Coloured Skull Quotes

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Stephen looked coldly on the oblong skull beneath him overgrown with tangled twine-coloured hair.
James Joyce (A Portrait of the Artist as a Young Man)
When a person dies, they cross over from the realm of freedom to the realm of slavery. Life is freedom, and dying is a gradual denial of freedom. Consciousness first weakens and then disappears. The life-processes – respiration, the metabolism, the circulation – continue for some time, but an irrevocable move has been made towards slavery; consciousness, the flame of freedom, has died out. The stars have disappeared from the night sky; the Milky Way has vanished; the sun has gone out; Venus, Mars and Jupiter have been extinguished; millions of leaves have died; the wind and the oceans have faded away; flowers have lost their colour and fragrance; bread has vanished; water has vanished; even the air itself, the sometimes cool, sometimes sultry air, has vanished. The universe inside a person has ceased to exist. This universe is astonishingly similar to the universe that exists outside people. It is astonishingly similar to the universes still reflected within the skulls of millions of living people. But still more astonishing is the fact that this universe had something in it that distinguished the sound of its ocean, the smell of its flowers, the rustle of its leaves, the hues of its granite and the sadness of its autumn fields both from those of every other universe that exists and ever has existed within people, and from those of the universe that exists eternally outside people. What constitutes the freedom, the soul of an individual life, is its uniqueness. The reflection of the universe in someone's consciousness is the foundation of his or her power, but life only becomes happiness, is only endowed with freedom and meaning when someone exists as a whole world that has never been repeated in all eternity. Only then can they experience the joy of freedom and kindness, finding in others what they have already found in themselves.
Vasily Grossman (Life and Fate)
IT IS THE colour of a bleached skull, his flesh; and the long hair which flows below his shoulders is milk-white. From the tapering, beautiful head stare two slanting eyes, crimson and moody, and from the loose sleeves of his yellow gown emerge two slender hands, also the colour of bone, resting on each arm of a seat which has been carved from a single, massive ruby.
Michael Moorcock (Elric: The Sleeping Sorceress (Chronicles of the Last Emperor of Melniboné, #3))
Outside in the yard, the rusted tractors and car bodies, the harvester combs and the sheets of corrugated iron, the motors and trays and wheel rims and cyclone wire and steel drums and sheep skulls and windows and metal lockers and a single broken vending machine crack and sigh as the morning sun evaporates the dew from their hides.
Paddy O'Reilly (The Fine Colour of Rust)
He looked at them and saw their faces did not fit. The skin on the skulls crawled and twitched like half-solid paste. All the heads in his angle of vision seemed irregular lumps, like potatoes but without a potato’s repose: potatoes with crawling surfaces punctured by holes which opened and shut, holes blocked with coloured jelly or fringed with bone stumps, elastic holes through which air was sucked or squirted, holes secreting salt, wax, spittle and snot. He grasped a pencil in his trouser pocket, wishing it were a knife he could thrust through his cheek and use to carve his face down to the clean bone. But that was foolish. Nothing clean lay under the face. He thought of sectioned brains, palettes, eyeballs and ears seen in medical diagrams and butcher’s shops. He thought of elastic muscle, pulsing tubes, gland sacks full of lukewarm fluid, the layers of cellular and fibrous and granular tissues inside a head. What was felt as tastes, caresses, dreams and thoughts could be seen as a cleverly articulated mass of garbage.
Alasdair Gray (Lanark)
Can you define the colour of my pigment? Can you write a story about yourself? Can you spell your mother’s name? Do you know the skulls quiver? Depth of colour
Tapiwanaishe Pamacheche
The boys asked themselves, naturally, if they could kill someone. Geraint had been brought up on tales of knights-at-arms and Icelandic warriors, but he did not imagine blood. Charles had disappointed his father by taking no pleasure in foxhunting or shooting. He rather thought he could not. Philip was not really listening to the conversation. He was looking at the juxtaposition of textures in the grass, the flowers, and the silks, and the very rapid colour changes that were taking place as the sky darkened. Browning and vanishing of red, efflorescence and deepening of blues. Tom imagines the thud and suck of a bomb, the flying stone and mortar, and could not quite imagine the crushing or burning of flesh. He thought of his own skull and his own ribs. Bone under skin and tendons. No one was safe
A.S. Byatt
The cause of that happiness was gone, of course, dead and gone, but still we put our faith in places. We think that if we just lived somewhere different, everything would be okay. We believe that if we paint the stairway a bright new colour, and clear out the closets, our minds will follow. We'll take just about any ray of hope rather than accept that ninety-five per cent of the world we inhabit exists within the confines of our own skulls.
Michael Marshall (Bad Things)
(...) Sir Boris had fought and killed the Paynim; Sir Gawain, the Turk; Sir Miles, the Pole; Sir Andrew, the Frank; Sir Richard, the Austrian; Sir Jordan, the Frenchman; and Sir Herbert, the Spaniard. But of all that killing and campaigning, that drinking and love-making, that spending and hunting and riding and eating, what remained? A skull; a finger. Whereas, he said, turning to the page of Sir Thomas Browne, which lay open upon the table – and again he paused. Like an incantation rising from all parts of the room, from the night wind and the moonlight, rolled the divine melody of those words which, lest they should outstare this page, we will leave where they lie entombed, not dead, embalmed rather, so fresh is their colour, so sound their breathing – and Orlando, comparing that achievement with those of his ancestors, cried out that they and their deeds were dust and ashes, but this man and his words were immortal.
Virginia Woolf
The most surprising result to come out of these global genetic studies is that the human species is exceedingly uniform. Despite superficial regional differences in hair and skin colour, or skull shape, the genetic diversity among the 7.5 billion humans living in the world today is astonishingly low.30 In fact, there’s more genetic diversity between two groups of chimpanzees living on opposite banks of a river in Central Africa than there is between humans on opposite sides of the world.31
Lewis Dartnell (Origins: How the Earth Shaped Human History)
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
The further they'd walked, the more absurd it had begun to feel. As though not only could he have had those things, but that he should have – that they had been stolen from him. That the world he lived in was not how it was meant to be, but a deliberate redesign. In a sense, that was true. As a reaction to the demons, the world had changed. A necessary change, yes, to stop the spread of the corruption – but in allowing that change, had humanity not lost something? Was the war against the corruption itself a corruption; a darkness feeding darkness? No. Couldn't be, because such a war could never be won. All he'd done would be worse than meaningless; a contribution to their own defeat. That particular thought, merciless and fresh, had raked its claws against his skull. It wouldn't be smothered or drowned, and so instead, he'd tried to summon more colour and sensation from the surroundings.
S.A. Tholin (Iron Truth (Primaterre #1))
4 THE NORTHERN NEWT Not many years after the first newt colonies had been settled in the North Sea and the Baltic a German scientist, Dr. Hans Thüring, found that the Baltic newt had certain distinctive physical features - clearly as a result of its environment; that it was somewhat lighter in colour, it walked on two legs, and its cranial index indicated a skull that was longer and narrower than other newts. This variety was given the name Northern Newt or Noble Newt (Andrias Scheuchzeri var. nobilis erecta Thüring). The German press took this Baltic newt as its own, and enthusiastically stressed that it was because of its German environment that this newt had developed into a different and superior sub-species, indisputably above the level of any other salamander. Journalists wrote with contempt of the degenerate newts of the Mediterranean, stunted both physically and mentally, of the savage newts of the tropics and of the inferior, barbaric and bestial newts of other nations. The slogan of the day was From the Great Newt to the German Übernewt.
Karel Čapek (War with the Newts)
Standing upright in the solitude of his room, he vowed that he would be the first poet of his race and bring immortal lustre upon his name. He said (reciting the names and exploits of his ancestors) that Sir Boris had fought and killed the Paynim; Sir Gawain, the Turk; Sir Miles, the Pole; Sir Andrew, the Frank; Sir Richard, the Austrian; Sir Jordan, the Frenchman; and Sir Herbert, the Spaniard. But of all that killing and campaigning, that drinking and lovemaking, that spending and hunting and riding and eating, what remained? A skull; a finger. Whereas, he said, turning to the page of Sir Thomas Browne, which lay open upon the table - and again he paused. Like an incantation rising from all parts of the room, from the night wind and the moonlight, rolled the divine melody of those words which, lest they should outstare this page, we will leave where they lie entombed, not dead, embalmed rather, so fresh is their colour, so sound their breathing - and Orlando, comparing that achievement with those of his ancestors, cried out that they and their deeds were dust and ashes, but this man and his words were immortal,
Virginia Dalloway, Orlando
I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside. There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back. Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled. The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head. There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!
David Cook (Blood on the Snow (The Soldier Chronicles, #3))
The bone hit the floor first and stopped abruptly, standing neatly vertical. The skin struck it and wrapped tightly about it, so tightly that after a moment it was impossible to tell where its edges were. The bone lurched as more bones budded and flowed from it, but as quickly as the new bone appeared it was submerged in the flowing skin. The small ball of hair landed on top of the growing stack of organic material, teetered, and fell off. It tried repeatedly to regain a perch but seemed doomed to failure. The rag whirled around and around the structure, too fast for Cabal’s eye to follow closely but he got the distinct impression that it was changing colour. The stack of bones was producing a spinal column with a painful clicking pop as each vertebra grew out of the one beneath it. As it completed the thoracic section, ribs sprang out like the opening of a clothless umbrella. The skin flowed upwards like the rising level of a liquid within a glass, almost concealing the bubbling formation of organs within the torso. Arms suddenly burst out as swiftly as the blade of a flick-knife, reminding Cabal to put his away. The circling rag swept in and flew a complex weaving pattern over the surface of the body, and where it flew, clothing appeared. Like ghastly toast, the skull popped up from the neck and grinned maniacally in the way that skulls do.
Jonathan L. Howard (The Necromancer (Johannes Cabal, #1))
An old man, thin as a rake, with cheap Clicks Pharmacy reading glasses perched on his nose, was leaning on the counter, paging through Die Burger newspaper. When he looked up, Leon involuntary took a step back. The man had the most intense blue eyes, strikingly contrasting his tanned bony skull. But it wasn’t the colour of the eyes that stopped Leon in his tracks, it was the expression on the man’s face. His eyes were limp, blank, incarcerated by an unfocused daze. He stared straight through Leon into, what felt to Leon as if into a vast abyss of nothingness.
Louis Wiid, from upcoming Novel SUBMERGED
The massive wardrobe, decorated with stickers and posters of Jack’s favourite bands, stood in the corner. I went to it and opened both the doors – then stepped back in amazement.   It was like something out of a fashion spread. Footwear was aligned in two perfectly straight lines along the bottom of the wardrobe, with boots at the back and shoes at the front. Each pair was polished and had a pair of socks folded up in the left shoe or boot. Above the shoes, Jack’s clothes were hung up on fancy padded hangers, organized by colour going from black through grey, white, pale pink, dark pink, purple and then blue. One quarter of the wardrobe was taken up with closet shelves, where every item, from T-shirts to jeans to scarves, was folded into a perfect geometric square that I wouldn’t have been able to achieve with two helpers, a ruler, and sticky tape.   I turned my head and looked at the chaos of the room. Then I looked back at the wardrobe.   No wonder she never let me see inside before.   “Jack, you big fat fake.” I let out a laugh that was half sob. “Look at this. Look! She’s the worst neat freak of them all, and I never even knew. I never even knew…”   Trying not to mess anything up too much, I searched through the neat piles of T-shirts until I found what seemed to be a plain, scoop-necked white top with short sleeves. I pulled it out, but when I unfolded it, there turned out to be a tattoo-style design on the front: a skull sitting on a bed of gleaming emeralds, with a green snake poking out of one eyehole. In Gothic lettering underneath, it read WELCOME TO MALFOY MANOR.   Typical Jack, I thought, hugging the shirt to my chest for a second. Pretending to be cool Slytherin when she’s actually swotty Ravenclaw through and through.
Zoë Marriott (Darkness Hidden (The Name of the Blade, #2))
By the 1970s and 1980s, the concept of ‘phenotype’—which refers to surface features of humans such as skin colour, shape of nose, texture of hair, shape and size of skull, and so forth—on which those attempting to develop a tenable concept of race and a hierarchy of races had relied, had been compellingly refuted as a guide to genuine human variation.
Ali Rattansi (Racism: A Very Short Introduction (Very Short Introductions))
For your brain is alone now your passion goes, And your coloured dreams run cold And there's nothing left but a gaping skull On the spine of the wounded world. But we are well! O sailor! sailor! O we are very well! Do not tremble as you stand, O frightened sailor For death is so mean and small. It snatches away the burning breath And it snatches the useless clay But what can it do to halt the square-rigged Soul as it steers away?
Mervyn Peake (The Rhyme of the Flying Bomb)
The white stone was the colour of moonlit bones and the chunks of abandoned rock looked unpleasantly like skulls.
T. Kingfisher (Nettle & Bone)
colours sounds sensations emerge from hypnotic precincts of the brain dimensional analogues shift in time and space - forming eyes, lips smiles and tears the deeper I penetrate the skull the more surreptitious are my pictures… - The Underground River, Alice Evermore
Alice Evermore
The gold and scarlet leaves that littered the countryside in great drifts whispered and chuckled among themselves, or took experimental runs from place to place, rolling like coloured hoops among the trees. It was as if they were practising something, preparing for something, and they would discuss it excitedly in rusty voices as they crowded round the tree-trunks. The birds, too, congregated in little groups, puffing out their feathers, twittering thoughtfully. The whole air was one of expectancy, like a vast audience waiting for the curtain to go up. Then one morning you threw back the shutters and looked down over the olive-trees, across the blue bay to the russet mountains of the mainland and became aware that winter had arrived, for each mountain peak would be wearing a tattered skull-cap of snow.
Gerald Durrell (My Family and Other Animals: Abridged Version)
Sir Mort was a tall and slender, but a broad-shouldered man, of about sixty, whose most striking physical characteristic was the shape of his skull, which was very long and very narrow and was perched like the skull of a vulture on the top of a long neck. The length and narrowness of Sir Mort's head was emphasized by his deep hollow eye-sockets, out of which his eyes, dark-green in colour, glared forth with a very peculiar effect; for it was as if they had no connection with each other at all, but were, each of them, the solitary eye of a saurian creature whose eye was at the top of its scaly head.
John Cowper Powys (The Brazen Head)
In the Rational State," he heard Mr. Scogan saying, "human beings will be separated out into distinct species, not according to the colour of their eyes or the shape of their skulls, but according to the qualities of their mind and temperament. Examining psychologists, trained to what would now seem an almost superhuman clairvoyance, will test each child that is born and assign it to its proper species. Duly labelled and docketed, the child will be given the education suitable to members of its species, and will be set, in adult life, to perform those functions which human beings of his variety are capable of performing.
Aldous Huxley (Crome Yellow)
Her beak was open, her hackles raised; her wild eyes were the colour of sun on white paper, and they stared because the whole world had fallen into them at once. One, two, three. I tucked the hood over her head. There was a brief intimation of a thin, angular skull under her feathers, of an alien brain fizzing and fusing with terror, then I drew the braces closed. We checked the ring numbers against the form. It was the wrong bird. This was the younger one. The smaller one. This was not my hawk. Oh. So we put her back and opened the other box, which was meant to hold the larger, older bird. And dear God, it did. Everything about this second hawk was different. She came out like a Victorian melodrama: a sort of madwoman in the attack. She was smokier and darker and much, much bigger, and instead of twittering, she wailed; great, awful gouts of sound like a thing in pain, and the sound was unbearable. This is my hawk, I was telling myself and it was all I could do to breathe. She too was bareheaded, and I grabbed the hood from the box as before. But as I brought it up to her face I looked into her eyes and saw something blank and crazy in her stare. Some madness from a distant country. I didn’t recognise her. This isn’t my hawk. The hood was on, the ring numbers checked, the bird back in the box, the yellow form folded, the money exchanged, and all I could think was, But this isn’t my hawk. Slow panic. I knew what I had to say, and it was a monstrous breach of etiquette. ‘This
Helen Macdonald (H is for Hawk)
When a person dies, they cross over from the realm of freedom to the realm of slavery. Life is freedom, and dying is a gradual denial of freedom. Consciousness first weakens and then disappears. The life-processes – respiration, the metabolism, the circulation – continue for some time, but an irrevocable move has been made towards slavery; consciousness, the flame of freedom, has died out. The stars have disappeared from the night sky; the Milky Way has vanished; the sun has gone out; Venus, Mars and Jupiter have been extinguished; millions of leaves have died; the wind and the oceans have faded away; flowers have lost their colour and fragrance; bread has vanished; water has vanished; even the air itself, the sometimes cool, sometimes sultry air, has vanished. The universe inside a person has ceased to exist. This universe is astonishingly similar to the universe that exists outside people. It is astonishingly similar to the universes still reflected within the skulls of millions of living people. But still more astonishing is the fact that this universe had something in it that distinguished the sound of its ocean, the smell of its flowers, the rustle of its leaves, the hues of its granite and the sadness of its autumn fields both from those of every other universe that exists and ever has existed within people, and from those of the universe that exists eternally outside people. What constitutes the freedom, the soul of an individual life, is its uniqueness. The reflection of the universe in someone’s consciousness is the foundation of his or her power, but life only becomes happiness, is only endowed with freedom and meaning when someone exists as a whole world that has never been repeated in all eternity. Only then can they experience the joy of freedom and kindness, finding in others what they have already found in themselves.
Vasily Grossman (Life and Fate (Stalingrad, #2))