Duct Tape Movie Quotes

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I still had the breather mask and portable oxygen supply. But now I added a pair of goggles from the duffel. They’d be important for what came next. I duct taped both the mask and goggles to my face—I needed an airtight seal this time. So now I was a mud-covered freak with random shit taped to my face. I probably looked like something out of a horror movie. Oh well. I was about to be horrible.
Andy Weir (Artemis)
Weddings are friendship deal breakers if the friendship is weak. There are too many favors, too many tasks, too much required devotion and Aqua Net for imposters like me. I tried to make eye contact with Francine, to give her a knowing good-bye smile like a ghost of a loved one in a movie. It was no usue, I decided to cut my final pink wire. There would be no more yearly "happy birthdays" and certainly no more bonding with the girl in the duct tape dress. That ship had sailed.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
In my experience, Fox News isn’t something you can tune out, like a game show or a cable movie you’ve seen a dozen times. The colors, the moving logos, the giant fonts, the . . . well . . . the things they actually say. It’s like the television equivalent of one of those cymbal-banging monkey toys being duct-taped to your forehead. So this is how it’d go. I’d hear something ridiculous, and I’d scoff or make some smart-ass comment, and then it’d be straight downhill from there.
Matthew Norman (We're All Damaged)
In my experience, Fox News isn’t something you can tune out, like a game show or a cable movie you’ve seen a dozen times. The colors, the moving logos, the giant fonts, the . . . well . . . the things they actually say. It’s like the television equivalent of one of those cymbal-banging monkey toys being duct-taped to your forehead.
Matthew Norman (We're All Damaged)
Fox News isn’t something you can tune out, like a game show or a cable movie you’ve seen a dozen times. The colors, the moving logos, the giant fonts, the . . . well . . . the things they actually say. It’s like the television equivalent of one of those cymbal-banging monkey toys being duct-taped to your forehead.
Matthew Norman (We're All Damaged)
I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
The tall guy with the goatee turned out to be named Richard and he was working with another guy named Clark, who had the body of a tapeworm—impossibly long, impossibly pale—with the angular face of a German silent movie star crowned with a vertical explosion of wiry jet-black hair. He wore shoes that had been patched together so many times they looked like they were made out of duct tape, and the genius vibe came off him like BO. If I said Wittgenstein, the dude you’re picturing in your head looked like Clark.
Grady Hendrix (How to Sell a Haunted House)
She lowered her seat all the way back until she was lying down, and she turned on her side to face me, her arm tucked under her head. “She still has the ticket stubs from the first movie we went to, like, twelve years ago.” The way she was lying showed off the curve in her hips. I could almost picture her like that next to me in bed. Her lipstick was gone, but the stain was still on her lips, making them look pink and supple. I wanted to put a thumb to her mouth, see if it felt as soft as it looked. She looked out of place in this shitty car with torn, faded fabric on the seat under her, duct tape on the glove box. Like an elegant leading lady right out of a black-and-white movie, dropped into a scene that didn’t make any sense. I tore my gaze away, afraid she’d notice me staring. “Lie down with me,” she said. “We have what? A forty-five-minute wait? Might as well be comfortable.” I lowered my seat and stared up through the sunroof at the Los Angeles version of stars—the planes lining up to land at LAX. We sat in silence for a minute, and I thought of that scene in Pulp Fiction, when— “You know what this feels like?” she asked. “That scene in Pulp Fiction, when—” “Comfortable silences. When Mia Wallace says, ‘That’s when you know you’ve found somebody really special. When you can just shut the fuck up for a minute and comfortably share silence.’” She made a finger gun at me. “Disco.” We smiled and held each other’s gaze for a moment. A long, lingering moment. And then, just for a second—a split second—her eyes dropped to my lips. That’s all it took. In that moment, I knew. She’d thought about kissing me just then. This isn’t one-sided. It was the first hint I’d seen that she was interested. That she thought of me as more than just a friend.
Abby Jimenez