Earrings Lover Quotes

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And I left the aspirin next to the phone with a tall glass of water. Figured you weren’t going to be able to make it to the coffeepot. Take three, turn your ringer off, and sleep. If anything exciting happens, I’ll come and get you.” “I love you, honey.” “So buy me a mink and a nice pair of earrings for our anniversary.” “You got it.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
We got quiet. The garden was combing her hair and putting on earrings. The house was full of dancing creatures, not male and female but both, two lovers in one body. The books downstairs were reciting their poetry to each other, rubbing together, whispering through the leather covers. Wine was flowing through the water pipes. You had caught my leaping heart in your hand like a fish.
Francesca Lia Block (Wasteland)
When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.
David Lehman (When a Woman Loves a Man: Poems)
The princess stood in the center of the cabin, her brilliant red robes and the rubies at her throat and her bloodred eyes all the color of hatred. With her stark hair twisted up off her neck, and her pale skin, and the live albino scorpions she wore as earring, she was an exquisite horror, a Kabuki doll constructed by an evil hand. And she was evil, her darkness coming to him in waves, emanating from the center of her chest even as nothing about her moved and her moonlike face remained unmarred by a frown.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Should you fall into the error of thinking the lover can be the owner and the beloved a possession, know that this is a great error indeed. Because genuine love places a collar of honour around the beloved's neck and removes the ear-ring of slavery. For the beloved can never become a possession.
Ahmad Ghazali
Jessica lived on Tremont Avenue, on one of the poorer blocks in a very poor section of the Bronx. She dressed even to go to the store. Chance was opportunity in the ghetto, and you had to be prepared for anything. She didn’t have much of a wardrobe, but she was resourceful with what she had—her sister’s Lee jeans, her best friend’s earrings, her mother’s T-shirts and perfume. Her appearance on the streets in her neighborhood usually caused a stir. A sixteen-year-old Puerto Rican girl with bright hazel eyes, a huge, inviting smile, and a voluptuous shape, she radiated intimacy wherever she went. You could be talking to her in the middle of the bustle of Tremont and feel as if lovers’ confidences were being exchanged beneath a tent of sheets. Guys in cars offered rides. Grown men got stupid. Women pursed their lips. Boys made promises they could not keep.
Adrian Nicole LeBlanc (Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx)
Serafina had thought Mrs. Coulter beautiful, for a short-life; but Ruta Skadi was as lovely as Mrs. Coulter, with an extra dimension of the mysterious, the uncanny. She had trafficked with spirits, and it showed. She was vivid and passionate, with large black eyes; it was said that Lord Asriel himself had been her lover. She wore heavy gold earrings and a crown on her black curly hair ringed with the fangs of snow tigers. Serafina’s dæmon, Kaisa, had learned from Ruta Skadi’s dæmon that she had killed the tigers herself in order to punish the Tartar tribe who worshiped them, because the tribesmen had failed to do her honor when she had visited their territory. Without their tiger gods, the tribe declined into fear and melancholy and begged her to allow them to worship her instead, only to be rejected with contempt; for what good would their worship do her? she asked. It had done nothing for the tigers. Such was Ruta Skadi: beautiful, proud, and pitiless.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
He had to plead for her attention by phoning her dozens of times, by throwing money at her as she danced. He had to offer daily tokens—lipstick, earrings and perfume—through the security guard who stood outside Night Lovers, a giant of a man whose fiery red turban matched his temper.
Sonia Faleiro (Beautiful Thing: Inside the Secret World of Bombay's Dance Bars)