Drivers Seat Quotes

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This is so cool!" Nico said, jumping up and down in the driver's seat. "Is this really the sun? I thought Helios and Selene were the sun and moon gods. How come sometimes it's them and sometimes it's you and Artemis?" "Downsizing," Apollo said. "The Romans started it. They couldn't afford all those temple sacrifices, so they laid off Helios and Selene and folded their duties into our job descriptions. My sis got the moon. I got the sun. It was pretty annoying at first, but at least I got this cool car." "But how does it work?" Nico asked. "I thought the sun was a big fiery ball of gas!" Apollo chuckled and ruffled Nico's hair. "That rumor probably got started because Artemis used to call me a big fiery ball of gas.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
As the taxi entered the intersection, the two drivers in the attorney general’s entourage slammed on the brakes. Both Suburbans fishtailed out of control. Ducking in the back seat, Blake could smell the burning rubber from tires skidding on the asphalt and hear the pedestrians screaming and car horns sounding off in rebuke.
Chad Boudreaux (Scavenger Hunt)
No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President
Pablo
Never make a decesion until you have to". He'd also warn me that even if I was in a position of strenght, whether at work or in a relationship, I had to play fair. "Just because you're in the driver's seat, doesn't mean you have to run people over.
Randy Pausch
Casually, out of the view of Ronan, making sure Adam was still sleeping, Gansey dangled his hand between the driver's seat and the door. Palm up, fingers stretched back to Blue. This was not allowed. He knew it was not allowed, by rules he himself had set... She would not see the gesture, anyway. She would ignore it if she did. His heart hummed. Blue touched his fingertips. Just this-- He pinched her fingers lightly, just for a moment, and then he withdrew his hand and put it back on the wheel. His chest felt warm. This was not allowed. Ronan had not seen; Adam was still sleeping. The only casualty was his pulse. -Page 36 <3
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
How bitterly glad I am to see you. You bring joy and pain in equal measure. Joy because you are with me, but pain because it won't be for long. What do you know about the sea? Nothing. What do I know about the sea? Nothing. Without a driver this bus is lost. Our lives are over. Come aboard if your destination is oblivion-- It should be our next stop. We can sit together. You can have the window seat, if you want. But it's a sad view. Oh enough of this disembling. Let me say plainly: I love you, I love you, I love you. I love you, I love you, I love you. Not the spiders, please.
Yann Martel (Life of Pi)
Just because you're in the driver's seat, doesn't mean you have to run people over.
Randy Pausch (The Last Lecture)
Let him treat you like a lady and open the car door for you. If he doesn't automatically open the door for you, stand by the darn thing and don't get into the vehicle until he realises he needs to get hid behind out of the driver's seat and come round and open the car door for you. That's his job!
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
Shepley jogged around the front of the Charger, and then slid into the driver’s seat. “I’m still taking the official position that this is a bad idea.” “Noted.” “Then where?” “Steiner’s.” “The jewelry store?” “Yep.” “Why, Travis?” Shepley said, his voice more stern than before. “You’ll see.” He shook his head. “Are you trying to run her off?” “It’s going to happen, Shep. I just want to have it. For when the time is right.” “No time any time soon is right. I am so in love with America that it drives me crazy sometimes, but we’re not old enough for that shit, yet, Travis. And … what if she says no?” My teeth clenched at the thought. “I won’t ask her until I know she’s ready.” Shepley’s mouth pulled to the side. “Just when I think you can’t get any more insane, you do something else to remind me that you are far beyond bat shit crazy.” “Wait until you see the rock I’m getting.” Shepley craned his neck slowly in my direction. “You’ve already been over there shopping, haven’t you?” I smiled.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Seat belts. Welcome to Psi Services. I'm Zach and I'll be your driver on this epic quest to freedom. If you look out your windows--but, obviously, don't because Ruby just told you not to--you can give Nevada the finger as we pull away.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
If you are not in the arena getting your ass kicked on occasion, I am not interested in or open to your feedback. There are a million cheap seats in the world today filled with people who will never be brave with their own lives, but will spend every ounce of energy they have hurling advice and judgement at those of us trying to dare greatly. Their only contributions are criticism, cynicism, and fear-mongering. If you're criticizing from a place where you're not also putting yourself on the line, I'm not interested in your feedback.
Brené Brown
we usually think of ourselves as sitting the driver's seat, with ultimate control over the decisions we made and the direction our life takes; but, alas, this perception has more to do with our desires-with how we want to view ourselves-than with reality
Dan Ariely (Predictably Irrational: The Hidden Forces That Shape Our Decisions)
I never got to be in the driver’s seat of my own life,” she’d wept to me once, in the days after she learned she was going to die. “I always did what someone else wanted me to do. I’ve always been someone’s daughter or mother or wife. I’ve never just been me.” “Oh, Mom,” was all I could say as I stroked her hand. I was too young to say anything else.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Chubs jumped out of the driver's seat, leaving the engine running. "oh, thank God. I saw you both on the ground and thought you killed each other.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I never trust the airlines from those countries where the pilots believe in the afterlife. You are safer when they don't.
Muriel Spark (The Driver's Seat)
What, you didn’t pack your lunch?” Ty asked sarcastically as he shifted around in the seat and wedged himself against the door. He kicked a foot up and propped it on the console between the two front seats. “Sure, in my SpongeBob SquarePants lunch box. I have the thermos, too,” Morrison shot right back. Zane kept his mouth shut, eyes moving between the two men, and occasionally back to the driver, who was casually paying attention. Ty stared at the kid and narrowed his eyes further. “Spongewhat?” he asked flatly. Zane didn’t even try to hold back the chuckle when Morrison looked at Ty like he’d lost his mind. “Spongewha … you’re yanking my chain, aren’t you?” Morrison said. “Henny, he’s yanking my chain.” “Yeah, well, that’s what you getting for waving it in his face,” the driver answered reasonably. “What the hell is a SpongeBob?” Ty asked Zane quietly in the backseat.
Madeleine Urban (Cut & Run (Cut & Run, #1))
This is a little too cozy, don't you think?" I remarked. "Your absolutely right." He patted the drivers seat, "Come on, Spook. Three's a crowd." The dog jumped up onto the seat.
Mary Lindsey (Shattered Souls (Souls, #1))
She is my past, my present, my future. So when I open the door and slide into the driver’s seat, I’m not surprised that it feels like I’m returning home.
Krista Ritchie (Addicted for Now (Addicted #3))
This is how I learn most of what I know about my children and their friends: by sitting in the driver's seat and keeping quiet.
Anna Quindlen (Every Last One)
MURDERED The writing continued until the driver's side glass was clear, entirely swept clean by an invisible finger, until there were so many words that none of them could be read. Until it was only a window into an empty car with the memory of a burger on the passenger seat. 'Noah,' Gansey said, 'I'm so sorry.' Blue wiped away a tear. 'Me too.' Stepping forward, leaning over the hood of the car, Ronan pressed his fingers to the windshield, and while they watched, he wrote: REMEMBERED.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
I need to call Matt and let him know I'm okay," I said. Finn held the passenger door open while I got inside. As soon as he got in the driver's seat, I turned to him. "Well? Can I call him?" "You really want to?" Finn asked as he started the car. "Yes, of course I do! Why is that so suprising?
Amanda Hocking (Switched (Trylle, #1))
Take care of your car in the garage, and the car will take care of you on the road.
Amit Kalantri (Wealth of Words)
It's a whydunnit in q-sharp major and it has a message: never talk to the sort of girls that you wouldn't leave lying about in your drawing-room for the servants to pick up.
Muriel Spark (The Driver's Seat)
What are you doing with a Maserati?" "Driving it," Andrew said, like it should be obvious, and got in the driver's seat.
Nora Sakavic (The King's Men (All for the Game, #3))
Put Jesus Christ in the driver’s seat of your life and take your hands off the steering wheel.
Rick Warren (The Purpose Driven Life: What on Earth Am I Here For?)
Only God should be in the driver's seat.
Braxton A. Cosby
Life is about choices, and you have the ability to choose. You always have had this ability. I suggest that not only do you have the ability, you have the responsibility to make choices for yourself. It is your life, and you are in the driver's seat, if you choose to be.
Lou Tice
When you get out of the driver’s seat, you find that life can drive itself, that actually life has always been driving itself. When you get out of the driver’s seat, it can drive itself so much easier—it can flow in ways you never imagined. Life becomes almost magical. The illusion of the “me” is no longer in the way. Life begins to flow, and you never know where it will take you.
Adyashanti (The End of Your World: Uncensored Straight Talk on the Nature of Enlightenment)
Just because you’re in the driver seat, doesn’t mean you have to run people over.
Randy Pausch (The Last Lecture)
Then she tilted the can and dripped the gasoline throughout the old wooden structure. She didn’t have either time or strength to haul the bodies. In a better world, she would have given One a decent burial, and positioned Four in the driver’s seat of her fashionable vehicle, but alas, neither was possible.
John M. Vermillion (Awful Reckoning: A Cade Chase and Simon Pack Novel)
I understand your position, Dave.  It’s a big story, and you worked hard to get it.  But if you don’t drop me at the Europa, I’ll blow your head off.  Imagine how big that story would be. There’s no need for these histrionics.  We’ll go to the Holiday Inn.  You can rest, shower, debrief.  You’ll be among friends. Last chance, Dave.  You can be the hero or the headline.  Your call. Let’s talk it out. No.  You talk too much. He started a new line of argument, but before the words passed his lips his brains passed them on the way out. A dirty reddish slime painted the windshield; it covered the dashboard and console. It poured and dripped from the ceiling to the seat.  The driver was covered on one side of his head and body.  The mess made the crowded taxi undrivable. -Also, someone crapped their pants.
John Payton Foden (Magenta)
Back seat drivers don’t know the feel of the wheel but they sho’ know how to make a fuss" Bob Dylan/Bonnie Raitt, “Let’s Keep It Between Us,” 1982
Bob Dylan
Women tend to sit further forward than men when driving. This is because we are on average shorter. Our legs need to be closer to reach the pedals, and we need to sit more upright to see clearly over the dashboard.49 This is not, however, the ‘standard seating position’. Women are ‘out of position’ drivers.50 And our wilful deviation from the norm means that we are at greater risk of internal injury on frontal collisions.51
Invisible Women: Data Bias in a World Designed for Men
Do I have to ask what you're smiling about?" From the driver;s seat if the Mustang, Zack cut a glance at her, grinning like a fool. "Same thing you are, Mighty Phallus." --Zack to Cori after a morning of good lovin'.
Jo Davis (Under Fire (Firefighters of Station Five, #2))
Landon slid back into the driver’s seat and pointed at my saber. “Put it away.” "“Say the magic word.” “Please,” Landon squeezed out. I slid the blade back into the sheath and petted it. “It’s okay, Sarrat. If he insults you, I’ll cut his head off and you can drink his blood.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
I am emotional about engines, if you hurt my car, you hurt my heart.
Amit Kalantri (Wealth of Words)
You need to claim the driver's seat," Cash said. "Never take a backseat in your own life! You gotta take that bitch by the steering wheel with all your might - even if the road is bumpy, even if there's blood under your fingernails, even if you loose passengers along the way. Only you can steer your life in the direction that's best for you.
Chris Colfer (Stranger Than Fanfiction)
Without a driver this bus is lost. Our lives are over. Come aboard if your destination is oblivion - it should be our next stop. We can sit together. You can have the window seat, if you want. But it's a sad view.
Yann Martel (Life of Pi)
He'd also warn me that even if I was in a position of strength, whether at work or in relationships, I had to play fair. "Just because you're in the driver's seat," he'd say, "doesn't mean you have to run people over.
Randy Pausch (The Last Lecture)
I don't remember getting out of the elevator and going through the lobby. Everything is becoming increasingly foggy. I just find myself standing in front of the hotel all of a sudden. A Blue and white car stops in front of me. Numbly, I open the back door and slide into the seat. "Can I help you" the dark haired driver asks, swiveling his head to look at me. "I need to get home to Hidden Cove." "Lady, this isn't a cab" Oh. Great. "Sorry', I mutter, quickly sliding back out. This time I make sure the car says cab on it before I get in.
Nicole Christie (Falling for the Ghost of You)
But you don’t have to let your doubt into the cockpit! You can tolerate doubt as a backseat driver, but if you put doubt in the pilot’s seat, defeat is guaranteed. Remembering that you’ve been through difficulties before and have always survived to fight again shifts the conversation in your head. It will allow you to control and manage doubt, and keep you focused on taking each and every step necessary to achieve the task at hand.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
In the rearview mirror, he caught Blue’s eyes by accident. Strangely enough, he saw his own thoughts reflected in her face: excitement and consternation. Casually, out of view of Ronan, making sure Adam was still sleeping, Gansey dangled his hand between the driver’s seat and the door. Palm up, fingers stretched back to Blue. This was not allowed. He knew it was not allowed, by rules he himself had set. He would not permit himself to play favorites between Adam and Ronan; he and Blue couldn’t play favorites in this way, either. She would not see the gesture, anyway. She would ignore it if she did. His heart hummed. Blue touched his fingertips. Just this — He pinched her fingers lightly, just for a moment, and then he withdrew his hand and put it back on the wheel. His chest felt warm. This was not allowed. Ronan had not seen; Adam was still sleeping. The only casualty was his pulse. “Your exit, dick!” Ronan snapped. Or Dick. It could have been either, really. Gansey steered in a hurry. Adam blinked awake. Ronan swore. Gansey’s heart restarted. Eyes on the road, Gansey.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to the person handing it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up truck to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead—you first,” “I like your hat.
Danusha Laméris (The Moons of August)
Oh" she says "the inconceivable sorrow of it, those chairs piled up at night when you're sitting in a cafè. The last one left".
Muriel Spark (The Driver's Seat)
I never got to be in the driver’s seat of my own life,” she’d wept to me once, in the days after she learned she was going to die. “I always did what someone else wanted me to do. I’ve always been someone’s daughter or mother or wife. I’ve never just been me.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Sex is all right” he says “It’s all right at the time, and it’s all right before” says Lise, “but the problem is afterwards. That is, if you’re not an animal. Most of the time, afterwards is pretty sad.
Muriel Spark (The Driver's Seat)
Drug cartels have taken the driver’s seat, training our young men and women on how best to self destruct, while the larger community watches on helplessly as these bands of renegades lead our people towards the path of self annihilation
Oche Otorkpa (The Unseen Terrorist)
Pretty?' I said, swivelling in the driver's seat to face him, 'you want to ask me out because I'm pretty?' 'Is there a problem with asking you out because you're pretty?' 'I think you blew it,' said Tiger with a grin. 'You should be asking her out because she's smart, witty, mature beyond her years and every moment in her company makes you want to be a better person - pretty of face should be at the bottom of the list.' 'Oh, blast,' said Perkins despondently. 'It should, shouldn't it?
Jasper Fforde (The Song of the Quarkbeast (The Last Dragonslayer, #2))
Julian placed her purse in the front seat. "She's got a loaded double-deuce in her purse, Peterson, though I'm not sure she knows how to use it. And be sure to book her on one count of falsifying information on a driver's license while you're at it." "What?" she cried. "You're just making stuff up!" He pulled off his shades, met her gaze, saw the outrage and disbelief in her eyes. "It says you weigh one-fifteen, but i know for a fact you're not a pound under one-twenty." Her cheeks flushed crimson. "Oooh!
Pamela Clare (Hard Evidence (I-Team, #2))
Women are often meticulous and safe drivers, but they are very seldom first-class. In general, Bond regarded them as a mild hazard and he always gave them plenty of road and was ready for the unpredictable. Four women in a car he regarded as the highest potential danger, and two women nearly as lethal. Women together cannot keep silent in a car, and when women talk they have to look into each other’s faces. An exchange of words is not enough. They have to see the other person’s expression, perhaps to read behind the others’ words or analyze the reaction to their own. So two women in the front seat of a car constantly distract each other’s attention from the road ahead and four women are more than doubly dangerous for the driver not only has to hear and see, what her companion is saying but also, for women are like that, what the two behind are talking about.
Ian Fleming (Thunderball (James Bond, #9))
Raj leaned over from the driver's seat to give her a quick, hard kiss. 'Don't think so hard sweetheart. I'm not dangerous.' He spun the wheel in a tight circle, taking them past the startled valets and out of the parking lot. 'Not to you anyway,' he muttered.
D.B. Reynolds (Rajmund (Vampires in America, #3))
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way. From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW. Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.” There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.” Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?” Without replying, Ronan climbed out of the car and slammed the door. Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah. Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Imagine a car’s going sixty miles an hour down a country road and a tree falls and the car hits it. Boom—instant stoppage. But if the person in the driver’s seat isn’t wearing a seat belt? They’re still going sixty. And that’s what love is like. It doesn’t just stop. No matter how hurt or wronged or angry you are—the love’s still there. Sending you right through the windshield.
Emma Chase (Twisted (Tangled, #2))
When you begin to expect that there is always room for improvement, you put yourself in the driver’s seat. Why wait for someone else to figure it out or do it? Expect that you are the one. Expect great outcomes. Expect that you are the best candidate and that you will achieve your goals.
Lorii Myers (No Excuses, The Fit Mind-Fit Body Strategy Book (3 Off the Tee, #3))
Oh look,” she pointed to them, a fine example of two people in love. Ruin paused and looked from them to her several times before whispering, “You want to? Now?’ “Oh my God,” she muttered, shaking her head. “Those two are in love, I was trying to show you but of course you’d only think of sex.” Ruin followed her to the truck, still watching the couple while he climbed into the driver seat. “Are you sure we’re not in love? Pretty sure we look just like that, minus all the laughing.
Lucian Bane (Ruin Box Set 1-3)
Let go!” I insisted. He ignored me. I staggered along sideways across the wet sidewalk until we reached the Volvo. Then he finally freed me – I stumbled against the passenger door. “You are so pushy!” I grumbled “It’s open,” was all he responded. He got in the driver’s side. “I am perfectly capable of driving myself home!” I stood by the car, fuming. It was raining harder now, and I’d never put my hood up, so my hair was dripping down my back. He lowered the automatic window and leaned toward me across the seat. “Get in, Bella.” I didn’t answer. I was mentally calculating my chances of reaching the truck before he could catch me. I had to admit it, they weren’t good. “I’ll just drag you back,” he threatened, guessing my plan.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
To his surprise he felt a moment of regret, of sadness that his quest for his mother and father would soon be over. As long as he searched for them he was prepared to be hungry and ill, but now that the search had ended he felt saddened by the memory of all he had been through, and of how much he had changed. He was closer now to the ruined battlefields and this fly-infested truck, to the nine sweet potatoes in the sack below the driver's seat, even in a sense to the detention center, than he would ever be again to his house in Amherst Avenue.
J.G. Ballard (Empire of the Sun)
Egyptians undergo an odd personality change behind the wheel of a car. In every other setting, aggression and impatience are frowned upon. The unofficial Egyptian anthem "Bokra, Insha'allah, Malesh" (Tomorrow, God Willing, Never Mind) isn't just an excuse for laziness. In a society requiring millennial patience, it is also a social code dictating that no one make too much of a fuss about things. But put an Egyptian in the driver's seat and he shows all the calm and consideration of a hooded swordsman delivering Islamic justice.
Tony Horwitz (Baghdad without a Map and Other Misadventures in Arabia)
Behind the harrows, the long seeders—twelve curved iron penes erected in the foundry, orgasms set by gears, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
Marcus tries to stay calm for the sake of his family. “I’m not asking. Step out of the damned car!” The officer is becoming unglued. “I’m getting out, damn you, but, here, let me just show you my—” “Don’t reach. Stop!” “I’m getting what you asked for, just going to show you my—” “Put your hands where I can see them!” The officer snarls. “Jesus H. Christ, officer. I’m not—” Thunderous shots ring out, and Marcus slumps away from the dash, back toward the driver’s seat.
Mark M. Bello (Betrayal In Black (Zachary Blake Legal Thriller, #4))
What most people don’t consider is that death is often random and cruel. It doesn’t care if you’ve been kind all your life. Or if you’ve eaten healthily, exercised often, and always worn a seat belt or a helmet. It doesn’t care that a loved one left behind might spend the rest of their lives replaying events in their head, tormented by the words “if only.” People tell themselves they’ve got plenty of time, until they’re at the mercy of a careless action—a driver on their cellphone, a neighbor who left a candle burning. And by then, it’s too late.
Mikki Brammer (The Collected Regrets of Clover)
There seems to be an audience that demands everything be explained to them that everything be easy. And I don t think that s doing us any good as a culture. The ease with which we can accomplish or conjure any possible imaginable scenario through CGI is almost directly proportionate to how uninterested we re becoming in all of this. I can remember Ray Harryhausen s animated skeletons in Jason and the Argonauts. I can remember Willis O Brien s King Kong. I can remember being awed at the artistry that had made those things possible. Yes I knew how it was done. But it looked so wonderful. These days I can see half a million Orcs coming over a hill and I am bored. I am not impressed at all. Because frankly I could have gotten someone a passerby on the street who could have gotten the same effect if you d given them half a million dollars to do it. It removes artistry and imagination and places money in the driver s seat and I think it s a pretty straight equation—that there is an inverse relationship between money and imagination.
Alan Moore
I heard an old man speak once, someone who had been sober for fifty years, a very prominent doctor. He said that he’d finally figured out a few years ago that his profound sense of control, in the world and over his life, is another addiction and a total illusion. He said that when he sees little kids sitting in the back seat of cars, in those car seats that have steering wheels, with grim expressions of concentration on their faces, clearly convinced that their efforts are causing the car to do whatever it is doing, he thinks of himself and his relationship with God: God who drives along silently, gently amused, in the real driver's seat.
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
Jerusha leaned forward watching with curiosity - and a touch of wistfulness - the stream of carriages and automobiles that rolled out of the asylum gates. In imagination she followed first one equipage, then another, to the big houses dotted along the hillside. She pictured herself in a fur coat and a velvet hat trimmed with feathers leaning back in the seat and nonchalantly murmuring "Home" to the driver. But on the door-sill of her home the picture grew blurred.
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
Most Christians are like a man who was toiling along the road, bending under a heavy burden, when a wagon overtook him. The driver kindly offered to help him on his journey. He joyfully accepted the offer but, when he was seated, continued to bend beneath his burden, which he still kept on his shoulders. "Why do you not lay down your burden?" asked the kind-hearted driver. "Oh!" replied the man, "I feel that it is almost too much to ask you to carry me, and I could not think of letting you carry my burden too." And so Christian who have given themselves into the care and keeping of the Lord Jesus still continue to bend beneath the weight of their burdens and often go weary and heavy-laden throughout the whole length of their journey.
Hannah Whitall Smith
You must attract a lot of attention on the road,” I said, “doing all that.” “Yeah, sometimes,” she said. “Yesterday, I pulled into a gas station, and this truck driver followed right behind me and pulled up alongside. He said, ‘Ma’am, I have been driving behind you for the last forty-five minutes, and I’ve been watching. First you did your makeup. Then you did your hair. Then you did your nails. I just wanted to get up close and see what you looked like.’ He gave me a big wink and told me I was right pretty. But then he said, ‘Let me ask you something. I noticed every couple of minutes you’ve been reaching over and foolin’ with something on the seat next to you. Whatcha got over there?’ ‘That’s my TV,’ I told him. ‘I can’t miss my soaps!
John Berendt (Midnight in the Garden of Good and Evil)
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
When she opened her car door, she noticed the electronic memo on the driver's seat. Scooping it up, she got behind the wheel. As she headed toward the gate, she flicked on the memo. Roarke's voice drawled out. "I don't like the idea of you shivering unless I cause it. Stay warm." Frowning, she tucked the memo in her pocket before experimentally touching the temperature gauge. The blast of heat had her yelping in shock. She grinned all the way to Cop Central.
J.D. Robb (Naked in Death (In Death, #1))
Fifteen minutes, a myriad of cups, kleenexes and freshly-vacuumed floor mats and seat cushions later, Kay had the interior of the limousine looking ship-shape. Inching backward out of the car on her knees, she caught a glimpse of one last bit of trash she’d missed hiding under the driver’s seat. Lowering her chest to the floor, she stretched her arm under the seat as far as it would go. She grabbed the item and pulled it out and raised herself up from her crouched position. She took one look at the used condom swinging from her fingers, screamed and flung it across the top of the front seat, where it stuck to the air conditioner vents on the dash. She knelt there staring at the thin latex mess, a million scenarios racing through her mind.
Delora Dennis (Same Old Truths (The Reluctant Avenger, #2))
The next time you check the box “S” for single, remember this: singleness is no longer a lack of options but a choice—a choice to refuse to let your life be defined by your relationship status and to live every day Happily and let your Ever After work itself out. Whether or not you have someone in the passenger seat, you are still the driver of your own life and can take whatever road you choose. So the next time you hit a speed bump, otherwise known as the age-old question, “Why are you still single?” look ’em in the eye and say, “Because I’m too strong, too smart, and too fabulous to settle.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
I made a choice between you and the King, and I chose you," Loki said. "In the garden, we were alone. I could've knocked you out and thrown you over my shoulder, then taken you back to the King. He would've spared me if I had. "But I didn't." He stepped closer to me, and I could feel the heat radiating from his body. "He told me what he'd do to me if I didn't return you to him, but I couldn't do it." He lifted his other hand, so he held my face in his hands. His skin was warm against mine, and even if he wasn't holding me, I wouldn't have looked away. There was something in his eyes, a longing and warmth, that took my breath away. "Do you understand now?" Loki asked, his voice husky. "I would do it again for you, Wendy. I would go through hell and back for you. Even knowing how much you hate me right now." I was so caught up in the moment I didn't even notice how close the passing SUV had gotten until it squealed to a stop next to us, nearly hitting our Cadillac. Loki moved toward me, and Tove jumped out of the driver's seat. Finn ran around the car and charged at Loki.
Amanda Hocking (Ascend (Trylle, #3))
Can’t you do something for her?” his nephew finally asked, when several moments passed and her screaming and didn’t stop. “I already have. I didn’t kill her,” Lucian said dryly, then added, “Slow down. You’re as bad as taxi drivers.” “And you’re a backseat driver,” Thomas muttered, then cursed under his breath. “Surely there are some drugs or something we could give her to settle her down?” Lucian glanced at him with interest. “Do you have any?” Thomas blinked. “No.” “Hmm.” He sat back in his seat. “Neither do I.” Thomas stared for a moment, glanced back at the woman in the back of the car, then said, “Her screaming is rather loud, don’t you think? Just a bit distracting for those of us trying to concentrate.” “Yes, it is,” Lucian agreed, and reached into his pocket for his earplugs. He popped them into his ears and closed his eyes, the shrieking in the car considerably muffled. He’d have killed the woman before the plane had landed without the earplugs. They were a blessing.
Lynsay Sands (Bite Me If You Can (Argeneau, #6))
From that night the thousand streets ran as one street, with imperceptible corners and changes of scene, broken by intervals of begged and stolen rides, on trains and trucks, and on country wagons with he at twenty and twentyfive and thirty sitting on the seat with his still, hard face and the clothes (even when soiled and worn) of a city man and the driver of the wagon not knowing who or what the passenger was and not daring to ask. The street ran into Oklahoma and Missouri and as far south again as Mexico and then back north to Chicago and Detroit and then back south again and at last to Mississippi. It was fifteen years long.
William Faulkner (Light in August)
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.
John Steinbeck (The Grapes of Wrath)
Poor things, she thought - do they have to spend all this energy just to surround me? It seemed pitiful that these automatons should be created and wasted, never knowing more than a minor fragment of the pattern in which they were involved, to learn and follow through insensitively a tiny step in the great dance which was seen close up as the destruction of Natalie, and far off, as the end of the world. They had all earned their deaths, Natalie thought, by a job well done - the woman in the seat ahead who had never needed a face, had perhaps been given for her part only the back of a head and a dark cloth coat collar, the man in the seat next to Natalie, a full-dress part, even to the watchchain and the grimy shirt collar - had not this same man, as a matter of fact, been close to Natalie in the station, memorising her face so that although when next they met she would not know him, he would be able to identify her, winking and gesturing with his head to the others, murmuring perhaps to the bus driver, 'That one, there.
Shirley Jackson (Hangsaman)
They are demanding equal rights with us,’ says Mrs. Fiedke. ‘That’s why I never vote with the Liberals. Perfume, jewellery, hair down to their shoulders, and I’m not talking about the ones who were born like that. I mean, the ones that can’t help it should be put on an island. It’s the others I’m talking about. There was a time they would stand up and open the door for you. They would take their hat off. But they want their equality today. All I say is that if God had intended them to be as good as us he wouldn’t have made them different from us to the naked eye. They don’t want to be all dressed alike any more. Which is only a move against us. You couldn’t run an army like that, let alone the male sex. With all due respects to Mr. Fiedke, may he rest in peace, the male sex is getting out of hand. Of course, Mr. Fiedke knew his place as a man, give him his due.’ ….. ‘If we don’t look lively,’ she says, ‘they will be taking over the homes and the children, and sitting about having chats while we go and fight to defend them and work to keep them. They won’t be content with equal rights only. Next thing they’ll want the upper hand, mark my words. Diamond earrings, I’ve read in the paper.
Muriel Spark (The Driver's Seat)
Some time later, after Noah had discreetly disappeared, Declan’s Volvo glided up, as quiet as the Pig was loud. Ronan said, “Move up, move up” to Blue until she scooted the passenger seat far enough for him to clamber behind it into the backseat. He hurriedly sprawled back in the seat, throwing one jean-covered leg over the top of Adam’s and laying his head in a posture of thoughtless abandon. By the time Declan arrived at the driver’s side window, Ronan looked as if he had been asleep for days. “Lucky I was able to get away,” Declan said. He peered into the car, eyes passing over Blue and snagging on Ronan in the backseat. His gaze followed his brother’s leg to where it rested on top of Adam’s, and his expression tightened. “Thanks, D,” Gansey said easily. With no effort, he pushed open the door, forcing Declan back without seeming to. He moved the conversation to the region of the front fender. It became a battle of genial smiles and deliberate hand gestures.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
The road looked as if no one had traveled on it in months. "It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder. The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar. As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
Sex," the driver said, "Has no one ever told you about it?" I took the New York Times from my carry-on bag and pretended to read, an act that apparently explained it all. "Ohhh," the driver said, "I understand. You do not like pussy. You like the dick. Is that it?" I brought the paper close to my face, and he stuck his arm through the little window and slapped the back of his seat. "David," he said, "David, listen to me when I am talking to you. I asked do you like the dick?" "I just work," I told him. "I work, and then I go home, and then I work some more." I was trying to set a good example, trying to be the person I'd imagined him to be, but it was a lost cause. "I fucky-fuck every day," he boasted. "Two women. I have a wife and another girl for the weekend. Two kind of pussy. Are you sure you no like to fucky-fuck?" If forced to, I can live with the word "pussy," but "fucky-fuck" was making me carsick. "That is not a real word," I told him. "You can say fuck, but fucky-fuck is just nonsense. Nobody talks that way. You will never get ahead with that kind of language." Traffic thickened because of an accident, and, as we slowed to a stop, the driver ran his tongue over his lips. "Fucky-fuck," he repeated. "I fucky-fucky-fucky fuck.
David Sedaris (When You Are Engulfed in Flames)
Competition is the spice of sports; but if you make spice the whole meal you'll be sick. The simplest single-celled organism oscillates to a number of different frequencies, at the atomic, molecular, sub-cellular, and cellular levels. Microscopic movies of these organisms are striking for the ceaseless, rhythmic pulsation that is revealed. In an organism as complex as a human being, the frequencies of oscillation and the interactions between those frequencies are multitudinous. -George Leonard Learning any new skill involves relatively brief spurts of progress, each of which is followed by a slight decline to a plateau somewhat higher in most cases than that which preceded it…the upward spurts vary; the plateaus have their own dips and rises along the way…To take the master’s journey, you have to practice diligently, striving to hone your skills, to attain new levels of competence. But while doing so–and this is the inexorable–fact of the journey–you also have to be willing to spend most of your time on a plateau, to keep practicing even when you seem to be getting nowhere. (Mastery, p. 14-15). Backsliding is a universal experience. Every one of us resists significant change, no matter whether it’s for the worse or for the better. Our body, brain and behavior have a built-in tendency to stay the same within rather narrow limits, and to snap back when changed…Be aware of the way homeostasis works…Expect resistance and backlash. Realize that when the alarm bells start ringing, it doesn’t necessarily mean you’re sick or crazy or lazy or that you’ve made a bad decision in embarking on the journey of mastery. In fact, you might take these signals as an indication that your life is definitely changing–just what you’ve wanted….Be willing to negotiate with your resistance to change. Our preoccupation with goals, results, and the quick fix has separated us from our own experiences…there are all of those chores that most of us can’t avoid: cleaning, straightening, raking leaves, shopping for groceries, driving the children to various activities, preparing food, washing dishes, washing the car, commuting, performing the routine, repetitive aspects of our jobs….Take driving, for instance. Say you need to drive ten miles to visit a friend. You might consider the trip itself as in-between-time, something to get over with. Or you could take it as an opportunity for the practice of mastery. In that case, you would approach your car in a state of full awareness…Take a moment to walk around the car and check its external condition, especially that of the tires…Open the door and get in the driver’s seat, performing the next series of actions as a ritual: fastening the seatbelt, adjusting the seat and the rearview mirror…As you begin moving, make a silent affirmation that you’ll take responsibility for the space all around your vehicle at all times…We tend to downgrade driving as a skill simply because it’s so common. Actually maneuvering a car through varying conditions of weather, traffic, and road surface calls for an extremely high level of perception, concentration, coordination, and judgement…Driving can be high art…Ultimately, nothing in this life is “commonplace,” nothing is “in between.” The threads that join your every act, your every thought, are infinite. All paths of mastery eventually merge. [Each person has a] vantage point that offers a truth of its own. We are the architects of creation and all things are connected through us. The Universe is continually at its work of restructuring itself at a higher, more complex, more elegant level . . . The intention of the universe is evolution. We exist as a locus of waves that spreads its influence to the ends of space and time. The whole of a thing is contained in each of its parts. We are completely, firmly, absolutely connected with all of existence. We are indeed in relationship to all that is.
George Leonard