Drift King Quotes

We've searched our database for all the quotes and captions related to Drift King. Here they are! All 100 of them:

Our eyes meet, and something dangerous sparks. He hates you, I remind myself. “Kiss me again,” he says, drunk and foolish. “Kiss me until I am sick of it.” I feel those words, feel them like a kick to the stomach. He sees my expression and laughs, a sound full of mockery. I can’t tell which of us he’s laughing at. He hates you. Even if he wants you, he hates you. Maybe he hates you the more for it. After a moment, his eyes flutter closed. His voice falls to a whisper, as though he’s talking to himself. “If you’re the sickness, I suppose you can’t also be the cure.” He drifts off to sleep, but I am wide awake.
Holly Black (The Wicked King (The Folk of the Air, #2))
The man in black fled across the desert and the gunslinger followed. The desert was the apotheosis of all deserts, huge, standing to the sky for what looked like eternity in all directions. It was white and blinding and waterless and without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon and the devil-grass which brought sweet dreams, nightmares, death. An occasional tombstone sign pointed the way, for once the drifted track that cut its way through the thick crust of alkali had been a highway. Coaches and buckas had followed it. The world had moved on since then. The world had emptied.
Stephen King (The Gunslinger (The Dark Tower, #1))
He and Nina had never exchanged gifts or rings; they’d had no possessions they shared. They had been wanderers and soldiers. Even so, she could not leave him with nothing. From her pocket, she drew a slender sprig of ash and let it drift down into the grave, followed by a smattering of withered red petals from the tulips their compatriots had placed on his chest when they bid him goodbye in Ketterdam. “I know you never cared for sweets.” Her voice wobbled as she let a handful of toffees fall from her hand. They made a hollow patter. “But this way I’m with you, and you can keep them for me when I see you next. I know you won’t eat them yourself.
Leigh Bardugo (King of Scars (King of Scars, #1))
Neil had spent his entire life drifting by on the outskirts, looked over and looked past. It'd made him happy, or so he'd thought, because being ignored meant he was safe. He hadn't realized how lonely he was until he met the Foxes.
Nora Sakavic (The King's Men (All for the Game, #3))
I know the pain is bad,” said Elizaveta as she drifted through the thicket. “But the thorns will keep you from forcing the darkness to recede.
Leigh Bardugo (King of Scars (King of Scars, #1))
Before drifting away entirely, he found himself reflecting---not for the first time---on the peculiarity of adults. Thet took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.
Stephen King ('Salem's Lot)
There are great drifting theatre curtains in the sky, and they change color as she watches: green goes to purple, purple to vermilion, vermilion to a queer bloody shade of red she cannot name. Russet perhaps comes close, but that isn't it exactly. She thinks no one has ever named the shade she's seeing.
Stephen King (Lisey's Story)
Kai.” “Hmm?” “Shut up and kiss me.” Isabella. Yes? Shut up and let me kiss you. So I did, deeply and tenderly, while the memories of us drifted back into my chest and settled where they belonged.
Ana Huang (King of Pride (Kings of Sin, #2))
It was the pivotal teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course -- thousands in fact -- but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.
Clive Barker (Imajica)
After so many years drifting, not connected to anything, I'm finally tethered. Safe and loved, in the middle. We start senior year like kings, like nothing can ever tear us apart. We're wrong.
Abigail Haas (Dangerous Girls)
I’ve seen a greater share of wonders, vast And small, than most have done. My peace is made; My breathing slows. I could not ask for more. To reach beyond the stuff of day-to-day Is worth this life of mine. Our kind is meant To search and seek among the outer bounds, And when we land upon a distant shore, To seek another yet farther still. Enough. The silence grows. My strength has fled, and Sol Become a faded gleam, and now I wait, A Viking laid to rest atop his ship. Though fire won’t send me off, but cold and ice, And forever shall I drift alone. No king of old had such a stately bier, Adorned with metals dark and grey, nor such A hoard of gems to grace his somber tomb. I check my straps; I cross my arms, prepare Myself to once again venture into the Unknown, content to face my end and pass Beyond this mortal realm, content to hold And wait and here to sleep— To sleep in a sea of stars. —THE FARTHEST SHORE 48–70 HARROW GLANTZER
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
The desert was the apotheosis of all deserts, huge, standing to the sky for what looked like eternity in all directions. It was white and blinding and waterless and without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon and the devil-grass which brought sweet dreams, nightmares, death. An occasional tombstone sign pointed the way, for once the drifted track that cut its way through the thick crust of alkali had been a highway. Coaches and buckas had followed it. The world had moved on since then. The world had emptied.
Stephen King (The Gunslinger (The Dark Tower, #1))
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie. All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
Virginia Woolf (A Room of One’s Own)
He tries my patience every day, the king.” “He sounds maddening.” Rhy’s hand drifted lower, tracing the muscles of Alucard’s stomach. “And yet you stay. You must love him very much.” Alucard met the king’s gaze. “I do.” He let his weight sink onto Rhy, brought his mouth to his ear. “And he’s very good in bed.
Victoria Schwab (The Fragile Threads of Power (Threads of Power, #1))
Sometimes I look up in spite of myself and see that the hospital wall, painted in soothing pastel yellow, has been replaced with gray stones held together by ancient mortar and covered with ivy. The ivy is dead, and the branches look like skeletal hands. The small door in the wall is hidden, Astrid was right about that, but it’s there. The voice comes from behind it, drifting through an ancient rusty keyhole.
Stephen King (Revival)
My grip instinctively tightened around the toy, and I lifted my gaze in time to see Kai’s attention drift from my face to the fuchsia dildo with the agonizing speed of a slow-motion car crash. Silence engulfed the hall.
Ana Huang (King of Pride (Kings of Sin, #2))
...everywhere and nowhere as the March wind begin to rise and moan like a dead Berserker winding his horn, it drifted on the wind, lonely and savage.
Stephen King (Cycle of the Werewolf)
Kojak drifted down deeper, now into real sleep, now into a dream, a good dream of chasing rabbits through the clover and timothy grass that was belly-high and wet with soothing dew. His name was Big Steve. This was the north forty. And oh the rabbits are everywhere this gray and endless morning— As he dreamed, his paws twitched.
Stephen King (The Stand)
You wanted strength.” “I still want it,” Rhy whispered. “Every day. I wake up wanting to be a stronger person. A better prince. A worthy king. That want, it’s like a fire in my chest. And then, there are these moments, these horrible, icy moments when I remember what I did …” His hand drifted to his heart. “To myself. To you. To my kingdom. And it hurts….” His voice trembled. “More than dying ever did. There are days when I don’t feel like I deserve this.” He tapped the soul seal. “I deserve to be …” He trailed off, but Kell could feel his brother’s pain, as though it were a physical thing.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
It’ll be hard not to tease your folk sometimes.” Brishen couldn’t imagine how she might go about such a thing.  He had no idea if the Kai and the Gauri even knew the same jokes or found the same things funny.  “What do you mean?” He almost leapt out of his skin when Ildiko stared at him as both of her eyes drifted slowly down and over until they seemed to meet together, separated only by the elegant bridge of her nose. “Lover of thorns and holy gods!” he yelped and clapped one hand across her eyes to shut out the sight.  “Stop that,” he ordered. Ildiko laughed and pushed his hand away.  She laughed even harder when she caught sight of his expression.  “Wait,” she gasped on a giggle.  “I can do better.  Want to see me make one eye cross and have the other stay still?” Brishen reared back.  “No!”  He grimaced.  “Nightmarish.  I’ll thank you to keep that particular talent to yourself, wife.
Grace Draven (Radiance (Wraith Kings, #1))
He began to understand what contentment actually was: the emotional version of the horse latitudes, where all the winds died away and one simply drifted. It ensued when one ran out of goals to grow. • • • This
Stephen King (End of Watch (Bill Hodges Trilogy, #3))
They came as quietly as rain, and went away like mists drifting. There were jests about them and songs. And the songs outlasted the jests. At last they became a legend, which haunted those farms for ever: they were spoken of when men told of hopeless quests, and held up to laughter or glory, whichever men had to give. And
Lord Dunsany (The King of Elfland's Daughter)
When Herschel saw Flamsteed’s “star” drift against the background stars, he announced—operating under the unwitting assumption that planets were not on the list of things one might discover—that he had discovered a comet. Comets, after all, were known to move and to be discoverable. Herschel planned to call the newfound object Georgium Sidus (“Star of George”), after his benefactor, King George III of England. If the astronomical community had respected these wishes, the roster of our solar system would now include Mercury, Venus, Earth, Mars, Jupiter, Saturn, and George.
Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
And then I sagged forward, utterly spent, emptied…light as air. I felt like I could have floated up and out…slipping through the open window and drifting away across the rooftops and satellite dishes and telephone wires…sailing away into the faintly smiling stars.
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
She never looked twice at me in the daytime, but at night, as I lay in bed and drifted toward sleep, we ran away from the cruel world of reality again and again.
Stephen King (On Writing: A Memoir of the Craft)
No one can be as intellectually slothful as a really smart person; give smart people half a chance and they will ship their oats and drift . . . dozing to Bryzantium you might say.
Stephen King (On Writing: A Memoir of the Craft)
And then the two-second gaps started. If you don't understand how tragic and annoying this is, seriously, start singing along to "Sun King." Toward the end, you're singing all sleepy in Spanish, gearing up to start grooving to "Mean Mr. Mustard," because what makes the end of "Sun King" so great is you're drifting along, but at the same time you're anticipating Ringo's drums, which kick in on "Mean Mr. Mustard," and it turns funky. But if you don't uncheck the box on iTunes, you get to the end of "Sun King" and then -- HARSH DIGITAL TWO-SECOND SILENCE.
Maria Semple (Where'd You Go, Bernadette)
Every religion is eventually corrupted by its fallible clergy and the slow, inevitable drift toward hollow ritual and empty ceremony… That’s why religion needs refreshing every millennium or so.
Rainn Wilson (The Bassoon King: My Life in Art, Faith, and Idiocy)
I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow. "You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace. "No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze. "I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?" "No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet." "I'm not too late, then." He smiled and settled back in the bed. "Too late for what?" I asked. "To stop you, of course." Still smiling, he closed his eyes. "Is that why you're here?" I asked, failing to point out how near we were to my nuptials. "I told you why I'm here," Loki said. "What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises. "Are you crying?" Loki asked and opened his eyes. "No, I'm not crying." I wasn't, but my eyes were moist. "Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down. "You need to rest," I said. "I will be fine." He put his hand over mine again, and I let him. "Eventually." "Can you tell me what happened?" I asked. "Why do you need amnesty?" "Remember when we were in the garden?" Loki asked. Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider. "I see you do." He grinned. "What does that have to do with anything?" I asked. "That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute. "The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?" "Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine." "Why?" I asked. "Why does the King hate you? Why did he do this to you?" "Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?" "Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?" "As you wish, Princess," he conceded, and he was already drifting back to sleep again. I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.
Amanda Hocking (Ascend (Trylle, #3))
Tendrils of mist slithered over the forest floor, around the base of trees. Xander noticed that some of it had climbed the porch pillars and drifted, almost invisibly, over the shingles of the porch roof. It reminded him of an old TV series Dean's dad had bought on DVD: Dark Shadows. It was about a creepy old house and a vampire who lived there. Barnabas, Xander remembered.
Robert Liparulo (House of Dark Shadows (Dreamhouse Kings, #1))
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
Long ago, there was a dream within a dream that allowed joy to reign, but that youthful breath drifted away as swiftly as a summer rain. There was nothing left after the dawn, except for a world darkened by a King’s broken heart. Now only Morpheus induced silhouettes dance in these lightless plains. They dance in sequence to the sound of time – unmoved by existence – trapped in a single thought I hope lies within you.
H.S. Crow (Lunora and the Monster King)
Look out! Oh, you chump and weak fool, you are one of a humanity that can't be numbered and not more than the dust of metals scattered in a magnetic field and clinging to the lines of force, determined by laws, eating, sleeping, employed, conveyed, obedient, and subject. So why hunt for still more ways to lose liberty? Why go toward, and not instead run from, the huge drag that threatens to wear out your ribs, rub away your face, splinter your teeth? No, stay away! Be the wiser person who crawls, rides, runs, walks to his solitary ends used to solitary effort, who procures for himself and heeds the fears that are the kings of this world. Ah, they don't give you much of a break, these kings! Many a dead or dying face lies or drifts under them.
Saul Bellow (The Adventures of Augie March)
I want you to stop taking cracker dust." "And he says it isn't a righteous streak," Andrew mused, more to himself than to Neil. "If it was righteousness I'd ask you to give up drinking and smoking, too," Neil said. "I'm only asking for this one thing. It doesn't have any effect on you anyway and it's an unnecessary risk. You don't need a third addiction." "I don't need anything," Andrew reminded him, right on cue. "If you don't need it, it'll be easy to give it up," Neil said. "Right?" Andrew thought it over a minute, then flicked his cigarette at Neil. It singed the material where it bounced off his shirt. Neil ground it out under his shoe when it hit the asphalt. The cool look he flicked Andrew was wasted; Andrew's gaze had already drifted past him in search of something more interesting. "I'm going to take your temper tantrum as a yes," Neil said. "I'll bring the money by your room tonight.
Nora Sakavic (The King's Men (All for the Game, #3))
It is VITAL that they avoid anything which causes their mind to shift into neutral for any length of time. The best thing they can do is memorize scripture from the King James Bible. Mathematical tables can also be helpful — anything that forces their mind to exercise itself. When they find their mind drifting off, they should ask the Lord to help them claim the scriptural promises that we all have the mind of Christ (1 Cor. 2:16, Phil. 2:5, Rom. 12:2, Eph. 4:23, 2 Tim. 1:7, 1 Pet. 1:13). Beyond
William Schnoebelen (Blood on the Doorposts)
We really were the same: just two lost souls drifting through an uncertain world, waiting for a future we were almost too afraid to even imagine for ourselves.
Seth King (The Summer Remains (The Summer Remains, #1))
Still trying to imagine why the ex-nurse who had taken him prisoner might have once been put on the stand in Denver, Paul drifted off to sleep.
Stephen King (Misery)
Sleep did not drift upon him as it sometimes did but seized him with the rough hands of a lover who is awkward in her eagerness.
Stephen King (The Drawing of the Three (The Dark Tower, #2))
ANNIE OH PLEASE PLEASE DON'T HURT ME!' Her eyes were mild and drifting. 'Don't worry,' she said. 'I'm a trained nurse.
Stephen King (Misery)
nodded, because Mr. Keene was a grownup and you were supposed to agree with grownups at all costs (his mother had taught him that), but inside he was thinking: Oh, I’ve heard that bullshit before. It was about what the doctor said when he opened his sterilizer and the sharp frightening smell of alcohol drifted out, stinging his nostrils. That was the smell of shots and this was the smell
Stephen King (It)
It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.
Alfred Tennyson
The call came drifting through the black of night. Jon pushed himself onto an elbow, his hand reaching for Longclaw by force of habit as the camp began to stir. The horn that wakes the sleepers, he thought.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
The wolf dreams are no true dreams. You have your eye closed tight whenever you're awake, but as you drift off it flutters open and your soul seeks its other half. The power is strong in you.' 'I don't want it, I want to be a knight.' 'A knight is what you want. A warg is what you are. You can't change that, Bran, you can't deny it or push it away. You are the winged wolf but you will never fly. (...) Unless you open your eye.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Shall I tell you all about her, cat? She is very beautiful – your mistress,’ he murmured drowsily, ‘and her hair is heavy as burnished gold. I could paint her – not on canvas – for I should need shades and tones and hues and dyes more splendid than the iris of a splendid rainbow. I could only paint her with closed eyes, for in dreams alone can such colours as I need be found. For her eyes, I must have azure from skies untroubled by a cloud – the skies of dreamland. For her lips, roses from the palaces of slumberland, and for her brow, snow-drifts from mountains which tower in fantastic pinnacles to the moons – oh, much higher than our moon here
Robert W. Chambers (The King in Yellow (Tales of Mystery & The Supernatural))
When I lift my eyes to the mirror, my lips part. It’s me. The witchy, white-blonde hair. The baby blue eyes. But at the same time, it isn’t. There’s a void in there. A… numbness. I’m about to move to the shower when something else stops me. My scar. Several angry red marks surround it. Did the psycho leave freaking hickeys around my scar? What in the ever living hell was going on in his defective brain? I rip my gaze away from the mirror and take the longest, most scalding shower in history. When I step back into the room, the song has changed to Good Grief by Bastille. I let the music drift around me as I climb into bed, still in a towel, and close my eyes. I fight the tears and lose.
Rina Kent (Deviant King (Royal Elite, #1))
It was Christmas night in the Castle of the Forest Sauvage, and all around length. It hung on the boughs of the forest trees in rounded lumps, even better than apple-blossom, and occasionally slid off the roofs of the village when it saw the chance of falling on some amusing character and giving pleasure to all. The boys made snowballs with it, but never put stones in them to hurt each other, and the dogs, when they were taken out to scombre, bit it and rolled in it, and looked surprised but delighted when they vanished into the bigger drifts. There was skating on the moat, which roared with the gliding bones which they used for skates, while hot chestnuts and spiced mead were served on the bank to all and sundry. The owls hooted. The cooks put out plenty of crumbs for the small birds. The villagers brought out their red mufflers. Sir Ector’s face shone redder even than these. And reddest of all shone the cottage fires down the main street of an evening,
T.H. White (The Once and Future King)
Unmoored and in flight, the refugee is vulnerable to every king of harm- from homelessness to fraud- but sexual violence is the most intimate and most public act of brutalization, and it erupts wherever laws and social norms are unraveled. As transit bodies drift in search of sanctuary, gendered violence can buttress a social taxonomy of dominance and oppression, demarcating the tapeable and those with the power to rape, siphoning spheres of male and female, captors and prisoners.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
Stephen King ('Salem's Lot)
But Dara missed the version of Noam that wore clothes he got from the thrift store—or, on one memorable occasion, from a dumpster. Dara had fallen in love with the Noam who drifted off surrounded by calculus books and made terrible decisions in the name of what he thought was right, who read Karl Marx and trusted himself more than he trusted anyone else. The old version of Noam didn’t have this Noam’s eyes—wary, watchful. Dara could never have imagined his version of Noam killing Tom Brennan.
Victoria Lee (The Fever King (Feverwake, #1))
The Civil Rights Movement in the US was all about logjams and blockades. Martin Luther King is the one who said “a riot is the language of the unheard”. And the decolonisation of our country wasn’t just boycotts and speeches. It was bombing bridges, too.
Namwali Serpell (The Old Drift)
Now, the last one was that the demon king can’t stand either in heaven or on the earth. Urga set the demon on his lap, which means I guess I’ll have to…sit on your back.” Awkward. Even though Ren was a big tiger and it would be like riding a small pony, I was still conscious that he was a man, and I didn’t feel right about turning him into a pack animal. I took off my backpack and set it down wondering what I could do to make this a bit less embarrassing. Mustering the courage to sit on his back, I’d just decided that it wouldn’t be too bad if I sat sidesaddle, when my feet flew out from under me. Ren had changed into a man and swept me up into his arms. I wiggled for a minute, protesting, but he just gave me a look-the don’t-even-bother-coming-up-with-an-argument look. I shut my mouth. He leaned over to pick up the backpack, let it dangle from his fingers, and then said, “What’s next?” “I don’t know. That’s all that Mr. Kadam told me.” He shifted me in his arms, walked over to stand in the doorway again, then peered up at the statue. He murmured, “I don’t see any changes.” He held me securely while looking at the statue and, I have to admit, I totally stopped caring about what we were doing. The scratches on my arm that had been throbbing a moment ago didn’t bother me at all. I let myself enjoy the feeling of being cuddled up close to his muscular chest. What girl didn’t want to be swept up in the arms of a drop-dead gorgeous man? I allowed my gaze to drift up to his beautiful face. The thought occurred to me that if I were to carve a stone god, I’d pick Ren as my subject. This Urga half-lion and half-man guy had nothing on Ren. Eventually, he realized I was watching him, and said, “Hello? Kells? Breaking a curse here, remember?” I just smiled back stupidly. He quirked an eyebrow at me. “What were you thinking about just now?” “Nothing important.” He grinned. “May I remind you that you are in prime tickling position, and there’s no escape. Tell me.” Gads. His smile was brilliant, even in the fog. I laughed nervously. “If you tickle me, I’ll protest and struggle violently, which will cause you to drop me and ruin everything that we are trying to accomplish.” He grunted, leaned close to my ear, and then whispered, “That sounds like an interesting challenge, rajkumari. Perhaps we shall experiment with it later. And just for the record, Kelsey, I wouldn’t drop you.” The way he said my name made goose bumps rise all over my arms. When I looked down to quickly rub them, I noticed the flashlight had been turned off. I switched it on, but the statue remained the same. Giving up, I suggested, “Nothing’s happening. Maybe we need to wait till dawn.” He laughed throatily while nuzzling my ear and declared softly, “I’d say that something is happening, but not the something that will open the doorway.” He trailed soft, slow kisses from my ear down my neck. I sighed faintly and arched my neck to give him better access. With a last kiss, he groaned and reluctantly raised his head. Disappointed that he’d stopped, I asked, “What does rajkumari mean?” He laughed quietly, carefully set me down, and said, “It means princess.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Kiss me again,” he says, drunk and foolish. “Kiss me until I am sick of it.” I feel those words, feel them like a kick to the stomach. He sees my expression and laughs, a sound full of mockery. I can’t tell which of us he’s laughing at. He hates you. Even if he wants you, he hates you. Maybe he hates you the more for it. After a moment, his eyes flutter closed. His voice falls to a whisper, as though he’s talking to himself. “If you’re the sickness, I suppose you can’t also be the cure.” He drifts off to sleep, but I am wide awake.
Holly Black (The Wicked King (The Folk of the Air, #2))
We don't say anything and I feel myself drifting to sleep, an inevitable, inexorable descent into dreams. But just before I fade from consciousness, I hear four words that are my undoing. "I love you, Elisabeth." I hold him tighter to me, even as my heart unravels. "By God, I love you so.
S. Jae-Jones (Wintersong (Wintersong, #1))
So many ruins bear witness to good intentions which went astray, good intentions unenlightened by any glimmer of wisdom. To bring religion to the people is a fine and necessary undertaking, but this is not a situation in which the proposed end can be said to justify the means. The further people have drifted from the truth, the greater is the temptation to water down the truth, glossing over its less palatable aspects and, in short, allowing a policy of compromise to become one of adulteration. In this way it is hoped that the common man – if he can be found – will be encouraged to find a small corner in his busy life for religion without having to change his ways or to grapple with disturbing thoughts. It is a forlorn hope. Standing, as it were, at the pavement’s edge with his tray of goods, the priest reduces the price until he is offering his wares for nothing: divine judgement is a myth, hell a wicked superstition, prayer less important than decent behaviour, and God himself dispensable in the last resort; and still the passers-by go their way, sorry over having to ignore such a nice man but with more important matters demanding their attention. And yet these matters with which they are most urgently concerned are, for so many of them, quicksands in which they feel themselves trapped. Had they been offered a real alternative, a rock firm-planted from the beginning of time, they might have been prepared to pay a high price.
Charles Le Gai Eaton (King of the Castle: Choice and Responsibility in the Modern World (Islamic Texts Society))
Critics and scholars have always been suspicious of popular success; often their suspicions are justified. In other cases, these suspicions are used as an excuse not to think. No one can be as intellectually slothful as a really smart person. Give smart people half a chance and they'll ship their oars in drift.
Stephen King (On Writing: A Memoir of the Craft)
The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says - migrate or die.
Stephen King ('Salem's Lot)
Before drifting away entirely, he found himself reflecting--not for the first time--on the peculiarity of adults. They took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends.
Stephen King (’Salem’s Lot)
Rose turned the valve on her canister. There was a small, rueful sigh, and a puff of silver mist escaped. Instead of dissipating on the light evening breeze, it hung just above the canister until Rose leaned forward, pursed those fascinating coral lips, and blew gently. The puff of mist—looking a bit like a comic-strip dialogue balloon without any words in it—drifted until it hovered above Andi’s upturned face and wide eyes.
Stephen King (Doctor Sleep (The Shining, #2))
Hebrew idiom that the translators interpreted literally and so failed to appreciate the general drift of the text. The idiom “to rise up early to do something” actually means “to do something continually.” Hence the second of the quotations just noted has the following meaning: “They did not listen to my words which I sent unto them by my servants the prophets; even though I sent them continually they still would not listen to them.
Alister E. McGrath (In the Beginning: The Story of the King James Bible and How It Changed a Nation, a Language, and a Culture)
Yet as one smell drew them onward, others warned them back. He sniffed at the drifting smoke. Men, many men, many horses, and fire, fire, fire. No smell was more dangerous, not even the hard cold smell of iron, the stuff of man- claws and hardskin. The smoke and ash clouded his eyes, and in the sky he saw a great winged snake whose roar was a river of flame. He bared his teeth, but then the snake was gone. Behind the cliffs tall fires were eating up the stars.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
He asked her what she was doing there, on the heath with her broom in the evening. "Sweeping the world," she said. And Alveric wondered what rejected things she was sweeping away from the world, with grey dust mournfully turning over and over as it drifted across our fields, going slowly into the darkness that was gathering beyond our coasts. "Why are you sweeping the world, Mother Witch?" he said. "There's things in the world that ought not to be here," said she.
Lord Dunsany (The King of Elfland's Daughter)
Don’t be fooled by clever hands, sir” the Sunlight Man said. He’d be lying with the back of his head on his hands, as he always lay. “Entertainment’s all very well, but the world is serious. It’s exceedingly amusing, when you think about it: nothing in life is as startling or shocking or mysterious as a good magician’s trick. That’s what makes stagecraft deadly. Listen closely, friend. You see great marvels performed on the stage - the lady sawed in half, the fat man supported by empty air, the Hindu vanishing with the folding of a cloth - and the subtlest of poisons drifts into your brain: you think the earth dead because the sky is full of spirits, you think the hall drab because the stage is adazzle with dimestore gilt. So King Lear rages, and the audience grows meek, and tomorrow, in the gray of old groceries, the housewife will weep for Cordelia and despair for herself. They weren’t fools, those old sages who called all art the Devil’s work. It eats the soul.
John Gardner (The Sunlight Dialogues (New Directions Paperbook))
When he combs his hair that is the colour of dead leaves, dead leaves fall out of it; they rustle and drift to the ground as though he were a tree and he can stand as still as a tree, when he wants the doves to flutter softly, crooning as they come, down upon his shoulders, those silly, fat, trusting woodies with the pretty wedding rings round their necks. He makes his whistles out of an elder twig and that is what he uses to call the birds out of the air--all the birds come; and the sweetest singers he will keep in cages.
Angela Carter (The Bloody Chamber and Other Stories)
She didn’t have time to brace herself as he pulled her against him, his arms wrapping tightly around her. She didn’t hesitate before twining her arms over his shoulders, breathing in the scent of him. He hadn’t held her since the day she’d learned she had officially won the competition, though the memory of that embrace often drifted into her thoughts. And as she held him now, the craving for it never to stop roared through her. His nose grazed the nape of her neck. “Gods above, you smell horrible,” he muttered. She hissed and shoved him, her face burning in earnest now. “Carrying around dead body parts for weeks isn’t exactly conducive to smelling nice! And maybe if I’d been given time for a bath instead of being ordered to report immediately to the king, I might have—” She stopped herself at the sight of his grin and smacked his shoulder. “Idiot.” Celaena linked arms with him, tugging him up the stairs. “Come on. Let’s go to my rooms so you can debrief me like a proper gentleman.” Chaol snorted and nudged her with his elbow but didn’t let go.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Every day. I wake up wanting to be a stronger person. A better prince. A worthy king. That want, it’s like a fire in my chest. And then, there are these moments, these horrible, icy moments when I remember what I did…” His hand drifted to his heart. “To myself. To you. To my kingdom. And it hurts.…” His voice trembled. “More than dying ever did. There are days when I don’t feel like I deserve this.” He tapped the soul seal. “I deserve to be…” He trailed off, but Kell could feel his brother’s pain, as though it were a physical thing.
Victoria Schwab (A Gathering of Shadows (Shades of Magic, #2))
As I laid the book down there was a knock at the door, and my stranger came in.  I gave him a pipe and a chair, and made him welcome.  I also comforted him with a hot Scotch whisky; gave him another one; then still another—hoping always for his story. After a fourth persuader, he drifted into it himself, in a quite simple and natural way: THE STRANGER'S HISTORY I am an American.  I was born and reared in Hartford, in the State of Connecticut—anyway, just over the river, in the country.  So I am a Yankee of the Yankees—and practical; yes, and nearly barren of sentiment, I suppose—or poetry, in other words.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
Bryce stepped into the explosion in the heart of it. Stepped into her power. It lit her up from the inside, lit up her very blood. Her hair drifted above her head, pens and papers and other office detritus flowing upward with it. Such light and darkness—the power lay in the meeting of the two of them. She understood it now, how the darkness shaped the light. But all that colliding power … it was the boost she needed. With a parting middle finger to the floor at her feet and the Autumn King sulking beneath it, she teleported out of the villa to the place she wanted to be the most. Home. Wherever that was in Midgard. Because her home was no longer just a physical place, but a person, too.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
IT WAS THE PIVOTAL teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course—thousands in fact—but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.
Clive Barker (Imajica: Featuring New Illustrations and an Appendix)
The sun is on its descent as I watch it, its lustrous red-gold colors making the blue water beneath it look as if it is on fire. The sound of Rachmaninov's Piano Concerto No. 3 drifts across the terrace, reaching a zenith as the sun plunges gracefully into the sea. This is my favorite moment of the day here, when nature itself seems to be still, watching the spectacle of the King of the Day, the force it relies upon to grow and flourish, make its journey into sleep. We are able to be here together far less than I'd like, so the moment is even more precious. The sun has gone now, so I can close my eyes and listen to Xavier playing. I have performed this concerto a hundred times, and I'm struck by the subtle differences, the nuances that make his rendition his own. Its stronger, more masculine, which is, of course, how it should be.
Lucinda Riley (The Orchid House)
Before drifting away entirely, he found himself reflecting – not for the first time – on the peculiarity of adults. They took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic the job, the money, what the teacher will think if I can’t get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood. In
Stephen King ('Salem's Lot)
You still haven’t told me what King Edward will do when he has all four relics,’ Robert said, fixing Humphrey with his gaze. ‘We aren’t privy to all his plans, Robert, as I’ve told you. Only the men of the Round Table know his full intentions. We have to prove ourselves worthy to be trusted as they are.’ ‘Do you not ever wonder?’ Humphrey paused. ‘I just know my king will do what is best for my kingdom.’ Robert said nothing. He thought of his own kingdom, beleaguered by Edward’s interference, and a ghost of a threat drifted in his mind. But even as it appeared, he pushed it away. Scotland was its own kingdom, with its own king. It wasn’t Wales or Ireland, fractured and isolated. However much Edward had desired the Crown of Arthur he had come here, first and foremost, to put down a rebellion. Yet still, on this bleak shore with Humphrey beside him, Robert felt a sense of standing at a crossroads with many paths leading away before him. In his mind they all led into darkness.
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
Training—training is everything; training is all there is to a person.  We speak of nature; it is folly; there is no such thing as nature; what we call by that misleading name is merely heredity and training. We have no thoughts of our own, no opinions of our own; they are transmitted to us, trained into us.  All that is original in us, and therefore fairly creditable or discreditable to us, can be covered up and hidden by the point of a cambric needle, all the rest being atoms contributed by, and inherited from, a procession of ancestors that stretches back a billion years to the Adam-clam or grasshopper or monkey from whom our race has been so tediously and ostentatiously and unprofitably developed.  And as for me, all that I think about in this plodding sad pilgrimage, this pathetic drift between the eternities, is to look out and humbly live a pure and high and blameless life, and save that one microscopic atom in me that is truly me :  the rest may land in Sheol and welcome for all I care.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
Time flies, knells call, life passes, so hear my prayer. “Birth is nothing but death begun, so hear my prayer. “Death is speechless, so hear my speech.” The words drifted away into the haze of green and gold. Roland let them, then set upon the rest. He spoke more quickly now. “This is Jake, who served his ka and his tet. Say true. “May the forgiving glance of S’mana heal his heart. Say please. “May the arms of Gan raise him from the darkness of this earth. Say please. “Surround him, Gan, with light. “Fill him, Chloe, with strength. “If he is thirsty, give him water in the clearing. “If he is hungry, give him food in the clearing. “May his life on this earth and the pain of his passing become as a dream to his waking soul, and let his eyes fall upon every lovely sight; let him find the friends that were lost to him, and let every one whose name he calls call his in return. “This is Jake, who lived well, loved his own, and died as ka would have it. “Each man owes a death. This is Jake. Give him peace.
Stephen King (The Dark Tower (The Dark Tower, #7))
Then Allan touched his harp lightly, and all words were hushed while he sang thus: "'Oh, where has thou been, my daughter? Oh, where hast thou been this day Daughter, my daughter?' 'Oh, I have been to the river's side, Where the waters lie all gray and wide, And the gray sky broods o'er the leaden tide, And the shrill wind sighs a straining.' "'What sawest thou there, my daughter? What sawest thou there this day, Daughter, my daughter?' 'Oh, I saw a boat come drifting nigh, Where the quivering rushes hiss and sigh, And the water soughs as it gurgles by, And the shrill wind sighs a straining.' "'What sailed in the boat, my daughter? What sailed in the boat this day, Daughter, my daughter?' 'Oh, there was one all clad in white, And about his face hung a pallid light, And his eyes gleamed sharp like the stars at night, And the shrill wind sighed a straining.' "'And what said he, my daughter? What said he to thee this day, Daughter, my daughter?' 'Oh, said he nought, but did he this: Thrice on my lips did he press a kiss, And my heartstrings shrunk with an awful bliss, And the shrill wind sighed a straining.' "'Why growest thou so cold, my daughter? Why growest thou so cold and white, Daughter, my daughter?' Oh, never a word the daughter said, But she sat all straight with a drooping head, For her heart was stilled and her face was dead: And the shrill wind sighed a straining." All listened in silence; and when Allan a Dale had done King Richard heaved a sigh. "By the breath of my body, Allan," quoth he, "thou hast
Howard Pyle (The Adventures of Robin Hood)
He looks around in amazement, taking in the mess. 'Where- Do you really sleep here? Perhaps you ought to set fire to your rooms as well.' 'Maybe,' I say, guiding him to my bed. It is strange to put my hand on his back. I can feel the warmth of his skin through the thin linen of his shirt, can feel the flex of his muscles. It feels wrong to touch him as though he were a regular person, as though he weren't both the High King and also my enemy. He needs no encouragement to sprawl on my mattress, head on the pillow, black hair spilling like crow feathers. He looks up at me with his night-coloured eyes, beautiful and terrible all at once. 'For a moment,' he says, 'I wondered if it wasn't you shooting bolts at me.' I make a face at him. 'And what made you decide it wasn't?' He grins up at me. 'They missed.' I have said that he has the power to deliver a compliment and make it hurt. So, too, can he say something that ought to be insulting and deliver it in such a way that it feels like being truly seen. Our eyes meet, and something dangerous sparks. He hates you, I remind myself. 'Kiss me again,' he says, drunk and foolish. 'Kiss me until I am sick of it.' I feel those words, feel them like a kick in the stomach. He sees my expression and laughs, a sound full of mockery. I can't tell which of us he's laughing at. He hates you. Even if he wants you, he hates you. Maybe he hates you the more for it. After a moment, his eyes flutter closed. His voice falls to a whisper, as though he's talking to himself. 'If you're the sickness, I suppose you can't also be the cure.' He drifts off to sleep, but I am wide awake.
Holly Black (The Wicked King (The Folk of the Air, #2))
You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.” “Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline. “That Italian restaurant?” “Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.” “That’s grand for him, then,” I said. “I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.” “Your optimism is both baffling and inspiring,” I said. “The sun is rising,” he replied with a little chuckle. I glanced at the sky. It was well past noon. “It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory. “Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find. “I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.” “I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.” “A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.” I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.” He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.
William Ritter (The Dire King (Jackaby, #4))
We'll begin with your name, shall we? Just what might that be, cully?" "Jake Chambers." With his nose pinched shut, his voice sounded nasal and foggy. "And are you a Not-see, Jake Chambers?" For a moment, Jake wondered if this was a peculiar way of asking him if he was blind...but of course they could all see he wasn't. "I don't understand what--" Tick-Tock shook him back and forth by the nose. "Not-See! Not-See! You just want to stop playing with me, boy!" "I don't understand--" Jake began, and then he looked at the old machine-gun hanging from the chair and thought once more of the crashed Focke-Wulf. The pieces fell together in his mind. "No--I'm not a Nazi. I'm an American. All that ended long before I was born!" The Tick-Tock Man released his hold on Jake's nose, which immediately began to gush blood. "You could have told me that in the first place and saved yourself all sorts of pain, Jake Chambers...but at least now you understand how we do things around here, don't you?" Jake nodded. "Ar. Well enough! We'll start with the simple questions." Jake's eyes drifted back to the ventilator grille. What he had seen before was still there; it hadn't been just his imagination. Two gold-ringed eyes floated in the dark behind the chrome louvers. Oy. Tick-Tock slapped his face, knocking him back into Gasher, who immediately pushed him forward again. "It's school-time, dear heart," Gasher whispered. "Mind yer lessons, now! Mind em wery sharp!" "Look at me when I'm talking to you," Tick-Tock said. "I'll have some respect, Jake Chambers, or I'll have your balls." "All right." Tick-Tock's green eyes gleamed dangerously. "All right what?" Jake groped for the right answer, pushing away the tangle of questions and the sudden hope which had dawned in his mind. And what came was what would have served at his own Cradle of the Pubes...otherwise known as The Piper School. "All right, sir?" Tick-Tock smiled. "That's a start, boy," he said, and leaned forward, forearms on his thighs. "Now...what's an American?
Stephen King (The Waste Lands (The Dark Tower, #3))
The fascist leaders were outsiders of a new type. New people had forced their way into national leadership before. There had long been hard-bitten soldiers who fought better than aristocratic officers and became indispensable to kings. A later form of political recruitment came from young men of modest background who made good when electoral politics broadened in the late nineteenth century. One thinks of the aforementioned French politician Léon Gambetta, the grocer’s son, or the beer wholesaler’s son Gustav Stresemann, who became the preeminent statesman of Weimar Germany. A third kind of successful outsider in modern times has been clever mechanics in new industries (consider those entrepreneurial bicycle makers Henry Ford, William Morris, and the Wrights). But many of the fascist leaders were marginal in a new way. They did not resemble the interlopers of earlier eras: the soldiers of fortune, the first upwardly mobile parliamentary politicians, or the clever mechanics. Some were bohemians, lumpen-intellectuals, dilettantes, experts in nothing except the manipulation of crowds and the fanning of resentments: Hitler, the failed art student; Mussolini, a schoolteacher by trade but mostly a restless revolutionary, expelled for subversion from Switzerland and the Trentino; Joseph Goebbels, the jobless college graduate with literary ambitions; Hermann Goering, the drifting World War I fighter ace; Heinrich Himmler, the agronomy student who failed at selling fertilizer and raising chickens. Yet the early fascist cadres were far too diverse in social origins and education to fit the common label of marginal outsiders. Alongside street-brawlers with criminal records like Amerigo Dumini or Martin Bormann one could find a professor of philosophy like Giovanni Gentile or even, briefly, a musician like Arturo Toscanini. What united them was, after all, values rather than a social profile: scorn for tired bourgeois politics, opposition to the Left, fervent nationalism, a tolerance for violence when needed.
Robert O. Paxton (The Anatomy of Fascism)
Just above Tommy’s face were the Maiden and the Troll, two of his oldest wall people. The troll lived in a cave deep in the woods. He was big (Tommy knew the troll was even bigger than his daddy, and if the troll told his daddy to sit down and shut up, he would in a second), and he looked scary, with his little eyes and crooked teeth like fangs, but he had a secret. The secret was that he wasn’t scary at all. He liked to read, and play chess by mail with a gnome from over by the closet wall, and he never killed anything. The troll was a good troll, but everyone judged him by his looks. And that, Tommy knew, was a mean thing to do, though everyone did it. The maiden was very beautiful. Even more beautiful than Tommy’s mommy. She had long blonde hair that fell in heavy curls to her waist, and big blue eyes, and she always smiled even though her family was poor. She came into the woods near the troll’s cave to get water from a spring, for her family. The spring bubbled out of Tommy’s wall right next to where his hand lay when he was asleep. Sometimes she only came and filled her jug and left. But other times she would sit awhile, and sing songs of love lost, and sailing ships, and the kings and queens of Elfland. And the troll, so hideous and so kind, would listen to her soft voice from the shadows just inside the entrance of his cave, which sat just below the shelf where Tommy kept his favorite toys and books. Tommy felt bad for the troll. He loved the maiden who came to his spring, but she would never love him. He knew from listening to his parents and the stuff they watched on television when he was supposed to be asleep that beautiful people didn’t love ugly people. Ugly people were either to laugh at or to be frightened of. That was how the whole world worked. Tommy rolled over on his side, just a small seven year old boy in tan cargo shorts and a plain white T-shirt. He let his eyes drift over the bedroom wall, which was lumpy in some places and just gone in others. There was a part of the wall down near the floor where he could see the yellow light of the naked bulb down in the basement, and sometimes he wondered what might live down there. Nothing good, of that he was sure.
Michael Kanuckel (Small Matters)
once there was a great king who gazed down from a tall tower upon a gardener who sang as he worked, and the king cried, ‘Ah, to have a life of no cares! If only I could be that gardener.’ And the voice of the August Personage of Jade reached out from Heaven and said, ‘It shall be so,’ and lo, the king was a gardener singing in the sun. In time the sun grew hot and the gardener stopped singing, and a fine dark cloud brought coolness and then drifted away, and it was hot again and much work remained, and the gardener cried, ‘Ah, to carry coolness wherever I go and have no cares! If only I could be that cloud.’ And the voice of the August Personage reached out from Heaven and said, ‘It shall be so,’ and lo, the gardener was a cloud drifting across the sky. And the wind blew and the sky grew cold, and the cloud would have liked to go behind the shelter of a hill, but it could only go where the wind took it, and no matter how hard it tried to go this way the wind took it that way, and above the cloud was the bright sun. ‘Ah, to fly through wind and be warm and have no cares! If only I could be the sun,’ cried the cloud, and the voice of the August Personage of Jade reached out from Heaven and said, ‘It shall be so,’ and lo, he was the sun. It was very grand to be the sun, and he delighted in the work of sending down rays to warm some things and burn others, but it was like wearing a suit made of fire and he began to bake like bread. Above him the cool stars that were gods were sparkling in safety and serenity and the sun cried, ‘Ah, to be divine and free from care! If only I could be a god.’ And the voice of the August Personage of Jade reached out from Heaven and said, ‘It shall be so,’ and lo, he was a god, and he was beginning his third century of combat with the Stone Monkey, which had just transformed itself into a monster a hundred thousand feet tall and was wielding a trident made from the triple peaks of Mount Hua, and when he wasn’t dodging blows he could see the peaceful green earth down below him, and the god cried, ‘Ah, if only I could be a man who was safe and secure and had no cares!’ And the voice of the August Personage of Jade reached out from Heaven and said, ‘It shall be so.’ And lo, he was a king who was gazing down from a tall tower upon a gardener who sang as he worked.
Barry Hughart (The Chronicles of Master Li and Number Ten Ox (The Chronicles of Master Li and Number Ten Ox, #1-3))
Every bit of evidence would suggest that the will to be moving is as old as mankind. Take the people in the Old Testament. They were always on the move. First, it's Adam and Eve moving out of Eden. Then it's Cain condemned to be a restless wanderer, Noah drifting on the waters of the Flood, and Moses leading the Israelites out of Egypt toward the Promised Land. Some of these figures were out of the Lord's favor and some of them were in it, but all of them were on the move. And as far as the New Testament goes, Our Lord Jesus Christ was what they call a peripatetic--someone who's always going from place to place--whether on foot, on the back of a donkey, or on the wings of angels. But the proof of the will to move is hardly limited to the pages of the Good Book. Any child of ten can tell you that getting-up-and-going is topic number one in the record of man's endeavors. Take that big red book that Billy is always lugging around. It's got twenty-six stories in it that have come down through the ages and almost every one of them is about some man going somewhere. Napoleon heading off on one of his conquests, or King Arthur in search of the Holy Grail. Some of the men in the book are figures from history and some from fancy, but whether real or imagined, almost every one of them is on his way to someplace different from where he started. So, if the will to move is as old as mankind and every child can tell you so, what happens to a man like my father? What switch is flicked in the hallway of his mind that takes the God-given will for motion and transforms it into the will for staying put? It isn't due to a loss of vigor. For the transformation doesn't come when men like my father are growing old and infirm. It comes when they are hale, hearty, and at the peak of their vitality. If you asked them what brought about the change, they will cloak it in the language of virtue. They will tell you that the American Dream is to settle down, raise a family, and make an honest living. They'll speak with pride of their ties to the community through the church and the Rotary and the chamber of commerce, and all other manner of stay-puttery. But maybe, I was thinking as I was driving over the Hudson River, just maybe the will to stay put stems not from a man's virtues but from his vices. After all, aren't gluttony, sloth, and greed all about staying put? Don't they amount to sitting deep in a chair where you can eat more, idle more, and want more? In a way, pride and envy are about staying put too. For just as pride is founded on what you've built up around you, envy is founded on what your neighbor has built across the street. A man's home may be his castle, but the moat, it seems to me, is just as good at keeping people in as it is at keeping people out.
Amor Towles (The Lincoln Highway)
The door shut behind them all, and locked. The women stared at it, mesmerized, and observed across it the wavering shadow of an uncanny cloud. Behind the chamfered windows the sun was obscured by drifting wreaths of grey smoke, and the silence filled with the crackling of flames. The youngest surviving Crawford, in leaving, had deftly set fire to the castle.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
I have a sensation of losing track of time. In front of me, the mountain floats up with the swell. Drifts away amid tendrils of mist. And then comes back into sight.
Giles Foden (The Last King of Scotland (Vintage International))
Soon as Natalia and Jackson drifted off to sleep, I was heading out to handle Frank's ass. My
Shvonne Latrice (Falling for a Hood King 2)
As I heard Chuck Colson say often, “There’s no limit to the human capacity for self-rationalization.” Our own frailty, plus the subtle but powerful influences in our culture, makes us susceptible to drifting into compromise. Smaller compromises lead to bigger ones, and like Solomon, we may quickly find our hearts turned toward other gods (1 Kings 11).
John Stonestreet (A Practical Guide to Culture: Helping the Next Generation Navigate Today's World)
I arrived at HQ, nodded to a few ender soldiers milling about and totally fanboy-ing at me, and went straight to my room. An ender servant was standing ready outside of the room to assist me. I recognized him. “Hello, Seth,” I said. “I’m going to take a nap. Can you wake me up in forty-five minutes so that I don’t miss my meeting with the Ender King?” Seth stood straight and bowed his head slightly. “Of course, sir. Would you like a snack or any water before you take your nap?” I shook my head. “I’ll eat lunch when I wake up. Please don’t let anyone disturb me. I’m exhausted.” Seth nodded his head and opened the door for me. I walked in and he closed the door behind me. I walked over to my bed and flopped down on it. I closed my eyes and began drifting to sleep but then started to think about my meeting with the Rainbow Creeper. I thought about the different things the head monk had said. My mind started spinning like a top. I would not be able to sleep unless I could take my mind off of all of that stuff. So,
Dr. Block (Diary of a Surfer Villager, Books 16-20 (Diary of a Surfer Villager #16-20))
chess.’ ‘How so?’ John picked up a pawn. ‘I’m one of these, trying to cross the board—only my board is the ocean—and I’m trying to protect myself from being taken out of the game.’ ‘I see what you mean.’ Jed’s thoughts drifted to John Billington. ‘And I’m in danger of becoming a king in checkmate.
Dionne Haynes (Running With The Wind (The Mayflower Collection, #1))
The smoke of his breath drifts past my ear up toward the stars.
Lily King (Father of the Rain)
Then suddenly Merry felt it at last, beyond doubt: a change. Wind was in his face! Light was glimmering. Far, far away, in the South the clouds could be dimly seen as remote grey shapes, rolling up, drifting: morning lay beyond them. But at that same moment there was a flash, as if lightning had sprung from the earth beneath the City. For a searing second it stood dazzling far off in black and white, its topmost tower like a glittering needle; and then as the darkness closed again there came rolling over the fields a great boom.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
This doesn’t seem like a great time to stop for a daydream, reptile boy.” Her voice drifted through the brush. “Which way?” How many euphemisms for “dragon” could she come up with?
Abigail Owen (The Rogue King (Inferno Rising, #1))
I breathe in the fresh summer air as I pass a table covered with all sorts of cakes---Victorian sponge, Madeira, Battenberg, lemon drizzle. Again my mind drifts to my childhood, this time to the Michigan State Fair, which my family would visit at the end of every summer. It had all sorts of contests---pie eating, hog calling, watermelon seed spitting (Stevie's favorite)---but the cake competition was my favorite challenge of all. Every year I'd eye the confections longingly: the fluffy coconut cakes, the fudge chocolate towers filled with gooey caramel or silky buttercream, the cinnamon-laced Bundts topped with buttery streusel. The competition was divided into adult and youth categories, and when I turned twelve, I decided to enter a recipe for chocolate cupcakes with peanut butter buttercream and peanut brittle. My mom was a little befuddled by my participation (her idea of baking involved Duncan Hines and canned, shelf-stable frosting, preferably in a blinding shade of neon), but she rode along with my dad, Stevie, and me as we carted two-dozen cupcakes to the fairgrounds in Novi. The competition was steep---pumpkin cupcakes with cream cheese frosting, German chocolate cupcakes, zucchini cupcakes with lemon buttercream---but my entry outshone them all, and I ended up taking home the blue ribbon, along with a gift certificate to King Arthur Flour.
Dana Bate (Too Many Cooks)
They were not kings. The empire was a frikkin sham. They were colonialists, and for that you only need brute force – nothing to boast of when you have it. Power’s just an accident that depends on the weakness of others.
Namwali Serpell (The Old Drift)
there were nights when I lay awake, stripped of all confidence and pretense, wondering who the hell I was and what I was doing. Had I chosen the wrong path? Was there even a right path for me, or was I destined to drift through life like an aimless ghost? No meaning, no purpose, just day after day of routine and drudgery. A life wasted on bad decisions and short-term highs.
Ana Huang (King of Pride (Kings of Sin, #2))
At night we light the lanterns. We let the remains of Lotiya’s body drift off to sea, buried with the fallen pirates before her. When her soul departs from her body, it will follow the lantern light and find the water’s surface. From there, it will be able to see the stars and fly up to the heavens. Every soul parted from this world is a star in the sky. They live in peace, reunited with lost loved ones at last.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
When the last drop of energy flicks from my limbs, they feel heavy. I collapse onto X’s chest, our sweaty bodies pressed together, our chests heaving against each other like a heartbeat. I start to drift off as my breathing steadies. I’m so tired, so drained from everything that’s happened. “Thank you,” I swear I hear X whisper before I pass out.
Sienna Blake (My Irish Kings (Quick & Dirty #2))
In some respects all this was a sudden acceleration of the drift toward the manorial system, a process which had already gone a long way in Anglo-Saxon England, and certainly in Wessex. But even in Wessex the idea still persisted that the tie of lord and man was primarily personal, so that a free man could go from one lord to another and transfer his land with him. The essence of Norman feudalism, on the other hand, was that the land remained under the lord, whatever the man might do. Thus the landed pyramid rose up tier by tier to the King, until every acre in the country could be registered as held of somebody by some form of service. But besides the services which the man owed to the lord in arms there was the service of attending the courts of the hundred and the county, which were, apart from exemptions, courts of the King, administering old customary law.
Winston S. Churchill (A History of the English-Speaking Peoples Collection: A One-Volume Abridgment by Christopher Lee)
Bryce set aside her outrage and waved a hand to the drifting planets. “This space map—” “It is called an orrery.” “This orrery.” Bryce approached the male’s side. “It’s tech—not magic?” “Can it not be both?” Bryce’s fingers curled into fists. But she said, a murky memory rippling from her childhood, “The Autumn King has one in his private study.” The Astronomer clicked his tongue. “Yes, and a fine one at that. Made by craftsmen in Avallen long ago. I haven’t had the privilege to see it, but I hear it is as precise as mine, if not more so.” “What’s the point of it?” she asked. “Only one who does not feel the need to peer into the cosmos would ask such a thing. The orrery helps us answer the most fundamental questions: Who are we? Where do we come from?
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
There were quiet moments also, when she wasn’t training or toiling with Ansel. Moments when her thoughts drifted back to Sam, to what he’d said. He’d threatened to kill Arobynn. For hurting her. She tried to work through it, tried to figure out what had changed in Skull’s Bay to make Sam dare say such a thing to the King of the Assassins.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
The wind picked up for a moment, and the sweet scent of flowers from the King’s Gardens drifted by. Or perhaps it was the sweet scent of Lady Jos. Zev tried to come to a quick conclusion about her, but nothing about her offered fast answers.
Stuart Jaffe (The Waters of Taladoro (The Ridnight Mysteries #2))
Time flies, knells call, life passes, so hear my prayer. “Birth is nothing but death begun, so hear my prayer. “Death is speechless, so hear my speech.” The words drifted away into the haze of green and gold. Roland let them, then set upon the rest. He spoke more quickly now. “This is Jake, who served his ka and his tet. Say true. “May the forgiving glance of S’mana heal his heart. Say please. “May the arms of Gan raise him from the darkness of this earth. Say please. “Surround him, Gan, with light. “Fill him, Chloe, with strength. “If he is thirsty, give him water in the clearing. “If he is hungry, give him food in the clearing. “May his life on this earth and the pain of his passing become as a dream to his waking soul, and let his eyes fall upon every lovely sight; let him find the friends that were lost to him, and let every one whose name he calls call his in return. “This is Jake, who lived well, loved his own, and died as ka would have it. “Each man owes a death. This is Jake. Give him peace.” He knelt a moment longer with his hands clasped between his knees, thinking he had not understood the true power of sorrow, nor the pain of regret, until this moment. I cannot bear to let him go. But once again, that cruel paradox: if he didn’t, the sacrifice was in vain. Roland opened his eyes and said, “Goodbye, Jake. I love you, dear.
Stephen King (The Dark Tower Boxed Set)