Eclipse Sad Quotes

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Truth and life are very difficult to fathom, and I retained of them, without really having got to know them, an impression in which sadness was perhaps actually eclipsed by exhaustion.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
It’s a sad fact that beauty, real beauty, just eclipses everything and everyone around it.
C.J. Tudor (The Chalk Man)
Was i ever seen by you?
Eclipse
No need to look to see if your former home has vanished yet into the humdrum gray behind you; you'll be able to feel it, the sudden eclipse of the tractor beam the house puts out. Of its forcefield of sadness.
Garth Risk Hallberg
Not mine own fears, nor the prophetic soul Of the wide world, dreaming on things to come, Can yet the lease of my true love control, Suppos'd as forfeit to a confin'd doom. The mortal moon hath her eclipse endur'd, And the sad augurs mock their own presage; Incertainties now crown themselves assur'd, And peace proclaims olives of endless age. Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since, spite of him, I'll live in this poor rhyme, While he insults o'er dull and speechless tribes: And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent.
William Shakespeare (The Complete Works)
I felt sad because I knew I couldn't hold the ocean's beauty for long enough, nor the sun and the salty wind; and yet, I was happy because I knew I took part of the ocean with me, and the remembrance of the ages with the salt impregnated onto my skin. This is how I felt as the sun was setting, dipping into the ocean, slowly moaning in silence, as the salt and wind eclipsed it, and silence broke free with the night's veil of shadows.
Pablo Andrés Wunderlich Padilla (Despondency: The Story of a Defeated Man)
In the haze of longing, a bittersweet twist, I never fathomed love's smoky eclipse, A day arrived, an unexpected shift, Kissing cigarette's filter, not your lips.
Niloy Shouvic Roy
like there is even a choice like if I called it would eclipse my sad sack of dark words no it would not no it would not
Melissa Broder (Scarecrone)
No nation can approve violence against the most innocent and vulnerable, and expect the effects of that approval to be limited. By 1995, what had seemed a purely private decision in rare circumstances would become a standard method of birth control, an industry, a political litmus test, a rite of passage...a central tenet of a whole culture that centers not around life, its promise and responsibilities, but around self, its creation and cultivation. Those unalienable rights to life and liberty Mr. Jefferson mentioned in the Declaration seem to have been eclipsed by a sad emphasis on the pursuit of happiness. And for all the happiness that the unbridled right to an abortion is supposed to make possible, no political question since slavery seems so heavy with guilt, and its denial. Or else there would be no reason for those who favor abortion to call it something else, "choice" being the most popular euphemism and "reproductive freedom" the most ironic. The signs of this culture of death are now so common that they no longer stand out. In politics and economics, pop culture and art, lifestyle long ago replaced life.
Paul Greenberg
Come in for a close-up,” the director said to the cameraman. “Stand straight, dammit,” he told me. “Don’t move.” The camera came about six inches from my face. The director stood up and came toward me, squinted. “You always got zits up there between your eyebrows?” “Only sometimes,” I answered. I tried to look at him, but the lights were too bright. It felt like I was like staring into an eclipse. “Your eye’s messed up, you know that?” he asked. “Yeah, it’s a lazy eye.” “Work on that,” he said. “There’s exercises for that.” He sat back down. “Now be sad,” he said.
Ottessa Moshfegh (Homesick for Another World)
In everything you are and in all that you be In that which you bring and in what others may see In your deeds and in actions, in your grace and in pose In the way one perceives and in the seeds that one sows In the things held dear, in the reflections in peers In the dreams of day and in the nightmarish fears In all that is created, in that which is destroyed In the works of your toils, in what must then be employed In the way that you treat all the people you meet In everything good and everything bad In every event, both happy and sad The sun is omniscient, the time is now noon But as bright as it is … it’s eclipsed by the moon.
Arch
But it was impossible to share my feelings of grief with Peggy, because most of the time it was impossible to feel them. My sadness was overwhelmed by fear and visceral disgust and rage, rage so consuming and aimless that sometimes I was afraid of myself. I was convinced that the killer's fury had entered me, and would never leave. I knew that Peggy, my soft-bodied former babysitter, with her houseful of Precious Moments figurines, was not interested in hearing about my rage. She wanted to wipe away the tears of the cute little blond girl she had known. She didn't know what to do with my fear and rage, so she tried to will them to disappear, in favor of a gentler, more manageable sadness.
Sarah Perry (After the Eclipse: A Mother's Murder, a Daughter's Search)
Those fantasies, and that rage, eclipsed the grief and love I felt for my mother. My memories of her were becoming dimmer with time, and it was easier to feel fear and anger, because they seemed to have an endpoint: the trial, if it would ever come. Sadness was more dangerous, because I knew it would never end.
Sarah Perry (After the Eclipse: A Mother's Murder, a Daughter's Search)
And yet, something of Jim is surviving strongly — surviving in other brains, thanks to human love. His easy-going sense of humor, his boundless joy at driving the wide open spaces of the prairies, his ideals, his generosity, his simplicity, his hopes and dreams — and (for what it’s worth) his understanding of credit cards. All of these things survive at different levels in many people who, thanks to having interacted with him intimately over many years or decades, constitute his “soular corona” — his wife, his three children, and his many, many friends. Even before Jim’s body physically dies, his soul will have become so foggy and dim that it might as well not exist at all — the soular eclipse will be in full force — and yet despite the eclipse, his soul will still exist, in partial, low-resolution copies, scattered about the globe. Jim’s first-person perspective will flicker in and out of existence in other brains, from time to time. He will exist, albeit in an extremely diluted fashion, now here, now there. Where will Jim be? Not very much anywhere, admittedly, but to some extent he will be in many places at once, and to different degrees. Though terribly reduced, he will be wherever his soular corona is. It is very sad, but it is also beautiful. In any case, it is our only consolation.
Douglas R. Hofstadter (I Am a Strange Loop)
Ibrahim, a male child of the Holy Prophet passed away. The Prophet was sad and grieved on account of his demise and tears trickled from his eyes involuntarily. Solar eclipse took place on the day the child died. The superstitious and mythloving Arabs considered the eclipse to be a sign of the greatness of the affliction of the Holy Prophet and said: “The sun has been eclipsed on account of the death of the son of the Prophet”. The Holy Prophet happened to hear these words. He mounted the pulpit and said: “The sun and the moon are two great signs of the Omnipotence of Allah and obey His orders. They are not eclipsed on account of the death or life of anyone. Whenever solar or lunar eclipse takes place offer signs prayers”. Having said this he dismounted the pulpit and offered signs prayers along with others.10
Jafar Subhani (Who Is Muhammad?)
No one in hundreds of years has had that kind of power -- the power to control the elements. Not since the slaughter of the 1600's ... She has saved her greatest warrior for the moment when you are most needed. It is you, Isi, not us; you are the one destined to save the planet. We boys are just window dressing while you are the last knight of the Earth, pulled from her core and given from her heart to save us all. Haven't you noticed it? The flowers turn their faces to you, as if you were the sun. The most timid and previously abused bird curls up in your arms, as if it were her most natural place. When you are sad, the sky shares your sorrow and darkens in empathy. When you are happy, the moon throws herself into eclipse and the stars themselves wink at you to celebrate your joy. You are her daughter, the daughter of Earth, and she smiles when she sees you.
Sarah Warden (Blood of Earth (Vampires for Earth, #2))
He stirred on her lap but didn’t lift his head. Jerra knew he had to be feeling a multitude of emotions right now, everything ranging from sadness to confusion to anger. She’d caught a glimpse of the bleakness in his eyes before he’d gone to his office. He probably had no idea why he felt sadness for a woman who, for all intents and purposes, he barely knew. That was the part that made him so angry. He didn’t want to care, but he did.
S.K. Hardy (Total Eclipse: The Evolution (Sin City Heat, #7))
She remembers the last perfect evening before everything happened, perfect even though she didn’t know everything was about to change. Karaoke night. A bunch of kids from choir cheering each other on. When it was her turn, Hallelujah belted out “Total Eclipse of the Heart.” She went for every melodramatic note, closing her eyes and beating her chest. She got the whole group to sing along. She remembers Jonah taking the stage next. When he sang the opening lines to Garth Brooks’s “Friends in Low Places,” the room went nuts. He put on a cowboy drawl and sent the low notes reverberating through the wooden floorboards. She remembers him tipping an imaginary Stetson at her when he was done. In a week, Hallelujah would get caught making out with Luke Willis. He would humiliate her and start spreading lies about her. She would become someone quiet and sad and resentful. But right then, performance-flushed and surrounded by friends, she couldn’t stop smiling.
Kathryn Holmes
One day in discussing the question of submission to the authority of the Spiritual Assemblies Shoghi Effendi said: ‘The Master has not left any latitude for personal opinion, it is not a matter of reason, it is a matter of faith. ‘Some of the instructions and commands may seem unreasonable, but if we believe we have faith in them and the sign of faith is obedience. The whole question resolves itself into a matter of faith and obedience is the proof of faith, it is the result of faith, if we do not obey it is because we have not faith in the commands of the Master. ‘I cannot see it in any other way. ‘When a certain believer was here the question was put to the Master very plainly; supposing that in a Convention the will of the majority, the decision of the majority is against my individual conscience, suppose that my conscience cannot agree with their decision, must I submit my conscience to the will of the majority? ... ‘The Master answered that the individual conscience must yield to the majority. He left no room for doubt on this point. He not only gave the command, but He explained the reason for it. He said that if each one followed his own conscience there would be no result, confusion would reign as no two consciences agree, therefore we must follow the will of the majority.’ The energy of our Guardian is inexhaustible, and as he retires at one or two o’clock in the morning, his working day is very long. His strength and vigour never flag, the stress of work, the magnitude of the complex problems pouring in daily in voluminous mail from every corner of the earth seem to serve to renew his forces, the progress of the Cause is reflected in his joy, his buoyancy, his eager enthusiasm and absorbed interest. But when the welfare or progress of the Cause is menaced through the lack of love and harmony among the believers in any part of the world, when this sad news reaches him, his divine happiness suffers eclipse, his strength ebbs away ...[191
Earl Redman (Shoghi Effendi through the Pilgrim's Eye: Volume 1 Building the Administrative Order, 1922-1952)
What can be is not what it is, And what's possible is not the present. Things we can do is not how we act, And what we can be is not who we are.
Grey R.B. (Eclipse: Trapped in Darkness)
Father took a deep breath. ​“Her mother found her. Hung herself in her bedroom with a belt.” ​She said nothing. Father looked confused, shocked, angry, sad. ​“Doesn’t that mean anything to you? Do you realize what you’ve done?” ​“I’ve done nothing. She did it to herself.” ​There was an incredulous pause. Father stood up. ​“How can you say that? Are you so devoid of feelings? Do you have a shred of empathy for anyone anymore? You are not the daughter I raised. I don’t know you.” ​That stung. But very quickly that feeling turned back to cold anger. Why hadn’t Father shown this much compassion when Anna Lee had been a victim? Why did no one remember how Brook had tormented her? But she was still, unwilling to let her face confess anything. ​“Did you have the same empathy for Mother?” ​Father’s eyes went wide, then narrowed further. ​“You are no daughter of mine.” ​That just added fuel to the fire. She felt herself shake. The injustice of it. Why had no one ever stood up for her?
Christopher J.C. Buchheit (Waypoint Eclipse)
I hit the strings with a pick he pulled from his jeans, a perfect blasting E chord that made the walls shake. The sound was raw and dirty and loud. It eclipsed every bad thing that had ever happened to me, things forgotten and pushed away, every sad, hurtful betrayal nuked by the grit of circuits, pickups, and tubes. It was the most empowering thing I had done in my entire life. From that moment, I knew.
Kathy Valentine (All I Ever Wanted: A Rock 'n' Roll Memoir)
You know what they're like." Mma Ramotswe nodded. She did. They were not all bad, of course. But many of them were awful, which somehow eclipsed the better qualities of some of the nice ones. It was very sad.
Alexander McCall Smith
In a society that constantly pushes us to perform, we no longer know how to 'eclipse' ourselves when we feel vulnerable, taking the time we need to re-energize and to gather our strength. When we are bereaved we're told that 'life goes on.' After a heart break, 'there are plenty more fish in the sea,' or after a pet dies, 'well it was only an animal.' Life tries to push us forward, as though we don't have every right to retreat into ourselves and to be sad, mourning the fact that after a bereavement life isn't the same, or that a beloved animal will never come back...In our modern human lives, we are rarely afforded the time necessary to recover from our sadness, to nurse our wounds and to perform the necessary transformation before we re-emerge into the world.
Philippe J. Dubois
It's a sad fact that beauty, real beauty, just eclipses everything and everyone around it.
C.J. Tudor (The Chalk Man)
Praise the rain; the seagull dive The curl of plant, the raven talk— Praise the hurt, the house slack The stand of trees, the dignity— Praise the dark, the moon cradle The sky fall, the bear sleep— Praise the mist, the warrior name The earth eclipse, the fired leap— Praise the backwards, upward sky The baby cry, the spirit food— Praise canoe, the fish rush The hole for frog, the upside-down— Praise the day, the cloud cup The mind flat, forget it all— Praise crazy. Praise sad. Praise the path on which we're led. Praise the roads on earth and water. Praise the eater and the eaten. Praise beginnings; praise the end. Praise the song and praise the singer. Praise the rain; it brings more rain. Praise the rain; it brings more rain.
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
My love can swallow the whole world. My sadness can eclipse
Faith Gardner (Girl on the Line)
There sat his sister-in-law with her smooth, macramé, onyx hair, a cigarette clasped delicately between her long, elegant fingers. Her hair was dark not as dark as her eyes looking at the windows of the man standing in front of her was not worth the time and gaze. Her bright red lips were parted slightly to reveal her perfectly straight teeth except a crooked one of the bottom but one to not gaze deeply was not one to tell. Were her lips as red as blood or did they seem so against the snow of his skin? She was dressed in all black sitting cross legged, her right over the left and her cheeks were hollowed accentuating her delicate cheekbones. Despite the conjecture that she had hair that did not look the silkiest and her garb was giving a presumption of ragged ancestry, her general stillness of power, and disdain of sentiments coupled with the wine, cigarettes and the leather eclipsed her unruly appearance making the lady look like blasé royalty.
Aliza S. (the Poppy fields near the French countryside)
Beauty lies between you and you and eye and eye Do not compare beauty, For it resides in all, Try if you will, But a slave to the mind you shall be. To compare a dandelion to a lily, And to say the lily is of greater beauty Is a sin we often see. The dandelion is everywhere to be seen, But it is not picked from the ground on a whim. A weed, it was labeled in those grown-up minds, Minds, which have been weeded through time. The same minds which cut lilies from the ground, And stare as they wonder ‘how sad that beauty dwindles down’. They let their thoughts haunt them, And get trapped in the world around them. The truth masked as lies of the eyes. The dandelion and lily, When left to be, Dance in the wind with such beauty, Free. Compare beauty and you'll eclipse your sun's light, And because you only know the stars That come to life when they die, You'll have to wait for the dandelion to fly, Specking light in your darkened mind's eye. Explain beauty and you'll stay for eternity, Trying to capture infinity. Only then will you look into the stilling river, And cry from the open wounds you hide. Bandaging your reflection, you try. Only when it drowns in the murky crinkling water, Do you realize That the stars won't offer the same blinding light, And the darkness has given you sight. Your comparisons’ prism lives only in your eyes, But it travels down your stem, Like a Serpent, Coiling around your breath, With your tongue, Sharper than the air of death, Shedding words you've been fed. Like the grey, Settling deep within your Soul, And the shade, That makes you feel whole. Perhaps you'll try to save the mirrored water, But as you thrash about in infinity, Do not break stems anymore. Instead cut the chains keeping you shackled to the shore. Still, as you roam free, Do not forget to remember, (Infinity said while knocking at eternity’s door) A rigid mind leads to a life lived hollow, But do dip into the mind’s eye knowingly, For the strongest light casts the darkest shadow.
Tavisha Sh (Dancing On The Line Of Insanity)
Povera Kendra!” Elisa says, and then switches into English. “Poor Kendra! She must be very sad today. It is very much a shame. She feels stupid, yes? Molto sciocca. Of course, she knows that she is not the first girl. Luigi, he has another stupid foreign girl two years ago. She cries a lot too when she finds out that he has a wife--” Paige stands up, shoving her chair back with a scrape along the floor. “I’m not staying here to listen to this,” she says. “I’ve got better things to do. Like going to pee.” “Yes,” I agree, standing up too. “I think I might go for a wee too. Good idea, Paige.” Elisa isn’t as disconcerted by our deliberate vulgarity as we hoped. She’s homed in on the weak link in our chain, and now she leans in to focus on Kelly, whose face is still damp. “And you, Kellee?” she asks sweetly. “What will you do--cry some more?” “Shut up,” I snap, as Kelly does indeed heave a sob at this. But I’m eclipsed by Paige, who loathes Elisa at least as much as I do, and clearly needs a truly satisfactory outlet for her fury at what’s happened to Kendra. “You,” she says to Elisa, rounding the table with the whirling-dervish fury of a tornado in wedge heels, “you stay away from us, you hear? All of us. I’ve totally had it with you sticking your nose in the air and thinking you’re better than us just because you’re practically anorexic! You’re only dating Luca--if you even are--because Violet turned him down! If you say a word to any of us that isn’t just hello or goodbye or pass the salt at dinner, so help me, I’ll haul off and smash your skinny ass through the nearest window, don’t think I won’t! Right in front of your mama, too!” I think I’m sort of in love with Paige at that moment. Of course, if you asked me, I would totally say that violence is wrong and people shouldn’t menace other people, and that I’d be very sorry to see Elisa go flying through a french window.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
King Henry the Fourth asked the Duke of Alva if he had observed the great eclipse of the sun, which had lately happened. No, said the duke, I have so much to do on earth, that I have no leisure to look up to heaven. Ah, that this were not true of most professors in these days! It is very sad to think, how their hearts and time are so much taken up with earthly things, that they have scarcely any leisure to look up to heaven, or to look after Christ, and the things that belong to their everlasting peace!
Thomas Brooks (Precious Remedies Against Satan's Devices)
When I woke up enough to know I was still restrained with a long grey rope I was soothed by an onlooker who mopped my brow with a brown dress sock. He said Let me take your top off, I want to feel your adorable flesh next to mine. I want to cup your breasts and weigh them in my hand like an expensive bag of grain. Let me take your pants off, I want to bend your legs until they reach around my love for you, it is so great. I will run my fingers up and down the spot where the world stops spinning and escapes into a black box. Let me take your ring off, I want to put my mouth around its gold seal, the purity of its design eclipsed by a desire so perfect it must not be spoken of. I put the naked finger in my mouth and sucked away at it, cleaning the nail that traces trails of disaster on my back. Let me take you away from all of this, lovely girl, because I know how sad one can be when un-loved.
Grace Krilanovich (The Orange Eats Creeps)
But he was so very sad about the boy who didn’t see. Now that Dad was gone I was starting to see how mortality was bound up in things like that cold, arc-lit sky. How the world is full of signs and wonders that come, and go, and if you are lucky you might see them. Once, twice. Perhaps never again. The albums on my mother’s shelves are full of family photographs. But also other things. A starling with a crooked beak. A day of hoarfrost and smoke. A cherry tree thick with blossom. Thunderclouds, lightning strikes, comets and eclipses: celestial events terrifying in their blind distances but reassuring you, too, that the world is for ever, though you are only a blink in its course. Henri Cartier-Bresson called the taking of a good photograph a decisive moment. ‘Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera,’ he said. ‘The Moment! Once you miss it, it is gone for ever.
Helen Macdonald (H is for Hawk)
If I died, I had the relief of oblivion. I wouldn't experience pain or sadness; I would simply be gone. But if someone I love died, if have to live without them forever. The pain of that would eclipse anything else I've ever felt-especially if that person was Asher
Ana Huang