Ducks Related Quotes

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Too often in the post-9/11 world, when the time has come to translate the moral, and essentially progressive, roots of foreign policy idealism into plans for American action, liberals have said, 'Duck.
Richard Just (A Matter of Principle: Humanitarian Arguments for War in Iraq)
I chug duck soup like a giraffe that has a tornado for a neck. I’m sure you can relate. I've captured the whole experience in my newest gender-gradient fragrance that has so many notes I call it Liquid Saxophone Romance.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
Noel ducked to the lower cabinets – a percussion of pots and pans clanged into each other. “Are you intentionally trying not to listen to me?” His head popped above the counter. “I resent that. I’m a great listener. Just ask the TV.” Emily rolled her eyes. “Alright. I had…” Noel heard her swallow and he suddenly wanted to knock himself out with the frying pan. “…relations…with a mortal, Tommy.” He ducked again, this time from embarrassment. He groaned silently, wishing she’d turn and walk away before she said what he knew was coming. “It wasn’t quite the same as it was when I was human. It didn’t—” “Please you, yeah I got it,” he blurted. “Please, for the love of God, stop.
Devon Ashley (Metamorphosis (The Immortal Archives, #2))
This is no laughing matter, the man is also a close relation to the Emperor." "How close?" "I believe they are already drawing lots to see who gets to dangle your intestines from the city flag pole," Cosimo glared at Matteus, but even the threat of draw and quartering rolled off his massive back like a duck in water.
Sabrina Zbasnik (Pre-TerraFae)
I have never actually seen a yellow duck.
Relatable Post 3975
Here on my duck farm, we try to be relatable, like an orphan at a family reunion. You should try the leftover meatloaf. It tastes like 1991.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
I'm building my ducks a new pen, and I'm pouring concrete myself. But I did have some cement sent off to the lab for genetic ancestry testing, to see if this foundation is related to Jimmy Hoffa.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
Human Disease Animal with Most Closely Related Pathogen Measles cattle (rinderpest) Tuberculosis cattle Smallpox cattle (cowpox) or other livestock with related pox viruses Flu pigs and ducks Pertussis pigs, dogs Falciparum malaria birds (chickens and ducks?)
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
My cousin doesn't know my name, so he calls me Marie The 13th. I told him, "Please, call me Mr. The 13th. Marie is my father's name." Family reunions are always awkward because nobody there is related to me. Still, I give them all discounts on BearPaw Duck Farm omelets.
Jarod Kintz (BearPaw Duck And Meme Farm presents: Two Ducks Brawling Is A Pre-Pillow Fight)
Another tale relates how the Iroquois hero Hiawatha, traveling through Mohawk territory, came to the edge of a great lake. As he was wondering how to cross it, a huge flock of ducks descended on the lake and began to drink the water. When the ducks rose up again, the lake was dry, its bed covered in shells. From these shells Hiawatha made the first wampum beads and used them to unite the tribes in peace.
Victoria de Rijke (Duck (Animal series))
Space is an arena where the rowdy particles that are the building blocks of life perform their antics. All spring, things fall; the general law of increasing disorder is on the rise. What is it to be a cause without an effect, an effect without a cause, to abandon time-bound thinking, the use of tenses, the temporally related emotions of impatience, expectation, hope, and fear? But I can’t. At the edge of the lake I watch ducks. Like them, my thinking rises and falls on the same water.
Gretel Ehrlich (Islands, the Universe, Home)
Give up", groaned Mauricio, "or else you are a dead duck!" "You give up first," coughed Jacob, "or else I'll snip your tail off!' And then both let go at the same time and sat facing each other, all out of breath. With tears in his eyes the little cat tried to straighten out his tail, which no longer looked elegant in the least but had been bent into a zigzag, while the melancholy raven eyed the feathers scattered on the floor, feathers he couldn't really spare. But as is often the case after such bickering, both felt relatively peaceful and ready for reconciliation. Jacob thought he should not have been so rude to the small, fat tomcat, and Maurizio wondered if he might have done something wrong with the poor, unfortunate raven. "Forgive me, please," he mewed. "I'm sorry, too," rasped Jacob.
Michael Ende (The Night of Wishes)
I regret that almost all novels ever written are much too obedient to the rules of unity of action. What I mean to say is that at their core is one single chain of causally related acts and events. These novels are like a narrow street along which someone drives his characters with a whip. Dramatic tension is the real curse of the novel, because it transforms everything, even the most beautiful pages, even the most surprising scenes and observations merely into steps leading to the final resolution, in which the meaning of everything that preceded is concentrated. The novel is consumed in the fire of its own tension like a bale of straw… Do you think that everything that is not a mad chase after a final resolution is a bore? As you eat this wonderful duck are you bored? Are you rushing towards a goal? On the contrary, you want the duck to enter into a slowly as possible and you never want its taste to end. A novel shouldn’t be like a bicycle race but a feast of many courses.
Milan Kundera (Immortality)
A lady told me about one of her husband’s relatives who was very opinionated. He was always making these cutting, demeaning remarks about her. This couple hadn’t been married that long. Every time they went to family get-togethers, this relative would say something to offend her. She would get all upset and it would ruin the day. She reached the point where she refused to even go to family events. Finally, she told her husband, “You’ve got to do something about that man. He’s your relative.” She was expecting her husband to say, “You’re right, honey. He shouldn’t talk to you like that. I will set him straight.” But the husband did just the opposite. He said, “Honey, I love you but I cannot control him. He has every right to have his opinion. He can say what he wants to, but you have every right to not get offended.” At first she couldn’t understand why her husband wouldn’t really stick up for her. Time and time again she would become upset. If this relative was in one room she would go to another. If he went outside she would make sure she stayed inside. She was always focused on avoiding this man. One day she realized she was giving away her power. It was like a light turned on in her mind. She was allowing one person with issues to keep her from becoming who she was meant to be. When you allow what someone says or does to upset you, you’re allowing them to control you. When you say, “You make me so mad,” what you’re really doing is admitting that you’re giving away your power. As long as that person knows they can push this button and you’ll respond this way, you are giving them exactly what they want. When you allow what someone says or does to upset you, you’re allowing them to control you. People have a right to say what they want, to do what they want, as long as it’s legal. But we have a right to not get offended. We have a right to overlook it. But when we get upset and go around angry, we change. What’s happening is we’re putting too much importance on what they think about us. What they say about you does not define who you are. Their opinion of you does not determine your self-worth. Let that bounce off of you like water off of a duck’s back. They have every right to have their opinion, and you have every right to ignore it.
Joel Osteen (I Declare: 31 Promises to Speak Over Your Life)
In 2008, an Australian company commissioned a study to find out exactly how much people fear public speaking. The survey of more than one thousand people found that 23 percent feared public speaking more than death itself! As Jerry Seinfeld once said, most people attending a funeral would rather be in the casket than delivering the eulogy! I can relate to those people because I feared speaking in front of a class or group of people more than anything else when I was a kid. In fact, I dropped speech in high school because when I signed up for it I thought it was a grammar class for an English credit. When I found out it actually required giving an oral presentation, I didn’t want any part of it! After hearing the overview of the class on the first day, I got out of my seat and walked toward the door; the teacher asked me where I was going. We had a brief meeting in the hall, in which she informed me that nobody ever dropped her class. After a meeting with the principal, I dropped the class, but on the condition that I might be called upon in the near future to use my hunting and fishing skills. I thought the principal was joking--until I was called upon later that year during duck season to pick ducks during recess! I looked at it as a fair trade.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
We turned off the path then, following a line of red, cup-shaped wildflowers that I had not seen before. And then abruptly, we came to a door-- an actual door, because the Folk are maddeningly inconsistent, even when it comes to their inconsistencies--- tucked into a little hollow. It was only about two feet tall and painted to look like the mountainside, a scene of grey-brown scree with a few splashes of green, so realistic that it was like a reflection on still water. The only thing that gave it away was the doorknob, which looked like nothing that I can put into human terms; the best I can do is compare it to a billow of fog trapped in a shard of ice. "It has the look of a brownie house," Wendell said. "But perhaps I should make sure." He shoved the door open and vanished into the shadows within--- I cannot relate how he accomplished this; it seemed for a moment as if the door grew to fit him, but I was unable to get a handle on the mechanics as not one second later he was racing out again and the door had shrunk to its old proportions. Several porcelain cups and saucers followed in his wake, about the right size for a doll, and one made contact, smashing against his shoulder. Behind the hail of pottery came a little faerie who barely came up to my knee, wrapped so tightly in what looked like a bathrobe made of snow that I could see only its enormous black eyes. Upon its head it wore a white sleeping cap. It was brandishing a frying pan and shouting something--- I think--- but its voice was so small that I could only pick out the odd word. It was some dialect of Faie that I could not understand, but as the largest difference between High Faie and the faerie dialects lies in the profanities, the sentiment was clear. "Good Lord!" Rose said, leaping out of range of the onslaught. "I don't--- what on--- would you stop?" Wendell cried, shielding himself with his arm. "Yes, all right, I should have knocked, but is this really necessary?" The faerie kept on shrieking, and then it launched the frying pan at Wendell's head--- he ducked--- and slammed its door. Rose and I stared at each other. Ariadne looked blankly from Wendell to the door, clutching her scarf with both hands. "Bloody Winter Folk," Wendell said, brushing ceramic shards from his cloak. "Winter Folk?" I repeated. "Guardians of the seasons--- or anyway, that is how they see themselves," he said sourly. "Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such. It seems I woke him earlier than he desired." I had never heard of such a categorization, but as I was somewhat numb with surprise, I filed the information away rather than questioning him further. I fear that working with one of the Folk is slowly turning my mind into an attic of half-forgotten scholarly treasures.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Like Uncle Si says, it’s never a good family reunion when you start firing relatives.
Willie Robertson (The Duck Commander Family)
Mom?" I jerked around to see Gavril standing at the door to my study, as if I'd called him. "Gav?" I sighed when I looked at his face. Something was wrong. Would he tell me what that was? Probably not. He and Gavin wore the same look on most days—as if they'd done something horrible and weren't ready to own up to it yet. "Dad and I have talked. Several times." "I know." I did. My son just hadn't bothered to talk to me. Until now. "I didn't know, Mom. How was I to know she was related? Nobody knew that, except you." "If you'd been a little nicer, she could have told you herself," I snapped. "She knew?" "The whole time. She saw it in your face. Saw it in my face, whenever she looked at a photograph. Nothing like getting mistreated by family, huh?" I lowered my eyes and pretended to scroll through figures on the comp-vid. "You had that asshole hit her in the face and break bones." "That'll follow me until the end of time," Gavril muttered, ducking his head. "Probably just like the fact that your father sired a vampire, and then did absolutely nothing in the sire department. He didn't teach her a single thing, starved her and worked her—with your help—day and night. I've been advised, you see." I still didn't look up from the comp-vid. "Your assistants hired that dickhead Rathik Erwin, who stole from her and got her attacked by the other dickhead, Skel Hawer," Gavril attempted to deflect my wrath onto new targets. "I've already had that discussion—with my assistants and with Norian," I snapped. "You, on the other hand, see fit to speak with your father several times, while I, having been gone for months, see you three weeks after I return—temporary death notwithstanding." "Yeah. That's just, well, Mom, I'm sorry." "If your aunt hadn't been here and decided, even after you and your father did your best to kill her, to save my ass anyway, where would we be right now? Answer that, will you?" "Mom, you know I don't have any excuse. Sometimes I wish you'd just punch me and get it over with." "Gavril Tybus Montegue, that's pure stupidity, so stop it now. You don't know what it's like to get punched in the face by someone who's supposed to be your parent. I do. Take your lumps. You fucked up. Admit it." I threw the comp-vid in my hand at the wall so hard it shattered. "Grant will just have to use the crown's funds to buy another one," I growled. "Gavril, go home. Come back when you're more sorry and I'm less pissed." He disappeared and I wiped away stubborn tears.
Connie Suttle (Blood Trouble (God Wars, #2))
Two years ago, she had inherited The Milked Duck Ice Cream Shoppe in downtown Bliss from Great Aunt Agnes. After getting her degree in sociology and then bouncing around the country, waffling from job to job and one relative’s couch to another, she’d finally found where she fit: creating and serving happiness to the locals and the destination wedding tourists in Bliss.
Jamie Farrell (Smittened (Misfit Brides, #3))
A character in the mock Christmas pantomime Harlequin Prince Cherrytop and the Good Fairy Fairfuck (1879) declares, “For all your threats I don’t care a fuck. / I’ll never leave my princely darling duck.” (The panto relates the story of Prince Cherrytop, who has become enslaved by the Demon of Masturbation. The Good Fairy Fairfuck helps him conquer his addiction to self-abuse, so he can embrace the joys of holy matrimony with his betrothed, the Princess Shovituppa.
Melissa Mohr (Holy Sh*t: A Brief History of Swearing)
As followers of Jesus, we must not duck the enormity of a simple but shattering fact: with relatively few exceptions, such as some branches of Buddhism, almost all the most militantly secularist societies in history have been the product of Christian societies. The church is a leading spawning ground for atheists.
Os Guinness (Fool's Talk: Recovering the Art of Christian Persuasion)
Flash back to early 2012. How likely is the Assad regime to fall? Arguments against a fall include (1) the regime has well-armed core supporters; (2) it has powerful regional allies. Arguments in favor of a fall include (1) the Syrian army is suffering massive defections; (2) the rebels have some momentum, with fighting reaching the capital. Suppose you weight the strength of these arguments, they feel roughly equal, and you settle on a probability of roughly 50%. But notice what’s missing? The time frame. It obviously matters. To use an extreme illustration, the probability of the regime falling in the next twenty-four hours must be less—likely a lot less—than the probability that it will fall in the next twenty-four months. To put this in Kahneman’s terms, the time frame is the “scope” of the forecast. So we asked one randomly selected group of superforecasters, “How likely is it that the Assad regime will fall in the next three months?” Another group was asked how likely it was in the next six months. We did the same experiment with regular forecasters. Kahneman predicted widespread “scope insensitivity.” Unconsciously, they would do a bait and switch, ducking the hard question that requires calibrating the probability to the time frame and tackling the easier question about the relative weight of the arguments for and against the regime’s downfall. The time frame would make no difference to the final answers, just as it made no difference whether 2,000, 20,000, or 200,000 migratory birds died. Mellers ran several studies and found that, exactly as Kahneman expected, the vast majority of forecasters were scope insensitive. Regular forecasters said there was a 40% chance Assad’s regime would fall over three months and a 41% chance it would fall over six months.
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
In the late Cretaceous Period, a global catastrophe resulted in massive extinctions across the planet. Likely the consequence of a collision with a sizeable meteor, the ensuing devastation rid the world of Dinosauria, most of which had for some time already been losing ground on Earth. Many of the existing bird species died out as well, but a number survived-the relatives of the geese, ducks, loons, and other shorebirds that we know today. Vast open spaces across the globe were left relatively unoccupied, and the evolutionary process hastened to fill available niches. Bird life raced to the task, developing with impressive rapidity; within ten million years every order of birds that we know today, with the exception of small passerines, existed. Since the early Jurassic, when birds first made their appearance, some 150,000 species of birds have inhabited the Earth. Today, nearly two hundred million years later, the number of bird species inhabiting the Earth sits at around 9,672 (Sibley and Monroe 1990).
S. David Scott (Bird Feathers: A Guide to North American Species)
Because it was part of old Gondwana and because it is insular and was isolated for tens of millions of years, New Zealand has a quirky evolutionary history. There seems to have been no mammalian stock from which to evolve on the Gondwanan fragment, and so, until the arrival of humans, there were no terrestrial mammals, nor were there any of the curious marsupials of nearby Australia—no wombats or koalas or kangaroos, no rodents or ruminants, no wild cats or dogs. The only mammals that could reach New Zealand were those that could swim (like seals) or fly (like bats), and even then there are questions about how the bats got there. Two of New Zealand’s three bat species are apparently descended from a South American bat, which, it is imagined, must have been blown across the Pacific in a giant prehistoric storm. Among New Zealand’s indigenous plants and animals are a number of curious relics, including a truly enormous conifer and a lizard-like creature that is the world’s only surviving representative of an order so ancient it predates many dinosaurs. But the really odd thing about New Zealand is what happened to the birds. In the absence of predators and competitors, birds evolved to fill all the major ecological niches, becoming the “ecological equivalent of giraffes, kangaroos, sheep, striped possums, long-beaked echidnas and tigers.” Many of these birds were flightless, and some were huge. The largest species of moa—a now extinct flightless giant related to the ostrich, the emu, and the rhea—stood nearly twelve feet tall and weighed more than five hundred pounds. The moa was an herbivore, but there were also predators among these prehistoric birds, including a giant eagle with claws like a panther’s. There were grass-eating parrots and flightless ducks and birds that grazed like sheep in alpine meadows, as well as a little wren-like bird that scampered about the underbrush like a mouse. None of these creatures were seen by the first Europeans to reach New Zealand, for two very simple reasons. The first is that many of them were already extinct. Although known to have survived long enough to coexist with humans, all twelve species of moa, the Haast’s eagle, two species of adzebills, and many others had vanished by the mid-seventeenth century, when Europeans arrived. The second is that, even if there had still been moas lumbering about the woods, the European discoverers of New Zealand would have missed them because they never actually set foot on shore.
Christina Thompson (Sea People: The Puzzle of Polynesia)
RELATIVE DIFFICULTY OF KNIFE-BASED ACTIVITIES FROM EASIEST TO MOST DIFFICULT, WITH SHARPENING A PENCIL REPRESENTING THE MEDIAN If you can REACH FOR A KNIFE then you can PICK UP A KNIFE If you can PICK UP A KNIFE then you can DIP A KNIFE IN A BATHTUB If you can DIP A KNIFE IN A BATHTUB then you can SMEAR JELLY WITH A KNIFE If you can SMEAR JELLY WITH A KNIFE then you can CUT A LOAF OF BREAD WITH A BREAD KNIFE If you can CUT A LOAF OF BREAD WITH A BREAD KNIFE then you can CUT A STEAK WITH A STEAK KNIFE If you can CUT A STEAK WITH A STEAK KNIFE then you can CARVE A TURKEY WITH A CARVING KNIFE If you can CARVE A TURKEY WITH A CARVING KNIFE then you can CARVE A TOTEM POLE WITH A CHAINSAW If you can CARVE A TOTEM POLE WITH A CHAINSAW then you can SHARPEN A PENCIL WITH A POCKETKNIFE If you can SHARPEN A PENCIL WITH A POCKETKNIFE then you can WHITTLE A DUCK WITH A POCKETKNIFE If you can WHITTLE A DUCK WITH A POCKETKNIFE then you can SHAVE A THREAD WITH A STRAIGHT RAZOR If you can SHAVE A THREAD WITH A STRAIGHT RAZOR then you can REMOVE A CORNEA WITH A SCALPEL If you can REMOVE A CORNEA WITH A SCALPEL then you can MAKE A LOT OF MONEY If you can MAKE A LOT OF MONEY then you can HAVE AN AFFAIR WITH YOUR SECRETARY If you can HAVE AN AFFAIR WITH YOUR SECRETARY then you can BE BLACKMAILED If you can BE BLACKMAILED then you can IMAGINE COMMITTING A CRIME If you can IMAGINE COMMITTING A CRIME then you can REACH FOR A KNIFE
David Rees (How to Sharpen Pencils: A Practical & Theoretical Treatise on the Artisanal Craft of Pencil Sharpening for Writers, Artists, Contractors, Flange Turners, Anglesmiths, & Civil Servants)
In Colonel Montgomery’s hands these up-river raids reached the dignity of a fine art. His conceptions of foraging were rather more Western and liberal than mine, and on these excursions he fully indemnified himself for any undue abstinence demanded of him when in camp. I remember being on the wharf, with some naval officers, when he came down from his first trip. The steamer seemed an animated hen-coop. Live poultry hung from the foremast shrouds, dead ones from the mainmast, geese hissed from the binnacle, a pig paced the quarter-deck, and a duck’s wings were seen fluttering from a line which was wont to sustain duck-trousers. The naval heroes, mindful of their own short rations, and taking high views of one’s duties in a conquered country, looked at me reproachfully, as who should say, “Shall these things be?” In a moment or two the returning foragers had landed. “Captain——,” said Montgomery, courteously, “would you allow me to send a remarkably fine turkey for your use on board ship?” “Lieutenant——,” said Major Corwin, “may I ask your acceptance of a pair of ducks for your mess?” Never did I behold more cordial relations between army and navy than sprang into existence at those sentences. So true it is, as Charles Lamb7 says, that a single present of game may diffuse kindly sentiments through a whole community.
Thomas Wentworth Higginson (Army Life in a Black Regiment: and Other Writings)
both father and daughter, to have time together with no other distractions. Neil’s ship had docked on the Wednesday and he had come round to Crocus Street to pick up the presents he had been unable to give Libby the previous Christmas. It was only then that Marianne had realised how their daughter had matured since Neil had last seen her. Libby never played with dolls now, only skipped with a rope in the schoolyard since there was nowhere suitable at Tregarth, and had long outgrown the angora cardigan. But she knew her daughter well enough to be sure that Libby would not dream of upsetting her father by letting him see her disappointment, and had looked forward to Neil’s return, when he could tell her how Libby went on. But within a very short space of time, Marianne was far too occupied to wonder what Libby and her father were doing, for on the night of 1 May, while Neil was safely ensconced at Tregarth, Liverpool suffered its worst raid of the war so far. The planes started coming over just before eleven o’clock, and bombs simply rained down on the city. Fires started almost immediately. The docks were hit and the constant whistle and crash as the heavy explosives descended meant that no one slept. Mr Parsons had been fire watching, though the other lodgers had been in bed when the raid started and had taken to the shelters along with Gammy and Marianne. Mr Parsons told them, when he came wearily home at breakfast time next day, that he had never seen such destruction. By the end of the week, Marianne, making her way towards Pansy Street to make sure that Bill’s lodgings were still standing and that Bill himself was all right, could scarcely recognise the streets along which she passed. However, Pansy Street seemed relatively undamaged and when she knocked at Bill’s lodgings his landlady, Mrs Cleverley, assured her visitor that Mr Brett, though extremely tired – and who was not? – was fine. ‘He’s just changed his job, though,’ she told Marianne. ‘He’s drivin’ buses now, instead of trams, because there’s so many tramlines out of commission that he felt he’d be more use on the buses. And of course he’s fire watchin’ whenever he’s norrat work. Want to come in for a drink o’ tea, ducks? It’s about all that’s on offer, but I’ve just made a brew so you’re welcome to a cup.’ Marianne declined, having a good deal to do herself before she could get a rest, but she felt much happier knowing that Bill was safe. Their friendship had matured into something precious to her, and she realised she could scarcely imagine
Katie Flynn (Such Sweet Sorrow)
Dear Human, My Human, the Old Lady (that’s her name) is a Russian scientist. Old Lady made a big scientific discovery: found the key to my eternal youth. Or even to immortality, if we like. Old Lady made herself immortal first. I don’t blame her. Next, Martha-the-White-Rat. Then, me and my sister Milly—we trace our pedigree through the purest blood lines of Bavarian-born Spaniels. But then she stopped. My other siblings look all aged by now. But at my 17, I look no more than three or four. My sister Milly got stuck at puppy age. We watch the photos of our relatives on Facebook, and we are saddened that Old Lady did not make them immortal too. That she keeps it a secret. And I am so worried about my friend Fox Theodore. He is at the hight of his financial and physical might now, but I know he will age. My best friend. I once tried to unlock the Secret. Me and Raccoon. (Raccoon’s a human, but he is sort of my buddy.) That turned out to be my big mistake. Lots other Humans came coveting the Secret too, which resulted in a lot of unpleasant and funny stories. More unpleasant. In the aftermath, Old Lady had to flee and I got misplaced. All my own fault. Now I’m trying to get found. Have you seen my Old Lady? You’d recognize her: her hands and face are way too young, plus she always clips her amber brooch. If you see her, tell her where I stay: 7 White Goose Lane, Ducklingburg, South Duck United State of America P.S. Tell her from me that she is the very finest Human in the whole world and that I am very lonely here without her. Zip, the Spaniel Dog
Alex Valentine
You can measure how often the wave repeats itself in a given amount of time—how many times the duck reaches its maximum height in a minute, say—and that gives you the “frequency” of the wave, which is another critical number used to describe the wave. Wavelength and frequency are related to each other—longer wavelengths mean lower frequency, and vice versa.
Chad Orzel (How to Teach Quantum Physics to Your Dog)
Duck Decoy Buckinghamshire In London at low tide it is still possible to find traces of Saxon fish and eel traps in the Thames, and near Brill in Buckinghamshire the National Trust has preserved what might be described as their avian equivalent. Today the word decoy has a wider meaning, but its origins are Dutch and originally described a type of wicker enclosure introduced to Britain from the Netherlands in the seventeenth century.[7] After landing on a lake or pond, waterfowl were encouraged into these enclosures by dogs specially trained for the purpose. The ruse works because ducks can become victims of their own curiosity. Faced with a likely predator, a duck will often keep it under observation rather than fly away. Mistaking a hunter’s dog for a fox, birds could thus be tricked into remaining on the water and gently led along the course of the decoy. Thereafter, the chances of escape would be reduced by narrowing the width of the enclosure as the birds paddled farther into it, and by giving it a curved shape that cut off the view of the pond. Once trapped in this way, the birds could be easily caught and killed; the meat all the better for being free of lead shot. As a source of nutrition, the decoys proved relatively cheap and efficient and soon hundreds were being constructed around the country. By the late nineteenth century, however, the number had slumped to a few dozen and today there are just four which, if they are used at all, play a role in trapping animals for ringing rather than for the pot. Hidden away in woodland, the Boarstall duck decoy is beautifully preserved and fairly typical of the late seventeenth century, although iron hoops suggest it might have been of above-average quality. With three separate enclosures or ‘pipes’, it includes hurdles behind which the decoyman could hide, perhaps throwing grain onto the surface of the water to further tempt the birds to their doom. Originally serving the kitchens of a now-vanished medieval manor house – to which the National Trust’s Boarstall Tower is the old gatehouse – this simple but ingenious device remained in use until the 1940s.
David Long (Lost Britain: An A-Z of Forgotten Landmarks and Lost Traditions)