Macbeth Quotes

By the pricking of my thumbs, Something wicked this way comes.

Stars, hide your fires; Let not light see my black and deep desires.

Double, double, toil and trouble; Fire burn, and cauldron bubble!

Give sorrow words; the grief that does not speak knits up the o-er wrought heart and bids it break.

To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.

Look like the innocent flower, But be the serpent under it.

What's done cannot be undone.

Who could refrain, That had a heart to love, and in that heart Courage to make love known?

False face must hide what the false heart doth know.

Fair is foul, and foul is fair, hover through fog and filthy air.

Where shall we three meet again in thunder, lightning, or in rain? When the hurlyburly 's done, when the battle 's lost and won

I dare do all that may become a man; Who dares do more, is none

Come what come may, time and the hour run through the roughest day.

Things without all remedy should be without regard: what's done is done.

O, full of scorpions is my mind!

All causes shall give way: I am in blood Stepp’d in so far that, should I wade no more, Returning were as tedious as go o’er.

Confusion now hath made his masterpiece.

My hands are of your color, but I shame to wear a heart so white.

it provokes the desire, but it takes away the performance

The love that follows us sometime is our trouble, which still we thank as love.

So fair and foul a day I have not seen.

If we should fail? Lady Macbeth: We fail? But screw your courage to the sticking place, And we'll not fail.

What, you egg?

I have no spur To prick the sides of my intent, but only Vaulting ambition, which o'erleaps itself And falls on the other.

Angels are bright still, though the brightest fell. Though all things foul would wear the brows of grace, Yet Grace must still look so.

Will all great Neptune's ocean wash this blood clean from my hand? No, this my hand will rather the multitudinous seas incarnadine, making the green one red.

How does your patient, doctor? Doctor: Not so sick, my lord, as she is troubled with thick-coming fancies that keep her from rest. Macbeth: Cure her of that! Canst thou not minister to a mind diseased, pluck from the memory a rooted sorrow, raze out the written troubles of the brain, and with some sweet oblivious antidote cleanse the stuffed bosom of that perilous stuff which weighs upon her heart. Doctor: Therein the patient must minister to himself.

Methought I heard a voice cry, Sleep no more! Macbeth does murder sleep, - the innocent sleep; Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast.

What's done, is done

Blood will have blood.

He was too spotless to talk of blood and murder like Macbeth, but in the red glare of the fire he no longer looked so angelic. Instead he was handsome the way you think of the devil as handsome—forbiddingly so.

And nothing is, but what is not.

At the word witch, we imagine the horrible old crones from Macbeth. But the cruel trials witches suffered teach us the opposite. Many perished precisely because they were young and beautiful.

Your face, my thane, is as a book where men May read strange matters. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under't.

Sleep that knits up the raveled sleave of care, The death of each day's life, sore labor's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast.

If you can look into the seeds of time And say which grain will grow and which will not, Speak, then, to me, who neither beg nor fear Your favors nor your hate.

The multiplying villainies of nature do swarm upon him... [from Macbeth]

Receive what cheer you may. The night is long that never finds the day.

Still it cried ‘Sleep no more!’ to all the house: ‘Glamis hath murder’d sleep, and therefore Cawdor shall sleep no more,—Macbeth shall sleep no more!

Nothing in his life became him like the leaving it.

Your cause of sorrow must not be measured by his worth, for then it hath no end.

Yet who would have thought the old man to have had so much blood in him? - Lady Macbeth

Come, you spirits That tend on mortal thoughts! Unsex me here, And fill me from the crown to the toe top full Of direst cruelty; make thick my blood, Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between The effect and it! Come to my woman’s breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature’s mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor Heaven peep through the blanket of the dark, To cry "Hold, hold!

I drink to the general joy o’ the whole table." Macbeth

Be bloody bold and resolute.

Out, damned spot! out, I say!—One, two; why, then ‘tis time to do’t.—Hell is murky!—Fie, my lord, fie! a soldier, and afeard? What need we fear who knows it, when none can call our power to account?—Yet who would have thought the old man to have so much blood in him? The thane of Fife had a wife; where is she now?—What, will these hands ne’er be clean?—No more o’that, my lord, no more o’that: you mar all with this starting. Here’s the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh!

There is nothing serious in Mortality

What, you egg? [stabs him]

Tis safter to be that which we destroy Than by destruction dwell in doubtful joy.

My dull brain was wrought with things forgotten.

The grief that does not speak whispers the o'erfraught heart and bids it break.

Unnatural deeds Do breed unnatural troubles: infected minds To their deaf pillows will discharge their secrets

I go and it is done. The bell invites me. Hear it not, Duncan, for it is a knell that summons thee to heaven or to hell.

Sometimes when we are labeled, when we are branded our brand becomes our calling.

Something wicked this way comes

A little water clears us of this deed.

You’re like Lady Macbeth without the murder.” “Thank you. You have no idea how much of a compliment that is to me.

She came leaping towards me, like Lady Macbeth coming to get first-hand news from the guest-room.

When shall we three meet again In thunder, lightning, or in rain?

He shall spurn fate, scorn death, and bear His hopes 'bove wisdom, grace and fear: And you all know, security Is mortals' chiefest enemy.

Let every man be master of his time.

Screw your courage to the sticking place and we will not fail.

Far away, I could hear them lapping up my brains. Like Macbeth's witches, the three lithe cats surrounded my broken head, slurping up that thick soup inside. The tips of their rough tongues licked the soft folds of my mind. And with each lick my consciousness flickered like a flame and faded away.

Macbeth does murder sleep - the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labor's bath, Balm of hurt minds, great nature's second course, chief nourisher in life's feast.

But tis strange: And oftentimes, to win us to our harm, the Instruments of Darkness tell us truths, win us with honest trifles, to betray's in deepest consequence.

I have supped full with horrors.

Innocent sleep. Sleep that soothes away all our worries. Sleep that puts each day to rest. Sleep that relieves the weary laborer and heals hurt minds. Sleep, the main course in life's feast, and the most nourishing.

Macbeth's self-justifications were feeble – and his conscience devoured him. Yes, even Iago was a little lamb, too. The imagination and spiritual strength of Shakespeare's evildoers stopped short at a dozen corpses. Ideology—that is what gives evildoing its long-sought justification and gives the evildoer the necessary steadfastness and determination. That is the social theory which helps to make his acts seem good instead of bad in his own and others' eyes, so that he won't hear reproaches and curses but will receive praise and honors. That was how the agents of the Inquisition fortified their wills: by invoking Christianity; the conquerors of foreign lands, by extolling the grandeur of their Motherland; the colonizers, by civilization; the Nazis, by race; and the Jacobins (early and late), by equality, brotherhood, and the happiness of future generations.... Without evildoers there would have been no Archipelago.

Canst thou not minister to a mind diseas'd, Pluck from the memory a rooted sorrow, Raze out the written troubles of the brain, And with some sweet oblivious antidote Cleanse the stuff'd bosom of the perilous stuff Which weighs upon the heart? DOCTOR: Therein the patient Must minister to himself.

But screw your courage to the sticking place, and we'll not fail.

There are always two sides to every story, Kelley. Something I learned playing Richard the Third and Macbeth: if you're playing the 'bad guy', you never really think of yourself as bad. It's just that your motives are often...misunderstood by everyone else.

Present fears are less than horrible imaginings.

thou art the best o' the cut-throats

To beguile the time, look like the time. Bear welcome in your eye, your hand, your tongue.

Alas, poor country, almost afraid to know itself! It cannot be called our mother, but our grave.

Naught's had, all's spent, Where our desire is got without content. 'Tis safer to be that which we destroy Than by destruction dwell in doubtful joy.

Away and mark the time with fairest show, False face must hide what false heart doth know.

There's no art to find the mind's construction in the face.

I am settled, and bend up each corporal agent to this terrible feat. Away, and mock the time with fairest show: False face must hide what the false heart doth know.

Now and again in these parts you come across people so remarkable that, no matter how much time has passed since you met them, it is impossible to recall them without your heart trembling.

So well thy words become thee as thy wounds, They smack of honor both.

My name, dear saint, is hateful to myself,” he said. “Because it is an enemy to thee.” The balcony scene. Too mistrustful to guess at the meaning, I said, “Don’t do that, James, please—right now can we just be ourselves?” He crouched down, lifted the mangled script from the floor. “I’m sorry,” he said. “It’s easier now to be Romeo, or Macbeth, or Brutus, or Edmund. Someone else.

My thought, whose murder yet is but fantastical, Shakes so my single state of man That function is smothered in surmise, And nothing is but what is not.

Infected minds to their deaf pillows will discharge their secrets.

Until I die there will be those moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming--God grant me the grace to live them-- in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the light of that gloomy tunnel trapped around his head.

All the perfumes of Arabia will not sweeten this little hand.

...just because I don't have on a silly black costume and carry a silly broom and wear a silly black hat, doesn't mean that I'm not a witch. I'm a witch all the time and not just on Halloween.

For what are called criminals nowadays are not criminals at all.  Starvation, and not sin, is the parent of modern crime.  That indeed is the reason why our criminals are, as a class, so absolutely uninteresting from any psychological point of view.  They are not marvellous Macbeths and terrible Vautrins.  They are merely what ordinary, respectable, commonplace people would be if they had not got enough to eat. 

It was sort of like Macbeth, thought Fat Charlie, an hour later; in fact, if the witches in Macbeth had been four little old ladies and if, instead of stirring cauldrons and intoning dread incantations, they had just welcomed Macbeth in and fed him turkey and rice and peas spread out on white china plates on a red-and-white patterned plastic tablecloth -- not to mention sweet potato pudding and spice cabbage -- and encouraged him to take second helpings, and thirds, and then, when Macbeth had declaimed that nay, he was stuffed nigh unto bursting and on his oath could truly eat no more, the witches had pressed upon him their own special island rice pudding and a large slice of Mrs. Bustamonte's famous pineapple upside-down cake, it would have been exactly like Macbeth.

The problem with a lot of people who read only literary fiction is that they assume fantasy is just books about orcs and goblins and dragons and wizards and bullshit. And to be fair, a lot of fantasy is about that stuff. The problem with people in fantasy is they believe that literary fiction is just stories about a guy drinking tea and staring out the window at the rain while he thinks about his mother. And the truth is a lot of literary fiction is just that. Like, kind of pointless, angsty, emo, masturbatory bullshit. However, we should not be judged by our lowest common denominators. And also you should not fall prey to the fallacious thinking that literary fiction is literary and all other genres are genre. Literary fiction is a genre, and I will fight to the death anyone who denies this very self-evident truth. So, is there a lot of fantasy that is raw shit out there? Absolutely, absolutely, it’s popcorn reading at best. But you can’t deny that a lot of lit fic is also shit. 85% of everything in the world is shit. We judge by the best. And there is some truly excellent fantasy out there. For example, Midsummer Night’s Dream; Hamlet with the ghost; Macbeth, ghosts and witches; I’m also fond of the Odyessey; Most of the Pentateuch in the Old Testament, Gargantua and Pantagruel. Honestly, fantasy existed before lit fic, and if you deny those roots you’re pruning yourself so closely that you can’t help but wither and die.

غداً، وغداً، وغداً، وكل غد يزحف بهذه الخطى الحقيرة يوماً إثر يوم حتى المقطع الأخير من الزمن المكتوب، وإذا كل أماسينا قد أنارت للحمقى المساكين الطريق إلى الموت والتراب، ألا انطفئي، يا شمعةوجيزة! ما الحياة إلا ظل يمشي، ممثل مسكين يتبختر ويستشيط ساعته على المسرح، ثم لا يسمعه أحد: إنها حكاية يحكيها معتوه، ملؤها الصخب والعنف، ولا تعنى أى شىء

When they had been deciding what to call their company all those years ago, Marx had argued for calling it Tomorrow Games, a name Sam and Sadie instantly rejected as "too soft." Marx explained that the name referenced his favorite speech in Shakespeare, and that it wasn't soft at all. "Do you have any ideas that aren't from Shakespeare?" Sadie said. To make his case, Marx jumped up on a kitchen chair and recited the "Tomorrow" speech for them, which he knew by heart: Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing. "That's bleak," Sadie said. "Why start a game company? Let's go kill ourselves," Sam joked. "Also," Sadie said, "What does any of that have to do with games?" "Isn't it obvious?" Marx said. It was not obvious to Sam or to Sadie. "What is a game?" Marx said. "It's tomorrow, and tomorrow, and tomorrow. It's the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever." "Nice try, handsome," Sadie said. "Next.

Art thou afeard To be the same in thine own act and valour As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting 'I dare not' wait upon 'I would,' Like the poor cat i' the adage?

Mañana, y mañana, y mañana se arrastra con paso mezquino día tras día hasta la sílaba final del tiempo escrito, y la luz de todo nuestro ayer guió a los bobos hacia el polvo de la muerte. ¡Apágate, apágate breve llama! La vida es una sombra que camina, un pobre actor que en escena se arrebata y contonea y nunca más se le oye. Es un cuento que cuenta un idiota, lleno de ruido y de furia, que no significa nada.

For when I speak of the banality of evil, I do so only on the strictly factual level, pointing to a phenomenon which stared one in the face at the trial. Eichmann was not Iago and not Macbeth, and nothing would have been farther from his mind than to determine with Richard III 'to prove a villain.' Except for an extraordinary diligence in looking out for his personal advancement, he had no motives at all… He merely, to put the matter colloquially, never realized what he was doing… It was sheer thoughtlessness—something by no means identical with stupidity—that predisposed him to become one of the greatest criminals of that period. And if this is 'banal' and even funny, if with the best will in the world one cannot extract any diabolical or demonic profundity from Eichmann, this is still far from calling it commonplace… That such remoteness from reality and such thoughtlessness can wreak more havoc than all the evil instincts taken together which, perhaps, are inherent in man—that was, in fact, the lesson one could learn in Jerusalem.

What hands are here? ha! they pluck out mine eyes! Will all great Neptune’s ocean wash this blood clean from my hand? No; this my hand will rather the multitudinous seas incarnadine, making the green one red.” “My hands are of your colour; but I shame to wear a heart so white. A little water clears us of this deed: How easy it is then! Your constancy hath left you unattended.

Until i die there will be these moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming--God grant me the grace to live them--in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from my stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of the light of that gloomy tunnel trapped around his head.

..when someone says "please pray for me," they are not just saying "let's have lunch sometime." They are issuing an invitation into the depths of their lives and their humanity- and often with some urgency. And worry is not a substitute for prayer. Worry is a starting place, but not a staying place. Worry invites me into prayer. As a staying place, worry can be self-indulgent, paralyzing, draining, and controlling. When I take worry into prayer, it doesn't disappear, but it becomes smaller.

William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia

Thrice the brinded cat hath mew’d. Thrice and once the hedge-pig whined. Harpier cries ’Tis time, ’tis time. Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder’s fork and blind-worm’s sting, Lizard’s leg and owlet’s wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf Of the ravin’d salt-sea shark, Root of hemlock digg’d i’ the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver’d in the moon’s eclipse, Nose of Turk and Tartar’s lips, Finger of birth-strangled babe Ditch-deliver’d by a drab, Make the gruel thick and slab: Add thereto a tiger’s chaudron, For the ingredients of our cauldron. Double, double toil and trouble; Fire burn and cauldron bubble. By the pricking of my thumbs, Something wicked this way comes.