Eden Hazard Quotes

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The insensitivity of Roosevelt’s reply startled Churchill. The subtext seemed clear: Roosevelt was concerned only about assistance that would directly help sustain the safety of the United States from German attack, and cared little whether the Middle East fell or not. Churchill wrote to Anthony Eden, “It seems to me as if there has been a considerable recession across the Atlantic, and that quite unconsciously we are being left very much to our fate.” Colville noted how the accumulation of bad news that night left Churchill “in worse gloom than I have ever seen him.” Churchill dictated a reply to Roosevelt in which he sought to frame the importance of the Middle East in terms of the long-range interests of the United States itself. “We must not be too sure that the consequences of the loss of Egypt and the Middle East would not be grave,” he told Roosevelt. “It would seriously increase the hazards of the Atlantic and the Pacific, and could hardly fail to prolong the war, with all the suffering and military dangers that this would entail.” Churchill was growing weary of Roosevelt’s reluctance to commit America to war. He had hoped that by now the United States and Britain would be fighting side by side, but always Roosevelt’s actions fell short of Churchill’s needs and expectations. It was true that the destroyers had been an important symbolic gift, and that the lend-lease program and Harriman’s efficient execution of its mandate were a godsend; but it had become clear to Churchill that none of it was enough—only America’s entry into the war would guarantee victory in any reasonable period of time. One result of Churchill’s long courtship of Roosevelt, however, was that now at least the prime minister felt able to express his concerns and wishes with more candor, directly, without fear of driving America away altogether.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Anne Briggs, The Hazards of Love EP (1964); John Renbourn, John Renbourn (1965); Mick Softley, Songs for Swingin’ Survivors (1965).
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
To those who are not, like Wordsworth's primrose, "dwellers on the river's brim," it may be necessary to explain that an outrigger is an apology for a boat, and, apparently, a feeble imitation of a plank–that the individual who hazards his own life in it is happily prevented, by its absurd form, from making any other person a sharer in his danger–that he is liable to be overset by any passing steamer, or by the slightest change of his own posture–that it is difficult to conceive how he ever got into such a thing, or how he is ever to get out of it again, and that the effect he produces on an unprejudiced spectator is that of an aquatic mouse caught in a boat-trap, from which he will never emerge alive, notwithstanding the continual struggle he appears to keep up.
Emily Eden (The Semi-Detached House)
You’ll be the new Thierry Henry!
Tom Oldfield (Eden Hazard - The Boy in Blue)
No, the new Zidane!
Tom Oldfield (Eden Hazard - The Boy in Blue)
Enzo Scifo
Tom Oldfield (Eden Hazard - The Boy in Blue)
Being friends with you might be hazardous to my mental well-being.” Jordan wipes away a fake tear. “You say the sweetest things. Are we doing this or what?
Eden Finley (Encore (Famous, #4))