Drunk Thoughts Are Sober Thoughts Quotes

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I’ve been drunk for about a week now, and I thought it might sober me up to sit in a library.
F. Scott Fitzgerald (The Great Gatsby)
Go to bed, you fool," Calcifer said sleepily. "You're drunk." "Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Never thought I’d intentionally sleep on a bathromm floor next to a toilet while sober, but I meant it when I said I would sleep anywhere with her.
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
Drunk words are sober thoughts,
Taylor Jenkins Reid (Forever, Interrupted)
--and then you're in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it's the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it's you, the Substance has devoured or replaced and become you, and the puke-, drool- and Substance-crusted T-shirt you've both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest's center and centerless eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you've been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It's your enemy and your worst personal nightmare and the trouble It's gotten you into is undeniable and you still can't stop. Doing the Substance now is like attending Black Mass but you still can't stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around.
David Foster Wallace (Infinite Jest)
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
a drunk mind speaks sober thoughts
Erika Ashby (Caught (Heart On #1))
Over Christmas break, I took on additional hours and was working late one Saturday night when Wild Bill came sauntering into my department tipsy to pick me up so I wouldn’t have to hitchhike home. I had scarcely seen him since he enrolled me in school, except slumped over the bar at Dave’s or when he would occasionally drop by the Tampico unannounced on the way home to his new family. He’d beach himself on the sofa while I did my homework, and when he sobered up enough to drive home, he would down a can of beer before saying goodbye. To say it made me happy to see him, drunk and all, is an understatement. Seeing my father anywhere besides Dave’s Tavern was akin to spotting a unicorn in the wild. I asked him to meet me out in front of the store, but he insisted on following me through the employees’ exit. On the way out, he stole two poinsettias. He thought it was hilarious to be running out of the JCPenney’s with a poinsettia in each hand.
Samantha Hart (Blind Pony: As True A Story As I Can Tell)
Like most drunks he thought that if he took longer to think he’d come up with the thoughts of a sober man.
Walter Mosley (Black Betty (Easy Rawlins #4))
I can’t blame all this for my drinking—I can’t blame my parents or my childhood, an abusive uncle or some terrible tragedy. It’s my fault. I was a drinker anyway—I’ve always liked to drink. But I did become sadder, and sadness gets boring after a while, for the sad person and for everyone around them. And then I went from being a drinker to being a drunk, and there’s nothing more boring than that. I’m better now, about the children thing; I’ve got better since I’ve been on my own. I’ve had to. I’ve read books and articles, I’ve realized that I must come to terms with it. There are strategies, there is hope. If I straightened myself out and sobered up, there’s a possibility that I could adopt. And I’m not thirty-four yet—it isn’t over. I am better than I was a few years ago, when I used to abandon my trolley and leave the supermarket if the place was packed with mums and kids; I wouldn’t have been able to come to a park like this, to sit near the playground and watch chubby toddlers rolling down the slide. There were times, at my lowest, when the hunger was at its worst, when I thought I was going to lose my mind.
Paula Hawkins (The Girl on the Train)
I nod, then let the conversation drop. But secretly I'm wondering if Haymitch sobered up long enough to help Peeta and me because he thought we just might have the wits to survive. Maybe he wasn't always a drunk. Maybe, in the beginning, he tried to help the tributes. But then it got unbearable. It must be hell to mentor two kids and then watch them die. Year after year after year. I realize that if I get out of here, that will become my job. To mentor the girl from District 12. The idea is so repellent, I thrust it from my mind.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
A drunk man’s words … are a sober man’s thoughts.
Shantel Tessier (If You Dare (Dare #3))
Drunk words are sober thoughts
Asmaa Ed-dahri (Chasing Happiness)
What a man says when drunk, he thought about whilst sober.
Nana Awere Damoah (Sebitically Speaking)
Whoever said that a drunk mind speaks sober thoughts...was clearly still drunk off their ass. -Jackson 'Blame It on the Pain
Ashley Jade (Blame It on the Pain)
Madelyn knew her aunt, drunk or sober, simply did not have the continuity of thought to see beyond her opinions to the implied insult.
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
Drunk words are sober thoughts,” he said, and then he fell asleep.
Taylor Jenkins Reid (Forever, Interrupted)
Drunk words are sober thoughts,” he said,
Taylor Jenkins Reid (Forever, Interrupted)
Although a drunk man’s words are a sober man’s thoughts, both the words and thoughts are usually muddled and destructive, as is generally the case with drinkers and talkers.
Donna Goddard (Pittown (Waldmeer, #5))
Drunk words are sober thoughts
Taylor Jenkins Reid (Forever, Interrupted)
A year and a half ago in early recovery, Cyrus told his AA sponsor Gabe that he believed himself to be a fundamentally bad person. Selfish, self-seeking. Cruel, even. A drunk horse thief who stops drinking is just a sober horse thief, Cyrus'd said, feeling proud to have thought it. He'd use versions of that line later in two different poems. "But you're not a bad person trying to get good. You're a sick person trying to get well," Gabe responded. Cyrus sat with the thought. Gabe went on, "There's no difference to the outside world between a good guy and a bad guy behaving like a good guy. In fact, I think God loves that second guy a little more." "Good-person drag," Cyrus thought out loud. That's what they called it after that.
Kaveh Akbar (Martyr!)
Nothing can be omitted, experience drunk and experience sober, experience sleeping and experience waking, experience drowsy and experience wide-awake, experience self-conscious and experience self-forgetful, experience intellectual and experience religous and experience sceptical, experience anxious and experience care-free, experience anticipatory and experience retrospective, experience happy and experience grieving, experience dominated by emotion and experience under self-restraint, experience in the light and experience in the dark, experience normal and experience abnormal.
Alfred North Whitehead (Modes of Thought)
Despite that I was sober as a judge, I felt drunk from Jared’s teasing . Of course he thought that was hilarious and was very pleased with himself. So I bit him. The thing about Sventé saliva was that it could spark the ‘blood donor’ to have an orgasm if the vampire drank from them for more than ten seconds … I counted to eight before releasing him, but the damage was done – he was as horny as I was and more than ready to fuck. About bloody time. “I take it you’re ready to leave now.” His lopsided smile had me smiling back. “You’re a tricky bitch, aren’t you? I can respect that.” He teleported us both to the living area of our apartment, where we instantly dived on each other.
Suzanne Wright (Taste of Torment (Deep In Your Veins, #3))
I was brought by a woman named Roosevelt,” he continued. “Mrs. Claud Roosevelt. Do you know her? I met her somewhere last night. I’ve been drunk for about a week now, and I thought it might sober me up to sit in a library.” “Has it?” “A little bit, I think. I can’t tell yet. I’ve only been here an hour. Did I tell you about the books? They’re real.
Francis Scott Fitzgerald (The Great Gatsby)
Paulson, what the hell are you doing at my party?” Michael asked, a bit drunk. “Don’t worry, asshole. I’m not staying. I was just wondering why you are texting Nicolette.” “I would have thought for a smart guy that it would be obvious.” Michael slurred his words. “I wanted to invite Nicolette and her friends over here to party with us.” “Well, you see, Nicolette has all the friends she needs and respectively declines your invitation.” “Is that coming from Nicolette or from you, Simon?” Michael was now suddenly sober. “It’s coming from me, so stay away from her.” I started to walk away. Michael bravely said, “What if I don’t, Simon? What will you do about it?” I just turned around and simply replied, “You don’t want to know the answer to that, Michael.
Mary A. Wasowski (A Changed Life)
It started at one thirty on a cold Tuesday morning in January when Martin Turner, Street performer and, in his own words, apprentice gigolo, tripped over a body in front of the West Portico of St. Paul's at Covent Garden. Martin, who was none too sober himself, at first thought the body was that of one of the many celebrants who had chosen the Piazza as a convenient outdoor toilet and dormitory. Being a seasoned Londoner, Martin gave the body the "London once-over" - a quick glance to determine whether this was a drunk, a crazy or a human being in distress. The fact that it was entirely possible for someone to be all three simultaneously is why good-Samaritanism in London is considered an extreme sport - like BASE jumping or crocodile wrestling. Martin, noting the good quality coat and shoes, had just pegged the body as a drunk when he noticed that it was in fact missing its head.
Ben Aaronovitch (Rivers of London (Rivers of London, #1))
Tate was sprawled across the bed in his robe early the next morning when the sound of the front door opening penetrated his mind. There was an unholy commotion out there and his head was still throbbing, despite a bath, several cups of coffee and a handful of aspirin that had been forced on him the day before by two men he’d thought were his friends. He didn’t want to sober up. He only wanted to forget that Cecily didn’t want him anymore. He dragged himself off the bed and went into the living room, just in time to hear the door close. Cecily and her suitcase were standing with mutual rigidity just inside the front door. She was wearing a dress and boots and a coat and hat, red-faced and muttering words Tate had never heard her use before. He scowled. “How did you get here?” he asked. “Your boss brought me!” she raged. “He and that turncoat Colby Lane and two bodyguards, one of whom was the female counterpart of Ivan the Terrible! They forcibly dressed me and packed me and flew me up here on Mr. Hutton’s Learjet! When I refused to get out of the car, the male bodyguard swept me up and carried me here! I am going to kill people as soon as I get my breath and my wits back, and I am starting with you!” He leaned against the wall, still bleary-eyed and only half awake. She was beautiful with her body gently swollen and her lips pouting and her green eye sin their big-lensed frames glittering at him. She registered after a minute that he wasn’t himself. “What’s the matter with you?” she asked abruptly. He didn’t answer. He put a hand to his head. “You’re drunk!” she exclaimed in shock. “I have been,” he replied in a subdued tone. “For about a week, I think. Pierce and Colby got my landlord to let them in yesterday.” She smiled dimly. “I’d made some threats about what I’d do if he ever let anybody else into my apartment, after he let Audrey in the last time. I guess he believed them, because Colby had to flash his company ID to get in.” He chuckled weakly. “Nothing intimidates the masses like a CIA badge, even if it isn’t current.” “You’ve been drunk?” She moved a little closer into the apartment. “But, Tate, you don’t…you don’t drink,” she said. “I do now. The mother of my child won’t marry me,” he said simply. “I said you could have access…” His black eyes slid over her body like caressing hands. He’d missed her unbearably. Just the sight of her was calming now. “So you did.” Why did the feel guilty, for God’s sake, she wondered. She tried to recapture her former outrage. “I’ve been kidnapped!” “Apparently. Don’t look at me. Until today, I was too stoned to lift my head.” He looked around. “I guess they threw out the beer cans and the pizza boxes,” he murmured. “Pity. I think there was a slice of pizza left.” He sighed. “I’m hungry. I haven’t eaten since yesterday.” “Yesterday!
Diana Palmer (Paper Rose (Hutton & Co. #2))
One of her hands was at her hip, touching her belt, as though she might draw the weapon sheathed there. The idea was hilarious, He certainly hadn't buckled on a sword in preparation for coming here. He wasn't even sure he could stay standing long enough to swing, and he had only beaten her when he was sober because she let him. Jude looked up at him, and in her eyes, he recognised a hate big enough and wide enough and deep enough to match his own. A hate you could drown in like a vat of wine. Too late to hide it, she lowered her head in the pretense of defence. Impossible, Cardan thought. What had she to be angry about, she who had been given everything he was denied? Perhaps he had imagined it. Perhaps he wanted to see his reflection on someone else's face and had perversely chosen hers. With a whoop, he rode in her direction, just to watch her and her sister run. Just to show her that if she did hate him, her hatred was as impotent as his own.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
— and then you’re in serious trouble, very serious trouble, and you know it, finally, deadly serious trouble, because this Substance you thought was your one true friend, that you gave up all for, gladly, that for so long gave you relief from the pain of the Losses your love of that relief caused, your mother and lover and god and compadre, has finally removed its smily-face mask to reveal centerless eyes and a ravening maw, and canines down to here, it’s the Face In The Floor, the grinning root-white face of your worst nightmares, and the face is your own face in the mirror, now, it’s you, the Substance has devoured or replaced and become you, and the puke-, drool-and Substance-crusted T-shirt you’ve both worn for weeks now gets torn off and you stand there looking and in the root-white chest where your heart (given away to It) should be beating, in its exposed chest’s center and center-less eyes is just a lightless hole, more teeth, and a beckoning taloned hand dangling something irresistible, and now you see you’ve been had, screwed royal, stripped and fucked and tossed to the side like some stuffed toy to lie for all time in the posture you land in. You see now that It’s your enemy and your worst personal nightmare and the trouble It’s gotten you into is undeniable and you still can’t stop. Doing the Substance now is like attending Black Mass but you still can’t stop, even though the Substance no longer gets you high. You are, as they say, Finished. You cannot get drunk and you cannot get sober; you cannot get high and you cannot get straight. You are behind bars; you are in a cage and can see only bars in every direction. You are in the kind of a hell of a mess that either ends lives or turns them around. You are at a fork in the road that Boston AA calls your Bottom, though the term is misleading, because everybody here agrees it’s more like someplace very high and unsupported: you’re on the edge of something tall and leaning way out forward….
David Foster Wallace
Grey wasn’t quite drunk, but he was far from sober when Rose entered his study later that evening. His heart stuttered at the sight of her, but his head…his head couldn’t take any more. “I’ve been drinking,” he warned her, just in case his sprawled posture and missing cravat wasn’t enough indication. “And I refuse to dance this ridiculous dance with you any more tonight.” “May I have a drink with you?” He glanced up. She stood beside the sofa where he half sat, half lay. She looked like someone who’d just lost her best friend or puppy or something equally as tragic. He sat up. “Of course.” Never mind that it wasn’t proper. Who the hell cared? They were well past proper. He was simply trying to hold on to sane. She poured herself a substantial glass of sherry and took a seat on the chair nearest him. He sat quietly, nursing the remainder of whiskey in his glass while she took several sips from her own. “Do you remember my come-out ball?” she asked after a few minutes. “Of course.” And he did. “I remember telling you that you looked lovely in pink.” She smiled. “You danced the first dance with me so I wouldn’t have to dance with Papa.” “You were afraid the other girls would laugh at you if you danced with your father.” “They didn’t laugh at me for dancing with you.” “No.” He chuckled at took a drink. “I wager they didn’t.” Rose sighed. “They thought you were so scandalous, you know. All night I had girls coming up to me wanting to know about you. I felt very important.” He saluted her with his glass. “Glad to be of service.” “I think I fell a little bit in love with you that night.” Grey choked on a mouthful of whiskey. Coughing, he cursed himself for being stupid enough to relax his guard with her. “Rose…” She held up her hand. “I’m not telling you this to make you uncomfortable, Grey. I wanted to tell you that you were a knight to me that evening-a knight on a big white horse. I didn’t know much about your reputation, all I knew was that you made me feel grown-up.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
But if the same man is in a quiet corner of a bar, drinking alone, he will get more depressed. Now there’s nothing to distract him. Drinking puts you at the mercy of your environment. It crowds out everything except the most immediate experiences.2 Here’s another example. One of the central observations of myopia theory is that drunkenness has its greatest effect in situations of “high conflict”—where there are two sets of considerations, one near and one far, that are in opposition. So, suppose that you are a successful professional comedian. The world thinks you are very funny. You think you are very funny. If you get drunk, you don’t think of yourself as even funnier. There’s no conflict over your hilariousness that alcohol can resolve. But suppose you think you are very funny and the world generally doesn’t. In fact, whenever you try to entertain a group with a funny story, a friend pulls you aside the next morning and gently discourages you from ever doing it again. Under normal circumstances, the thought of that awkward conversation with your friend keeps you in check. But when you’re drunk? The alcohol makes the conflict go away. You no longer think about the future corrective feedback regarding your bad jokes. Now it is possible for you to believe that you are actually funny. When you are drunk, your understanding of your true self changes. This is the crucial implication of drunkenness as myopia. The old disinhibition idea implied that what was revealed when someone got drunk was a kind of stripped-down, distilled version of their sober self—without any of the muddying effects of social nicety and propriety. You got the real you. As the ancient saying goes, In vino veritas: “In wine there is truth.” But that’s backward. The kinds of conflicts that normally keep our impulses in check are a crucial part of how we form our character. All of us construct our personality by managing the conflict between immediate, near considerations and more complicated, longer-term considerations. That is what it means to be ethical or productive or responsible. The good parent is someone who is willing to temper their own immediate selfish needs (to be left alone, to be allowed to sleep) with longer-term goals (to raise a good child). When alcohol peels away those longer-term constraints on our behavior, it obliterates our true self. So who were the Camba, in reality? Heath says their society was marked by a singular lack of “communal expression.” They were itinerant farmworkers. Kinship ties were weak. Their daily labor tended to be solitary, the hours long.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
I’D HAD A SLIP from my A.A. program the previous year. The causes aren’t important now, but the consequence was the worst bender I ever went on—a two-day blackout that left me on the edges of delirium tremens and with the very real conviction I had committed a homicide. The damage I did to myself was of the kind that alcoholics sometimes do not recover from—the kind when you burn the cables on your elevator and punch a hole in the basement and keep right on going. But I went back to meetings and pumped iron and ran in the park, and relearned one of the basic tenets of A.A.—that there is no possession more valuable than a sober sunrise, and any drunk who demands more out of life than that will probably not have it. Unfortunately the nocturnal hours were never good to me. In my dreams I would be drunk again, loathsome even unto myself, a public spectacle whom people treated with either pity or contempt. I would wake from the dream, my throat parched, and walk off balance into the kitchen for a glass of water, unable to extract myself from memories about people and places that I had thought no longer belonged to my life. But the feelings released from my unconscious by the dream would not leave me. It’s like blood splatter on the soul. You
James Lee Burke (Pegasus Descending (Dave Robicheaux, #15))
I know how he feels. My dad's alcoholism is the reason I haven't lived with him since I was eleven. It's the reason uncle Jim thought it would be better if I lived with him and Jane. Here's the thing about alcoholism. It's destructive on many levels and to many degrees. While Jane uses it to dampen her feelings, the depression, the inadequacy; my dad was a partier. He used it to turn himself into the person he wanted to be. The person he thought other people wanted him to be. The problem was he forgot who he was when he was sober and embraced the drunk version instead. And when that happened, I never saw my real dad again. He was absent. The drunk dad pursued people and a lifestyle and forgot to be a parent. It's not that he's forgotten about me altogether. I still talk to him about once a year. Does he love me? Sure. Is he good at showing it? Not at all. That's life. I've accepted it.
Kim Holden (Gus (Bright Side, #2))
Drunk minds speak sober thoughts, right?
R.S. Grey (Behind His Lens)
A drunk man's words are a sober man's thoughts.
Morgan C. Thomas
Alexander walked around the bed to stand in her line of sight. He wasn’t letting go of his rifle. Tatiana wiped her face. “Tania, please don’t cry,” he said emotionally. “Last night I came here ready to sacrifice everything, you included, to satisfy the burning inside me I’ve had since the day we met. But God was looking out for you, and He stopped us, and more important He stopped me, and I, in the gray of the morning, am less confused…” Alexander paused. “Though only more desperate for you.” He took a long breath, staring at his rifle. Tatiana could not find her voice to speak. Alexander said, “You and I—” then broke off, shaking his head. “But the time is all wrong for us.” She turned onto her back, putting her arm over her face. The time, the place, the life. “Couldn’t you have thought this through before you came here?” she said. “Couldn’t you have had this talk with yourself before last night?” “I cannot stay away from you,” he said. “Last night I was drunk. But tonight I’m sober. And I’m sorry.” Tears choking her throat, Tatiana said nothing. Alexander left without touching her.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Let me make you some coffee,” he suggested. “And ruin this perfectly good buzz? Hell, I’ve earned it.” She took a step and wavered. “Besides, I don’t think it’ll make me sober. Probably just wide-awake drunk.” Jack tightened his hold around her and laughed in spite of himself. “All right, Mel. I can put you in my bed and take the couch…” “But sometimes I have deer in my yard in the morning,” she said, a little whiny. “I want to go home. They might come back.” Home. That sounded good to Jack, that she thought of that cabin as her home. “All right, Mel. I’ll take you home.” “That’s a relief,” she said. “Because I’m pretty sure I already can’t drive. Even on a straight and undangerous road.” “You’re a lightweight,” he said. They
Robyn Carr (Virgin River (Virgin River #1))
The landlady showed up today. Now, there’s an interesting woman.” “She is that.” “She tells me she was the town drunk,” he said. “She was,” Jack confirmed. “She got in treatment and seems to be doing great. She’s a whole new person.” “What was the town drunk like?” Dan asked. Jack looked upward, thinking. Then he brought his gaze down to Dan’s. “Know what? I’m not going to talk about that. Cheryl is a good person who had a mighty big burden with her drinking. I’ll tell you the truth, I never saw any hope. But I see her now and she’s not the same woman. Honest to God, I would’ve thought that even sober, she’d be a little slow-witted, unmotivated. Damaged. But she seems to have beat the odds—she’s just incredible. I want her to make it.” “She’s making it,” Dan said. “That’s nice, that you won’t talk about it. Must’ve been kind of bad.” “Buddy, we’ve all been through bad times we’d like to forget.” And
Robyn Carr (Paradise Valley)
What’s going on Elsa?” “Are u drunk? Wrong #” “Completely and unfortunately sober and it’s the right number.” “Well there’s no Elsa here. Have you been hit in the head with a puck too many times? I thought you wore a helmet for that.” “I’m looking for an ice princess with the voice of an angel. You wouldn’t be hiding 1 there would u?” “What? Aer you calling me frigid or something?” “U said it, not me. I was just thinking of how gorgeous you looked with all the skating and singing. Ya know.
Nikki Jewell (The Comeback (Lakeview Lightning #1))
A little learning is a dangerous thing—a fool wi’ a blade by his side in a scabbard is safer than a fool who thinks he kens what to do with it.” “A little learning is a dangerous thing,” Roger quoted. “Drink deep, or taste not the Pierian spring. Do you think me a fool?” Jamie laughed, surprised into amusement. “There shallow draughts intoxicate the brain,” he replied, finishing the verse. “And drinking largely sobers us again. As for foolish—ye’ll no just be drunk on the thought of it, I suppose?
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
A little learning is a dangerous thing—a fool wi’ a blade by his side in a scabbard is safer than a fool who thinks he kens what to do with it.” “A little learning is a dangerous thing,” Roger quoted. “Drink deep, or taste not the Pierian spring. Do you think me a fool?” Jamie laughed, surprised into amusement. “There shallow draughts intoxicate the brain,” he replied, finishing the verse. “And drinking largely sobers us again. As for foolish—ye’ll no just be drunk on the thought of it, I suppose?” Roger smiled slightly in reply; he had given up being surprised by the breadth of Jamie’s reading. “I’ll drink deep enough to stay sober,” he said. “Will ye teach me?
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
A drunk man's words is a sober man's thoughts, except i wasn't drunk when i talked about The Walking Dead.
Robert Kirkman
Drunk actions are sober thoughts, little one, or didn’t you know that?” I tsk.
Cindy Dawson (The Shadows We Keep: Shadows and Secrets Duet (Shadows & Secrets Duet Book 1))
I thought you were the nice one.” “You thought wrong. Anyway, I need to sober up and get some sleep. I had a few drinks just now to calm my nerves since you didn’t let me drink at the beach.” “You’re drunk?!?!?!” “Maybe a little.” I teased. I hadn’t had anything at all, but I felt like messing with him. Suddenly, there was a knock on my door. “Open up, Sasha.” Shit.
Lizzie Lioness (Not Another Broken Heart (Broken Hearts Book 2))