Effusive Quotes

It is only a novel... or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language

I must be besotted,” he said evenly. “I have the imbecilic idea that you’re the prettiest girl I’ve ever seen. Except for your coiffure,” he added, with a disgusted glance at the coils and plumes and pearls. “That is ghastly.” She scowled. “Your romantic effusions leave me breathless.

Sometimes with one I love, I fill myself with rage, for fear I effuse unreturn'd love; But now I think there is no unreturn'd love—the pay is certain, one way or another; (I loved a certain person ardently, and my love was not return'd; Yet out of that, I have written these songs.)

You know that feeling at the end of the day, when the anxiety of that-which-I-must-do falls away and, for maybe the first time that day, you see, with some clarity, the people you love and the ways you have, during that day, slightly ignored them, turned away from them to get back to what you were doing, blurted out some mildly hurtful thing, projected, instead of the deep love you really feel, a surge of defensiveness or self-protection or suspicion? That moment when you think, Oh God, what have I done with this day? And what am I doing with my life? And how must I change to avoid catastrophic end-of-life regrets? I feel like that now: tired of the Me I've always been, tired of making the same mistakes, repetitively stumbling after the same small ego strokes, being caught in the same loops of anxiety and defensiveness. At the end of my life, I know I won't be wishing I'd held more back, been less effusive, more often stood on ceremony, forgiven less, spent more days oblivious to the secret wishes and fears of the people around me... --"Buddha Boy

If only there was enough space on this tiny card to evoke my unfettered joie de vivre for what you have done. The gaiety, the mirth, the heavenly bubbling of every effusive cell that sings inside me for your kind and pithy offering.

Most photographers have some kind of verbal patter going on when they shoot: "Great. Turn to me. Big smile. Less shark eyes. Have fun with it. Not like that." Some photographers are compulsively effusive. "Beautiful. Amazing. Gorgeous! Ugh, so gorgeous!" they yell at shutter speed. If you are anything less than insane, you will realize this is not sincere. It's hard to take because it's more positive feedback than you've received in your entire life thrown at you in fifteen seconds. It would be like going jogging while someone rode next to you in a slow-moving car, yelling, "Yes! You are Carl Lewis! You're breaking a world record right now. Amazing! You are fast. You're going very fast, yes!

I categorically declare first my absolute innocence, second my lack of criminal intent, and third my effusive apologies.

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.) The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have.

Our family wasn’t particularly warm, or effusive with the I love you’s. Except for Uncle Chris, who’d come out of prison bursting with them. He’d even told the mail carrier that he loved him.

Yes, novels; for I will not adopt that ungenerous and impolitic custom, so common with novel-writers, of degrading, by their contemptuous censure, the very performances to the number of which they are themselves adding; joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! if the heroine of one novel be not patronised by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another- we are an injured body.

The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to your nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place, search another, I stop somewhere waiting for you.

Notice how many of the Olympic athletes effusively thanked their mothers for their success? “She drove me to my practice at four in the morning,” etc. Writing is not figure skating or skiing. Your mother will not make you a writer. My advice to any young person who wants to write is: leave home.

I am always incorrigibly interested in the behaviour of the 'human animal', and look forward to perusing divers effusions of your lively pen.

Her experience had been of a kind to teach her, rightly or wrongly, that the doubtful honor of a brief transit through a sorry world hardly called for effusiveness, even when the path was suddenly irradiated at some half-way point by daybeams rich as hers. But her strong sense that neither she nor any human being deserved less than was given, did not blind her to the fact that there were others receiving less who had deserved much more. And in being forced to class herself among the fortunate she did not cease to wonder at the persistence of the unforeseen, when the one to whom such unbroken tranquility had been accorded in the adult stage was she whose youth had seemed to teach that happiness was but the occasional episode in a general drama of pain.

My prayers, my tears, my wishes, fears, and lamentations, were witnessed by myself and heaven alone. When we are harassed by sorrows or anxieties, or long oppressed by any powerful feelings which we must keep to ourselves, for which we can obtain and seek no sympathy from any living creature, and which yet we cannot, or will not wholly crush, we often naturally seek relief in poetry—and often find it, too—whether in the effusions of others, which seem to harmonize with our existing case, or in our own attempts to give utterance to those thoughts and feelings in strains less musical, perchance, but more appropriate, and therefore more penetrating and sympathetic, and, for the time, more soothing, or more powerful to rouse and to unburden the oppressed and swollen heart.

I don’t use words like “facetious” or “effusive.” I use words like “doo-doo,” “caca,” and “punani.” Once I embraced that, these letters were an absolute pleasure to write.

I am no novel-reader—I seldom look into novels—Do not imagine that I often read novels—It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss—?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.

The officers shook hands, and the sniper gave a millimetric nod, which Reacher returned, equally briefly, which for two alleged snipers was effusive, and for a dogface and a jarhead meeting for the first time was practically like rolling around on the floor in an ecstatic bear hug.

The pool,” said Kallorek, pointing. “The pool, right there.” “You mean the pond?” “I mean the pool,” growled the booker. “Get in. Swim.” He accompanied these words with effusive gestures that set his jewellery ringing. Clay examined the pond. “Swim to where?” he asked. “What do you mean swim to where?” Kallorek’s brow deepened. “Is it a healing spring?” Gabe asked. He flexed his arm, wincing as he extended it fully. “Because I think my elbow—” “Listen, fuck your elbow!” Kallorek blew up. Clay had forgotten how short the booker’s fuse was. That big toothy smile one moment, and the next …“It ain’t a spring, or a pond, or a godsdamned sea nymph’s bathtub. It’s a fucking pool. Just a pool! You swim around in it to relax.

That night two lovers whispering under the lead canopy of the church were killed by their own passion. Their effusion of words, unable to escape through the Saturnian discipline of lead, so filled the spaces of the loft that the air was all driven away. The lovers suffocated, but when the sacristan opened the tiny door the words tumbled him over in their desire to be free, and were seen flying across the city in the shape of doves.

Accade che le affinità d'anima non giungano ai gesti e alle parole ma rimangano effuse come un magnetismo. Ѐ raro ma accade. Può darsi che sia vera soltanto la lontananza, vero l'oblio, vera la foglia secca più del fresco germoglio. Tanto e altro può darsi o dirsi. Comprendo la tua caparbia volontà di essere sempre assente perché solo così si manifesta la tua magia. Innumeri le astuzie che intendo. Insisto nel ricercarti nel fuscello e mai nell'albero spiegato, mai nel pieno, sempre nel vuoto: in quello che anche al trapano resiste. Era o non era la volontà dei numi che presidiano il tuo lontano focolare, strani multiformi multanimi animali domestici; fors'era così come mi pareva o non era. Ignoro se la mia inesistenza appaga il tuo destino, se la tua colma il mio che ne trabocca, se l'innocenza è una colpa oppure si coglie sulla soglia dei tuoi lari. Di me, di te tutto conosco, tutto ignoro.

His wife had been wild about him at first; she had treated him with an amorous servility that had turned him against her all the more. Vivacious, effusive, and very loving in the early days, over the years she had, like a stale wine that turns to vinegar, grown ill-humoured, waspish, and nervy.

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.

Those last months. No way of wrapping it pretty or pretending otherwise: Rafa was dying. By then it was only me and Mami taking care of him and we didn't know what the fuck to do, what the fuck to say. So we just said nothing. My mom wasn't the effusive type anyway, had one of those event-horizon personalities-shit just fell into her and you never really knew how she felt about it. She just seemed to take it, never gave anything off, not light, not heat.

Mia was affectionate but never effusive; Pearl had never seen her mother embrace anyone other than her.

A dozen or more boats on the lake swung their rosy and moon–like lanterns low on the water, that reflected as from a fire. In the distance, the steamer twanged and thrummed and washed with her faintly–splashing paddles, trailing her strings of coloured lights, and occasionally lighting up the whole scene luridly with an effusion of fireworks, Roman candles and sheafs of stars and other simple effects, illuminating the surface of the water, and showing the boats creeping round, low down. Then the lovely darkness fell again, the lanterns and the little threaded lights glimmered softly, there was a muffled knocking of oars and a waving of music. Gudrun paddled almost imperceptibly. Gerald could see, not far ahead, the rich blue and the rose globes of Ursula’s lanterns swaying softly cheek to cheek as Birkin rowed, and iridescent, evanescent gleams chasing in the wake. He was aware, too, of his own delicately coloured lights casting their softness behind him.

The world is composed of lies. Starting from a kid’s cute lie, a teen’s white lie, a youth’s smart lie, it grows older with us, romantic lies as a couple, effusive lies as a parent and unavoidable lies at old age. Lies are beautiful, lies are awkward. Lies are stupid, lies are witty. Everyone is a classical composer and lifetime listener of lies.

When we are harassed by sorrows or anxieties, or long oppressed by any powerful feelings which we must keep to ourselves, for which we can obtain and seek no sympathy from any living creature, and which yet we cannot, or will not wholly crush, we often naturally seek relief in poetry— and often find it, too— whether in the effusions of others, which seem to harmonize with our existing case, or in our own attempts to give utterance to those thoughts and feelings in strains less musical, perchance, but more appropriate, and therefore more penetrating and sympathetic, and, for the time, more soothing, or more powerful to rouse and to unburden the oppressed and swollen heart.

Of those who had been eyewitnesses at Kill Devil Hills the morning of the 17th, John T. Daniels was much the most effusive about what he had felt. “I like to think about it now,” he would say in an interview years later. “I like to think about that first airplane the way it sailed off in the air . . . as pretty as any bird you ever laid your eyes on. I don’t think I ever saw a prettier sight in my life.” But it would never have happened, Daniels also stressed, had it not been for the two “workingest boys” he ever knew. It wasn’t luck that made them fly; it was hard work and common sense; they put their whole heart and soul and all their energy into an idea and they had the faith.

I depart as air .... I shake my white locks at the runaway sun, I effuse my flesh in eddies and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your bootsoles.

When we are transported either by Mozart or Glenn Miller, we find ourselves in the presence of the ineffable, for which all words are so inadequate that to attempt to describe it, even with effusive praise and words of perfect beauty, is to engage in blasphemy.

Knowledge without devotion will be like a misfire. Therefore, says the Gita, ‘Have devotion, and knowledge will follow.’ This devotion is not mere lip worship, it is a wrestling with death. Hence, the Gita’s assessment of the devotee’s quality is similar to that of the sage. 17. Thus the devotion required by the Gita is no soft-hearted effusiveness. It

Susie had an intense thought and then an effusion. ‘My dear child, we move in a labyrinth.’ ‘Of course we do. That’s just the fun of it!’ said Milly with a strange gaiety. Then she added: ‘Don’t tell me that—in this for instance—there are not abysses. I want abysses.

Usually they looked past me hopefully and some even went and peered into the car to see if the man they really wanted was hiding in there. And it was uphill work examining an animal when its owner was chafing in the background, wishing with all his heart that I was somebody else. But I had to admit they were fair. I got no effusive welcomes and when I started to tell them what I thought about the case they listened with open scepticism, but I found that if I got my jacket off and really worked at the job they began to thaw a little.

It was the old New York way of taking life "without effusion of blood": the way of people who dreaded scandal more than disease, who placed decency above courage, and who considered that nothing was more ill-bred than "scenes," except the behaviour of those who gave rise to them.

Millie was never possessive, never effusive, and never demonstrative. Her even-tempered approach to her marriage should have been enough to convince everyone that she admired, but did not love, her husband. Yet for years now, his sisters had suspected something else. Perhaps unrequited love was like a specter in the house, a presence that brushed at the edge of senses, a heat in the dark, a shadow under the sun.

Remember, fear not, be candid, promulge the body and the soul, Dwell a while and pass on, be copious, temperate, chaste, magnetic, And what you effuse may then return as the seasons return, And may be just as much as the seasons.

Hubris is an incurable American disease. As incurable as the military-industrial machine that keeps coming up with the armaments that make wars seem like slam dunks, but which last for decades; wars that are fought by a very small percentage of the population and, regular effusive acknowledgement of veterans notwithstanding, can be ignored for years.

and if a rainy morning deprived them of other enjoyments, they were still resolute in meeting in defiance of wet and dirt, and shut themselves up, to read novels together. Yes, novels; for I will not adopt that ungenerous and impolitic custom so common with novel–writers, of degrading by their contemptuous censure the very performances, to the number of which they are themselves adding — joining with their greatest enemies in bestowing the harshest epithets on such works, and scarcely ever permitting them to be read by their own heroine, who, if she accidentally take up a novel, is sure to turn over its insipid pages with disgust. Alas! If the heroine of one novel be not patronized by the heroine of another, from whom can she expect protection and regard? I cannot approve of it. Let us leave it to the reviewers to abuse such effusions of fancy at their leisure, and over every new novel to talk in threadbare strains of the trash with which the press now groans. Let us not desert one another; we are an injured body. Although our productions have afforded more extensive and unaffected pleasure than those of any other literary corporation in the world, no species of composition has been so much decried. From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine–hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens — there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel–reader — I seldom look into novels — Do not imagine that I often read novels — It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss — ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.

But you understand, you, my self, who always comes at a call (that would be a harrowing experience to call and for no one to come; that would make the midnight hollow, and explains the expression of old men in clubs--they have given up calling for a self who does not come) you understand that I am only superficially represented by what I was saying tonight. Underneath, and, at the moment when I am most disparate, I am also integrated. I sympathise effusively; I also sit like a toad in a hole, receiving with perfect coldness whatever comes. Very few of you who are now discussing me have the double capacity to feel, to reason.

To venture ... close (to a lion) on foot ... would mean the sudden shattering of any kindly belief that the similarity of the lion and the pussy cat goes much beyond their whiskers. But then, since men still live by the sword, it's a little optimistic to expect the lion to withdraw his claws, handicapped as he is by his inability to read our better effusions about the immorality of bloodshed.

He read disappointment at his response and wondered if she realized that she expected a certain amount of effusive sympathy from the people she told. Rejecting that sympathy made her feel strong, compensating for what she perceived as her weakness. He suspected that the disease was the first time she hadn't been able to make everything come out all right through the sheer determination that it would be.

My dear, dear aunt,' she rapturously cried, what delight! what felicity! You give me fresh life and vigour. Adieu to disappointment and spleen. What are men to rocks and mountains? Oh! what hours of transport we shall spend! And when we do return, it shall not be like other travellers, without being able to give one accurate idea of any thing. We will know where we have gone -- we will recollect what we have seen. Lakes, mountains, and rivers shall not be jumbled together in our imaginations; nor, when we attempt to describe any particular scene, will we begin quarrelling about its relative situation. Let our first effusions be less insupportable than those of the generality of travellers.

Well, I may not have a framed Latin diploma, but I know crazy talk when I hear it. Alcohol has been an important part of the human diet for thousands of years. The Bible is filled with references to people drinking alcohol, such as this quotation from the Book of Effusions, Chapter Eight, Verse Six, Row 7:

He couldn’t help it—he was in love by the time she left the kitchen—but love made him feel sad and doomed, as usual. What he didn’t know was that she’d suffered through a decade of cool, commitment-phobic men, and Lars’s kindness, but mostly his effusive, overt enthusiasm for her, was at that time exactly what she wanted in a partner.

I feel like that now: tired of the Me I've always been, tired of making the same mistakes, repetitively stumbling after the same small ego strokes, being caught in the same loops of anxiety and defensiveness. At the end of my life, I know I won't be wishing I'd held more back, been less effusive, more often stood on ceremony, forgiven less, spent more days oblivious to the secret wishes and fears of the people around me. So what is stopping me from stepping outside my habitual crap? My mind, my limited mind.

Nabokov n’a jamais évoqué ce qui pouvait bien se passer dans la tête de Lo lorsqu’elle s’est assise sur Humbert Humbert ce pâle petit matin d’été. Ni pourquoi, quelques pages plus tôt, elle sautait sur ses genoux en maltraitant sa pomme, culotte aux quatre vents, gazouillant à l’envi pendant que son coupable adorateur tentait de contenir discrètement une effusion quasi adolescente. C’est cette lecture parallèle qui m’a manqué, l’impossibilité de savoir ce qu’il serait advenu de l’histoire si on y avait laissé parler Lolita.

Indeed, most of their letters mixed romantic effusions with scientific enthusiasms, often with an emphasis on the latter.

Takes birth in me, also, dies in debris. I am a Potpourri. A mix of dead petals, effusing divine fragrance. Walking on the journey, of controversy. I am a Potpourri.

occasional effusions of sorrow as lively as ever.

his ego is like an unbroken puppy: scampering about spurting effusively over everything, especially if Everything is admiring.

You need to learn to be less ... big. You're too loud, too effusive, too memorable.

Let us leave it to the reviewers to abuse such effusions of fancy at their leisure and over every new novel to talk in threadbare strains of the trash with which the press now groans.

The novel had metabolized recovery with so much rigor that it had already asked all my questions and weathered all my intellectual discomforts. It documented what Wallace called the “grudging move toward maybe acknowledging that this unromantic, unhip, clichéd A.A. thing — so unlikely and unpromising … this goofy slapdash anarchic system of low-rent gatherings and corny slogans and saccharine grins and hideous coffee” might actually offer hope, in its simplicity and its slogans, in its church-basement coffee and its effusion of anonymous and unqualified love.

Music-good music, great music-is itself magical, it's mysterious inspiration entwined with the mystery of all things. When we are transported either by Mozart or Glenn Miller, we find ourselves in the presence of the ineffable, for which all words are so in adequate that to attempt to describe it, even with effusive praise and words of perfect beauty, is to engage in blasphemy.

[I]magine what would happen if, instead of centering our beliefs about heterosexual sex around the idea that the man “penetrates” the woman, we were to say that the woman’s vagina “consumes” the man’s penis. This would create a very different set of connotations, as the woman would become the active initiator and the man would be the passive and receptive party. One can easily see how this could lead to men and masculinity being seen as dependent on, and existing for the benefit of, femaleness and femininity. Similarly, if we thought about the feminine traits of being verbally effusive and emotive not as signs of insecurity or dependence, but as bold acts of self-expression, then the masculine ideal of the “strong and silent” type might suddenly seem timid and insecure by comparison.

risen out of his drug-created dreams and was hot upon the scent of some new problem. I rang the bell and was shown up to the chamber which had formerly been in part my own. His manner was not effusive. It seldom was; but he was glad, I think, to see me. With hardly a word spoken, but with a kindly eye, he waved me to an armchair, threw across his case of cigars, and indicated a spirit case and a gasogene

One encounters in the streets, late at night on the evenings of fetes, the most strange and bizarre passers-by. Do these nights of popular celebration cause ancient and forgotten avatars to stir in the depths of the human soul? This evening, in the movement of the sweaty and excited crowd, I am certain that I passed between the masks of the liberated Bythinians and encountered the courtesans of the Roman decadence. There emerged, this evening, from that swarming esplanade of Des Invalides - amid the crackle of fireworks, the shooting stars, the stink of frying, the hiccuping of drunkards and the reeking atmosphere of menageries - the wild effusions of one of Nero's festivals. It was like the odour of a May evening on the Basso-Porto of Naples. It was easy to believe that the faces in that crowd were Sicilian.

All writers are demonic dreamers. Writing is an act of sharing experiences and offering of an individualistic perspective of our private attitudes pertaining to whatever topics of thought intrigues the author. Writing is a twitchy art, which attempts to employ linguist building blocks handed-down from past generations. Writers’ word choices form a structure of conjoined sentences when overlaid with the lingua of modern culture. Writers attempt to emulate in concrete form the synesthesia of our personal pottage steeped in our most vivid feelings. Writing a personal essay calls for us to sort out a jungle of lucid observations and express in a tangible technique our unique interpretation of coherent observations interlaced with that effusive cascade of yearning, the universal spice of unfilled desire, which turmoil of existential angst swamps us.

And what are you reading, Miss?" "Oh!" it is only a novel!" replies the young lady, while she lays down her book with affected indifference, or momentary shame. in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.

The house of the Plantagenets, from Henry II to Richard III himself, was brimming with blood. In their lust for power the members of the family turned upon one another. King John murdered, or caused to be murdered, his nephew Arthur; Richard II despatched his uncle, Thomas of Gloucester; Richard II was in turn killed on the orders of his cousin, Henry Bolingbroke; Henry VI was killed in the Tower on the orders of his cousin, Edward IV; Edward IV murdered his brother, Clarence, just as his own two sons were murdered by their uncle. It is hard to imagine a family more steeped in slaughter and revenge, of which the Wars of the Roses were only one effusion. It might be thought that some curse had been laid upon the house of the Plantagenets, except of course that in the world of kings the palm of victory always goes to the most violent and the most ruthless. It could be said that the royal family was the begetter of organized crime.

A writer’s voice emanates from their interest and compulsions that absorbs them completely. Only by fully committing himself or herself to a pet subject or issue can the writer develop a thematic tone that speaks to other people with authority and serenity. The quality of their literary voice is the crucial part of the writer’s legitimacy, and their authenticity cannot come from mimicking other writers’ style, but must evolve naturally from their inner sanctity and must flow effusively from an inner necessity.

From around the corner's edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it. ("The Dreaming In Nortown")

and only much later, when Mascha wanted a child, did I realize that love is a deadly poison, a vice, a vice that one wants to see shared, & that if one of the two involved is smitten, the other is often no more than a passive participant, or vixxtim, or possessed. And Moravagine was possessed. Love is masochistic. These cries & complaints, these sweet alarms. this anguished state of lovers, this suspense, this latent pain that is just below the surface, almost unexpressed, these thousand & one anxieties over the loved one's absence, this feeling of time rushing by, this touchiness, these fits of temper, these long daydreams, this childish fickleness of behavior, this moral torture where vanity & self-esteem, or perhaps honor, upbringing & modesty are at stake, these highs & lows in the nervous tone, these leaps of imagination, this fetishism, this cruel precision of senses, whipping & probing, the collapse, the prostration, the abdication, the self-abasement, the perpetual loss & recovery of one's personality, these stammered words & phrases, these pet-names, this intimacy, these hesitations in physical contact, these epileptic tremors, these successive & even more frequent relapses, this more & more turbulent & stormy passion with its ravages progressing to the point of complete inhibition & annihilation of the soul, the debility of the senses, the exhaustion of the marrow, the erasure of the brain & even the desiccation of the heart, this yearning for ruin, for destruction, for mutilation, this need of effusiveness, of adoration, of mysticism, this insatiability which expresses itself in hyper-irritability of the of mucus membranes, in errant taste, in vasomotor or peripheral disorders, & which conjures up jealousy & vengeance, crimes, prevarications & treacheries, this idolatry, this incurable melancholy, this apathy, this profound moral misery, this definitive & harrowing doubt, this despair--are not all these stigmata the very symptoms of love in which we can first diagnose, then trace with a sure hand, the clinical curve of masochism?

only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.

Drifting into the President’s private office, he heard Coolidge say to one of his secretaries, “That’s a pretty dress you are wearing this morning, and you are a very attractive young woman.” That was probably the most effusive praise Silent Cal had ever bestowed upon a secretary in his life. It was so unusual, so unexpected, that the secretary blushed in confusion. Then Coolidge said, “Now, don’t get stuck up. I just said that to make you feel good. From now on, I wish you would be a little bit more careful with your punctuation.

It was the old New York way of taking life “without effusion of blood”: the way of people who dreaded scandal more than disease, who placed decency above courage, and who considered that nothing was more ill-bred than “scenes,” except the behaviour of those who gave rise to them.

It was the old New York way, of taking life 'without effusion of blood''; the way of people who dreaded scandal more than disease, who placed decency about courage, and who considered that nothing was more ill-bred than 'scenes,' except the behavior of those who gave rise to them.

For the first time, those poets whose effusions, entranced my soul, and lifted it to heaven. I also became a poet, and for one year lived in a paradise of my own creation; I imagined that I also might obtain a niche in the temple where the names of Homer and Shakespeare are consecrated.

  Hee in Celestial Panoplie all armd   Of radiant URIM, work divinely wrought,   Ascended, at his right hand Victorie   Sate Eagle-wing'd, beside him hung his Bow   And Quiver with three-bolted Thunder stor'd,   And from about him fierce Effusion rowld   Of smoak and bickering flame, and sparkles dire;

Some photographers are compulsively effusive. “Beautiful. Amazing. Gorgeous! Ugh, so gorgeous!” they yell at shutter speed. If you are anything less than insane, you will realize this is not sincere. It’s hard to take because it’s more positive feedback than you’ve received in your entire life thrown at you in fifteen seconds.

I didn't know where to find the words to thank him. “You didn't have to,” I finally said. He let just enough time go by for me to register that his answer might not be casual or carefree. “I wanted to.” He wanted to, I thought. I wanted to, I imagined him repeating—kind, complaisant, effusive, as he was when the mood would suddenly strike him.

Since Liz’s adolescence, when viewing television commercials that celebrated the ostensibly unconditional love of mothers for their children, or on spotting merchandise in stores that honored this unique bond with poems or effusive declarations—picture frames, magnets, oven mitts—she had felt like a foreign exchange student observing the customs of another country.

Declining peoples first lose their sense of moderation. They strive for isolated particulars, they fling themselves shortsightedly on narrow and trifling things, they raise the conditional above the universal; then they pursue pleasure and sensuality, they seek to gratify their hatred and envy of their neighbor, their art depicts what is one-sided, what is valid from one perspective only, then what is disjointed dissonant bizarre, eventually what excites and tantalizes the senses, and at last immorality and vice; in religion what is innermost degenerates to mere form or to opulent effusions, the distinction between good and evil fades, the individual scorns the whole, pursuing his pleasure and his ruin, and so this people falls victim to inner disarray or to an external foe more savage but stronger.

He was delighted to realize that the spell enjoyed him being forthright and effusive—an it was easier to distract them all with irrelevancies than glide around the fact that Edwin was directing them back to a deeply magical house that was bound to his blood—so Robin went into some detail about exactly what he thought of Walter bloody Courcey's character, appearance, and habit of attempted murder via shrubbery.

I also have to credit Bill Bilby, owner of Chelsea Books, with two other important lessons: first, his shop was always tidy and thoughtfully-organized –a remarkable trait in secondhand shops; and second, he was visibly enthusiastic about his stock. He was the first bookseller I knew to describe a book-artefact as “sexy”! A cynic might denigrate this latter trait as a mere sales tactic –because indeed his infectious enthusiasm successfully sold lots of books –but the fact is that the guy was, and is, just a completely mad bibliophile, and being in his shop with him, listening to him effuse about his books, and watching the way he would stroke them and savour them, was profound. It made me realize that we in the trade are actually evangelists of bibliophilia, and embracing and spreading that passion is the only way to ensure our survival.

The prize was delivered to Tom with as much effusion as the superintendent could pump up under the circumstances; but it lacked somewhat of the true gush, for the poor fellow's instinct taught him that there was a mystery here that could not well bear the light, perhaps; it was simply preposterous that this boy had warehoused two thousand sheaves of Scriptural wisdom on his premises—a dozen would strain his capacity, without a doubt.

I didn’t want to press Veronica. I thought I’d wait for her to get in touch this time. I checked my inbox rather too assiduously. Of course, I wasn’t expecting a great effusion, but hoped, perhaps, for a polite message that it had been nice to see me properly after all these years. Well, perhaps it hadn’t been. Perhaps she’d gone on a trip. Perhaps her server was down. Who said that thing about the eternal hopefulness of the human heart?

Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humor, are conveyed to the world in the best–chosen language.

Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.

The Rolling Stone magazine: ” Jarrett… demonstrated his strengths – his sure times, his far-ranging imagination, his sharply-honed technique and his particular inner fire, which is at once steady and vulnerable. When he plays alone, Jarrett pushes his creativity to its limits. It’s almost scary to hear someone who apparently relies so totally on the spirited, flowing, almost effusive directions of his muse, yet the muse seems to never let him down.

The broad masses of a population are more amenable to the appeal of rhetoric than any other force. All great movements are popular movements. They are the volcanic eruptions of human passions and emotions, stirred into activity either by the ruthless Goddess of Distress or by the torch of the spoken word cast into the people's midst. In no case have great movements been set afoot by the syrupy effusions of literary aesthete and drawing-room heroes.

Today as never before in their history, Americans are enthralled with military power. The global military supremacy that the United States presently enjoys—and is bent on perpetuating—has become central to our national identity. More than America’s matchless material abundance or even the effusions of its pop culture, the nation’s arsenal of high tech weaponry and the soldiers who employ that arsenal have come to signify who we are and what we stand for.

He told her of horses which he had bought for a trifle and sold for incredible sums; of racing matches, in which his judgment had infallibly foretold the winner; of shooting parties, in which he had killed more birds (though without having one good shot) than all his companions together; and described to her some famous day’s sport, with the fox-hounds, in which his foresight and skill in directing the dogs had repaired the mistakes of the most experienced huntsman, and in which the boldness of his riding, though it had never endangered his own life for a moment, had been constantly leading others into difficulties, which he calmly concluded had broken the necks of many. Little as Catherine was in the habit of judging for herself, and unfixed as were her general notions of what men ought to be, she could not entirely repress a doubt, while she bore with the effusions of his endless conceit, of his being altogether completely agreeable.

Other disappointments went unlisted. Neither Roosevelt nor Churchill had been effusive in his praise at Casablanca, and Eisenhower felt unappreciated. “His work and leadership had been taken rather for granted,” Butcher wrote on January 17. The “absence of clear-cut words of thanks from the president or prime minister showed that they had their noses to the political winds.” Harry Hopkins told Butcher at Casablanca that taking Tunisia would prove Eisenhower “one of the world’s greatest generals,” but without such a victory his fate was uncertain. “Such is the life of generals,” Butcher mused.

A person seeks to quantify their existence. Do we measure a person’s life by its longevity or by assessing the warmth of its blaze? Do we measure a person by their brainpower or by the heartiness of his or her spine? Do earthy deeds count for more than intellectual opinions? What is more important, the work that a person produces or the quality of life that effuses from their being? Does it matter how we live and how we die, if we love or hate, are kind or mean, generous or stingy? Does it matter that we struggle to express personal doubts and toil in an effort to obtain redemption for our personal lapses?

Books? Yes, I read a lot, I’ve always read a lot. No, I’m not sure we do understand each other. I like to read best on the floor, or in bed, almost everything lying down, no, it has less to do with the books, above all it has to do with the reading, with black on white, with the letters, syllables, lines, the signs, the setting down, this inhuman fixing, this insanity, which flows from people and is frozen into expression. Believe me, expression is insanity, it arises out of our insanity. It also has to do with turning pages, with hunting from one page to the other, with flight, with complicity in an absurd, solidified effusion, with a vile overflow of verse, with insuring life in a single sentence, and, in turn, with the sentences seeking insurance in life. Reading is a vice which can replace all other vices or temporarily take their place in more intensely helping people live, it is a debauchery, a consuming addiction. No, I don’t take any drugs, I take books, of course I have certain preferences, many books don’t suit me at all, some I take only in the morning, others at night, there are books I don’t ever let go, I drag them around with me in the apartment, carrying them from the living room into the kitchen, I read them in the hall standing up, I don’t use bookmarks, I don’t move my lips while reading, early on I learned to read very well, I don’t remember the method, but you ought to look into it, they must have used an excellent method in our provincial elementary schools, at least back then when I learned to read. Yes I also realized, but not until later, that there are countries where people don’t know how to read, at least not quickly, but speed is important, not only concentration, can you please tell me who can keep chewing on a simple or even a complex sentence without feeling disgust, either with the eyes or the mouth, just keep on grinding away, over and over, a sentence which only consists of subject and predicate must be consumed rapidly, a sentence with many appositions must for that very reason be taken at tremendous speed, with the eyeballs performing an imperceptible slalom, since a sentence doesn’t convey anything to itself, it has to “convey” something to the reader. I couldn’t “work my way through” a book, that would almost be an occupation. There are people, I tell you, you come across the strangest surprises in this field of reading . . . I do profess a certain weakness for illiterates, I even know someone here who doesn’t read and doesn’t want to, a person who has succumbed to the vice of reading more easily understands such a state of innocence, really unless people are truly capable of reading they ought not to read at all.

Laissons aux critiques le soin de maltraiter à volonté les effusions de fantaisie et, chaque fois que parait un nouveau roman, le loisir d'aligner des formules rebattues sur les insanités qui font se lamenter la presse actuellement. (...) Par orgueil, ignorance ou snobisme, nos ennemis sont presque aussi nombreux que nos lecteurs. L'habileté du neuf-centième compilateur de l'Histoire d'Angleterre ou de quiconque rassemble et publie douze lignes de Milton, Pope et Prior en même temps qu'un article du Spectator et un chapitre de Sterne est encensé par un millier de plumes, tandis qu'il semble y avoir un consensus quasi général pour décrier le talent et sous-estimer le travail du romancier, et pour dénigrer des oeuvres que peuvent recommander seulement le génie, le style et le bon goût.

Maybe she’s just growing up. Maybe it happens to have coincided with getting sick. She is, whatever the reason, turning into someone who’s still effusively polite to others, who still says hello there and how are you and goodbye for now with more brio than the occasion calls for but does so from an inner remoteness no one but her father (and Isabel?) could notice. She’s possessed of an innerness. She’s acquired a tucked-away quality, as if she’s become a Violet who performs as ever but cares less about how her performances are received. A Violet who still wants others to admire her but will survive unharmed if they don’t. A Violet who apprehends, for the first time, her own future, in which no one in her present, including her father and mother, will turn out to have mattered all that much.

there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel-reader—I seldom look into novels—Do not imagine that I often read novels—It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss—?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.

Such is the common cant. “And what are you reading, Miss —?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste:

On the first day of his duel with the bears, Saunders, operating behind his mask of brokers, bought 33,000 shares of Piggly Wiggly, mostly from the short sellers; within a week he had brought the total to 105,000—more than half of the 200,000 shares outstanding. Meanwhile, ventilating his emotions at the cost of tipping his hand, he began running a series of advertisements in which he vigorously and pungently told the readers of Southern and Western newspapers what he thought of Wall Street. “Shall the gambler rule?” he demanded in one of these effusions. “On a white horse he rides. Bluff is his coat of mail and thus shielded is a yellow heart. His helmet is deceit, his spurs clink with treachery, and the hoofbeats of his horse thunder destruction. Shall good business flee? Shall it tremble with fear? Shall it be the loot of the speculator?” On Wall Street, Livermore went on buying Piggly Wiggly.

A DINNER AT POPLAR WALK This is the first published work of Charles Dickens, which appeared in the Monthly Magazine in December 1833. It was later retitled Mr. Minns and His Cousin and can also be found in Sketches by Boz. However, since it is the beginning of the great writer’s oeuvre, it is presented at the very front of this collection. In reading this short story, we can at once detect the inimitable nature of Dickensian writing: varied characters, telling human and social understanding and, of course, hilarious comedy. Here is an account by Dickens, explaining how he felt when first publishing this story: “...my first copy of the Magazine in which my first effusion - dropped stealthily one evening at twilight, with fear and trembling, into a dark letter-box, in a dark office, up a dark court in Fleet Street - appeared in all the glory of print; on which memorable occasion - how well I recollect it! - I walked down to Westminster Hall, and turned into it for half-an-hour, because my eyes were so dimmed with joy and pride, that they could not

[T]he devotion required by the Gita is no soft-hearted effusiveness. It certainly is not blind faith. The devotion of the Gita has the least to do with the externals. A devotee may use, if he likes, rosaries, forehead marks, make offerings, but these things are no test of his devotion. He is the devotee who is jealous of none, who is a fount of mercy, who is without egotism, who is selfless, who treats alike cold and heat, happiness and misery, who is ever forgiving, who is always contented, whose resolutions are firm, who has dedicated mind and soul to God, who causes no dread, who is not afraid of others, who is free from exultation, sorrow and fear, who is pure, who is versed in action and yet remains unaffected by it, who renounces all fruit, good or bad, who treats friend and foe alike, who is untouched by respect or disrespect, who is not puffed up by praise, who does not go under when people speak ill of him who loves silence and solitude, who has a disciplined reason. Such devotion is inconsistent with the existence at the same time of strong attachments. We thus see that to be a real devotee is to realize oneself.

The language of mysticism and spiritual experience cuts a wide swath through the world’s religious traditions, and it presents an alternative theology, that of connection and intimacy. In Christian tradition, Jesus speaks this language when he claims, “The Father and I are one” (John 10: 30), and when he breathes on his followers and fills them with God’s Spirit (20: 22); it appears in the testimony of the apostle Paul, who converts during a mystical encounter with Christ on a road; and it fills the effusive poetry of John the Evangelist, whose vision of God is nothing short of one in which the whole of creation is absorbed into love. When the Bible is read from the perspective of divine nearness, it becomes clear that most prophets, poets, and preachers are particularly worried about religious institutions and practices that perpetuate the gap between God and humanity, making the divine unapproachable or cordoned off behind cadres of priestly mediators, whose interest is in exercising their own power as brokers of salvation. The biblical narrative is that of a God who comes close, compelled by a burning desire to make heaven on earth and occupy human hearts.

My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.

In Bohr’s model of the atom, electrons could change their orbits (or, more precisely, their stable standing wave patterns) only by certain quantum leaps. De Broglie’s thesis helped explain this by conceiving of electrons not just as particles but also as waves. Those waves are strung out over the circular path around the nucleus. This works only if the circle accommodates a whole number—such as 2 or 3 or 4—of the particle’s wavelengths; it won’t neatly fit in the prescribed circle if there’s a fraction of a wavelength left over. De Broglie made three typed copies of his thesis and sent one to his adviser, Paul Langevin, who was Einstein’s friend (and Madame Curie’s). Langevin, somewhat baffled, asked for another copy to send along to Einstein, who praised the work effusively. It had, Einstein said, “lifted a corner of the great veil.” As de Broglie proudly noted, “This made Langevin accept my work.”47 Einstein made his own contribution when he received in June of that year a paper in English from a young physicist from India named Satyendra Nath Bose. It derived Planck’s blackbody radiation law by treating radiation as if it were a cloud of gas and then applying a statistical method of analyzing it. But there was a twist: Bose said that any two photons that had the same energy state were absolutely indistinguishable, in theory as well as fact, and should not be treated separately in the statistical calculations.

Since Fe is INTPs’ inferior function, it is often more sensitive and less resilient than it is in FJ types. This can make INTPs extremely uncomfortable in emotional situations, especially those involving potential conflict or disharmony. Because of their Fe's concern for maintaining external harmony (or what may be better understood as its discomfort with disharmony), INTPs may abstain from expressing their judgments in order to avoid unsettling others. While not as overtly warm or effusive as FJ types, INTPs can be sensitive to others’ feelings and may go out of their way to avoid hurting or offending them. For instance, in the midst of a discussion, an INTP may want to explain how human mating practices are primarily a product of evolutionary pressures. But if she suspects that others may take offense to such an explanation, she may withhold it to avoid introducing disharmony. Although functioning as superficial peacemakers, INTPs are generally slower to go out of their way to help others (at least in direct, hands-on ways). Especially early in their development, most forgo community service and avoid investing extensive time and energy helping others. This is particularly evident when under stress. If burdened by too many external pressures or demands, INTPs' willingness to help others is one of the first things to go. In short, INTPs’ Fe is more concerned with preserving harmony than it is with extensive helping. This is especially true early in life, when they have yet to achieve their Ti goals. Once those goals have been satisfactorily met, however, they may become more benevolent. We can see this with Einstein, for instance, who displayed increasing beneficence and generosity toward people in the second half of his life.

From pride, ignorance, or fashion, our foes are almost as many as our readers. And while the abilities of the nine-hundredth abridger of the History of England, or of the man who collects and publishes in a volume some dozen lines of Milton, Pope, and Prior, with a paper from the Spectator, and a chapter from Sterne, are eulogized by a thousand pens—there seems almost a general wish of decrying the capacity and undervaluing the labour of the novelist, and of slighting the performances which have only genius, wit, and taste to recommend them. “I am no novel-reader—I seldom look into novels—Do not imagine that I often read novels—It is really very well for a novel.” Such is the common cant. “And what are you reading, Miss—?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Now, had the same young lady been engaged with a volume of the Spectator, instead of such a work, how proudly would she have produced the book, and told its name; though the chances must be against her being occupied by any part of that voluminous publication, of which either the matter or manner would not disgust a young person of taste: the substance of its papers so often consisting in the statement of improbable circumstances, unnatural characters, and topics of conversation which no longer concern anyone living; and their language, too, frequently so coarse as to give no very favourable idea of the age that could endure it.

I now principally allude to Rousseau, for his character of Sophia is, undoubtedly, a captivating one, though it appears to me grossly unnatural; however, it is not the superstructure, but the foundation of her character, the principles on which her education was built, that I mean to attack; nay, warmly as I admire the genius of that able writer, whose opinions I shall often have occasion to cite, indignation always takes place of admiration, and the rigid frown of insulted virtue effaces the smile of complacency, which his eloquent periods are wont to raise, when I read his voluptuous reveries. Is this the man, who, in his ardour for virtue, would banish all the soft arts of peace, and almost carry us back to Spartan discipline? Is this the man who delights to paint the useful struggles of passion, the triumphs of good dispositions, and the heroic flights which carry the glowing soul out of itself? How are these mighty sentiments lowered when he describes the prettyfoot and enticing airs of his little favourite! But, for the present, I waive the subject, and, instead of severely reprehending the transient effusions of overweening sensibility, I shall only observe, that whoever has cast a benevolent eye on society, must often have been gratified by the sight of humble mutual love, not dignified by sentiment, nor strengthened by a union in intellectual pursuits. The domestic trifles of the day have afforded matter for cheerful converse, and innocent caresses have softened toils which did not require great exercise of mind, or stretch of thought: yet, has not the sight of this moderate felicity excited more tenderness than respect? An emotion similar to what we feel when children are playing, or animals sporting, whilst the contemplation of the noble struggles of suffering merit has raised admiration, and carried our thoughts to that world where sensation will give place to reason. Women are, therefore, to be considered either as moral beings, or so weak that they must be entirely subjected to the superior faculties of men.