Aztec Love Quotes

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Where is the graveyard of dead gods? What lingering mourner waters their mounds? There was a time when Jupiter was the king of the gods, and any man who doubted his puissance was ipso facto a barbarian and an ignoramus. But where in all the world is there a man who worships Jupiter today? And who of Huitzilopochtli? In one year - and it is no more than five hundred years ago - 50,000 youths and maidens were slain in sacrifice to him. Today, if he is remembered at all, it is only by some vagrant savage in the depths of the Mexican forest. Huitzilopochtli, like many other gods, had no human father; his mother was a virtuous widow; he was born of an apparently innocent flirtation that she carried out with the sun. When he frowned, his father, the sun, stood still. When he roared with rage, earthquakes engulfed whole cities. When he thirsted he was watered with 10,000 gallons of human blood. But today Huitzilopochtli is as magnificently forgotten as Allen G. Thurman. Once the peer of Allah, Buddha and Wotan, he is now the peer of Richmond P. Hobson, Alton B. Parker, Adelina Patti, General Weyler and Tom Sharkey. Speaking of Huitzilopochtli recalls his brother Tezcatlipoca. Tezcatlipoca was almost as powerful; he consumed 25,000 virgins a year. Lead me to his tomb: I would weep, and hang a couronne des perles. But who knows where it is? Or where the grave of Quetzalcoatl is? Or Xiuhtecuhtli? Or Centeotl, that sweet one? Or Tlazolteotl, the goddess of love? Of Mictlan? Or Xipe? Or all the host of Tzitzimitl? Where are their bones? Where is the willow on which they hung their harps? In what forlorn and unheard-of Hell do they await their resurrection morn? Who enjoys their residuary estates? Or that of Dis, whom Caesar found to be the chief god of the Celts? Of that of Tarves, the bull? Or that of Moccos, the pig? Or that of Epona, the mare? Or that of Mullo, the celestial jackass? There was a time when the Irish revered all these gods, but today even the drunkest Irishman laughs at them. But they have company in oblivion: the Hell of dead gods is as crowded as the Presbyterian Hell for babies. Damona is there, and Esus, and Drunemeton, and Silvana, and Dervones, and Adsullata, and Deva, and Bellisima, and Uxellimus, and Borvo, and Grannos, and Mogons. All mighty gods in their day, worshipped by millions, full of demands and impositions, able to bind and loose - all gods of the first class. Men labored for generations to build vast temples to them - temples with stones as large as hay-wagons. The business of interpreting their whims occupied thousands of priests, bishops, archbishops. To doubt them was to die, usually at the stake. Armies took to the field to defend them against infidels; villages were burned, women and children butchered, cattle were driven off. Yet in the end they all withered and died, and today there is none so poor to do them reverence. What has become of Sutekh, once the high god of the whole Nile Valley? What has become of: Resheph Anath Ashtoreth El Nergal Nebo Ninib Melek Ahijah Isis Ptah Anubis Baal Astarte Hadad Addu Shalem Dagon Sharaab Yau Amon-Re Osiris Sebek Molech? All there were gods of the highest eminence. Many of them are mentioned with fear and trembling in the Old Testament. They ranked, five or six thousand years ago, with Yahweh Himself; the worst of them stood far higher than Thor. Yet they have all gone down the chute, and with them the following: Bilé Ler Arianrhod Morrigu Govannon Gunfled Sokk-mimi Nemetona Dagda Robigus Pluto Ops Meditrina Vesta You may think I spoof. That I invent the names. I do not. Ask the rector to lend you any good treatise on comparative religion: You will find them all listed. They were gods of the highest standing and dignity-gods of civilized peoples-worshiped and believed in by millions. All were omnipotent, omniscient and immortal. And all are dead.
H.L. Mencken (A Mencken Chrestomathy)
I love the song of the mockingbird, Bird of four hundred voices, I love the color of jade And the intoxicating scent of flowers, But more than all I love my brother, man.
Nezahualcóyotl
He tried to live a good life and devote that life to helping others, but he never thought the world would reward him for his efforts. Such a thought would be the ultimate in self-deluding self-aggrandizement, for why would the world care one iota about him? Now, however, he wondered if he had been wrong. Now, he thought that maybe, just maybe, if you lived a good life, the universe—this cold, cold world—might just reward you. And he did feel rewarded—rewarded beyond all the gold in the Aztec capital of Tenochtitlan.
Ray Smith (The Magnolia That Bloomed Unseen)
I’ll try out the pencils sharpened to the point of infinity which always sees ahead: Green — good warm light Magenta — Aztec. old TLAPALI blood of prickly pear, the brightest and oldest [Brown —] color of mole, of leaves becoming earth [Yellow —] madness sickness fear part of the sun and of happiness [Blue —] electricity and purity love [Black —] nothing is black — really nothing [Olive —] leaves, sadness, science, the whole of Germany is this color [Yellow —] more madness and mystery all the ghosts wear clothes of this color, or at least their underclothes [Dark blue —] color of bad advertisements and of good business [Blue —]distance. Tenderness can also be this blue blood?
Frida Kahlo (The Diary of Frida Kahlo: An Intimate Self-Portrait)
Love and time, those are the only two things in all the world and all of life that cannot be bought, but only spent.
Gary Jennings (Aztec (Aztec, #1))
According to Annabeth, our family, the Chases, had some sort of special appeal to the ancient gods. Maybe it was our winning personalities. Maybe it was our brand of shampoo. Annabeth’s mom, the Greek goddess Athena, had fallen in love with her dad, Frederick. My dad, Frey, had fallen in love with my mother, Natalie. If somebody came up to me tomorrow and told me—surprise!—the Aztec gods were alive and well in Houston and my second cousin was the granddaughter of Quetzalcoatl, I would totally believe them. Then I would run screaming off a cliff into Ginnungagap.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
The way London carries on about the Thames you’d think it was a big deal, including lining it with all their classiest buildings, such as Parliament. San Francisco, the wind-up toy of cities, never gets over its Bay, and Venice is so much in love with its Bay that it’s sinking into it. New York is full
Donald E. Westlake (Dancing Aztecs)
I love the word Quetzalcoatl.' 'The word!' he repeated. His eyes laughed at her teasingly all the time. 'What do you think, Mrs Leslie,' cried the pale-faced young Mirabal, in curiously resonant English, with a French accent. 'Don't you think it would be wonderful if the gods came back to Mexico? our own gods?' He sat in intense expectation, his blue eyes fixed on Kate's face, his soup-spoon suspended. Kate's face was baffled with incomprehension. 'Not those Aztec horrors!' she said. 'The Aztec horrors! The Aztec horrors! Well, perhaps they were not so horrible after all. But if they were, it was because the Aztecs were all tied up. They were in a cul de sac, so they saw nothing but death. Don't you think so?' 'I don't know enough!' said Kate. 'Nobody knows any more. But if you like the word Quetzalcoatl, don't you think it would be wonderful if he came back again? Ah, the names of the gods! Don't you think the names are like seeds, so full of magic, of the unexplored magic? Huitzilopochtli!--how wonderful! And Tlaloc! Ah! I love them! I say them over and over, like they say Mani padma Om! in Tibet. I believe in the fertility of sound. Itzpapalotl--the Obsidian Butterfly! Itzpapalotl! But say it, and you will see it does good to your soul. Itzpapalotl! Tezcatlipocá! They were old when the Spaniards came, they needed the bath of life again. But now, re-bathed in youth, how wonderful they must be!
D.H. Lawrence (The Plumed Serpent)
The pleasures and riches of this life are but loaned, their substance is vain, their appearance illusory; and so true is this that I ask thee for an answer to these questions: What has become of Cihuapan? Of the brave Quantzintecomatzin? Of Conahuatzin? What of all these people? Perhaps these very words have already passed into another life. Would that we who are now united by the ties of love and friendship could foresee the sharp edge of death, for nothing is certain, and the future ever brings changes.
Nezahualcóyotl
July 11. She had always liked those numbers, seven and eleven. In charada, the mystical significance of dream images. There were charadas all around the world. In the santería charada, Angayú was eleven and Yemayá was seven. In the Cuban charada, matchbox was eleven and excrement was seven. In the American one, mechanic shop was eleven and socks was seven. In the Chinese one, rooster was eleven and seashell, seven. In the Texas charada, horse was eleven and hog, seven. In the Indian charada, rain was eleven and sleep was seven. In the Aztec charada, factory was eleven and mariachis, seven.
Zoé Valdés (Dear First Love)
Ecstasy that must look pretty from inside—to core not just an apple but the entire orchard, the family, even the dog. Leave the shells to the crows. A field of red lampshades in the dark Garden of Myiasis. This is no cultivated haven. This is the earth riddled with a brother. The furrows are mountains. Waves of sand and we are ships wrecked. What’s left of a fleet of one hundred shadows shattered and bleached. A crop gone to sticks. The honeysuckle sags with bright sour powder. We have followed the flames, followed him here, where all the black birds in the world have fallen like a shotgun blast to the faded ground. The vines have hardened to worms baking in the desert heat. We are at the gate, shaking the gate, climbing the gate, clanging our cups against the gate. This is no garden. This is my brother and I need a shovel to love him.
Natalie Díaz (When My Brother Was an Aztec)
Letter 4 As I lay dreaming, Montezuma introduced himself and put his hand on my shoulder. The palm of the Aztec king felt like ancient papyrus. When I looked up at him, I saw that his nose was chipped like that of a sphinx. His arms were like long ivory ropes that frayed into hands. He led me down to the river, where we sat together and shared the river’s silence. Then he spoke: „Allow me to tell you my story. It may help you understand your own. At dusk, in the year of one thousand rivers, the Spanish explorer Cortés arrived at the gates of my city. I welcomed him with open arms. I showed Cortés hundreds of aviaries that had built in the city, and finally I took him to the most aviary of sighs. These birds carried only love letters. Cortes laughed and said that all the bird songs made him feel like a virgin bride who is drunk with faith as she walks down the aisle of the church. On her wedding night, she undresses for her husband and he takes her in his arms. She believes everything is possible. When Cortés stared straight into my eyes and said 'It is a night that is always colored in blood'." He paused for a long time before he spoke. Then he said, „Cortés returned with a small army of soldiers on horseback. When they ransacked the city, I was Cortes's own hand that lit the torch that set fire to the aviary of sighs. The fires raged. The birds painted the blue sky black with the ashes of their wings. The gardens were reddened with the blood of our children. The sun rose behind a sky filled with plumes of dark smoke. But during night, three birds of phoenix had risen from the burning aviaries. They closed their eyes and soared straight up into the dark clouds. When they opened their eyes they could see the stars clearly, though they could not see the ground below.
Gregory Colbert (Ashes and Snow: A Novel in Letters)
Ramón kissed slowly down her body. His touch was gentle, but the teasing was unbearable. Julieta was going to explode. He spread her legs wide and licked her as pleasure throbbed through her. She thrashed around on the bed as he drove her out of her mind with delight. She was almost there when he stopped, leaving her breathless. She caught the hungry look in his eye. She pulled him up and knelt in front of him. She couldn't wait to suck his cock. She gripped the base and took him deep. Ramón groaned but nudged her head off him. "I want you." Julieta's body was on fire. Ramón was so gorgeous naked. His dark skin accentuated every muscle. He was an Aztec god. And she couldn't wait for him to conquer her. He grabbed a condom and pulled it on. She lay back, and he kissed her neck as she welcomed him deep into her soul. "Oh, Ramón." His hard body pressed against hers as his rhythm quickened. She screamed in ecstasy. Ramón kissed her neck and then slid out slowly. Julieta ached without him. He sat up on the bed. "Ride me." Julieta slowly lowered herself onto him, inch by inch. She gasped. He filled her perfectly. "Let me look at you," he said. She smiled and then he smiled. And they both laughed. They kissed, and she started rubbing her clit against him, the tension sending pulses of pleasure through her brain. He sucked on her nipples, and Julieta was almost over the edge of ecstasy. His hands clutched her bottom as he guided her rhythm. She threw her head back in abandon. Julieta never wanted this moment to end. She was so close. "Ay, Ramón!" He held her close, and she came harder than she ever had as he grunted in pleasure.
Alana Albertson (Ramón and Julieta (Love & Tacos, #1))
[the virgin birth account] occurs everywhere. When the Herod figure ( the extreme figure of misgovernment) has brought man to the nadir of spirit, the occult forces of the cycle begin to move. In an inconspicuous village, Mary is born who will maintain herself undefiled by fashionable errors of her generation. Her womb, remaining fallw as the primordial abyss, summons itself by its very readiness the original power that fertilzed the void. Mary's virgin birth story is recounted everywhere. and with such striking unity of the main contours, that early christian missionaries had to think the devil must be creating mockeries of Mary's birth wherever they testified. One missionary reports that after work was begun among Tunja and Sogamozzo South American Indians, "the demon began giving contrary doctrines. The demon sought to discredit Mary's account, declaring it had not yet come to pass; but presently, the sun would bring it to pass by taking flesh in the womb of a virgin in a small village, causing her to conceive by rays of the sun while she yet remained virgin." Hindu mythology tells of the maiden parvati who retreated to the high hills to practice austerities. Taraka had usurped mastery of the world, a tyrant. Prophecy said only a son of the high god Shiva could overthrow him. Shive however was the pattern god of yoga-alone, aloof, meditating. It was impossible Shiva could be moved to beget. Parvati tried changing the world situation by metching Shiva in meditation. Aloof, indrawn in her soul meditating, she fasted naked beneath the blazing sun, even adding to the heat by building four great fires. One day a Brahmin youth arrived and asked why anyone so beautiful should be destroying herself with such torture. "My desire," she said "is Shiva, the Highest. He is the god of solitude and concentration. I therefore imitate his meditation to move him from his balance and bring him to me in love." Shiva, the youth announced, is a god of destruction, shiva is World Annhilator. Snakes are his garlands. The virgin said: He is beyond the mind of such as you. He is terrifying but the source of grace. snake garlands or jewel garlands he can assume or put off at will. Shiva is my love. The youth thereupon put away his disguise-he was Shiva. The Buddha descended from heaven to his mother's womb in the shape of a milk white elephant. The Aztec Coatlicue was approached by a god in the form of a ball of feathers. The chapters of Ovid's Metamorphoses swarm with nymphs beset by gods in sundry masquerades: jove as a bull, a swan, a shower of gold. Any leaf, any nut, or even the breath of a breeze, may be enough to fertilize the ready virgin womb. The procreating power is everywhere. And according to whim or destiny of the hour, either a hero savior or a world--annihilating demon may be conceived-one can never know.
Joseph Campbell
On 12 August 1521, not long before the fall of Tenochtitlan, defended now mainly by women and children, the young Cuauhtémoc gave a speech to the four winds so that it would spread throughout the Empire, a speech full of poetry and truth. 2 It was preserved in the oral tradition and nowadays there are seven different versions of it, all very similar, including one that was written down in Spanish in the Aztecs’ former temple, the Templo Mayor. I will quote only a small fragment of this speech, to which the world is now responding: Our sun has gone down in darkness. It is a sad evening for Tenochtitlan, Texcoco, Tlatelolco. 3 The moon and the stars are winning this battle, Leaving us in darkness and despair. Let’s lock ourselves up in our houses, Let’s leave the paths and the marketplaces deserted, Let’s hide deep in our hearts our love for the codices, the ball game, the dances, the temples, Let’s secretly preserve the wisdom that our honourable grandparents taught us with great love, And this knowledge will pass from parents to children, from teachers to students, Until the rising of the Sixth Sun, When the new wise men will bring it back and save Mexico. In the meantime, let’s dance and remember the glory of Tenochtitlan, The place where the winds blow strongly.
Sergio Magana "Ocelocoyotl (The Toltec Secret)
Zionists and their allies agreed. Jabotinsky believed the Arab race possessed “the same instinctive jealous love of Palestine, as the old Aztecs felt for ancient Mexico, and the Sioux for their rolling Prairies.
Ta-Nehisi Coates (The Message)
The Story of the Volcano, An Aztec Myth Once upon a time there was a princess named Iztaccihuatl, more beautiful than any woman, and a handsome warrior Popocatepetl, who loved her. They were to be married, and all the kingdoms rejoiced...
Elise Forier Edie (A Winter's Enchantment)
...the Virgin of Guadalupe was not a mere Christian front for the worship of a pagan goddess. The adoration of Guadalupe represented a profound change of Aztec religious belief...The pagan Tonantzin was a dual-natured earth goddess who fed her Mexican children and devoured their corpses. She wore a necklace of human hands and hearts with a human skull hanging over her flaccid breasts, which nursed both gods and men. her idol depicts her as a monster with two streams of blood shaped like serpents flowing from her neck. Like other major deities in the Aztec pantheon, Tonantzin was both a creator and destroyer...The Christian ideals of beauty, love, and mercy associated with the Virgin of Guadalupe were never attributed to the pagan deity." William Madsen, "Religious Syncretism", Handbook of Middle American Indians, Vol. 6, p.378.
William Madsen
Francisco Pizarro and Hernán Cortés, in the early sixteenth century, ravaged the Inca and Aztec. Queen Christina of Sweden seized a thousand paintings from Prague in 1648 and paid her generals in artwork. Napoleon stole to endow the Louvre, and Stalin to stock the Hermitage.
Michael Finkel (The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession)
They’d been tricked, manipulated by Napoleon and Eugénie de Montijo, and his idiot of a brother-in-law had believed the Mexicans really wanted an emperor. The Mexicans had had emperors, Aztec ones. If anyone was mad here, it was Maximilian. Philippe’s poor sister was a woman in love with a weakling, nothing more. He mulled it over. And the child? What should they do with it? Without doubt, they should pass it off as a Habsburg. It had been done in every royal house since time immemorial; there was no reason to change now.
Laura Martínez-Belli (The Empress)
Hummingbirds lead from here to there the thoughts of men,” one Aztec saying goes. “If someone intends good to you, the hummingbird takes that desire all the way to you.” In my experience, hummingbirds have played all of those roles—helper, healer, messenger, bringer of love—except with a twist: These special creatures are frequently messengers from the Other Side.
Laura Lynne Jackson (Signs: The Secret Language of the Universe)
MODERN SCIENCE CAN SOLVE ANY TECHNICAL PROBLEM IT RECOGNISES therefore 257 THE GREAT FUTURE OF MANKIND WE CAN DOME THE CRATERS OF THE MOON AND GROW FORESTS IN THEM and then STRIP FROM VENUS HALF THE CLOUDS WHICH MAKE HER SURFACE A FACSIMILE OF ANCIENT HELL AND GIVE HER MOIST AIR RAINING AN OCEAN WHICH, STOCKED WITH PLANKTON AND WHALES, WILL COMPOSE A WARM PACIFIC PLANET WITH VOLCANIC ISLANDS WHERE SLOWLY NEW LIFE WILL TAKE ROOT and then HOLLOW THE LARGEST ASTEROIDS, LIGHT ARTIFICIAL SUNS IN THEM, ACCELERATE THEIR AXIAL ROTATION TO PRODUCE CENTRIFUGAL INTERIOR GRAVITY, BUILD HORIZONLESS GARDEN CITIES ROUND THE WALLS AND LET ADVENTUROUS GENERATIONS SAIL TO THE STARS IN THEM because WITHOUT FIGHTING OTHERWORLDLY HUNS, PLUNDERING OTHERWORLDLY AZTECS, KOWTOWING TO OTHERWORLDLY SUPERMEN, WE CAN CREATE ALL THE GOOD WORLDS WE EVER IMAGINED and thus LOVE, SEX, BIRTH, CHILDREN NEED NO LONGER LEAD TO POVERTY, FAMINE, WAR, DEBT, SLAVERY, REVOLUTION, THEY WILL BECOME OUR GREATEST GIFT TO THE UNIVERSE WHICH ENGENDERED US! However THE COST OF FERTILISING THE WASTE OF THE UNIVERSE, STARTING WITH THE MOON, IS SO GREAT THAT ONLY A RICH PLANET CAN AFFORD IT so we must EMPLOY EVERY LIVING SOUL TO FERTILISE OUR OWN DESERTS, RESTOCK OUR OWN SEAS, USE UP OUR OWN WASTE, IMPROVE ALL GROUND, NOURISH EDUCATE DELIGHT ALL CHILDREN UNTIL ALL ARE STRONG, UNAFRAID, CREATIVE, PRACTICAL ADULTS WHO LOVE AND UNDER-STAND THE WORLD THEY LIVE IN AND THE MANY WORLDS THEY COULD LIVE IN 258 GLORY RAGE RADIANCE for it is technically possible to CREATE A WORLD WHERE EVERYONE IS A PARTNER IN THE HUMAN ENTERPRISE AND NOBODY A MERE TOOL OF IT yes God we can BECOME GARDENERS AND LOVERS OF THE UNIVERSE BY FIRST TREATING OTHERS AS WE WISH THEY WOULD TREAT US AND LOVING OUR NEIGHBOURS AS OURSELVES (What happened three nights later when you went home to Denny?) FUCK OFF YA FUCKIN BASTARDING BAMPOT YE! LEA ME ALANE YE BLEEDN CUNTYE! YE ROTTN PRICKYE! Yes I’ll tell you about that but not right now. Give me a bit more time. Please. God.
Alasdair Gray (1982, Janine)