Earth Shaker Quotes

We've searched our database for all the quotes and captions related to Earth Shaker. Here they are! All 18 of them:

I am Poseidon, EARTH SHAKER, RULER OF THE BOUNDLESS SEA, CREATOR OF STORMS, SWALLOWER OF SHIPS
George O'Connor (Poseidon: Earth Shaker (Olympians, #5))
To be the salt, you also need to be the shaker. To shake the world. Shake the truth. Shake the people. Shake the word. Have it sprinkle, melt and preserve humanity.
Anthony Liccione
Frank grabbed a tourist brochure stuck under the napkin dispenser. He began to read it. Piper patted Leo’s arm, like she couldn’t believe he was really here. Nico stood at the edge of the group, eyeing the passing pedestrians as if they might be enemies. Coach Hedge munched on the salt and pepper shakers. Despite the happy reunion, everybody seemed more subdued than usual—like they were picking up on Leo’s mood. Jason had never really considered how important Leo’s sense of humor was to the group. Even when things were super serious, they could always depend on Leo to lighten things up. Now, it felt like the whole team had dropped anchor. “So then Jason harnessed the venti,” Hazel finished. “And here we are.” Leo whistled. “Hot-air horses? Dang, Jason. So basically, you held a bunch of gas together all the way to Malta, and then you let it loose.” Jason frowned. “You know, it doesn’t sound so heroic when you put it that way.” “Yeah, well. I’m an expert on hot air. I’m still wondering, why Malta? I just kind of ended up here on the raft, but was that a random thing, or—” “Maybe because of this.” Frank tapped his brochure. “Says here Malta was where Calypso lived.” A pint of blood drained from Leo’s face. “W-what now?” Frank shrugged. “According to this, her original home was an island called Gozo just north of here. Calypso’s a Greek myth thingie, right?” “Ah, a Greek myth thingie!” Coach Hedge rubbed his hands together. “Maybe we get to fight her! Do we get to fight her? ’Cause I’m ready.” “No,” Leo murmured. “No, we don’t have to fight her, Coach.” Piper frowned. “Leo, what’s wrong? You look—” “Nothing’s wrong!” Leo shot to his feet. “Hey, we should get going. We’ve got work to do!” “But…where did you go?” Hazel asked. “Where did you get those clothes? How—” “Jeez, ladies!” Leo said. “I appreciate the concern, but I don’t need two extra moms!” Piper smiled uncertainly. “Okay, but—” “Ships to fix!” Leo said. “Festus to check! Earth goddesses to punch in the face! What are we waiting for? Leo’s back!” He spread his arms and grinned. He was making a brave attempt, but Jason could see the sadness lingering in his eyes. Something had happened to him…something to do with Calypso.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
WE are the music-makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample an empire down. We, in the ages lying In the buried past of the earth, Built Nineveh with our sighing, And Babel itself with our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth.
Arthur O'Shaughnessy.
The Shakers had indeed left the land that would become Shaker Heights long before, and by the summer of 1997 there were exactly twelve left in the world. But Shaker Heights had been founded, if not on Shaker principles, with the same idea of creating a utopia. Order—and regulation, the father of order—had been the Shakers’ key to harmony. They had regulated everything: the proper time for rising in the morning, the proper color of window curtains, the proper length of a man’s hair, the proper way to fold one’s hands in prayer (right thumb over left). If they planned every detail, the Shakers had believed, they could create a patch of heaven on earth, a little refuge from the world, and the founders of Shaker Heights had thought the same. In advertisements they depicted Shaker Heights in the clouds, looking down upon the grimy city of Cleveland from a mountaintop at the end of a rainbow’s arch. Perfection: that was the goal, and perhaps the Shakers had lived it so strongly it had seeped into the soil itself, feeding those who grew up there with a propensity to overachieve and a deep intolerance for flaws. Even the teens of Shaker Heights—whose main exposure to Shakers was singing “Simple Gifts” in music class—could feel that drive for perfection still in the air.
Celeste Ng (Little Fires Everywhere)
Everything seemed possible back then. As the physical changes of adolescence took hold, I resolved to install a few changes of my own, fashion this clay into something sensational. And I had a whole stack of manuals to help me do it--such is the magic when books and naïvety collide. As far as I was concerned, if it was shelved in the nonfiction section, it was true. And it staggered me that this earth-shattering knowledge was gathering dust on a library shelf. Why did people read anything else? Didn't they realize that humans only use 10 percent of their brains? Hadn't they hard of the kid in Russia who could move salt shakers with his mind alone?
Sanjiv Bhattacharya (Secrets and Wives: The Hidden World of Mormon Polygamy)
A careful reading of Scripture reveals that this is God's preferred way to make his presence known on earth - not chiefly through movers, shakers, and A-listers, but rather through out-casts, losers, those of ill repute, and those who were held in low esteem. If we examine Jesus' friendships, for example, we will notice a disproportionately low number of celebrities, powerful politicians, affluent business people, high-society people, prominent leaders, and the like. But if you were a known prostitute or a tax collector, an addict or an alcoholic, a no-name, a leper or a paralytic, or a despised and rejected sinner, your chance of being invited into Jesus' inner circle of friends would increase. So scandalous and unexpected were Jesus' associations that he was accused of being a glutton, a drunk, and a friend of tax collectors and sinners (Luke 7:34). The scribes and Pharisees shamed, scolded, and excluded such sinners for their failure to measure up. Yet these strugglers experienced Jesus as humble, gentle, and kind - attributes the scribes and Pharisees knew little to nothing about, because they were too busy separating the world between the good people and the bad people, the saints and the sinners, the virtuous and the scumbags, the insiders and the outsiders, the worthy and the unworthy. Meanwhile, Jesus was hanging out with, befriending, and welcoming religious society's choice rejects, thereby separating the world between the proud and the humble.
Scott Sauls (A Gentle Answer: Our 'Secret Weapon' in an Age of Us Against Them)
We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; — World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample a kingdom down. We, in the ages lying, In the buried past of the earth, Built Nineveh with our sighing, And Babel itself in our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth. A breath of our inspiration Is the life of each generation; A wondrous thing of our dreaming Unearthly, impossible seeming — The soldier, the king, and the peasant Are working together in one, Till our dream shall become their present, And their work in the world be done. They had no vision amazing Of the goodly house they are raising; They had no divine foreshowing Of the land to which they are going: But on one man's soul it hath broken, A light that doth not depart; And his look, or a word he hath spoken, Wrought flame in another man's heart. And therefore to-day is thrilling With a past day's late fulfilling; And the multitudes are enlisted In the faith that their fathers resisted, And, scorning the dream of to-morrow, Are bringing to pass, as they may, In the world, for its joy or its sorrow, The dream that was scorned yesterday. But we, with our dreaming and singing, Ceaseless and sorrowless we! The glory about us clinging Of the glorious futures we see, Our souls with high music ringing: O men! it must ever be That we dwell, in our dreaming and singing, A little apart from ye. For we are afar with the dawning And the suns that are not yet high, And out of the infinite morning Intrepid you hear us cry — How, spite of your human scorning, Once more God's future draws nigh, And already goes forth the warning That ye of the past must die. Great hail! we cry to the comers From the dazzling unknown shore; Bring us hither your sun and your summers; And renew our world as of yore; You shall teach us your song's new numbers, And things that we dreamed not before: Yea, in spite of a dreamer who slumbers, And a singer who sings no more.
Arthur O'Shaughnessy (Music And Moonlight: Poems And Songs)
Nate. Fuck. Now there was something he wouldn’t forget anytime soon. He should’ve known it’d be like that. He’d stopped himself midfantasy enough times. Hot. Sweaty. Grappling for control. Maybe Mike led, but he sure as hell wasn’t in control. Nate was a fucking earth shaker, and he had no idea. No idea how much it took for Mike to hold back. How all he’d wanted to do was rub himself all over Nate, then push himself inside. All the writhing and bucking, clutching Mike while he was about to explode. He wanted Nate’s hands on him. Nate’s mouth. Nate’s ass. Nate, Nate, fucking Nate.
Anonymous
Poseidon the great god I begin to sing, he who moves the earth and the desolate sea   the deep water god   who is lord of Helikon and broad Aigai.   Shaker of the Earth the gods gave you a double honour.   You are the tamer of horses and the saviour of ships.   Farewell, Poseidon, you hold up the earth.   You are dark-haired you are blessed you have a kind heart.   Help those who sail upon the sea in ships.
Corey Walden (Topics In Greek Mythology: Poseidon)
There are 6.7 billion people on earth, and we can't all go back to living as hunter-gatherers. The notion of returning to an idealized paradise of simple, gentle, small-group living has been advocated by diverse visionaries throughout history: Buddha, Laozi, Epicurus, Thoreau, Engels, Gandhi, Margaret Mead, and the Unabomber. Often these visionaries attract followers, who form religions, political movements, or whole cultures: Taoists, Shakers, Luddites, Marxists, anarchists, hippies and Emo kids.
Geoffrey Miller (Spent: Sex, Evolution, and Consumer Behavior)
Sidney E. Klein, a union organizer in Manhattan during the twenties, says that cocktails just weren’t the point when bibbers of the time went out on the town, and that most people just wanted the “straight stuff.” Although this doesn’t mean that Martinis weren’t made and Manhattans left the face of the earth, it certainly wasn’t a period when bartenders could be very creative. The new drinks that did appear during this era were mostly fashioned in Europe, where at least a few American bartenders fled to pursue their careers. Harry Craddock was one such man. He started work as a bartender at the Savoy Hotel, London, in 1925, and compiled The Savoy Cocktail Book (1930), in which he admonished bartenders, “Shake the shaker as hard as you can: don’t just rock it: you are trying to wake it up, not send it to sleep!” Craddock is also credited with saying that the best way to drink a cocktail is “quickly, while it’s laughing at you!
Gary Regan (The Joy of Mixology: The Consummate Guide to the Bartender's Craft, Revised & Updated Edition)
One of the reasons Kay laughs so much now is because in the beginning, when Phil was drinking and they didn’t have much money, there wasn’t a lot of laughing going on. But now we laugh at almost everything together. On our birthdays, Kay likes to send us very random cards, like Earth Day or graduation cards. Her favorite thing to do at Christmas is to give us gag gifts. After we’ve exchanged gifts as a family, she’ll give everybody a joke gift. Kay will often forget why she thought it was funny when she bought it. She’ll give someone salt and pepper shakers and won’t even remember why she gave them! Of course, Kay’s gift always say they’re from her dogs. If you get a present from her rat terriers-or some random famous person whose name is on the tag-you know it’s actually one of Kay’s gag gifts. Every one of Kay’s rat terriers has been named Jesse James or some version of his name, because if one dies she’ll still have another one with her. Somehow, that helps her cope with the trauma of losing one of her pets. She’s had like twenty of those dogs and they’ve all been named Jesse, JJ, or Jesse James II. She calls one of her dogs Bo-Bo, but his real name is Jesse James.
Willie Robertson (The Duck Commander Family)
Muldoon referred to an invention that Menlo Parker was currently working on, designing a miniaturized portable radio-telephone which the Omega operatives could carry on their person at all times, and by which they could always get in touch with one another, and also tap into the public phone lines to contact the police, fire department, or ambulance. The invention was by no means yet perfected.
Lin Carter (Zarkon, Lord of the Unknown, in The earth-shaker: A case from the files of Omega)
We're sick of this shit," said Michael. "News people, the mayor and his wife, television shows, the goddamn president of the United States - they're all going on and on about this airplane that went down in Paris, France, on Plant Earth. They jabber on and on about the movers and the shakers, about all the important folks we lost that day. The Reverend himself comes on the radio and tells us that we better behave, that we should hang our heads in sadness at our loss. You know what, though? It isn't our loss. You understand? It isn't our loss at all. It's their loss. We have losses. Every day. Every single day we suffer losses. But no one talks about those. We get no letters of sympathy. We get nothing. Just ignored.
Hannah Pittard (Visible Empire)
But you did not get in here, you Athenians, without being purified? I suppose you are Sky God folk; still, you should have learned by that whom we all belong to.” I said, “To the Earth-Shaker?” Then I paused, and said as carelessly as I could, “Or to the Goddess-on-Earth?” He said, “Oh, I suppose to both, by the custom here. But you’ll not see her again, except at the bull-dance. She is Ariadne the Most Holy, the Mistress of the Labyrinth. You’ll only see her in her shrine. Otherwise no one sees her, any more than they do the King.
Mary Renault (The King Must Die (Theseus, #1))
I stretched my hand palm downward over the earth. “Earth-Shaker, Father of Bulls, you know us all. We are your children, your little calves who danced for you. You have heard our feet, you have tasted our blood in the dusty sand. We have taken the bull by the horns; we have leaped for you and not run away; we always gave you a show. Wrong has been done here, but we did not do it. We have lived in your hand. Hold us up now, when we have need.
Mary Renault (The King Must Die (Theseus, #1))
So I said then, and still say in my heart, when on great days of sacrifice I stand before the gods, offering for the people on the High Citadel, Erechtheus’ sacred stronghold. The great Horse Father who came to my begetting, Earth-Shaker who held me up and spared my people even when he was angry, would never have led me into evil. I saw for my father a little sorrow, and then joy unlooked-for. How could I guess that he would so reproach himself; that he would not even wait till the ship reached harbor, to see if the sail told true?
Mary Renault (The King Must Die (Theseus, #1))