Bali Life Quotes

My dearest life, I know you are not mine forever; but do love me even if it’s for this moment. After that I shall vanish into the forest where you cast me, I won’t ask anyone for anything again. Give me something that can last me till I die.

And like tea dissolving in hot water, the sun dissolved in the sky… creating a velvet horizon, announcing for the stars’ night dance with the moon, the awaited joy for the wounded souls. -- From Bali – The Rebirth

Meanwhile I chain-smoked Bali cigarettes, looking at the window at the highway and thinking about the disaster that was my life.

In Bali, even mundane things are reminders of the sacred.

Bali and I are both on the same page with money. He can be anywhere from too cheap to ridiculous with generosity. He can also save like a champ.

When you are walking down the road in Bali and your pass a stranger, the very first question he or she will ask you is, "Where are you going?" The second question is, "Where are you coming from?" To a Westerner, this can seem like a rather invasive inquiry from a perfect stranger, but they're just trying to get an orientation on you, trying to insert you into the grid for the purposes of security and comfort. If you tell them that you don't know where you're going, or that you're just wandering about randomly, you might instigate a bit of distress in the heart of your new Balinese friend. It's far better to pick some kind of specific direction -- anywhere -- just so everybody feels better. The third question a Balinese will almost certainly ask you is, "Are you married?" Again, it's a positioning and orienting inquiry. It's necessary for them to know this, to make sure that you are completely in order in your life. They really want you to say yes. it's such a relief to them when you say yes. If you're single, it's better not to say so directly. And I really recommend that you not mention your divorce at all, if you happen to have had one. It just makes the Balinese so worried. The only thing your solitude proves to them is your perilous dislocation from the grid. If you are a single woman traveling through Bali and somebody asks you, "Are you married?" the best possible answer is: "Not yet." This is a polite way of saying, "No," while indicating your optimistic intentions to get that taken care of just as soon as you can. Even if you are eighty years old, or a lesbian, or a strident feminist, or a nun, or an eighty-year-old strident feminist lesbian nun who has never been married and never intends to get married, the politest possible answer is still: "Not yet.

The Bird of Paradise, it seemed, had beckoned us on and led us in, to stand here in this place high in the land of volcanoes. It was here in Bali, after returning from the Toraja Star Children, that I first recognized what they meant by us all being born half of heaven and half of earth. And after the mounted warsports of Sumba it was in Balinese ritual that I saw with new eyes the battle for balance between light and darkness. And after Borneo, returning to the sacred Banyan tree and its simian custodians, I had felt that all great trees, what’s left of them, do indeed link heaven and earth in a single forest of life.

Globe-trotting is just the chance to feel bored more places, faster. A boring breakfast in Bali. A predictable lunch in Paris. A tedious dinner in New York, and falling asleep, drunk, during just another blow job in L.A. Too many peak experiences, too close together. “Like the Getty Museum,” Inky says. “Lather, rinse, and repeat,” says the Global Airlines wino. In the boring new world of everyone in the upper-middle class, Inky says, nothing helps you enjoy your bidet like peeing in the street for a few hours. Give up bathing until you stink, and just a hot shower feels as good as a trip to Sonoma for a detoxifying mud enema. “Think of it,” Inky says, “as a kind of poverty sorbet, a nice little window of misery that helps you enjoy your real life.

Life is short and that seems to be on people’s minds quite a lot these days. We have entered the era of the bucket list. No longer is it sufficient to tell anyone who wants to listen, or even cares, that you are thinking about a fancy five-star holiday. No, every proposed trip is now qualified as ‘It’s on my bucket list.’ Really? If you want to go on safari, see the Northern Lights, surf off the Maldives, or whatever, save up, drop into the travel agent or book online. We don’t care. Why should I feel inadequate about preferring a week in Blackpool to a week in Bali? And as for ‘experiences’, bungee-jumping off the Golden Gate Bridge, swimming with sharks, are you off your head? That is a guaranteed bucket list, a ‘death wish’ list. Show your videos to someone who cares. Does anyone? If you want to do something useful, look after people, even those you don’t know, listen to them: you may be very interesting but others are too in their own way – and, above all, be kind.

The real life of the East is agony to watch and horror to share. One of the three greatest joys in life is swimming naked in clean tropical sea. We need a root of personal experience from which to grow our understanding. Each new experience plants another root; the smallest root will serve. The lethargy of compounded discomfort and boredom is the trademark of the genuine horror journey. That state of grace which can rightly be called happiness, when body and mind rejoice together. This occurs, as a divine surprise, in travel; this is why I will never finish traveling. Loving is a habit like another and requires something nearby for daily practice. I loved the cat, the cat appeared to love me. As for me, the name Surinam was enough. I had to see a place with a name like that. Stinking with rancid coconut butter, the local Elizabeth Arden skin cream. You define your own horror journey, according to your taste. My definition of what makes a journey wholly or partially horrible is boredom. Add discomfort, fatigue, strain in large amounts to get the purest-quality horror, but the kernel is boredom. Bali- a museum island, boringly exquisite, filled with poor beautiful people being stared at by rich beautiful people. No sight is better calculated to turn anyone off travel than the departure lounge of a big airport.

On a break from the tour, I went south to Bali, a place the choreographer Toni Basil, whom Eno and I had met during the Bush Of Ghosts sessions, had recommended as being transporting and all about performance. I rented a small motorcycle and headed up into the hills, away from the beach resort. I soon discovered that if one saw offerings of flowers and fruit being brought to a village temple compound in the afternoon, one could be pretty certain that some sort of ritual performance would follow there at night. Sure enough, night after night I would catch dances accompanied by gamelan orchestras and shadow-puppet excerpts from the Hindu Ramayana--epic and sometimes ritual performances that blended religious and theatrical elements. (A gamelan is a small orchestra made up mainly of tuned metallic gongs and xylophone-like instruments--the interplay between the parts is beautiful and intricate.) In these latter events some participants would often fall into a trance, but even in trance there were prescribed procedures. It wasn't all thrashing chaos, as a Westerner might expect, but a deeper kind of dance. As In Japanese theater, the performers often wore masks and extreme makeup; their movements, too, were stylized and "unnatural." It began to sink in that this kind of "presentational" theater has more in common with certain kinds of pop-music performance that traditional Western theater did. I was struck by other peripheral aspects of these performances. The audiences, mostly local villagers of all ages, weren't paying attention half the time. People would wander in and out, go get a snack from a cart or leave to smoke a bidi cigarette, and then return to watch some more. This was more like the behavior of audiences in music clubs than in Western theaters, where they were expected to sit quietly and only leave or converse once the show was over. The Balinese "shows" were completely integrated into people's daily lives, or so it seemed to me. There was no attempt to formally separate the ritual and the show from the audience. Everything seemed to flow into everything else. The food, the music, and the dance were all just another part of daily activity. I remembered a story about John Cage, who, when in Japan, asked someone what their religion was. The reply was that they didn't have a strict religion--they danced. Japanese do, of course, have Buddhist and Shinto rituals for weddings, funerals, and marriages, but a weekly thing like going to church or temple doesn't exist. The "religion" is so integrated into the culture that it appears in daily gestures and routines, unsegregated for ordinary life. I was beginning to see that theatricality wasn't necessarily a bad thing. It was part of life in much of the world, and not necessarily phony either.

Eric asked, “How are you feeling about going back to work?” “I don’t know. I don’t think about it much, but when I do, the thing I’m curious about is how to keep this sense of peace while competing in the world. I wonder if I’ll have lost my edge or somehow gotten weak.” Eric’s response was quick. “You’ve taken a giant step. You’ve assumed responsibility for the course of your life. You’re not clinging to habits to secure your sense of self. That’s strength, not weakness. That’s big, big strength.” He was complimenting me, but as if from a higher plane of wisdom.

Yoga transitions were a metaphor for other areas of my life. Sabbatical was a personal and professional change for me, but I could recognize that it was only a temporary condition, perhaps only a transition. It was easy to mistake it for something more permanent, but the lesson from yoga was clear: stay too long in transitions and the sense of grounding vanishes; hurry through transitions and the opportunity to set up a strong next position is lost.

Through meditation and other practices, he consciously set about to develop neural connections that promoted positive emotions, personal relationships, and a sense of abundance in his life. His mantra was notice, shift, rewire. First, notice negative thoughts as they occur, then shift them into something more positive to rewire synaptic connections. He meant that through meditation and by deliberately shifting thoughts from negative to positive, a sense of joy could be permanently etched into the brain. “Happiness is a teachable mental skill. It’s a matter of training your brain,” he said. “It’s an inside job.

Love Hurts. I daresay there’s two or three poems, six novels and at least twelve songs on the subject. That’s how the Janus-faced beast of poetry gets written in the first place, in all its myriad of magical forms. So; why cover this hitherto uncharted and highly original territory? Why leap fearlessly into the unknown, nostrils flared, eyes flashing fire? Well, in the name of love, lust and limerence, why on earth not? Suffering is gratuitous and pointless, yet also vital, valuable and necessary. My last tête à tête gave me plenty, incorporating elements of the forbidden, of rebellion, pornography, pregnancy, parental approval – followed by fury – of infidelity, friend estrangement, life on one island that was heavenly and a second that veered between purgatorial and infernal, of violence, miscarriage, masturbating Indians, pepper spray, antipathy, disloyalty, evictions, a planned future, failed globetrotting and **** ***, whilst being indicative of a wider, all-encompassing social corrosion, and while the story itself may remain merely hinted at or alluded to in the course of this generalised polemic, it’s as worthy or valid as any other such tale told round the campfire and whispered across the beaches of the world...

The truck takes off again on Jalan 15 Oktober, in a cloud of dust, papers and tatters. A half-naked boy, coming out of nowhere, waves at us as if nothing had happened. For a moment, it almost feels like life could go on, just as it always does. But that’s not the case. There’s no time for life here anymore.

I connected to critical relationships in my life. I recognized that the basic needs, drives, and desires of people were all the same: they wanted to suffer less and enjoy more. I was grateful for what I had and didn’t want more.

Much of what I’d pursued in my career and personal life was about trying to shape my world into how I thought things should be instead of accepting things as they were.

Frankie lies to Hollywood and suffers from Bohemian Rapsody.

Vida é o que existe entre o nascimento e a morte. O que acontece no meio é o que importa. No meio, a gente descobre que sexo sem amor também vale a pena, mas é ginástica, não tem transcendência nenhuma. Que tudo o que faz você voltar pra casa de mãos abanando (sem uma emoção, um conhecimento, uma surpresa, uma paz, uma ideia) foi perda de tempo. Que a primeira metade da vida é muito boa, mas da metade pro fim pode ser ainda melhor, se a gente aprendeu alguma coisa com os tropeços lá do início. Que o pensamento é uma aventura sem igual. Que é preciso abrir a nossa caixa preta de vez em quando, apesar do medo do que vamos encontrar lá dentro. Que maduro é aquele que mata no peito as vertigens e os espantos. No meio, a gente descobre que sofremos mais com as coisas que imaginamos que estejam acontecendo do que com as que acontecem de fato. Que amar é lapidação, e não destruição. Que certos riscos compensam – o difícil é saber previamente quais. Que subir na vida é algo para se fazer sem pressa. Que é preciso dar uma colher de chá para o acaso. Que tudo que é muito rápido pode ser bem frustrante. Que Veneza, Mykonos, Bali e Patagônia são lugares excitantes, mas que incrível mesmo é se sentir feliz dentro da própria casa. Que a vontade é quase sempre mais forte que a razão. Quase? Ora, é sempre mais forte. No meio, a gente descobre que reconhecer um problema é o primeiro passo para resolvê-lo. Que é muito narcisista ficar se consumindo consigo próprio. Que todas as escolhas geram dúvida, todas. Que depois de lutar pelo direito de ser diferente, chega a bendita hora de se permitir a indiferença. Que adultos se divertem muito mais do que os adolescentes. Que uma perda, qualquer perda, é um aperitivo da morte – mas não é a morte, que essa só acontece no fim, e ainda estamos falando do meio. No meio, a gente descobre que precisa guardar a senha não apenas do banco e da caixa postal, mas a senha que nos revela a nós mesmos. Que passar pela vida à toa é um desperdício imperdoável. Que as mesmas coisas que nos exibem também nos escondem (escrever, por exemplo). Que tocar na dor do outro exige delicadeza. Que ser feliz pode ser uma decisão, não apenas uma contingência. Que não é preciso se estressar tanto em busca do orgasmo, há outras coisas que também levam ao clímax: um poema, um gol, um show, um beijo. No meio, a gente descobre que fazer a coisa certa é sempre um ato revolucionário. Que é mais produtivo agir do que reagir. Que a vida não oferece opção: ou você segue, ou você segue. Que a pior maneira de avaliar a si mesmo é se comparando com os demais. Que a verdadeira paz é aquela que nasce da verdade. E que harmonizar o que pensamos, sentimos e fazemos é um desafio que leva uma vida toda, esse meio todo.

Bali has been healing for my heart. I’ve been able to find myself again. Fall in love with myself again. I’m ready for the next chapter of my life.

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Tana Toraja, Indonesia (Sulawesi Island) The island of Sulawesi doesn't get many visitors with most travellers in Indonesia opting for Java, Bali or Lombok. Those who do come will be richly rewarded with rock bottom prices and fascinating local traditions. Tana Toraja translates to 'The Land of Heavenly Kings' and its inhabitants are a predominantly Christian ethnic group known as the Torajans. Of their many rituals it is the spectacular death ceremonies that really stand out. The funeral is treated as the most important ceremony in the life of a Torajan as it is believed they continue to look over and protect their families after death. As such it can take many months of planning and involves the purchases of buffalos and pigs which are sacrificed at the main event. The funeral season takes place during July and August but it's a fascinating destination year round and Rantepao, the cultural centre is a good starting point.

Reassuring thoughts have a funny way of getting stuck on repeat. Then you wake up one day and you can't remember where you put the last thirty years of your life.

It'll be the biggest decision of my life. Knowing me, I'll probably make the wrong choice.

As a young adult, Naomi became a teacher to help inspire children; to aid the creativity and channelled passions of their fertile minds. Now, the kids would read these Protocols; that 11yr old boy would be joined by an army of thousands, countless thousands, even millions. How long until the twisted poison of language could scar purity, and forever pervert the children of Britain into a hateful, vengeful, violent clique of racists? *Jewish life was life unworthy of life.* How could she have ever ignored and belittled this work? So maleficient was its content, to perniciously penetrate the conscious fears of all European nations – and presumably the rest of the world – to transcend cultural differences, and encompass all facets of cultural decay and parasitic operation to insidiously affect the thinking of – and thence bind together –all peoples of Britain, America and Europe to the modern form of anti-Semitism and scientific racial loathing. From the medieval beliefs of sacrifice and well-poisoning to this modern resurrection of ancient fears, with its sinister new ambition and devilish upgrade in scale; Naomi realised with trepidation that once more, her people truly had been chosen.

I think that Richard was more of a one-girl-for-the-rest-of-your-life-marry-and-make-a-family kind of guy.

Living the rest of my life in Kerobokan, waiting to die, was what I had in front of me.

People were unable to appreciate the worth of what was profound and stable which provided them with a safe anchor, so ruminated Mahendra. On the other hand, people foolishly ran after what was ephemeral and deceptive which gave one no real contentment — life's most desirable prize!

My Solo Adventure #1- Bali: Imagination unlocked, escaping a cage drawn by a relentless life. Soul freed, reaching beyond the hidden dimensions of an uncertain universe. Thirst. Hunger. Rebirth. For forever we are greedy.

Ubud Famous in books and movies, the artistic heart of Bali exudes a compelling spiritual appeal. The streets are lined with galleries where artists, both humble and great, create. Beautiful performances showcasing the island's rich culture grace a dozen stages nightly. Museums honour the works of those inspired here over the years, while people walk the rice fields to find the perfect spot to sit in lotus position and ponder life's endless possibilities. Ubud is a state of mind and a beautiful state of being.

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Whatever accumulated wealth is in surplus of their needs, good people donate it for good causes; Karna, Bali, Vikramaditya, these kings are even remembered today due to their charity; the honey-bees store up honey, and then some honey-collector takes all the accumulated honey away; neither did the honey-bees themselves enjoy their stored up honey, nor did they give it in charity; all they do now is rub both their legs in regret.

To find another of your soul group, something ordained by the Wild Goddess and the stars themselves, is perhaps the most beautiful and sacred thing we have in this mad life.

That thoughtless waste of life, that sheer disregard for the innocent, makes my blood simmer.

Due to her extreme beauty, Sita was abducted; due to his extreme pride, Ravana was killed; due to his extreme charity, Bali was bounded; therefore extreme in everything, should be debarred.

Consciousness. That was it! The difference between my ordinary urban life and my wooded Tantric retreats was consciousness. If I could be completely conscious and present in each moment, it wouldn’t matter whether I practiced Tantra in Bali or on the Bowery. Not only would location not matter, but neither would strict adherence to “traditional” Tantric practices. Anything I performed with complete consciousness would be completely alive, authentic, and transformative.

Don’t let yourself worry about the problems around you, and when your wife wants to fight with you, just seduce her.

I find my Zen moments in a bottle of beer.

Life is Funnier than Fiction

A veritable feast of information."—Ni Wayan Murni, owner of Murni's Warung, Ubud, Bali "Dr Vivienne Kruger has written a book that is as satisfying as the food that she describes."—Jonathan Copeland, author of Secrets of Bali, Fresh Light on the Morning of the World. "Vivienne is a wonderful and happy person who is full of love for life and delicious cuisine, which she has so beautifully presented in her book, Balinese Food: The Traditional Cuisine of Bali. I have known her for a long period of time, and found her to have a very kind, loving, and generous soul."—Sanjit Das, OM YOGA

Thanks so much. I'm really enjoying the book. I've known a lot about Bali over my 37 years of going there ... but I didn't always know WHY those things were that way culturally, so it's been a fun read !!" Danielle Surkatty, Member of the Organizing Committee, Living in Indonesia, A Site for Expatriates. March 2014 "Such a handsome book! Tuttle did a great job on the design, both inside and out. I've only had a chance to skim the contents but look forward to reading it all. Of course, I'm no authority on food, Balinese or otherwise, but I think I'm a good judge of books. Yours is first rate." Cordially, Dr. Alden Vaughan, Professor of American History, Columbia University, New York. March 2014 "Dr. Vivienne Kruger Ph.D has emerged on a growing list of champions of Balinese cuisine with the publication of Balinese Food: The Traditional Cuisine and Food Culture of Bali (Tuttle Publishing, 2014). Vivienne Kruger’s long connection to Bali, her love of Balinese food and academic eye for detail has resulted in a book that breaks new ground in its study of Balinese culture, the Island's delicious food and the accompanying ancient traditional cooking methods." A Taste of Bali. From the Bookshelf - Balinese Food: The Traditional Cuisine and Food Culture of Bali (2/22/2014) Bali Update, Feb. 24, 2014. Edition 912. Bali Discovery "Balinese Food: The Traditional Cuisine & Food Culture of Bali. Just when you thought you knew a lot about Bali, along comes this in-depth look at the cuisine and how it fits into everyday culture. In Balinese Food the author brings to life Bali's time-honored and authentic village cooking traditions. In over 20 detailed chapters, she explores how the islands intricate culinary art is an inextricable part of Bali's Hindu religion, its culture and its community life. This book provides a detailed roadmap for those who wish to make their own exciting exploration of the exotic world of Balinese cooking!" Living in Indonesia. A Site for Expatriates. Recommended Publications.

I was once asked to speak to a class at an International School about adjusting to life in Asia. I declined, because I don’t think it is a skill that can be learned. Like the cellular memory of a begonia cutting, I believe we are born with the potential to thrive in different climates and cultures. If we don’t have that, no amount of wishing or training will make it so. Perhaps