“
I cannot go to school today"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry.
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox.
And there's one more - that's seventeen,
And don't you think my face looks green?
My leg is cut, my eyes are blue,
It might be the instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke.
My hip hurts when I move my chin,
My belly button's caving in.
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My toes are cold, my toes are numb,
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There's a hole inside my ear.
I have a hangnail, and my heart is ...
What? What's that? What's that you say?
You say today is .............. Saturday?
G'bye, I'm going out to play!
”
”
Shel Silverstein
“
A lot of people don’t get my humor. My mom calls it dry humor. I think that means “not funny,” but it also means I’m the only one who ever knows it’s a joke.
”
”
Kasie West (The Distance Between Us (Old Town Shops, #1))
“
The lampshade on my head is for my bright ideas. I won't be able to convey them until Monday, when my curtain gets out of the dry cleaners.
”
”
Bauvard (Some Inspiration for the Overenthusiastic)
“
The wacky thing about those bad guys is that you can't count on them to be obvious. They forget to wax their mustaches and goatees, leave their horns at home, send their black hats to the dry cleaner's. They're funny like that.
”
”
Jim Butcher (White Night (The Dresden Files, #9))
“
Nothing says awkward like coming in your pants while dry humping.
”
”
Jay McLean (More Than This (More Than, #1))
“
It's funny. When we were alive we spent much of our time staring up at the cosmos and wondering what was out there. We were obsessed with the moon and whether we could one day visit it. The day we finally walked on it was celebrated worldwide as perhaps man's greatest achievement. But it was while we were there, gathering rocks from the moon's desolate landscape, that we looked up and caught a glimpse of just how incredible our own planet was. Its singular astonishing beauty. We called her Mother Earth. Because she gave birth to us, and then we sucked her dry.
”
”
Jon Stewart (Earth (The Book): A Visitor's Guide to the Human Race)
“
We didn’t-?” I whisper, my mouth drying in mortified horror as I can’t complete the question. I stare at my hands.
“Anastasia, you were comatose. Necrophilia is not my thing. I like my women sentient and receptive,” he says dryly.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
He grinned. "You're jealous."
I considered it. "No. But when you stared at that woman like she was made of diamonds, it didn't feel very good."
"I stared at her because she smelled strange."
"Strange how?"
"She smelled like rock dust. Very strong dry smell." Curran put his arms around me. "I love it when you get all fussy and possessive."
"I never get fussy and possessive."
He grinned, showing his teeth. His face was practically glowing. "So you're cool if I go over and chat her up?"
"Sure. Are you cool if I go and chat up that sexy werewolf on the third floor?"
He went from casual and funny to deadly serious in half a blink. "What sexy werewolf?"
I laughed.
Curran's eyes focused. He was concentrating on something.
"You're taking a mental inventory of all people working on the third floor, aren't you?"
His expression went blank. I'd hit the nail on the head.
I slid off him and put my head on his biceps. The shaggy carpet was nice and comfortable under my back.
"Is it Jordan?"
"I just picked a random floor," I told him. "You're nuts, you know that?"
He put his arm around me. "Look who is talking.
”
”
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
“
I tilt my head and ask “What firsts have we
already passed?”
“The easy ones,” he says. “First hug, first date, first fight, first time we slept together,
although I wasn’t the one sleeping. Now we barely have any left. First kiss. First time to
sleep together when we’re both actually awake. First marriage. First kid. We’re done
after that. Our lives will become mundane and boring and I’ll have to divorce you and
marry a wife who’s twenty years younger than me so I can have a lot more firsts and
you’ll be stuck raising the kids.” He bring his hand to my cheek and smile at me. “So you
see, babe? I’m only doing this for your benefit. The longer I wait to kiss you, the longer
it’ll be before I’m forced to leave you high and dry.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
She was so warm, her drenched clothes had almost dried. Her eyes were rolled back in her head. She started muttering, and I could’ve sworn she said, “Dung balls. Time to roll the dung balls.”
It might’ve been funny—except for the fact that she was dying.
“That’s Khepri talking,” Setne explained. “He’s the divine dung beetle, rolling the sun across the sky.”
I didn’t want to process that—the idea that the girl I liked had been possessed by a dung beetle and was now having dreams about pushing a giant sphere of flaming poo across the sky.
”
”
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
“
I would ask what it is you think you're doing, but... you are a teenager. I should have known better than to leave you in the car unattended. Next time, I'll seal you in there...probably with bricks. Maybe even mortar."
Nick ignored his dry tone. "Just so long as you make sure nothing can get inside to kill me, I'm good with that."
Ash frowned. "What are you talking about?"
"The kid dead on the ground. Fourteen, Ash. Fourteen. I'm fourteen."
"Yeah..."
"Ash, I'm fourteen"
"Got it. You're fourteen. I'm so proud you can count that high. It's a testament to the modern American educational system. But I should probably point out that you're no the only one. I'm told you go to a school with a whole class of -get this- kids who are fourteen."
Nick rolled his eyes at the sarcasm. No wonder his mom wanted to hurt him for it. He finally understood. "Yeah, but they're not dead. Someone's killing fourteen-year-old boys, which I happen to be one. The cops said so. This is the second one in a day who's been murdered."
"Yeah well given the lippiness of the average teenager, I can understand the urge"
"You're not funny."
"And you need to calm down. The only person you need to fear killing you when I'm around is me.
”
”
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
“
While I was backstage before presenting the Best New Artist award, I talked to George Strait for a while. He's so incredibly cool. So down-to-earth and funny. I think it should be known that George Strait has an awesome, dry, subtle sense of humor. Then I went back out into the crowd and watched the rest of the show. Keith Urban's new song KILLS ME, it's so good. And when Brad Paisley ran down into the front row and kissed Kimberley's stomach (she's pregnant) before accepting his award, Kellie, my mom, and I all started crying. That's probably the sweetest thing I've ever seen.
I thought Kellie NAILED her performance of the song we wrote together "The Best Days of Your Life". I was so proud of her. I thought Darius Rucker's performance RULED, and his vocals were incredible. I'm a huge fan. I love it when I find out that the people who make the music I love are wonderful people. I love Faith Hill and how she always makes everyone in the room feel special. I love Keith Urban, and how he told me he knows every word to "Love Story" (That made my night). I love Nicole Kidman, and her sweet, warm personality. I love how Kenny Chesney always has something hilarious or thoughtful to say. But the real moment that brought on this wave of gratitude was when Shania Twain HERSELF walked up and introduced herself to me. Shania Twain, as in.. The reason I wanted to do this in the first place. Shania Twain, as in.. the most impressive and independent and confident and successful female artist to ever hit country music. She walked up to me and said she wanted to meet me and tell me I was doing a great job. She was so beautiful, guys. She really IS that beautiful. All the while, I was completely star struck. After she walked away, I realized I didn't have my camera. Then I cried.
You know, last night made me feel really great about being a country music fan in general. Country music is the place to find reality in music, and reality in the stars who make that music. There's kindness and goodness and....honesty in the people I look up to, and knowing that makes me smile. I'm proud to sing country music, and that has never wavered. The reason for the being.. nights like last night.
”
”
Taylor Swift
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Abel was brushing the snow off his parka while Micha was dancing around him, still balancing the plate of cookies, singing, 'We're staying, we're staying, we're staying overnight! We're drying! We're drying! We're drying on the line!
”
”
Antonia Michaelis (The Storyteller)
“
Dear Josh,
Thank you for giving me the most amazing memories. My life growing up was so full because you were in it. Having your love and loving you was always
just right. It made sense. You were my home. When I was with you I knew everything would be okay.
You dried my tears for me when I was sad. You held my hand when we buried my mother. You made me laugh when the world seemed like it was
falling apart. You were every special memory a girl could have. That first kiss will forever be embedded in my brain. It was as funny as it was sweet.
Our life together molded me into the woman I’ve become. I understand what it feels like to be loved and cherished because I had that with you. I
never doubted my worth because you taught me I was worthy.
When you said that one day I would heal I didn’t believe that was possible. Life couldn’t go one without my best friend. There was no room for
another guy in my heart. It turns out you were right. You always were. I found him. He is incredible. He is nothing at all like I would have planned. He
doesn’t fit into a perfect package. He managed to wiggle into my heart and take over before I knew what was happening. I found that happiness you told me
would come along. I’m going to go live that life. I’m sure it will be a wilder ride than I ever imagined and I can’t wait to live it. He’s my home now. I’ll
always love you. I’ll never forget you. But this is my goodbye. I wasn’t ready before to let you go. Now, I can move on. Your memory will live on in my heart
always.
Love,
Your Eva Blue
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
What you're experiencing isn't a dry spell. It's a dust bowl. Tell me, do you find cob webs in there every time you get yourself off?
”
”
Parker S. Huntington (Asher Black (The Five Syndicates, #1))
“
What I like about you is that I've never met anybody like you in my life. You've got depth and you're funny and you have a sweet, good soul." A breeze from the water passes over us, "And I admire your strength.
”
”
Augusten Burroughs (Dry)
“
The saying "Life is just one damn thing after another," is a gross overstatement. The damn things overlap.
”
”
The Cincinnati Enquirer
“
We were both chilled from the rain and as hungry as wolves. Over a fine meal of oysters, cappeletti alla cortigiana and orecchiette with tomatoes, anchovies and eggplant served with a crisp dry chablis, we discussed our plans, if not for immortality, at least for defying the eroding qualities of time.
”
”
Harry F. MacDonald (Casanova and the Devil's Doorbell)
“
Sorry, Bex," Jason said "You don't have the recognizable facial characteristics - such as a huge chin, or a large amount of real estate between the eyes - that would merit the bestowing of a criminal mastermind nickname such as Lockjaw or Walleye. Whereas Crazytop here...well, just look at her."
"Atleast I can blow-dry my hair straight," I pointed out. "Which is more than what I can say for your nose, Hawkface.
”
”
Meg Cabot
“
He was serious and introverted, with a dry sense of humor you’d never be treated to unless you’d gained his hard-won friendship—or happened to be standing next to him when he murmured something funny under his breath
”
”
Becky Wade (True to You (A Bradford Sisters Romance, #1))
“
Dry your tears and kick this gloomy attitude in the pants, Amelia!" I say out loud to myself because who else does a girl talk to when she's alone in the car in the middle of a mental breakdown?
”
”
Sarah Adams (When in Rome (When in Rome, #1))
“
What's funny about opposites be that wet and dry both has water, boy and girl be about people, Heaven and Hell be the places you go when you die. They all has something in common. So they an't completely different from each other the way people think. Having the one don't mean t'other be gone.
”
”
Tracy Chevalier (Burning Bright)
“
P—Jamie!” I called.
He waded back toward me. “I’m starting to think my name is Pajamie.”
“Your name should be Pajerky. You said it wasn’t deep.”
“Pajerky?” He gave me a skeptical look. “That’s Pathetic.”
“We’ll see how smug you are once I’m on dry land.
”
”
Diana Peterfreund (Rites of Spring (Break) (Secret Society Girl, #3))
“
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...
”
”
Jeffrey Eugenides (Middlesex)
“
Nona needs a very dry martini.
”
”
Holly Hood (Ink (Ink, #1))
“
The skull sat on top of an old Stop sign. Someone had painted the surface of the octagon white and written KEEP OUT across it in large jagged letters. A reddish-brown splatter stained the bottom edge, looking suspiciously like dried blood. I leaned closer. Yep, blood. Some hair, too. Human hair.
Curran frowned at the sign. “Do you think he’s trying to tell us something?”
“I don’t know. He’s being so subtle about it.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
A forest," William said, his expression distant. "Where the ground is dry soil and stone. Where tall trees grow and centuries of autumn carpet their roots. Where the wind smells of game and wildflowers."
"Why, that was lovely, Lord Bill. Do you ever write poetry? Something for your blueblood lady?"
"No."
"She doesn't like poetry?"
"Leave it."
Hehe. "Oh, so you have a lady. How interes--
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
Most of you Mistborn are probably too proud to crawl. I'm surprised you were willing to do so yourself."
"Too proud to crawl?" Kelsier said. "Nosense! Why, I'd say that we Mistborn are too proud not to be humble enough to go crawling about--in a dignified manner, of course."
Dockson frowned, approaching the desk. "Kell, that didn't make any sense."
"We Mistborn need not make sense.
”
”
Brandon Sanderson (The Final Empire (Mistborn, #1))
“
Cam’s grin was wicked as his hand coasted up my waist to cup my breast. He squeezed it, setting off a weird mixture of painful tenderness and a bolt of lust to my sex.
“My eyes!” Cole yelled.
Cam and I jerked apart, and I twisted my head to see my brother standing in the doorway in his pyjamas, his hair falling in wet locks across his forehead. His forearm covered his eyes. “I’m fucking blind,” he growled and turned around, bumping into the wall before remembering to drop his arm. After that he stomped out of the flat, the door slamming in his wake.
Horrified, I looked up into Cam’s face, my eyes wide. “I think I should let him get away with using the ‘f’ word on this occasion.”
Cam snorted, laughter sputtering as he dropped his head to my chest, his whole body shaking with amusement.
I felt an irrepressible giggle escape me despite my mortification for myself and Cole. “It’s not funny. We’ve scarred him. I better check on him.”
Cam shook his head, his eyes bright with mirth. “You’re the last person he wants to see right now … I’m sure he’s barricaded himself in his room and is doing anything he can to burn the image of me dry-humping his sister out of his mind.
”
”
Samantha Young (Down London Road (On Dublin Street, #2))
“
When the Attorney-General ceased, a buzz arose in the court as if a cloud of great blue-flies were swarming about the prisoner, in anticipation of what he was soon to become.
”
”
Charles Dickens (A Tale of Two Cities)
“
Well," Loraz said, her voice as dry as the rest of her was not. "At least you still have clothes on.
”
”
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
“
I have plenty of little black numbers in my closet at home, any one of which would be just fine for this event.” Finn snorted. “Sure, if you don’t mind wearing something that’s ripped, torn, and caked with dried blood.” I couldn’t argue with that. Funny how killing people inevitably led to ruined clothes.
”
”
Jennifer Estep (Deadly Sting (Elemental Assassin, #8))
“
Kelsier rapped lightly on the door, and Dockson strolled over, pulling it open.
"And he makes his stunning entry!" Kelsier announced, sweeping into the room, throwing back his mistcloak.
Dockson snorted, shutting the doors. "You're truly a wonder to behold, Kell. Particularly the soot stains on your knees.
”
”
Brandon Sanderson (The Final Empire (Mistborn, #1))
“
It was funny how "real" history seemed to be all about white men doing important things while everyone else barely existed except when they needed to be shown the errors of their ways. It made sense that the self-made heroes would have written history to make them look as good as possible. It didn't make sense for everyone else to be expected to believe it. It was like saying water was dry and the sky was red, and somehow making that the law of the land
”
”
Seanan McGuire (Where the Drowned Girls Go (Wayward Children, #7))
“
On the contrary,” she said. “I see this really awesome future where I go back inside and drink tea by the fire and read a scroll about funny scavenger antics for the rest of the day and also, by the way, stay completely dry. That one is definitely winning right now.
”
”
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
“
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles."
Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew.
Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here."
And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti.
I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared.
I breathe in the scent of his skin and feel the warmth of his body under mine.
Jared makes everything safe, everything happy. Even houses.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
You deserve a better dad. I wish I could give that to you.” “You did.” I wipe my eyes dry, but my voice is tearier than ever. “You’ve always been my mom and my dad. And my best friend. You’ve always been absolutely everything for me.
”
”
Emily Henry (Funny Story)
“
You won’t stop until you have all of me, will you? My body, my blood, my trust…and still you want more.” He knew of what I spoke and his reply was immediate. “I want your heart the most. Above all else. You’re exactly right, I won’t stop until I have it.” Tears began to slide down my cheeks, because I couldn’t hold the truth back anymore. I didn’t know how I’d managed to hold it back this long. “You have it already. So now you can stop.” His whole body stilled. “You mean that?” Uncertainty but also growing emotion filled his eyes as they bore into mine. I nodded, mouth too dry to speak. “Say it. I need to hear the words. Tell me.” I licked my lips and cleared my throat. It took three times, but finally my voice returned. “I love you, Bones.” A weight seemed to lift from me I hadn’t known was there. Funny how much I’d feared something that shouldn’t have frightened me at all. “Again.” He started to smile, and a beautiful, pure joy filled up the emptiness I’d carried my entire life. “I love you.” He kissed my forehead, cheeks, eyelids, and chin, feather-soft brushes that had the impact of a locomotive. “Once more.” The request was muffled by his mouth on mine and I breathed the words into him. “I love you.” Bones kissed me until my head reeled and everything tilted even though I was lying flat. He only paused long enough to whisper onto my lips, “It was well worth the wait.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Scottish Play Doe was born at 4:13 a.m. on September 6th. The ink was barely dry on his father's new tattoo.
”
”
Adam Rex (Cold Cereal (The Cold Cereal Saga, #1))
“
Why, though I am a lawyer Master Copperfield” He replied with a dry grin. “I mean, just at present, what I say.
”
”
Charles Dickens (David Copperfield)
“
Students want female teachers to be warm and nurturing. When they aren't, they get marked down across the board for being 'bitches." What's a bitch? A woman who acts like a confident guy. Women are also not allowed to be dry or funny. You can imagine how my Asperger's can go over.
”
”
Jessica Wildfire (Professor Gone Wild)
“
This is my friend Veronica,” I told him. “And this is Kaidan.”
“Oh, I've heard all about you.” Veronica gave him a big smile.
His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose.
Veronica let out a loud cackle, proving she should be the one in my costume.
“I told you it was stupid!” She gloated.
With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me.
“Your hair's grown a lot,” I said to him.
“So has your bottom.”
My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor.
I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress.
“Dude, you can get away with anything,” said the pirate to the straight-faced ape.
“I meant it as a compliment.”
“That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.”
She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something.
“My dad gave me a cell phone.” And a car. And a ton of money.
Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands.
“Here,” I said, taking his phone. Saving my number for him gave me a thrill.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Tis a funny thing, reflected the Count as he stood ready to abandon his suite. From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion. But, of course, a thing is just a thing.
”
”
Amor Towles (A Gentleman in Moscow)
“
You know what I used to dream about, in stir?" His voice was hoarse, the words low and fast and faintly guttural. "I used to dream about you. You were the only clean and good and decent thing left in my life, and I would dream about you. I used to dream about taking your clothes off piece by piece, and what you would look like naked, and how it would feel to fuck you really good. I used to dream about that in high school, too. In fact, I got off almost every night for the last fourteen years, dreaming about you." Rachel's lips parted with shock. Speechless, she stared at him wide-eyed for what seemed an eternity while her heart suddenly hammered and her throat went dry.
"I'm fucking tired of dreaming,
”
”
Karen Robards (One Summer)
“
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
”
”
Joyce Cary (The Horse's Mouth)
“
One of my great wishes is that people of the present will see those of the past as friendly (or irritating) acquaintances they can look to for advice. It’s easy to forget that people from the past weren’t the two-dimensional black-and-white photos or line drawings you might encounter in some dry textbooks. They weren’t just gray-faced guys in top hats. They were living, breathing, joking, burping people, who could be happy or sad, funny or boring, cool or the lamest people you ever met in your life. They had no idea they were living in the past. They all thought they were living in the present. Accordingly, like any person, past or present, could be, some of them were smart and kind and geniuses about medicine and also completely dull on a personal level. (I’m trying to come to terms with loving John Snow’s deductive brilliance and being absolutely certain I would never want to spend more than ten minutes talking to him.)
”
”
Jennifer Wright (Get Well Soon: History's Worst Plagues and the Heroes Who Fought Them)
“
Funny the things which civilization has to offer when one misses. Flooring is a lovely thing. Gives one confidence. During my five weeks' occupancy the mud floor stayed wet in spite of great care on my part not to slop the water again. It never did properly dry, because the hut was necessarily dark. No direct sun came in, and the humidity was so terrific that even in direct sunlight nothing ever dried out. Curious to live on a slippery surface. A floor is a very important item.
”
”
Katharine Hepburn (The Making of The African Queen Or How I went to Africa with Bogart, Bacall and Huston and almost lost my mind)
“
Tedros turned away. 'I don't like being hurt.'
'Who is hurting you?'
'No one.' He swallowed. 'I'm okay.'
'You're lucky, then, because I fell quite hurt myself.'
He looked back at me. 'You do? Where are you hurt?'
'Here,' I said, my hand on my heart.
'Oh.' He nodded. 'Who hurt you?'
'Someone I loved very much,' I said.
Tedros nodded. 'Me too.' He sniffled and curled into a bean shape, his back against my knee. 'When does the hurt go away?'
'Once you make friends with it. Once you come to see the hurt not as something to fear or run away from, but as an important part of you. As important as love and hope and happiness. All of them are pieces of you heart, each as important as the other. But ignoring the hurt or pretending it's not there doesn't make it go away. It just means that you're not using all of your heart. Soon that piece might even dry up and break away. We don't want that. A strong king needs all of his heart. And the funny thing is, once you're bold enough to welcome the hurt, to give it a hug and face it unafraid... then suddenly, it's gone.
”
”
Soman Chainani (One True King (The School for Good and Evil: The Camelot Years, #3))
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
On the contrary, tampering with things we don't know is the very essence of being a human. That's how we discovered how to make babies.
”
”
Gourav Mohanty (Sons of Darkness (The Raag of Rta, #1))
“
It took me a moment to realize he was joking. He was very dry. He didn’t even smile at his own jokes, let alone laugh at them. Didn’t give you any clues he was being funny. Oh,
”
”
Joe Hill (The Fireman)
“
Who said that?" asked Sir Grummore.
"But the sword said it, like I tell you."
"Talkative weapon," remarked Sir Grummore skeptically.
”
”
T.H. White
“
Wonderful. I'm stranded with the least creative Ramblers.
”
”
M.L. LeGette (The Orphan and the Thief)
“
Dry bread at home is better then curried prawns abroad.
”
”
Ruskin Bond (Funny Side Up)
“
I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bull-fighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while I was praying for myself I found I was getting sleepy, so I prayed that the bullfights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it, and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn’t seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself as praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. The sunlight was hot and hard, and I crossed over beside some buildings, and walked back along side-streets to the hotel.
”
”
Ernest Hemingway (The Sun Also Rises)
“
What do you want to do forever?'
He shrugged. 'I used to want to be a lawyer.'
'Used to?' She nudged him. 'I think you could be great at that.'
'Hmm, not when the only GCSEs I got spell out the word DUUUDDEE.
”
”
Holly Jackson (A Good Girl’s Guide To Murder Series 4 Books Set By Holly Jackson (Hardcover))
“
I settle in a little further, my dick waking up to the fact that I’m this close to Jamie’s ass. Funny how he thinks it’s weird when I sniff his hair, but he’s perfectly fine that I’m about two seconds from dry humping his backside.
”
”
Sarina Bowen (Him (Him, #1))
“
Who," coughed Zvonok, "do you think broke your favorite teacup last fall? The one with the cherries on the handle?"
"I was careless, Comrade Zvonok. I left the window open and a storm blew through."
"Incorrect! I broke it because you left me no cream and no dry biscuits, and when your old boots wore through, you burned them up for heat instead of giving them to me!"
"Hear, hear!" the table erupted in approval once more. "Well done, well done!"
"I'm surely very sorry--"
"So is your teacup.
”
”
Catherynne M. Valente (Deathless)
“
Shakuni wondered if the tea he had drunk had been poisoned.
Even if it had, there was not much he could do about it. If death was coming, he would rather be sitting down anyway. Yet he was curious. Which of his crimes had the White Eagle uncovered?
”
”
Gourav Mohanty (Sons of Darkness (The Raag of Rta, #1))
“
I am the only tea abstainer in my family. I think they regard this as a baffling perversion. To me, tea tastes like dried lawn clippings, diluted leaf mold, watered down compost mixed with a dash of bovine bodily fluid. I have never been able to stomach it.
”
”
Maggie O'Farrell (I Am, I Am, I Am: Seventeen Brushes with Death)
“
I am going to give you orders.'
'Oh, indeed,' he said. On his brow, the gold crown of Elfhame caught the light of the sunset.
I took a breath and began. 'You're never to deny me an audience or give an order to keep me from your side.'
'Whysoever would I want you to leave my side?' he asked, voice dry.
'And you may never order me arrested or imprisoned or killed,' I said, ignoring him. 'Not hurt. Not even detained.'
'What about asking a servant to put a very sharp pebble in your boot?' he asked, expression annoyingly serious.
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
It’s a funny thing about a good porch overlooking the ocean. It was great in hot weather when you needed shade. It was good when it rained to be close to nature but stay dry and safe. It was soothing in the dark, or it could be a place to whisper secrets late at night. So
”
”
Dorothea Benton Frank (Porch Lights)
“
The porpoises and whale themselves, in their quests for entertainment, often created problems. One summer a fashion developed in the training tanks (I think Keiki started it) for leaning out over the tank wall and seeing how far you could balance without falling out. Several animals might be teetering on the tank edge at one time, and sometimes one or another did fall out. Nothing much happened to them, except maybe a cut or a scrape from the gravel around the tanks; but of course we had to run and pick them up and put them back in. Not a serious problem, if the animal that fell out was small, but if it was a 400-pound adult bottlenose, you had to find four strong people to get him back, and when it happened over and over again, the people got cross. We feared too, that some animal would fall out at night or when no one was around and dry out, overheat, and die. We yelled at the porpoises, and rushed over and pushed them back in when we saw them teetering, but that just seemed to add to the enjoyment of what I'm sure the porpoises thoguht of as a hilariously funny game. Fortunately they eventually tired of it by themselves.
”
”
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)
“
I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bullfighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while i was praying for myself I found I was getting sleepy, so I prayed that the bull-fights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn't seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun.
”
”
Ernest Hemingway (The Sun Also Rises (Fiesta))
“
You might want to pop your collar."
"Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas."
"Yeah, but it still comes in handy when you're sporting a hickey."
"What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron."
"Gabriel has a curling iron?"
"No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it."
"I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect."
"He's not going to wave it in your face."
"No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that."
"I won't." I finished applying the concealer. "Better?"
"Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?"
"Shit! No. Damn it.
Ricky laughed as I frantically applied more makeup.
”
”
Kelley Armstrong (Rituals (Cainsville, #5))
“
She was always a loving mother who did what she thought was best. Sometimes that included hitting us with clothes hangers when we were young, but I’m sure we had it coming. To this day I have flashbacks when the dry cleaner asks me if I want my shirts folded or on hangers. I love my mom dearly, and thanks to her all my shirts now come home from the dry cleaner’s folded.
”
”
Maz Jobrani (I'm Not a Terrorist, But I've Played One On TV: Memoirs of a Middle Eastern Funny Man)
“
Think you could at least try to hide the blood stains Chase?" I took a sip of wine and grimaced as the dry liquid damn near choked me to death.
Chase looked down at his shirt and shrugged. "Makes mortal men tremble in fear."
Nixon smacked Chase on the back of the head and whispered, "See me tremble, oh badass one."
Chase rolled his eyes. "Hilarious."
Tex snickered. "I thought so.
”
”
Rachel Van Dyken (Bang Bang (Eagle Elite, #4.6))
“
As the van door starts to close, Brad suddenly realizes that the instant the doors close completely, the van interior will become the terrifying bland gray space he's heard about all his life, the place one goes when one has been Written Out.
The van interior becomes the bland gray space.
From the front yard TV comes the brash martial music that indicates UrgentUpdateNewsMinute.
Animal rights activists have expressed concern over the recent trend of spraying live Canadian geese with a styrene coating which instantaneously kills them while leaving them extremely malleable, so it then becomes easy to shape them into comical positions and write funny sayings in DryErase cartoon balloons emanating from their beaks, which, apparently, is the new trend for outdoor summer parties.
”
”
George Saunders (In Persuasion Nation)
“
Productivity is now sold as a lifestyle. People hustle away and grind for the sake of grinding. New calendars. New dry erase markers. New journals. But when they write in advanced journals, they write of goals and next steps— never of thoughts and secrets. When they write of goals, their goals are to have more goals. So you abandon the empty castle that is productivity and enter the little cottage of your funny heart.
”
”
Kristian Ventura (The Goodbye Song)
“
From then on, write up to this day, I fear that I walk funny, in other words, that I walk like a woman. When I find myself walking at my on pace, I almost immediately slow down. And I learnt what men do not do. They not wet their dry lips by running their tongues over them. They don't trot after their mothers into the kitchen. They don't use face powder. They don't sit on a motorbike behind a woman. They don't need mirrors in the rooms where they might change their clothes. On trips, they can go behind the tree. They don't even need an enclosed space to take a dump; they can do it in the open. They shouldn't be afraid of other people seeing their bodies. If there is only one bathroom they can bathe in the open. When caned in class, I do not cry. They do not buy tamarind rom the lady who sells it on the road and they certainly do not sit by her side and eat it.
”
”
Sachin Kundalkar (Cobalt Blue)
“
Spider?” I’d said, with a question mark in my voice.
“Yeah.”
“You know at school . . . what did you do that for? Wade in like that?”
Spider frowned. “He was disrespectful, Jem. What you said—I could tell it was real. It was what you were really feeling. He had no right to make a joke of it.”
“Yeah, I know, he’s a tosser, but it’s nothing to do with you. You made a right show of yourself. You made a show of me.”
“I didn’t want him to get away with it.”
“Yeah, but I don’t need a knight in shining armor. I can look after myself.” He was smiling a bit now. I paused. “It’s not funny, man. It’s made everything worse,” I said quietly. “I’ve got comments all the time now, ‘bout you and me. Sly comments.”
He looked away, studied his hands. The knuckles on the right one were nearly healed up now.
My mouth had gone dry, but I had to get this clear with him. “You do know there’s no ‘you and me,’ don’t you, Spider?”
He looked up. “What?”
“We’re not like . . . together. Just mates.”
There was something about his sullenness when he said, “Yeah, ‘course. Just mates. Mates is good,” that made me think he felt the exact opposite. I was churning inside, cursing that day under the bridge. People were so bloody difficult. Why had I ever got involved?
He stood up, came toward me, putting an arm out. I thought, Shit, he’s going to hug me. Hasn’t he listened to anything? But his hand formed a fist, and he lightly punched my arm. “Listen, man, I know what you’re like. I’ve told you I’ll never say nothing nice to you. And now you’ve put my straight, I’ll never do nothing nice for you, either. OK? If someone disrespects you, I’ll let them. If you’re being mugged on the street, I’ll walk on by. If I see you on fire, I won’t even piss on you. OK?
”
”
Rachel Ward (Numbers (Numbers, #1))
“
From then on, right up to this day, I fear that I walk funny, in other words, that I walk like a woman. When I find myself walking at my own pace, I almost immediately slow down. And I learned what men do not do. They do not wet their dry lips by running their tongues over them. They don’t trot after their mothers into the kitchen. They don’t use face powder. They don’t sit on a motorbike behind a woman. They don’t need mirrors in the rooms where they might change their clothes. On trips, they can go behind a tree. They don’t even need an enclosed space to take a dump; they can do it in the open. They shouldn’t be afraid of other people seeing their bodies. If there’s only one bathroom, they can bathe in the open. When caned in class, they do not cry. They do not buy tamarind from the lady who sells it on the road and they certainly do not sit by her side and eat it.
”
”
Sachin Kundalkar (Cobalt Blue)
“
He's a funny one," said Ida. "Here's how he sound." She pursed her lips and, expertly, imitated the red-winged blackbird's call: not the liquid piping of the wood thrush, which dipped down into the dry tchh tchh tchh of the cricket's birr and up again in delerious, sobbing trills; not the clear, three-note whistle of the chickadee or even the blue jay's rough cry, which was like a rusty gate creaking. This was an abrupt, whirring, unfamiliar cry, a scream of warning -congeree!- which choked itself off on a subdued, fluting note.
”
”
Donna Tartt
“
So close now, Alec could read the make on his wetsuit, see the individual grains of sand that dusted
the black material, the drops of water trembling on the points of his hair. Now or never. But Alec couldn‟t,
couldn’t. Could he?
He stood up. “Stop!” His mouth dried out as the surfer‟s dark, dark green eyes looked into his, startled
and curious. Suddenly he felt an absolute fool. He was inviting a good kicking, at least. But damn it, a man
couldn‟t always be afraid.
“Don‟t go past. Please. Sit down and drink with me. If you go past… If you go past, I think I‟ll die.
”
”
Alex Beecroft (Shining in the Sun)
“
As I sorted through my confusion, I started to get mad. More and more, this had turned into one grotesque comedy of mishaps, and I didn't think it was funny. How much did the rat know? And while we're at it, hot much did the man in the black suit know? Here I was, smack in the center of everything without a clue. At every turn, I'd been off base, way off the mark. Of course, you can say the same about my whole life. In that sense, I suppose I had no one to blame. All the same, what gave them the right ti treat me like this? I'd been used, I'd been beaten, I'd been wrung dry.
”
”
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
“
I said, "I want to wear something funny and cool. Marjorie, could I wear your sparkly baseball hat?"
The three of us looked at Marjorie.
Now I remember thinking that her answer could change everything back to the way it was; Dad could find a job and stop praying all the time and Mom could be happy and call Marjorie shellfish again and show us funny videos she found on YouTube, and we all could eat more than just spaghetti at dinner and, most important, Marjorie could be normal again. Everything would be okay if Marjorie would only say yes to me wearing the sparkly sequined baseball hat, the one she'd made in art class a few years ago.
The longer we watched Marjorie and waited for her response, the more the temperature in the room dropped and I knew that nothing would ever be the same again.
She stopped twisting her spaghetti around her fingers. She opened her mouth, and vomit slowly oozed out onto her spaghetti plate.
Dad: "Jesus!"
Mom: "Honey, are you okay?" She jumped out of her seat and went over to Marjorie, stood behind her, and held her hair up.
Marjorie didn't react to either parent, and she didn't make any sounds. She wasn't retching or convulsing involuntarily like one normally does when throwing up. It just poured out of her as though her mouth was an opened faucet. The vomit was as green as spring grass, and the masticated pasta looked weirdly dry, with a consistency of mashed-up dog food.
She watched Dad the whole time as the vomit filled her plate, some of it slopping over the edges and onto the table. When she finished she wiped her mouth on her sleeve. "No, Merry. You can't wear my hat." She didn't sound like herself. Her voice was lower, adult, and growly. "You might get something on it. I don't want you to mess it up." She laughed.
Dad: "Marjorie..."
Marjorie coughed and vomited more onto her too-full plate. "You can't wear the hat because you're going to die someday." She found a new voice, this one treacly baby-talk. "I don't want dead things wearing my very special hat.
”
”
Paul Tremblay (A Head Full of Ghosts)
“
I never knew Kierkegaard was funny, but I think this is funny: “The greatest hazard of all, losing one’s self, can occur very quietly in the world, as if it were nothing at all. No other loss can occur so quietly; any other loss—an arm, a leg, five dollars, a wife, etc.—is sure to be noticed.” I did not notice. I would catch my reflection in the mirror in the bathroom, where I went again and again to wash my hands after changing diapers. So used to gazing down at babies, I was shocked, every time, to discover there was another face up there. Our eyes would meet, and then I would finish drying my red, cracked hands and leave her behind, as if she were nothing at all. I guess it’s not that funny.
”
”
Tabitha Carvan (This Is Not a Book About Benedict Cumberbatch: The Joy of Loving Something--Anything--Like Your Life Depends On It)
“
Before Keir MacRae arrived, everything was normal. Now there's been stabbings, explosions, and debauchery, and my sensible older sister is engaged to a Scottish whisky distiller. What's happened to you? You're supposed to be level-headed!"
Merritt tried to sound dignified. "Just because one is usually level-headed doesn't mean one is always level-headed."
"You won't be comprised if no one knows about it," Luke said. "And God knows none of us are going to say anything."
The duke intervened, his voice so dry one could have struck a match off it. "My boy, you're missing the point. Your sister wants to be compromised."
Ethan Ransom, who had been inching toward the stairs, ventured, "I don't need to be part of this conversation. I'm going up to see my wife.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
What part of the end of the world is funny to you?” “All of it. Especially the arrogant notion that the world will end just because humans might not make it through this century. We were never properly grateful for making it through the last century, as far as I’m concerned. Humanity is worse than flies. If even one dried nugget of offal survives the flames, we’ll be swarming all over it. Fighting about who owns it and selling the most fragrant chunks to the wealthy and the gullible. You’re afraid it’s the End Times because we’re surrounded by death and ruin. Nurse Willowes, don’t you know? Death and ruin is man’s preferred ecosystem. Did you ever read about the bacterium that thrives in volcanoes, right on the edge of boiling rock? That’s us. Humanity is a germ that thrives on the very edge of catastrophe.
”
”
Joe Hill (The Fireman)
“
Some people do not have no scars on their faces," said Simple, "but they has scars on their hearts. Some people have never been beat up, teeth knocked out, nose broke, shot, cut, not even so much as scratched in the face. But they have had their hearts broke, brains disturbed, their minds torn up, and the behinds of their souls kicked by the ones they love. It is not always your wife, husband, sweetheart, boy friend or girl friend, common-law mate—no, it might be your mother that kicks your soul around like a football. It might be your best friend that squeezes your heart dry like a lemon. It might be some ungrateful child you have looked forward to making something out of when it got grown, but who goes to the dogs and bites you on the way there. Oh, friend, your heart can be scarred in so many different ways it is not funny," said Simple.
”
”
Langston Hughes (The Return of Simple)
“
I took in that half grin, the chest I might have suggested I'd lick and had avoided looking at for the past four days, and halted a healthy distance away. 'One would think a High Lord would have more important things to do than pass notes back and forth at night.'
'I do have more important things to do,' he purred. 'But I find myself unable to resist the temptation. The same way you can't resist watching me whenever we're out. So territorial.'
My mouth went a bit dry. But- flirting with him, fighting with him... It was so easy. Fun.
Maybe I deserved both of those things.
So I closed the distance between us, smoothly stepped past him, and said, 'You haven't been able to keep away from me since Calanmai, it seems.'
Something rippled in his eyes that I couldn't place, but he flicked my nose- hard enough that I hissed and batted his hand away.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Jase and I asked Mia what she wanted to do before her surgery. “How about a family party?” she suggested. So the invitation went out. It’s interesting when you mention to family members that they are going to be on TV--schwoom, they are there. As Willie said, “I didn’t know we had this much family.”
Mia had always heard the funny stories about Jase wrestling with his brothers and cousins growing up, particularly how cousin Amy beat up Willie, so that’s what she requested for the special entertainment. As Jase said, “It’s the ultimate redneck dinner theater.” A wrestling ring was delivered, and the warmup act was the Robertson boys clowning around, performing their best wrestling moves. Willie surprised everyone with guest professional wrestlers, including Jase’s favorite, “Hacksaw” Jim Duggan.
I felt kind of bad for them, wearing only their little wrestling pants, while the rest of us were bundled up in winter coats. Yes, it was January, but it was unusually cold in Louisiana--about twenty degrees. The wrestlers had to keep moving fast; otherwise, they would have frozen to death!
At the end of the party, Mia took the stage between Jase and Willie, thanking everyone for coming and then sharing from her heart: “My favorite verse is Psalm 46:10: ‘Be still, and know that I am God!’ God is bigger than all of us, and He is bigger than any of your struggles, too.” I think I can say that there was hardly a dry eye in the crowd. Going into her surgery, Mia was being brave for all of us. In the end, seeing the final version of the episode, I thought the network did a great job of including enough humor to make people laugh but also providing a tender glimpse into the love our family shares with one another and the love we all have for Mia.
When Duck Dynasty fans saw it on March 26, 2014, they agreed completely!
”
”
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
“
Whatcha got there?” Drake asked, nodding to the floor. “Snacks for me.” I winked. “Well, now I’m offended.” He fake pouted, scooting away from me in his seat, which made it even more funny because there was nowhere for him to go in the tiny car. “Why is that?” Nothing wrong with playing along, besides, he was cute when he was fake-mad. What was I saying? He was cute ALL the time. He turned to me and slid his arms around my waist, pulling me close. Far off, I caught a whiff of his scent. Mmm. Delicious. “It’s just that I thought I was your snack on the go.” His breath danced on my cheek, dangerously close to my lips. I giggled before I could stop myself. “Do you really want me to suck you dry?” “Mmm, that sounds like an offer I can’t refuse.” He raised his eyebrows and flashed a naughty grin. “Don’t be dirty, I didn’t mean that.” I slapped his arm for good measure. “Is that all you think of me as—some kind of slutty vampire?
”
”
Karly Kirkpatrick (Bloody Little Secrets (Bloody Little Secrets, #1))
“
And so now, having been born, I’m going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I’m sucked back between my mother’s legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There’s a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he’s in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we’re out of America completely; we’re in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we’re up on dry land again, where the film unspools, back at the beginning . . .
”
”
Jeffrey Eugenides (Middlesex)
“
So many socks.
After the pair
the undertaker asks for
(I picture them black
beneath the fold
in your open casket,
your toes still cold)
what else to do,.
Body bags
of old suits, shirts
still pressed, long
johns, the unworn,
unwashed wreckage
of your closet, too many
coats to keep, though I will save
so many. How can I
give away the last
of your scent? And still,
father, you have errands,
errant dry cleaning to pick up--
yellow tags whose ghostly
carbon tells a story
where to look. One
place closed
for good, the tag old.
One place with none
of your clothes,
just stares as if no one
ever dies, as if you
are naked somewhere,
& I suppose you are.
Nothing here.
The last place knows exactly
what I mean, brings me shirts
hanging like a head.
Starched collars
your beard had worn.
One man saying sorry, older lady
in the back saying how funny
you were, how you joked
with her weekly. Sorry—
& a fellow black man hands
your clothes back for free,
don’t worry. I’ve learned death
has few kindnesses left.
Such is charity—so rare
& so rarely free—
that on the way back
to your emptying house
I weep. Then drive
everything, swaying,
straight to Goodwill—
open late—to live on
another body
& day.
”
”
Kevin Young (Book of Hours: Poems)
“
Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone?
Would you believe the local Holiday Inn?
Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie.
Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert.
Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch.
I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear.
That’s Clint Eastwood and Bradley Cooper! Awesome!
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
When Sam told this story to Sadie, she laughed, though she barely seemed to be listening. He had framed the story in a humorous way, smoothed off some of the edges of his hostility toward the woman in the park. But as he told it, he could feel himself back in that dog park. He could feel the dry California heat and the murderous pounding of his heart. Without warning, an anecdote he had meant to be amusing did not feel amusing. Anyone, who had truly looked at Tuesday could not have possibly seen a coyote. But the woman had not truly looked, and the injustice of this hit him. Why was is it acceptable for apparently well-meaning people to see the world in such a general way?
Sam was put off by Sadie's laughter. He asked her what was funny. She was confused for a moment---hadn't he wanted her to laugh?---and then she said, annoyed, "You get that this a story about you, right? That's why you lost your mind at a dog park. You're Tuesday. You're the incredibly special dog that no one can classify." It was not long after their huge argument, and things were quite strained between them.
Sam told her that she was being reductive, and that her interpretation was insulting to both him and the dog. "It's a story about Tuesday," he insisted. "Maybe it's a story about L.A., too. Maybe it's a story about the kind of people that go to the dog park in Silver Lake. But it's mainly a story about Tuesday."
"The text," she said, "perhaps.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
You said to step on the brake to put us into drive, then to step on the right one to-"
"Not at the same time!"
"Well, you should have told me that. How was I supposed to know?"
I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind."
From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything.
"Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless.
What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny.
"You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts.
I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming."
She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night."
She clears her throat, still giggling a little. "Okay. Concentrate. Right."
"So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour.
She huffs up at her bangs. "This is boring. I want to go faster."
I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil.
"Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks.
Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed."
I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life.
"What is this thing?" she wails, pushing it out of her way and opening the door.
One Mississippi...two Mississippi...
"Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you."
Three Mississippi...four Mississippi...
"What are those flashing blue lights down there?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Kay lived in a house full of Robertson boys and men, and I’m still not sure how she survived. There were Phil, me, and my three brothers, and there were usually a couple of our friends hanging around. But Kay has a lot of patience and has always been very funny-I think that’s where I get my sense of humor-and she has a mechanism for turning anything into fun. I’m not sure Phil has ever really understood her humor. Jase and Phil are a lot more serious and have a much more dry sense of humor, so Kay and I are always making fun of them and have our inside jokes about them. Sometimes, Kay and I will be in the kitchen laughing together, and Phil will walk in and tell us we’re being too noisy. He’ll be trying to watch the late news and will say, “Hey, Saturday Night Live is over.” Every time Phil walks out of the room, I’ll make a face at him, almost behind his back. Phil says he doesn’t even know how to laugh, while Kay is always jovial and constantly has a big smile on her face. You know what they say about how opposites attract.
Korie: The thing that has impressed me most about Kay is that she really rarely gets truly aggravated or mad at Phil and the boys. She knows how to not sweat the small stuff. She’s been through a lot in her and Phil’s marriage, and I think it taught her that most things are really not worth getting mad at. She has a really fun side to her. Willie and Jep are always putting food down her back, grabbing her from behind, or throwing something into her hair, and I’m sure it got pretty old about twenty years ago. At some point, most people would be like, “Okay, enough already.” But Kay laughs every time. She doesn’t take herself very seriously, which I think is one of the most important qualities for enjoying life and one I have made sure to try to pass on to our children.
”
”
Willie Robertson (The Duck Commander Family)
“
I can’t be intelligent,’ Clarissa said miserably. ‘I must be stupid. Mother Ryan says that I’m stupid, and Bob says that I’m stupid, and even Mrs Talbot says that I’m stupid, and–’ She began to cry. She went to a mirror and dried her eyes. Baxter followed. He put his arms around her. ‘Don’t put your arms around me,’ she said, more in despair than in anger. ‘Nobody ever takes me seriously until they get their arms around me.’ She sat down again and Baxter sat near her. ‘But you’re not stupid, Clarissa,’ he said. ‘You have a wonderful intelligence, a wonderful mind. I’ve often thought so. I’ve often felt that you must have a lot of very interesting opinions.’ ‘
Well, that’s funny,’ she said, ‘because I do have a lot of opinions. Of course, I never dare say them to anyone, and Bob and Mother Ryan don’t ever let me speak. They always interrupt me, as if they were ashamed of me. But I do have these opinions. I mean, I think we’re like cogs in a wheel. I’ve concluded that we’re like cogs in a wheel. Do you think we’re like cogs in a wheel?’
‘Oh, yes,’ he said. ‘Oh, yes, I do!’
‘I think we’re like cogs in a wheel,’ she said. ‘For instance, do you think that women should work? I’ve given that a lot of thought. My opinion is that I don’t think married women should work. I mean, unless they have a lot of money, of course, but even then I think it’s a full-time job to take care of a man. Or do you think that women should work?’
‘What do you think?’ he asked. ‘I’m terribly interested in knowing what you think.’
‘Well, my opinion is,’ she said timidly, ‘that you just have to hoe your row. I don’t think that working or joining the church is going to change everything, or special diets, either. I don’t put much stock in fancy diets. We have a friend who eats a quarter of a pound of meat at every meal. He has a scales right on the table and he weighs the meat. It makes the table look awful and I don’t see what good it’s going to do him. I buy what’s reasonable. If ham is reasonable, I buy ham. If lamb is reasonable, I buy lamb. Don’t you think that’s intelligent?
”
”
John Cheever (The Chaste Clarissa)
“
Sam dragged her over to a small plot. Unlike the historic ones, this seemed like an ordinary grave. The headstone read Paul Danvers 1950-1997. “And this guy,” Sam said through clenched teeth. “Got so drunk one night, he accidentally set his house on fire, killing himself and his seventeen-year-old son.” Margot pulled back. This date had turned as sour as the feeling in her gut. “Murdered his own son.” Sam’s voice was tight and full of emotion. “He was going to college in the fall. Got a full ride and everything.” “That’s awful,” said Margot. “Where’s the son buried?” “So glad you asked.” Sam smiled so mournfully that Margot regretted asking at all. He pointed to the headstone next to Paul’s. In the darkness, it was nearly impossible to make out the young man’s name. Margot knelt on the soft grass and leaned forward, using the light from her cellphone to see the engraving. She gasped and nearly dropped the phone. “Sam Danvers,” she said, barely getting out the words. “That’s not funny.” Margot’s hands shook. “Is your name really Sam?” He no longer smiled, just nodded. “It is.” Sam came in close and said her name in such a soft whisper, Margot ached to touch him. He reached up to her face and tucked a strand of wavy hair behind her ear. “If things were different at all…” She put her hands on his. His skin felt dry and cold while hers felt clammy. “What does that mean? If what was different?” Sam leaned in, his face encased in shadows, and kissed Margot. She gasped before being taken in by the kiss. His breath tasted oddly of licorice and she was suddenly aware of the scent of fresh-cut grass. His lips were soft, but his kiss was urgent. He gripped the belt loops of Margot’s jean shorts and pulled her in tight against his chest. Her head swam and her heart pounded. She pulled away from him and attempted to catch her breath. She looked at him, her eyes bright with fury. “That wasn’t an answer.” He ran his hands through his hair. A typical guy stall tactic, thought Margot. But Sam wasn’t stalling. He was struggling. “Margot, I’m Sam Danvers,” he said. Margot shook her head — “No. No. No.” — and marched away from him.
”
”
Kimberly G. Giarratano (One Night Is All You Need: A Short Story)
“
If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham."
Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-"
"No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking."
"Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!"
"Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory."
Willow blushed and concentrated on her hands where they rested on the edge of the tub.
"Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout."
Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!"
"Watch the cursing, young lady."
Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment.
"Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often.
"And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.
”
”
Charlotte McPherren (Song of the Willow)
“
It's funny, you know. We're free. We make choices. We weigh things in our minds, consider everything carefully, use all the tools of logic and education. And in the end, what we mostly do is what we have no choice but to do.
Makes you think, why bother? But you bother because you do, that's why. Because you're a DNA-brand computer running Childhood 1.0 software. They update the software but the changes are always just around the edges.
You have the brain you have, the intelligence, the talents, the strengths and weaknesses you have, from the moment they take you out of the box and throw away the Styrofoam padding.
But you have the fears you picked up along the way. The terrors of age four or six or eight are never suspended, just layered over. The dread I'd felt so recently, a dread that should be so much greater because the facts had been so much more horrible, still could not diminish the impact of memories that had been laid down long years before.
It's that way all through life, I guess. I have a relative who says she still gets depressed every September because in the back of her mind it's time for school to start again. She's my great-aunt. The woman is sixty-seven and still bumming over the first day of school five-plus decades ago.
It's sad in a way because the pleasures of life get old and dated fast. The teenage me doesn't get the jolt the six-year-old me got from a package of Pop Rocks. The me I've become doesn't rush at the memories of the day I skated down a parking ramp however many years ago.
Pleasure fades, gets old, gets thrown out with last year's fad. Fear, guilt, all that stuff stays fresh.
Maybe that's why people get so enraged when someone does something to a kid. Hurt a kid and he hurts forever. Maybe an adult can shake it off. Maybe. But with a kid, you hurt them and it turns them, shapes them, becomes part of the deep, underlying software of their lives. No delete.
I don't know. I don't know much. I feel like I know less all the time. Rate I'm going, by the time I'm twenty-one I won't know a damned thing.
But still I was me. Had no choice, I guess. I don't know, maybe that's bull and I was just feeling sorry for myself. But, bottom line, I dried my eyes, and I pushed my dirty, greasy hair back off my face, and I started off down the road again because whatever I was, whoever I was, however messed up I might be, I wasn't leaving April behind.
Maybe it was all an act programmed into me from the get-go, or maybe it grew up out of some deep-buried fear, I mean maybe at some level I was really just as pathetic as Senna thought I was. Maybe I was a fake. Whatever. Didn't matter.
I was going back to the damned dragon, and then I was getting April out, and everything and everyone else could go screw themselves.
One good thing: For now at least, I was done being scared.
”
”
K.A. Applegate
“
I will always choose to be an imbecile. I couldn't cut it as an old fashion, and dry gal.
”
”
Mary Sage Nguyen
“
Father: So, children did you help your mom today? Son: I did dad, I dried the dishes. Daughter: And I helped him pick the pieces.
”
”
Kevin Murphy (Jokes : Best Jokes 2016 (Jokes, Funny Jokes, Funny Books, Best jokes, Jokes for Kids and Adults))
“
You can't stop people from morphing the truth. It's human nature. I blow-dry my hair, put on make-up, wear high-heels. I've laughed at jokes told by men who simply weren't that funny. We create an outer identify to hide our innate vulnerability. But even deeper, it springs from the most primal desire we harbour.
”
”
Ally Blake (Faking It to Making It)
“
However,” Bob continued, and the word came down like a sledgehammer, “there is a line at which a likable bad boy becomes a nasty entitled bastard whom the public would rather see hung out to dry in the street than pay to watch prance about a stage in his bloomers. And when somebody starts abusing their fans, making an absolute arse of themselves in public places, and alienating the people who paid for their bloody Ferrari, they may consider that line crossed.”
Lainie wondered if an actual “Hallelujah” chorus had appeared in the doorway, or if it was just the sound of her own glee.
She still had no idea why she was the privileged audience to this character assassination, but she warmly appreciated it.
”
”
Lucy Parker
“
We found this,” Debs said, standing at my shoulder and holding up a plastic evidence bag with a sheet of plain white paper in it. There was a red-brown stain of dried blood on one corner, but I took the bag from her and looked: On the paper was written a short message, in a large and ornate font that could have come from any computer printer in the world. It said, He disagreed with someone who ate him. “I didn’t realize cannibals were so clever,” I said. Deborah stared at me, and all the soft despair she had been fighting with lately seemed to settle on her face and begin to smolder. “Yeah,” she said. “It’s pretty funny. Especially to somebody like you who enjoys this kind of thing.” “Debs,” I said, looking around me to see if anybody might have overheard. There was no one in immediate earshot, but judging by her face, I doubt she would have cared.
”
”
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
was in everyday attire with sand-colored jeans and a denim-blue buttoned-down shirt with his lean muscles defined underneath and exposed with his rolled-up sleeves. His tannish skin was peppered with freckles and he was bestowed with a natural rouge on his face; matched with his dry wavy dirty blonde hair he looked like a scarecrow that had given up the farm in favor of greener racing pastures.
”
”
J.S. Mason (Whisky Hernandez)