“
I’d said it before and meant it: Alive or undead, the love of my life was a badass.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Margo always loved mysteries. And in everything that came afterward, I could never stop thinking that maybe she loved mysteries so much that she became one.
”
”
John Green (Paper Towns)
“
Those sweet lips. My, oh my, I could kiss those lips all night long.
Good things come to those who wait.
”
”
Jess C. Scott (The Intern)
“
We could do it, you know."
"What?"
"Leave the district. Run off. Live in the woods. You and I, we could make it.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Friends are the family you choose (~ Nin/Ithilnin, Elven rogue).
”
”
Jess C. Scott (The Other Side of Life)
“
A fit, healthy body—that is the best fashion statement
”
”
Jess C. Scott
“
Rejection is an opportunity for your selection.
”
”
Bernard Branson
“
Life is a gift. Don't forget to live it.
”
”
Nicola Yoon (Everything, Everything)
“
We loved each other with a premature love, marked by a fierceness that so often destroys adult lives.
”
”
Vladimir Nabokov (Lolita)
“
Hate looks like everybody else until it smiles
”
”
Tahereh Mafi
“
I used to think that's what love was: knowing someone so well he was like a part of you.
”
”
Lauren Oliver (Before I Fall)
“
I know that pain is the most important thing in the universes. Greater than survival, greater than love, greater even than the beauty it brings about. For without pain, there can be no pleasure. Without sadness, there can be no happiness. Without misery there can be no beauty. And without these, life is endless, hopeless, doomed and damned.
Adult. You have become adult.
”
”
Harlan Ellison (Paingod and Other Delusions)
“
But even when I stop crying, even when we fall asleep and I'm nestled in his arms, this will leave another scar. No one will see it. No one will know. But it will be there. And eventually all of the scars will have scars, and that's all I'll be--one big scar of a love gone wrong.
”
”
Amanda Grace (But I Love Him)
“
She can be a nightmare, but this still feels better than any dream.
”
”
Penelope Douglas (Punk 57)
“
Time will make it worse! You're...the other half of his soul. He's never going to get over you. And no matter how much you hope that you will... you'll never get over him. You're going to wake up one day and realize what you've done, and you're going to regret the time you wasted apart from him for the rest of your life.
”
”
Jamie McGuire (Providence (Providence, #1))
“
Usually adult males who are unable to make emotional connections with the women they choose to be intimate with are frozen in time, unable to allow themselves to love for fear that the loved one will abandon them. If the first woman they passionately loved, the mother, was not true to her bond of love, then how can they trust that their partner will be true to love. Often in their adult relationships these men act out again and again to test their partner's love. While the rejected adolescent boy imagines that he can no longer receive his mother's love because he is not worthy, as a grown man he may act out in ways that are unworthy and yet demand of the woman in his life that she offer him unconditional love. This testing does not heal the wound of the past, it merely reenacts it, for ultimately the woman will become weary of being tested and end the relationship, thus reenacting the abandonment. This drama confirms for many men that they cannot put their trust in love. They decide that it is better to put their faith in being powerful, in being dominant.
”
”
bell hooks
“
Could a scar be like the rings of a tree, reopened with each emotional season?
”
”
Magenta Periwinkle (Cutting Class)
“
Please, touch me, I pray.
”
”
Jess C. Scott (The Intern)
“
He made me feel unhinged . . . like he could take me apart and put me back together again and again.
”
”
Chelsie Shakespeare
“
You know all that sympathy that you feel for an abused child who suffers without a good mom or dad to love and care for them? Well, they don't stay children forever. No one magically becomes an adult the day they turn eighteen. Some people grow up sooner, many grow up later. Some never really do. But just remember that some people in this world are older versions of those same kids we cry for.
”
”
Ashly Lorenzana
“
If you love someone, why would you want that person to change?
”
”
Hailey Abbott (Getting Lost with Boys)
“
We all have two lives: The true, the one we dreamed of in childhood And go on dreaming of as adults in a substratum of mist; the false, the one we love when we live with others, the practical, the useful, the one we end up by being put in a coffin.
”
”
Fernando Pessoa
“
Do you think we can be friends?” I asked.
He stared up at the ceiling. “Probably not, but we can pretend.
”
”
Priya Ardis (Ever My Merlin (My Merlin, #3))
“
I had fallen too far. I was in love with Rush Finlay.
”
”
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
“
She'd survived the outside. She'd survived the Aether and cannibals and wolves. She knew how to love now, and how to let go. Whatever came next, she would survive it, too
”
”
Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
“
Too many adults wish to 'protect' teenagers when they should be stimulating them to read of life as it is lived.
”
”
Margaret A. Edwards
“
I have always been a reader; I have read at every stage of my life, and there has never been a time when reading was not my greatest joy. And yet I cannot pretend that the reading I have done in my adult years matches in its impact on my soul the reading I did as a child. I still believe in stories. I still forget myself when I am in the middle of a good book. Yet it is not the same. Books are, for me, it must be said, the most important thing; what I cannot forget is that there was a time when they were at once more banal and more essential than that. When I was a child, books were everything. And so there is in me, always, a nostalgic yearning for the lost pleasure of books. It is not a yearning that one ever expects to be fulfilled.
”
”
Diane Setterfield (The Thirteenth Tale)
“
Yes, boys are a little like shoes. Why? Well...They can be useful. But mainly...They are nice to look at. Getting the right one can be a lovely accessory to an outfit. There are times when you couldn't do without them. And there are times when you'd rather do without them. Get the wrong ones and they can hurt. There are many types and often the ones that look the nicest are completely unpractical.
”
”
Rachel Hill (A Girl's Guide to Guys: Meeting Them, Managing Them and All That Love Stuff)
“
His eyes were frighteningly alive, the curve of his mouth savage and pleased. It suddenly didn't seem at all surprising that he should be able to pull things from his dreams.
In that moment, Blue was a little in love with all of them. Their magic. Their quest. Their awfulness and strangeness. Her raven boys.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Cooking is at once child's play and adult joy. And cooking done with care is an act of love.
”
”
Craig Claiborne
“
But this girl...she doesn’t feel pointless. She’s real and she’s beautiful and she fits perfectly when she’s in my arms. She makes me want to feel.
”
”
Monica Murphy (One Week Girlfriend (One Week Girlfriend, #1))
“
Among my stillness was a pounding heart.
”
”
Shannon A. Thompson (Seconds Before Sunrise (Timely Death, #2))
“
Blaire, even if all we do is kiss or just lay there and talk, I'm okay with that. I just wanted you up here. Close to me.
”
”
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
“
Vane grabbed me. “DuLac, let’s chat.”
Chat. British-speak for “Stand still while I yell at you.
”
”
Priya Ardis (My Merlin Awakening (My Merlin, #2))
“
A coworker at SNL dropped an angry c-bomb on me and i had the weirdest reaction. To my surprise, I blurted, "No. You don't get to call me that. My parents love me. I'm not some Adult Child of an Alcoholic that's going to take that shit.
”
”
Tina Fey (Bossypants)
“
He would reach for me in the middle of the night, nearly every single night, wrapping one of those solid arms around my waist and pulling me in close. So. Close.
”
”
Chelsie Shakespeare (The Pull)
“
I'd Tell You I Love You, But Then I'd Have to Kill You
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
I'm going to hell. I'm pretty sure she'd going to drag me there herself.
”
”
Penelope Douglas (Punk 57)
“
Wow,” said Adrian. He sat down on the bed and tested its bounciness, giving it a nod of approval. “This is amazing. What do you think, buttercup?”
“I have no words,” I said honestly.
He patted the spot beside him. “Want to try it out?
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Parents have this twisted belief that anyone under the age of about twenty simply can’t know what love is, like the age to love is assessed in the same way the law assesses the legal age to drink. They think that the ‘emotional growth’ of a teenager’s mind is too underdeveloped to understand love, to know if it’s ‘real’ or not.
That's completely asinine.
The truth is that adults love in different ways, not the only way.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
...and he laughed a laugh she loved more than the warmest of fires on the coldest of nights.
”
”
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
“
The foundation of adult trust is not "You will never hurt me." It is "I trust myself with whatever you do.
”
”
David Richo (Daring to Trust: Opening Ourselves to Real Love and Intimacy)
“
No one else can close the door that God has opened for you,” she quietly said under her breath. That was something that Grandma Alice had said to her many times before her death.
“I miss you, Alice,” she whispered, “and wish you were here with me now.
”
”
Diane Merrill Wigginton (A Compromising Position)
“
When you find someone you want to spend forever with you, you don't let them go, whether forever turns out to be a day or a year of fifty years. Don't let the fear of losing them keep you from loving them.
”
”
Nicole Williams (Crash (Crash, #1))
“
How many times can a heart be shattered and still be pieced back together? How many times before the damage is irreparable?
”
”
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
“
Fuck me,” I whispered, giving him permission, taking him into my flesh, a soft invitation to madness.
”
”
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
“
Accidents happen. Our bones shatter, our skin splits, our hearts break. We burn, we drown, we stay alive.
”
”
Moïra Fowley-Doyle (The Accident Season)
“
. . . besides love, independence of thought is the greatest gift an adult can give a child.
”
”
Bryce Courtenay (The Power of One (The Power of One, #1))
“
I've found what makes children happy doesn't always prepare them to be courageous, engaged adults.
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
For the record, I would like to point out that it is NOT being obsessive to memorize a boy's schedule so that you can accidentally bump into him. It is called being efficient.
”
”
Jess Rothenberg (The Catastrophic History of You and Me)
“
For children love is a feeling; for adults, it is a decision. Children wait to learn if their love is true by seeing how long it lasts; adults make their love true by never wavering from their commitment.
”
”
Orson Scott Card (Pathfinder (Pathfinder, #1))
“
I have no life there if you're not in it. You're part of everything good I've ever done, Ryen. Please.
”
”
Penelope Douglas (Punk 57)
“
I think back to what Landon said about heartbreak, that if you don’t love the person, they can’t break your heart. Hardin repeatedly breaks my heart, even when I don’t think there are any more pieces to break.
And I love him. I love Hardin.
”
”
Anna Todd (After (After, #1))
“
...what good would it
do to
shutter your windows, never
dream of rainbows or find hope
in promises? Why choose to
walk away
rather than hold your ground
and fight for love?
”
”
Ellen Hopkins (Perfect (Impulse, #2))
“
I imagined the lies the valedictorian was telling them right now. About the exciting future that lies ahead. I wish she'd tell them the truth: Half of you have gone as far in life as you're ever going to. Look around. It's all downhill from here. The rest of us will go a bit further, a steady job, a trip to Hawaii, or a move to Phoenix, Arizona, but out of fifteen hundred how many will do anything truly worthwhile, write a play, paint a painting that will hang in a gallery, find a cure for herpes? Two of us, maybe three? And how many will find true love? About the same. And enlightenment? Maybe one. The rest of us will make compromises, find excuses, someone or something to blame, and hold that over our hearts like a pendant on a chain.
”
”
Janet Fitch (White Oleander)
“
There is no law stronger than that of
magic. - Kian
”
”
Kailin Gow (Bitter Frost (Frost, #1))
“
How can a fifteen-year old girl defend her love when that love is dismissed by everyone? It’s impossible to defend yourself against inexperience and age. And maybe they’re right. Maybe we don’t know love like an adult knows love, but we sure as hell feel it.
”
”
Colleen Hoover (Confess)
“
Most people are only as needy as their unmet needs.
”
”
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
“
You naked in my bed is even more unbelievably beautiful than I thought it would be... and trust me I've thought about it. A lot.
”
”
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
“
Vane’s lips tightened to suppress a smile. “Why so hostile, love?”
“You whacked me on the head with a ball!”
“You deserved it.
”
”
Priya Ardis (My Merlin Awakening (My Merlin, #2))
“
Oh, sorry, love. I was just getting out of the shower when I heard this loud commotion in front of my door.” Jake gave her a sloppy grin. “I didn’t realize there was a dress code when coming to the aid of a beautiful neighbor. I’ll keep it in mind for the next time I come running.
”
”
Diane Merrill Wigginton (A Compromising Position)
“
He treated Root exactly as he treated prime numbers. For him, primes were the base on which all other natural numbers relied; and children were the foundation of everything worthwhile in the adult world
”
”
Yōko Ogawa (The Housekeeper and the Professor)
“
He feared me as many men fear women: because their mistresses (or their wives) understand them. They are scarcely adult, some men: they wish women to understand them, and to that end they tell them all their secrets; and then, when they are properly understood, they hate their women for understanding them.
”
”
Julian Barnes (Flaubert's Parrot)
“
I love you," he said.
She looked up at him, her eyes shiny and black, then looked away. "I know," she said.
He pulled one of his arms out from under her and traced her outline against the couch. He could spend all day like this, running his hand down her ribs, into her waist, out to her hips and back again.... If he had all day, he would. If she weren't made of so many other miracles.
"You know?" he repeated. She smiled, so he kissed her. "You're not the Han Solo in this relationship, you know."
"I'm totally the Han Solo," she whispered. It was good to hear her. It was good to remember it was Eleanor under all this new flesh.
"Well, I'm not the Princess Leia," he said.
"Don't get so hung up on gender roles," Eleanor said.
”
”
Rainbow Rowell (Eleanor & Park)
“
I kiss him to get him to stop talking. If he keeps talking I will love him, and I don't want to love him. I really don't. As strategies go, it's not my finest. Kissing is just another way of talking except without the words.
”
”
Nicola Yoon (The Sun Is Also a Star)
“
Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
”
”
Simona Panova (Nightmarish Sacrifice (Cardew))
“
All my adult life I have kept a distance from other people, it has been my way of coping, because I become so incredibly close to others in my thoughts and feelings of course, they only have to look away dismissively for a storm to break inside me.
”
”
Karl Ove Knausgård (A Man in Love)
“
I wish I’d paid better attention. I didn’t yet think of time as finite. I didn’t fully appreciate the stories she told me until I became adult, and by then I had to make do with snippets pasted together, a film projected on the back of my mind.
”
”
Jessica Maria Tuccelli (Glow)
“
Even adults who were stiffened by the starch of their miserable lives, for whom breaking the stony discipline of austere and judgmental intolerance was usually off the table, melted in the magical luminescence and energetic charm of the pre-pubescent Ruka.
”
”
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
“
I have always, essentially, been waiting. Waiting to become something else, waiting to be that person I always thought I was on the verge of becoming, waiting for that life I thought I would have. In my head, I was always one step away. In high school, I was biding my time until I could become the college version of myself, the one my mind could see so clearly. In college, the post-college “adult” person was always looming in front of me, smarter, stronger, more organized. Then the married person, then the person I’d become when we have kids. For twenty years, literally, I have waited to become the thin version of myself, because that’s when life will really begin.
And through all that waiting, here I am. My life is passing, day by day, and I am waiting for it to start. I am waiting for that time, that person, that event when my life will finally begin.
I love movies about “The Big Moment” – the game or the performance or the wedding day or the record deal, the stories that split time with that key event, and everything is reframed, before it and after it, because it has changed everything. I have always wanted this movie-worthy event, something that will change everything and grab me out of this waiting game into the whirlwind in front of me. I cry and cry at these movies, because I am still waiting for my own big moment. I had visions of life as an adventure, a thing to be celebrated and experienced, but all I was doing was going to work and coming home, and that wasn’t what it looked like in the movies.
John Lennon once said, “Life is what happens when you’re busy making other plans.” For me, life is what was happening while I was busy waiting for my big moment. I was ready for it and believed that the rest of my life would fade into the background, and that my big moment would carry me through life like a lifeboat.
The Big Moment, unfortunately, is an urban myth. Some people have them, in a sense, when they win the Heisman or become the next American Idol. But even that football player or that singer is living a life made up of more than that one moment. Life is a collection of a million, billion moments, tiny little moments and choices, like a handful of luminous, glowing pearl. It takes so much time, and so much work, and those beads and moments are so small, and so much less fabulous and dramatic than the movies.
But this is what I’m finding, in glimpses and flashes: this is it. This is it, in the best possible way. That thing I’m waiting for, that adventure, that move-score-worthy experience unfolding gracefully. This is it. Normal, daily life ticking by on our streets and sidewalks, in our houses and apartments, in our beds and at our dinner tables, in our dreams and prayers and fights and secrets – this pedestrian life is the most precious thing any of use will ever experience.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
That was when it was all made painfully clear to me. When you are a child, there is joy. There is laughter. And most of all, there is trust. Trust in your fellows. When you are an adult...then comes suspicion, hatred, and fear. If children ran the world, it would be a place of eternal bliss and cheer. Adults run the world; and there is war, and enmity, and destruction unending. Adults who take charge of things muck them up, and then produce a new generation of children and say, "The children are the hope of the future." And they are right. Children are the hope of the future. But adults are the damnation of the present, and children become adults as surely as adults become worm food.
Adults are the death of hope.
”
”
Peter David (Tigerheart)
“
The real questions for parents should be: "Are you engaged? Are you paying attention?" If so, plan to make lots of mistakes and bad decisions. Imperfect parenting moments turn into gifts as our children watch us try to figure out what went wrong and how we can do better next time. The mandate is not to be perfect and raise happy children. Perfection doesn't exist, and I've found what makes children happy doesn't always prepare them to be courageous, engaged adults.
”
”
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
“
If you have one parent who loves you, even if they can't buy you clothes, they're so poor and they make all kinds of mistakes and maybe sometimes they even give you awful advice, but never for one moment do you doubt their love for you--if you have this, you have incredibly good fortune.
If you have two parents who love you? You have won life's Lotto.
If you do not have parents, or if the parents you have are so broken and so, frankly, terrible that they are no improvement over nothing, this is fine.
It's not ideal because it's harder without adults who love you more than they love themselves. But harder is just harder, that's all.
”
”
Augusten Burroughs (This Is How: Proven Aid in Overcoming Shyness, Molestation, Fatness, Spinsterhood, Grief, Disease, Lushery, Decrepitude & More. For Young and Old Alike.)
“
Except even at the start, when we were in that can't-get-enough-of-you-phase, there was like some invisible wall between us. At first I tried to take it down, but it took so much effort to even make cracks. And then I got tired of trying. Then I justified it. This was just how adult relationships were, how love felt once you had a few battle scars.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
Just because you're an adult doesn't mean you're grown up. Growing up means being patient, holding your temper, cutting out the self-pity, and quitting with the righteous indignation.'
'Why do so many people seem to love righteous indignation?'
'Because if you can prove you're a victim, all rules are off. You can lash out at people. You don't have to be accountable for anything.
”
”
Brandon Stanton (Humans of New York)
“
You give a lot of great advice about what to do. Do you have any advice of what not to do?
Don’t do what you know on a gut level to be the wrong thing to do. Don’t stay when you know you should go or go when you know you should stay. Don’t fight when you should hold steady or hold steady when you should fight. Don’t focus on the short-term fun instead of the long-term fall out. Don’t surrender all your joy for an idea you used to have about yourself that isn’t true anymore. Don’t seek joy at all costs. I know it’s hard to know what to do when you have a conflicting set of emotions and desires, but it’s not as hard as we pretend it is. Saying it’s hard is ultimately a justification to do whatever seems like the easiest thing to do—have the affair, stay at that horrible job, end a friendship over a slight, keep loving someone who treats you terribly. I don’t think there’s a single dumbass thing I’ve done in my adult life that I didn’t know was a dumbass thing to do while I was doing it. Even when I justified it to myself—as I did every damn time—the truest part of me knew I was doing the wrong thing. Always. As the years pass, I’m learning how to better trust my gut and not do the wrong thing, but every so often I get a harsh reminder that I’ve still got work to do.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
What it means to be human is to bring up your children in safety, educate them, keep them healthy, teach them how to care for themselves and others, allow them to develop in their own way among adults who are sane and responsibile, who know the value of the world and not its economic potential. It means art, it means time, it means all the invisibles never counted by the GDP and the census figures. It means knowing that life has an inside as well as an outside. And I think it means love.
”
”
Jeanette Winterson (The Stone Gods)
“
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
”
”
Daphne du Maurier (Rebecca)
“
There are two kinds of women: those who marry princes and those who marry frogs. The frogs never become princes, but it is an acknowledged fact that a prince may very well, in the course of an ordinary marrige, gradually, at first almost imperceptibly, turn into a frog. Happy the woman who after twenty-five years still wakes up beside the prince she fell in love with.
”
”
Stephen Mitchell (The Frog Prince: A Fairy Tale for Consenting Adults)
“
But the young educated adults of the 90s -- who were, of course, the children of the same impassioned infidelities and divorces Mr. Updike wrote about so
beautifully -- got to watch all this brave new individualism and self-expression and sexual freedom deteriorate into the joyless and anomic self-indulgence of the Me Generation. Today's sub-40s have different horrors, prominent among which are anomie and solipsism and a peculiarly American loneliness: the prospect of dying without once having loved something more than yourself.
”
”
David Foster Wallace (Consider the Lobster and Other Essays)
“
As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life.
And now I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
”
”
Sherman Alexie
“
it's weird how much people change. for example, when i was a kid i loved all of these things..and over time all of them just fell away, one after another, replaced by friends and IMing and cell phones and boys and clothes. it's kind of sad, if you think about it. like there's no continuity in people at all. like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult," and after that you're a totally different person. maybe even a less happy person. maybe even a worse one.
”
”
Lauren Oliver (Before I Fall)
“
Chase looked like a drowning man without a life preserver, and by the look in his eyes, he was going under for the third time.
“I knew you would be like the waters of the South Pacific Ocean.”
“I beg your pardon?”
“I liken people to different bodies of water,” he quickly explained.
“You what?”
“Each ocean has a different personality,” he said to clarify. “The Pacific Ocean is warmer and inviting, but the color is muddied in places. The Arctic Ocean is cold and very uninviting, one might even say that it is not very appealing, but it’s full of life. Then there is the South Pacific Ocean, warm, inviting, and crystal clear. It has this purity to it. Why, the coloring of the water is some of the brightest blue I’ve ever seen in my entire life. There are even places that you can see thirty meters down.
”
”
Diane Merrill Wigginton (A Compromising Position)
“
Mr Freeman: "Art without emotion is like chocolate cake without sugar. It makes you gag." He sticks his finger down his throat. "The next time you work on your trees, don't think about trees. Think about love, or hate, or joy, or pain- whatever makes you feel something, makes your palms sweat, or your toes curl. Focus on that feeling.
When people don't express themselves, they die on piece at a time. You'd be shocked at how many adults are really dead inside- walking through their days with no idea who they are, just waiting for a heart attack or cancer or a mack truck to come along and finish the job. It's the saddest thing I know.
”
”
Laurie Halse Anderson (Speak)
“
He was lovable the way a child is lovable, and he was capable of returning love with a childlike purity. If love is nevertheless excluded from his work, it's because he never quite felt that he deserved to receive it. He was a lifelong prisoner on the island of himself. What looked like gentle contours from a distance were in fact sheer cliffs. Sometimes only a little of him was crazy, sometimes nearly all of him, but, as an adult, he was never entirely not crazy. What he'd seen of his id while trying to escape his island prison by way of drugs and alcohol, only to find himself even more imprisoned by addiction, seems never to have ceased to be corrosive of his belief in his lovability. Even after he got clean, even decades after his late-adolescent suicide attempt, even after his slow and heroic construction of a life for himself, he felt undeserving. And this feeling was intertwined, ultimately to the point of indistinguishability, with the thought of suicide, which was the one sure way out of his imprisonment; surer than addiction, surer than fiction, and surer, finally, than love.
”
”
Jonathan Franzen
“
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years.
All business and politics is personal in the Philippines.
If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump.
They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on.
I'm not lazy. I'm just motivationally challenged.
I'm not fat. I just have lots of stored energy.
You don't get it do you? What people think of you matters more than the reality. Marilyn.
Despite standing firm at the final hurdle Marilyn was always ready to run the race.
After answering the question the woman bent down behind the stand out of sight of all, and crossed herself.
It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up.
He wondered at the price of honesty in a grey world whose half tones changed faster than the weather.
The banality of truth somehow always surprises the news media before they tart it up.
You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points]
Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse.
You could call the Oval Office an information rain shadow.
In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil.
There's honest and dishonest corruption in this country.
Don't enjoy it too much for it's what we love that usually kills us.
The good guys don't always win wars but the winners always make sure that they go down in history as the good guys.
The Philippines is like a woman. You love her and hate her at the same time.
I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality.
The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent.
Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins.
Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it.
Tsismis or rumours grow in this land like tropical weeds.
Surprises are so common here that nothing is surprising.
A crooked leader who can lead is better than a crooked one who can't.
Although I always followed the politics of Hitler I emulate the drinking habits of Churchill.
It [Australia] is the country that does the least with the most.
Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold.
Didn't your mother ever tell you never to trust a man who doesn't drink?
She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
”
”
John Richard Spencer
“
Every adult life could be said to be defined by two great love stories. The first - the story of our quest for sexual love - is well known and well charted, its vagaries form the staple of music and literature, it is socially accepted and celebrated. The second - the story of our quest for love from the world - is a more secret and shameful tale. If mentioned, it tends to be in caustic, mocking terms, as something of interest chiefly to envious or deficient souls, or else the drive for status is interpreted in an economic sense alone. And yet this second love story is no less intense than the first, it is no less complicated, important or universal, and its setbacks are no less painful. There is heartbreak here too.
”
”
Alain de Botton (Status Anxiety)
“
Is there no context for our lives? No song, no literature, no poem full of vitamins, no history connected to experience that you can pass along to help us start strong? You are an adult. The old one, the wise one. Stop thinking about saving your face. Think of our lives and tell us your particularized world. Make up a story. Narrative is radical, creating us at the very moment it is being created. We will not blame you if your reach exceeds your grasp; if love so ignites your words they go down in flames and nothing is left but their scald. Or if, with the reticence of a surgeon's hands, your words suture only the places where blood might flow. We know you can never do it properly - once and for all. Passion is never enough; neither is skill. But try. For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief s wide skirt and the stitch that unravels fear's caul. You, old woman, blessed with blindness, can speak the language that tells us what only language can: how to see without pictures. Language alone protects us from the scariness of things with no names. Language alone is meditation.
”
”
Toni Morrison (The Nobel Lecture In Literature, 1993)
“
Most adult children of toxic parents grow up feeling tremendous confusion about what love means and how it’s supposed to feel. Their parents did extremely unloving things to them in the name of love. They came to understand love as something chaotic, dramatic, confusing, and often painful—something they had to give up their own dreams and desires for. Obviously, that’s not what love is all about. Loving behaviour doesn’t grind you down, keep you off balance, or create feelings of self-hatred. Love doesn’t hurt, it feels good. Loving behaviour nourishes your emotional well-being. When someone is being loving to you, you feel accepted, cared for, valued, and respected. Genuine love creates feelings of warmth, pleasure, safety, stability, and inner peace.
”
”
Susan Forward (Toxic Parents: Overcoming Their Hurtful Legacy and Reclaiming Your Life)
“
To love is not to possess,
To own or imprison,
Nor to lose one's self in another.
Love is to join and separate,
To walk alone and together,
To find a laughing freedom
That lonely isolation does not permit.
It is finally to be able
To be who we really are
No longer clinging in childish dependency
Nor docilely living separate lives in silence,
It is to be perfectly one's self
And perfectly joined in permanent commitment
To another--and to one's inner self.
Love only endures when it moves like waves,
Receding and returning gently or passionately,
Or moving lovingly like the tide
In the moon's own predictable harmony,
Because finally, despite a child's scars
Or an adult's deepest wounds,
They are openly free to be
Who they really are--and always secretly were,
In the very core of their being
Where true and lasting love can alone abide.
”
”
James Kavanaugh (The Poetry of James Kavanaugh)
“
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees.
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her.
Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling.
Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees.
Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet.
Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart.
She did not tell them to clean up their lives or go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure.
She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard...
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
The fundamentalist seeks to bring down a great deal more than buildings. Such people are against, to offer just a brief list, freedom of speech, a multi-party political system, universal adult suffrage, accountable government, Jews, homosexuals, women's rights, pluralism, secularism, short skirts, dancing, beardlessness, evolution theory, sex. There are tyrants, not Muslims.
United Nations Secretary-General Kofi Annan has said that we should now define ourselves not only by what we are for but by what we are against. I would reverse that proposition, because in the present instance what we are against is a no brainer. Suicidist assassins ram wide-bodied aircraft into the World Trade Center and Pentagon and kill thousands of people: um, I'm against that. But what are we for? What will we risk our lives to defend? Can we unanimously concur that all the items in the preceding list -- yes, even the short skirts and the dancing -- are worth dying for?
The fundamentalist believes that we believe in nothing. In his world-view, he has his absolute certainties, while we are sunk in sybaritic indulgences. To prove him wrong, we must first know that he is wrong. We must agree on what matters: kissing in public places, bacon sandwiches, disagreement, cutting-edge fashion, literature, generosity, water, a more equitable distribution of the world's resources, movies, music, freedom of thought, beauty, love. These will be our weapons. Not by making war but by the unafraid way we choose to live shall we defeat them.
How to defeat terrorism? Don't be terrorized. Don't let fear rule your life. Even if you are scared.
”
”
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
“
Death. The only thing inevitable in life.
People don't like to talk about death because it makes them sad.
They don't want to imagine how life will go on without them,
all the people they love will briefly grieve
but continue to breathe.
They don't want to imagine how life will go on without them,
Their children will still grow
Get married
Get old..
They don't want to imagine how life will continue to go on without them
Their material things will be sold
Their medical files stamped "closed"
Their name becoming a memory to everyone they
know.
They don't want to imagine how life will go on without them, so instead of accepting it head on, they avoid the subject all together,
hoping and praying it will somehow...
pass them by.
Forget about them,
moving on to the next one in line.
no, they didn't want to imagine how life would
continue to go on....
without them.
But death
didn't
forget.
Instead they were met head-on by death,
disguised as an 18-wheeler
behind a cloud of fog.
No.
Death didn't forget about them.
If only they had been prepared, accepted the inevitable, laid out their plans, understood that it
wasn't just their lives at hand.
I may have legally been considered an adult at the age
of nineteen, but still i felt very much
all
of just nineteen.
Unprepared
and overwhelmed
to suddenly have the entire life of a seven-year-old
in my realm.
Death. The only thing inevitable in life.
-Will
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller
coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even
heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose — allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
love. she liberated me to life, she continued to do that. and when she was in her final sickness i went out to san francisco and the doctor said she had 3 weeks to live, i asked her "would you come to north carolina?" she said yes. she had emphysema and lung cancer, i brought her to my home. she lived for a year and a half ..and when she was finally in extemis, she was on oxygen and fighting cancer for her life and i remembered her liberating me, and i said i hoped i would be able to liberate her, she deserved that from me. she deserved a great daughter and she got one. so in her last days, i said "i understand some people need permission to go… as i understand it you may have done what god put you here to do. you were a great worker, you must've been a great lover cause a lot of men and if I'm not wrong maybe a couple of woman risked their lives to love you. you were a piss poor mother of small children but a you were great mother of young adults, and if you need permission to go, i liberate you". and i went back to my house, and something said go back- i was in my pajamas, i jumped in my car and ran and the nurse said "she just gone". you see love liberates. it doesn't bind, love says i love you. i love you if you're in china, i love you if you're across town, i love you if you're in harlem, i love you. i would like to be near you, i would like to have your arms around me i would like to have your voice in my ear but thats not possible now, i love you so go. love liberates it doesn't hold. thats ego. love liberates.
”
”
Maya Angelou
“
The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told “not really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness.
Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally.
White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to “protect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like.
”
”
bell hooks (All About Love: New Visions)
“
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..."
"What?"
"Like it was with Clotile."
"Oh, Jackson, no. I was okay. I'm unharmed."
"Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past."
...
"When you say we...?"
He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest."
"I won't laugh. I'm listening."
"Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me."
My heart felt like it'd stopped--so that I could hear him better.
"For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known."
"I don't look down at you! I'm too busy looking up to you."
...
"The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call."
I murmured, "I didn't know...I couldn't be sure."
"It's you for me, peekon.
”
”
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
“
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible.
When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth.
"Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger."
Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud?
"Grilled cheese?" I said hesitantly.
"Okay, good. What else?"
I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
”
”
Stephanie Klein (Straight Up and Dirty)
“
Youth was the time for happiness, its only season; young people, leading a lazy, carefree life, partially occupied by scarcely absorbing studies, were able to devote themselves unlimitedly to the liberated exultation of their bodies. They could play, dance, love, and multiply their pleasures. They could leave a party, in the early hours of the morning, in the company of sexual partners they had chosen, and contemplate the dreary line of employees going to work. They were the salt of the earth, and everything was given to them, everything was permitted for them, everything was possible. Later on, having started a family, having entered the adult world, they would be introduced to worry, work, responsibility, and the difficulties of existence; they would have to pay taxes, submit themselves to administrative formalities while ceaselessly bearing witness--powerless and shame-filled--to the irreversible degradation of their own bodies, which would be slow at first, then increasingly rapid; above all, they would have to look after children, mortal enemies, in their own homes, they would have to pamper them, feed them, worry about their illnesses, provide the means for their education and their pleasure, and unlike in the world of animals, this would last not just for a season, they would remain slaves of their offspring always, the time of joy was well and truly over for them, they would have to continue to suffer until the end, in pain and with increasing health problems, until they were no longer good for anything and were definitively thrown into the rubbish heap, cumbersome and useless. In return, their children would not be at all grateful, on the contrary their efforts, however strenuous, would never be considered enough, they would, until the bitter end, be considered guilty because of the simple fact of being parents. From this sad life, marked by shame, all joy would be pitilessly banished. When they wanted to draw near to young people's bodies, they would be chased away, rejected, ridiculed, insulted, and, more and more often nowadays, imprisoned. The physical bodies of young people, the only desirable possession the world has ever produced, were reserved for the exclusive use of the young, and the fate of the old was to work and to suffer. This was the true meaning of solidarity between generations; it was a pure and simple holocaust of each generation in favor of the one that replaced it, a cruel, prolonged holocaust that brought with it no consolation, no comfort, nor any material or emotional compensation.
”
”
Michel Houellebecq (The Possibility of an Island)