, it’s nothing,” I said. “Don’t worry about that.” Then she saw the spiders and started yelping. “Ssshhh,” I whispered. “We’re deer hunting.” She tried to be quiet; I’ll give her credit. But the spiders sent her over the edge. “I can’t handle it,” she whispered back. “Go on back to the truck. I won’t be long,” I said, helping her get back down the ladder. Another time she went along with me to hunt snakes. We try to shoot as many cottonmouths on the property as possible, and I was walking away from the four-wheeler when I heard Jess say, “There’s a snake.” I turned around, and she’d climbed up and was standing on the seat. I was more freaked out than she was because I got a good look at the snake, and it was a big one. I shot it, but that time it was a little too close to her for comfort, and I don’t think Jess realized the danger she was in.

Characteristics: An ancient breed of northern Chinese origin, this all-purpose dog of China was used for hunting, herding, pulling and protection of the home. While primarily a companion today, his working origin must always be remembered when assessing true Chow type. The general outline of a fully-coated Chow. A powerful, sturdy, squarely built, upstanding dog of Arctic type, medium in size with strong muscular development and heavy bone. The body is compact, short coupled, broad and deep, the tail set high and carried closely to the back, the whole supported by four straight, strong, sound legs. Viewed from the side, the hind legs have little apparent angulation and the hock joint and metatarsals are directly beneath the hip joint. It is this structure which produces the characteristic short, stilted gait unique to the breed. The large head with broad, flat skull and short, broad and deep muzzle is proudly carried and accentuated by a ruff. Elegance and substance must be combined into a well balanced whole, never so massive as to outweigh his ability to be active, alert and agile. Clothed in a smooth or an offstanding rough double coat, the Chow is a masterpiece of beauty, dignity and naturalness, unique in his blue-black tongue, scowling expression and stilted gait.

Ifemelu saw women on the sidewalks going to lunh from work, wearing sneakers, proof of their American preference for comfort over elegance, and she saw young couples clutching each other, kissing from time to time as if they feared that, if they unclasped their hands, their love would dissolve, melt into nothingness.

when coupled with data-binding constructs, makes for code that is much more readable, maintainable, and testable.

The elder couple were stunning in their elegance, floating forward as if carried on air. The elder man had tan skin and dark blond hair, lightly touched with grey, pulled into a single plait. The woman seemed otherworldly with her fair complexion and platinum tresses that fell in a silken sheet to the curve of her waist. Both had angular features that accentuated their cold, cunning eyes. I noted how they offered only a subtle dip of their chin as they approached.

Given the elegance of the occasion and the spectacular nature of the setting, I should really have enjoyed the next couple of hours. I had said yes to a new experience, after all. But in truth I felt increasingly out of place among the corporate couples.

In his classic study Elegant Nightmares: The English Ghost Story from LeFanu to Blackwood, the American scholar Jack Sullivan divides traditional tales of the supernatural into two camps: the antiquarian and the visionary. The former is typified by a certain emotional detachment, coupled with subtle irony and a dry, precise evocation of a world that is recognizably our own, inhabited by sensible characters—male Edwardian antiquaries whose stolidity borders on dullness, and whose invocation of horrors is as inadvertent as it is irrevocable. The antiquarian ghost story is typified by the work of the English don M. R. (Montague Rhodes) James, himself inspired by the more open-ended horror of his Irish predecessor, Sheridan LeFanu. As Sullivan puts it, “For LeFanu’s characters, reality is inherently dark and deadly; for James’ antiquaries, darkness must be sought out through research and discovery.” The visionary ghost story, in contract, has more in common with the robust stream of American transcendentalism that emerged in the late 19th century, as well as with the hermetic and decadent artistic movements popular in fin de siècle Europe. Little surprise, then, that one of the most successful visionary writers, the British-born Algernon Blackwood, based his most rapturous and terrifying tales on his experiences in the Canadian wilderness, or that the other great supernatural visionary, the Welsh Arthur Machen, was a friend of Arthur Edward Waite, a member of the Order of the Golden Dawn, and drew upon Celtic myth in his short fiction. Sullivan identified a later, third stream in supernatural writing in Lost Souls, the companion volume to Elegant Nightmares: he simply calls it the contemporary ghost story, a capacious portmanteau term that makes room for writers such as Robert Aickman, Walter de la Mare, Elizabeth Bowen and Ramsey Campbell. To this list I’d add Peter Straub, Kelly Link, Glen Hirshberg, and now, with the publication of Mr. Gaunt and Other Uneasy Encounters, John Langan.

A white vintage A-line dress brushed just below her knees. Soft tendrils escaped her honey-colored bun, a grandmother's antique brooch the only accent. She clasped a loose pink bouquet in one hand, his hand in the other as they stood solemnly before the judge. Lush, wild clusters of pink peonies and white hydrangeas interspersed with soft dusty miller lined the aisle of simple white folding chairs. Two larger arrangements in antique silver urns flanked the couple. A single cellist sat in the corner of the room. All simple, but stunningly elegant. She couldn't stop smiling, and I realized I'd never seen her so at ease. They quietly said vows they wrote themselves. Our small crowd watched in happy silence. I tried not to shift too loudly, every movement echoing on the cold marble tiles. Someone sniffled. The sound reverberated in the cavernous space. The groom's mother caught me staring and winked at me across the room. This bride had sent me on quite a journey, forcing me to finally reckon with my past and my future. With my identity, even. It hadn't been easy, but I was grateful. I had no right to be here, but here I was. How I ended up here remained a bit of a mystery to me. Her forgiveness was simply a gift, one of the type I was gradually learning to receive. Maybe, just maybe, that could be me someday.

There sat his sister-in-law with her smooth, macramé, onyx hair, a cigarette clasped delicately between her long, elegant fingers. Her hair was dark not as dark as her eyes looking at the windows of the man standing in front of her was not worth the time and gaze. Her bright red lips were parted slightly to reveal her perfectly straight teeth except a crooked one of the bottom but one to not gaze deeply was not one to tell. Were her lips as red as blood or did they seem so against the snow of his skin? She was dressed in all black sitting cross legged, her right over the left and her cheeks were hollowed accentuating her delicate cheekbones. Despite the conjecture that she had hair that did not look the silkiest and her garb was giving a presumption of ragged ancestry, her general stillness of power, and disdain of sentiments coupled with the wine, cigarettes and the leather eclipsed her unruly appearance making the lady look like blasé royalty.

We will have to get you to the bed, Jacques.” Gregori’s voice dispelled the thick tension in the room, pushed it aside to replace it with clean, fragrant air. “Mikhail, I will need herbs. You know which ones. Tell Byron to bring me plenty of rich soil from the steam chamber in the caves.” Gregori glided closer to the couple, his graceful elegance failing to conceal the rippling strength of his muscles and the power emanating from his body. He looked totally confident, relaxed, completely fearless. The soft rumbling in Jacques’ throat increased; his fingers tightened possessively, crushing bones and tendon in Shea’s upper arm. Gregori stopped moving immediately. “I am sorry, woman, I know you are weak, but you will have to move to the other side of him or he will not allow me to help,” Gregori instructed calmly. What we need, Mikhail, is Raven’s calming influence. You look about as reassuring as a Bengal tiger. Oh, and you look like a bunny rabbit, Mikhail scoffed. “You could have brought Raven along,” Gregori chided softly, aloud. “You bring her along on every other dangerous thing she should not be involved in.” That was a clear reprimand. “You might have brought her where she could actually do some good.” Through the open doorway suddenly stepped a small woman, long ebony hair braided intricately, huge blue eyes flashing at Mikhail. As Byron shouldered his way inside behind her, she gave him a friendly smile and stood on her toes to brush his chin with a kiss. Mikhail stiffened, then immediately wrapped a possessive arm around her waist. “Carpathian women do not do that kind of thing,” he reprimanded her. She tilted her chin at him, in no way intimidated. “That’s because Carpathian males have such a territorial mentality--you know, a beat-their-chest, swing-from-the-trees sort of thing.” She turned her head to look at the couple lying on the floor. Her indrawn breath was audible. “Jacques.” She whispered his name, tears in her voice and in her blue eyes. “It really is you.” Eluding Mikhail’s outstretched, detaining hand, she ran to him.

Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.

After they became a couple, they collaborated on deliriously optimistic projects, from their famous bed-ins to the creation of a conceptual country called Nutopia. The skeptics were incensed, and the duo withstood all the criticism slung at prominent optimists of the past, though it hardly slowed them down. 'Some critic recently commented on us, John and I, as being lollipop artists who are preoccupied with blowing soap-bubbles forever,' Ono wrote. 'I thought that was beautiful.