Couple Romantic Quotes

We've searched our database for all the quotes and captions related to Couple Romantic. Here they are! All 100 of them:

Over everything, I choose you
Marissa Meyer (Heartless)
You two are too cute,” the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. “Seriously. How long have you been going out?” Sam let go of my hands to get his wallet and took out some bills. “Six years.” I wrinkled my nose to cover a laugh. Of course he would count the time that we’d been two entirely different species. Whoa.” Counter girl nodded appreciatively. “That’s pretty amazing for a couple your age." Sam handed me my hot chocolate and didn’t answer. But his yellow eyes gazed at me possessively—I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be. I crouched to look at the almond bark on the bottom shelf in the counter. I wasn’t quite bold enough to look at either of them when I admitted, “Well, it was love at first sight.” The girl sighed. “That is just so romantic. Do me a favor, and don’t you two ever change. The world needs more love at first sight.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
But mostly, I missed watching you two together; I missed watching you watch him, and him watch you; I missed how thoughtful you were with each other, missed how thoughtlessly, sincerely affectionate you were with him; missed watching you listen to each other, the way you both did so intently.
Hanya Yanagihara (A Little Life)
Even before we met and long after we're both gone, my heart lives inside of yours. I'm forever and ever in love with you.
Crystal Woods (Write like no one is reading 2)
He didn't mind if she hated him. They were never going to be a cute romantic couple like Sam and Astrid. Clean-cut, righteous, all that. The perfect couple. He and Diana were the imperfect couple.
Michael Grant (Plague (Gone, #4))
One could argue that it's romantic to die for love. Of course, then you're dead and unable to take that honeymoon trip to the Alps with all the other fashionable young couples, which is a shame.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
A man should be more original than a bouquet of roses and a box of chocolates. Flowers die and sugar sticks to your hips like a permanent record to a criminal.
Dannika Dark (Seven Years (Seven, #1))
Sydney: "You can be Jet if you want, but we are not posing as a couple again" Adrian: "Are you sure? Because I've got a lot more terms of endearment to use. Honey pie. Sugarplum. Bread pudding." Sydney: "Why are they all high-calorie foods? And bread pudding isn't really that romantic." Adrian: "Do you want me to call you celery stick instead? It just doesn't inspire the same warm and fuzzy feelings." - The Indigo Spell
Richelle Mead (The Indigo Spell (Bloodlines, #3))
This was very exciting. I'd never had two boys get into a fight over me before. The fact that one of the boys was my stepbrother, however, and held about as much romantic appeal for me as Max, the family dog, somewhat dampened my enthusiasm. And Michael wasn't much of a catch, either, when you actually thought about it, being a potential murderer and all. Oh, why did I have to have such a couple of losers fighting over me? Why couldn't Matt Damon and Ben Affleck fight over me? Now that would be truly excellent.
Meg Cabot (Reunion (The Mediator, #3))
I think the most romantic letter you ever gave me was “W,” because it’s a couple of soul mate “V”s. Or maybe they were a couple of letters of the same sex engaging in a homosexual relationship. A “W” is two “V”s in a civil union, but the world is not ready to flip that on its head and let them go for the big “M.
Jarod Kintz (So many chairs, and no time to sit)
I am plenty romantic. Just this morning while he slept, I had left Carter a box of his favorite candy next to his pillow - Globs: piles of white chocolate covered, crushed potato chips and pretzels drizzled with caramel. I figured it would soften him up to the note I placed next to the box telling him if he left the toilet seat up one more time and my ass got an involuntary bath at six in the morning, I would put super glue on the head of his penis while he slept. I had even signed the note with a couple of Xs and Os. Who says romance is dead?
Tara Sivec (Futures and Frosting (Chocolate Lovers, #2))
There were never any romantic feelings between Pip, Jason and me. But what we did have -afriendship of many years- was just as strong as that, I think. Stronger, maybe than a lot of couples I knew.
Alice Oseman (Loveless)
Few people when meet first time they feel that meeting each other was the purpose of their life.
Amit Kalantri (One Bucket of Tears)
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
I like the way you kiss-a couple of test kisses, then a huge kiss.
Robyn Carr (Sunrise Point (Virgin River, #17))
Tamaki: Spring, m'man, was made for romantic comedy!! And Haruhi and I make the perfect couple! We're meant for this! Karou and Hikaru: What about us? Tamaki: You are sexless!
Bisco Hatori (Ouran High School Host Club, Vol. 2 (Ouran High School Host Club, #2))
I don't know what we're doing here – you and me … I don't know what we are or what we can be, but this doesn't have to be about that. This can just be about … a chance. Taking a chance.
Dianna Hardy (Broken Lights)
Even the memory of cradling her in my arms is pure euphoria. And all that I ask out of life is that it be constant and unending euphoria.
Roman Payne
And there were carved hearts in the trunks of trees with the initials of couples who felt there was no more romantic thing they could do to celebrate their love than scar the local plant life
Kevin Hearne (Hunted (The Iron Druid Chronicles, #6))
Romantic love has its place but to define relationship solely in romantic terms is like describing marriage only by what a couple does on their honeymoon.
Dermot Davis (Zen and Sex)
Dr. Dorothy Tennov, a psychologist, has done long-range studies on the in-love phenomenon. After studying scores of couples, she concluded that the average life span of a romantic obsession is two years.
Gary Chapman (The Five Love Languages: How to Express Heartfelt Commitment to Your Mate)
We invented marriage. Couples invented marriage. We also invented divorce,mind you. And we invented infidelity,too, as well as romantic misery. In fact we invented the whole sloppy mess of love and intimacy and aversion and euphoria and failure. But most importantly of all, most subversively of all, most stubbornly of all, we invented privacy.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
She liked his unique smell, and it turned on all five of her senses, wanting to see him naked, touch him while naked, hear him as he moaned while he made love, taste his skin, and feel his naked body as she seduced him with the trailing of hungry fingers.
Keira D. Skye
The truth is that Fate does not go out of its way to be dramatic. If you or I had the power of life and death in our hands, we should no doubt arrange some remarkably bright and telling effects. A man who spilt the salt callously would be drowned next week in the Dead Sea, and a couple who married in May would expire simultaneously in the May following. But Fate cannot worry to think out all the clever things that we should think out. It goes about its business solidly and unromantically, and by the ordinary laws of chance it achieves every now and then something startling and romantic. Superstition thrives on the fact that only the accidental dramas are reported.
A.A. Milne (Not That it Matters)
The start receives such disproportionate attention because it isn't deemed to be just one phase among many; for the Romantic, it contains in a concentrated form everything significant about love as a whole. Which is why, in so many love stories, there is simply nothing else for the narrator to do with a couple after they have triumphed over a range of initial obstacles other than to consign them to an ill-defined contented future--or kill them off. What we typically call love is only the start of love.
Alain de Botton (The Course of Love)
People who knew me and sympathized with me were determined to set me up with the other people they sympathized with and were always surprised when I would turn down their offer of what they thought of as romantic charity. “What’s the harm?” they would ask me, truly surprised. The harm, besides those hours that actually do matter when you barely have one night off every couple of weeks, is the little mark you get on you every time you open up a door to a hope and then close it fast in disappointment. It leaves a nick, or a dent, and those nicks and dents are not invisible. I used to see them all the time.
B.J. Novak (One More Thing: Stories and Other Stories)
I'll always be here waiting for you," he said, touching my chest with his fingertips, drawing a shape of a heart.
Karice Bolton (Lonely Souls (Witch Avenue, #1))
I'd Drown For You I opened my heart to you A complete immersion I offered my soul to you A heavenly diversion
Muse (Enigmatic Evolution)
But you are still you I'm still me And we are still we
Richard L. Ratliff
We start a relationship with someone not only because of how great they are but how great they make us feel. And because they have granted us this extraordinary gift—a chance to experience love, joy, compassion, and security —it is our exclusive privilege to make them feel wonderful about themselves, especially during days when they, themselves, don't feel so wonderful.
Kamand Kojouri
Do You Believe Do you believe that I have loved you since the dawn of time? Do you believe that we were destined to be intertwined?...
Muse (Enigmatic Evolution)
He wrapped his arms around me. We were cuddled up like a couple of spoons in a cutlery drawer.
Malorie Blackman (Noughts & Crosses (Noughts & Crosses, #1))
Sometimes home is not a place, it is someone's heart.
Nancy Omar
Chains chains that hold me to the ground chains that keep me solidly bound chains that tether my heart to you chains that only one truth...
Muse (Enigmatic Evolution)
Outside of my professional life, I have known many couples over the years who had passion and electricity between them and who treated each other well. But unfortunately there is wide acceptance in our society of the unhealthy notion that passion and aggression are interwoven and that cruel verbal exchanges and bomblike explosions are the price you pay for a relationship that is exciting, deep, and sexy. Popular romantic movies and soap operas sometimes reinforce this image.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
...the hopelessly romantic notion that two people can meet and instantly fall in love, an escape story where love is the highest law and conquers all against the odds. Characters like Bonnie and Clyde always appealed to me as a teenager - couples so intoxicated with one another that they fear nothing in the pursuit of the realization of each other, actions fueled by blind unconditional love.
Matty Healy
Do You Believe ...on this road of life on this day I take you now husband and wife...
Muse (Enigmatic Evolution)
So: this is where we are going to become parents. You walk into the building as a couple, and leave a few minutes later as a family. You walk in recollecting long romantic dinners, nights at the theater, and care-free vacations. You leave worrying about where to get diapers, milk, and Cheerios.
Scott Simon (Baby, We Were Meant for Each Other: In Praise of Adoption)
I'm giving you everything I have, Triss. I want to be yours, and I want you to be mine. No matter what storms lay ahead of us, I know that as one we can make it. I'm not perfect by anyone's standards but you make me want to strive to be the best person I can be." - Logan
Karice Bolton (Lonely Souls (Witch Avenue, #1))
Archaeology, I found, comprehended all manner of excitement and achievement. Adventure is coupled with bookish toil. Romantic excursions go hand in hand with scholarly self-discipline and moderation. Explorations among the ruins of the remote past have carried curious men all over the face of the earth… Yet in truth, no science is more adventurous than archaeology, if adventure is thought of as a mixture of spirit and deed.
C.W. Ceram (Gods, Graves and Scholars: The Story of Archaeology)
It’s a romantic novel,” Jaenelle said in a small voice as he called in his half-moon glasses and started idly flipping the pages. “A couple of women in a bookseller’s shop kept talking about it.” Romance. Passion. Sex. He suppressed—barely—the urge to leap to his feet and twirl her around the room. A sign of emotional healing? Please, sweet Darkness, please let it be a sign of healing.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
Life might prove difficult—was evidently going to; but meanwhile they had each other, and that was everything.
Henry James (The Wings of the Dove)
As I looked and looked, the living face became visible in the dead, the young in the old. This is what must happen to old married couples, I thought: the young man is preserved in the old one for her, the beauty and grace of the young woman stay fresh in the old one for him.
Bernhard Schlink
We have been led to believe that if we are really in love, it will last forever. We will always have the wonderful feelings that we have at this moment. Nothing could ever come between us. Nothing will ever overcome our love for each other. [..] Unfortunately, the eternality of the in-love experience is fiction, not fact. The late psychologist Dr. Dorothy Tennov conducted long range studies on the in-love phenomenon. After studying scores of couples, she concluded that the average life span of a romantic obsession is two years.
Gary Chapman (The Five Love Languages: The Secret to Love That Lasts)
The water nymphs who came to Poseidon explained how little they desired to couple with the gods. Except to find out whether it was different, whether there was a fresh world, another dimension in their loins. In the old Pittsburgh, we dreamed of a city where women read Proust in the original French, and wondered whether we would cross over into a different joy if we paid a call girl a thousand dollars for a night. Or an hour. Would it be different in kind or only tricks and apparatus? I worried that a great love might make everything else an exile. It turned out that being together at twilight in the olive groves of Umbria did, indeed, measure everything after that.
Jack Gilbert (The Dance Most of All: Poems)
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
Elle Kennedy (The Goal (Off-Campus, #4))
That's a poweful ability you've got there. Seriously, I was Contemplating killing Cody so we could be a couple.' She snorted, but she never stopped smiling. 'We'd never make it romantically. You're too demanding in bed. "Harder, Rome. Now, Rome. Tie me up, Rome."' 'Bitch,' I muttered good-naturedley. It was nice to have my friend back. 'You know you wouldn't be able to get enough of me.' 'I like where this conversation is headed,' a male voice said from the doorway. I looked past Sherridan and spotted Rome in the doorway. 'Hey, baby,' he said. 'Cat Man.' A more welcome sight I'd never beheld. My heart even picked up speed, my monitor announcing it for all the world to hear.. He stalked to me and unceremoniously shoved me aside on the bed where he plopped down and cuddled me close. 'Mad?' As if. 'I'm grateful. I was walking toward Sherridan with every intention of making out with her, so you did me a favor. She would have fallen in love with me, and then where would we have been?' 'Now I'm mad at /myself/ for stopping you,' he grumbled, and we all laughed. Men!
Gena Showalter (Twice as Hot (Tales of an Extraordinary Girl #2))
Romantic couples. Each room has its own flavor, its own feel.
Nora Roberts (The Next Always (Inn BoonsBoro Trilogy, #1))
I ache not from need - but from my heart's gluttony of you.
Muse
Can I kiss you?” And she would let him, lightly on her lips, a moment of brief anticipation. “Your kisses are like sugar woman.” He would tell her affectionately. “So sweet.” He would close in on her and then ask softly, “Please spend the night with me.
Keira D. Skye (A Breath Until Forever)
He gives. I take. He bangs. I rock. He slams. I shatter. He throws. I push. He grinds. I buckle. He pants. I puff. He wheezes. I gasp. He growls. I scream. He f*cks me like we're porn stars. ~Lexi
S.J. Molloy (Luminoso (Luminara, #4))
When I was twelve, my sixth-grade English class went on a field trip to see Franco Zeffirelli’s film adaptation of Shakespeare’s Romeo and Juliet. From that moment forward I dreamed that someday I’d meet my own Juliet. I’d marry her and I would love her with the same passion and intensity as Romeo. The fact that their marriage lasted fewer than three days before they both were dead didn’t seem to affect my fantasy. Even if they had lived, I don’t think their relationship could have survived. Let’s face it, being that emotionally aflame, sexually charged, and transcendentally eloquent every single second can really start to grate on a person’s nerves. However, if I could find someone to love just a fraction of the way that Montague loved his Capulet, then marrying her would be worth it.
Annabelle Gurwitch (You Say Tomato, I Say Shut Up: A Love Story)
The world is composed of lies. Starting from a kid’s cute lie, a teen’s white lie, a youth’s smart lie, it grows older with us, romantic lies as a couple, effusive lies as a parent and unavoidable lies at old age. Lies are beautiful, lies are awkward. Lies are stupid, lies are witty. Everyone is a classical composer and lifetime listener of lies.
Ram Vignesh (The Book)
You in the mood for a movie tonight?" Kate asked him a couple days later. Matt was working, and she was sitting on her customary bucket taking a break, drinking bottled water, and surreptitiously admiring him from every angle. "I could pick something up on my way over tonight." "Sure." "How about Pride and Prejudice?" "What's that?" he asked warily. It's not one of those movies where they all wear old-fashioned clothes and walk around talking in British accents, is it?" "That's exactly what it is." Matt groaned. "It's romantic! Maybe one of the most romantic stories ever.
Becky Wade (My Stubborn Heart)
And how did you know about that?” Seven looked at his watch. Chase held up a hand. “Let me guess, in two minutes and thirty seconds, I was going to tell you Martin called.” “No.” “No?” “Six minutes and fifteen seconds. You had a couple of false starts. Then you were going to apologize because he wouldn’t help you by putting you in touch with his contacts in Washington.” “Something tells me you’re going to be no fun come Christmas.
Adrienne Wilder (Seven (The Others Project #1))
It was Valentine's Day and I had spent the day in bed with my life partner, Ketel One. The two of us watched a romance movie marathon on TBS Superstation that made me wonder how people who write romantic comedies can sleep at night. At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall all-the-time. You know who comes and gets me? The bouncer. Then, within the two hour time frame of the movie, the couple meet, fall in love, fall out of love, break up, and then just before the end of the movie, they happen to bump into each other by "coincidence" somewhere absolutely absurd, like by the river. This never happens in real life. The last time I bumped into an ex-boyfriend was at three o'clock in the morning at Rite Aid. I was ringing up Gas-X and corn removers.
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
The only bit I have pictured in any detail is the music (maybe 'The Book of Love' by the Magnetic Fields. Or Johnny Cash's 'It Ain't Me, Babe'). It doesn't matter if the selection is slow or fast, but couples shouldn't scramble to select it. If you have ever gone dancing or on a road trip or had a romantic bout of serenaded sex on a winter night, you should have a few to pick from. If not, you probably shouldn't be getting married.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Love isn’t like the grand romantic gestures you see in the movie. It isn’t a kiss and happily ever after, no matter how much I’d like it to be. It’s late night texts and tired calls after a long day on location, and heated arguments that end in 3 a.m. Facetimes apologizing to each other. It involves a lot of missing what other couples have-normalcy.
Ashley Poston (Bookish and the Beast (Once Upon a Con, #3))
Ode to the Chamber ...linger here amidst the chamber in which we embrace our love talk to me of sonnets and call me turtledove...
Muse (Enigmatic Evolution)
Ashlinn was lovely to look upon, someone who could easily snub half of the highest-paid stars in Hollywood and break the hearts of the rest.
Calista Lynne (We Awaken)
...nearly 70 percent of LGBT couples meet online. (BLT couples-- bacon, lettuce, and tomato couples-- are inanimate objects and are not engaging in romantic pursuits.)
Aziz Ansari
Couples who play together, stay together.
Kris Garden (Body Sharing: Our First Time)
I cannot remember you when the rain flows down - I cannot remember you and my heart begins to drown ...
Muse
I Cannot Remember You ...engulfed in liquid amnesia I cannot fight the tide
Muse (Enigmatic Evolution)
Some scientists hypothesize that having children is the only reason romantic love came about. It kept couples together long enough to mate and see a baby through infancy.
Daria Snadowsky (Anatomy of a Single Girl (Anatomy, #2))
Quincy and Jake seem to be content to spend an enormous amount of time along together, which I count as romantic, but might simply be because they don't have a child: the Blues versus the world.
Sally Koslow (With Friends Like These)
Women always said he was warm. They snuggled with him in bed, grateful for the heat. A couple of his lovers even claimed that, when he was inside them, he heated them from the inside out. A pleasant flattery, perhaps, but one Hope would discover the truth of. For when she touched him, he did burn.
Christina Dodd (Just the Way You Are (Lost Hearts, #1))
Liberating ourselves from the traditional strictures of marriage altogether, and/or transforming those strictures to include all of us -- gay, feminist, career-focused, baby crazy, monogamous, non-monogamous, skeptical, romantic, and everyone in between -- is the challenge facing this generation. As we consciously opt out or creatively reimagine marriage one loving couple at a time, we'll be able to shift societal expectations wholesale, freeing younger generations from some of the antiquated assumptions we've faced (that women always want to get married and men always shy away from commitment, that gender parity somehow disempowers men, that turning 30 makes an unmarried woman into an old maid).
Courtney E. Martin (Do It Anyway: The New Generation of Activists)
I know the formulahe wants her she refuses him he charms her she holds her ground he does something dramatic like saves her from a fire or reinstates her family's lost fortune or dies she realizes she loved him all along wedding bells ring or pirate flags unfurl or she joins a convent happily ever afterbut I don't expect to live that way. I've learned that life is not like novels. Especially not like novels with rippling muscles on paperback covers. After reading a couple hundred of those booksyou know hypothetically speakingyou start to see that there's not that much difference between a romance and an epic fantasy. You've got your quest sometimes it involves a ring and a hero who will stop at nothing to do what he has to. The difference is usually the girl. And I'm not that girl. I'm not the girl who inspires men to commit acts of heroism. In real life those girls speak much more quietly and breathe a lot louder than I do. I'm not the girl who strikes men speechless with her beauty. Really really not. I don't even know how to flutter my eyelashes. But that's life. Not romance-novel life just real life.
Becca Wilhite (My Ridiculous, Romantic Obsessions)
Dominus Stinkhorn. It was the ugliest mushroom I could think of. Honestly, Darrow, atomics, warlord heads. I thought our honeymoon would be more romantic.” “Honeymoon.” “Yes. Apparently we’re a couple till Virginia fights me for you.
Pierce Brown (Light Bringer (Red Rising Saga, #6))
In the beginning of our love lives, it is the beastly instinct of sexual attraction that drives us all. The butterflies in your stomach simply signal your mind that the person in front of you would make a fantastic mate to make babies with. Without this primeval drive, you won’t ever fall for anyone in your entire lifetime. The very attraction you feel towards a person in a romantic way, is a mental manifestation of a subconscious desire to mate with that person.
Abhijit Naskar (What is Mind?)
Outside of my professional life, I have known many couples over the years who had passion and electricity between them and who treated each other well. But unfortunately there is wide acceptance in our society of the unhealthy notion that passion and aggression are interwoven and that cruel verbal exchanges and bomblike explosions are the price you pay for a relationship that is exciting, deep, and sexy. Popular romantic movies and soap operas sometimes reinforce this image. Most
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Occasionally, she wondered if all couples struggled so much to understand one another, spoke so little at dinner together, spent so much time camped out in front of the TV. Did all women sometimes feel distanced from their man while they were making love?
Galt Niederhoffer (The Romantics)
Distressed partners no longer see each other as their emotional safe haven. Our lover is supposed to be the one person we can count on who will always respond. Instead, unhappy partners feel emotionally deprived, rejected, even abandoned. In that light, couples’ conflicts assume their true meaning: they are frightened protests against eroding connection and a demand for emotional reengagement.
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
Have I ever told you about my passion for romance novels? I’ve always considered myself a hopeless romantic. Reading about love blooming, especially between two people reluctant to it, has always been one of my favorite things in the world. I liked to read about people getting closer and connections being created. I loved to long for a first kiss and dread the eventual fights in the couple’s future.
N.S. Perkins (A Risk on Forever)
That’s one reason why today meeting in bars or in the neighborhood is far less common among LGBT couples than it used to be, and why nearly 70 percent of LGBT couples meet online. (BLT couples—bacon, lettuce, and tomato couples—are inanimate objects and are not engaging in romantic pursuits.)
Aziz Ansari (Modern Romance: An Investigation)
New York bakes in a cess of gritty fug all summer, and congeals into gray slush all winter. There are a couple of days in the spring and autumn when the sky is madonna blue, the air crisp, and the light bright and sparkling, and that’s when they take the pictures and make the romantic comedies.
A.A. Gill (To America with Love)
Some years ago a Belgian couple committed euthanasia together. He (eighty-three) had terminal cancer and she (seventy-eight), suffering from other serious age-related ailments, didn’t want to go on living without him. Hand in hand they stepped out of life. There’s something very romantic about that.
Hendrik Groen (The Secret Diary of Hendrik Groen, 83¼ Years Old)
I'm always suspicious of couples that make big shows of their love. I mean, if couples get too showy, their love seems fake. It always feels like the big love shows are trying to hide something. To me, the sweetest thing is couples that are more private about their love. To me, that shows a more romantic understanding of love and less of a "Hey... I want to announce to my friends and family that we're in love just to get social media recognition...
Monica Murray
In monogamy, a romantic partner and a sexual partner are, almost by definition, the same person. Emotional intimacy and physical intimacy are so tightly entwined that some self-help books speak of "emotional infidelity" and encourage married couples not to permit each other to become too close to their friends. Advice columnists and television personalities will speak gravely of the dangers that "emotional affairs" pose to a monogamous marriage and ask, "Is emotional infidelity worse than sexual infidelity?" Monogamy can leave surprisingly little room for close friendships, much less nonsexual romances.
Eve Rickert (More Than Two: A Practical Guide to Ethical Polyamory)
Tom felt that it was time to wake up; this sort of life might be romantic enough, in his blighted condition, but it was getting to have too little sentiment and too much distracting variety about it. So he thought over various plans for relief, and finally hit pon that of professing to be fond of Pain-killer. He asked for it so often that he became a nuisance, and his aunt ended by telling him to help himself and quit bothering her. If it had been Sid, she would have had no misgivings to alloy her delight; but since it was Tom, she watched the bottle clandestinely. She found that the medicine did really diminish, but it did not occur to her that the boy was mending the health of a crack in the sitting-room floor with it. One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eying the teaspoon avariciously, and begging for a taste. Tom said: "Don't ask for it unless you want it, Peter." But Peter signified that he did want it. "You better make sure." Peter was sure. "Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self." Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.
Mark Twain (The Adventures of Tom Sawyer)
We have been so brainwashed by romantic love that when I talk about the importance of couples continuing to masturbate alone, and learning to share masturbation together, some assume I’m against “regular sex.” Not true. I’m all for any sexual activity that makes both partners happy. What I don’t support is “compulsive intercourse” as the only way to be sexual. Instead of assuming the word sex means a penis inside a vagina, we need to realize that there are an infinite number of ways to express our sexuality.
Betty Dodson (Sex for One: The Joy of Selfloving)
Nicolas walked toward him. Ignoring the presence of the others nearby, he took Julien's chin in his hand and kissed him tenderly on the lips. Julien seemed chagrined at first, and then accepted the gesture. It was sweet, and had the air of a couple that had been together for a great long time. Maric glanced away, embarrased by the intimacy, not to mention the fact that he hadn't quite realized the nature of the two warriors' relationship ealier. Not just comrades, then, and far more than close friend. The older Grey Wardens seemed unsurprised.
David Gaider (The Calling (Dragon Age, #2))
You know, there's this bullshit idea that you just magically know when you like someone romantically or sexually. But that's all it is - bullshit. Emotions are messy. People are messy. I imagine that magic makes it all just messier. And anything that isn't a clear-cut heterosexual romance out of a Disney film or a Hollywood romcom is constantly being put into doubt and questioned, because we are so used to seeing the same simple story repeated over and over again. That being straight or gay are the only options, that one person is right for you your entire life, that you just know you're meant to be, that couples have to be exclusive to be real relationships, that couples need to be couples, that romance always comes with sex. Life is not that easy. People and attraction are way more complicated than that.
Anna Kirchner (Little Black Bird)
Jim Bob looked at his watch. "I got time to get there and shower up, put on some smell-good, buy a couple packs of rubbers, and meet my barrel racer." "Couple packs of rubbers," Brett said. "Very romantic." "Ah, honey, I'm taking her to dinner first, and I always let the woman put the rubber on, and I think two packs is enough. And don't worry. I need an extra pack, I can send her to the drugstore. I got a bicycle in the garage.
Joe R. Lansdale (Honky Tonk Samurai (Hap and Leonard #9))
When rudely awakened from the dazzling dream of compatibility, people can get very grumpy. Desperate to end the pain and disappointment Romantic Love leaves behind, many couples get divorced. Others who decide not to do the mind-numbing work of dividing up the stuff may stay together. But they wind up living parallel lives, without any true connection. They assume this is as good as it gets. But secretly they think something must be terribly wrong.
Harville Hendrix (Making Marriage Simple: Ten Relationship-Saving Truths)
Although it often struggles to be heard in respectable circles, there is an alternative to the Christian-Romantic tenet that sex and love should always be inseparable. The libertine position denies any inherent or logical link between loving someone and needing to be unfailingly sexually loyal to them. It proposes that it can be entirely natural and even healthy for partners in a couple occasionally to have sex with strangers for whom they have little feeling but to whom they nonetheless feel strongly attracted. Sex doesn’t always have to be bound up with love. It can sometimes – this philosophy holds – be a purely physical, aerobic activity engaged in without substantive emotional meaning. It is, so its adherents conclude, just as absurd to suppose that one should only ever have sex with the person one loves as it would be to require that only those in committed couples ever be permitted to play table tennis or go jogging together.
Alain de Botton (The Course of Love)
Dot, the truth is, we aren’t a couple.” Dot gasped, and brought her hand to her chest. “No!” “It’s true,” he continued. Will then reached across the table and took Lauren’s hand. “But if the stars align and things work out, the first time I kiss this woman is going to be because I want to—not because some tradition told me I had to.” Lauren froze in place, as if Will’s hand on hers shocked her body rigid. Dot let out a squeal. “Well, that was the most romantic thing I’ve ever heard!
Courtney Walsh (A Cross-Country Christmas (Road Trip Romance, #1))
But afterward he had grown to find her cheerful, tender hearted, and, finally, even pretty. He appreciated her cheerfulness particularly. His own sardonic view of life needed the antidote. But Jessie never seemed to mind his long grave face. "Oh, goodness," she said, "what if you do look like an awful lemon? I know you're not really, and I guess if you were always grinning away like clockwork, the way I do, we'd just explode when we got together. You stay the way you are Lije, and keep me from floating." And she kept Lije Baley from sinking down. He applied for a small Couples apartment and got a contingent admission pending marriage. He showed it to her and said, "Will you fix it so I can get out of Bachelor's, Jessie? I don't like it there." Maybe it wasn't the most romantic proposal in the world, but Jessie liked it.
Isaac Asimov (The Caves of Steel (Robot, #1))
 You would have loved Jackson. He was a downtown guy, a real Bohemian. No banker’s hours for him, believe you me. Every night the drinking and the talking and the fighting and the dancing and the staying up late; like everyone’s romantic idea of what an artist ought to be: the anti-Rothko... At his worst you still loved him though; you loved him because he loved art so much... He thought it mattered. He thought painting mattered... Does not the poignancy stop your heart?... How could this story not end in tragedy?  Goya said, 'We have Art that we may not perish from Truth.'... Pollock saw some truth. Then he didn’t have art to protect him any more... Who could survive that?  I was walking up to my house last week and this couple was passing. Lady looks in the window, says: 'I wonder who owns all the Rothkos.'... Just like that I’m a noun. A Rothko.
John Logan (Red (Oberon Modern Plays))
But it wasn't the photograph that caught her attention. It was what was tucked into the frame. Dominic's eyes followed hers. And a tinge of color appeared in his cheeks. Walking over, the butterflies skittering about her stomach, Sylvie reached out and touched the intricate little silhouette portrait of her own face. Her eyes lifted to Dominic's in-the-flesh face, which was currently much stiffer than that paper. "Pet," he said. "She cut a couple of portraits in here one day when we were talking about Operation Cake. Yours and Mariana's." "Yes. I saw Mariana's after you gave it to her." She ran her fingers around the paper contour of her plait, dropped her hand to the desk. "You didn't give me mine, though." "No, I didn't." "Because... we didn't get along? And you wanted to keep Pet's artwork?" "I did want to have some of Pet's art." Dominic's jaw ticked. "And somewhere along the line, I wanted that one in particular." Sylvie swallowed.
Lucy Parker (Battle Royal (Palace Insiders, #1))
have always been fascinated by relationships. I grew up in Britain, where my dad ran a pub, and I spent a lot of time watching people meeting, talking, drinking, brawling, dancing, flirting. But the focal point of my young life was my parents’ marriage. I watched helplessly as they destroyed their marriage and themselves. Still, I knew they loved each other deeply. In my father’s last days, he wept raw tears for my mother although they had been separated for more than twenty years. My response to my parents’ pain was to vow never to get married. Romantic love was, I decided, an illusion and a trap. I was better off on my own, free and unfettered. But then, of course, I fell in love and married. Love pulled me in even as I pushed it away. What was this mysterious and powerful emotion that defeated my parents, complicated my own life, and seemed to be the central source of joy and suffering for so many of us? Was there a way through the maze to enduring love? I followed my fascination with love and connection into counseling and psychology. As part of my training, I studied this drama as described by poets and scientists. I taught disturbed children who had been denied love. I counseled adults who struggled with the loss of love. I worked with families where family members loved each other, but could not come together and could not live apart. Love remained a mystery. Then, in the final phase of getting my doctorate in counseling psychology at the University of British Columbia in Vancouver, I started to work with couples. I was instantly mesmerized by the intensity of their struggles and the way they often spoke of their relationships in terms of life and death.
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
At a higher level of abstraction, the behavioral correlates of life history strategies can be framed within the five-factor model of personality. Among the Big Five, agreeableness and conscientiousness show the most consistent pattern of associations with slow traits such as restricted sociosexuality, long-term mating orientation, couple stability, secure attachment to parents in infancy and romantic partners in adulthood, reduced sex drive, low impulsivity, and risk aversion across domains. Conscientiousness and (to a smaller extent) agreeableness are also the most reliable personality predictors of physical health and longevity; the contribution of neuroticism is mixed and may depend on the specific facets considered. The life history correlates of neuroticism are much less straightforward; for example, high neuroticism tends to predict increased short-term mating in women but reduced short-term mating in men, with much cross-cultural variation. There is also evidence that slow life history–related traits can be associated with social anxiety and insecurity, which is consistent with a general profile of risk aversion and behavioral inhibition. As a first approximation, then, metatrait alpha can be treated as a broadband correlate of slow strategies, with the caveat that neuroticism may be elevated at both ends of the continuum.
Marco del Giudice (Evolutionary Psychopathology: A Unified Approach)
John Milton (December 9, 1608 – November 8, 1674) was an English poet, prose polemicist, and civil servant for the English Commonwealth. Most famed for his epic poem Paradise Lost, Milton is celebrated as well for his eloquent treatise condemning censorship, Areopagitica. Long considered the supreme English poet, Milton experienced a dip in popularity after attacks by T.S. Eliot and F.R. Leavis in the mid 20th century; but with multiple societies and scholarly journals devoted to his study, Milton’s reputation remains as strong as ever in the 21st century. Very soon after his death – and continuing to the present day – Milton became the subject of partisan biographies, confirming T.S. Eliot’s belief that “of no other poet is it so difficult to consider the poetry simply as poetry, without our theological and political dispositions…making unlawful entry.” Milton’s radical, republican politics and heretical religious views, coupled with the perceived artificiality of his complicated Latinate verse, alienated Eliot and other readers; yet by dint of the overriding influence of his poetry and personality on subsequent generations—particularly the Romantic movement—the man whom Samuel Johnson disparaged as “an acrimonious and surly republican” must be counted one of the most significant writers and thinkers of all time. Source: Wikipedia
John Milton (Paradise Lost (Norton Critical Editions))
Well, it’s not only Western countries who believe an orphan is lucky to grow up there. The fairy tale is used to console desperate birth mothers, but also serves to assuage the guilt of others—relatives who persuade the mother that this is best for her and her future, for the other children she already struggles to feed. It’s a story wielded by those who shape policy, who handle transactions with foreign agencies. It’s a fantasy for those not even involved—the ballad of the Korean orphan growing up in the exotic, romantic West—never mind the loss of identity, language, or the right to exist in a particular place. It is simply enough that the fairy tale happily ends with the baby delivered into the arms of a deserving white couple. But this is only the end to their story of childlessness. It’s the beginning of another for the one who’ll be a visible foreigner within his new family and throughout his youth.
Angela Mi Young Hur (Folklorn)
It is not we as individuals, then, who must bend uncomfortably around the institution of marriage; rather it is the institution of marriage that has to bend uncomfortably around US. Because "they" (the powers that be) have never been entirely able to stop "us" (two people) from connecting our lives together and creating a secret world of our own. And so "they" eventually have no choice but to legally permit "us" to marry, in some shape or form, no matter how restrictive their ordinaces may appear. (...) So perhaps I've had this story deliciously backwards the whole time. To somehow suggest that society invented marriage, and then forced human beings to bond with each other, is perhaps absurd. It's like suggesting that society invented dentists, and then forced people to grow teeth. WE invented marriage. Couples invented marriage. We also invented divorce, mind you. And we invented infidelity, too, as well as romantic misery. In fact, we invented the whole damn sloppy mess of love and intimacy and aversion and euphoria and failure. But most importantly of all, most subversively of all, most stubbornly of all, we invented privacy.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
But is formalizing a bond really such a significant shift, such an emotional event? This may strike many as a silly question, given that so many couples today live together before marriage. About 41 percent of U.S. couples now cohabit before they wed, compared with only 16 percent in 1980. So how much of a change can there be after an official ceremony? A lot, researchers have found. Living together may fully acquaint you with someone’s everyday habits and likes and dislikes—he drops his dirty laundry on the floor or in the hamper; she wants the right or left side of the bed—but it often stops short of complete emotional linkage. It’s like bouncing on the diving board but not plunging in. Moreover, cohabitation seems to have a hangover effect. Data show that couples that have lived together are more likely to be dissatisfied with marriage and to divorce. Why this is so is unclear, but it may be that couples who live together have more general reservations about marriage, more ambivalence about long-term commitment, and are less religious. Religiosity seems to encourage partners to wed and, when problems occur, to struggle to stay married.
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
She fell silent, remembering the jolt of envy and longing she’d felt when she’d framed the Browns in her viewfinder. Now, weeks and miles later, it was another jolt for Bryan to realize she hadn’t brushed off the peculiar feeling. She has managed to put it aside, somewhere to the back of her mind, but it popped out again now as she thought of the couple in the bleachers of a small-town park. Family, cohesion. Bonding. Did some people just keep promises better than others? she wondered. Or where some people simply unable to blend their lives with someone’s else, make those adjustments, the compromises? When she looked back, she believed both she and Rob had tried, but in their own ways. There’d been no meeting of the minds, but two separate thought patterns making decisions that never melded with each other. Did that mean that a successful marriage depended on the mating of two people who thought along the same lines? With a sigh, she turned onto the highway that would lead them into Tennessee. If it was true, she decided, she was much better off single. Though she’d met a great many people she liked and could have fun with, she’d never met anyone who thought the way she did. Especially the man seated next to her with his nose already buried in the newspaper. There alone they were radically different.” For more quotes visit my blog: frommybooks.wordpress.com
Nora Roberts (Summer Pleasures (Celebrity Magazine #1 & 2))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
I suggest you stand slowly and walk out with my men,” Zrakovi said, tapping a napkin against his lying, two-faced mouth and putting a twenty on the table to cover the drinks. “If you make a scene, innocent humans will be injured. I have a Blue Congress cleanup team in place, however, so if you want to fight in public and damage a few humans, knock yourself out. It will only add to your list of crimes.” I stood slowly, gritting my teeth when Squirrel Chin patted me down while feeling me up and making it look like a romantic moment. He’d been so busy feeling the naughty bits that he missed both Charlie, sitting in my bag next to my foot, and the dagger attached to my inner forearm. Idiot. Alex would never have been so sloppy. If Alex had patted me down, he’d have found not only the weapons but also the portable magic kit. From the corner of my eye, I saw a tourist taking mobile phone shots of us. He’d no doubt email them to all his friends back home with stories of those crazy New Orleanians and their public displays of affection. I considered pretending to faint, but I was too badly outnumbered for it to work. Like my friend Jean Lafitte, whose help I could use about now, I didn’t want to try something unless it had a reasonable chance at succeeding. I also didn’t want to pull Charlie out and risk humans getting hurt. “Walk out the door onto Chartres and turn straight toward the cathedral.” Zrakovi pulled his jacket aside enough for me to see a shoulder holster. I hadn’t even known the man could hold a gun, although for all I knew about guns it could be a water pistol. The walk to the cathedral transport was three very long city blocks. My best escape opportunity would be near Jackson Square. When the muscular goons tried to turn me left toward the cathedral, I’d try to break and run right toward the river, where I could get lost among the wharves and docks long enough to draw and power a transport. Of course in order to run, I’d have to get away from the clinch of Dreadlocks and Squirrel Chin. Charlie could take care of that. I slipped the messenger bag over my head slowly, and not even Zrakovi noticed the stick of wood protruding from the top by a couple of inches. Not to be redundant, but . . . idiots. None of us spoke as we proceeded down Chartres Street, where, to our south, the clouds continued to build. The wind had grown stronger and drier. The hurricane was sucking all the humidity out of the air, all the better to gain intensity. I hoped Zrakovi, a Bostonian, would enjoy his first storm. I hoped a live oak landed on his head.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))