Egyptian Book Of The Dead Quotes

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Most people call it The Book of the Dead,” he told me. “Rich Egyptians were always buried with a copy, so they could have directions through the Duat to the Land of the Dead. It’s like an Idiot’s Guide to the Afterlife.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Who you are is limited only by who you think you are.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
Not a perfect soul, I am perfecting. Not a human being, I am a human becoming.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
My body is but wax and wick for flame. When the candle burns out, the light shines elsewhere.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
Name yourself in your heart and know who you are.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
What I hate is ignorance, smallness of imagination, the eye that sees no farther than its own lashes. All things are possible.. Who you are is limited only by who you think you are.
Egyptian book of the dead
Strive to see with the inner eye, the heart. It sees the reality not subject to emotional or personal error; it sees the essence. Intuition then is the most important quality to develop.
Muata Ashby (Egyptian Book of the Dead: The Book of Coming Forth By Day)
In the beat of a heart, the suck of a breath, you are the universe.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
In my heart are the deeds my body has done and my heart has been weighed in the balance.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
There is no happiness for the soul in the external worlds since these are perishable, true happiness lies in that which is eternal, within us.
Muata Ashby (Egyptian Book of the Dead: The Book of Coming Forth By Day)
There are two roads which human beings can follow, one of wisdom and the other of ignorance. The path of the masses is generally the path of ignorance which leads them into negative situations, thoughts and deeds. These in turn lead to ill health and sorrow in life. The other road is based on wisdom and it leads to health, true happiness and enlightenment.
Muata Ashby (Egyptian Book of the Dead: The Book of Coming Forth By Day)
Osiris became the type and symbol of resurrection among the Egyptians of all periods, because he was a god who had been originally a mortal and had risen from the dead.
E.A. Wallis Budge (The Book of the Dead)
Never forget, the words are not the reality, only reality is reality; picture symbols are the idea, words are confusion.
Muata Ashby (Egyptian Book of the Dead: The Book of Coming Forth By Day)
Mine is a heart of carnelian, crimson as murder on a holy day.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
What is remarkable is that there are no traces of evolution from simple to sophisticated, and the same is true of mathematics, medicine, astronomy and architecture and of Egypt's amazingly rich and convoluted religio-mythological system (even the central content of such refined works as the Book of the Dead existed right at the start of the dynastic period). 7 The majority of Egyptologists will not consider the implications of Egypt's early sophistication. These implications are startling, according to a number of more daring thinkers. John Anthony West, an expert on the early dynastic period, asks: How does a complex civilization spring full-blown into being? Look at a 1905 automobile and compare it to a modern one. There is no mistaking the process of `development'. But in Egypt there are no parallels. Everything is right there at the start. The answer to the mystery is of course obvious but, because it is repellent to the prevailing cast of modern thinking, it is seldom considered. Egyptian civilization was not a `development', it was a legacy.
Graham Hancock (Fingerprints of the Gods: The Evidence of Earth's Lost Civilization)
I return to the rhythm of water, to the dark song I was in my mother’s belly.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
Thou art pure, thy ka is pure, thy soul is pure, thy form is pure.[3]
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
Change is a difficult task, a dying, a dreaming, an awakening.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
Give me iron words forged in fire that I may speak the language of earth.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
Egyptian Book of the Dead, it had been given to him by
Graham Hancock (Fingerprints of the Gods: The Evidence of Earth's Lost Civilization)
I left the house at around midnight and crept up the driveway to the road. I wore canvas sneakers, athletic socks, safari shorts, a tee-shirt, and had the bright purple knapsack containing Jim's cold, hard foot, a garden trowel, a box of candles and matches to light them, a library copy of The Egyptian Book of the Dead, and some fig bars for a snack.
Donald Antrim
duration of life is eternity,
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
let not my soul be imprisoned,
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
maa-a ba-a xaibit-a May I look upon my soul and my shadow.[2]
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
May I rise like bread every day.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
In every blade of grass rises the strength of the sun.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
I molded my body in clay on the potter’s wheel. I carved my own heart out of carnelian and gave to my family my red, red love.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
meter, the Egyptian word for God,
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
May I look upon my soul and my shadow?
Anonymous (The Egyptian Book of the Dead)
I am counted as one among stars. I am sworn to life. I am bound to death.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
may there never be done unto me that which my soul abhorreth,
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
anx anx an mit-k
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
To the great and supreme power which made the earth, the heavens, the sea, the sky, men and women, animals, birds, and creeping things, all that is and all that shall be, the Egyptians gave the name neter.
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
In the "British Museum Papyrus" of the Egyptian Book of the Dead, parts of which may date to 7,000 years ago,3 the God Sun Ra is called "the lord of heaven, the lord of earth, the king of righteousness, the lord of eternity, the prince of everlasting, ruler of gods all, god of life, maker of eternity, creator of heaven..."4 The bulk of these epithets were later used to describe the Christian solar logos, Jesus.
D.M. Murdock (Suns of God: Krishna, Buddha and Christ Unveiled)
I remember the names of my ancestors. I speak the names of those I love. I speak their names and they live again. May I be so well-loved and remembered. In truth, may the gods hear my name. May I do work with my hands worth remembering.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
I flew straight out of heaven, a mad bird full of secrets. I came into being as I came into being. I grew as I grew. I changed as I change. My mind is fire, my soul fire. The cobra wakes and spits fire in my eyes. I rise through ochre smoke into black air enclosed in a shower of stars. I am what I have made. I am the seed of every god, beautiful as evening, hard as light. I am the last four days of yesterday, four screams from the edges of earth—beauty, terror, truth, madness—the phoenix on his pyre.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
The Egyptians believed in sacred words, and there’s a story about Isis tricking the great god Ra to reveal his secret magic word. The Hebrews believed there was great power in God’s name. I find it sometimes ironic that the Christian prayer Our Father or Pater Noster finishes with the word Amen. Amen means ‘hidden one.’ It used to be the name of Ra who was called Amen Ra or Amen Osiris. The Our Father has aspects similar to what is written in the Egyptian Book of the Dead and Maxim of Ani. The Freemasons use the golden triangle, as do Christian churches. It is an expensive and rare gift.
Carolyn Schield (Keys of Life (Uriel's Justice, #1))
The past and future dreams us, lie on our bodies like skin that we might pass the days with grace. To us were given all the ways and the obligation to travel. To us were opened all the roads of heaven, all the tunnels in earth and the channels of sea. Among the dead and the living, by these same words have we all travelled. Together we walk a single path into the heart of the infinite.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
Everything and Nothing* There was no one inside him; behind his face (which even in the bad paintings of the time resembles no other) and his words (which were multitudinous, and of a fantastical and agitated turn) there was no more than a slight chill, a dream someone had failed to dream. At first he thought that everyone was like him, but the surprise and bewilderment of an acquaintance to whom he began to describe that hollowness showed him his error, and also let him know, forever after, that an individual ought not to differ from its species. He thought at one point that books might hold some remedy for his condition, and so he learned the "little Latin and less Greek" that a contemporary would later mention. Then he reflected that what he was looking for might be found in the performance of an elemental ritual of humanity, and so he allowed himself to be initiated by Anne Hathaway one long evening in June. At twenty-something he went off to London. Instinctively, he had already trained himself to the habit of feigning that he was somebody, so that his "nobodiness" might not be discovered. In London he found the calling he had been predestined to; he became an actor, that person who stands upon a stage and plays at being another person, for an audience of people who play at taking him for that person. The work of a thespian held out a remarkable happiness to him—the first, perhaps, he had ever known; but when the last line was delivered and the last dead man applauded off the stage, the hated taste of unreality would assail him. He would cease being Ferrex or Tamerlane and return to being nobody. Haunted, hounded, he began imagining other heroes, other tragic fables. Thus while his body, in whorehouses and taverns around London, lived its life as body, the soul that lived inside it would be Cassar, who ignores the admonition of the sibyl, and Juliet, who hates the lark, and Macbeth, who speaks on the moor with the witches who are also the Fates, the Three Weird Sisters. No one was as many men as that man—that man whose repertoire, like that of the Egyptian Proteus, was all the appearances of being. From time to time he would leave a confession in one corner or another of the work, certain that it would not be deciphered; Richard says that inside himself, he plays the part of many, and Iago says, with curious words, I am not what I am. The fundamental identity of living, dreaming, and performing inspired him to famous passages. For twenty years he inhabited that guided and directed hallucination, but one morning he was overwhelmed with the surfeit and horror of being so many kings that die by the sword and so many unrequited lovers who come together, separate, and melodiously expire. That very day, he decided to sell his theater. Within a week he had returned to his birthplace, where he recovered the trees and the river of his childhood and did not associate them with those others, fabled with mythological allusion and Latin words, that his muse had celebrated. He had to be somebody; he became a retired businessman who'd made a fortune and had an interest in loans, lawsuits, and petty usury. It was in that role that he dictated the arid last will and testament that we know today, from which he deliberately banished every trace of sentiment or literature. Friends from London would visit his re-treat, and he would once again play the role of poet for them. History adds that before or after he died, he discovered himself standing before God, and said to Him: I , who have been so many men in vain, wish to be one, to be myself. God's voice answered him out of a whirlwind: I, too, am not I; I dreamed the world as you, Shakespeare, dreamed your own work, and among the forms of my dream are you, who like me, are many, yet no one.
Jorge Luis Borges
Before the New Kingdom, the bestowal of “divine love” occurred by a “superior” deity upon a human, a subordination that extended down the chain of authority, passed from gods to royals, from royals to non-royal officials, from officials to their wives and relatives, etc.[538] In this regard, Doxey further relates: [Egyptologist] W.K. Simpson has studied the concept of divine love, asserting that prior to the New Kingdom, love was always bestowed by a superior upon a subordinate. Simpson’s view is certainly correct with regard to the love of gods. During the Middle Kingdom, humans always receive divine love; they are never described as “loving” a god.[539] On some occasions, such as when the king was “beloved by the people,” such love or mri could apparently be “reciprocated between superiors and subordinates” as well.[540] The clarification of the Middle and New Kingdoms indicates that this custom changed during the New Kingdom, with the use of the mry epithet becoming increasingly popular even as applied to deities. It is evident that, especially after the Hellenization of the Ptolemaic and Greco-Roman periods, various Egyptian deities became the objects of “divine love” and were themselves invoked as “beloved” or Mery. In reality, this ability to bestow mry upon even the “chief of all gods” is demonstrated as early as the New Kingdom in a hymn from the Papyrus Kairo CG 58038 (Boulaq 17), parts of which may date to the late Middle Kingdom,[541] such as the 18th Dynasty (1550-1292 BCE), and in which we find the combined god Amun-Re praised as “the good god beloved.”[542] Indeed, at P. Boulaq 17, 3.4, we find Amun-Re deemed Mry, as part of the epithet “Beloved of the Upper Egyptian and Lower Egyptian Crowns.”[543] Amun-Re is also called “beloved” in Budge’s rendering of the Book of the Dead created for the Egyptian princess and priestess Nesi-Khonsu (c. 1070-945 BCE).[544]
D.M. Murdock (Christ in Egypt: The Horus-Jesus Connection)
The Egyptians have always been deeply impressed by the fact of human mortality, and much of their religious belief and religious ritual is taken up with the rites of burial, and detailed doctrines as to the experience of the soul after parting from the body.
Anonymous (Egyptian Literature Comprising Egyptian tales, hymns, litanies, invocations, the Book of the Dead, and cuneiform writings)
Four parts of man, it was said, survive after death, namely, the soul, the spirit, the shadow, and the double.
Anonymous (Egyptian Literature Comprising Egyptian tales, hymns, litanies, invocations, the Book of the Dead, and cuneiform writings)
PERT EM HRU, ,
Anonymous (The Egyptian Book of the Dead)
inscriptions on pyramid walls (such as the Old Kingdom’s “Pyramid Texts”), painted on the inside of coffins (such as the Middle Kingdom’s “Coffin Texts”), or texts written on papyri (such as the famous “Book of the Dead,” which dates back to the Second Intermediate Period).
Charles River Editors (Horus: The History and Legacy of the Ancient Egyptian God Who Was the Son of Isis and Osiris)
the end chaos would burst forth to overwhelm the order that the gods had made and preserved. In Midgard the end would begin with three winters of war and general lawlessness; men would fight without mercy, murder one another and betray their own kin through adultery and with violence. After this would come three years of winter, with the sun’s warmth weakened and terrible winds sweeping the earth so that its people died of hunger. Then the wolves that ran behind the moon and sun would overtake them, and darkness would fall on the land. ​In Asgard Loki would break from his bonds and so would his son, the wolf Fenrir.  In the depths of the sea Loki’s other monster-son, the Midgard Serpent, would rise in anger. The giants out of Jotunheim and the fire-demons out of Muspelheim would come to Loki’s call and attack the gods. The battle would be desperate. Thor would kill and be killed by the Midgard Serpent, and Heimdall the sentry of Asgard would kill and be killed by Loki. Odin would fight against the wolf Fenrir and die, but his son Vidar would destroy the wolf. At the end, when the best part of both armies lay dead, Surt the fire-bearer would come from the burning world of Muspelheim and set Asgard, Midgard and the World Tree itself ablaze. The sea would rise, churned up by the death-throes of the Midgard Serpent, and the ruined land would be drowned. ​But this destruction, while great and terrible, was not quite final. Out of the empty seas land would rise again and green plants would grow there; indeed, fine crops of grain would grow without any man tending them. Balder would return from the dead, Honir would return with the gift of prophecy added to his other strengths, and Thor’s sons would arise carrying their father’s great hammer. Soli would not return from death to drive the chariot of the sun but her daughter, even stronger and lovelier than she, would rise and give light to the worlds again. And a man and a woman, long concealed in a safe place hidden from the ruin, would emerge to drink of the dew and eat of the plants of the field and start the human race again. Some said also that the dead humans in Helheim would be raised to life again, but some said otherwise.
Patrick Auerbach (Mythology: Norse Mythology, Greek Gods, Greek Mythology, Egyptian Gods, & Ancient Egypt (Ancient Greece History Books))
power and glory whereby it becomes henceforth lasting and incorruptible.
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
let not be fettered my shadow, let be opened the way
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
The ancient Egyptian book of the dead is a series of spells to guide you through your afterlife. If you were in the upper class, everything was arranged so that you'd be buried with the tools necessary to avoid being banished to "nonexistence," (what we call the eventual "fade to black.") But if your pass the "weighing of the heart" ritual and make it to the "two fields," you'll lead an idyllic, "heaven"-like afterlife. . . So, in the end, rich people become like their money. . . When you spend money, it doesn't die. . . it just travels.
Dash Shaw (Doctors)
Dart initially echoed Darwin’s theory that bipedalism freed the hands of early hominins to make and use hunting tools, which in turn selected for big brains, hence better hunting abilities. Then, in a famous 1953 paper, clearly influenced by his war experiences, Dart proposed that the first humans were not just hunters but also murderous predators.18 Dart’s words are so astonishing, you have to read them: The loathsome cruelty of mankind to man forms one of his inescapable characteristics and differentiative features; and it is explicable only in terms of his carnivorous, and cannibalistic origin. The blood-bespattered, slaughter-gutted archives of human history from the earliest Egyptian and Sumerian records to the most recent atrocities of the Second World War accord with early universal cannibalism, with animal and human sacrificial practices of their substitutes in formalized religions and with the world-wide scalping, head-hunting, body-mutilating and necrophilic practices of mankind in proclaiming this common bloodlust differentiator, this predaceous habit, this mark of Cain that separates man dietetically from his anthropoidal relatives and allies him rather with the deadliest of Carnivora. Dart’s killer-ape hypothesis, as it came to be known, was popularized by the journalist Robert Ardrey in a best-selling book, African Genesis, that found a ready audience in a generation disillusioned by two world wars, the Cold War, the Korean and Vietnam Wars, political assassinations, and widespread political unrest.19 The killer-ape hypothesis left an indelible stamp on popular culture including movies like Planet of the Apes, 2001: A Space Odyssey, and A Clockwork Orange. But the Rousseauians weren’t dead yet. Reanalyses of bones in the limestone pits from which fossils like the Taung Baby came showed they were killed by leopards, not early humans.20 Further studies revealed these early hominins were mostly vegetarians. And as a reaction to decades of bellicosity, many scientists in the 1970s embraced evidence for humans’ nicer side, especially gathering, food sharing, and women’s roles. The most widely discussed and audacious hypothesis, proposed by Owen Lovejoy, was that the first hominins were selected to become bipeds to be more cooperative and less aggressive.21 According to Lovejoy, early hominin females favored males who were better at walking upright and thus better able to carry food with which to provision them. To entice these tottering males to keep coming back with food, females encouraged exclusive long-term monogamous relationships by concealing their menstrual cycles and having permanently large breasts (female chimps advertise when they ovulate with eye-catching swellings, and their breasts shrink when they are not nursing). Put crudely, females selected for cooperative males by exchanging sex for food. If so, then selection against reactive aggression and frequent fighting is as old as the hominin lineage.22
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
Az egyiptomiak számára ugyanis az isten nemcsak távoli volt és sokféle formájú, hanem egyben a személyiség része is.
Barry J. Kemp (How to Read the "Egyptian Book of the Dead")
The truth is that I am a mean, tired, furious bunny - a little supplicant turned apostate and unbeliever - and I'm not hiding because I am scared. I'm running from him because if he catches me I will kill him. I will scratch out his eyes while reciting passages from the Egyptian Book of the Dead, I will hum Latin hyms while I bite his heart out. I don't care what kind of god he is, he is a dead god to me, and I will build a temple to bitterness out of his bones. He will be my burnt offering and I will send that smoke all the way to heaven. I will char the world with the pride he stole from me.
Sierra Simone (Supplicant)
The eating of bread is according to the plan of God.[3]
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
Verily a good son is of the gifts of God.[3]
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
those favoured of God.[6]
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
What is loved of God is obedience; disobedience hateth God.[2]
E.A. Wallis Budge (The Egyptian Book of the Dead: The Papyrus of Ani in the British Museum)
Scholar Karen Randolph Joines adds more to the Egyptian origin of this motif, by explaining that the usage of serpent images to defend against snakes was also an exclusively Egyptian notion without evidence in Canaan or Mesopotamia.[32] And Moses came out of Egypt. But the important element of these snakes being flying serpents or even dragons with mythical background is reaffirmed in highly respected lexicons such as the Brown, Driver, Briggs Hebrew Lexicon.[33] The final clause in Isaiah 30:7 likening Egypt’s punishment to the sea dragon Rahab lying dead in the desert is a further mythical serpentine connection.[34] But the Bible and Egypt are not the only places where we read of flying serpents in the desert. Hans Wildberger points out Assyrian king Esarhaddon’s description of flying serpents in his tenth campaign to Egypt in the seventh century B.C.   “A distance of 4 double-hours I marched over a territory… (there were) two-headed serpents [whose attack] (spelled) death—but I trampled (upon them) and marched on. A distance of 4 double-hours in a journey of 2 days (there were) green [animals] [Tr.: Borger: “serpents”] whose wings were batting.”[35]   The Greek historian Herodotus wrote of “sacred” winged serpents and their connection to Egypt in his Histories:   There is a place in Arabia not far from the town of Buto where I went to learn about the winged serpents. When I arrived there, I saw innumerable bones and backbones of serpents... This place… adjoins the plain of Egypt. Winged serpents are said to fly from Arabia at the beginning of spring, making for Egypt... The serpents are like water-snakes. Their wings are not feathered but very like the wings of a bat. I have now said enough concerning creatures that are sacred.[36]   The notion of flying serpents as mythical versus real creatures appearing in the Bible is certainly debated among scholars, but this debate gives certain warrant to the imaginative usage of winged flying serpents appearing in Chronicles of the Nephilim.[37]
Brian Godawa (Joshua Valiant (Chronicles of the Nephilim Book 5))
Osiris will rise in splendor from the dead and rule the world through those sages and philosophers in whom wisdom has become incarnate. —Manly P. Hall, 33rd-Degree Freemason   The World will soon come to us for its Sovereigns and Pontiffs. We shall constitute the equilibrium of the Universe, and be rulers over the Masters of the World. —Albert Pike, Sovereign Grand Commander of the Scottish Rite Freemasonry   I am Yesterday and I am Today; and I have the power to be born a second time. —Statement of Osiris from the Egyptian Book of the Dead
Thomas Horn (Zenith 2016: Did Something Begin in the Year 2012 that will Reach its Apex in 2016?)
What’s that map?” I asked. “Spells of Coming Forth by Day,” he said. “Don’t worry. It’s a good copy.” I looked at Carter for a translation. “Most people call it The Book of the Dead,” he told me. “Rich Egyptians were always buried with a copy, so they could have directions through the Duat to the Land of the Dead. It’s like an Idiot’s Guide to the Afterlife.” The captain hummed indignantly. “I am no idiot, Lord Kane.” “No, no, I just meant...” Carter’s voice faltered. “Uh, what is that?
Rick Riordan
Thoth was also the “tongue” of the Creator, and he at all times voiced the will of the great god, and spoke the words which commanded every being and thing in heaven and in earth to come into existence.
E.A. Wallis Budge (The Ancient Egyptian Book of the Dead: Prayers, Incantations, and Other Texts from the Book of the Dead)
Unplanned, Charlie
Murray Bailey (Sign of the Dead: A serial killer thriller with an ancient Egyptian twist (Egypt series mystery-thriller Book 2))