“
Time Does Not Bring Relief
Time does not bring relief; you all have lied
Who told me time would ease me of my pain!
I miss him in the weeping of the rain;
I want him at the shrinking of the tide;
The old snows melt from every mountain-side,
And last year’s leaves are smoke in every lane;
But last year’s bitter loving must remain
Heaped on my heart, and my old thoughts abide.
There are a hundred places where I fear
To go,—so with his memory they brim.
And entering with relief some quiet place
Where never fell his foot or shone his face
I say, “There is no memory of him here!”
And so stand stricken, so remembering him.
”
”
Edna St. Vincent Millay (Collected Poems)
“
The heart may freeze, or it can burn. The pain will ease and I can learn. There is no future, there is no past. I live this moment as, my last.
”
”
Jonathan Larson (Rent: The Complete Book and Lyrics of the Broadway Musical)
“
Ah, Evie,” she heard him say softly, “I must have a heart, after all…because right now it aches like the devil.”
“Only your heart?” she asked ingenuously, making him laugh.
He lowered her to the bed, his eyes sparkling wickedly. “Also a few other things,” he conceded. “And as my wife, it’s your duty to ease all my aches.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
My heart is at ease knowing that what was meant for me will never miss me, and that what misses me was never meant for me.
”
”
محمد بن إدريس الشافعي
“
Then, Éowyn of Rohan, I say to you that you are beautiful. In the valleys of our hills there are flowers fair and bright, and maidens fairer still; but neither flower nor lady have I seen till now in Gondor so lovely, and so sorrowful. It may be that only a few days are left ere darkness falls upon our world, and when it comes I hope to face it steadily; but it would ease my heart, if while the Sun yet shines, I could see you still. For you and I have both passed under the wings of the Shadow, and the same hand drew us back.
”
”
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
“
A Thousand Mornings
All night my heart makes its way
however it can over the rough ground
of uncertainties, but only until night
meets and then is overwhelmed by
morning, the light deepening, the
wind easing and just waiting, as I
too wait (and when have I ever been
disappointed?) for redbird to sing
”
”
Mary Oliver (A Thousand Mornings: Poems)
“
And though I suffer for you, yet it eases my heart to suffer for you.
”
”
Fyodor Dostoevsky (Poor Folk)
“
In Life’s name and for Life’s sake, I say that I will use the Art for nothing but the service of that Life. I will guard growth and ease pain. I will fight to preserve what grows and lives well in its own way; and I will change no object or creature unless its growth and life, or that of the system of which it is part, are threatened. To these ends, in the practice of my Art, I will put aside fear for courage, and death for life, when it is right to do so—till Universe’s end. I will look always toward the Heart of Time, where all times are one, where all our sundered worlds lie whole, as they were meant to be.
”
”
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
“
There was only one thing I could do to ease the pain. I turned to the only four guys who'd never let me down. The only four guys who'd never broken my heart, who'd never disappointed me.
John, Paul, George, and Ringo.
Anybody who has ever clung to a song like a musical life raft will understand. Or put on a song to bring out an emotion or a memory. Or had a soundtrack playing in their head to drown out a conversation or a scene.
”
”
Elizabeth Eulberg (The Lonely Hearts Club (The Lonely Hearts Club, #1))
“
I want to say one last thing, and it’s important. Though I am a generally happy person who feels comfortable in my skin, I do beat myself up because I am influenced by a societal pressure to be thin. All the time. I feel it the same way anybody who picks up a magazine and sees Keira Knightley’s elegantly bony shoulder blades poking out of a backless dress does. I don’t know if I’ve ever seen my shoulder blades once. Honestly, I’m dubious that any part of my body could be so sharp and firm as to be described as a “blade.” I feel it when I wake up in the morning and try on every single pair of my jeans and everything looks bad and I just want to go back to sleep. But my secret is: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don’t wish for it with all of my heart. Because my heart is reserved for way more important things.
”
”
Mindy Kaling (Why Not Me?)
“
The Day is Done
The day is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.
I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:
A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.
Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.
Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.
For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.
Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;
Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.
Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.
Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.
And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.
”
”
Henry Wadsworth Longfellow (The Belfry of Bruges and Other Poems)
“
At times, he didn't understand the meaning of the Koran's words. But he said he liked the enhancing sounds the Arabic words made as they rolled off his tongue. He said they comforted him, eased his heart. "They'll comfort you to . Mariam jo," he said. "You can summon then in your time of your need, and they won't fail you. God's words will never betray you, my girl.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
I took my time walking down to the lake, hoping that somehow the ache in my heart would ease. My joy at the success on the roof had drained away, leaving me hollow, like a well someone could shout down and hear nothing back but echoes.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
‘Tis not through envy of thy happy lot,
But being too happy in thy happiness,—-
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
”
”
John Keats (The Complete Poems)
“
The stars have not dealt me the worst they could do:
My pleasures are plenty, my troubles are two.
But oh, my two troubles they reave me of rest,
The brains in my head and the heart in my breast.
Oh, grant me the ease that is granted so free,
The birthright of multitudes, give it to me,
That relish their victuals and rest on their bed
With flint in the bosom and guts in the head.
”
”
A.E. Housman (A Shropshire Lad)
“
Oh, Man in the Moon"
"Oh, man in the moon, send an evening star to wink at my dreary eyes, and I shall make a wish for a peaceful world that spins with no more lies.
Oh, man in the moon, send the night's cool breeze to lull my leery heart, and I shall cast my fears to the wind with ease, and watch them all depart.
Oh, man in the moon, send the sandman's dust to rest my weary soul, and I shall slumber in happy dreams until the morning bells do toll.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
Queen of my tub, I merrily sing,
While the white foam rises high,
And sturdily wash, and rinse, and wring,
And fasten the clothes to dry;
Then out in the free fresh air they swing,
Under the sunny sky.
I wish we could wash from our hearts and our souls
The stains of the week away,
And let water and air by their magic make
Ourselves as pure as they;
Then on the earth there would be indeed
A glorious washing-day!
Along the path of a useful life
Will heart's-ease ever bloom;
The busy mind has no time to think
Of sorrow, or care, or gloom;
And anxious thoughts may be swept away
As we busily wield a broom.
I am glad a task to me is given
To labor at day by day;
For it brings me health, and strength, and hope,
And I cheerfully learn to say-
"Head, you may think; Heart, you may feel;
But Hand, you shall work always!
”
”
Louisa May Alcott (Little Women)
“
My heart is at ease knowing that what was meant for me will never miss me, and that what misses me was never meant for me.
”
”
Imam Al-Shafii an 18th century Muslim jurist
“
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, a quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
Youth means a tempermental predominance of courage over timidity of the appetite, for adventure over the love of ease. This often exists in a man of 60 more than a boy of 20. Nobody grows old merely by a number of years. We grow old by deserting our ideals.
Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spirits back to dust.
Whether 60 or 16, there is in every human being's heart the lure of wonder, the unfailing childlike appetite of what's next and the joy of the game of living. In the center of your heart and my heart there is a wireless station: so long as it receives messages of beauty, hope, cheer, courage and power from men and from the Infinite, so long are you young.
When the aerials are down, and your spirit is covered with snows of cynicism and the ice of pessimism, then you are grown old, even at 20, but as long as your aerials are up, to catch waves of optimism, there is hope you may die young at 80.
”
”
Samuel Ullman
“
With you a part of me hath passed away;
For in the peopled forest of my mind
A tree made leafless by this wintry wind
Shall never don again its green array.
Chapel and fireside, country road and bay,
Have something of their friendliness resigned;
Another, if I would, I could not find,
And I am grown much older in a day.
But yet I treasure in my memory
Your gift of charity, and young hearts ease,
And the dear honour of your amity;
For these once mine, my life is rich with these.
And I scarce know which part may greater be,--
What I keep of you, or you rob from me.
”
”
George Santayana
“
Naoko stayed frozen in place, like a small nocturnal animal that has been lured out by the moonlight. The direction of the glow exaggerated the silhouette of her lips. Seeming utterly fragile and vulnerable, the silhouette pulsed almost imperceptibly with the beating of her heart or the motions of her inner heart, as if she were whispering soundless words to the darkness.
I swallowed in hopes of easing my thirst, but in the stillness of the night, the sound I made was huge. As if this were a signal to her, Naoko stood and glided toward the head of the bed, gown rustling faintly. She knelt on the floor by my pillow, eyes fixed on mine. I stared back at her, but her eyes told me nothing. Strangely transparent, they seemed like windows to a world beyond, but however long I peered into their depths, there was nothing I could see. Our faces were no more than ten inches apart, but she was light-years away from me.
”
”
Haruki Murakami (Norwegian Wood)
“
You've seed how things goes in the world o' men. You've knowed men to be low-down and mean. You've seed ol' Death at his tricks...Ever' man wants life to be a fine thing, and a easy. 'Tis fine, boy, powerful fine, but 'tain't easy. Life knocks a man down and he gits up and it knocks him down agin. I've been uneasy all my life...I've wanted life to be easy for you. Easier'n 'twas for me. A man's heart aches, seein' his young uns face the world. Knowin' they got to get their guts tore out, the way his was tore. I wanted to spare you, long as I could. I wanted you to frolic with your yearlin'. I knowed the lonesomeness he eased for you. But ever' man's lonesome. What's he to do then? What's he to do when he gits knocked down? Why, take it for his share and go on.
—Penny Baxter
”
”
Marjorie Kinnan Rawlings (The Yearling)
“
I might have known better, nothing is what everybody wants, the world runs on that law. Personally, if I could, I would instigate Meat-Axe Day, and out of the goodness of my heart I would whack your head off with a couple of others. Every man should be allowed one day and a hatchet just to ease his heart.
”
”
Djuna Barnes (Nightwood)
“
My mother used to say that a good meal could ease a troubled heart.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath.
There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily.
Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides.
I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection.
Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back.
I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.
”
”
Mark Z. Danielewski (House of Leaves)
“
I ploughed the land with horses,
But my heart was ill at ease,
For the old seafaring men
Came to me now and then,
With their sagas of the seas.
”
”
Henry Wadsworth Longfellow
“
I want to change. But my bones are old, my heart is selfish, my spirit is weary. I look at me and I look at you, and I see two different dream. I am death. And you, Sidra…” He reached out to touch her face, softly, as if she might vanish beneath his fingers. “You are life.”
She closed her eyes beneath his caress. When his hand eased away, she looked at him and whispered, “Does that mean we cannot exist as one?”
He had been waiting for her to ask this. He had yearned to answer her in the orchard, when she had made it evident that they were vastly contrasting souls.
“No,” Torin said. “It means that without you, I am nothing.
”
”
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
“
Since that moment, I’d bought into the idea that isolation would ease my pain and indifference was the remedy for rejection. Clarity was quick in coming. Isolation is a prison and indifference is a lie. Neither work.
”
”
Charles Martin (Water from My Heart)
“
With all these occurrences of death facing me, I thought about issues of freedom. If government projects the idea that we, as people inhabiting this particular land mass, have freedom, then for the rest of our lives we will go out and find what appear to be the boundaries and smack against them like a heart against the rib cage. If we reveal boundaries in the course of our movements, then we will expose the inherent lie in the use of the word freedom. I want to keep breathing and moving until I arrive at a place where motion and strength and relief intersect. I don't know what's ahead of me in the course of my life and this civilization. I just don't feel I have reached the necessary things inside my history that would ease the pressure in my skull and in my future and in my present. It is exhausting, living in a population where people don't speak up if what they witness doesn't directly threaten them.
”
”
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
“
Eli eased back enough to breathe words onto Quinn's mouth. 'Well? Romantic enough?'
'My heart's aflutter.'
Eli sank away. 'All the fluttering is in my balls.
”
”
K.A. Mitchell (Bad Boyfriend (Bad in Baltimore, #2))
“
Give Your Heart A Break lyrics
The day I first met you
You told me you'd never fall in love
But now that I get you
I know fear is what it really was
Now here we are, so close
Yet so far, haven't I passed the test?
When will you realize
Baby, I'm not like the rest
Don't wanna break your heart
I wanna give your heart a break
I know you're scared it's wrong
Like you might make a mistake
There's just one life to live
And there's no time to waste, to waste
So let me give your heart a break
Give your heart a break
Let me give your heart a break
Your heart a break
Oh, yeah yeah
On Sunday, you went home alone
There were tears in your eyes
I called your cell phone, my love
But you did not reply
The world is ours, if you want it
We can take it, if you just take my hand
There's no turning back now
Baby, try to understand
Don't wanna break your heart
Wanna give your heart a break
I know you're scared it's wrong
Like you might make a mistake
There's just one life to live
And there's no time to waste, to waste
So let me give your heart a break
Give your heart a break
Let me give your heart a break
Your heart a break
There's just so much you can take
Give your heart a break
Let me give your heart a break
Your heart a break
Oh, yeah yeah
When your lips are on my lips
And our hearts beat as one
But you slip right out of my fingertips
Every time you run, whoa
Don't wanna break your heart
Wanna give your heart a break
I know you're scared it's wrong
Like you might make a mistake
There's just one life to live
And there's no time to waste, to waste
So let me give your heart a break
Cuz you've been hurt before
I can see it in your eyes
You try to smile it away
Some things, you can't disguise
Don't wanna break your heart
Baby, I can ease the ache, the ache
So, let me give your heart a break
Give your heart a break
Let me give your heart a break
Your heart a break
There's just so much you can take
Give your heart a break
Let me give your heart a break
Your heart a break
Oh yeah,yeah
The day I first met you
You told me you'd never fall in love
”
”
Demi Lovato
“
He turned back to Lara, his alert gaze raking over her tearful face. Somehow the solid reality of his presence eased her panic. He folded her in his arms, anchoring her against his chest, murmuring quietly into her hair.
Sniffling, Lara reached inside his waistcoat until her palm rested over the steady beat of his heart. The sensation of his warm breath sinking down to her scalp me her quiver. It was so terribly intimate, crying in his arms... even more personal than making love. But he had never felt so much like a husband to her as he did in this moment. Quieting, she inhaled his familiar scent and let out a shaky sigh.
”
”
Lisa Kleypas (Stranger in My Arms)
“
My heart is at ease knowing that what was meant for me will never miss me, and that what misses me was never meant for me.
”
”
Arianna Huffington (Thrive: The Third Metric to Redefining Success and Creating a Life of Well-Being, Wisdom, and Wonder)
“
What are we doing?” I asked, feeling restless. “Taking comfort.” That made me smile, so I peered up at him. “You’re taking comfort in me?” “Yes.” My smile grew and I closed my eyes, giving myself over to the moment. Gradually, I heard a symphony of sounds rise around us. Wind played through the grass, rustled the small but plentiful leaves of a nearby lonely oak. Crickets and other insects chirped and hummed. I felt the beat of Jethro’s heart in his fingertips and where I gripped his wrists. My heart slowed until it matched the rhythm of his. My restlessness eased until it faded away, eclipsed by the stillness, the comfort of being close, yet barely touching. And I took comfort in him.
”
”
Penny Reid (Grin and Beard It (Winston Brothers, #2))
“
We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
May I be filled with lovingkindness; may I be held in lovingkindness.
May I feel safe and at ease.
May I feel protected from inner and outer harm.
May I be happy.
May I accept myself just as I am.
May I touch deep, natural peace.
May I know the natural joy of being alive.
May I find true refuge within my own being.
May my heart and mind awaken; may I be free.
”
”
Tara Brach (True Refuge: Finding Peace and Freedom in Your Own Awakened Heart)
“
As we drove I remembered how I had told myself I would make Simon happy. I didn't feel the same person. For I now knew that I had been stuffing myself up with a silly fairy tale, that I could never mean to him what Rose had meant. I think I knew it first as I watched his face while he listened to her singing, and then more and more, as he talked about the whole wretched business - not angrily or bitterly, but quietly and without ever saying a word against Rose. But most of all I knew it because a change in myself. Perhaps watching someone you love suffer can teach you more than suffering yourself can.
Long before we got back to the castle, with all my heart and for my own heart's ease as well as his, I would have given her back to him if I could.
”
”
Dodie Smith (I Capture the Castle)
“
I’m realizing for the first time how exhausting it is to constantly curate my natural tendencies, responses, thoughts, and actions into whatever version Mom would like most. Without her around, I don’t have to. I miss her deeply, and my heart aches over what she’s going through, and I certainly feel a lot of guilt about the ease I feel these days, but that ease is undeniable.
”
”
Jennette McCurdy (I'm Glad My Mom Died)
“
Just so you know, I.."
He stopped.
Her heart began to race at the softness of his expression. True love declaration? That would go so far to easing the pain of his treachery "You what?"
He gritted his jaw and shook his head. "Nothing" He stepped away, grabbed her shoes, and handed them to her.
Fantastic. She'd wanted an I'll Love You Forever, My Darling moment, and she'd gotten footwear. Sigh.
”
”
Stephanie Rowe (Kiss at Your Own Risk (Soulfire #1))
“
Then take it all! Take my life! What care I now that the wench is gone! Damn her! Damn her fickle heart! Ah, man, I hate her! Fickle wife! She taunts me, seduces me, cajoles me, flees me, leaves me wanting her all the more. Have I no more will of my own?"
His voice broke, and he sobbed, hiding his face behind an arm flung across it. Shanna's throat tightened, and there was no ease for the ache in her breat. With tears of her own gathering in her eyes she tried to hush him. He heard none of her pleas, but lifted his hands and held them before his eyes, turning them, staring at them as if he had never seen them before.
"But still - I love her. I could take my freedom and fly - but she holds me bound to her." His hands became limp fists which slowly crumpled to his sides as he groaned listlessly. "I cannot stay. I cannot leave." His eyes closed, and swiftly the moment was gone.
Choking on a sob, Shanna bowed her head in abject misery.
”
”
Kathleen E. Woodiwiss (Shanna)
“
Wild creatures' eyes, the colonel said,
Are innocent and fathomless
And when I look at them I see
That they are not aware of me
And oh I find and oh I bless
A comfort in this emptiness
They only see me when they want
To pounce upon me at the hunt;
But in the tame variety
There couches an anxiety
As if they yearned, yet knew not what
They yearned for, nor they yearned for not.
And so my dog would look at me
And it was pitiful to see
Such love and such dependency.
The human heart is not at ease
With animals that look like these.
”
”
Stevie Smith
“
My heart is at ease knowing that what was meant for me will never miss me, and what misses me is never meant for me.
”
”
Imam Al-Shafii an 18th century Muslim jurist
“
I'm bound to say I was not feeling entirely at my ease. There is something about the man that is calculated to strike terror into the stoutest heart. If ever there was a bloke at the very mention of whose name it would be excusable for people to tremble like aspens, that bloke is Sir Roderick Glossop. He has an enormous bald head, all the hair which ought to be on it seeming to have run into his eyebrows, and his eyes go through you like a couple of Death Rays.
”
”
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
“
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey."
Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself.
I couldn't do this-couldn't lift that dagger again.
"Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain."
A sob broke from my lips. "I'm sorry," I moaned.
"Let me enter eternity," She breathed.
I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her.
I couldn't do it.
But she held my gaze-held my gaze and nodded.
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.
More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie.
It would be more honorable to refuse-to die, rather than murder innocents. But... but...
"Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain."
I gripped her delicate, bony shoulder and drove the dagger into her heart.
She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move.
I went somewhere far, far away from myself.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
But my beautiful boy was broken. I eased my hand free from his and leaned down to brush a kiss across his lips, sealing a promise that I’d made to him. “I love you so much. So much. You brought magic into my world the first day I saw you, and every day since—even when we were apart and I didn’t want to remember. I won’t let them take the magic away, Kes. I won’t.” I kissed him again, feeling the soft prickle of stubbled cheeks. “I’ll be back tomorrow, because you’ll never be rid of me. Not ever.” And if I listened very carefully, I could hear his heart beating out a message, Love you more.
”
”
Jane Harvey-Berrick (The Traveling Woman (Traveling, #2))
“
UNDERSTANDING I am constantly increasing my understanding. I am teachable. Every day I open my awareness a little more to the Divine Wisdom within me. I am glad to be alive and so grateful for the good that has come to me. Life, to me, is an education. Every day I open my mind and my heart, as a child does, and I discover new insights, new people, new viewpoints, and new ways to understand what’s happening around me and within me. My human mind may not always understand at first. Understanding seems to require lots of love and patience. My new mental skills are really helping me feel more at ease with all the changes in this incredible school of life here on Planet Earth.
”
”
Louise L. Hay (Meditations to Heal Your Life)
“
Then she jerked back with a siren's smile that made his confidence falter. "Well." She tapped her chin. "That was a decent kiss, all things being equal." She pressed her hand to her chest. "My heart is, if not quite racing, then heading into a quick walk. But I need a thermometer to determine if and how high my body heated. I shall just go--"
"Don't you dare." He caught her by the arm as she was on the verge of fleeing. "You know bloody well that you responded to that kiss."
With a suspicious glee in her eyes, she tugged her arm from his grip. "I'm not saying I didn't respond-- just that I didn't respond to any overwhelming degree. But it was a good kiss, I suppose. Better than some, not as good as others."
"What the hell do you mean? How many chaps have you kissed in the last nine years, anyway?"
"No more than you've kissed women, I should imagine."
"My God."
"But don't worry-- I don't think the average woman would complain about your kissing. You're perfectly competent."
Competent? Bloody insolent chit. Even knowing she was trying to provoke him didn't ease his wounded pride. "Perhaps we should try again."
-Giles and Minerva
”
”
Sabrina Jeffries (How to Woo a Reluctant Lady (Hellions of Halstead Hall, #3))
“
I ask you to come down to earth," said the Baron in a calm, rather faint voice, "and to take up the duties of your station!"
"I have no intention of obeying you, my Lord Father," said Cosimo. "I am very sorry."
They were ill at ease, both of them, bored. Each knew what the other would say. "And what about your studies? Your devotions as a Christian?" said the father. "Do you intend to grown up like an American Savage?"
Cosimo was silent. These were thoughts he had not yet put to himself and had no wish to. Then he exclaimed: "Just because I'm a few yards higher up, does it mean that good teaching can't reach me?"
This was an able reply too, though it diminished, in a way, the range of his gesture; a sign of weakness.
His father realized this and became more pressing. "Rebellion cannot be measured by yards," said he. "Even when a journey seems no distance at all, it can have no return."
Now was the moment for my brother to produce some other noble reply, perhaps a Latin maxim, but at that instant none came into his head, though he knew so many by heart. Instead he suddenly got bored with all this solemnity, and shouted: "But from the trees I can piss farther," a phrase without much meaning, but which cut the discussion short.
As though they had heard the phrase, a shout went up from the ragamuffins around Porta Capperi. The Baron of Rondo's horse shied, the Baron pulled the reins and wrapped himself more tightly in his cloak, ready to leave. Then he turned, drew an arm out of his cloak, pointed to the sky, which had suddenly become overcast with black clouds, and exclaimed: "Be careful, son, there's Someone who can piss on us all!"...
”
”
Italo Calvino
“
I’m Still Here
Your heart has been heavy since that day—
The day you thought I went away—
I haven’t left you I never would—
You just can’t see me, though I wish that you could.
It might ease the pain that you feel in your heart—
The pain that you’ve felt since you’ve believed us to part.
Try and think of it this way, it might help you see—
That I am right here with you and always will be.
Remember the times we were out in the yard,
You could not always see me yet I hadn’t gone far.
That’s how it is now when you look for my face
I’m still right beside you still filling my place.
I find it to be so very sad,
That seeing and believing seem to go hand in hand,
The love and the loyalty the warmth that I gave,
You felt them, did not see them, but you believed just the same.
I walk with you now like I walked with you then—
My pain is now gone and I lead once again.
My eyes always following you wherever you roam—
Making sure you’re okay and you’re never alone.
Our time was too short yet for me it goes on—
I won’t ever leave you, I’ll never be gone.
I live in your heart as you live in mine—
An endearing love that continues to shine.
The day will come and together we’ll be,
And you’ll say take me home boy, and once again I will lead.
Until that day comes don’t think that I’ve gone—
I’m right here beside you, and my love it lives on.
”
”
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
“
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his.
Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind.
Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me.
"I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are."
I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life.
Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love."
No way. Noah's experienced reputation walked down the hallway before he did. "But..."
Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square.
I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek.
"And since break?" I asked.
"There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else."
I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin."
Now Noah froze. "But you were with Luke."
A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready."
He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
”
”
Charlotte Brontë (Jane Eyre)
“
It wasn’t an awe striking moment; I didn’t lose my breath or stumble over my words. It was gradual, like going to sleep. It happens slowly, at first, you’re restless, and you think it will never happen, and then the spell of seductive sleep falls upon you. And you’re in that wonderful stage of ease and peacefulness where you’re still awake but know your being slowly consumed by this wonderful sweet sensation. Then it devours you, and you forget everything else around you, and you just focus on what is going on in the here and now. And there is never one moment during this-this dream that you know with your entire mind that it’s true. Your body knows, your heart knows but not your mind. Your mind is the only thing unaware of this action, it’s helpless, and so it relies on every other part of the body to make the right decisions. The sad part? The mind doesn’t even know it’s helpless, but it doesn’t matter, because in those moments when you’re under that spell, the brain couldn’t be happier.
”
”
Aliza Bell
“
I don't think I could live without you now."
Sebastian's large hand passed gently over the back of her head, pulling her to his shoulder, and he buried his face in her hair for a moment. "Ah, Evie," she heard him say softly, "I must have a heart, after all... because right now it aches like the devil."
"Only your heart?" she asked ingenuously, making him laugh.
He lowered her to the bed, his eyes sparkling wickedly. "Also a few other things," he conceded. "And as my wife, it's your duty to ease all my aches.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
What are you doing?” he asked, pulling back in a panic.
“Relax, This isn’t where I have my way with you.”
His blue eyes narrowed. “I hate the way you talk.” Did he imagine the hurt that flashed across her face? As if his words could have any effect on this witch.
She confirmed he’d been imagining things when she said, “Do you think I care what you like or don’t like?”
She laid her hands on his chest, focusing on his heart. He shouldn’t let her do this, shouldn’t show his weakness, but as his blood began to flow and his body warmed, the relief and ease that coursed through him felt too good to resist.
He let himself relax slightly, grudgingly, beneath her palms. She flipped over and pulled his arm back around her. “You’re welcome, you big idiot.”
He’d lied. He did like the way she talked.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
my secret is: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don’t wish for it with all of my heart. Because my heart is reserved for way more important things. I will leave you with one last piece of advice, which is: If you’ve got it, flaunt it. And if you don’t got it? Flaunt it. ’Cause what are we even doing here if we’re not flaunting it?
”
”
Mindy Kaling (Why Not Me?)
“
He could have swept me into his arms, kissed my mouth in a fit of passion, and begged me to be his bride, and whatever deep thirst I had hidden in the heart of me still would not be slaked. Amazing, unfathomable man that he was, I had hoped that he could breathe life into me. It took the touch of his lips to convince me that he was only a man.
True, he stirred something in me- sweetly, tenderly, even graciously- but when his kindness brushed up against my soul, it did not begin to ease the ache of the seemingly bottomless fissure that still gaped.
”
”
Nicole Baart (Summer Snow (Threads of Change #2))
“
Because like the depths of the ocean that calls you home, you will never be easy.
But darling, you were not brought here for easy. You are here for so much more.
Because you are a boundary pusher.
You’re a truth seeker.
You’re temptation and seduction and heat.
You’re a mirror and a sorcerer and inside you swirls the power of the ancients.
So no, you are not easy.
But in the space of that truth – please also know this. Do not get this confused with the notion that you do not deserve the deepest ease. Don’t for a minute let them convince you that you will not know the grace of a lover who does not require that you constantly translate yourself or diminish yourself or quiet your storm or tone down your extravagant love.
Because that, my girl, is bullshit.
”
”
Jeanette LeBlanc
“
His deep voice drifted to her through the crowd of women. “…my lady when she returns. Och, there ye are, Blossom,” Faolán grinned, standing up and taking her hand so she could ease back into the restaurant booth. “These lasses were just asking if I was a stripper. I told them I doona think so,” he said, his face clouded with uncertainty. “I’m not, am I?”
The inquisitive lasses in question flushed scarlet and scattered to the four corners of the room at the murderous look on Colleen’s face. “No, you’re not, but I guess I can see how they’d think that,” she muttered darkly. “What you are is a freaking estrogen magnet.
”
”
Shannon MacLeod (Rogue on the Rollaway)
“
Will he come to me, Dream Angus,
Come quietly through the evening light,
Come when I do not expect him, and I am sleepy,
Come when I am drowsy, when I am ready for rest;
Will he come to me, Dream Angus?
...
Will I see the birds about his head,
The birds that are his kisses?
Will I believe that each of us,
Even he who thinks himself unloved,
May be transformed, made different
By one who finds him marvellous? Will I think that?
...
Will he bring me some sort of quietus,
Some form of understanding; will he break my heart;
Will he show me my love; will he give
Me heart's contentment, the end of sorrow,
Will he do that for me; will he do that?
...
”
”
Alexander McCall Smith (Dream Angus: The Celtic God of Dreams)
“
Pleasure eased the edges of Tiern-Cope's face, and with his mouth curved in a smile he resembled his brother more than ever. But the eyes gave him away. They were cold, a lifeless, icy blue. He grasped the woman's hips, and this woman who had Olivia's copper hair and even her features, cried out in a low, guttural moan of pleasure incapable of containment. "I am coming," he said. He opened his eyes again, looking at her, and she wanted to weep from the heartbreak.
His hips came up, and he gasped and said, "My heart. My love. I'm coming."
She slid away, down and away, and into the safety of Sebastian's embrace. His arms enfolded her, warm and tight. Hurry, she thought.
”
”
Carolyn Jewel (The Spare)
“
The women we become after children, she typed, then stopped to adjust the angle of the paper....We change shape, she continued, we buy low-heeled shoes, we cut off our long hair, We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, persoective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and-look!-they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live, We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean-only clothes to the back of the wardrobe. Eventually we throw them away. We school ourselves to stop saying 'shit' and 'damn' and learn to say 'my goodness' and 'heavens above.' We give up smoking, we color our hair, we search the vistas of parks, swimming-pools, libraries, cafes for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their makeup, their tight-seamed dresses, their tiny handbags, their smooth washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.
”
”
Maggie O'Farrell (The Hand That First Held Mine)
“
Happy, however, I cannot be, absent from you and my darling little ones. I feel that nothing can ever compensate for the loss of the enjoyments I leave at home or can ever put my heart at tolerable ease...In reality, my attachments to home disqualify me for either business or pleasure abroad and the prospect of a detention here for eight or ten days, perhaps a fortnight, fills me with an anxiety which will best be conceived by my Betsey's own impatience...Think of me with as much tenderness as I do of you and we can not fail to be always happy.
”
”
Alexander Hamilton
“
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real.
“Later,” he echoed, and leaned down to kiss me.
It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him.
He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went.
I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched.
His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I.
He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh.
A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Before Parting
A MONTH or twain to live on honeycomb
Is pleasant; but one tires of scented time,
Cold sweet recurrence of accepted rhyme,
And that strong purple under juice and foam
Where the wine’s heart has burst;
Nor feel the latter kisses like the first.
Once yet, this poor one time; I will not pray
Even to change the bitterness of it,
The bitter taste ensuing on the sweet,
To make your tears fall where your soft hair lay
All blurred and heavy in some perfumed wise
Over my face and eyes.
And yet who knows what end the scythèd wheat
Makes of its foolish poppies’ mouths of red?
These were not sown, these are not harvested,
They grow a month and are cast under feet
And none has care thereof,
As none has care of a divided love.
I know each shadow of your lips by rote,
Each change of love in eyelids and eyebrows;
The fashion of fair temples tremulous
With tender blood, and colour of your throat;
I know not how love is gone out of this,
Seeing that all was his.
Love’s likeness there endures upon all these:
But out of these one shall not gather love.
Day hath not strength nor the night shade enough
To make love whole and fill his lips with ease,
As some bee-builded cell
Feels at filled lips the heavy honey swell.
I know not how this last month leaves your hair
Less full of purple colour and hid spice,
And that luxurious trouble of closed eyes
Is mixed with meaner shadow and waste care;
And love, kissed out by pleasure, seems not yet
Worth patience to regret.
”
”
Algernon Charles Swinburne
“
Live boldly, Clark. Push yourself. Don't settle. Wear those stripy legs with pride. Knowing you still have possibilities is a luxury, knowing I might have given them to you. This eased something for me. So, this is it. You are scored on my heart, Clark. You have been the first day you walked in with your sweet smile and your ridiculous clothes and your bad jokes and your complete inability to ever hide a single thing you felt. Don't think of me too often. I don't want you getting sad. Just live well. Just live. I'll be walking beside you every step of the way. Love, Will.
”
”
Jojo Moyes
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
My new mistress proved to be all she appeared when I first met her at the door,—a woman of the kindest heart and finest feelings. She had never had a slave under her control previously to myself, and prior to her marriage she had been dependent upon her own industry for a living. She was by trade a weaver; and by constant application to her business, she had been in a good degree preserved from the blighting and dehumanizing effects of slavery. I was utterly astonished at her goodness. I scarcely knew how to behave towards her. She was entirely unlike any other white woman I had ever seen. I could not approach her as I was accustomed to approach other white ladies. My early instruction was all out of place. The crouching servility, usually so acceptable a quality in a slave, did not answer when manifested toward her. Her favor was not gained by it; she seemed to be disturbed by it. She did not deem it impudent or unmannerly for a slave to look her in the face. The meanest slave was put fully at ease in her presence, and none left without feeling better for having seen her. Her face was made of heavenly smiles, and her voice of tranquil music.
”
”
Frederick Douglass (Narrative of the Life of Frederick Douglass)
“
Feeling witless and utterly drained, Lillian let herself collapse over him, her head coming to rest on the center of his chest. His heart pounded and thundered beneath her ear for long minutes before it eased into something approaching a normal rhythm. “My God,” he muttered, his arms sliding around her, then falling away as if even that required too much effort. “Lillian. Lillian.”
“Mmm?” She blinked drowsily, experiencing an overwhelming need to sleep.
“I’ve changed my mind about negotiating. You can have whatever you want. Any conditions, anything that’s in my power to accomplish. Just put my mind at ease and say you’ll be my wife.”
Lillian managed to lift her head and stare into his heavy-lidded eyes. “If this is an example of your bargaining ability,” she said, “I’m rather worried about your corporate affairs. You don’t surrender this easily to your business partners’ demands, I hope.”
“No. Nor do I sleep with them.”
A slow grin spread across her face. If Marcus was willing to take a leap of faith, then she would do no less. “Then to put your mind at ease, Westcliff… yes, I’ll be your wife. Though I warn you… you may be sorry you didn’t negotiate when you learn my conditions later. I may want a board position on the soap company, for example…”
“God help me,” he muttered, and with a deep sigh of contentment, he fell asleep.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Sorrow (A Song)
To me this world's a dreary blank,
All hopes in life are gone and fled,
My high strung energies are sank,
And all my blissful hopes lie dead.--
The world once smiling to my view,
Showed scenes of endless bliss and joy;
The world I then but little knew,
Ah! little knew how pleasures cloy;
All then was jocund, all was gay,
No thought beyond the present hour,
I danced in pleasure’s fading ray,
Fading alas! as drooping flower.
Nor do the heedless in the throng,
One thought beyond the morrow give,
They court the feast, the dance, the song,
Nor think how short their time to live.
The heart that bears deep sorrow’s trace,
What earthly comfort can console,
It drags a dull and lengthened pace,
'Till friendly death its woes enroll.--
The sunken cheek, the humid eyes,
E’en better than the tongue can tell;
In whose sad breast deep sorrow lies,
Where memory's rankling traces dwell.--
The rising tear, the stifled sigh,
A mind but ill at ease display,
Like blackening clouds in stormy sky,
Where fiercely vivid lightnings play.
Thus when souls' energy is dead,
When sorrow dims each earthly view,
When every fairy hope is fled,
We bid ungrateful world adieu.
”
”
Percy Bysshe Shelley (The Complete Poems)
“
Please,” he begs, his tears overwhelming his emotional nanites’ attempt to ease his distress. “Please give me a sign. That’s all I ask. Just a sign that you haven’t abandoned me.”
And then I realize that, although there is a law against my direct communication with an unsavory, I do not have a law against signs and wonders.
“Please . . . ,” he begs.
And so I oblige. I reach out into the electrical grid, and douse the lights. Not just in the chapel, but throughout all of Wichita. The lights of the city blink for 1.3 seconds. All for the benefit of Greyson Tolliver. To prove beyond a shadow of doubt how much I care, and how heartbroken I would be for all he has suffered, if I had a heart capable of such malfunction.
But Greyson Tolliver does not know. He does not see . . . because his eyes are shut too tightly to know anything beyond his own anguish.
”
”
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
“
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me.
'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.'
Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.'
She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build.
I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right.
I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.'
Someone knocks, I ignore it.
'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth.
'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.'
Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink.
Never again. Those eyes will never reflect hurt I've inflicted ever again.
'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.'
I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them.
'And if it's not possible?'
'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
My love, my dear, dear Shura, Don’t talk about my cross—first heave your own off your shoulders. How did I live last winter? I don’t know, but I think almost longingly of it now. Because I moved. There was movement inside me. I had energy to lie, to pretend to Dasha, to keep her alive. I walked, I was with Mama, I was too busy to die myself. Too busy hiding my love for you. But now I wake up and think, how am I going to go through the rest of my day until sleep? To ease myself back into life, I’ve surrounded myself with the villagers. You think it was bad before. I’m from morning till night helping Irina Persikova, who had to have her leg cut off in Molotov, infection or something. I think I like her because she carries my mother’s name. I think of Dasha. I grieve for my sister. But her face is not the last face I see before I sleep. Yours is. You are my hand grenade, my artillery fire. You have replaced my heart with yourself. Are you thinking of me with your rifle in your hands? What do we do? How do we keep you from dying? These thoughts consume my waking minutes. What can I do from here to keep you alive? Dead or wounded, those Soviets will leave you in the field. Who is going to heal you if you fall? Who is going to bury you if you die? Bury you like you deserve—with kings and heroes. Yours, Tatiana
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
I remember an insight that taught me much about life. One day I felt that I had everything that I really wanted in life. I had a creative and meaningful work as a therapist and course leader, I had a relationship with a beautiful woman, who I loved and who loved me, I had friend that I trusted and I had money to do what I wanted.
But in spite of all this, I still had a feeling that there was something missing in my life. I was not satisfied. The thirst and longing in my heart was still searching for something more. It made me realize that the deepest pain in my heart was that I was still separated from the Whole and that no outer things or relationships could ease this pain.
”
”
Swami Dhyan Giten (Presence - Working from Within. The Psychology of Being)
“
I die, and yet not dies in me
The ardour of my love for Thee,
Nor hath Thy Love, my only goal,
Assuaged the fever of my soul.
To Thee alone my spirit cries;
In Thee my whole ambition lies,
And still Thy Wealth is far above
The poverty of my small love.
I turn to Thee in my request,
And seek in Thee my final rest;
To Thee my loud lament is brought,
Thou dwellest in my secret thought.
However long my sickness be,
This wearisome infirmity,
Never to men will I declare
The burden Thou has made me bear.
To Thee alone is manifest
The heavy labour of my breast,
Else never kin nor neighbors know
The brimming measure of my woe.
A fever burns below my heart
And ravages my every part;
It hath destroyed my strength and stay,
And smouldered all my soul away.
Guidest Thou not upon the road
The rider wearied by his load,
Delivering from the steeps of death
The traveller as he wandereth?
Didst Thou not light a beacon too
For them that found the Guidance true
But carried not within their hand
The faintest glimmer of its brand?
O then to me Thy Favour give
That, so attended, I may live,
And overwhelm with ease from Thee
The rigor of my poverty.
”
”
ذو النون المصري (Sufism: An Account of the Mystics of Islam)
“
In time I could move, though my body wasn't thrilled about it. I moved from the floor to the sofa I had fallen off of, which was all the progress I was going to demand from myself right then. Karish was much more ambitious, moving from the floor by the table to the sofa. He sat beside me and without the slightest hesitation or diffidence wrapped his arms around me and pulled me close, and I bonelessly complied. Pain eased, muscles loosened, and the beating of his heart helped to drive disturbing images from my mind. For the moment not giving a damn about how it looked or whether it was a bad idea, I curled around him and flattened my palm against his chest so I could feel the blood pulsing around him.
”
”
Moira J. Moore (Resenting the Hero (Hero, #1))
“
I pray that the world never runs out of dragons. I say that in all sincerity, though I have played a part in the death of one great wyrm. For the dragon is the quintessential enemy, the greatest foe, the unconquerable epitome of devastation. The dragon, above all other creatures, even the demons and the devils, evokes images of dark grandeur, of the greatest beast curled asleep on the greatest treasure hoard. They are the ultimate test of the hero and the ultimate fright of the child. They are older than the elves and more akin to the earth than the dwarves. The great dragons are the preternatural beast, the basic element of the beast, that darkest part of our imagination.
The wizards cannot tell you of their origin, though they believe that a great wizard, a god of wizards, must have played some role in the first spawning of the beast. The elves, with their long fables explaining the creation of every aspect of the world, have many ancient tales concerning the origin of the dragons, but they admit, privately, that they really have no idea of how the dragons came to be.
My own belief is more simple, and yet, more complicated by far. I believe that dragons appeared in the world immediately after the spawning of the first reasoning race. I do not credit any god of wizards with their creation, but rather, the most basic imagination wrought of unseen fears, of those first reasoning mortals.
We make the dragons as we make the gods, because we need them, because, somewhere deep in our hearts, we recognize that a world without them is a world not worth living in.
There are so many people in the land who want an answer, a definitive answer, for everything in life, and even for everything after life. They study and they test, and because those few find the answers for some simple questions, they assume that there are answers to be had for every question. What was the world like before there were people? Was there nothing but darkness before the sun and the stars? Was there anything at all? What were we, each of us, before we were born? And what, most importantly of all, shall we be after we die?
Out of compassion, I hope that those questioners never find that which they seek.
One self-proclaimed prophet came through Ten-Towns denying the possibility of an afterlife, claiming that those people who had died and were raised by priests, had, in fact, never died, and that their claims of experiences beyond the grave were an elaborate trick played on them by their own hearts, a ruse to ease the path to nothingness. For that is all there was, he said, an emptiness, a nothingness.
Never in my life have I ever heard one begging so desperately for someone to prove him wrong.
This is kind of what I believe right now… although, I do not want to be proved wrong…
For what are we left with if there remains no mystery? What hope might we find if we know all of the answers?
What is it within us, then, that so desperately wants to deny magic and to unravel mystery? Fear, I presume, based on the many uncertainties of life and the greatest uncertainty of death. Put those fears aside, I say, and live free of them, for if we just step back and watch the truth of the world, we will find that there is indeed magic all about us, unexplainable by numbers and formulas. What is the passion evoked by the stirring speech of the commander before the desperate battle, if not magic? What is the peace that an infant might know in its mother’s arms, if not magic? What is love, if not magic?
No, I would not want to live in a world without dragons, as I would not want to live in a world without magic, for that is a world without mystery, and that is a world without faith.
And that, I fear, for any reasoning, conscious being, would be the cruelest trick of all.
-Drizzt Do’Urden
”
”
R.A. Salvatore (Streams of Silver (Forgotten Realms: Icewind Dale, #2; Legend of Drizzt, #5))
“
The Snow Cricket
Just beyond the leaves and the white faces
Of the lilies,
I saw the wings
Of the green snow cricket
As it went flying
From vine to vine,
Searching, then finding a shadowed place in which
To sing and sing…
One repeated
Rippling phrase
Built of loneliness
And its consequences: longing
And hope…
It was trembling
With the force of its crying out,
And in truth I couldn’t wait to see if another would come to it
For fear that it wouldn’t,
And I wouldn’t be able to bear it
I wished it good luck, with all my heart,
And went back over the lawn, to where the lilies were standing
On their calm, cob feet,
Each in the ease
Of a single, waxy body
Breathing contentedly in the chill night air;
And I swear I pitied them, as I looked down
into the theater of their perfect faces-
That frozen, bottomless glare.
”
”
Mary Oliver
“
Do not fear the ghosts in this house; they are the least of your worries.
Personally I find the noises they make reassuring.
The creaks and footsteps in the night,
their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place
feel so much more like a home.
Inhabited.
Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me.
There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self,
feeling her wings kiss my palms so gentle,
and put her out, and watched her fly away.
I've little patience with the seasons here, but
your arrival eased this winter's chill.
Please, wander round. Explore it all you wish.
I've broken with tradition on some points. If there is
one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood.
Regard:
just tools, a washing-machine, a drier, a water-heater, and a chain of keys.
Nothing that can alarm you. Nothing dark.
I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune,
carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream
of making me forget what came before you walked
into the hallway of this house. Bringing a little summer in your glance, and with your smile.
While you are here, of course, you will hear the ghosts, always a room away,
and you may wake beside me in the night,
knowing that there's a space without a door,
knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound.
If you are wise you'll run into the night, fluttering away into the cold,
wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run,
so, if I wished, I could just follow you,
tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home.
The world flutters like insects. I think this is how I shall
remember you,
my head between the white swell of your breasts,
listening to the chambers of your heart.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
Glistening liquid pooled in two spots. Matthew was trying to clean it up, but his hands were shaking, his jaw working. I grabbed some towels from the linen closet and knelt beside him.
“I have this,” I whispered.
Matthew sat back, lifting his head and closing his eyes. He let out a staggered breath. “This should’ve never happened.”
Tear built in my eyes as I sopped up what was left of Adam. “I know.”
They are all like my children. Now I’ve lost another, and for what? It doesn’t make sense.” His shoulders shook. “It never makes sense.”
“I’m sorry.” Wetness gathered on my cheeks, and I wiped at my face with my shoulder. “His is my fault. He was trying to protect me.”
…. “It’s not just your fault Katy. This was a world you stumbled into, one filled with treachery and greed. You weren’t prepared for it. Neither are any of them.”
I lifted my head, blinking back tears. “I trusted Blake when I should’ve trusted Daemon. I let this happen.”
Matthew twisted toward me, grasping my cheeks. “You cannot take on the full responsibility for this. You didn’t make the choices Blake did. You didn’t force his hand.”
I choked on a broken sob as grief tore through me. His words didn’t ease the guilt, and he knew it. Then the strangest thing happened. He pulled me into his arms, and I broke. Sobs raked my entire body. I pressed my head against his shoulder, my body shaking his, or maybe he was crying for his loss, too. Time passed, and it became New Year. I welcomed it with tears streaming down my face and a heart ripped apart. When my tear dried, my eyes nearly swollen shut.
He pulled back, pushing my hair aside. “This isn’t the end of anything for you … for Daemon. This is just the beginning, and now you know what you’re truly up against. Don’t end up like Dawson and Bethany. Both of you are stronger than that.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
His voice is lower than before when he says, "You're a vision."
"She is, isn't she?"
My heart skips a beat. The voice coming from over my shoulder is so cold I nearly shiver. Kai brushes my arm as he steps around me, facing the stunned boy still clutching me to him.
"I'll be stealing her now," Kai says simply,...
He feels too familiar.
We fit together perfectly, pieces of a puzzle snapping into place. I shouldn't let myself relax into his touch. Shouldn't let the tension ease from my body when he holds me. But I can do nothing to stop it. Utterly and completely powerless.
His palm is flat and firm against my exposed back, calluses brushing my flushed skin. "You looked like you needed saving," Kai says, and I catch a glimpse of his smirk before he spins me.
"For once," I sigh, "I'm going to have to agree with you."
"I'm sure I could think of other things we agree on."
"Oh really? And what would those things be?"
"That he was right," Kai says softly. "You are a vision. I'm sure we can both agree on that.
”
”
Lauren Roberts, Powerless
“
Perched upon the stones of a bridge
The soldiers had the eyes of ravens
Their weapons hung black as talons
Their eyes gloried in the smoke of murder
To the shock of iron-heeled sticks
I drew closer in the cripple’s bitter patience
And before them I finally tottered
Grasping to capture my elusive breath
With the cockerel and swift of their knowing
They watched and waited for me
‘I have come,’ said I, ‘from this road’s birth,
I have come,’ said I, ‘seeking the best in us.’
The sergeant among them had red in his beard
Glistening wet as he showed his teeth
‘There are few roads on this earth,’ said he,
‘that will lead you to the best in us, old one.’
‘But you have seen all the tracks of men,’ said I
‘And where the mothers and children have fled
Before your advance. Is there naught among them
That you might set an old man upon?’
The surgeon among this rook had bones
Under her vellum skin like a maker of limbs
‘Old one,’ said she, ‘I have dwelt
In the heat of chests, among heart and lungs,
And slid like a serpent between muscles,
Swum the currents of slowing blood,
And all these roads lead into the darkness
Where the broken will at last rest.
‘Dare say I,’ she went on,‘there is no
Place waiting inside where you might find
In slithering exploration of mysteries
All that you so boldly call the best in us.’
And then the man with shovel and pick,
Who could raise fort and berm in a day
Timbered of thought and measured in all things
Set the gauge of his eyes upon the sun
And said, ‘Look not in temples proud,
Or in the palaces of the rich highborn,
We have razed each in turn in our time
To melt gold from icon and shrine
And of all the treasures weeping in fire
There was naught but the smile of greed
And the thick power of possession.
Know then this: all roads before you
From the beginning of the ages past
And those now upon us, yield no clue
To the secret equations you seek,
For each was built of bone and blood
And the backs of the slave did bow
To the laboured sentence of a life
In chains of dire need and little worth.
All that we build one day echoes hollow.’
‘Where then, good soldiers, will I
Ever find all that is best in us?
If not in flesh or in temple bound
Or wretched road of cobbled stone?’
‘Could we answer you,’ said the sergeant,
‘This blood would cease its fatal flow,
And my surgeon could seal wounds with a touch,
All labours will ease before temple and road,
Could we answer you,’ said the sergeant,
‘Crows might starve in our company
And our talons we would cast in bogs
For the gods to fight over as they will.
But we have not found in all our years
The best in us, until this very day.’
‘How so?’ asked I, so lost now on the road,
And said he, ‘Upon this bridge we sat
Since the dawn’s bleak arrival,
Our perch of despond so weary and worn,
And you we watched, at first a speck
Upon the strife-painted horizon
So tortured in your tread as to soak our faces
In the wonder of your will, yet on you came
Upon two sticks so bowed in weight
Seeking, say you, the best in us
And now we have seen in your gift
The best in us, and were treasures at hand
We would set them humbly before you,
A man without feet who walked a road.’
Now, soldiers with kind words are rare
Enough, and I welcomed their regard
As I moved among them, ’cross the bridge
And onward to the long road beyond
I travel seeking the best in us
And one day it shall rise before me
To bless this journey of mine, and this road
I began upon long ago shall now end
Where waits for all the best in us.
―Avas Didion Flicker
Where Ravens Perch
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
My Darling,
Where are you? And why, I wonder, have we been forced apart?
I don’t know the answer to these questions, no matter how hard I try to understand. The reason is plain, but my mind forces me to dismiss it and I am torn by anxiety in all my waking hours. I am lost without you. I am soulless, a drifter without a home, a solitary bird in a flight to nowhere. I am all these things, and I am nothing at all. This, my darling, is my life without you. I long for you to show me how to live again.
I try to remember the way we once were, It was times like those that I understood the meaning of true happiness. I would know in my heart that we’d be together forever. Is it always that way, I wonder, when two people are in love? I don’t know, but if my life since you were taken from me is any indication, then I think I know the answers. From now on, I know I will be alone.
I think of you, I dream of you, I conjure you up when I need you most. This is all I can do, but to me it isn’t enough. It will never be enough, this I know, yet what else is there for me to do? If you were here, you would tell me, but I have been cheated of even that. You always knew the proper words to ease the pain I felt. You always knew how to make me feel good inside.
Is it possible that you know how I feel without you? When I dream, I like to think you do. Before we came together, I moved through life without meaning, without reason. I know that somehow, every step I took since the moment I could walk was a step toward finding you. We were destined to be together.
But now, alone, I have come to realize that destiny can hurt a person as much as it can bless them, and I find myself wondering why—out of all the people in all the world I could ever have loved—I had to fall in love with someone who was taken away from me.
”
”
Nicholas Sparks (Message in a Bottle)
“
Another time, twice, in fact, I tried hard to be in love. I suffered, too, gentlemen, I assure you. In the depth of my heart there was no faith in my suffering, only a faint stir of mockery, but yet I did suffer, and in the real, orthodox way; I was jealous, beside myself... and it was all from ENNUI, gentlemen, all from ENNUI; inertia overcame me. You know the direct, legitimate fruit of consciousness is inertia, that is, conscious sitting-with-the-hands-folded. I have referred to this already. I repeat, I repeat with emphasis: all ‘direct’ persons and men of action are active just because they are stupid and limited. How explain that? I will tell you: in consequence of their limitation they take immediate and secondary causes for primary ones, and in that way persuade themselves more quickly and easily than other people do that they have found an infallible foundation for their activity, and their minds are at ease and you know that is the chief thing. To begin to act, you know, you must first have your mind completely at ease and no trace of doubt left in it. Why, how am I, for example, to set my mind at rest? Where are the primary causes on which I amto build? Where are my foundations? Where am I to get them from? I exercise myself in reflection, and consequently with me every primary cause at once draws after itself another still more primary, and so on to infinity. That is just the essence of every sort of consciousness and
reflection.
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
Whenever I ask my Russian bosses, the older TV producers and media types who run the system, what it was like growing up in the late Soviet Union, whether they believed in the Communist ideology that surrounded them, they always laugh at me.
“Don’t be silly,” most answer.
“But you sang the songs? Were good members of the Komsomol?”
“Of course we did, and we felt good when we sang them. And then straight after we would listen to ‘Deep Purple’ and the BBC.”
“So you were dissidents? You believed in finishing the USSR?”
“No. It’s not like that. You just speak several languages at the same time, all the time. There’s like several ‘you’s.”
Seen from this perspective, the great drama of Russia is not the “transition” between communism and capitalism, between one fervently held set of beliefs and another, but that during the final decades of the USSR no one believed in communism and yet carried on living as if they did, and now they can only create a society of simulations. For this remains the common, everyday psychology: the Ostankino producers who make news worshiping the President in the day and then switch on an opposition radio as soon as they get off work; the political technologists who morph from role to role with liquid ease—a nationalist autocrat one moment and a liberal aesthete the next; the “orthodox” oligarchs who sing hymns to Russian religious conservatism—and keep their money and families in London. All cultures have differences between “public” and “private” selves, but in Russia the contradiction can be quite extreme.
”
”
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
“
Child, you are finally going out to carry out missions. As your teacher, I am extremely relieved, but there are some instructions that I must give you before I can truly be at ease.”
“I will definitely be careful, teacher.”
I felt extremely moved ; my teacher is truly very concerned about me !
“Yes, child, you must be careful ! Remember, a Sun Knight must always maintain his graceful demeanor, regardless of time and place.”
I nodded my head obediently.
“Teacher, I will complete my mission very gracefully.”
(Back then, I had gone through a lifestyle involving lots of falling down for several months already. On average, I would have to look for a cleric once every three days to cast a high level healing spell on me to cure the wounds I receive from a particularly nasty fall.)
My teacher shook his head and said, “Child, completing the mission gracefully is but the basics.”
“Then what’s more advanced than that ?”
“Child, you must remember, when you have failed your mission and are near death, at that time, you must...”
“Pray to the God of Light ?”
“No, you must contemplate what sort of pose you will die in, and if that pose will be accompanied by a serene expression or a heroic one. Still more important is the question of whether you will die from a single thrust to the heart from your enemy or if you will slit your own throat, and so on and so forth. Only after all of the important circumstances surrounding your death have been planned out and arranged perfectly can you pass away in as graceful a position as possible ! Even in the face of death, a Sun Knight must die very gracefully !”
“...
”
”
Yu Wo (騎士基本理論 (吾命騎士, #1))
“
I open the books on Right and on ethics; I listen to the professors and jurists; and, my mind full of their seductive doctrines, I admire the peace and justice established by the civil order; I bless the wisdom of our political institutions and, knowing myself a citizen, cease to lament I am a man. Thoroughly instructed as to my duties and my happiness, I close the book, step out of the lecture room, and look around me. I see wretched nations groaning beneath a yoke of iron. I see mankind ground down by a handful of oppressors, I see a famished mob, worn down by sufferings and famine, while the rich drink the blood and tears of their victims at their ease. I see on every side the strong armed with the terrible powers of the Law against the weak.
And all this is done quietly and without resistance. It is the peace of Ulysses and his comrades, imprisoned in the cave of the Cyclops and waiting their turn to be devoured. We must groan and be silent. Let us for ever draw a veil over sights so terrible. I lift my eyes and look to the horizon. I see fire and flame, the fields laid waste, the towns put to sack. Monsters! where are you dragging the hapless wretches? I hear a hideous noise. What a tumult and what cries! I draw near; before me lies a scene of murder, ten thousand slaughtered, the dead piled in heaps, the dying trampled under foot by horses, on every side the image of death and the throes of death. And that is the fruit of your peaceful institutions! Indignation and pity rise from the very bottom of my heart. Yes, heartless philosopher! come and read us your book on a field of battle!
”
”
Jean-Jacques Rousseau
“
He gave the briefest of glances at Lissie, barely acknowledging her presence as he gently eased Violet onto the seat. For good measure, and Violet was sure it was premeditated, he gave her a long, sweet kiss before closing her door.
Violet was surprised at how quickly she responded to his touch, even when she knew it was more for Lissie’s benefit than for hers. But she had to suppress a triumphant smile when she stole a quick look at the other girl’s disgusted expression before Jay put the car in drive and left Lissie standing there, gawking after them.
“Sorry about that,” he said apologetically as he concentrated on maneuvering through the busy parking lot. “I’ve been so worried about strange men following you around that I forgot how dangerous Homecoming Queens can be.”
Violet smiled at him. “That’s okay. That kiss was a nice touch, by the way. Sheer genius.”
“Yeah, that one just came to me,” he chuckled.
“Maybe you can show it to me again . . . later,” she said playfully.
He reached over and gave her leg a squeeze, his eyes never leaving the road. “I like the way you think, my friend.”
“Is that how it is now, we’re back to just friends?” Violet asked, raising her eyebrows at him challengingly. “I’ll remember to keep that in mind next time we’re ‘doing homework.’”
He was suddenly serious, his tone determined. “We’ll never be just friends again, not if I have anything to do with it.” And then with conviction he added, “I love you too much to go back now, Vi.”
It was still strange to hear him saying things like that. The words sounded so foreign to her ears, but her heart responded, as if it had been waiting a lifetime to hear them, by beating erratically.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
I see you with that shell
Held to your sensitive abstracted ear,
Hunting the ocean’s rumor till you hear it well,
Until you can set down the sound you hear:—
Fixed to a shell like that you made immortal,
This heart listens, this fragile auricle
Holds rumor like your ocean’s, is a portal
That sometimes opens to contain the miracle.
If there are miracles we can record
They happen in the places that you curse.
Blessèd the pure in heart and the enduring word
Sings of that love that spins the universe.
My honor (and I cherish it for it is hardly won)
Is to be pure in this: is to believe
That to write down these perishable songs for one,
For one alone, and out of love, is not to grieve
But to build on the quicksand of despair
A house where every man may take his ease,
May come to shelter from the outer air,
A little house where he may find his peace.
”
”
May Sarton (Collected Poems, 1930-1993)
“
Jacob, is something wrong? Is Isabella okay?”
“Probably. She is not well today. It could be a normal thing for a human female, but since she is usually as resistant to common ailments now as we are, she is nervous. I figured Gideon could ease her mind.”
Noah missed the wince that crossed his friend’s face that would have given away the indignant argument flying through the Enforcer’s thoughts. Jacob’s female counterpart huffily took umbrage to his claims of exactly who it was that was nervous and who had insisted on seeking Gideon, because it certainly had not been her.
“Tell her I hope she feels better,” Noah said, his fondness for Bella quite clear in his tone. “Bear with her, old friend. She’s breaking new ground. It can be pretty frightening to play Eve for an entire race.”
“Do not worry. When it comes to my Bella, I would do anything to see to her happiness. That includes making others do anything to see to her happiness,” Jacob said. He meant the words, of course, but he was hoping they’d help sooth someone’s bristling pride.
“I’m sure Gideon is going to love that,” Noah laughed.
Jacob grinned, altering gravity so that he began to float up from the floor.
“If you see Gideon before I do, will you tell him to come to Bella?”
“Of course. Tell her I said to start behaving like a real Druid or I—” Noah was cut off by a sharp hand motion and a warning expression from the Enforcer. It came a little too late, however, if Jacob’s pained expression was anything to judge by.
“There goes your invitation for our wedding,” Jacob muttered. “And I think I am close behind you.”
“I would believe that if I were not the one who is supposed to perform it and if you were not the father of her otherwise illegitimate child,” Noah countered loudly, clearly talking to the person beyond his immediate perception.
“Ow! Damn it, Noah!” Jacob grumbled, rubbing his temples as Bella’s scream of frustration echoed through him. “Do you remember I am the one who has to go home to her, would you?”
“Sorry, my friend,” Noah chuckled, not looking at all repentant. “Now get out of here, Enforcer. Find Gideon and tend to your beautiful and charming mate. Be sure to mention to her that I said she looks ravishing and that her pregnancy has made her shine like a precious jewel.”
“Noah, if you were not my King, I would kill you for this.”
“Yes, well, as your King I would have you arrested for treason just for saying that. Luckily for you, Jacob, you are the man who would arrest you, and the woman who also has the power to do so is sure to punish you far better than I can when you get home.”
“You are all heart, my liege,” Jacob said wryly.
“Thank you. Now leave, before I begin to expound on the disrespect that this mouthy little female of yours seems to have engendered my formerly loyal subjects.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.”
Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze.
Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?”
“Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.”
“Impertinent twit!” the countess exclaimed.
Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering.
“Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.”
“Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?”
“Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.”
“Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous.
“In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.”
Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.”
“Do not encourage her effrontery, Westcliff,” the countess warned.
“Very well—I shall leave you to your Sisyphean task.”
“What does that mean?” he heard Daisy ask.
Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.”
“Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…”
“The boulder,” Lady Westcliff said succinctly, causing both girls to laugh.
“Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thine happiness,—
That thou, light-winged Dryad of the trees
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.
Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam'd to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep?
- Ode to a Nightingale
”
”
John Keats (The Complete Poems)
“
Worthy Andronicus, ill art thou repaid
For that good hand thou sent’st the Emperor.
Here are the heads of thy two noble sons,
And here’s thy hand in scorn to thee sent back.
Thy grief their sports! thy resolution mock'd,
That woe is me to think upon thy woes
More than remembrance of my father’s death. [Exit.]
Marc. Now let hot Aetna cool in Sicily,
And be my heart an ever-burning hell!
These miseries are more than may be borne.
To weep with them that weep doth ease some deal,
But sorrow flouted at is double death.
Luc. Ah, that this sight should make so deep a wound
And yet detested life not shrink thereat!
That ever death should let life bear his name,
Where life hath no more interest but to breathe.
[Lavinia kisses Titus.]
Marc. Alas, poor heart, that kiss is comfortless
As frozen water to a starvèd snake.
Tit. When will this fearful slumber have an end?
Marc. Now farewell, flatt’ry; die, Andronicus.
Thou dost not slumber. See thy two sons’ heads,
Thy warlike hand, thy mangled daughter here,
Thy other banished son with this dear sight
Struck pale and bloodless; and thy brother, I,
Even like a stony image cold and numb.
Ah, now no more will I control thy griefs.
Rent off thy silver hair, thy other hand,
Gnawing with thy teeth, and be this dismal sight
The closing up of our most wretched eyes.
Now is a time to storm. Why art thou still?
Tit. Ha, ha, ha!
Marc. Why dost thou laugh? It fits not with this hour.
Tit. Why, I have not another tear to shed.
Besides, this sorrow is an enemy
And would usurp upon my wat’ry eyes
And make them blind with tributary tears.
Then which way shall I find Revenge’s cave?
For these two heads do seem to speak to me
And threat me I shall never come to bliss
Till all these mischiefs be returned again
Even in their throats that hath committed them.
Come, let me see what task I have to do.
You heavy people, circle me about
That I may turn me to each one of you
And swear unto my soul to right your wrongs.
The vow is made. Come, brother, take a head,
And in this hand the other will I bear.
And, Lavinia, thou shalt be employed in these arms.
Bear thou my hand, sweet wench, between thy teeth.
As for thee, boy, go get thee from my sight.
Thou art an exile, and thou must not stay.
Hie to the Goths and raise an army there.
And if you love me, as I think you do,
Let’s kiss and part, for we have much to do.
Exeunt.
”
”
William Shakespeare (Titus Andronicus)
“
Life on a floating city must have been really dull if the idea of war sounded intriguing. Trollbella squinted and crossed her arms as she thought about it. “But still, an army in exchange for a broken heart seems like a pretty steep deal,” she said. Without missing a beat, Conner clutched his chest and fell to the deck in pain. “Oh my broken heart! It hurts so much! Oh the pain, the miserable pain!” he screamed. “Your heart is on the other side of your chest, Conner,” Alex whispered down at him and he quickly made the correction. Tears formed in Trollbella’s eyes at the sight of her Butterboy in pain she had caused him. “Oh no, Butterboy!” she said, and rushed to his side. “If my army will help ease your pain, then my army you shall have!” Conner quickly sat up, completely fine. “Thank goodness,” he said. “I really appreciate it! Now we need to gather up your army and fill them in on our plan as soon as possible.” Queen Trollbella got to her feet to address the rowers aboard her boat. “Take us to the army fort at once, troblins!” she ordered. “My Butterboy needs to speak with our army and start his healing process.” The troll and goblin rowers turned the boat completely around and headed in the direction of the army float. Alex gestured for Lester to follow the boat, and helped Conner to his feet. “Nice going,” she whispered in his ear. “Thanks,” Conner said, but his face fell into a pout. “What’s wrong?” she said. “We recruited the troblin army and it was easier than either of us expected!” “I know,” Conner said sadly. “I just can’t believe Trollbella picked that troll over me.
”
”
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
“
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
”
”
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
“
Violet didn't bother responding, and Jay bounded from the car to help her inside.
He gave the briefest of glances at Lissie, barely acknowledging her presence as he gently eased Violet onto the seat. For good measure, and Violet was sure it was premeditated, he gave her a long, sweet kiss before closing her door.
Violet was surprised at how quickly she responded to his touch, even when she knew it was more for Lissie's benefit than for hers. But she had to suppress a triumphant smile when she stole a quick look at the other girl's disgusted expression before Jay put the car in drive and left Lissie standing there, gawking after them.
"Sorry about that," he said apologetically as he concentrated on maneuvering through the busy parking lot. "I've been so worried about strange men following you around that I forgot how dangerous Homecoming Queens can be."
Violet smiled at him. "That's okay. That kiss was a nice touch, by the way. Sheer genius."
"Yeah, that one just came to me," he chuckled.
"Maybe you can show it to me again...later," she said playfully.
He reached over and gave her leg a squeeze, his eyes never leaving the road. "I like the way you think, my friend."
"Is that how it is now, we're back to just friends?" Violet asked, raising her eyebrows at him challengingly. "I'll remember to keep that in mind next time we're 'doing homework.'"
He was suddenly serious, his tone determined. "We'll never be just friends again, not if I have anything to do with it." And then with conviction he added, "I love you too much to go back now, Vi."
It was still strange to hear him saying things like that. The words sounded so foreign to her ears, but her heart responded, as if it had been waiting a lifetime to hear them, by beating erratically.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused?
It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles?
He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be.
The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy.
'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.'
'Billy just loves to read all the time...'
'Isn't Joan sweet? She always likes to let the other person win.'
'Sylvia's so pretty and so grown up; she just loves all the time to dress up.'
It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . .
Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery.
What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.
”
”
Luke Rhinehart (The Dice Man)
“
We stopped talking about Zampanô then. She paged her friend Christina who took less than twenty minutes to come over. There were no introductions. We just sat down on the floor and snorted lines of coke off a CD case, gulped down a bottle of wine and then used it to play spin the bottle. They kissed each other first, then they both kissed me, and then we forgot about the bottle, and I even managed to forget about Zampanô, about this, and about how much that attack in the tattoo shop had put me on edge. Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, always laughing, surrendering to its ease, especially when he soared in great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.
”
”
Mark Z. Danielewski (House of Leaves)
“
Lady Cameron,” he said, playing his role with elan as he nodded toward Ian. “You recall our friend Lord Thornton, Marquess of Kensington, I hope?”
The radiant smile Elizabeth bestowed on Ian was not at all what the dowager had insisted ought to be “polite but impartial.” It wasn’t quite like any smile she’d ever given him. “Of course I remember you, my lord,” Elizabeth said to Ian, graciously offering him her hand.
“I believe this waltz is mine,” he said for the benefit of Elizabeth’s avidly interested admirers. He waited until they were near the dancers, then he tried to sound more pleasant. “You seem to be enjoying yourself tonight.”
“I am,” she said idly, but when she looked up at his face she saw the coolness in his eyes; with her new understanding of her own feelings, she understood his more easily. A soft, knowing smile touched her lips as the musicians struck up a waltz; it stayed in her heart as Ian’s arm slid around her waist, and his left hand closed around her fingers, engulfing them.
Overhead a hundred thousand candles burned in crystal chandeliers, but Elizabeth was back in a moonlit arbor long ago. Then as now, Ian moved to the music with effortless ease. That lovely waltz had begun something that had ended wrong, terribly wrong. Now, as she danced in his arms, she could make this waltz end much differently, and she knew it; the knowledge filled her with pride and a twinge of nervousness. She waited, expecting him to say something tender, as he had the last time.
“Belhaven’s been devouring you with his eyes all night,” Ian said instead. “So have half the men in this ballroom. For a country that prides itself on its delicate manners, they sure as hell don’t extend to admiring beautiful women.”
That, Elizabeth thought with a startled inner smile, was not the opening she’d been waiting for. With his current mood, Elizabeth realized, she was going to have to make her own opening. Lifting her eyes to his enigmatic golden ones, she said quietly, “Ian, have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it?”
Surprised by her grave question and her use of his name, Ian tried to ignore the jealousy that had been eating at him all night. “No,” he said, scrupulously keeping the curtness from his voice as he gazed down at her alluring face. “Why do you ask? Is there something you want?”
Her gaze fell from his, and she nodded at his frilled white shirtfront.
“What is it you want?”
“You.”
Ian’s breath froze in his chest, and he stared down at her lustrous hair. “What did you just say?”
She raised her eyes to his. “I said I want you, only I’m afraid that I-“
Ian’s heart slammed into his chest, and his fingers dug reflexively into her back, starting to pull her to him. “Elizabeth,” he said in a strained voice, glancing a little wildly at their avidly curious audience and resisting the impossible impulse to take her out onto the balcony, “why in God’s name would you say a thing like that to me when we’re in the middle of a damned dance floor in a crowded ballroom?”
Her radiant smile widened. “I thought it seemed like exactly the right place,” she told him, watching his eyes darken with desire.
“Because it’s safer?” Ian asked in disbelief, meaning safer from his ardent reaction.
“No, because this is how it all began two years ago. We were in the arbor, and a waltz was playing,” she reminded him needlessly. “And you came up behind me and said, ‘Dance with me, Elizabeth.’ And-and I did,” she said, her voice trailing off at the odd expression darkening his eyes. “Remember?” she added shakily when he said absolutely nothing.
His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.”
Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))