Dworkin Feminist Quotes

We've searched our database for all the quotes and captions related to Dworkin Feminist. Here they are! All 35 of them:

The genius of any slave system is found in the dynamics which isolate slaves from each other, obscure the reality of a common condition, and make united rebellion against the oppressor inconceivable.
Andrea Dworkin
Male supremacy is fused into the language, so that every sentence both heralds and affirms it. Thought, experienced primarily as language, is permeated by the linguistic and perceptual values developed expressly to subordinate women. Men have defined the parameters of every subject. All feminist arguments, however radical in intent or consequence, are with or against assertions or premises implicit in the male system, which is made credible or authentic by the power of men to name. No transcendence of the male system is possible as long as men have the power of naming... As Prometheus stole fire from the gods, so feminists will have to steal the power of naming from men, hopefully to better effect.
Andrea Dworkin
You tell the truth and people can shit all over it... but somehow once it's said it can't be unsaid; it stays living, somewhere, in someone's heart.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
Feminists know that if women are paid equal wages for equal work, women will gain sexual as well as economic independence. But feminists have refused to face the fact that in a woman-hating social system, women will never be paid equal wages. Men in all their institutions of power are sustained by the sex labor and sexual subordination of women. The sex labor of women must be maintained; and systematic low wages for sex-neutral work effectively force women to sell sex to survive. The economic system that pays women lower wages than it pays men actually punishes women for working outside marriage or prostitution, since women work hard for low wages and still must sell sex. The economic system that punishes women for working outside the bedroom by paying low wages contributes significantly to women's perception that the sexual serving of men is a necessary part of any woman's life: or how else could she live? Feminists appear to think that equal pay for equal work is a simple reform, whereas it no reform at all; it is revolution. Feminists have refused to face the fact that equal pay for equal work is impossible as long as men rule women, and right-wing women have refused to forget it.
Andrea Dworkin
Books were my church but even more my native land, my place of refuge, my DP camp. I was an exile early on, but exile welcomed me; it was were I belonged.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
I hope for nothing; I fear nothing; I am free.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
We take girls and send them to schools. It is good of us, because girls are not supposed to know anything much, and in many other societies girls are not sent to school or taught to read and write. In our society, such a generous one to women, girls are taught some facts, but not inquiry or the passion of knowing. Girls are taught in order to make them compliant: intellectual adventurousness is drained, punished, ridiculed out of girls
Andrea Dworkin (Right-Wing Women)
And yes, I mean it. A man who sticks his cock in an infant`s mouth belongs to Himmler`s circle of hell.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
What I've learned is that women suffer from terrible shame and the shame comes from having been complicit in abuse because one wants to live.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
It was the pornographers, not feminists, who punished women in the public square, as puritans had, for being sexual.
Andrea Dworkin (Life and Death)
pornography is the orchestrated destruction of women’s bodies and souls; rape, battery, incest, and prostitution animate it; dehumanization and sadism characterize it; it is war on women, serial assaults on dignity, identity, and human worth; it is tyranny. Each woman who has survived knows from the experience of her own life that pornography is captivity—the woman trapped in the picture used on the woman trapped wherever he’s got her.
Andrea Dworkin (Pornography: Men Possessing Women)
How did I become who I am? I have a heart easily hurt. I believed that cruelty was most often caused by ignorance. I thought that if everybody knew, everything would be different. I was a silly child who believed in the revolution. [...] I can`t be bought or intimidated because I`m already cut down in the middle. I walk with women whispering in my ears. Every time I cry there`s a name attached to each tear. [...] I long to touch my sisters; I wish I could take away the pain.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
In analyzing the sex-class system, feminists are accused of inventing or perpetuating it. Calling attention to it, we are told, insults women by suggesting that they are victims, stupid enough to allow themselves to be victimized. Feminists are accused of being the agents of degradation by postulation that such degradation exists.
Andrea Dworkin (Right-Wing Women)
It had been communicated to me through the odd, secret whispers of women that a female’s nose must never shine. In war, in famine, in fire, it had to be matte, and no one got a lipstick without the requisite face powder. … I was taunted by the problem: how could someone write something like the ‘Symposium’ and make sure her nose did not shine at the same time? It didn’t matter to me that I was reading a translation. I’d read Plato’s brilliant, dense prose and not be able to tear myself away. Even as a reader my nose shined. It was clearly either/or. You had to concentrate on either one or the other. In a New York minute, the oil from Saudi Arabia could infiltrate your house and end up on your nose. It didn’t hurt, it didn’t make noise, it didn’t incapacitate in any way except for the fact that no girl worth her salt took enough time away from vigilance to read a book let alone write one.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
I`m tired, very weary, and I cry for my sisters. Tears get the nothing, of course. One needs a generation of warriors who can`t be tired out or bought off. Each woman needs to take what she endures and turn it into action. With every tear, accompanying it, one needs a knife to rip a predator apart; with every wave of fatiguem one needs another platoon of strong, tough women coming up over the horizon to take more land, to make it safe for women. I`m willing to count the inches. The pimps and rapists need to be dispossessed, forced into a mangy exile; the women and children - the world`s true orphans - need to be empowered, cosseted with respect and dignity
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
Sitting with Ricki [Abrams], talking with Ricki, I made a vow to her: that I would use everything I knew, including from prostitution, to make the women`s movement stronger and better; that I`d give my life to the movement and for the movement. I promised to honour-bound to the well-being of women, to do anything necessary for that well-being. I promised to live and to die if need be for women. I made that vow some thirty years ago, and I have not betrayed it yet.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
Only the toughest among women will make the necessary next moves, the revolutionary moves, and among prostituted women one finds the toughest if not always the best. If prostituted women worked together to end male supremacy, it would end. Surviving degradation is an ongoing process that gives you rights, honor and knowledge, because you earn them.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
It’s not as if there’s an empty patch that one can see and so one can say, ‘There’s my ignorance; it’s about ten by ten and a dozen feet high and someday someone will fill in the empty patch.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
What’s involved in doing something about all of this? The men’s movement seems to stay stuck on two points. The first is that men don’t really feel very good about themselves. How could you? The second is that men come to me or to other feminists and say: “What you’re saying about men isn’t true. It isn’t true of me. I don’t feel that way. I’m opposed to all of this.” And I say: don’t tell me. Tell the pornographers. Tell the pimps. Tell the warmakers. Tell the rape apologists and the rape celebrationists and the pro-rape ideologues. Tell the novelists who think that rape is wonderful. Tell Larry Flynt. Tell Hugh Hefner. There’s no point in telling me. I’m only a woman. There’s nothing I can do about it. These men presume to speak for you. They are in the public arena saying that they represent you. If they don’t, then you had better let them know.
Andrea Dworkin
The real core of the feminist vision, its revolutionary kernel if you will, has to do with the abolition of all sex roles - that is, an absolute transformation of human sexuality and the institutions derived from it. In this work, no part of the male sexual model can possibly apply. Equality within the framework of the male sexual model, however that model is reformed or modified, can only perpetuate the model itself and the injustice and bondage which are its intrinsic consequences. I suggest to you that transformation of the male sexual model under which we now all labor and "love" begins where there is a congruence, not a separation, a congruence of feeling and erotic interest; that it begins in what we do know about female sexuality as distinct from male - clitoral touch and sensitivity, multiple orgasms, erotic sensitivity all over the body (which needn't - and shouldn't - be localized or contained genitally), in tenderness, in self-respect and in absolute mutual respect. For men I suspect that this transformation begins in the place they most dread - that is, in a limp penis. I think that men will have to give up their precious erections and begin to make love as women do together. I am saying that men will have to renounce their phallocentric personalities, and the privileges and powers given to them at birth as a consequence of their anatomy, that they will have to excise everything in them that they now value as distinctively "male." No reform, or matching of orgasms, will accomplish this.
Andrea Dworkin (Our Blood: Prophecies and Discourses on Sexual Politics)
These chicken chokers. Didn’t bother to read any feminist theory beyond that outdated Andrea Dworkin tripe. Nothing sex-positive. Nothing along the lines of Naomi Wolf. I come, therefore I am… No, whether a woman is a concubine to fuck or a damsel to redeem, she’s always just some passive object to fulfill a man’s purpose.
Chuck Palahniuk (Snuff)
Women experience the world as mystery. Kept ignorant of technology, economics, most of the practical skills required to function autonomously, kept ignorant of the real social and sexual demands made on women, deprived of physical strength, excluded from forums for the development of intellectual acuity and public self-confidence, women are lost and mystified by the savage momentum of an ordinary life
Andrea Dworkin (Right-Wing Women)
We take girls and send them to schools. It is good of us, because girls are not supposed to know anything much, and in many other societies girls are not sent to school or taught to read and write. In our society, such a generous one to women, girls are taught some facts, but not inquiry or the passion of knowing. Girls are taught in order to make them compliant: intellectual adventurousness is drained, punished, ridiculed out of girls.
Andrea Dworkin (Right-Wing Women)
We have to imagine something before we can build the infrastructure that will allow it to exist. We have failed here on both fronts: in imagination and in reality. Our great weirdos, from Emily Dickinson to Simone Weil to Coco Chanel, are seen as outliers, as not relevant to the way we think through what we want out of life. It's the same way we discuss radical feminist writers like Dworkin and Firestone. Dworkin is unhinged, Firestone is too eccentric to be taken seriously.
Jessa Crispin (Why I Am Not a Feminist: A Feminist Manifesto)
Andrea Dworkin has written, “Creative intelligence…demands its right to consequence…always it wants recognition, influence, or power; it is an accomplishing intelligence.”54 Women who work day by day in the world with worldly integrity are the living proof that feminist thought, feminist intelligence, has “consequences.” Their work may not be the kind that is explicitly devoted to the teaching of Women’s Studies, to the campaigns against rape or pornography, or to the writing of women’s literature. However, it is work that clearly shows that women can master physical tasks, ideas, culture, and the wider world. It is an accomplishing work that has its creative roots in the world as women imagine it could be because it breaks women out of the world in which men have constricted women’s power and work. It is work that is involved in the complexity of the world through direct experience of it. Worldly integrity meets the world on its own turf, but not on its own terms.
Janice G. Raymond (A Passion for Friends (Toward a Philosophy of Female))
For some, measuring porn’s real-world effects boils down to one extreme and ultimately misleading question: “Does it lead to rape?” What is overlooked here is the more subtle question of how porn shapes the culture and the men who use it. No anti-porn feminist I know has suggested that there is one image, or even a few, that could lead a nonrapist to rape; the argument, rather, is that taken together, pornographic images create a world that is at best inhospitable to women, and at worst dangerous to their physical and emotional well-being. In an unfair and inaccurate article that is emblematic of how anti-porn feminist work is misrepresented, Daniel Bernardi claims that Andrea Dworkin and Catharine MacKinnon believed that “watching pornography leads men to rape women.”3 Neither Dworkin nor MacKinnon, pioneers in developing a radical feminist critique of pornography, saw porn in such simplistic terms. Rather, both argued that porn has a complicated and multilayered effect on male sexuality, and that rape, rather than simply being caused by porn, is a cultural practice that has been woven into the fabric of a male-dominated society. Pornography, they argued, is one important agent of such a society since it so perfectly encodes woman-hating ideology, but to see it as simplistically and unquestionably leading to rape is to ignore how porn operates within the wider context of a society that is brimming with sexist imagery and ideology.
Gail Dines (Pornland: How Porn Has Hijacked Our Sexuality)
I think as feminists we have a way of looking at problems that other people appear not to understand. To name names, the right and the left appear not to understand what it is that feminists are trying to do. Feminists are trying to destroy a sex hierarchy, a race hierarchy, an economic hierarchy, in which women are hurt, are disempowered, and in which society celebrates cruelty over us and refuses us the integrity of our own bodies and the dignity of our own lives. ... So feminists look at the society we live in and try to understand how we are going to fight male power. And in order to try to figure out how we're going to fight it, we have to figure out how it's organized, how it works. How does it survive? How does it work itself out? How does it maintain itself as a system of power? ... So feminists come along, and we say: Well, we are going to understand how it is that these people do what they do. We are going to approach the problem politically. That means that we are going to try to isolate and describe systems of exploitation as they work on us, from our point of view as the people who are being hurt by them. It means that even though we're on the bottom and they're on the top, we are examining them for points of vulnerability. And as we find those points of vulnerability—and you might locate them anatomically, as well as any other way—we are going to move whatever muscles we have, from whatever positions we are in, and we are going to get that bastard in his collective manifestation off of us. And that means we are politically organizing a resistance to male supremacy.
Andrea Dworkin
Feminists remain bitterly divided in their attitudes towards sexually explicit material in fiction and the media. They differ in their interpretation of the meaning and social function of pornography. One group, the radical feminists, adopt an anti-pornography position which posits that all sexually explicit material is defamatory to women. Andra Dworkin and Catherine MacKinnon are its key proponents. In the past, they have attempted to make the production of pornography a violation of civil rights.
Cathia Jenainati (Introducing Feminism: A Graphic Guide)
Feminists try hard to fight for women at the same time maintaining special loyalties to subgroups of men. How could we not?
Andrea Dworkin (Scapegoat: The Jews, Israel, and Women's Liberation)
Huey Newton sent me his poems before he shot and killed a teenage prostitute, the event that caused him to flee the United States. Since I didn't believe that the police framed him, one might say that a rift had opened between him and me.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
Feminists have good reasons for feeling tired. The backlash against feminism has been deeply stupid.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
IF W.I.T.C.H. IS an example of feminist politics borrowing from the realm of mythos, then it should come as no surprise that feminist spirituality began to get more civic-minded in turn. Though there is evidence that some American Pagan covens existed as early as the 1930s, and Gardnerian Wicca had reached the States by the 1960s, the 1970s brought about a new style of witchcraft that was intent on “combining political and spiritual concerns as if they were two streams of a single river,” as Margot Adler put it. It took the framework of Wicca but gave it a much fuller emphasis on worshipping goddesses and honoring the female body. It also more blatantly reclaimed the witch as an icon of resistance against the patriarchy, following the sentiments of earlier pro-witch thinkers like Matilda Joslyn Gage and Margaret Murray, and the writings of radical feminists like Mary Daly and Andrea Dworkin.
Pam Grossman (Waking the Witch: Reflections on Women, Magic, and Power)
feminist Sheila Cronan wrote, “Since marriage constitutes slavery for women . . . Freedom for women cannot be won without the abolition of marriage.” Radical feminist writer Andrea Dworkin famously commented that “Marriage as an institution developed from rape as a practice.
Rebecca Traister (All the Single Ladies: Unmarried Women and the Rise of an Independent Nation)
Each time the women’s movement achieves success in providing a way for a woman to speak out, in court or in the media, the prorape constituency lobbies against her: against her credibility. It’s as if we’re going to have a vote on it, the new reality TV: are we for her or against her? Is she a liar or - let’s be kind - merely disturbed? In the United States it is increasingly common to have the lawyers defending the accused rapist on television talk shows. The victim is slimed; the jury pool is contaminated; what happens to the woman after the trial is lost; she’s gone, disappeared, as if her larynx had been ripped out of her throat and even her shadow had been rent.
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)
One wonders about how to be what one wants to be - that genius of a writer who takes literature to a new level or that genius of a writer who brings humanity forward or that genius of a writer who tells a simple, gorgeous story or that genius of a writer who holds hands with Dostoyevsky or Tolstoy or that genius of a writer who lets the mute speak, especially the last, letting the mute speak. Can one make a sound that the deaf can hear? Can one write a narrative visually accessible to the blind? Can one write for the dispossessed, the marginalized, the tortured?
Andrea Dworkin (Heartbreak: The Political Memoir of a Feminist Militant)