“
My tendency to make up stories and lie compulsively for the sake of my own amusement takes up a good portion of my day and provides me with a peace of mind not easily attainable in this economic climate.
”
”
Chelsea Handler (Chelsea Chelsea Bang Bang)
“
I have found that the key to being happy — well, one of the keys, anyway — is to be easily amused,
”
”
Wil Wheaton
“
His habit of reading isolated him: it became such a need that after being in company for some time he grew tired and restless; he was vain of the wider knowledge he had acquired from the perusal of so many books, his mind was alert, and he had not the skill to hide his contempt for his companions' stupidity. They complained that he was conceited; and, since he excelled only in matters which to them were unimportant, they asked satirically what he had to be conceited about. He was developing a sense of humour, and found that he had a knack of saying bitter things, which caught people on the raw; he said them because they amused him, hardly realising how much they hurt, and was much offended when he found that his victims regarded him with active dislike. The humiliations he suffered when he first went to school had caused in him a shrinking from his fellows which he could never entirely overcome; he remained shy and silent. But though he did everything to alienate the sympathy of other boys he longed with all his heart for the popularity which to some was so easily accorded. These from his distance he admired extravagantly; and though he was inclined to be more sarcastic with them than with others, though he made little jokes at their expense, he would have given anything to change places with them.
”
”
W. Somerset Maugham (Of Human Bondage)
“
Mystery readers were everywhere, voracious, highly partisan, and passionate. They were among the store’s best customers, and unfailingly polite. In private they embraced a bloodthirsty desire for vengeance and the use of arcane poisons and sneaky sleuthing, but in public they were charming and generous. Romance readers tended to be fun and have strong opinions. Nonfiction readers asked a lot of questions and were easily amused. It was the serious novel folks and poetry fans you had to watch out for.
”
”
Abbi Waxman (The Bookish Life of Nina Hill)
“
When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!"
He grasped my hands, fixing me with a steady blue gaze.
"Aye, I would," he said. "But I wasna carrying your child."
The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away.
"You can't tell," I said, at last. "It's much too soon to be sure."
He snorted briefly, and a tiny flicker of amusement lit his eyes.
"And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days."
"You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!"
"Didn't you?"
"No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late.
"Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does."
He lifted one brow, and cupped a broad hand gently beneath my breast.
"Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you."
I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me.
Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky.
"Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
The boy he’d been talking to had been cocky, reckless, easily amused, but not frightening—not really. Now the monster was here, dead-eyed and unafraid. Kaz Brekker was gone, and Dirtyhands had come to see the rough work done.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I don't think anyone aims to be typical, really. Most people even vow to themselves some time in high school or college not to be typical. But still, they just kind of loop back to it somehow. Like the circular rails of a train at an amusement park, the scripts we know offer a brand of security, of predictability, of safety for us. But the problem is, they only take us where we've already been. They loop us back to places where everyone can easily go, not necessarily where we were made to go. Living a different kind of life takes some guts and grit and a new way of seeing things.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
Humankind is drawn to dogs because they are so like ourselves—bumbling, affectionate, confused, easily disappointed, eager to be amused, grateful for kindness and the least attention.
”
”
Patricia B. McConnell (The Other End of the Leash: Why We Do What We Do Around Dogs)
“
...there must be a sequence to learning, that perseverance and a certain measure of perspiration are indispensable, that individual pleasures must frequently be submerged in the interests of group cohesion, and that learning to be critical and to think conceptually and rigorously do not come easily to the young but are hard-fought victories.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
Butters," rumbled Skaldi Hair Ball. If he really had broken fingers, it didn't look like they were bothering him much. "When are you going to get in this ring and train like a man?"
"About five minutes after I get a functional lightsaber," Butters replied easily, much to Hair Ball's amusement.
”
”
Jim Butcher (Ghost Story (The Dresden Files, #13))
“
Does something amuse you?' asked Uncle Montague.
'I was merely reminding myself, Uncle, that I am getting too old to be so easily frightened by stories.'
'Really?' said Uncle Montague with a worrying degree of doubt in his voice. 'You think there is an age at which you might become immune to fear?
”
”
Chris Priestley (Uncle Montague's Tales of Terror (Tales of Terror, #1))
“
Passion does not translate easily into good income.
”
”
Philip Zaleski (The Fellowship: The Literary Lives of the Inklings: J.R.R. Tolkien, C.S. Lewis, Owen Barfield, Charles Williams)
“
If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the "form of funny," which is more easily understood (and more easily constructed) than authentic funniness.
”
”
Chuck Klosterman (Eating the Dinosaur)
“
You certainly are a repository of useless information. How do you know all that?' David asked, with more amusement than admiration.
'I have a mind like a magpie's, easily distracted by interesting odds and ends,' Ramses admitted.
”
”
Elizabeth Peters (A River in the Sky (Amelia Peabody, #19))
“
Put a smile on that face, Valkyrie. You're unique. Easily as unique as I am."
"Two freaks in a pod, eh?"
His head tilted, amused. "Wouldn't have it any other way.
”
”
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
“
Teenage boys are so easily amused.
”
”
Holly Goldberg Sloan (Counting by 7s)
“
Scraps thought it was odd that they could be so easily amused, but decided there could be little harm in people who laughed so merrily.
”
”
L. Frank Baum (The Patchwork Girl of Oz (Oz, #7))
“
When you were young you talked about "falling in love" with such amusing gravity, as if it were an actual recordable event, when what was it really? Chemicals. Hormones. A trick of the mind. She could have fallen in love with Connor. Easily. Falling in love was easy. Anyone could fall. It was holding on that was tricky.
”
”
Liane Moriarty (The Husband's Secret)
“
Good-bye, my fair friend; beware of the amusing or capricious ideas which always seduce you too easily. Remember that in the career you are following, intelligence is not enough and that a single imprudence may become an irreparable misfortune. And finally sometime allow prudent friendship to guide your pleasures.
Good-bye, I still love you as much as if you were reasonable.
”
”
Pierre Choderlos de Laclos (Les Liaisons dangereuses)
“
My writing, on the other hand, is always done with my readers in mind. I never write for my own amusement. I always try to put across an idea that I feel is important, in the most easily readable form I can manage. This has annoyed some of my academic colleagues, who feel that I am oversimplifying my subject, but I argue that at least my writings are widely read, while theirs stay firmly within the confines of their academic ivory towers. And I always work with one special rule in mind: simplification without distortion. This is, in fact, much harder than the usual self-indulgent academic writing.
”
”
Desmond Morris
“
A small crowd was collecting. A small crowd collected very easily in Ankh-Morpork. As a city, it had some of the most accomplished spectators in the universe. They’d watch anything, especially if there was any possibility of anyone getting hurt in an amusing way.
”
”
Terry Pratchett (Moving Pictures (Discworld, #10))
“
Women, for their part, are always complaining that we raise them only to be vain and coquettish, that we keep them amused with trifles so that we may more easily remain their masters; they blame us for the faults we attribute to them. What stupidity! And since when is it men who concern themselves with the education of girls? Who is preventing the mothers from raising them as they please? There are no schools for girls—what a tragedy! Would God, there were none for boys! They would be raised more sensibly and more straightforwardly. Is anyone forcing your daughters to waste their time on foolish trifles? Are they forced against their will to spend half their lives on their appearance, following your example? Are you prevented from instructing them, or having them instructed according to your wishes? Is it our fault if they please us when they are beautiful, if their airs and graces seduce us, if the art they learn from you attracts and flatters us, if we like to see them tastefully attired, if we let them display at leisure the weapons with which they subjugate us? Well then, decide to raise them like men; the men will gladly agree; the more women want to resemble them, the less women will govern them, and then men will truly be the masters.
”
”
Jean-Jacques Rousseau (Emile, or On Education)
“
You do admit that, if wealth was divided up equally, in a few years there would be rich and poor again just the same. The hard-working man would come to the top, the wastrel sink to the bottom.
- Every one admits that.
- Your Socialists don't.
- My Socialists do. Yours mayn't; but I strongly suspect yours of being not Socialists, but ninepins, which you have constructed for your own amusement. I can't imagine any living creature who would bowl over quite so easily.
”
”
E.M. Forster
“
For me that's the only way of understanding a particular term that everyone here bandies about quite happily, but which clearly can't be quite that straight forward because it doesn't exist in many languages, only in Italian and Spanish, as far as I know, but then again, I don't know that many languages. Perhaps in German too, although I can't be sure: el enamoramiento--the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, although not in English, but there are words that approximate that meaning ... We find a lot of people funny, people who amuse and charm us and inspire affection and even tenderness, or who please us, captivate us, and can even make us momentarily mad, we enjoy their body and their company or both those things, as is the case for me with you and as I've experienced before with other women, on other occasions, although only a few. Some become essential to us, the force of habit is very strong and ends up replacing or even supplanting almost everything else. It can supplant love, for example, but not that state of being in love, it's important to distinguish between the two things, they're easily confused, but they're not the same ... It's very rare to have a weakness, a genuine weakness for someone, and for that someone to provoke in us that feeling of weakness.
”
”
Javier Marías (Los enamoramientos)
“
As C. S. Lewis pointed out, it is not that our desires are too strong (as Stoicism would have it), but that they are too weak. 3 The irony of our lives is that we demand the ephemeral, momentary glories of this fading age, too easily amused and seduced by the trivial, when ultimate joy is held out to us.
”
”
Michael Scott Horton (A Place for Weakness: Preparing Yourself for Suffering)
“
Quick Review of Core Behavior Patterns Reds are quick and more than happy to take command if needed. They make things happen. However, when they get going, they become control freaks and can be hopeless to deal with. And they repeatedly trample on people’s toes. Yellows can be amusing, creative, and elevate the mood regardless of who they’re with. However, when they are given unlimited space, they will consume all the oxygen in the room, they won’t allow anyone into a conversation, and their stories will reflect reality less and less. The friendly Greens are easy to hang out with because they are so pleasant and genuinely care for others. Unfortunately, they can be too wishy-washy and unclear. Anyone who never takes a stand eventually becomes difficult to handle. You don’t know where they really stand, and indecision kills the energy in other people. The analytical Blues are calm, levelheaded, and think before they speak. Their ability to keep a cool head is undoubtedly an enviable quality for all who aren’t capable of doing that. However, Blues’ critical thinking can easily turn to suspicion and questioning those around them. Everything can become suspect and sinister.
”
”
Thomas Erikson (Surrounded by Idiots: The Four Types of Human Behavior and How to Effectively Communicate with Each in Business (and in Life))
“
The world can be a big, cold place. No reason we can’t give each other a hand and ease the way a bit.
”
”
Karen McQuestion (Easily Amused)
“
You’re so caught up thinking about what you want that you don’t even see what you have.
”
”
Karen McQuestion (Easily Amused)
“
I meant the house behind him clutching his chest, Parker gasped. Gage! you pervert! That's Mrs. Falconi-she's ninety-six years old! Clearing her throat,Miss Dupree struggled to keep her own amusement in check. Thank you Roo,for that fascinating bit of information. And should any of us a pervert lurking outside our windows tonight, We can all rest easily now,Knowing it's only Gage.
”
”
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
“
This one is bigger than the other by at least a quarter,” he said. “That’s perspective,” Will replied stubbornly. “The left one is closer, so it looks bigger.” “If it’s perspective, and it’s that much bigger, your handcart would have to be about five meters wide,” Horace told him. “Is that what you’re planning?” Again, Will studied the drawing critically. “No. I thought maybe two meters. And three meters long.” He quickly sketched in a smaller version of the left wheel, scrubbing over the first attempt as he did so. “Is that better?” “Could be rounder,” Horace said. “You’d never get a wheel that shape to roll. It’s sort of pointy at one end.” Will’s temper flared as he decided his friend was simply being obtuse for the sake of it. He slammed the charcoal down on the table. “Well, you try drawing a perfect circle freehand!” he said angrily. “See how well you do! This is a concept drawing, that’s all. It doesn’t have to be perfect!” Malcolm chose that moment to enter the room. He had been outside, checking on MacHaddish, making sure the general was still securely fastened to the massive log that held him prisoner. He glanced now at the sketch as he passed by the table. “What’s that?” he asked. “It’s a walking cart,” Horace told him. “You get under it, so the spears won’t hit you, and go for a walk.” Will glared at Horace and decided to ignore him. He turned his attention to Malcolm. “Do you think some of your people could build me something like this?” he asked. The healer frowned thoughtfully. “Might be tricky,” he said. “We’ve got a few cart wheels, but they’re all the same size. Did you want this one so much bigger than the other?” Now Will switched his glare to Malcolm. Horace put a hand up to his face to cover the grin that was breaking out there. “It’s perspective. Good artists draw using perspective,” Will said, enunciating very clearly. “Oh. Is it? Well, if you say so.” Malcolm studied the sketch for a few more seconds. “And did you want them this squashed-up shape? Our wheels tend to be sort of round. I don’t think these ones would roll too easily, if at all.” Truth be told, Malcolm had been listening outside the house for several minutes and knew what the two friends had been discussing. Horace gave vent to a huge, indelicate snort that set his nose running. His shoulders were shaking, and Malcolm couldn’t maintain his own straight face any longer. He joined in, and the two of them laughed uncontrollably. Will eyed them coldly. “Oh, yes. Extremely amusing,” he said.
”
”
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
“
I have always been more violent in my negative than in my positive demands.
Thus, in personal relations, I could forgive much neglect more easily than the least degree of what I regarded as interference. At table I could forgive much insipidity in my food more easily than the least suspicion of what seemed to me excessive or inappropriate seasoning. In the course of life I could put up with any amount of monotony far more patiently than even the smallest disturbance, bother, bustle, or what the Scotch call "kerfuffle". Never at any age did I clamor to be amused always and at all ages (where I dared I hotly demanded not to be interrupted.
”
”
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
“
An easily manipulated population that cares mostly for its own amusement may be more ready for tyranny (which can keep the masses happy with "bread and circuses") than for the arduous responsibilities of self-government.
”
”
Gene Edward Veith Jr. (Reading Between the Lines: A Christian Guide to Literature (Turning Point Christian Worldview Series Book 11))
“
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.”
“Did you chase after the housemaids when you were a boy?”
“Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.”
Evie raised a cue stick as if to crown him with it.
He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?”
“You would be purely ornamental,” Evie replied, giggling.
“Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.”
“I wouldn’t mind.”
He gave her a quizzical smile. “What?”
“If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.”
Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.”
“No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…”
But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives.
“Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Before Dwayne entered his inner office, he read one of many comical signs which Francine had put up on the wall in order to amuse people, to remind them of what they so easily forgot: that people didn’t have to be serious all the time.
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
Three years ago, my older brother unexpectedly inherited an earldom. Since he knew nothing about estate management, or God help us, farming, I agreed to move to Hampshire to help him make a go of it.”
“Why would you change your life like that?” Ethan couldn’t resist asking. Leaving London for a quiet rural existence was his idea of hell on earth. “What were you trying to escape?”
Ravenel smiled. “Myself, I suppose. Even a life of debauchery can become tiresome. And I discovered that estate farming suits me. The tenants have to pay attention to me, and I’m easily amused by cows.
”
”
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
“
Do you want the truth behind it all?” “Go ahead, Cutie. You’re amusing.” “The Master created humans first as the lowest type, most easily formed. Gradually, he replaced them by robots, the next higher step, and finally he created me, to take the place of the last humans. From now on, I serve the Master.
”
”
Isaac Asimov (I, Robot)
“
After years of experience running the club on St. James, Sebastian could talk easily with anyone from royalty down to the most hardened street criminal. Soon he had the men smiling and volunteering information about their work at Eversby Priory.
"Your father has a common touch," came Mr. Ravenel's quiet voice near her ear. He watched Sebastian with a mix of interest and admiration. "One doesn't usually see that in a man of his position."
"He's always mocked the notion that vice runs more rampant among commoners than nobility," Phoebe said. "In fact, he says the opposite is usually true."
Mr. Ravenel looked amused. "He could be right. Although I've seen a fair share of vice among both.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure.
The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil!
But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt.
Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
”
”
Alexandre Dumas (La dame aux camélias)
“
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.”
This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued:
“Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me.
“A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.”
I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising.
“If you were a negro you’d find that even existing would provide more excitement than you’d care for.”
He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark.
“I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?”
As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything.
“Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?”
“That’s rather unlikely,” I replied. “I have had no training as a teacher.”
“Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.”
“Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?”
“Why not? They need teachers desperately.”
“It is said that they also need technicians desperately.”
“Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.”
“I’ve tried that method before. It didn’t work.”
“Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.”
“Why especially the East End of London?”
“From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.”
“And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten.
“Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
”
”
E.R. Braithwaite (To Sir, With Love)
“
For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
someone puts his arms around me from behind, his fingers easily finishing the complicated knot I’ve been sweating over. Of course it’s Finnick, who seems to have spent his childhood doing nothing but wielding tridents and manipulating ropes into fancy knots for nets, I guess. I watch for a minute while he picks up a length of rope, makes a noose, and then pretends to hang himself for my amusement.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I can say it, but it doesn’t seem convincing to most people. I can call it an ‘injustice,’ but that doesn’t always sink in either. You have to understand the nature of the culture in New York. Words that are equal to the pain of the poor are pretty easily discredited. A quarter of the truth, stated with lots of indirection, is regarded as more seemly.
Even when people do accept the idea of ‘injustice,’ there are ways to live with it without it causing you to change a great deal in your life. A mildly embarrassed toleration of injustice is an elemental part of cultural sophistication here. the stile is, ‘Oh yes. We know all that. So tell us something new.’ There’s a kind of cultivated weariness in this. Talking about injustice, I am told, is ‘tiresome’ unless you do it in a way that sounds amusing.
”
”
Jonathan Kozol (Amazing Grace: The Lives of Children and the Conscience of a Nation)
“
And you might also remember you are the greatest healer among us. That is unchallenged by anyone."
"I am the greatest killer, also unchallenged." He tried to give her truth again.
She touched his hard mouth. "I will hunt with you then,lifemate."
His heart slammed against his ribs. Her smile was mysterious, scretive, and so beautiful,it broke his heart. "What is behind this smile,bebe." His hand caught and spanned her throat, his thumb brushing her lips in a gentle caress. "What do you know that I do not?" His mind slipped into hers, a sensuous thrust, the ultimate intimacy, not unlike the way his tongue sometimes dueled with her-or his body took possession of hers.
She was familiar with his touch in her mind. She knew he tried to keep its invasiveness to a minimum. He allowed her to set the bounderies and never pushed beyond any barrier she erected, even though he could do so easily. Both of them needed the intimate union of their minds merging, Savannah as much as Gregori. And her newfound knowledge of him was secure behind a miniature barricade she had hastily erected. Wide-eyed and innocent, she looked at him.
His thumb pressed into her lower lip, half mesmerized by the satin perfection of it. "You will never hunt vampires, ma cherie, not ever.And if I were ever to catch you attempting such a thing,there would be hell to pay."
She didn't look scared. Rather, amusement crept into the deep blue of her eyes. "Surely you aren't threatening me,Dark One, bogey man of the Carpathians." She laughed softly, a sound that feathered down his spine and somehow took away the sting of that centuries-old designation. "Stop looking so serious, Gregori-you haven't lost your reputation entirely. Everyone else is still terrified of the big bad wolf."
His eyebrows shot up. She was teasing him. About his dark reputation, of all things. Her gaze was clear and sparkling, hinting at mischeif. Savannah wasn't railing against her fate, of being tied to him, a monster. She was too filled with life and laughter, with joy. He felt it in her mind, in her heart, in her very soul. He wished it could somehow rub off on him,make him a more compatible lifemate for her. "You are the only one who needs to worry about the big bad wolf, mon amour," he threatened with mock gravity.
She leaned over to stare up into his eyes, a smile curving her soft mouth. "You cracked a joke, Gregori. We're making progress.Why,we're practically friends."
"Practically?" he echoed gently.
"Getting there fast," she told him firmly with her chin up,daring him to contradict her.
"Can one be friends with a monster?" He said casually, as if he were simply musing out loud,but there was a shadow in his silver eyes.
"I was being childish, Gregori, when I made such an accusation," she said softly, her eyes meeting his squarely.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
As Garrett looked up from the transfuser, she blinked at the sight of a shirtless West Ravenel hoisting himself easily onto the table. Despite his earlier crack about Ethan's athletic form, he was certainly no physical lightweight himself. He had the hard, rippling musculature of a man accustomed to lifting and carrying heavy weight. But what had surprised Garrett was the discovery that his torso was tanned the same shade of golden brown as his face. All over.
What kind of gentleman went outside in the sun for that long with no shirt?"
Ravenel's lips quirked as he saw her expression. A twinkle of arrogant amusement appeared in his eyes. "Farmwork," he said in a matter-of-fact tone. "And I do some quarrying."
"Half naked?" Garrett asked tartly, setting the transfuser on an expanse of clean linen.
"I've been loading rocks into horse carts," he said. "Which suits my intellectual capacity perfectly. But it's too hot for a shirt.
”
”
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
“
Incidentally, I’m not going with the family when they depart for Hampshire on the morrow.” “Business in London?” Harry asked politely. “Yes, a few last parliamentary obligations. And a bit of architectural dabbling—a hobby of mine. But mainly I’m staying for Poppy’s sake. You see, I expect she’ll want to leave you quite soon, and I intend to escort her home.” Harry smiled contemptuously, amused by his new brother-in-law’s effrontery. Did Leo have any idea how many ways Harry could ruin him, and how easily it could be done? “Tread carefully,” Harry said softly. It was a sign of either naïveté or courage that Leo didn’t flinch. He actually smiled, though there was no humor in it. “There’s something you don’t seem to understand, Rutledge. You’ve managed to acquire Poppy, but you don’t have what it takes to keep her. Therefore, I won’t be far away. I’ll be there when she needs me. And if you harm her, your life won’t be worth a bloody farthing. No man is untouchable—not even you.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
It's stiff, the fabric hugging my hips, making it impossible to move freely.
"Go on." It's Kai's taunting voice I hear behind me. "Ask for my help, Gray."
I roll my eyes at the wall in front of me. "Stubborn, remember?"
I hear Kitt's chuckle before I feel hands brushing my legs. Startled, I look down, eyes landing on a bent head of messy black waves. Kai is gripping the bottom seam of my dress, his eyes flicking up to mine.
"May I?" His voice is soft, tone amused.
I swallow, roll my eyes once again, and nod against my better judgment.
And then he's ripping my dress.
He tears the fabric easily, creating a slit up the side of my thigh, freeing me from the tight confines of the fabric. His rough fingers briefly brush my skin as he says, "I am more than willing to rip your dresses for you, Gray. To help, of course." Kitt snorts while Kai smirks. "You only need to ask."
"Why ask when you're so eager to offer?"
Kai's laughter follows me as I finally pull myself up, arms burning with the strain.
”
”
Lauren Roberts, Powerless
“
But what was lacking, what was different, I asked myself, listening to the talk? And to answer that question I had to think myself out of the room, back into the past, before the war indeed, and to set before my eyes the model of another luncheon party held in rooms not very far distant from these; but different. Everything was different. Meanwhile the talk went on among the guests, who were many and young, some of this sex, some of that; it went on swimmingly, it went on agreeably, freely, amusingly. And as it went on I set it against the background of that other talk, and as I matched the two together I had no doubt that one was the descendant, the legitimate heir of the other. Nothing was changed; nothing was different save only - here I listened with all my ears not entirely to what was being said, but to the murmur or current behind it. Yes - that was it - the change was there. Before the war at a luncheon party like this people would have said precisely the same things but they would have sounded different, because in those days they were accompanied by a sort of humming noise, not articulate, but musical, exciting, which changed the value of the words themselves. Could one set that humming noise to words? Perhaps with the help of the poets one could. ...
The very reason why the poetry excites one to such abandonment, such rapture, is that it celebrates some feeling that one used to have (at luncheon parties before the war perhaps), so that one responds easily, familiarly, without having to check the feeling, or to compare it with any that one has now.
”
”
Virginia Woolf (A Room of One’s Own)
“
Kestrel was stiff, her delicate shoes planted in the walkway’s gravel. She had lifted the hem of her storm-green skirts, the gesture of a lady, but he saw how she made fists of the fabric.
"I’m sorry,” he said, guessing what troubled her: the memory of the Firstwinter Rebellion. Her dead friends, Arin’s deception, the halls of the governor’s palace choked with corpses.
She gave him a narrow look. “Part of you isn’t sorry.”
He couldn’t deny it.
But she softened and said, “I’m not innocent either. I, too, feel sorry and not sorry about things I’ve done.” She let her dress’s hem fall to the stones and touched three fingers to the back of his hand.
Arin forgot, for a moment, where he was and what they were discussing. A marvel: that such a light touch could feel like a whole caress, that his body could ignite so easily.
Now she looked amused.
“Let’s leave.” He slid a hand beneath her loose hair and thumbed the slope of her neck, feeling the fluttery pulse there. Her expression changed, amusement melting into slow pleasure. He said, “Let’s not go in.”
“Arin.” She sighed. “We must go in.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
„Hey, you were braver than me. And look, you did it all without losing that towel.”
Amusement lit Sydney’s features as she let me draw her near. She patted the top of the towel, where it wrapped around her chest. “It’s all in how you fold it,” she said practically. “Do it the right way, and nothing will get it off.”
“Challenge accepted,” I murmured, bringing my lips down to hers.
… I lifted her easily in my arms and carried her over to the bed, amazed at how the strongest woman I knew could feel so light in my arms.
I was also amazed at how difficult that towel was to get off.
Sydney laughed softly, trailing her fingers along my cheeks. The sunlight peeping in around the window blinds made her look like she was made of gold. “Uh-oh,” she said. “Are you going to fail in your challenge?”
I finally untwisted the fold and removed the towel, tossing it as far from the bed as I could. “No way,” I said, as always in awe of her body. “It takes a lot more than that to keep me away. You’ll have to try harder next time.”
She helped pull my shirt off over my head. “Now why would I want to do that?
”
”
Richelle Mead (The Ruby Circle (Bloodlines, #6))
“
You haven’t met Boche yet, despite the fact that she was here before we went into hiding. She’s the warehouse and office cat, who keeps the rats at bay in the storeroom. Her odd, political name can easily be explained. For a while the firm Gies & Co. had two cats: one for the warehouse and one for the attic. Their paths crossed from time to time, which invariably resulted in a fight. The warehouse cat was always the aggressor, while the attic cat was ultimately the victor, just as in politics. So the warehouse cat was named the German, or “Boche,” and the attic cat the Englishman, or “Tommy.” Sometime after that they got rid of Tommy, but Boche is always there to amuse us when we go downstairs.
”
”
Anne Frank (The Diary of a Young Girl)
“
What were you doing spying on me?” she asked bluntly as she flounced down on a bench to inspect her charred skirts.
The lean, hard muscles of his thighs flexed beneath the tight-fitting breeches as he half sat, half leaned on a high stool nearby.
“I grew bored with viewing the ladies who meander about the markets, and I came to see if the sights were better here at the mayor’s cottage.”
The corners of his lips twitched with amusement, and his eyes gleamed into hers as he added, “I am happy to report, they are!”
Erienne got to her feet in a huff. “Have you nothing better to do than go about ogling the women?”
“I suppose I could find something else to occupy me,” he replied easily, “but I can’t think of anything that’s nearly as enjoyable, except, of course, being in a lady’s company.”
-Erienne & Christopher
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
There was a rumor that year, that you might not be yourself. That you might actually be someone else. One of those people who refuse antidepressants, who can't hold down a job, who ends up sleeping, finally, in a hole.
That might be you, was what the rumor said.
People talked. They said, 'There's this rumor...' Then they pointed out something amusing that was happening in the distance. They shrugged. Itched their forearms. They were easily distracted. Later on, though, in the mouthy dens of their bathrooms, they looked in their mirrors, and they just were not sure. Someone was there; but was it them? And so they believed. They said things like, 'What does it even matter. I might not even be myself.' Then they threw themselves off a bridge, or else drank a quart of ice coffee and watched Indiana Jones and the Temple of Doom.
”
”
Tao Lin (Bed)
“
V.D. Savarkar disagreed with those Hindus who expected much from the recognition of the common origin of Hindus and Indian Muslims: “Some well-meaning but simple-minded Hindus amuse themselves with the thought … that inasmuch as the majority of Indian Moslems also are in fact allied to us by race and language … they could easily be persuaded to acknowledge this homogeneity and even blood relation with the Hindus and merge themselves into a common National Being if but we only remind them of these affinities and appeal to them in their name. … As if the Moslems do not know it all!! The fact is that the Moslems know of these affinities all but too well: the only difference [is] that while the Hindus love these affinities which bind the Hindu to a Hindu…—the Moslems hate the very mention of them and are trying to eradicate the very memory of it all.
”
”
Koenraad Elst (Decolonizing The Hindu Mind: Ideological Development Of Hindu Revivalism)
“
Okay, boys. Dogs.” Maximus paused for dramatic effect. “Such magnificent animals. Andy and Billy know this.” They nodded. Maximus looked at Tommy. “And you, boy?” “Oh yes, sir.” Maximus continued with an upbeat tone. “They are selfless and have a keen sense of loyalty. They give unconditionally of themselves and are guileless. They are easily trained, as they always want to please the master. One of the most important things they teach us is the joy of living in the moment. To live life without being bogged down by unnecessary distractions of potential future consequences or troubled by past experiences. They know what makes them happy and they pursue it without fear of being judged, as they are nonjudgmental themselves. And on top of all that they can make us laugh.” Maximus grinned mischievously. “Time for some amusement. Alpha-Sleep. Beta-Sleep.” Andy and Billy remained
”
”
Peter Archon (Transforming Tommy: Awakening the Slaveheart)
“
Toward the end of the plague, yellow journalism had spread a cancerous dread of vampires to all corners of the nation. He could remember himself the rash of pseudo-scientific articles that veiled an out-and-out fright campaign designed to sell papers. There was something grotesquely amusing in that; the frenetic attempt to sell papers while the world died. Not that all newspapers had done that. Those papers that had lived in honesty and integrity died the same way. Yellow journalism, though, had been rampant in the final days. And, in addition, a great upsurge in revivalism had occurred. In a typical desperation for quick answers, easily understood, people had turned to primitive worship as the solution. With less than success. Not only had they died as quickly as the rest of the people, but they had died with terror in their hearts, with a mortal dread flowing in their very veins.
”
”
Richard Matheson (I Am Legend)
“
I spent another sleepless night in my apartment and in the early hours of the morning I snuck once more into my little kitchen, to prepare a huge torta di ricotta. I needed a cheesecake: it was the only thing that could give me the peace of mind I craved.
Had I been too hasty in offering to give l'Inglese lessons? I asked myself, as I ground green almonds with my pestle. The power of my wrist quickly turned the almonds to powder. If only I could grind my worries away as easily.
I beat the ricotta, egg yolks, honey, sugar, lemon juice, and rind into the almonds. I beat and beat and beat the mixture until a sweat formed on my brow and my body began to glow with warmth. Even then I did not stop beating. I welcomed the exhaustion that began to creep up on me: I could feel the healing power of my cooking.
Really I knew nothing about l'Inglese. Nothing at all. Except that everything about him spelled danger to an inexperienced woman like me. I was afraid of him, yet could not bear the thought of not seeing him again. I was always thinking of him, imagining our next meeting: amusing myself with every possible scenario.
I whisked the egg whites into peaks in a matter of seconds. I reasoned that I had been right to speak out to him when I did. I knew how I would have hated myself if I had let the moment slip by. I knew how wretched and foolish I would have felt at my impotence, and yet this turbulence inside me was almost as bad. Acrobatic butterflies fluttered in my stomach, however much I tried to feed them into submission.
When the torta had baked to a golden, angel-scented crust, and after waiting impatiently for it to cool, I helped myself to a large slice with a thick dollop of cream. Ooh, it was good. I mopped up every crumb from the plate with my finger. Then I switched out the lights and climbed back into bed. I resigned myself to the thought that what was done could not be undone and drifted into a lemon-flavored sleep.
”
”
Lily Prior (La Cucina)
“
I find it hard to believe that a sentimental ceremonial Christianity will thoroughly satisfy us. A little child is easily quieted and amused with bright toys, dolls, and rattles as long as he is not hungry; but once he feels the cravings of nature within, we know that nothing will satisfy him but food. This is the same way it is with man in the matter of his soul. Music, flowers, candles, incense, banners, processions, beautiful vestments, confessionals, and man-made ceremonies of a semi-Roman-Catholic character may do well enough for him under certain conditions; but once he awakes and arises from the dead (Ephesians 5:14), he will not rest content with these things. They will seem to him to be mere meaningless ceremonies and a waste of time. Once he sees his sin, he will know that he must see his Savior. He feels stricken with a deadly disease, and nothing will satisfy him but the great Physician. He hungers and thirsts, and he must have nothing less than the Bread of Life.
”
”
J.C. Ryle (Holiness: For the Will of God Is Your Sanctification – 1 Thessalonians 4:3 [Annotated, Updated])
“
Gennie looked over her shoulder as a Mercedes pulled to a halt beside them. The driver was in shadows, so that she had only the impression of dark, masculine looks while the passenger rolled down her window.
A cap of wild red hair surrounding an angular face poked out the opening. The woman leaned her arms on the base of the window and grinned appealingly. "You people lost?"
Grant sent her a narrow-eyed glare, then astonished Gennie by reaching out and twisting her nose between his first two fingers. "Scram."
"Some people just aren't worth helping," the woman stated before she gave a haughty toss of her head and disappeared back inside. The Mercedes purred discreetly, then disappeared around the first curve.
"Grant!" Torn between amusement and disbelief, Gennie stared at him. "Even for you that was unbelievably rude."
"Can't stand busybodies," he said easily as he started the car agian.
She let out a gusty sigh as she flopped back against the cushions. "You certainly made that clear anough. I'm beginning to think it was a miracle you didn't just slam the door in my face that first night."
"It was a weak moment.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Sometimes you characters give me a pain in the back of my lap,” said Manuel abruptly. “I hang around with you and listen to simple-minded gobbledegook in yard-long language, if it’s you talking, Dran, and pink-and-purple sissification from the brat here. Why I do it I’ll never know. And it goes that way up to the last gasp. So you’re going to leave. Dran has to make a speech, real logical. Vaughn has to blow out a sigh and get misty-eyed.” He spat.
“How would you handle it?” Dran asked, amused. Vaughn stared at Manuel whitely.
“Me? You really want to know?”
“This I want to hear,” said Vaughn between her teeth.
“I’d wait a while—a long while—until neither of you was talking. Then I’d say, ‘I joined the Marines yesterday.’ And you’d both look at me a little sad. There’s supposed to be something wrong with coming right out and saying something. Let’s see. Suppose I do it the way Vaughn would want me to.” He tugged at an imaginary braid and thrust out his lower lip in a lampoon of Vaughn’s full mouth. He sighed gustily. “I have felt …” He paused to flutter his eyelashes. “I have felt the call to arms,” he said in a histrionic whisper. He gazed off into the middle distance. “I have heard the sound of trumpets. The drums stir in my blood.” He pounded his temples with his fists. “I can’t stand it—I can’t! Glory beckons. I will away to foreign strands.”
Vaughn turned on her heel, though she made no effort to walk away. Dran roared with laughter.
“And suppose I’m you,” said Manuel, his face taut with a suppressed grin. He leaned easily against the base of the statue and crossed his legs. He flung his head back. “Zeno of Miletus,” he intoned, “in reflecting on the cromislon of the fortiseetus, was wont to refer to a razor as ‘a check for a short beard.’ While shaving this morning I correlated ‘lather’ with ‘leather’ and, seeing some of it on my neck, I recalled the old French proverb, ‘Jeanne D’Arc,’ which means: The light is out in the bathroom. The integration was complete. If the light was out I could no longer shave. Therefore I can not go on like this. Also there was this matter of the neck. I shall join the Marines. Q. E. D., which means thus spake Zarathusiasm.”
Dran chuckled. Vaughn made a furious effort, failed, and burst out laughing. When it subsided, Manuel said soberly, “I did.”
“You did what?”
“I joined the Marines yesterday.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume VI: Baby Is Three)
“
So you were bored and decided to come looking for me?”
He trailed a finger over the exposed part of her upper chest. “Something like that.”
Blushing prettily, she brushed his hand away, but not before giving his fingers a squeeze. “Well, I’m busy, so unless you want to help Heather and me in our endeavors, you will have to find some way to amuse yourself.”
Grey sighed. “All right, I’ll go, but only because I’m likely to ruin whatever beautification potions you two lovely witches are brewing.”
Behind Rose, the maid Heather giggled. Grey grinned at Rose’s wide-eyed disbelief as she looked at first her maid and then him. “Have you always charmed women so easily?”
Grey’s humor faded. “I’m afraid so.” And then softly, “It if offends you…”
She shoved her palm into his shoulder. “Don’t be an idiot. Flirt with my maid all you want. But I don’t want to hear anything from you when I smile at the footmen.”
God she was amazing. He slipped his arms around her, no caring that the maid could see, even though she made a great pretense of not looking. “Are you going out tonight?”
Rose pushed against his chest. “Grey, I’m all sweat and grime.”
“I don’t care. Answer me, are you going out?”
She arched a brow. “Are you trying to get rid of me?”
“No.” He held her gaze as he lowered his head, but he didn’t kiss her. He simply let the words drift across her sweet lips. “I’d keep you here every night if I could.”
She shivered delicately. Christ, he could kiss her. He could make love to her right there. “All you have to do is ask.”
“I won’t have you give up your society for me.”
Something flickered in her dark eyes. “It wouldn’t be much of a sacrifice.”
Because of the gossip? How long before she began to resent him for it? He could just push her away and be done with it-tell her to go out and find herself a lover, but he would rather carve up the rest of his face than do that.
Instead, he took the coward’s route. He didn’t ask for an explanation. He didn’t want to know what she’d heart about him or what they’d said about her. He simply smiled and decided to take advantage of what time he had left. Because he loved having her with him, and spending what had always been lonely hours in company better than any he might have deserved or ever wished for.
“You are sweaty and grimy,” he murmured in his most seductive tones. “And now I find I am as well. Shall we meet in the bath in, say, twenty minutes? I’ll scrub your back if you’ll scrub mine.”
Of course, when she joined him later, and their naked bodies came together in the hot, soapy water, all thoughts of scrubbing disappeared. And so did-for a brief while-all of Grey’s misgivings.
But he knew they’d be back.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
The hill was mainly composed of the soft stone material known as gypsum which possessed two qualities: first, it would slowly dissolve in water and was thus a poor foundation for any large building. Second, when heated, after giving off steam, it could easily be ground into the powder from which white plaster was made. For that reason, men had been burying into the hill of Montmartre for centuries to extract the gypsum. So famous had these quarrying's become, that now, even across the ocean, white plaster had come to be known as Plaster of Paris. When the builders of Sacre Coeur began their task therefore, they found that the underlying terrain was not only soft, but so honeycombed with mineshafts and tunnels that had the great building been placed directly upon it, the entire hill would have surely collapsed, leaving the church in a stupendous sinkhole. The solution had been very French, a combination of elegant logic and vast ambition: 83 gigantic shafts were dug, each over 100 feet deep filled with concrete. Upon these mighty columns, like a huge box, almost as deep as the church above, the crypt was constructed as a platform. This work alone had taken almost a decade, and by the end of it, even those who hated the project would remark with rye amusement: 'Montmartre isn't holding up the church, it's the church that's holding up Montmartre'.
”
”
Edward Rutherfurd (Paris)
“
As Merripen gave the ribbons to a stableman at the mews, Amelia glanced toward the end of the alley.
A pair of street youths crouched near a tiny fire, roasting something on sticks. Amelia did not want to speculate on the nature of the objects being heated. Her attention moved to a group—three men and a woman—illuminated in the uncertain blaze. It appeared two of the men were engaged in fisticuffs. However, they were so inebriated that their contest looked like a performance of dancing bears.
The woman’s gown was made of gaudily colored fabric, the bodice gaping to reveal the plump hills of her breasts. She seemed amused by the spectacle of two men battling over her, while a third attempted to break up the fracas.
“’Ere now, my fine jacks,” the woman called out in a Cockney accent, “I said I’d take ye both on—no need for a cockfight!”
“Stay back,” Merripen murmured.
Pretending not to hear, Amelia drew closer for a better view. It wasn’t the sight of the brawl that was so interesting—even their village, peaceful little Primrose Place, had its share of fistfights. All men, no matter what their situation, occasionally succumbed to their lower natures. What attracted Amelia’s notice was the third man, the would-be peacemaker, as he darted between the drunken fools and attempted to reason with them.
He was every bit as well dressed as the gentlemen on either side … but it was obvious this man was no gentleman. He was black-haired and swarthy and exotic. And he moved with the swift grace of a cat, easily avoiding the swipes and lunges of his opponents.
“My lords,” he was saying in a reasonable tone, sounding relaxed even as he blocked a heavy fist with his forearm. “I’m afraid you’ll both have to stop this now, or I’ll be forced to—” He broke off and dodged to the side just as the man behind him leaped.
The prostitute cackled at the sight. “They got you on the ’op tonight, Rohan,” she exclaimed.
Dodging back into the fray, Rohan attempted to break it up once more. “My lords, surely you must know”—he ducked beneath the swift arc of a fist—“that violence”—he blocked a right hook—“never solves anything.”
“Bugger you!” one of the men said, and butted forward like a deranged goat.
Rohan stepped aside and allowed him to charge straight into the side of the building. The attacker collapsed with a groan and lay gasping on the ground.
His opponent’s reaction was singularly ungrateful. Instead of thanking the dark-haired man for putting a stop to the fight, he growled, “Curse you for interfering, Rohan! I would’ve knocked the stuffing from him!” He charged forth with his fists churning like windmill blades.
Rohan evaded a left cross and deftly flipped him to the ground. He stood over the prone figure, blotting his forehead with his sleeve. “Had enough?” he asked pleasantly. “Yes? Good. Please allow me to help you to your feet, my lord.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
You live in days when a lingering, Lot-like religion abounds. The stream of profession is far broader than it once was, but far less deep in many places. A certain kind of Christianity is almost fashionable now. To belong to some party in the Church of England, and show a zeal for its interests--to talk about the leading controversies of the day--to buy popular religious books as fast as they come out, and lay them on your table--to attend meetings--to subscribe to Societies--to discuss the merits of preachers--to be enthusiastic and excited about every new form of sensational religion which crops up--all these are now comparatively easy and common attainments. They no longer make a person singular. They require little or no sacrifice. They entail no cross. But to walk closely with God--to be really spiritually-minded--to behave like strangers and pilgrims--to be distinct from the world in employment of time, in conversation, in amusements, in dress--to bear a faithful witness for Christ in all places--to leave a savour of our Master in every society--to be prayerful, humble, unselfish, good-tempered, quiet, easily pleased, charitable, patient, meek--to be jealously afraid of all manner of sin, and tremblingly alive to our danger from the world--these, these are still rare things! They are not common among those who are called true Christians, and, worst of all, the absence of them is not felt and bewailed as it should be.
”
”
J.C. Ryle (Holiness: Its Nature, Hindrances, Difficulties, and Roots)
“
Rebecca,why haven't you burned his wardrobe yet?"
Rebecca turned to see what had provoked that question, then just stared. Her husband was wearing one of those horribly bright satin coats better suited to a costume ball, this one in a ghastly orange, with excesive lace at the wrists and the throat. With his long black hair and his soft cheeks so smoothly shaved,it made him look somewhat effeminate when she knew he was anything but.
But he actually looked to be trying not to laugh when he said to his mother, "She'll do nothing of the sort. She likes my taste in clothes. It reminds her of when we first met."
Rebecca continued to just stare, her mind in a whirl. It sounded as if he was just teasing, but she couldn't be sure. To imply that she had fond memories of their first meeting wasn't even remotely amusing. She had nothing of the sort.
"You can't seriously intend to take your wife out wearing something like that?" Julie continued.
"What's wrong with what she's wearing?"
"Not her,you fool.You! You're married now. Your old taste in clothes-"
"Marriage has nothing to do with taste, Mother," Rupert cut in. "Well, perhaps a little,at least in women, but nothing a'tall to do with one's wardrobe.Shall we go, m'dear?"
The last was added for Rebecca as he put an arm around her to lead her out of the room. His hand on her hip was all she could think about.
But his mother refused to be dismissed so easily. Julie actually shouted at him, "Find a new tailor! You're mortifying your wife!
”
”
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
“
He murmurs, low and hungry, "I really want to ruin you."
Eden bites her lip. She can barely breathe as she rasps, "Then what are you waiting for?"
He hums, content, as he reaches behind her to help lift her bralette up and over her head. Alexander grabs at her small breasts, easily covering her with his massive hands. She shivers, both amused and aroused at how small and protected he makes her feel.
He leaves a line of kisses from her breasts down her stomach, marking her as he works his way down to her jeans. It's a wonder to watch his skilled fingers undo the front of her pants before tugging them off with great haste. All that remains is her matching white lace thong, one that leaves little to the imagination.
Alexander growls. "You're really going to kill me, you know that?"
"Sorry," she replies, breathless.
"Don't be," he mumbles, moving in to lick at her mound through the fabric.
Pleasure spears through her in a massive shock wave, the warmth of his tongue seeping through the lace. The throbbing wetness between her legs grows more and more unbearable with every second. But Alexander takes his time, mouthing at her through her thong with slow and controlled determination.
It's torturous.
It's heaven.
"Take it off," she commands, barely recognizing the sound of her own voice. "Take it---"
"Be patient."
Eden whines. "But I want---"
"I know."
"Please---"
"I told you. I want to ruin you."
Eden moans, lightheaded and babbling nonsense. It's enough to make her toes curl. She's sure she sounds pathetic, panting and mewling like she's in heat.
”
”
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
“
Now it is at once well worth noting that, on the one hand, the sufferings and afflictions of life can easily grow to such an extent that even death, in the flight from which the whole of life consists, becomes desirable, and a man voluntarily hastens to it. Again, on the other hand, it is worth noting that, as soon as want and suffering give man a relaxation, boredom is at once so near that he necessarily requires diversion and amusement. The striving after existence is what occupies all living things, and keeps them in motion. When existence is assured to them, they do not know what to do with it. Therefore the second thing that sets them in motion is the effort to get rid of the burden of existence, to make it no longer felt, “to kill time,” in other words, to escape from boredom. Accordingly we see that almost all men, secure from want and cares, are now a burden to themselves, after having finally cast off all other burdens. They regard as a gain every hour that is got through, and hence every deduction from that very life, whose maintenance as long as possible has till then been the object of all their efforts. Boredom is anything but an evil to be thought of lightly; ultimately it depicts on the countenance real despair. It causes beings who love one another as little as men do, to seek one another so much, and thus becomes the source of sociability. From political prudence public measures are taken against it everywhere, as against other universal calamities, since this evil, like its opposite extreme, famine, can drive people to the greatest excesses and anarchy; the people need panem et circenses.
”
”
Arthur Schopenhauer (The World as Will and Representation, Volume I)
“
While writing the article that reported these findings, Amos and I discovered that we enjoyed working together. Amos was always very funny, and in his presence I became funny as well, so we spent hours of solid work in continuous amusement. The pleasure we found in working together made us exceptionally patient; it is much easier to strive for perfection when you are never bored. Perhaps most important, we checked our critical weapons at the door. Both Amos and I were critical and argumentative, he even more than I, but during the years of our collaboration neither of us ever rejected out of hand anything the other said. Indeed, one of the great joys I found in the collaboration was that Amos frequently saw the point of my vague ideas much more clearly than I did. Amos was the more logical thinker, with an orientation to theory and an unfailing sense of direction. I was more intuitive and rooted in the psychology of perception, from which we borrowed many ideas. We were sufficiently similar to understand each other easily, and sufficiently different to surprise each other. We developed a routine in which we spent much of our working days together, often on long walks. For the next fourteen years our collaboration was the focus of our lives, and the work we did together during those years was the best either of us ever did. We quickly adopted a practice that we maintained for many years. Our research was a conversation, in which we invented questions and jointly examined our intuitive answers. Each question was a small experiment, and we carried out many experiments in a single day. We were not seriously looking for the correct answer to the statistical questions we posed. Our aim was to identify and analyze the intuitive answer, the first one that came to mind, the one we were tempted to make even when we knew it to be wrong. We believed—correctly, as it happened—that any intuition that the two of us shared would be shared by many other people as well, and that it would be easy to demonstrate its effects on judgments.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Just walking,” he said quickly. “I know it looks odd, but we didn’t come to the Lower City for trouble.”
“We came here for love,” Romeo said earnestly.
“Love,” the subcaptain echoed, sounding faintly amused.
It was like the time when Paris was a child, and he’d accidentally knocked over a pile of expensive dishes waiting for the servants to clean them. The pile had tottered for several moments, but Paris hadn’t been able to grab and steady them, or even flee before the crash gave him away. He’d been too entranced by the oncoming disaster.
It was like that now. Paris knew this was going to end badly, but he couldn’t seem to get his mouth working, and meanwhile Romeo was rambling enthusiastically.
“Yes!” he said. “It’s my friend here—he fell in love with a girl who worked in his family’s kitchen, and she loved him in return, but when his father found out he was furious and had her cast out into the Lower City, and then he lied and forged letters and tried to make him believe she had renounced him. But my friend loved her too dearly and trusted her too deeply, and he discovered the truth, and so we’ve come to find her!”
Paris found that his panic was turning into a peculiar sort of calm. They were doomed. If he was lucky, he would be executed along with Romeo. If not, he would be handed back to Lord Catresou.
“And you, a Mahyanai, are helping him?” asked the subcaptain.
“Because I love her as well,” Romeo said earnestly, “and I will see her happy though it breaks my heart in two. Lovely, kind Maretta with eyes like the summer sky at twilight. Have you seen her?”
“No,” said the subcaptain, “but I’m not sure I’ve ever seen anyone so bad at lying, either.”
Romeo looked uncommonly like a bird fluffing itself up for a mating display. “My love is as true as the stars are bright,” he said with terrifying intensity. “So is his.”
The subcaptain’s mouth quirked. “Tiny and flickering and easily clouded over?”
She doesn’t believe you, said Paris silently, so can you stop humiliating us?
There is no shame in love! It shouldn’t have been possible to shout silently, but Romeo managed it.
”
”
Rosamund Hodge (Bright Smoke, Cold Fire (Bright Smoke, Cold Fire, #1))
“
Remember what they made you do,” Manon said, “when you face them again.” “I doubt I’ll ever forget it, witchling.” He stood, heading for the door. Manon said, “These chains are rubbing my skin raw. Surely you’ve some sympathy for chained things.” Dorian paused. She lifted her hands, displaying the chains. “I’ll give my word not to do any harm.” “It’s not my call. Now that you’re talking again, maybe telling Aelin what she’s been pushing you about will get you on her good side.” Manon had no idea what the queen had been demanding of her. None. “The longer I stay in here, princeling, the more likely I am to do something stupid when you release me. Let me at least feel the wind on my face.” “You’ve got a window. Go stand in front of it.” Part of her sat up straight at the harshness, the maleness in that tone, in the set of those broad shoulders. She purred, “If I had been asleep, would you have lingered to stare at me for a while?” Icy amusement gleamed there. “Would you have objected?” And perhaps she was reckless and wild and still a bit stupid from blood loss, but she said, “If you plan to sneak in here in the darkest hours of the night, you should at least have the decency to ensure I get something out of it.” His lips twitched, though the smile was cold and sensuous in a way that made her wonder what playing with a king blessed with raw magic might be like. If he’d make her beg for the first time in her long life. He looked capable of it—perhaps willing to let a little cruelty into the bedroom. Her blood thrummed. “As tempting as seeing you naked and chained might be …” A soft lover’s laugh. “I don’t think you’d enjoy the loss of control.” “And you’ve been with so many women to be able to judge a witch’s wants so easily?” That smile turned lazy. “A gentleman never tells.” “How many?” He was only twenty—though he was a prince, now a king. Women had likely been falling over themselves for him since his voice had deepened. “How many men have you been with?” he countered. She smirked. “Enough to know how to handle the needs of mortal princelings. To know what will make you beg.” Never mind that she was contemplating the opposite. He drifted across the room, past the range of her chains, right into her own breathing space. He leaned over her, nearly nose-to-nose, nothing at all amused in his face, in the cut of his cruel, beautiful mouth, as he said, “I don’t think you can handle the sort of things I need, witchling. And I am never begging for anything again in my life.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
That's a fine line," he said at last, indicating with his thumb what pleased him. "You're beginning to learn to draw."
Clutton did not answer, but looked at the master with his usual air of sardonic indifference to the world's opinion.
"I'm beginning to think you have at least a trace of talent."
Mrs. Otter, who did not like Clutton, pursed her lips. She did not see anything out of the way in his work. Foinet sat down and went into technical details. Mrs. Otter grew rather tired of standing. Clutton did not say anything, but nodded now and then, and Foinet felt with satisfaction that he grasped what he said and the reasons of it; most of them listened to him, but it was clear they never understood. Then Foinet got up and came to Philip.
"He only arrived two days ago," Mrs. Otter hurried to explain. "He's a beginner. He's never studied before."
"Ca se voit," the master said. "One sees that."
He passed on, and Mrs. Otter murmured to him:
"This is the young lady I told you about."
He looked at her as though she were some repulsive animal, and his voice grew more rasping.
"It appears that you do not think I pay enough attention to you. You have been complaining to the massiere. Well, show me this work to which you wish me to give attention."
Fanny Price coloured. The blood under her unhealthy skin seemed to be of a strange purple. Without answering she pointed to the drawing on which she had been at work since the beginning of the week. Foinet sat down.
"Well, what do you wish me to say to you? Do you wish me to tell you it is good? It isn't. Do you wish me to tell you it is well drawn? It isn't. Do you wish me to say it has merit? It hasn't. Do you wish me to show you what is wrong with it? It is all wrong. Do you wish me to tell you what to do with it? Tear it up. Are you satisfied now?"
Miss Price became very white. She was furious because he had said all this before Mrs. Otter. Though she had been in France so long and could understand French well enough, she could hardly speak two words.
"He's got no right to treat me like that. My money's as good as anyone else's. I pay him to teach me. That's not teaching me."
"What does she say? What does she say?" asked Foinet.
Mrs. Otter hesitated to translate, and Miss Price repeated in execrable French.
"Je vous paye pour m'apprendre."
His eyes flashed with rage, he raised his voice and shook his fist.
"Mais, nom de Dieu, I can't teach you. I could more easily teach a camel." He turned to Mrs. Otter. "Ask her, does she do this for amusement, or does she expect to earn money by it?"
304
”
”
W. Somerset Maugham
“
The Book of the Grotesque
The writer, an old man with a white mustache, had some difficulty in getting into bed. The windows of the house in which he lived were high and he wanted to look at the trees when he awoke in the morning. A carpenter came to fix the bed so that it would be on a level with the window.
Quite a fuss was made about the matter. The carpenter, who had been a soldier in the Civil War, came into the writer’s room and sat down to talk of building a platform for the purpose of raising the bed. The writer had cigars lying about and the carpenter smoked.
For a time the two men talked of the raising of the bed and then they talked of other things. The soldier got on the subject of the war. The writer, in fact, led him to that subject. The carpenter had once been a prisoner in Andersonville prison and had lost a brother. The brother had died of starvation, and whenever the carpenter got upon that subject he cried. He, like the old writer, had a white mustache, and when he cried he puckered up his lips and the mustache bobbed up and down. The weeping old man with the cigar in his mouth was ludicrous. The plan the writer had for the raising of his bed was forgotten and later the carpenter did it in his own way and the writer, who was past sixty, had to help himself with a chair when he went to bed at night.
In his bed the writer rolled over on his side and lay quite still. For years he had been beset with notions concerning his heart. He was a hard smoker and his heart fluttered. The idea had got into his mind that he would some time die unexpectedly and always when he got into bed he thought of that. It did not alarm him. The effect in fact was quite a special thing and not easily explained. It made him more alive, there in bed, than at any other time. Perfectly still he lay and his body was old and not of much use any more, but something inside him was altogether young. He was like a pregnant woman, only that the thing inside him was not a baby but a youth. No, it wasn’t a youth, it was a woman, young, and wearing a coat of mail like a knight. It is absurd, you see, to try to tell what was inside the old writer as he lay on his high bed and listened to the fluttering of his heart. The thing to get at is what the writer, or the young thing within the writer, was thinking about.
The old writer, like all of the people in the world, had got, during his long fife, a great many notions in his head. He had once been quite handsome and a number of women had been in love with him. And then, of course, he had known people, many people, known them in a peculiarly intimate way that was different from the way in which you and I know people. At least that is what the writer thought and the thought pleased him. Why quarrel with an old man concerning his thoughts?
In the bed the writer had a dream that was not a dream. As he grew somewhat sleepy but was still conscious, figures began to appear before his eyes. He imagined the young indescribable thing within himself was driving a long procession of figures before his eyes.
You see the interest in all this lies in the figures that went before the eyes of the writer. They were all grotesques. All of the men and women the writer had ever known had become grotesques.
The grotesques were not all horrible. Some were amusing, some almost beautiful, and one, a woman all drawn out of shape, hurt the old man by her grotesqueness. When she passed he made a noise like a small dog whimpering. Had you come into the room you might have supposed the old man had unpleasant dreams or perhaps indigestion.
For an hour the procession of grotesques passed before the eyes of the old man, and then, although it was a painful thing to do, he crept out of bed and began to write. Some one of the grotesques had made a deep impression on his mind and he wanted to describe it.
”
”
Sherwood Anderson (Winesburg, Ohio)
“
His eyes flickered with amusement, reflecting sunlight and shade. The rough beard on his chin gave him a wild, dangerous look. Stiffly, she lifted herself onto her toes, bracing a hand against his shoulders. He was steel beneath her grasp. Did he have to watch her so intently? She closed her eyes. It was the only way she would have the courage to do this. Still he waited. It would be a brief meeting of lips. Nothing to be afraid of. If only her heart would remember to keep beating. Holding her breath, she let her lips brush over his. It was the first time she’d ever kissed a man and her mind raced with it. She hardly had a sense of his mouth at all, though the shock of the single touch rushed like liquid fire to her toes. Her part of the bargain was fulfilled. It could be done and over right then. Recklessly, after a moment’s hesitation, she touched her lips once again to him. This time she lingered, exploring the feel of him little by little. His mouth was warm and smooth and wonderful, all of it new and unexpected. He still hadn’t moved, even though her knees threatened to crumble and her heart beat like a thunder drum. Finally he responded with the barest hint of pressure. The warmth of his breath mingled with hers. Without thinking, she let her fingers dig into the sleek muscle of his arms. A low, husky sound rumbled in his throat before he wrapped his arms around her. Heaven and earth. She hadn’t been kissing him at all. The thin ribbon of resistance uncoiled within her as he took control of the kiss. His stubble scraped against her mouth, raking a raw path of sensation through her. She could do nothing but melt against him, clutching the front of his tunic to stay on her feet. A delicious heat radiated from him. His hands sank low against the small of her back to draw her close as he teased her mouth open. His breath mingled with hers for one anguished second before his tongue slipped past her lips to taste her in a slow, indulgent caress. A sigh of surrender escaped from her lips, a sound she hadn’t imagined she was capable of uttering. His hands slipped from her abruptly and she opened her eyes to see his gaze fixed on her.
‘Well,’ he breathed, ‘you do honour your bets.’ Though he no longer touched her, it was as if the kiss hadn’t ended. He was still so close, filling every sense and thought. She stumbled as she tried to step away and he caught her, a knowing smile playing over his mouth. Her balance was impeccable. She never lost her footing like that, just standing there. His grip tightened briefly before he let her go. Even that tiny, innocent touch filled her with renewed longing. In a daze, she bent to pick up her fallen swords. Her pulse throbbed as if she had run a li without stopping. In her head she was still running, flying fast. ‘Now that our bargain is settled…’ she began hoarsely ‘…we should be going.’ To her horror her hands would not stop shaking. Brushing past him, she gathered up her knapsack and slung it over her shoulder. ‘You said the next town was hours from here?’ He collected his sword while a slow grin spread over his face. She couldn’t look at him without conjuring the feel and the taste of him. Head down, she ploughed through the tall grass. ‘A good match,’ she attempted. He caught up to her easily with his long stride. ‘Yes, quite good,’ he replied, the tone rife with meaning. Her cheeks burned hot as she forced her gaze on the road ahead. She could barely tell day from night, couldn’t give her own name if asked. She had to get home and denounce Li Tao. Warn her father. She had thought of nothing else since her escape, until this blue-eyed barbarian had appeared. It was fortunate they were parting when they reached town. When he wasn’t looking she pressed her fingers over her lips, which were still swollen from that first kiss. She was outmatched, much more outmatched than when they had crossed swords.
”
”
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
“
Keynes was a voracious reader. He had what he called ‘one of the best of all gifts – the eye which can pick up the print effortlessly’. If one was to be a good reader, that is to read as easily as one breathed, practice was needed. ‘I read the newspapers because they’re mostly trash,’ he said in 1936. ‘Newspapers are good practice in learning how to skip; and, if he is not to lose his time, every serious reader must have this art.’ Travelling by train from New York to Washington in 1943, Keynes awed his fellow passengers by the speed with which he devoured newspapers and periodicals as well as discussing modern art, the desolate American landscape and the absence of birds compared with English countryside.54
‘As a general rule,’ Keynes propounded as an undergraduate, ‘I hate books that end badly; I always want the characters to be happy.’ Thirty years later he deplored contemporary novels as ‘heavy-going’, with ‘such misunderstood, mishandled, misshapen, such muddled handling of human hopes’. Self-indulgent regrets, defeatism, railing against fate, gloom about future prospects: all these were anathema to Keynes in literature as in life. The modern classic he recommended in 1936 was Forster’s A Room with a View, which had been published nearly thirty years earlier. He was, however, grateful for the ‘perfect relaxation’ provided by those ‘unpretending, workmanlike, ingenious, abundant, delightful heaven-sent entertainers’, Agatha Christie, Edgar Wallace and P. G. Wodehouse. ‘There is a great purity in these writers, a remarkable absence of falsity and fudge, so that they live and move, serene, Olympian and aloof, free from any pretended contact with the realities of life.’ Keynes preferred memoirs as ‘more agreeable and amusing, so much more touching, bringing so much more of the pattern of life, than … the daydreams of a nervous wreck, which is the average modern novel’. He loved good theatre, settling into his seat at the first night of a production of Turgenev’s A Month in the Country with a blissful sigh and the words, ‘Ah! this is the loveliest play in all the world.’55
Rather as Keynes was a grabby eater, with table-manners that offended Norton and other Bloomsbury groupers, so he could be impatient to reach the end of books. In the inter-war period publishers used to have a ‘gathering’ of eight or sixteen pages at the back of their volumes to publicize their other books-in-print. He excised these advertisements while reading a book, so that as he turned a page he could always see how far he must go before finishing.
A reader, said Keynes, should approach books ‘with all his senses; he should know their touch and their smell. He should learn how to take them in his hands, rustle their pages and reach in a few seconds a first intuitive impression of what they contain. He should … have touched many thousands, at least ten times as many as he reads. He should cast an eye over books as a shepherd over sheep, and judge them with the rapid, searching glance with which a cattle-dealer eyes cattle.’ Keynes in 1927 reproached his fellow countrymen for their low expenditure in bookshops. ‘How many people spend even £10 a year on books? How many spend 1 per cent of their incomes? To buy a book ought to be felt not as an extravagance, but as a good deed, a social duty which blesses him who does it.’ He wished to muster ‘a mighty army … of Bookworms, pledged to spend £10 a year on books, and, in the higher ranks of the Brotherhood, to buy a book a week’. Keynes was a votary of good bookshops, whether their stock was new or second-hand. ‘A bookshop is not like a railway booking-office which one approaches knowing what one wants. One should enter it vaguely, almost in a dream, and allow what is there freely to attract and influence the eye. To walk the rounds of the bookshops, dipping in as curiosity dictates, should be an afternoon’s entertainment.
”
”
Richard Davenport-Hines (Universal Man: The Seven Lives of John Maynard Keynes)
“
Clever, witty, amusing, glittering discourse may be warmly applauded by the literati, but it does not easily square with the odium of the cross. So Paul will have none of it.
”
”
D.A. Carson (The Cross and Christian Ministry: An Exposition of Passages from 1 Corinthians)
“
This is, indeed, a terrible indictment of so-called progress. The fictional aspects of Travels with Charley are noticeable on most pages, the chief of these being the use of dialogue—perhaps the most obvious of fictional techniques employed by this master novelist. Steinbeck offers a sequence of human encounters, creating characters and dialogue as a true novelist would. For instance, when he crosses the Canadian border near Niagara Falls, he has a lovely, amusing exchange with the customs officer that could easily sit in the text of a short story. Steinbeck had no tape recorder, so it’s made-up speech, based on real conversation. Nevertheless the dialogue goes on for pages, and there is a beginning, a middle, and an end. Discrete scene gives way to discrete scene in the mode of picaresque fiction invented by Cervantes, and it seems fitting that the driver of a truck called Rocinante should inhabit a similarly shaped narrative
”
”
John Steinbeck (Travels With Charley: In Search of America)
“
I buttoned my own shirt reluctantly though there wasn't much I could do about my throbbing hard on aside from plan a trip back to my room as soon as I could possibly get out of this training session so that I could jerk off repeatedly with all of the new spank bank material she'd just gifted me.
Tory remained on the desk in front of me and I was hoping that was because her legs weren't working right yet.
The thirst prickled at me again as I eyed her throat and she sighed loudly as she noticed.
“You’re still going to bite me, aren’t you?” she asked, her fingers curling around the edge of the desk.
“You could look at it as rewarding me for my efforts,” I teased, because there was no fucking way she was getting out of here without me drinking from her and we both knew it.
“Well that makes me feel a little better about leaving you with blue balls,” she taunted and I almost groaned in frustration as my dick throbbed in agreement.
“Next time, I’ll be sure to carve out a few hours to dedicate to you,” I told her. “And then neither of us will be left wanting.”
“Next time?” she asked, raising an eyebrow like that wasn't at all likely to happen. But I could hear her heartbeat pounding and I knew she was wondering how hard I could make her come with several hours at our disposal and my cock a whole lot more involved in the act.
I found myself smiling again but then my mood dipped as I realised there wasn't likely to be a next time if the other Heirs succeeded with their plans for the dance. I didn't even really want to go along with the damn plan and in a moment of madness, I suddenly wondered if I could just save her from it. They would still strike at Darcy and maybe that would be enough to force the twins to leave the academy. But if I was being honest, I didn't even really want them to leave anyway.
I moved closer to her again, tucking a lock of dark hair behind her ear. “Are you going to the dance on Friday?” I murmured and her pulse scattered, making my smile deepen in satisfaction.
“Err, yeah,” she said, that suspicious look returning to her eyes.
“Why don’t you blow it off?” I suggested, wondering if I could just convince her to stay away from it all together. She was my Source after all so the others couldn't even really get mad at me for protecting her - that was kinda in the job description anyway. She blinked at me in surprise and I realised she'd probably thought I was going to ask her to go to the dance with me as her date. But I couldn't do that, if I wanted to save her from the other Heirs and their plans then I needed to keep her away from the whole thing.
“What possible reason would I have to do that?” she asked, shifting just enough to make my hand fall from her face.
I felt the rejection before she could even voice it, but I wasn't going to give up that easily.
I ran my dislodged hand down her arm instead, raising goosebumps along her skin and hopefully reminding her of just how good I'd made her feel with these fingers. “Because then I could sneak out and come to your room. We could have the whole House and an entire evening to ourselves."
“That’s pretty presumptuous of you, Earth boy.”
“Earth boy?” I asked in amusement, refusing to back down no matter how hard she was trying to resist me.
I held a hand out to her, bringing earth magic to my fingertips and causing a dark blue flower to blossom in my palm. Girls fucking loved that trick.
“Perhaps I’ve gotten what I wanted from you now,” she said, shifting forward to get up without reaching for the flower.
Okay, so maybe this girl didn't love that trick after all.
I let the flower dissolve into nothing again and stepped forward to stop her from getting to her feet, smiling darkly.
“I’m confident you’ll come back for more,” I promised her and I could tell she was at least a little tempted by the prospect.(Caleb POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
A kind of resignation, a giving-in, nearly amused, to the paltriness of it, the human body, the monstrousness of flesh and bone. That seahorse-shaped collection of cells that had burned so easily.
”
”
Alice McDermott (Absolution)
“
How amusing that men thought they could so easily know a woman
”
”
Gabriela Garcia
“
How amusing that men thought they could so easily know a woman
”
”
Gabriela Garcia
“
Tangerinist ... Tangerinist ... How much costs a kilo?" a woman yelled from an open window on the upper floor of a building across the street. It had always amused Zeliha to see how easily, almost effortlessly, the denizens of this city were capable of inventing unlikely names for ordinary
professions. You could add an -ist to almost every single thing sold in the market, and the next thing you knew, you had yet another name to be included in the elongated list of
urban professions. Thus, depending on what was put on sale, one could easily be called a"tangerinist," "waterist," or "bagelist"...
”
”
Elif Shafak (The Bastard of Istanbul)
“
people’s toes. Yellows can be amusing, creative, and elevate the mood regardless of who they’re with. However, when they are given unlimited space, they will consume all the oxygen in the room, they won’t allow anyone into a conversation, and their stories will reflect reality less and less. The friendly Greens are easy to hang out with because they are so pleasant and genuinely care for others. Unfortunately, they can be too wishy-washy and unclear. Anyone who never takes a stand eventually becomes difficult to handle. You don’t know where they really stand, and indecision kills the energy in other people. The analytical Blues are calm, levelheaded, and think before they speak. Their ability to keep a cool head is undoubtedly an enviable quality for all who aren’t capable of doing that. However, Blues’ critical thinking can easily turn to suspicion and questioning those around them. Everything can become suspect and sinister.
”
”
Thomas Erikson (Surrounded by Idiots: The Four Types of Human Behaviour (or, How to Understand Those Who Cannot Be Understood))
“
Our eyes are locked in that rear-view mirror, and we’re smiling at each other. Smiling much more than I usually do. I don’t know why we’re both so amused. There’s a sort of energy between us, where the conversation flows easily, and nothing we say seems out of place. Even though we’re strangers, in this ass-backward situation.
”
”
Sophie Lark (Bloody Heart (Brutal Birthright, #4))
“
Oh, really,” I said, pushing myself to my feet. “I thought it was because you couldn’t get rid of me.” “Well, that, too,” she said with an impish grin. She groaned as she scrambled to her feet. “One thing’s clear at least. I’m going to have to go a little easier on all those refreshments at the balls and afternoon teas and soirees. I think they’re starting to take their toll.” “Very true,” I said, my face serious. “I’d been meaning to say something…” She shot me a worried look, and I couldn’t help grinning. “But I figured you’d notice yourself seeing as how you’ve started having to turn sideways to fit through doors.” She took a swipe at me, but I stepped deftly out of her way. “See?” I said, still smiling. “You’re getting slow, too.” She rolled her eyes, and I ducked in close enough to whisper in her ear. “You wouldn’t want to risk looking less than perfect for Miles now, would you?” She exclaimed in outrage and tried once again to catch me. I escaped her easily, and she proceeded to chase me around the fountains, much to the amusement of the children who followed behind us, shrieking encouragement to one or the other of us. I eluded her for several minutes, ducking behind fountains and jumping over benches, purely for the entertainment of our audience. She entered into the drama with equal enthusiasm, pretending to be slower than she really was. When I eventually let her catch me, we both collapsed onto a bench, laughing. “Don’t think I didn’t notice the blush,” I whispered, too quietly for the children to hear. “I hope you’re not forgetting who Miles is.” I shot her a warning look, and she met my eyes, her own full of guilt. But Ava approached us before she could reply. “If you two are quite finished, we should probably get back to the castle now.” I jumped to my feet, but she was smiling so I relaxed. “As you command, Your Majesty,” I said, bowing low. The children laughed again, and Ava shook her head at me. We were all still smiling when we left the square. None of us were really in a hurry to get back, so we walked, leading the horses behind us. Ava and Sarah were talking idly about the court when a voice called to Ava from across the street. I turned around and sucked in a sharp breath. It was Anhalt, one arm raised in greeting and a broad smile on his face. I had just enough time to whisper his name to Ava and Sarah before he had crossed over to join us. I was careful to keep my face free of all emotion as Sarah and I dropped back to walk respectfully behind Ava and the count. Anhalt seemed delighted with our chance encounter and determined to make the most of his unexpected audience with the queen. I watched the surrounding streets with my usual vigilance while I wondered if his voice really sounded so oily, or if it was my own feelings painting my perception of them. Sarah was listening intently to their conversation, her eyes never leaving the count’s form. I knew she would be paying attention for any clues, so I stopped listening myself, devoting my full attention to watching for any threat to the queen. I wasn’t sure if it was this extra attentiveness or just a heightened sense of alert due to the count’s presence, but I noticed an odd flicker of movement as we passed a small side alley. It was barely more than a shifting of shadow, and I could easily have missed it. Instead I tensed, my hand flying to my sword hilt. In one step, I placed myself between Ava and the alley. She turned to look at me, surprised out of her conversation by my sudden movement. I spoke to her but kept my eyes trained on the shadows. “It might be nothing, but I think it would be a good idea if we moved a bit faster, Your Majesty.
”
”
Melanie Cellier (Happily Ever Afters: A Reimagining of Snow White and Rose Red (The Four Kingdoms, #2.5))
“
Locke was Master of Revels, who spirited away his sister Taryn to his estate, where she drank wine and dressed in beautiful gowns and became sadder than he’d ever seen her.”
"Your wish," she tells him, like the liar she is, "is my command."
"Cardan plays with me," Leander said, obviously well prepared for this argument. "And he's the High King.”
"And he tells me funny stories about my father, Locke," Leander concluded.
"I am a trickster, like you. I am here because it amuses me. When I am bored, I will go away."
“Locke thought life was a story, and he was responsible for introducing the conflict.”
"Don't be ridiculous," she tells him, annoyed.
"Unfair," he says. "When I so love being ridiculous."
“If her shield is coldness, his is mirth.”
"But you— you deceive as easily as you breathe and with as little thought."
"You must stop," she says, her voice little more than a whisper. Her expression is fond.
"Stop what?"
“Being kind to me. I can't bear it?"
He tenses.
"I look forward to discussing this Cirien-Croin's wooing of Nicasia. I might have some insights to share.
My half-brother seduced her, you know.
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
A society that’s rich and free will have citizens who—entirely on their own—develop a wide range of skills. Most of these skills will never provide more than hobby-level amusement for their owners, but in the aggregate they provide a resource that could not easily be developed through any sort of government program.
”
”
Glenn Reynolds (An Army of Davids: How Markets and Technology Empower Ordinary People to Beat Big Media, Big Government, and Other Goliaths)
“
I’m not done talking.” She shook her head and my head pulled back, surprised and amused. “You want to feel up random girls who are substantially less attractive than I am? That’s your prerogative. But when I’m in the same room as you, I am all you see.” Probably never wanted her more than I did in that moment. Played it cool though. “Is that right?” I asked her like I was bored. “That’s right.” I nodded my chin at her. “Or what?” “Or we’re done.” She shrugged too easily and I know my face faltered and I know she saw it. “Which is fine with me, by the way. You’ve wanted me for—hmm . . .” She pretended to think about it and glanced over at Kekoa. “What would you say, Kekoa—four or so years?” Koa was biting back a smile, gave her a little nod. “Reckon it’s more like five.” Thought about firing him for that.
”
”
Jessa Hastings (Daisy Haites: The Great Undoing (The Magnolia Parks Universe, #4))
“
Simple minds are easily amused
”
”
Colubrina (The Green Girl)
“
Hi,” she said. “Is this seat taken?”
I grinned. Did she want to role-play? I was down for that. “I was expecting my girlfriend, but you’ll do nicely.” She narrowed her eyes, and I fought back my amusement.
“Do you easily replace your girlfriends?”
“Only my fake ones.
”
”
Eve Marian (Protecting Christina (Billionaire Bodyguards #2))
“
The expression in Steven’s eyes showed both understanding and amusement, and he watched with undisguised interest as Emma hastily covered her still-pulsing bosom. “I know,” he sighed, with a crooked, teasing grin. “You’re not that kind of girl.” Emma knew her face was crimson with embarrassment and umbrage, and only then, when it was too late, did she think to do her buttoning with her back turned. “I most certainly am not!” “You liked it,” Steven said, settling back with a smug sigh. “And from now until the day I take you, you’re going to be wondering what else I might have made you feel.” “You are insufferably arrogant, Mr. Fairfax!” “But right, nonetheless,” he responded easily. And then he had the bald effrontery to yawn. “You’re all warm and wet, and certain parts of you are feeling downright disappointed, whether you’ll admit to the fact or not.” A lame protest died in her throat. Everything Steven said was true, and she couldn’t deny it because she knew he’d see through the lie. “Emma the librarian,” he said huskily. Then he chuckled as though he found her occupation extraordinarily humorous. Emma’s knees felt weak as noodles, and a soft whimper rose in her throat at the brazen truth of his words. She swallowed it. “You overestimate your appeal, Mr. Fairfax,” she said. And then she turned on one heel and left the room, slamming the door shut behind her. Only
”
”
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
“
Baltsaros’s arm quickly came around Jon’s waist, and he was hauled up and pushed forwards onto hands and knees and entered again so that he could be fucked slowly from behind. Groaning softly, Jon fell thankfully into the shallow rhythm that the captain liked to use on him to make him cum from within. Tom sat back a moment just watching the two with an amused look on his face as his rough hand squeezed and pulled at his own cock. Then, with an impish grin, the muscular first mate pushed under Jon headfirst to continue using his mouth while Baltsaros’s thick cock thrust into the dark-haired young man. Jon let out a deep moan; it was a feverish, exquisite feeling, and he let himself ride on the wave of it, panting and moving his hips wantonly as both men worked at him. When he lowered himself to his elbows to rest against Tom’s hard stomach, he felt the first mate’s cock touch his lips. With a pulse of desire, he quickly opened his mouth and sucked softly at the head of it, working along the flared edge of the glans and dipping the tip of his tongue into the salty slit while Tom’s hand stroked the shaft, his hard fist bumping up against Jon’s wet lips. Beneath him, Tom let out a low moan and shifted his head back so that Jon’s cock slid more easily between his lips. A moment later, the first mate’s big hands came up to hold Jon’s waist as the three of them moved slowly together.
”
”
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
“
I want you, and you say you want me, and the only thing standing in our way is you. Don’t tell me that you survived all those battles, and suffered through so much, merely to come home for this--”
He laid his fingers against her mouth. “Quiet. Let me think.”
“What is there to--”
“Beatrix,” he warned.
She fell silent, her gaze locked on his severe features.
Christopher frowned, weighing possibilities, inwardly debating the issue without seeming to come to any satisfactory conclusion.
In the silence, Beatrix rested her head on his shoulder. His body was warm and comforting, the deep-flexing muscles easily accommodating her weight. She wriggled to press closer to him, until she felt the satisfying hardness of his chest against her breasts. And she adjusted her position as she felt the firm pressure of him lower down. Her body ached to gather him in. Furtively she brushed her lips against the salt-scented skin of his neck.
He clamped his hand on her hip. Amusement threaded through his voice. “Stop squirming. There is no possible way a man can think when you’re doing that.”
“Haven’t you finished thinking yet?”
“No.” But she felt him smile as he kissed her forehead. “If you and I marry,” he said eventually, “I would be put in the position of trying to protect my wife against myself. And your well-being and happiness are everything to me.”
If…Beatrix’s heart leaped into her throat. She began to speak, but Christopher nudged his knuckles beneath her chin, gently closing her mouth. “And regardless of what fascinating ideas your family may have about the marital relationship,” he continued, “I have a traditional view. The husband is master of the household.”
“Oh, absolutely,” Beatrix said, a bit too quickly. “That’s what my family believes, too.”
His eyes narrowed skeptically.
Perhaps that had been taking it a bit far. Hoping to distract him, Beatrix nuzzled her cheek into his hand. “Could I keep my animals?”
“Of course.” His voice softened. “I would never deny something so important to you. Although I can’t help but ask…is the hedgehog negotiable?”
“Medusa? Oh, no, she couldn’t survive on her own. She was abandoned by her mother as kit, and I’ve taken care of her ever since. I suppose I could try to find a new home for her, but for some reason people don’t take readily to the idea of pet hedgehogs.”
“How odd of them,” Christopher said. “Very well, Medusa stays.”
“Are you proposing to me?” Beatrix asked hopefully.
“No.” Closing his eyes, Christopher let out a short sigh. “But I’m considering it against all better judgment.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Instinctively she tried to push him away, only to find that he was too strong to be so easily dispatched. By the time she realized that, the delicious pull of his mouth swept her mind clean of all rational thought. Instead of shoving, she made fists in his hair and drew him closer, her body arching against the solid wall of his. He slipped an arm around her waist and drew her even nearer, one large hand splayed on her buttock. The familiarity of his touch and the shocking heat of his skin against hers jerked her back to reality. Glancing down, she saw what was to her unthinkable, a man suckling at her breast, her white body clasped to his bronzed chest.
“What are you-- White people don’t do things like this. I’m sure they don’t. Stop! Please?”
Alarmed by her tone, Hunter lifted his head to search her eyes. The last thing he wanted was to frighten her. The tosi tivo had strange customs, especially when it came to women’s bodies. At this point he wasn’t concerned with how he made love to her, as long as he got it done. “You say it, and I will do it.”
Confusion played upon her face. “What?”
“You say to me how.”
Scarlet dotted her cheeks. She nibbled her lip, staring at him. “I don’t know how. It’s just, well, there are certain things I’m sure no decent woman would--” Her pupils flared, turning her eyes dark. “Just get it finished.”
Finished? Hunter regarded her for several charged seconds. Then an amused twinkle crept into his gaze. “Blue Eyes, if you do not know the tosi tivo way, we must do it the Comanche way.”
“Well…yes, I suppose. It’s just that I--Hunter?” He bent his dark head and trailed his lips to her other breast, nibbling and nudging her rigidly cupped fingers. “H-Hunter?”
“Be easy,” he whispered. “It is well.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
That girl could make friends with the meanest croc alive with little more than a smile and a laugh. You, on the other hand, made her work for it.”
“Did you just compare me to a mean old croc?” Kerry asked, the thread of amusement back in her tone.
“If the tough hide fits,” he said, but not unkindly.
Kerry nodded, gave him a considering look. “True that,” she said. She picked her way over a tricky stretch of kelp-covered rock, then added, “Maybe I was trying to save her from her own friendly nature.” She looked back as Cooper hopped his way over the last pile, his heavy-booted feet sinking into a narrow stretch of sand before starting over the next rock bed. “I knew I was going to leave. You all did. No point in breaking hearts.” She held his gaze more directly now, turning back slightly to look at him full on. “I might be a tough old croc, but I’m not heartless.”
“I didn’t say--”
“You didn’t have to.” She opened her mouth, closed it again, then took in a slow, steadying breath, letting the deep salt tang tickle the back of her throat and the tart brine of the sea fill her senses. Anything to keep his scent from doing that instead. “As a rule, I don’t do good-byes well. I know that about myself. I also know that I have the attention span of a sand fly. A well-intentioned sand fly,” she added, trying to inject a bit of humor, mostly failing judging by the unwavering look in his eyes. “So, given my wanderlusting, gypsy life, I learned early on to keep things friendly and light. Easy, breezy. I’ve made friends all over the world, but none so close that--”
“That missing them causes a pang,” he added, “Here maybe,” he said, pointing at his own head. “But not here.” He pointed at her chest, more specifically at her heart.
This was how they were, how they’d been from the start. Finishing each other’s sentences, following each other’s train of thought, even when the exchange of words was a bare minimum. She glanced up into his steady gaze and thought, or when there’d been no words at all. That was why they’d worked so well together. And also why she’d had a tough time keeping her feelings for him strictly professional…She’d forgotten how threatening it felt, to have someone read her so easily. Most folks never look past the surface. Cooper--hell, the entire Jax family--hadn’t even blinked at surface Kerry before barreling right on past all of her well-honed, automatically erected barriers.
“Like I said,” she went on, “I don’t do good-byes well.” She continued walking down the beach then, knowing she was avoiding continued eye contact, but it was unnerving enough that he was here, in her personal orbit, in her world. Her home world. Wasn’t that invasive enough?
“Would a postcard or two have killed you?” he finally asked her retreating back. “Not for me; I never expected one.”
She didn’t glance back at that, but just as he knew her too well, she knew him the same way. She’d heard that little hint of disappointment, of long-held hope. Of course the very fact that he was there, on her beach, was proof enough that he’d had hopes where she was concerned. And in that moment, she thought, the hell with this, and stopped. Running halfway around the world apparently hadn’t been far enough to leave him and all of what had transpired between her and the entire Jax family behind. So why did she think she could escape it along the span of one low-tide beach?
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
Oh, God—” “Don’t move.” Rohan’s voice was astonishingly calm. “Don’t swat at them.” She had never known such primal fear, welling up from beneath her skin, leaking through every pore. No part of her body seemed to be under her control. The air was boiling with them, bees and more bees. It was not going to be a pleasant way to die. Closing her eyes tightly, Amelia willed herself to be still, when every muscle strained and screamed for action. Insects moved in sinuous patterns around her, tiny bodies touching her sleeves, hands, shoulders. “They’re more afraid of you than you are of them,” she heard Rohan say. Amelia highly doubted that. “These are not f-frightened bees.” Her voice didn’t sound like her own. “These are f-furious bees.” “They do seem a bit annoyed,” Rohan conceded, approaching her slowly. “It could be the dress you’re wearing—they tend not to like dark colors.” A short pause. “Or it could be the fact that you just ripped down half their hive.” “If you h-have the nerve to be amused by this—” She broke off and covered her face with her hands, trembling all over. His soothing voice undercut the buzzing around them. “Be still. Everything’s fine. I’m right here with you.” “Take me away,” she whispered desperately. Her heart was pounding too hard, making her bones shake, driving every coherent thought from her head. She felt him brush a few inquisitive insects from her hair and back. His arms went around her, his shoulder sturdy beneath her cheek. “I will, sweetheart. Put your arms around my neck.” She groped for him blindly, feeling sick and weak and disoriented. The flat muscles at the back of his neck shifted as he bent toward her, gathering her up as easily as if she were a child. “There,” he murmured. “I’ve got you.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
He writes for his own amusement,” said Nûd. “And he’s easily amused.
”
”
Dave Schroeder (The Congruent Apprentice (The Congruent Mage Series #1))
“
May I ask one more question?” He looked at her alertly and spread his hands as if to show he had nothing to hide. “Would you say that you’re a good man, Harry?” He had to think about that. “No,” he finally said. “In the fairy tale you mentioned last night, I would probably be the villain. But it’s possible the villain would treat you far better than the prince would have.” Poppy wondered what was wrong with her, that she should be amused rather than frightened by his confession. “Harry. You’re not supposed to court a girl by telling her you’re the villain.” He gave her an innocent glance that didn’t deceive her in the least. “I’m trying to be honest.” “Perhaps. But you’re also making certain that whatever anyone says about you, you’ve already admitted it. Now you’ve made all criticism of you ineffectual.” Harry blinked as if she’d surprised him. “You think I’m that manipulative?” She nodded. Harry seemed stunned that she could see through him so easily. Instead of being annoyed, however, he stared at her with stark longing. “Poppy, I have to have you.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Fingers steepled in front of him, Delaroche stared at the note. The card itself was useless. Delaroche had an entire drawer full of nothing but cream-coloured cards bearing the Gentian’s distinctive purple stamp. He had long ago traced the cards to a very exclusive stationer in London which boasted a wide clientele among the ton.
If Delaroche were to go on the make of the paper alone, he could easily accuse anyone from the Prince of Wales to Lady Mary Wortley Montague. Inside – Delaroche did not need to release the card from the letter opener to look; he recalled the contents in painful detail – inside, that rogue had inscribed a bill for the accommodations. One shilling for stale bread, one shilling for rank water, two shillings for rats, three shillings for amusing insults from the guards, and so on, before signing it with the customary small purple flower. On top of the note had been a small pile of English coins, as per the reckoning.
Damn him! The list was in Falconstone’s hand – Delaroche knew the hand-writing of every man whose correspondence he had ever intercepted. Delaroche could picture the Gentian standing there, dictating, in the middle of the most carefully guarded prison in Paris. The man’s cheek was unbelievable.
”
”
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
“
At the unexpected sight of Spence, Colbie startled hard. How was it that he was the one who needed glasses and yet she’d not seen him standing against the window? “No, I don’t kill a lot of people,” she said cautiously because she was wearing only a towelin front of a strange man. “But I’m happy to make an exception.”
He laughed, a rough rumble that was more than a little contagious but she controlled herself because, hello, she was once again dripping wet before the man who seemed to make her knees forget to hold her up.
“I didn’t mean to scare you,” he said and pushed off the wall to come close.
She froze, but he held up his hands like, I come in peace, and crouched at her feet to scoop up the clothes she hadn’t realized she’d dropped.
Leggings, a long forgiving tee, and the peach silk bra-and-panty set that hadn’t gotten so much as a blink from the TSA guy.
But it got one out of Spence. He also swallowed hard as she snatched them back from him.
“Hold on,” he said and caught her arm, pulling it toward him to look at her bleeding elbow.
“Sit,” he said and gently pushed her down to a weight bench. He vanished into the bathroom and came back out with a first aid kit.
It took him less than two minutes to clean and bandage the scrape. Then, easily balanced at her side on the balls of his feet, he did the same for both her knees, which she hadn’t noticed were also scraped up.
“You must’ve hit the brick coping as you fell in the fountain,” he said and let his thumb slide over the skin just above one bandaged knee.
She shivered, and not from the cold either. “Not going to kiss it better?” she heard herself ask before biting her tongue for running away with her good sense.
She’d raised her younger twin brothers. Scrappy, roughhouse wild animals, the both of them, so there’d been plenty of injuries she’d kissed over the years.
But no one had ever kissed hers. Not surprising, since most of her injuries tended to be on the inside, where they didn’t show. Still, she was horrified she’d said anything at all. “I didn’t mean—”
She broke off, frozen like a deer in the headlights as Spence slowly lowered his head, brushing his lips over the Band-Aid on her elbow, then her knees. When he lifted his head, he pushed his glasses higher on his nose, those whiskey eyes warm and amused behind his lenses. “Better?”
Shockingly better. Since she didn’t quite trust her voice at the moment, she gave a jerky nod and took her clothes back into the bathroom. She shut the door and then leaned against it, letting out a slow, deliberate breath. Holy cow, she was out of her league. He was somehow both cute and hot, and those glasses .
”
”
Jill Shalvis (Chasing Christmas Eve (Heartbreaker Bay, #4))
“
I would never be a man’s mistress, you know.” She sat on the hearth and regarded him. Somewhere in their travels through the house, he had taken off his jacket and waistcoat, and turned back his cuffs. He had dispensed with a neckcloth altogether in deference to the heat, but the informality of his attire only made him handsome in a different way. “Why not?” The earl didn’t seem surprised nor offended, he just sat himself beside her on the cool, hard stones and shot her a sidewise glance. “It isn’t my precious virtue, if that’s what you’re thinking.” Anna wrapped her arms around her knees. “The thought had crossed my mind you might set store by a chaste reputation.” “Of course I do.” She laid her cheek on her knees and regarded him with a frown. “Though only up to a point. Being a mistress has no appeal, though, because of the money.” “You eschew good coin?” the earl said, and though his tone was casual, Anna detected a hint of pique in it. “I most assuredly do not, but how can a man accept intimacies from a woman who is paid to pretend she cares for his attentions? It seems to me an insupportable farce and as degrading to the man as the woman.” “Degrading how?” He was amused now, or at least diverted. “If a woman will allow you liberties only if you pay her,” Anna explained, “then it’s your coin she treasures, not your kisses or caresses or whatnot.” He was trying not to smile now. “Most men care only for the whatnot, Anna. They trouble themselves little about what they parted with or put up with to procure it.” “Then most men are easily manipulated and to be pitied. One begins to suspect holy matrimony was devised for the protection of men, and not the fairer sex after all.” “So you have no more regard for being a wife than you do being a mistress?” “It depends entirely on whose wife we’re talking about.
”
”
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
“
In the age of computer simulation, when flows in everything from jet turbines to heart valves are modeled on supercomputers, it is hard to remember how easily nature can confound an experimenter. In fact, no computer today can completely simulate even so simple a system as Libchaber's liquid helium cell. Whenever a good physicist examines a simulation, he must wonder what bit of reality was left out, what potential surprise was sidestepped. Libchaber liked to say that he would not want to fly in a simulated airplane-he would wonder what had been missed. Furthermore, he would say that computer simulations help to build intuition or to refine calculations, but they do not give birth to genuine discovery. This, at any rate, is the experimenter's creed.
His experiment was so immaculate, his scientific goals so abstract, that there were still physicists who considered Libchaber's work more philosophy or mathematics than physics. He believed, in turn, that the ruling standards of his field were reductionist, giving primacy to the properties of atoms. "A physicist would ask me, How does this atom come here and stick there? And what is the sensitivity to the surface? And can you write the Hamiltonian of the system?
"And if I tell him, I don't care, what interests me is this shape, the mathematics of the shape and the evolution, the bifurcation from this shape to that shape to this shape, he will tell me, that's not physics, you are doing mathematics. Even today he will tell me that. Then what can I say? Yes, of course, I am doing mathematics. But it is relevant to what is around us. That is nature, too."
The patterns he found were indeed abstract. They were mathematical. They said nothing about the properties of liquid helium or copper or about the behavior of atoms near absolute zero. But they were the patterns that Libchaber's mystical forbears had dreamed of. They made legitimate a realm of experimentation in which many scientists, from chemists to electrical engineers, soon became explorers, seeking out the new elements of motion. The patterns were there to see the first time eh succeeded in raising the temperature enough to isolate the first period-doubling, and the next, and the next. According to the new theory, the bifurcations should have produced a geometry with precise scaling, and that was just what Libchaber saw, the universal Feigenbaum constants turning in that instant from a mathematical ideal to a physical reality, measurable and reproducible. He remembered the feeling long afterward, the eerie witnessing of one bifurcation after another and then the realization that he was seeing an infinite cascade, rich with structure. It was, as he said, amusing.
”
”
James Gleick (Chaos: Making a New Science)