Denis Morton Quotes

We've searched our database for all the quotes and captions related to Denis Morton. Here they are! All 10 of them:

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She wanted you to move forward without regrets, not to deny the past entirely.
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Kate Morton (The Lake House)
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What an amazing thing is the coming of spring to London. The very pavements seem ready to crack and lift under the denied earth; in the air is a consciousness of life which tells you that if traffic stopped for a fortnight grass would grow again in Piccadilly and corn would spring in pavement cracks where a horse had spilt his 'feed'. And the squares of London, so dingy and black since the first October gale, fill week by week with the rising tide of life, just as the sea, running up the creeks and pushing itself forward inch by inch towards the land, comes at last to each remote rock pool.
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H.V. Morton (In Search Of England)
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The collapse of world grain markets would have been catastrophe enough, but people would have eaten. In 1929, drought devastated much of the harvest, and for nine more years crop conditions denied the prairies a satisfactory harvest. In 1931, the wind began lifting the dry topsoil in great black clouds. In 1932, the first great plague of grasshoppers devoured every green thing, plus clothing and tool handles. In 1933, drought, hail, rust, and frost joined the grasshoppers, as though all nature’s forces had united to give prairie settlers notice to quit.
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Desmond Morton (A Short History of Canada)
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One of the most pleasant recollections of those busy days was a Babylonian dinner given by Present Morton to the friends of the expedition. The cards at our plates were written in the language of Nebuchadnezzar; the bread was of the shape of Babylonian bricks; the great tray of ice-cream was the colour of the desert sand over which sweet icy camels bore burdens of other sweet ices; and there was a huge cake, like the Tower of Babel; about it wandered miniature Arabs with miniature picks, and concealed within its several stages was an art treasure for each of the guests. Then and there, as the Director of the Expedition, I opened the excavations, and from the ruins of the huge cake I rescued and distributed its buried treasures - antiquities fresh from Tiffany's. Finally the host proposed a toast to the expedition, but it happened by some chance that no glass was at my plate. Imagine my consternation when the guests were raising their glasses and were expressing wishes for my success, and I could not respond! Did it portend failure? Was it destined that success be denied me?
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Harriet Crawford (Sumer and the Sumerians)
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Even if she loathes it. To do so would be akin to denying the existence of an awkward child.
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Kate Morton (The Lake House)
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There is no space made for accountability; no space for people to take on board the harm they've done or to work to try to rectify or repair the situation. Simply locking people up will not teach them about male supremacy, toxic masculinity, consent and why sexual violence occurs in our societies. Further, the system breeds denial and actually reinforces a lack of accountability from those who have committed harm - think of the defence attorney appointed on behalf of accused perpetrators to vehemently deny any wrongdoing. The concept of 'innocent until proven guilty' reigns supreme, with all efforts going towards maintaining innocence rather than encouraging accountability. Wealthy, powerful men are taught to sue those who accuse them in any public capacity.
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Catriona Morton (The Way We Survive: Notes on Rape Culture)
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Rule number one: The Game is secret. But I listened and, once or twice when temptation drove me and the coast was clear, I peeked inside the box. This is what I learned. The Game was old. They'd been playing it for years. No, not playing. That is the wrong verb. Living; they had been living The Game for years. For The Game was more than its name suggested. It was a complex fantasy, an alternate world into which they escaped. There were no costumes, no swords, no feathered headdresses. Nothing that would have marked it as a game. For that was its nature. It was secret. Its only accoutrement was the box. A black lacquered case brought back from China by one of their ancestors; one of the spoils from a spree of exploration and plunder. It was the size of a square hatbox- not too big and not too small- and its lid was inlaid with semiprecious gems to form a scene: a river with a bridge across it, a small temple on one bank, a willow weeping from the sloping shore. Three figures stood atop the bridge and above them a lone bird circled. They guarded the box jealously, filled as it was with everything material to The Game. For although The Game demanded a good deal of running and hiding and wrestling, its real pleasure was enjoyed elsewhere. Rule number two: all journeys, adventures, explorations and sightings must be recorded. They would rush inside, flushed with danger, to record their recent adventures: maps and diagrams, codes and drawings, plays and books. The books were miniature, bound with thread, writing so small and neat that one had to hold them close to decipher them. They had titles: Escape from Koshchei the Deathless; Encounter with Balam and His Bear, Journey to the Land of White Slavers. Some were written in code I couldn't understand, though the legend, had I had the time to look, would no doubt have been printed on parchment and filed within the box. The Game was simple. It was Hannah and David's invention really, and as the oldest they were its chief instigators. They decided which location was ripe for exploration. The two of them had assembled a ministry of nine advisers- an eclectic group mingling eminent Victorians with ancient Egyptian kings. There were only ever nine advisers at any one time, and when history supplied a new figure too appealing to be denied inclusion, an original member would die or be deposed. (Death was always in the line of duty, reported solemnly in one of the tiny books kept inside the box.) Alongside the advisers, each had their own character. Hannah was Nefertiti and David was Charles Darwin. Emmeline, only four when governing laws were drawn up, had chosen Queen Victoria. A dull choice, Hannah and David agreed, understandable given Emmeline's limited years, but certainly not a suitable adventure mate. Victoria was nonetheless accommodated into The Game, most often cast as a kidnap victim whose capture was precipitant of a daring rescue. While the other two were writing up their accounts, Emmeline was allowed to decorate the diagrams and shade the maps: blue for the ocean, purple for the deep, green and yellow for land.
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Kate Morton (The House at Riverton)
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My initial response on being told I suffered Dissociative Identity Disorder all those years earlier had been denial. I'd denied it to Rob Hale, I'd denied it to Valerie Sinason, to Evelyn Laine and John Morton. You could have lined up everyone from Lady Gaga to the Queen of Sheba and I'd have denied it to them as well. There was absolutely no way I shared my body with other personalities.
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Kim Noble (All of Me)
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Institutionalization and β€˜special housing' At the time of the passage of the ADA, states still had laws on the books requiring people with mental disabilities to be institutionalized. Not even slaves had been so restricted. "Spurred by the eugenics movement," write legal historians Morton Horwitz, Martha Field and Martha Minow, "every state in the country passed laws that singled out people with mental or physical disabilities for institutionalization." The laws made it clear that the state's purpose was not to benefit disabled people but to segregate them from "normal" society. Thus, statutes noted that the disabled were segregated and institutionalized for being a "menace to society" [and] so that "society [might be] relieved from the heavy economic and moral losses arising from the existence at large of these unfortunate persons." "The state of Washington made it a crime for a parent to refuse state-ordered institutionalization," they wrote; "once children were institutionalized, many state laws required parents to waive all custody rights." Justice Thurgood Marshall wrote in the 1985 Cleburne Supreme Court decision (the decision saying that people with mental retardation did not constitute a "discrete and insular" minority) that this "regime of state-mandated segregation and degradation [had] in its virulence and bigotry rivaled, and indeed paralleled, the worst excesses of Jim Crow. Massive custodial institutions were built to warehouse the retarded for life." Yet they continue today. In 1999, the Supreme Court in its Olmstead decision acknowledged that the ADA did in fact require states to provide services to people with disabilities in the "most integrated setting"; but institutionalization continued, because federal fundsΒ  -- Medicaid, mostlyΒ  -- had a built-in "institutional bias," the result of savvy lobbying over the years by owners of institutions like nursing homes: In no state could one be denied a "bed" in a nursing home, but in only a few states could one use those same Medicaid dollars to get services in one's home that were usually much less expensive. Ongoing battles were waged to close down the institutions, to allow the people in them to live on their own or in small group settings. But parents often fought to keep them open. When they did close, other special facilities cropped up.
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Mary Johnson (Make Them Go Away: Clint Eastwood, Christopher Reeve & The Case Against Disability Rights)
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real thing, too, she learned soon enough; the real thing was black. And for Hettie, black came to seem the color of a great deal more that was realer than what she’d known, some purer definition of experience, some essential knowledge that the white suburbs denied their children. Nineteen fifty-seven found her living on Morton Street in the Village and working as a secretary for a struggling jazz magazine called The Record Changer, which would shortly go out of business. LeRoi Jones β€” late of β€œthe narrow, grey working-
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Joyce Johnson (Minor Characters: A Beat Memoir)