Duke Of Hastings Quotes

We've searched our database for all the quotes and captions related to Duke Of Hastings. Here they are! All 27 of them:

Daphne felt something wild and wicked take hold. “Let’s walk in the garden,” she said softly. “We can’t.” “We must.” “We can’t.
Julia Quinn (The Duke and I (Bridgertons, #1))
There's a very generous donation in the parish's future if you make this fast. Ten minutes, at the most." Frowning, the man fumbled open his liturgy. "There's an established rite, Your Grace. Marriage must be entered into with solemnity and consideration. I don't know that I can rush--" "Ten minutes. One thousand guineas." The liturgy snapped closed. "Then again, what do a few extra minutes signify to an eternal God?" He beckoned Amelia with a fluttering, papery hand. "Make haste, child. You're about to be married.
Tessa Dare (One Dance with a Duke (Stud Club, #1))
Any chance you might be capable of refraining from profanity in the company of ladies?" This, from Daphne's husband, Simon, the Duke of Hastings. "She's no lady," Anthony grumbled. "She's my sister." "She's my wife." Anthony smirked. "She was my sister first.
Julia Quinn (The Bridgertons: Happily Ever After (Bridgertons, #1.5-8.5; 8.6))
Hastings is going to go to a half-wit,” the duke moaned. “All those years of praying for an heir, and now it’s all for ruin. I should have let the title go to my cousin.” He turned back to his son, who was sniffling and wiping his eyes, trying to appear strong for his father. “I can’t even look at him,” he gasped. “I can’t even bear to look at him.” And with that, the duke stalked out of the room. Nurse Hopkins hugged the boy close. “You’re not an idiot,” she whispered fiercely. “You’re the smartest little boy I know. And if anyone can learn to talk properly, I know it’s you.” Simon turned into her warm embrace and sobbed. “We’ll show him,” Nurse vowed. “He’ll eat his words if it’s the last thing I do.
Julia Quinn (The Duke and I (Bridgertons, #1))
I thought you might like something of your own. All of the Hastings jewelry was chosen for someone else. This I chose for you.
Julia Quinn (The Duke and I (Bridgertons, #1))
For Simon Arthur Henry Fitzranulph Basset would not spend his life as Earl Clyvedon. That was a mere courtesy title. Simon Arthur Henry Fitzranulph Basset—the baby who possessed more names than any baby could possibly need—was the heir to one of England’s oldest and richest dukedoms. And his father, the ninth Duke of Hastings, had waited years for this moment
Julia Quinn (The Duke and I (Bridgertons, #1))
His coach drew up before the Duke of Stanhope’s town house, and Ian walked swiftly up the front steps, almost knocking poor Ormsley, who opened the door, off his feet in his haste to get to his grandfather upstairs. A few minutes later he strode back down and into the library, where he flung himself into a chair, his eyes riveted on the clock. Upstairs the household was in an uproar as the duke called for his valet, his butler, and his footmen. Unlike Ian, however, the duke was ecstatic. “Ormsley, Ian needs me!” the duke said happily, stripping off his jacket and pulling off his neckcloth. “He walked right in here and said it.” Ormsley beamed. “He did indeed, your grace.” “I feel twenty years younger.” Ormsley nodded. “This is a very great day.” “What in hell is keeping Anderson? I need a shave. I want evening clothes-black, I think-a diamond stickpin and diamond studs. Stop thrusting that cane at me, man.” “You shouldn’t overly exert yourself, your grace.” “Ormsley,” said the duke as he walked over to an armoire and flung the doors open, “if you think I’m going to be leaning on that damned cane on the greatest night of my life, you’re out of your mind. I’ll walk in there beside my grandson unaided, thank you very much. Where the devil is Anderson?
Judith McNaught (Almost Heaven (Sequels, #3))
Say!” Benedict exclaimed. “Why don’t you save her, Hastings?” Simon took one look at Lady Bridgerton (who at that point had her hand firmly wrapped around Macclesfield’s forearm) and decided he’d rather be branded an eternal coward. “Since we haven’t been introduced, I’m sure it would be most improper,” he improvised. “I’m sure it wouldn’t,” Anthony returned. “You’re a duke.” “So?” “So?” Anthony echoed. “Mother would forgive any impropriety if it meant gaining an audience for Daphne with a duke.” “Now look here,” Simon said hotly, “I’m not some sacrificial lamb to be slaughtered on the altar of your mother.” “You have spent a lot of time in Africa, haven’t you?” Colin quipped. Simon ignored him. “Besides, your sister said—” All three Bridgerton heads swung round in his direction. Simon immediately realized he’d blundered. Badly. “You’ve met Daphne?” Anthony queried, his voice just a touch too polite for Simon’s comfort. Before Simon could even reply, Benedict leaned in ever-so-slightly closer, and asked, “Why didn’t you mention this?” “Yes,” Colin said, his mouth utterly serious for the first time that evening. “Why?” Simon glanced from brother to brother and it became perfectly clear why Daphne must still be unmarried. This belligerent trio would scare off all but the most determined— or stupid— of suitors. Which would probably explain Nigel Berbrooke. “Actually,” Simon said, “I bumped into her in the hall as I was making my way into the ballroom. It was”— he glanced rather pointedly at the Bridgertons—“ rather obvious that she was a member of your family, so I introduced myself.” Anthony turned to Benedict. “Must have been when she was fleeing Berbrooke.” Benedict turned to Colin. “What did happen to Berbrooke? Do you know?” Colin shrugged. “Haven’t the faintest. Probably left to nurse his broken heart.” Or broken head, Simon thought acerbically. “Well, that explains everything, I’m sure,” Anthony said, losing his overbearing big-brother expression and looking once again like a fellow rake and best friend. “Except,” Benedict said suspiciously, “why he didn’t mention it.” “Because I didn’t have the chance,” Simon bit off, about ready to throw his arms up in exasperation. “In case you hadn’t noticed, Anthony, you have a ridiculous number of siblings, and it takes a ridiculous amount of time to be introduced to all of them.” “There are only two of us present,” Colin pointed out. “I’m going home,” Simon announced. “The three of you are mad.” Benedict, who had seemed to be the most protective of the brothers, suddenly grinned. “You don’t have a sister, do you?” “No, thank God.
Julia Quinn (The Duke and I (Bridgertons, #1))
Ely.  Where is my lord, the Duke of Gloucester?   I have sent for these strawberries. Hast.  His Grace looks cheerfully and smooth this morning: There’s some conceit or other likes him well, When that he bids good morrow with such spirit. I think there’s never a man in Christendom   Can lesser hide his hate or love than he;
William Shakespeare
In the end, it was the little details of the wedding that Daphne remembered. There were tears in her mother's eyes (and then eventually on her face), and Anthony's voice had been oddly hoarse when he stepped forward to give her away. Hyacinth had strewn her rose petals too quickly, and there were none left by the time she reached the altar. Gregory sneezed three times before they even got to their vows. And she remembered the look of concentration on Simon's face as he repeated his vows. Each syllable was uttered slowly and carefully. His eyes burned with intent, and his voice was low but true. To Daphne, it sounded as if nothing in the world could possibly be as important as the words he spoke as they stood before the archbishop. Her heart found comfort in this; no man who spoke his vows with such intensity could possibly view marriage as a mere convenience. Those whom God hath joined together, let no man put asunder. A shiver raced down Daphne's spine, causing her to sway. In just a moment, she would belong to this man forever. Simon's head turned slightly, his eyes darting to her face. Are you all right? his eyes asked. She nodded, a tiny little jog of her chin that only he could see. Something blazed in his eyes—could it be relief? I now pronounce you— Gregory sneezed for a fourth time, then a fifth and sixth, completely obliterating the archbishop's “man and wife.” Daphne felt a horrifying bubble of mirth pushing up her throat. She pressed her lips together, determined to maintain an appropriately serious facade. Marriage, after all, was a solemn institution, and not one to be treating as a joke. She shot a glance at Simon, only to find that he was looking at her with a queer expression. His pale eyes were focused on her mouth, and the corners of his lips began to twitch. Daphne felt that bubble of mirth rising ever higher. You may kiss the bride. Simon grabbed her with almost desperate arms, his mouth crashing down on hers with a force that drew a collective gasp from the small assemblage of guests. And then both sets of lips—bride and groom—burst into laughter, even as they remained entwined. Violet Bridgerton later said it was the oddest kiss she'd ever been privileged to view. Gregory Bridgerton—when he finished sneezing—said it was disgusting. The archbishop, who was getting on in years, looked perplexed. But Hyacinth Bridgerton, who at ten should have known the least about kisses of anyone, just blinked thoughtfully, and said, “I think it's nice. If they're laughing now, they'll probably be laughing forever.” She turned to her mother. “Isn't that a good thing?” Violet took her youngest daughter's hand and squeezed it. “Laughter is always a good thing, Hyacinth. And thank you for reminding us of that.” And so it was that the rumor was started that the new Duke and Duchess of Hastings were the most blissfully happy and devoted couple to be married in decades. After all, who could remember another wedding with so much laughter?
Julia Quinn (The Duke and I (Bridgertons, #1))
Lord Gareth?" He froze. It was she, staring out at him with an expression of astounded disbelief on her lovely face. Gareth was caught totally unprepared. He knew he must look like an arse because he certainly felt like one. But the comic ridiculousness of the situation suddenly hit him, and his lips began twitching uncontrollably. He gazed up at her with perfect innocence. "Hello, Juliet." A chorus of out-of-tune voices came up from below. "Romeo, O Romeo, wherefore art thou, Romeo?" Gareth flung his crop down at their heads. Cokeham let out a yelp, then fell to laughing. The girl's smooth, high brow pleated in a frown as she took in the scene. Perry down there with the horses. The other Den of Debauchery members all gathered below, beaming stupidly up at her. And Gareth, grinning, sprawled full-length along a tree branch just outside her window. "Just what on earth are you doing, Lord Gareth?" The way she said it made his cheeks warm with embarrassment. So he was a pillock. Who cared? Instead, he gave her his most devastating grin and said with cheerful earnestness, "Why, I have come to rescue you, of course." "Rescue me?" "Surely you didn't think I'd allow Lucien to banish you into obscurity, now, did you?" "Well, I —  The duke didn't ban—"  She gave a disbelieving little laugh and leaned out the window, grasping the blanket tightly at her breasts. Her hair, caught in a long, dark braid, swung tantalizingly out over her bosom. "Really, Lord Gareth. This is ... highly irregular!" "Yes, but the hour is late, and as it took me all day to find you, I was feeling rather impatient. I do hope you'll forgive me for resorting to such desperate measures. May I come in and talk?" "Of course not! I — I cannot have a man in my bedroom!" "Why not, my sweet?" He pushed aside a small, leafy twig in order to see her better and grinned cajolingly up at her. "I had you in mine." She shook her head, torn between what she wanted to do — and what she ought to do. "Really, Lord Gareth ... your brother will never approve of this. You should go home. After all, you're the son of a duke and I'm just a — " " — beautiful young woman with nowhere else to go. A beautiful young woman who should be a part of my family. Now, do collect Charlotte and your things, Miss Paige — I fear we must make haste, if we are to marry before Lucien catches up to us." "Marry?!" she cried, forgetting to whisper. He gazed at her in blank, perfect innocence. "Well, yes, of course," he said, clinging to the branch as it dropped another few inches. "Surely you don't think I'd be hanging out of a tree for anything less, do you?" "But —" "Come now."  He smiled disarmingly. "Surely, you must see there is really no other option for you. And I won't have my niece growing up without a father. What kind of a man do you think I am? Now, gather up Charlotte and get your things, my dear Miss Paige, and come outside. I am growing most uncomfortable." Juliet
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Shall we play youngest to oldest?” Colin suggested, with a gallant bow in Edwina’s direction. She shook her head. “I should rather go last, so that I might have a chance to observe the play of those more experienced than I.” “A wise woman,” Colin murmured. “Then we shall play oldest to youngest. Anthony, I believe you’re the most ancient among us.” “Sorry, brother dear, but Hastings has a few months on me.” “Why,” Edwina whispered in Kate’s ear, “do I get the feeling I am intruding upon a family spat?” “I think the Bridgertons take Pall Mall very seriously,” Kate whispered back. The three Bridgerton siblings had assumed bulldog faces, and they all appeared rather single-mindedly determined to win. “Eh eh eh!” Colin scolded, waving a finger at them. “No collusion allowed.” “We wouldn’t even begin to know where to collude,” Kate commented, “as no one has seen fit to even explain to us the rules of play.” “Just follow along,” Daphne said briskly. “You’ll figure it out as you go.” “I think,” Kate whispered to Edwina, “that the object is to sink your opponents’ balls into the lake.” “Really?” “No. But I think that’s how the Bridgertons see it.” “You’re still whispering!” Colin called out without sparing a glance in their direction. Then, to the duke, he barked, “Hastings, hit the bloody ball. We haven’t all day.” “Colin,” Daphne cut in, “don’t curse. There are ladies present” “You don’t count.” “There are two ladies present who are not me,” she ground out. Colin blinked, then turned to the Sheffield sisters. “Do you mind?” “Not at all,” Kate replied, utterly fascinated. Edwina just shook her head. “Good.” Colin turned back to the duke. “Hastings, get moving.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
She looked down at the man. His face appeared different than the first time she had seen him, as if he'd fought some battle and won. A peacefulness stole over her, causing her to take a deep breath. She closed her eyes, breathing deeply. His scent filled her mind and her fingers began to glide through his hair, exploring the shape of his head, then his temples, then down to the sharp plain of his cheekbones. "Come back, my duke," she whispered. "I have need to see thee fattened up and shouting orders." Suddenly she felt a touch on her cheek. Caught in the dreamlike spell, she turned into the hand without opening her eyes. As she had done, he caressed her cheek. Now his thumb ran along the line of her jaw. When fingers touched her lips, her eyes fluttered open. "Your voice saved me." His own was raspy and deep, but gratitude glowed in the dark pools that were his eyes. And he was even more devastatingly attractive with them open. Serena drew a sharp breath, wanting to get up, both trapped beneath his weight and that of his words. "Thou hast been very sick." She strained to right her senses. When she started to slide out from under his head, he grasped her hand with surprising strength. "Stay." "I must not. My father will be back soon." "Have we reached Philadelphia then?" "Yes. The others have already been sold. 'Tis fortunate thee wert so ill and escaped the soul-drivers, sir." As she spoke, she slid out from beneath his head and refilled his cup. "Here, have another drink, and thou wilt hear the tale." He smiled at her with such a look that she thought she might melt into the wood f the floor. "A long story, I hope. I would listen to your voice forever." Heat surged to her cheeks, her gaze dropping to the floor. Her mind told her how inappropriate it was to behave like this with a complete stranger. And yet, it was as if other parts of her- her heart, her soul, her very skin- knew him as deeply as she knew herself.
Jamie Carie (The Duchess and the Dragon)
Smith. [Turning eagerly to the Doctor.] But this is rather splendid. The Duke's given £50 to the new public-house. Hastings. The Duke is very liberal. [Collects papers. Doctor. [Examining his cheque.] Very. But this is rather curious. He has also given £50 to the league for opposing the new public-house. Hastings. The Duke is very liberal-minded.
G.K. Chesterton (Magic: A Fantastic Comedy In a Prelude and Three Acts)
Meeting the Marches *Hector March, the Earl March (b.1817) His beloved wife, Charlotte, is deceased. He divides his time between his Sussex estate, Bellmont Abbey, and his London home where he is active in Parliamentary debate, particularly over the question of Irish Home Rule. His hobbies are Shakespearean studies and quarrelling with his hermit. His children are: Frederick, Viscount Bellmont “Monty” (b. 1846) Married to Adelaide Walsingham. Resides in London. Represents Blessingstoke as a Member of Parliament. Lady Olivia Peverell (b.1847) Married to Sir Hastings Peverell. Resides in London where she is a prominent political hostess. Hon. Benedick March (b.1848) Married to Elizabeth Pritchett. Manages the Home Farm at Bellmont Abbey and is acknowledged to be Julia’s favourite brother. His two eldest children, Tarquin and Perdita, make an appearance in two of Lady Julia’s adventures. Lady Beatrice “Bee” Baddesley (b. 1850) Married to Sir Arthur Baddesley, noted Arthurian scholar. Resides in Cornwall. Lady Rupert “Nerissa” Haverford (b.1851) Married to Lord Rupert Haverford, third son of the Duke of Lincoln. Divides her time between London and her father-in-law’s estate near Nottingham. Lady Bettiscombe “Portia” (b.1853) Widow. Mother to Jane the Younger. Resides in London. Hon. Eglamour March (b.1854) Known as Plum to the family. Unmarried. A gifted artist, he resides in London where he engages in a bit of private enquiry work for Nicholas Brisbane. Hon. Lysander March (b.1855) Married to Violanthe, his turbulent Neapolitan bride. He is a composer. Lady Julia Brisbane (b.1856) Widow of Sir Edward Grey. Married to Nicholas Brisbane. Her husband permits her to join him in his work as a private enquiry agent against his better judgment. Hon. Valerius March (b.1862) Unmarried. His desire to qualify as a physician has led to numerous arguments with his father. He pursues his studies in London. *Note regarding titles: as the daughters of an earl, the March sisters are styled “Lady”. This title is retained when one of them marries a baronet, knight, or plain gentleman, as is the case with Olivia, Beatrice, and Julia. As Portia wed a peer, she takes her husband’s title, and as Nerissa married into a ducal family, she takes the style of her husband and is addressed as Lady Rupert. Their eldest brother, Frederick, takes his father’s subsidiary title of Viscount Bellmont as a courtesy title until he succeeds to the earldom. (It should be noted his presence in Parliament is not a perk of this title. Unlike his father who sits in the House of Lords, Bellmont sits in the House of Commons as an elected member.) The younger brothers are given the honorific “The Honourable”, a courtesy which is written but not spoken aloud.
Deanna Raybourn (Silent Night (Lady Julia Grey, #5.5))
It’s only an hour later that a servant comes to my room. And when she tells me the duke has invited me out for a horseback ride, I’m flooded with the strangest mix of emotions. I can’t believe that after running off like that, he still wants to hang out. What is going on between us? And why do I want so desperately for it to be something? I shouldn’t want anything. Not with a guy like him. I mean, yeah, I might have been wrong about the illegitimate kid and Lord Brimmon, but the dude still thinks I don’t have opinions or options because I’m a girl. He thinks I have a “place, my place” and that it’s behind a guy. And worse, I keep thinking about our kiss. The part where I bash into the wall in my haste to get away is a particular highlight on the reel I keep playing over and over again in my head. When I walk out the back of the house and he turns to look at me, it’s impossible to fight the burn in my cheeks as he steps up beside me and the horse. I can’t look at him. I’m so embarrassed I stare at the stirrup as if it will take all concentration to get my foot into it. Is he going to say anything? Is he going to apologize for just…kissing me like that? Maybe if he brings it up…Maybe if he apologizes, I can apologize too. For running off. It was so sudden all I could do was react. But he says nothing. He just steps up beside me and gives me a boost. I’m up on the first try and feeling rather proud of myself as I situate my pretty skirts so they drape over my ankles. Until, that is, I see him swing aboard and am reminded of how graceful and easy he makes it look, even when his horse swings away from him when he’s only halfway on. We ride past the stable, and when I glance in, I see one of the stable boys showing the other how to do the robot, his arms stuck out at odd angles, his hands dangling. I have to bite the inside of my cheek to keep from laughing when I see Alex’s eyebrows shoot up so high they’re nearly to his hairline. It’s nice seeing him caught off-guard. I like it. It makes me want to do something totally crazy, just to see his expression.
Mandy Hubbard (Prada & Prejudice)
They’ve gone, love. Stay a moment more. There’s nothing to be gained by haste at this point, and we need to sort this out before we face your family.” Love? Now he called her love? “Let me go. I can’t breathe…” She tried to wrestle free, but he had his hand on the back of her head, his arm around her back. Out in the hallway, the front door didn’t close; it banged shut with the impact of a rifle shot ricocheting through the house… and through the rest of Eve’s blighted, miserable life. “Mama slammed that door, Lucas Denning. Her Grace, the Duchess of Moreland, slammed a door, because of me, because of my stupid, selfish, useless, greedy, stupid, asinine…” There were not words to describe the depth of the betrayal she’d just handed her family. She collapsed against Deene’s chest, misery a dry, scraping ache in her throat. “Eve, many couples anticipate their vows, even a few couples closely associated with the Duchess of Moreland.” The reason in his voice had her hands balling to fists. “I will not marry you.” She could not, not him of all men. That signal fact gave her scattering wits a rallying point. Deene did not argue. When an argument was imperative, he did not argue. His hand stroked slowly over her hair, and as the fighting instinct coursing through Eve’s body struggled to stand against a swamping despair, some part of Eve’s brain made a curious observation: Deene was breathing in a slow, unhurried rhythm, and as a function of the intimacy of their posture, Eve was breathing in counterpoint to him. The same easy, almost restful tempo, but her exhale matched his inhale. “We cannot marry, Deene. I won’t have it. A white marriage was as far as I was willing to go, and then only to the right sort of man, a man who would never seek to… impose conjugal duties on me.” His arms fell away, when Eve would very much have liked them to stay around her. Better he not see her face, better she not have to see his lovely blue eyes going chill and distant. “We need to set you to rights.” His hands on her shirt were deft and impersonal, his fingers barely touching her skin. The detachment in his touch was probably meant to be a kindness, but it… hurt. “Lucas, I cannot think.” “We’ll think this through together. I can guarantee you not a soul will be coming through that door until we decide to pass through it ourselves.” “I hate that you can be so calm.” And—worst
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
A horse! A horse! My Dukedom for a horse!" (Duke William at Hastings - The Last Treasure of Ancient England)
M.J. Colewood (The Last Treasure of Ancient England (The Chester Bentley Mysteries Book 2))
So what do you want?” St. Just asked quietly. Winnie looked away, reminding him poignantly of Emmie in the midst of difficult discussions. “What do you want, princess?” he asked again. “I want…” Winnie’s little shoulders heaved, and still St. Just waited. “I want Emmie to s-s-stay.” She hurled herself across the mattress, sending her writing implements flying in her haste to throw herself into St. Just’s arms. “Don’t let her go away, please,” Winnie wailed. “I’ll be good, just… Make her stay. You have to make her stay.” He wrapped her in his arms and held her while she cried, producing a handkerchief when the storm seemed to be subsiding. All the while he held her, he thought of Her Grace raising ten children, ten little hearts that potentially broke over every lost stuffed bear, dead pony, and broken toy. Ten stubborn little chins, ten complicated little minds, each as dear and deserving as the last, and all with intense little worlds of their own. Ye Gods. And what to say? Never lie to your men, St. Just admonished himself… “I don’t want her to go, either,” St. Just murmured when Winnie’s tears had quieted to sniffles. “But Emmie has her business to run, Win. She won’t go far, though, just back to the cottage, and we can visit her there a lot.” Like hell. “She isn’t going to the cottage,” Winnie replied with desperate conviction. “She’s going to marry Vicar and his brother will die and she’ll be rich, but far, far away. Cumbria is like another country, farther away than Scotland or France or anywhere.” “Hush,” St. Just soothed, fearing he was about to witness the youngest female crying jag of his experience. “Emmie hasn’t said anything to me, Winnie, and I think she’d let me know if she were going somewhere.” She had, however, told him to find another governess by Christmas at the latest. “She’s going,” Winnie said, heartsick misery in her tone. “I know it, but she’ll listen to you if you tell her to stay.” “I can’t tell her, Win.” St. Just rose to turn back the bedcovers. “I can only ask.” “Then ask her,” Winnie pleaded as she scooted between the sheets. “Please, you have to.” “I will ask her what her plans are, but that doesn’t affect your needing and deserving a governess. Understand?” When Winnie’s chin jutted, he dropped onto the bed and met her eyes. “We haven’t hired anybody yet, we haven’t even interviewed anybody yet, and we won’t expect you to tolerate anybody who isn’t acceptable to both Emmie and me, all right?” “I don’t want a governess,” Winnie said, but her tone was whimpery, miserable, and hopeless. “I understand that, and I only want you to have a governess you’re going to like, Winnie. All I’m asking is that you give somebody a chance to help you learn, whether Emmie’s here, back at the cottage, or married to the Vicar.” “I love Emmie,” Winnie said, reaching for Mrs. Bear. “I love Emmie, and I don’t want her to go, and I don’t want her to marry Vicar.” “Neither do I, princess.” St. Just blew out her candle. “Neither do I.” He
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
The door to the little dining parlor banged open, the apologetic footman rushing in behind a young woman St. Just had not seen before. She was trussed up in a shapeless black bombazine dress covering her from ankles to wrist to neck, an equally hideous black bonnet on her head. “That is not my tart,” the earl observed to no one in particular. “Bronwyn!” The woman leapt across the room and wrapped her arms around Winnie, the bonnet tumbling off in her haste. “Oh, Winnie, you naughty, naughty child, I’ve been searching all over for you.” “Hullo, Miss Emmie.” Winnie beamed a grin, hugging the lady back. “Rosecroft says we’re going to have apple tarts.” “Madam?” The earl rose and bowed. “Rosecroft, at your service.” “My lord.” She bobbed a nervous curtsy then swiveled back to the child. “Winnie, are you all right?” “I had to take a bath.” Winnie frowned at the memory. “But I ate and ate and ate. I am not a gentleman, though.” “You took a bath?” Miss Farnum’s eyes went round. “My lord? Did I hear her aright?” “With lavender bubbles,” the earl replied gravely. “And you would be?” “Miss Emmaline Farnum,” she said, eyes narrowing. “Just how did you get her to take a bath?” The earl narrowed his eyes, as well. “Perhaps that is a discussion we adults might reserve for later. And as I wouldn’t want to be guilty of breaking my word to a child, may I invite you to join us for apple tarts, Miss Farnum?” The footman withdrew at the earl’s lifted eyebrow while the child’s gaze bounced back and forth between the adults. Winnie sat, all innocence in an old nightshirt somebody had dragged out of a trunk. Her golden curls gleamed, and on her feet were wool socks many sizes too big. “Apple tarts sound delicious,” Miss Farnum said.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
And yet here he was, with Daphne Bridgerton—no, Daphne Basset. Hell, she was the Duchess of Hastings, that’s what she was.
Julia Quinn (The Duke and I (Bridgertons, #1))
Edward IV’s ‘regional’ policy: The stimulus for this investigation was D.A.L. Morgan’s analysis of Edward IV’s second reign… Morgan proceeded to explain that this ‘territorial re-ordering’ was designed to cure disorder and lawlessness in the localities. Thus, Morgan suggested, Edward intended ‘the creation of an apanage’ for his second son, Richard, Duke of York, and that ‘by 1475 the plan was to endow him with a collection of lands in the East Midlands’. Also, the king ‘bent his efforts to making his elder son’s household at Ludlow the governing power in Wales and the West Midlands...and similarly to establishing his brother [Richard, Duke of] Gloucester as heir to the Neville lands and ruler of the North’. Furthermore ‘1474 saw the scheme pushed forward...and the beginning of an apanage endowment for the king’s stepson Thomas Grey [Marquess of Dorset] in the South-West’. Moreover, Edward’s ‘two leading household men were fitted in as the heads of further regional blocs’: his steward, Thomas, Lord Stanley, was ‘made undoubted ruler of Lancashire’, while ‘in Cheshire and north-east Wales also Stanley power was extended’ through Stanley’s brother, William; and the king’s chamberlain, William, Lord Hastings, ‘similarly emerged in 1474 as ruler of the North Midlands from Rockingham to the Peak’ (pp. 1–2). …the concept of Edward IV’s provincial policy raises much broader questions… whether this regional policy was planned or unintentional, and also as to whether its consequences were constructive or destructive. Furthermore, in a broader context, Edward’s scheme also suggests the importance of issues concerning the concept of regions, with potential implications for our study of politics and government in the localities, as well as questions regarding royal authority, governance, and the constitution, in general, in the later fifteenth century (p. 5). …This topic [Arbitration] is inseparable from the wider consideration of justice, and law and order, and these aspects could be the subject of substantial research in themselves; hence the remit of this study is specifically limited to questions of politics and governance. Arbitration of disputes may indicate a magnate’s influence and local standing, but this is, of course, not the only way in which to ascertain a magnate’s power in the localities: consideration of his estates, offices, and clientele reveals the extent to which his lordship pervaded local society (p. 8).
Robert E. Stansfield-Cudworth (Political Elites in South-West England, 1450–1500: Politics, Governance, and the Wars of the Roses)
The Duke of Hastings. Daphne decided then and there that she’d be a fool if she didn’t fall in love with him.
Julia Quinn (The Duke and I (Bridgertons, #1))
As the battle began Ivo Taillefer, the minstrel knight who had claimed the right to make the first attack, advanced up the hill on horseback, throwing his lance and sword into the air and catching them before the English army. He then charged deep into the English ranks, and was slain. The cavalry charges of William’s mail-clad knights, cumbersome in manœuvre, beat in vain upon the dense, ordered masses of the English. Neither the arrow hail nor the assaults of the horsemen could prevail against them. William’s left wing of cavalry was thrown into disorder, and retreated rapidly down the hill. On this the troops on Harold’s right, who were mainly the local “fyrd”, broke their ranks in eager pursuit. William, in the centre, turned his disciplined squadrons upon them and cut them to pieces. The Normans then re-formed their ranks and began a second series of charges upon the English masses, subjecting them in the intervals to severe archery. It has often been remarked that this part of the action resembles the afternoon at Waterloo, when Ney’s cavalry exhausted themselves upon the British squares, torn by artillery in the intervals. In both cases the tortured infantry stood unbroken. Never, it was said, had the Norman knights met foot-soldiers of this stubbornness. They were utterly unable to break through the shield-walls, and they suffered serious losses from deft blows of the axe-men, or from javelins, or clubs hurled from the ranks behind. But the arrow showers took a cruel toll. So closely, it was said, were the English wedged that the wounded could not be removed, and the dead scarcely found room in which to sink upon the ground. The autumn afternoon was far spent before any result had been achieved, and it was then that William adopted the time-honoured ruse of a feigned retreat. He had seen how readily Harold’s right had quitted their positions in pursuit after the first repulse of the Normans. He now organised a sham retreat in apparent disorder, while keeping a powerful force in his own hands. The house-carls around Harold preserved their discipline and kept their ranks, but the sense of relief to the less trained forces after these hours of combat was such that seeing their enemy in flight proved irresistible. They surged forward on the impulse of victory, and when half-way down the hill were savagely slaughtered by William’s horsemen. There remained, as the dusk grew, only the valiant bodyguard who fought round the King and his standard. His brothers, Gyrth and Leofwine, had already been killed. William now directed his archers to shoot high into the air, so that the arrows would fall behind the shield-wall, and one of these pierced Harold in the right eye, inflicting a mortal wound. He fell at the foot of the royal standard, unconquerable except by death, which does not count in honour. The hard-fought battle was now decided. The last formed body of troops was broken, though by no means overwhelmed. They withdrew into the woods behind, and William, who had fought in the foremost ranks and had three horses killed under him, could claim the victory. Nevertheless the pursuit was heavily checked. There is a sudden deep ditch on the reverse slope of the hill of Hastings, into which large numbers of Norman horsemen fell, and in which they were butchered by the infuriated English lurking in the wood. The dead king’s naked body, wrapped only in a robe of purple, was hidden among the rocks of the bay. His mother in vain offered the weight of the body in gold for permission to bury him in holy ground. The Norman Duke’s answer was that Harold would be more fittingly laid upon the Saxon shore which he had given his life to defend. The body was later transferred to Waltham Abbey, which he had founded. Although here the English once again accepted conquest and bowed in a new destiny, yet ever must the name of Harold be honoured in the Island for which he and his famous house-carls fought indomitably to the end.
Winston S. Churchill (The Birth of Britain (A History of the English Speaking Peoples #1))
Harold may or may not have been hit in the eye: the story first appears one hundred years later, and the arrow shaft on the famous Bayeux Tapestry may have been only added in the eighteenth century by bored nuns. It’s possible also that the eye story was Norman propaganda, since blinding was the biblical punishment for oath-breakers; but either way he was dead. One story has William leading this death squad but it is extremely unlikely he’d have done something so risky; likewise with a later tale that Gyrth unhorsed William before the duke killed him, which is most likely borrowed from The Iliad. By the end of the day the Normans had lost 2,500 men, the English 4,000, including most of the country’s nobility. After the battle William didn’t bother to bury the defeated, and it was left to Harold’s mistress, Edith Swan-Neck, to identify him by a part ‘known only to her’, as his face had been so badly mutilated. However the indignity continued; William wouldn’t give up the body, even after Harold’s mother offered him her son’s weight in gold if she’d return him, and to this day no one knows where England’s last English king lies.
Ed West (1066 and Before All That: The Battle of Hastings, Anglo-Saxon and Norman England)
Eventually English was adopted by the new aristocracy, but it was a changed language, and Old English is totally incomprehensible to us. Today at least a quarter and as many as a half of English words are of French origin, and the Norman invasion helped to add great nuance to the language. French words are usually more formal or aristocratic sounding: ascend, rather than rise, status rather than standing, mansion rather than house, cordial rather than hearty. Almost all words relating to government and justice are Norman, including prison, jury, felony, traitor, govern and, of course, justice. Likewise titles are mostly Norman French, including sovereign, prince, duke and baron—although not king or lord.
Ed West (1066 and Before All That: The Battle of Hastings, Anglo-Saxon and Norman England)
Britain’s chief justice, Lord Mansfield, went further than the Duke of Montagu and Selina Hastings and freed a Virginia runaway, James Somerset, overshadowing Gronniosaw’s pioneering slave narrative and Wheatley’s tribunal in Boston in 1772. No one could be enslaved in England, Mansfield ruled, raising antislavery English law over proslavery colonial law.
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)