“
Ignore those that make you fearful and sad, that degrade you back towards disease and death.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
Simplicity, patience, compassion.
These three are your greatest treasures.
Simple in actions and thoughts, you return to the source of being.
Patient with both friends and enemies,
you accord with the way things are.
Compassionate toward yourself,
you reconcile all beings in the world.
”
”
Lao Tzu (Tao Te Ching)
“
Keep your face always toward the sunshine - and shadows will fall behind you.
”
”
Walt Whitman
“
I could not tell you if I loved you the first moment I saw you, or if it was the second or third or fourth. But I remember the first moment I looked at you walking toward me and realized that somehow the rest of the world seemed to vanish when I was with you.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.
”
”
Rainer Maria Rilke
“
Sometimes I don't get you,' I said.
She didn't even glance at me. She just smiled toward the television and said, 'You never get me. That's the whole point.
”
”
John Green (Looking for Alaska)
“
Live your truth. Express your love. Share your enthusiasm. Take action towards your dreams. Walk your talk. Dance and sing to your music. Embrace your blessings. Make today worth remembering.
”
”
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
“
If you start by promising what you don't even have yet, you'll lose your desire to work towards getting it.
”
”
Paulo Coelho (The Alchemist)
“
You must live in the present, launch yourself on every wave, find your eternity in each moment. Fools stand on their island of opportunities and look toward another land. There is no other land; there is no other life but this.
”
”
Henry David Thoreau
“
Do those things that incline you toward the big questions, and avoid the things that would reduce you and make you trivial.
”
”
George Saunders
“
You can’t ever reach perfection, but you can believe in an asymptote toward which you are ceaselessly striving.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
I knew, in the silence that followed, that anything could happen here. It might be too late: again, I might have missed my chance. But I would at least know I tried, that I took my heart and extended my hand, whatever the outcome.
"Okay," he said. He took a breath. "What would you do, if you could do anything?"
I took a step toward him, closing the space between us. "This," I said. And then I kissed him.
”
”
Sarah Dessen (The Truth About Forever)
“
Every day, think as you wake up, today I am fortunate to be alive, I have a precious human life, I am not going to waste it. I am going to use all my energies to develop myself, to expand my heart out to others; to achieve enlightenment for the benefit of all beings. I am going to have kind thoughts towards others, I am not going to get angry or think badly about others. I am going to benefit others as much as I can.
”
”
Dalai Lama XIV
“
It's just that most really good-looking people are stupid, so I exceed expectations.'
'Right, it's primarily his hotness,' I said.
'It can be sort of blinding,' he said.
'It actually did blind our friend Isaac,' I said.
'Terrible tragedy, that. But can I help my own deadly beauty?'
'You cannot.'
'It is my burden, this beautiful face.'
'Not to mention your body.'
'Seriously, don't even get me started on my hot bod. You don't want to see me naked, Dave. Seeing me naked actually took Hazel Grace's breath away,' he said, nodding toward the oxygen tank.
”
”
John Green (The Fault in Our Stars)
“
I know that somehow, every step I took since the moment I could walk was a step towards finding you.
”
”
Nicholas Sparks (Message in a Bottle)
“
I wish you could be kissed, Jane,' he said. 'Because I would beg just one off you. Under all this.' He flailed an arm toward the stars.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
There are so many ways to be brave in this world. Sometimes bravery involves laying down your life for something bigger than yourself, or for someone else. Sometimes it involves giving up everything you have ever known, or everyone you have ever loved, for the sake of something greater.
But sometimes it doesn't.
Sometimes it is nothing more than gritting your teeth through pain, and the work of every day, the slow walk toward a better life.
That is the sort of bravery I must have now.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
I suppose it is tempting, if the only tool you have is a hammer, to treat everything as if it were a nail.
”
”
Abraham H. Maslow (Toward a Psychology of Being)
“
My name is Herondale," the boy said cheerfully. "William Herondale, but everyone calls me Will. Is this really your room? Not very nice, is it?" He wandered toward the window, pausing to examine the stacks of books on her bedside table, and then the bed itself. He waved a hand at the ropes. "Do you often sleep tied to the bed?
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
You can’t tell me
what to do anymore, Travis! I don’t belong to you!”
In the second it took him to turn and face me, his
expression had contorted into anger. He stomped toward
me, planting his hands on the bed and leaning into my face.
“WELL I BELONG TO YOU!” The veins in his neck
bulged as he shouted, and I met his glare, refusing to even
flinch. He looked at my lips, panting. “I belong to you.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
You wanted hearts and flowers,” he murmurs.
I blink at him, not quite believing what I’m seeing.
“You have my heart.” And he waves toward the room.
“And here are the flowers,” I whisper, completing his sentence. “Christian, it’s lovely.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
If you knew how to cook, maybe I would eat," Jace muttered.
Isabelle froze, her spoon poised dangerously. "What did you say?"
Jace edged toward the fridge. "I said I'm going to look for a snack to eat."
That's what I thought you said." Isabelle turned her attention to the soup.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
It's a strange courage
you give me ancient star:
Shine alone in the sunrise
toward which you lend no part!
”
”
William Carlos Williams
“
Don’t put your wand there, boy!” roared Moody. “What if it ignited? Better wizards than you have lost buttocks, you know!” “Who d’you know who’s lost a buttock?” the violet-haired woman asked Mad-Eye interestedly. “Never you mind, you just keep your wand out of your back pocket!” growled Mad-Eye. “Elementary wand safety, nobody bothers about it anymore . . .” He stumped off toward the kitchen. “And I saw that,” he added irritably, as the woman rolled her eyes at the ceiling.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.
”
”
Walt Whitman
“
Life is filled with unanswered questions, but it is the courage to seek those answers that continues to give meaning to life. You can spend your life wallowing in despair, wondering why you were the one who was led towards the road strewn with pain, or you can be grateful that you are strong enough to survive it.
”
”
J.D. Stroube (Caged by Damnation (Caged, #2))
“
It's one thing to fall in love. It's another to feel someone else fall in love with you, and to feel a responsibility toward that love.
”
”
David Levithan (Every Day (Every Day, #1))
“
The truest form of love is how you behave toward someone, not how you feel about them.
”
”
Steve Hall
“
Create a vision for the life you really want and then work relentlessly towards making it a reality.
”
”
Roy T. Bennett (The Light in the Heart)
“
Anything is a waste of time unless you are fucking well or creating well or getting well or looming toward a kind of phantom-love-happiness.
”
”
Charles Bukowski
“
You cannot control what happens to you, but you can control your attitude
toward what happens to you, and in that, you will be mastering change rather
than allowing it to master you.
”
”
Brian Tracy
“
Seriously", Macey snapped. "go. Kiss. A baby"
"can you believe her?" Preston asked, coking his head towards macey." everytime she sees me, all she does is call me baby and talk about kissing."
Macey looked like she wanted to kill him. But I kind of wanted to laugh.
”
”
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
“
My God, Sage. Your eyes. How have I never noticed them?"
That uncomfortable feeling was spreading over me again. "What about them?"
"The color," he breathed. "When you stand in the light. They're amazing... like molten gold. I could paint those..." He reached toward me but then pulled back. "They're beautiful. You're beautiful.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
Dignity
/ˈdignitē/ noun
1. The moment you realize that the person you cared for has nothing intellectually or spiritually to offer you, but a headache.
2. The moment you realize God had greater plans for you that don’t involve crying at night or sad Pinterest quotes.
3. The moment you stop comparing yourself to others because it undermines your worth, education and your parent’s wisdom.
4. The moment you live your dreams, not because of what it will prove or get you, but because that is all you want to do. People’s opinions don’t matter.
5. The moment you realize that no one is your enemy, except yourself.
6. The moment you realize that you can have everything you want in life. However, it takes timing, the right heart, the right actions, the right passion and a willingness to risk it all. If it is not yours, it is because you really didn’t want it, need it or God prevented it.
7. The moment you realize the ghost of your ancestors stood between you and the person you loved. They really don't want you mucking up the family line with someone that acts anything less than honorable.
8. The moment you realize that happiness was never about getting a person. They are only a helpmate towards achieving your life mission.
9. The moment you believe that love is not about losing or winning. It is just a few moments in time, followed by an eternity of situations to grow from.
10. The moment you realize that you were always the right person. Only ignorant people walk away from greatness.
”
”
Shannon L. Alder
“
Hey!" said the guy in the video. "Greetings from your friends at Camp Half-Blood, et cetera. This is Leo. I'm the..." He looked off screen and yelled: "What's my title? Am I like admiral, or captain, or-"
A girl's voice yelled back, "Repair boy."
"Very funny, Piper," Leo grumbled. He turned back to the parchment screen. "So yeah, I'm...ah..supreme commander of the Argo II. Yeah, I like that! Anyway, we're gonna be sailing towards you in about, I dunno, an hour in this big mother warship. We'd appreciate it if you'd not, like, blow us out of the sky or anything. So okay! If you could tell the Romans that. See you soon. Yours in demigodishness, and all that. Peace out!
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
He had no idea where the stereotype of dumb giggly blondes came from. Ever since he'd met Annabeth at the Grand Canyon last winter,when she'd marched toward him with that Give me Percy Jackson or I’ll kill you expression, Leo had thought of blondes as much too smart and much too dangerous.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Some people standby you in your darkest hour while others walk away; only a select few march towards you and become even closer friends.
”
”
Jeffrey Archer (Only Time Will Tell (The Clifton Chronicles, #1))
“
I recognized you instantly. All of our lives flashed through my mind in a split second. I felt a pull so strongly towards you that I almost couldn't stop it.
”
”
J. Sterling (In Dreams (The Dream, #1))
“
Just because you said dragon demons were extinct—"
"I said mostly extinct."
Alec jabbed a finger toward him.
"Mostly extinct," he said, his voice trembling with rage, "is NOT
EXTINCT ENOUGH."
"I see," said Jace. "I'll just have them change the entry in the demonology textbook from 'almost extinct' to 'not extinct enough for Alec. He prefers his monsters really, really extinct.' Will that make you happy?
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
No," Dimitri interrupted gently. He moved his face toward mine, our foreheads nearly touching. "It won't happen to you. You're too strong. You'll fight it, just like you did this
time."
"I only did because you were here." He wrapped his arms around me, and I buried my face in his chest. "I can't do it by myself," I whispered.
"You can," he said. There was a tremulous note in his voice. "You're strong—you're so, so strong. It's why I love you.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
That’s how it is when a person develops an attraction toward someone. He’s nowhere, then suddenly he’s everywhere, whether you want him to be or not.
”
”
Colleen Hoover (Ugly Love)
“
Your time is way too valuable to be wasting on people that can't accept who you are.
”
”
Turcois Ominek
“
My attitude is that if you push me towards something that you think is a weakness, then I will turn that perceived weakness into a strength.
”
”
Michael Jordan
“
Therefore, dear Sir, love your solitude and try to sing out with the pain it causes you. For those who are near you are far away... and this shows that the space around you is beginning to grow vast.... be happy about your growth, in which of course you can't take anyone with you, and be gentle with those who stay behind; be confident and calm in front of them and don't torment them with your doubts and don't frighten them with your faith or joy, which they wouldn't be able to comprehend. Seek out some simple and true feeling of what you have in common with them, which doesn't necessarily have to alter when you yourself change again and again; when you see them, love life in a form that is not your own and be indulgent toward those who are growing old, who are afraid of the aloneness that you trust.... and don't expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.
”
”
Rainer Maria Rilke (Letters to a Young Poet)
“
Death and Famine and War and Pollution continued biking towards Tadfield. And Grievous Bodily Harm, Cruelty To Animals, Things Not Working Properly Even After You've Given Them A Good Thumping but secretly No Alcohol Lager, and Really Cool People travelled with them.
”
”
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
From behind Lissa, I heard Christian say, "Worst. Timing. Ever." Adrian studied Lissa and then looked at Christain sprawling on the bed on the far side of the suite.
"Huh," Adrian said, letting himself in. "So that's how you're going to fix the family problem. Little Dragomirs. Good idea." Christian sat up and strolled toward them.
"Yeah, that's exactly it. You're interrupting official Council business.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
When God puts love and compassion in your heart toward someone, He’s offering you an opportunity to make a difference in that person’s life. You must learn to follow that love. Don’t ignore it. Act on it. Somebody needs what you have.
”
”
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
“
Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Love is a verb, not a noun. It is active. Love is not just feelings of passion and romance. It is behavior. If a man lies to you, he is behaving badly and unlovingly toward you. He is disrespecting you and your relationship. The words “I love you” are not enough to make up for that. Don’t kid yourself that they are.
”
”
Susan Forward (When Your Lover Is a Liar: Healing the Wounds of Deception and Betrayal)
“
Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?"
Patch: "Single her out. Talk to her."
Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?"
Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground.
"Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want." Magnus moved toward Jace.
"Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
True friends will always push you towards the great possibilities of your future, false friends will always chain you to the mistakes in your past.
”
”
Seth Brown
“
Hell,' Shane spit in disgust. 'I can't hit a girl. Here, Claire. You hit her.' He tossed her the bat.
”
”
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
“
A truly compassionate attitude toward others does not change even if they behave negatively or hurt you.
”
”
Dalai Lama XIV
“
Those who pray for your downfall are concentrating negative thoughts towards you, without taking cognisance of the slippery ground in which they are standing, which could lead to their downfall.
”
”
Michael Bassey Johnson
“
Traveling is a brutality. It forces you to trust strangers and to lose sight of all that familiar comfort of home and friends.
You are constantly off balance. Nothing is yours except the essential things: air, sleep, dreams, sea, the sky - all things tending towards the eternal or what we imagine of it.
”
”
Cesare Pavese
“
He turns toward me. I want to touch him, but I’m afraid of his bareness; afraid that he will make me bare too.
‘Is this scaring you, Tris?’
‘No,’ I croak. I clear my throat. ‘Not really. I’m only…afraid of what I want.’
‘What do you want?’ Then his face tightens. ‘Me?’
Slowly I nod.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I’m not dangerous,” I breathed.
He brought his face toward mine. “You are to me.”
And somehow, against all reason, we were kissing.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
When you concentrate your energy purposely on the future possibility that you aspire to realize, your energy is passed on to it and makes it attracted to you with a force stronger than the one you directed towards it.
”
”
Stephen Richards (Think Your way to Success: Let Your Dreams Run Free)
“
Your aunt and uncle will be proud, though, won't they?" said Hermione as they got off the train and joined the crowd thronging toward the enchanted barrier. "When they hear what you did this year?"
"Proud?" said Harry. "Are you crazy? All those times I could've died, and I didn't manage it? They'll be furious...
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Just take the weapon you hold in your hand and drive it through his heart," Valentine's voice was soft. "One simple motion. Nothing you haven't done before."
Jace met his father's stare with a level gaze. "I saw Agramon," he said. "It had your face."
"You saw Agramon?" The Soul-Sword glittered as Valentine moved toward his son. "And you lived?"
"I killed it."
"You killed the Demon of Fear, but you won't kill a single vampire, not even at my order?"
Jace stood watching Valentine without expression. "He's a vampire, that's true," he said. "But his name is Simon.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
The train is roaring toward you and the villain is twirling his moustache and you're fussing that he's tied you to the tracks with the wrong kind of rope.
”
”
Robin McKinley (Sunshine)
“
I had one last try.
"Does it bother you that I'm not a virgin?" He hesitated a moment before answering.
"Well, no," he said slowly, "so long as it doesna bother you that I am." He grinned at my drop-jawed expression, and backed toward the door.
"Reckon one of us should know what they're doing," he said. The door closed softly behind him; clearly the courtship was over.
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being "in love" which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossom had fallen from our branches we found that we were one tree and not two.
”
”
Louis de Bernières (Corelli’s Mandolin)
“
You could run from someone you feared, you could try to fight someone you hated. All my reactions were geared toward those kinds of killers – the monsters, the enemies. When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give your beloved, how could you not give it? If it was someone you truly loved?
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
Develop an attitude of gratitude, and give thanks for everything that happens to
you, knowing that every step forward is a step toward achieving something
bigger and better than your current situation.
”
”
Brian Tracy
“
As he passed me, he leaned to Curran and handed him a paper fan folded from some sort of flyer.
Curran looked at the fan. “What?”
"An emergency precaution, Your Majesty. In case the lady faints.”
Curran just stared at him.
Raphael strode toward the Pit, turned, flexed a bit, and winked at me.
"Give me that,” I told Curran. “I need to fan myself.”
"No, you don’t.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
Today is a new day. Don't let your history interfere with your destiny! Let today be the day you stop being a victim of your circumstances and start taking action towards the life you want. You have the power and the time to shape your life. Break free from the poisonous victim mentality and embrace the truth of your greatness. You were not meant for a mundane or mediocre life!
”
”
Steve Maraboli
“
How are the eyes?'
'Oh, excellent,' he said. 'I mean, they're not in my head is the only problem.'
'Awesome, yeah,' Gus said. 'Not to one-up you or anything, but my body is made out of cancer.'
'So I heard,' Issac said, trying not to let it get to him. He fumbled toward Gus's hand and found only his thigh.
'I'm taken,' Gus said.
”
”
John Green (The Fault in Our Stars)
“
why shouldn't he? All life is just a progression toward and then a recession from one phrase-- 'I love you
”
”
F. Scott Fitzgerald (The Offshore Pirate)
“
Wait," I said as Noah slipped a book from a shelf and headed toward the door. "Where are you going?"
"To read?"
But I don't want you to.
"But I need to go home," I said, my eyes meeting his. "My parents are going to kill me."
"Taken care of. You're at Sophie's house."
I loved Sophie.
"So I'm...staying here?"
"Daniel's covering for you."
I loved Daniel.
"Where's Katie?" I asked, trying to sound casual.
"Eliza's house."
I loved Eliza.
"And your parents?" I asked.
"Some charity thing."
I loved charity.
"So why are you going to read when I'm right here?
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
You never called me back," he said. "I called you so many times and you never called me back."
Magnus looked at Alec as if he'd lost his mind. "Your city is under attack," he said. "The wards have been broken, and the streets are full of demons. And you want to know why I haven't called you?"
Alec set his jaw in a stubborn line. "I want to know why you haven't called me back."
Magnus threw his hands up in the air in a gesture of utter exasperation. Alec noted with interest that when he did it, a few sparks escaped from his fingertips, like fireflies escaping from a jar. "You're an idiot."
"Is that why you haven't called me? Because I'm an idiot?"
"No." Magnus strode toward him. "I didn't call you because I'm tired of you only wanting me around when you need something. I'm tired of watching you be in love with someone else - someone, incidentally, who will never love you back. Not the way I do."
"You love me?"
"You stupid Nephilim," Magnus said patiently. "Why else am I here? Why else would I have spent the past few weeks patching up all your moronic friends every time they got hurt? And getting you out of every ridiculous situation you found yourself in? Not to mention helping you win a battle against Valentine. And all completely free of charge!
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Let me rephrase.” He took a seething step toward me. “When it comes to you… I don’t like to share.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
Drive away and try to keep smiling. Get a little rock and roll on the radio and go toward all the life there is with all the courage you can find and all the belief you can muster. Be true, be brave, stand.
”
”
Stephen King (It)
“
According to Vedanta, there are only two symptoms of enlightenment, just two indications that a transformation is taking place within you toward a higher consciousness. The first symptom is that you stop worrying. Things don't bother you anymore. You become light-hearted and full of joy. The second symptom is that you encounter more and more meaningful coincidences in your life, more and more synchronicities. And this accelerates to the point where you actually experience the miraculous. (quoted by Carol Lynn Pearson in Consider the Butterfly)
”
”
Deepak Chopra (SynchroDestiny: Harnessing the Infinite Power of Coincidence to Create Miracles)
“
Derek caught my arm again as I started to move--at this rate, it was going to be as sore as my injured one.
"Dog," he said, jerking his chin toward the fenced yard. "It was inside earlier."
Expecting to see a Doberman slavering at the fence, I followed his gaze to a little puff of white fur, the kind of dog women stick in their purses. It wasn't even barking, just staring at us, dancing in place.
"Oh, my God! It's a killer Pomeranian." I glanced up at Derek. "It's a tough call, but I think you can take him.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
You make even the stars envious,” I repeat softly, leaning toward her. “Because one day—far from now—you will be up there beside them, outshining every single one.
”
”
Lauren Roberts (Powerful (The Powerless Trilogy, #1.5))
“
You were early, Jesper,” Kaz said as he nudged Matthias towards the boat.
“I was on time.”
“For you, that’s early. Next time you plan to impress me give me some warning.”
“The animals are out, and I found you a boat. This is when a thank you would be in order.”
“Thank you, Jesper,” said Nina.
“You’re very welcome, gorgeous. See, Kaz? That’s how the civilised folk do.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
If You Forget Me
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
”
”
Pablo Neruda
“
Love is one of the most intense feelings felt by man; another is hate. Forcing yourself to feel indiscriminate love is very unnatural. If you try to love everyone you only lessen your feelings for those who deserve your love. Repressed hatred can lead to many physical and emotional aliments. By learning to release your hatred towards those who deserve it, you cleanse yourself of these malignant emotions and need not take your pent-up hatred out on your loved ones.
”
”
Anton Szandor LaVey (The Satanic Bible)
“
He shouldn't have said that," repeated Adrian, eerily serious. He leaned his face toward mine. "I don't care if he's not the emotional type or the complimentary type or what. No one can look at you in this dress, in all that fire and gold, and start talking about anachronisms. If I were him, I would have said, 'You are the most beautiful creature I have ever seen walking this earth.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
Look at the time." I tipped my chin toward the clock. "It's past midnight. It's January second. You lost."
For several moments he stared at the clock like it was an Arum he was about to blast into the next county and then his eyes found mine. Daemon smiled. "No. I didn't lose. I still won.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
You don't stick a knife in a man's back nine inches and then pull it out six inches and say you're making progress ... No matter how much respect, no matter how much recognition, whites show towards me, as far as I am concerned, as long as it is not shown to everyone of our people in this country, it doesn't exist for me.
”
”
Malcolm X
“
How you behave toward cats here below determines your status in Heaven.
”
”
Robert A. Heinlein
“
You can no longer see or identify yourself solely as a member of a tribe, but as a citizen of a nation of one people working toward a common purpose.
”
”
Idowu Koyenikan (Wealth for all Africans: How Every African Can Live the Life of Their Dreams)
“
Fuck you!”
She stalks back around my desk toward the door.
“Here? Now?” I look up at the ceiling, like I’m debating the prospect. “Well…okay. But be gentle. My couch is a virgin.
”
”
Emma Chase (Tangled (Tangled, #1))
“
When someone is seeking,” said Siddartha, “It happens quite easily that he only sees the thing that he is seeking; that he is unable to find anything, unable to absorb anything, because he is only thinking of the thing he is seeking, because he has a goal, because he is obsessed with his goal. Seeking means: to have a goal; but finding means: to be free, to be receptive, to have no goal. You, O worthy one, are perhaps indeed a seeker, for in striving towards your goal, you do not see many things that are under your nose.
”
”
Hermann Hesse (Siddhartha)
“
I turned in my seat. Will’s face was in shadow and I couldn’t quite make it out.
‘Just hold on. Just for a minute.’
‘Are you all right?’ I found my gaze dropping towards his chair, afraid some part of him was pinched, or trapped, that I had got something wrong.
‘I’m fine. I just . . . ’
I could see his pale collar, his dark suit jacket a contrast against it.
‘I don’t want to go in just yet. I just want to sit and not have to think about . . . ’ He swallowed.
Even in the half-dark it seemed effortful.
‘I just . . . want to be a man who has been to a concert with a girl in a red dress. Just for a few minutes more.’
I released the door handle.
‘Sure.’
I closed my eyes and lay my head against the headrest, and we sat there together for a while longer, two people lost in remembered music, half hidden in the shadow of a castle on a moonlit hill.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
He shifted his arm so he could brush her hair back. His fingers lingered along her jaw. “You make me want to live, too, Aelin Galathynius,” he said. “Not exist—but live.” He cupped her cheek, and took a steadying breath—as if he’d thought about every word these past three days, over and over again. “I spent centuries wandering the world, from empires to kingdoms to wastelands, never settling, never stopping—not for one moment. I was always looking toward the horizon, always wondering what waited across the next ocean, over the next mountain. But I think … I think that whole time, all those centuries, I was just looking for you.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
In those seconds, I was mourning everything I'd lost. How I'd never get to see you walk down an aisle toward me, how I'd never get to see your face in our children, how I'd never get to see streaks of silver in your hair. But, at the same time, I couldn't be bothered. If me dying meant you living, how could that be anything but good?
”
”
Kiera Cass (The One (The Selection, #3))
“
Pride must die in you, or nothing of heaven can live in you.
”
”
Andrew Murray (Humility: The Journey Toward Holiness – Classic Devotional Meditations on the Character of Christ for Easter 2026)
“
Remind thyself, in the darkest moments, that every failure is only a step toward success, every detection of what is false directs you toward what is true, every trial exhausts some tempting form of error, and every adversity will only hide, for a time, your path to peace and fulfillment.
”
”
Og Mandino
“
Remain open. There is something bigger than you know going on here.
”
”
Iyanla Vanzant (One Day My Soul Just Opened Up: 40 Days and 40 Nights Toward Spiritual Strength and Personal Growth)
“
People will seek to use you or destroy you. If you want to live, you must pick a side. So do not shirk from war, child. Do not flinch from suffering. When you hear screaming, run toward it.
”
”
R.F. Kuang (The Dragon Republic (The Poppy War, #2))
“
If you want to be proud of yourself, then do things in which you can take pride
”
”
Karen Horney (Neurosis and Human Growth: The Struggle Towards Self-Realization)
“
That seems like stealing, doesn't it?" Simon pulled a cup toward him. He drew the lid back. "Ooh. Mochaccino." He looked at Magnus. "Did you pay for these?"
"Sure," said Magnus, while Jace and Alec snickered. "I make dollar bills magically appear in their cash register."
"Really?"
"No." Magnus popped the lid off his own coffee. "But you can pretend I did if it makes you feel better. So, first order of business is what?
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Anna prods St. Clair's shoulder. "Come on. Weren't you gonna show me that thing?"
"What thing?"
She stares at him. He stares back. She cocks her head toward Cricket and me.
"Ah, yes." St. Clair stands. "That thing."
They rush out. The door shuts, and St. Clair shouts, "Lola, Cricket wants to show you his thing, too-oo!
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
We had old architects and were working with what we had on hand. You’ve hired this new, young architect now, and, Pericles, I’m going to build you a statue of Athena—all gold and ivory, think of that, Pericles—and taller than our city walls.” Pericles raised his eyes toward the birds.
”
”
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
“
Have you ever seen anything quite as pathetic?" said Malfoy. "And he’s supposed to be our teacher!"
Harry and Ron both made furious moves toward Malfoy, but Hermione got there first - SMACK!
She had slapped Malfoy across the face with all the strength she could muster. Malfoy staggered. Harry, Ron, Crabbe, and Goyle stood flabbergasted as Hermione raised her hand again.
"Don’t you dare call Hagrid pathetic you foul—you evil—"
"Hermione!" said Ron weakly and he tried to grab her hand as she swung it back.
"Get off Ron!"
Hermione pulled out her wand. Malfoy stepped backward. Crabbe and Goyle looked at him for instructions, thoroughly bewildered.
"C’mon," Malfoy muttered, and in a moment, all three of them had disappeared into the passageway to the dungeons.
"Hermione!" Ron said again, sounding both stunned and impressed.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
How dare you touch my cookies, you bastard!” Jason said in utter disgust before popping the cookie into his mouth and heading back to his house.
“Damn those looked good, too,” Brad grumbled.
Haley sighed. “Don’t worry I have a second plate on my counter.” The words were barely out of her mouth when Jason abruptly changed course and headed towards her house.
“Well, there was,” she said, watching Jason walk into her house like he owned it. A minute later he walked out of her house, carrying both plates and the gallon of milk she had in her fridge. He headed back to his house, but not before he glared at Brad. “You cookie thieving bastard,” they heard him mutter.
Brad rolled his eyes, chuckling. “And people wonder how I lost weight rooming with him in college.
”
”
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
“
No homework. I got suspended,” Blue replied.
“Get the fuck out,” Ronan said, but with admiration. “Sargent, you asshole.”
Blue reluctantly allowed him to bump fists with her as Gansey eyed her meaningfully in the rearview mirror.
Adam swivelled the other way in his seat – to the right, instead of to the left, so that he was peering around the far side of the headrest. It made him look as if he were hiding, but Blue knew it was just because it turned his hearing ear instead of his deaf ear towards them. “For what?”
“Emptying another student’s backpack over his car. I don’t really want to talk about it.”
“I do,” Ronan said.
“Well, I don’t. I’m not proud of it.”
Ronan patted her leg. “I’ll be proud for you.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
You can't run away from who you are, but what you can do is run toward who you want to be.
”
”
Jason Reynolds (Ghost (Track, #1))
“
I clinked my bottle against his. “To being the only girl a
guy with no standards doesn’t want to sleep with.” I said,
taking a swig.
“Are you serious?” he asked, pulling the bottle from my
mouth. When I didn’t recant, he leaned toward me. “First of
all…I have standards. I’ve never been with an ugly woman.
Ever. Second of all, I wanted to sleep with you. I thought
about throwing you over my couch fifty different ways, but I
haven’t because I don’t see you that way anymore. It’s not
that I’m not attracted to you, I just think you’re better than
that.”
I couldn’t hold back the smug smile that crept across my
face. “You think I’m too good for you.”
He sneered at my second insult. “I can’t think of a single
guy I know that’s good enough for you.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Where is he? Bridgerton!" he bellowed.
Three chestnut heads swiveled in his direction. Simon stomped across the grass, murder in his eyes.
"I meant the idiot Bridgerton."
"That, I believe," Anthony said mildly, tilting his chin toward Colin, "would refer to you.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
Elena startled both of them by flying up so quickly that Stefan had to grab her by the waist to keep her from shooting toward the ceiling.
I thought you had gravity!”
So did I! What do I do?”
Think heavy thoughts!”
What if it doesn’t work?”
We’ll buy you an anchor!
”
”
L.J. Smith (Nightfall (The Vampire Diaries: The Return, #1))
“
We should go straight west. The prophecy said west."
"Oh, like your tracking skills are better?" Thalia growled.
Zoe stepped toward her. "You challenge my skills, you scullion? You know nothing of being a Hunter!"
"Oh, scullion. You're calling me a scullion? What the heck is a scullion?
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Try it again," I said. "Kiss me."
"No," he said.
"Kiss me."
"No," And then he smiled. "You kiss me."
I placed my hand on the back of his neck. I pulled him toward me. And kissed him. I kissed him. And I kissed him. And I kissed him. And I kissed him. And he kept kissing me back.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
You do not seek to kill me, Dumbledore?' called Voldemort, his scarlet eyes narrowed over the top of the shield. 'Above such brutality, are you?'
'We both know that there are other ways of destroying a man, Tom,' Dumbledore said calmly, continuing to walk towards Voldemort as though he had not a fear in the world, as though nothing had happened to interrupt his stroll up the hall. “Merely taking your life would not satisfy me, I admit —'
'There is nothing worse than death, Dumbledore!' snarled Voldemort.
'You are quite wrong,' said Dumbledore, still closing in upon Voldemort and speaking as lightly as though they were discussing the matter over drinks. 'Indeed, your failure to understand that there are things much worse than death has always been your greatest weakness'.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Love is not selective, just as the light of the sun is not selective. It does not make one person special. It is not exclusive. Exclusivity is not the love of God but the "love" of
ego. However, the intensity with which true love is felt can vary. There may be one person who reflects your love back to you more clearly and more intensely than others, and if that person feels the same toward you, it can be said that you are in a love relationship with him or her. The bond that connects you with that person is the same bond that connects you with the person sitting next to you on a bus, or with a bird, a tree, a flower. Only the degree of intensity with which it is felt differs.
”
”
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
“
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.
”
”
Anne Lamott (Bird by Bird)
“
These days, I am very glad to be a mortal, and to only have to endure this life once. These days, I don't envy you at all."
"And before?"
It was her turn to stare toward the horizon. "I used to wish I had a chance to see it all- and hated that I never would.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
I spent centuries wandering the world, from empires to kingdoms to wastelands, never settling, never stopping—not for one moment. I was always looking toward the horizon, always wondering what waited across the next ocean, over the next mountain. But I think … I think that whole time, all those centuries, I was just looking for you.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
No." Magnus strode toward him. "I didn't call you because I'm tired of you only wanting me around when you need something. I'm tired of watching you be in love with someone else-someone, incidentally, who will never love you back. Not the way I do.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Part of me loves and respects men so desperately, and part of me thinks they are so embarrassingly incompetent at life and in love. You have to teach them the very basics of emotional literacy. You have to teach them how to be there for you, and part of me feels tender toward them and gentle, and part of me is so afraid of them, afraid of any more violation.
”
”
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
“
I am too alone in the world, and yet not alone enough
to make every moment holy.
I am too tiny in this world, and not tiny enough
just to lie before you like a thing,
shrewd and secretive.
I want my own will, and I want simply to be with my will,
as it goes toward action;
and in those quiet, sometimes hardly moving times,
when something is coming near,
I want to be with those who know secret things
or else alone.
I want to be a mirror for your whole body,
and I never want to be blind, or to be too old
to hold up your heavy and swaying picture.
I want to unfold.
I don’t want to stay folded anywhere,
because where I am folded, there I am a lie.
and I want my grasp of things to be
true before you. I want to describe myself
like a painting that I looked at
closely for a long time,
like a saying that I finally understood,
like the pitcher I use every day,
like the face of my mother,
like a ship
that carried me
through the wildest storm of all.
”
”
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
“
Iz," Alec said tiredly. "It's not like it's one big bad thing. It's a lot of little invisible things. When Magnus and I were traveling, and I'd call from the road, Dad never asked how he was. When I get up to talk in Clave meetings, no one listens, and I don't know if that's because I'm young or if it's because of something else. I saw Mom talking to a friend about her grandchildren and the second I walked into the room they shut up. Irina Cartwright told me it was a pity no one would ever inherit my blue eyes now." He shrugged and looked toward Magnus, who took a hand off the wheel for a moment to place it on Alec's. "It's not like a stab wound you can protect me from. It's a million little paper cuts every day.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
But they love each other," Clary said, appalled. "Isn't that what love means? That you're supposed to be there for the other person to turn to, no matter what?"
Luke looked toward the river, at the dark water moving slowly under the light of the autumn moon. "Sometimes, Clary," he said, "love just isn't enough.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
You're a Shadowhunter," he said. "You know how to deal with injuries." He slid his stele across the table toward her. "Use it."
"No," Clary said, and pushed the stele back across the table at him.
Jace slammed his hand down on the stele. "Clary—"
"She said she doesn't want it," said Simon. "Ha-ha."
"Ha-ha?" Jace looked incredulous. "That's your comeback?"
Alec, folding his phone, approached the table with a puzzled look. "What's going on?"
"We seem to be trapped in an episode of One Life to Waste," Magnus observed. "It's all very dull.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
In the rose garden, the flowers are maneuvering toward the winter sunshine and the alluring sound of the koi pond’s waterfall makes you think it has a crush on you. You offer no resistance—you are done (at least temporarily) with the “regular” world.
”
”
Tom Hillman (Digging for God)
“
Being in love is a very strange thing. Your thoughts constantly drift towards this other person, no matter what you’re doing. You could be reaching for a glass in the cupboard or brushing your teeth or listening to someone tell a story, and your mind will just start drifting towards their face, their hair, the way they smell, wondering what they’ll wear, and what they’ll say the next time they see you. And on top of the constant dream state you’re in, your stomach feels like it’s connected to a bungee cord, and it bounces and bounces around for hours until it finally lodges itself next to your heart.
”
”
Pittacus Lore (The Power of Six (Lorien Legacies, #2))
“
Dancing. Come on. You can do it. It's a lot like navigating through a laser grid. It requires rhythm.' He moved her hips to the beat of the distant music. 'And patience.' He spun her around slowly and back toward him. 'And it's only fun if you trust your partner.' The dip was so slow, so smooth that Kat didn't know it was happening until the world was already turned upside down and Hale's face was inches from her own.
Count me in, Kat.' He squeezed her tighter. 'You should always count me in.
”
”
Ally Carter (Heist Society (Heist Society, #1))
“
What if the meaning of life on earth is not eternal progress toward some unspecified goal—the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always—just to live and be with other people?
”
”
Sally Rooney (Beautiful World, Where Are You)
“
What in hell is that?”
She kept going toward the bathroom, refusing to apologize or look down at the pink, delicate, very
short lace nightgown. When she emerged, face washed and clean, Rowan was sitting up, arms crossed
over his bare chest. “You forgot the bottom part.”
She merely blew out the candles in the room one by one. His eyes tracked her the entire time.
“There is no bottom part,” she said, flinging back the covers on her side. “It’s starting to get so hot,
and I hate sweating when I sleep. Plus, you’re practically a furnace. So it’s either this or I sleep
naked. You can sleep in the bathtub if you have a problem with it.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Each day means a new twenty-four hours. Each day means everything’s possible again. You live in the moment, you die in the moment, you take it all one day at a time.” He looks toward the railway car’s open door, where streaks of dark water blanket the world. “You try to walk in the light.
”
”
Marie Lu (Legend (Legend, #1))
“
Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt — his shirt —
“Jace.” She moved a little bit away. “I’m pretty sure people down there in the street can see us.”
“We could …” He gestured toward the bed. “Move…over there.”
She grinned. “You said that like it took you a while to come up with the idea.”
When he spoke, his voice was muffled against her neck. “What can I say, you make my thought processes slow down. Now I know what it’s like to be a normal person.”
“How … is it?” The things he was doing with his hands under the t-shirt were distracting.
“Terrible. I’m already way behind on my quota of witty comments for the day.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Yeah, because I'm extremely romantic here. You know what is my fear? This postmodern, permissive, pragmatic etiquette towards sex. It's horrible. They claim sex is healthy; it's good for the heart, for blood circulation, it relaxes you. They even go into how kissing is also good because it develops the muscles here – this is horrible, my God! It's no longer that absolute passion. I like this idea of sex as part of love, you know: 'I'm ready to sell my mother into slavery just to fuck you for ever.' There is something nice, transcendent, about it. I remain incurably romantic.
”
”
Slavoj Žižek
“
Oh, do you have A Tale of Two Cities?"
"That silly thing? Men going around getting their heads chopped off for love? Ridiculus." Will unpeeled himself from the door and made his way toward Tessa where she stood by the bookshelves. He gestured expansively at the vast number of volumes all around him. "No, here you'll find all sorts of advice about how to chop off someone else's head if you need to; much more useful.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
I was thrown into a state of sheer, mindless panic. “It’s my mother!” I whispered fiercely,
as if Bones hadn’t figured that out. “Holy shit, you have to hide!”
I literally shoved him toward the bedroom, yelling, “I—I’ll be right there, I’m not
dressed!”
He went, but with none of my hysteria. “Kitten, you still haven’t told her? Blimey, what
are you waiting for?”
The Second Coming of Christ!” I snapped. “And not a moment sooner! Here, in the
closet!
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Be silent and listen: have you recognized your madness and do you admit it? Have you noticed that all your foundations are completely mired in madness? Do you not want to recognize your madness and welcome it in a friendly manner? You wanted to accept everything. So accept madness too. Let the light of your madness shine, and it will suddenly dawn on you. Madness is not to be despised and not to be feared, but instead you should give it life...If you want to find paths, you should also not spurn madness, since it makes up such a great part of your nature...Be glad that you can recognize it, for you will thus avoid becoming its victim. Madness is a special form of the spirit and clings to all teachings and philosophies, but even more to daily life, since life itself is full of craziness and at bottom utterly illogical. Man strives toward reason only so that he can make rules for himself. Life itself has no rules. That is its mystery and its unknown law. What you call knowledge is an attempt to impose something comprehensible on life.
”
”
C.G. Jung (The Red Book: A Reader's Edition)
“
A bus came. The soldier turned away from her and walked toward it. Tatiana watched him. Even his walk was from another world; the step was too sure, the stride too long, yet somehow it all seemed right, looked right, felt right. It was like stumbling on a book you thought you had lost. Ah, yes, there it is.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Day leans in toward me. He reaches up to touch my face. I can tell it still hurts him to use his fingers, and his nails are dark with dried blood. "You're brilliant," he says. "But you're a fool to stay wish someone like me."
I close my eyes at the touch of his hand. "Then we're both fools.
”
”
Marie Lu (Legend (Legend, #1))
“
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?
A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
”
”
Donna Tartt (The Goldfinch)
“
You see somethin' ya want, baby?"
"Maybe. I'm checking things out. Seeing if I'm interested," I shot back with my own evil grin.
"I see something I want," he drawled as he came toward me.
"You do?"
"Hell yeah, I do," he murmured. "I love chocolate." What? My excitement turned to confusion. His arm reached out beside me and took the piece of chocolate cake I'd brought him.
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
I told you before, Jem, that you would not leave me," Will said, his bloody hand on the hilt of the dagger. " And you are still with me. When I breath, I will think of you, for without you I would have been dead years ago. When I wake up and when I sleep, when I lift up my hands to defend myself or when I lie down to die, you will be with me. You say we are born again. I say there is a river that divides the dead and the living. What I do know is that if we are born again, I will meet you in another life, if there is a river, you will wait on the shores for me to come to you, so we can cross together." Will took a deep breath and let go of the knife. He drew his hand back. The cut on his palm was already healing- the result of the half dozen iratzes on his skin. " You hear that, James Carstairs? We are bound, you and I, over the divide of death, down through whatever generations may come. Forever."
He rose to his feet and looked down at the knife. The knife was Jem's, the blood was his. This spot of ground, whether he could ever find it again, whether he lived to try, would be theirs.
He turned around to walk to Balios, towards Wales and Tessa. He did not look back.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I should go," I said thickly. "Let me know when you want to start practice again. And thanks for...talking."
I started to turn; then I heard him say abruptly, "No."
I glanced back. "What?"
He held my gaze, and something warm and wonderful and powerful shot between us.
"No," he repeated. "I told her no."
"I..." I shut my mouth before my jaw hit the floor. "But...why? That was a once-in-a-lifetime thing. You could have had a baby. And she...she was, you know, into you..."
The ghost of a smile flickered on his face. "Yes, she was. Is. And that's why I had to say no. I couldn't return that...couldn't give her what she wanted. Not when..." He took a few steps toward me. "Not when my heart is somewhere else.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
My dear Reaper," Vlad said, still laughing. 'Did you just check out our-'
'No!' I interrupted at once, almost lunging toward the staircase. 'I'm tired and still dazed from the Remanats and ... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that.' -oh Jesus I was only making this worse- 'because I am cold already, and I need to get hot. I mean, warmer. Oh just shut up!' " -Pg 280
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
It’s a profoundly strange feeling, to stumble across someone whose desires are shaped so closely to your own, like reaching toward your reflection in a mirror and finding warm flesh under your fingertips. If you should ever be lucky enough to find that magical, fearful symmetry, I hope you’re brave enough to grab it with both hands and not let go.
”
”
Alix E. Harrow (The Ten Thousand Doors of January)
“
Wait a second," Four says. I turn toward him, wondering which version of Four I'll see now-the one who scolds me, or the one who climbs Ferris wheels with me. He smiles a little, but the smile doesn't spread to his eyes, which look less tense and worried.
"You belong here, you know that?" he says. "You belong with us. It'll be over soon, so just hold on, okay?"
He scratches behind his ear and looks away, like he's embarrassed by what he said.
I stare at him. I feel my heartbeat everywhere, even in my toes. I feel like doing something bold, but I could just as easily walk away. I am not sure which option is smarter, or better. I am not sure that I care.
I reach out and take his hand. His fingers slide between mine. I can't breathe.
I stare up at him, and he stares down at me. For a long moment, we stay that way. Then I pull my hand away and run after Uriah and Lynn and Marlene. Maybe now he thinks I'm stupid, or strange. Maybe it was worth it.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
...quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
Are you the new person drawn toward me?
To begin with, take warning - I am surely far different from what you suppose;
Do you suppose you will find in me your ideal?
Do you think it so easy to have me become your lover?
Do you think the friendship of me would be unalloy'd satisfaction?
Do you think I am trusty and faithful?
Do you see no further than this façade—this smooth and tolerant manner of me?
Do you suppose yourself advancing on real ground toward a real heroic man?
Have you no thought, O dreamer, that it may be all maya, illusion?
”
”
Walt Whitman (Leaves of Grass)
“
You promised to be my undoing,” I murmur, lowering my head close enough to hear her sharp intake of breath. “So, prove it.” Her face angles up toward mine, our noses brushing. She never lowers her dagger, and the point of her blade still draws blood from my throat. “Prove it,” I repeat, voice quiet. “Hate me enough to make me want you.” I cup her jaw, feeling her eyes burning into mine. “Ruin me.” Our mouths crash together.
”
”
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
“
Okay,' he said. He took a breath. 'What would you do, if you could do anything?'
I took a step toward him, closing the space between us. 'This,' I said. And then I kissed him.
Kissed him. There, in the middle of the street, as the world went on around us. Behind me, I knew Jason was still waiting for an explanation, my sister was still lecturing, and that angel still had her eyes skyward, waiting to fly. As for me, I was just trying to get it right, whatever that meant. But now I finally felt I was on my way. Everyone had a forever, but given a choice, this would be mine. The one that began in this moment, with Wes, in a kiss that took my breath away, then gave it back- leaving me astounded, amazed, and most of all, alive.
”
”
Sarah Dessen (The Truth About Forever)
“
Lady, lady, never start
Conversation toward your heart;
Keep your pretty words serene;
Never murmur what you mean.
Show yourself, by word and look,
Swift and shallow as a brook.
Be as cool and quick to go
As a drop of April snow;
Be as delicate and gay
As a cherry flower in May.
Lady, lady, never speak
Of the tears that burn your cheek-
She will never win him, whose
Words had shown she feared to lose.
Be you wise and never sad,
You will get your lovely lad.
Never serious be, nor true,
And your wish will come to you-
And if that makes you happy, kid,
You'll be the first it ever did.
”
”
Dorothy Parker
“
Celeste walked up, as strong as I’d ever seen her, and whispered something into Maxon’s ear.
When she was done, he smiled. “I don’t think that will be necessary.”
“Good.” She left, closing the door behind her, and I stood to take whatever was coming.
“What was that about?” I asked, nodding toward the door.
“Oh, Celeste was making it clear that if I hurt you, she’d make me cry,” he said with a smile.
I laughed. “I’ve been on the receiving end of those nails, so be careful there.”
“Yes, ma’am.
”
”
Kiera Cass (The One (The Selection, #3))
“
Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is.
Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being in love, which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
Those that truly love have roots that grow towards each other underground, and, when all the pretty blossoms have fallen from their branches, they find that they are one tree and not two.
”
”
Louis de Bernières (Corelli’s Mandolin)
“
Hello, hello.” Magnus swept toward them..."Alec, my darling, Clary. And rat-boy." He swept a bow toward Simon, who looked annoyed. "To what do I owe the pleasure?"
"We came to see Jace," Clary said. "Is he all right?"
"I don’t know," Magnus said. "Does he normally just lie on the floor like that without moving?"
"What –," Alec began, and broke off as Magnus laughed. "That’s not funny."
"You’re so easy to tease. And yes, your friend is just fine. Well, except that he keeps putting all my things away and trying to clean up. Now I can’t find anything. He’s compulsive.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
The current ruling ontology denies any possibility of a social causation of mental illness. The chemico-biologization of mental illness is of course strictly commensurate with its depoliticization. Considering mental illness an individual chemico-biological problem has enormous benefits for capitalism. First, it reinforces Capital’s drive towards atomistic individualization (you are sick because of your brain chemistry). Second, it provides an enormously lucrative market in which multinational pharmaceutical companies can peddle their pharmaceuticals (we can cure you with our SSRIs). It goes without saying that all mental illnesses are neurologically instantiated, but this says nothing about their causation. If it is true, for instance, that depression is constituted by low serotonin levels, what still needs to be explained is why particular individuals have low levels of serotonin. This requires a social and political explanation; and the task of repoliticizing mental illness is an urgent one if the left wants to challenge capitalist realism.
”
”
Mark Fisher (Capitalist Realism: Is There No Alternative?)
“
What did you do?” I mumble. He is just a few feet away from me now, but not close enough to hear me. As he passes me he stretches out his hand. He wraps it around my palm and squeezes. Squeezes, then lets go. His eyes are bloodshot; he is pale. “What did you do?” This time the question tears from my throat like a growl. I throw myself toward him, struggling against Peter’s grip, though his hands chafe. “What did you do?” I scream. “You die, I die too” Tobias looks over his shoulder at me. “I asked you not to do this. You made your decision. These are the repercussions.
”
”
Veronica Roth
“
It's clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty bumming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another.
”
”
Robert James Waller (The Bridges of Madison County)
“
Yes,” I whisper. The red blinking light on one of the cameras catches my eye. I know I’m being recorded. “Yes,” I say more forcefully. Everyone is drawing away from me—Gale, Cressida, the insects—giving me the stage. But I stay focused on the red light. “I want to tell the rebels that I am alive. That I’m right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.” The shock I’ve been feeling begins to give way to fury. “I want to tell people that if you think for one second the Capitol will treat us fairly if there’s a cease-fire, you’re deluding yourself. Because you know who they are and what they do.” My hands go out automatically, as if to indicate the whole horror around me. “This is what they do! And we must fight back!”
I’m moving in toward the camera now, carried forward by my rage. “President Snow says he’s sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?” One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. “Fire is catching!” I am shouting now, determined that he will not miss a word. “And if we burn, you burn with us!
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
You must resist the common urge toward the comforting narrative of divine law, toward fairy tales that imply some irrepressible justice. The enslaved were not bricks in your road, and their lives were not chapters in your redemptive history. They were people turned to fuel for the American machine. Enslavement was not destined to end, and it is wrong to claim our present circumstance—no matter how improved—as the redemption for the lives of people who never asked for the posthumous, untouchable glory of dying for their children. Our triumphs can never compensate for this.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
Not nearly enough. Not recently, anyway.” And she was sad about that.
“I know,” he said, and kissed the back of her hand. “We’ll fix it. Get some sleep.”
“Night,” she said, and watched him walk toward the door. “Hey. How’d you get in?”
He wiggled his fingers at her in a spooky oogie-boogie pantomime. “I’m a vampire. I have secret powers ,” he said with a full-on fake Transylvanian accent, which he dropped to say, “Actually, your mom let me in.”
“Seriously? My mom? Let you in my room? In the middle of the night?”
He shrugged. “Moms like me.”
He gave her a full-on Hollywood grin, and slipped out the door.
”
”
Rachel Caine (Carpe Corpus (The Morganville Vampires, #6))
“
Because I wanted you." He turned from the window to face me. "More than I ever wanted anything in my life," he added softly.
I continued staring at him, dumbstruck. Whatever I had been expecting, it wasn't this. Seeing my openmouthed expression, he continued lightly. "When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself, 'Jamie Fraser, for all ye canna see what she looks like, and for all she weighs as much as a good draft horse, this is the woman'"
I started toward him, and he backed away, talking rapidly. "I said to myself, 'She's mended ye twice in as many hours, me lad; life amongst the MacKenzies being what it is, it might be as well to wed a woman as can stanch a wound and set broken bones.' And I said to myself, 'Jamie, lad, if her touch feels so bonny on your collarbone, imagine what it might feel like lower down...'"
He dodged around a chair. "Of course, I thought it might ha' just been the effects of spending four months in a monastery, without benefit of female companionship, but then that ride through the dark together"--he paused to sigh theatrically, neatly evading my grab at his sleeve--"with that lovely broad arse wedged between my thighs"--he ducked a blow aimed at his left ear and sidestepped, getting a low table between us--"and that rock-solid head thumping me in the chest"--a small metal ornament bounced off his own head and went clanging to the floor--"I said to myself..."
He was laughing so hard at this point that he had to gasp for breath between phrases. "Jamie...I said...for all she's a Sassenach bitch...with a tongue like an adder's ...with a bum like that...what does it matter if she's a f-face like a sh-sh-eep?"
I tripped him neatly and landed on his stomach with both knees as he hit the floor with a crash that shook the house.
"You mean to tell me that you married me out of love?" I demanded. He raised his eyebrows, struggling to draw in breath.
"Have I not...just been...saying so?
”
”
Diana Gabaldon (Outlander (Outlander, #1))
“
Adrian smiled and clasped my hands, taking a few steps toward me. "And as for who you are, you’re the same beautiful, brave, and ridiculously smart caffeinated fighter you’ve been since the day I met you.” Finally, he put “beautiful” at the top of his list of adjectives. Not that I should have cared.
“Sweet talker,” I scoffed. “You didn’t know anything about me the first time we met.”
“I knew you were beautiful,” he said. “I just hoped for the rest.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
I loved you!” he yelled. He jumped up out of his chair so quickly I never saw it coming. “I loved you, and you destroyed me. You took my heart and ripped it up. You might as well have staked me!” The change in his features also caught me by surprise. His voice filled the room. So much grief, so much anger. So unlike the usual Adrian. He strode toward me, hand clasped over his chest. “I. Loved. You. And you used me the whole time.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Only yesterday I was no different than them, yet I was saved. I am explaining to you the way of life of a people who say every sort of wicked thing about me because I sacrificed their friendship to gain my own soul. I left the dark paths of their duplicity and turned my eyes toward the light where there is salvation, truth, and justice. They have exiled me now from their society, yet I am content. Mankind only exiles the one whose large spirit rebels against injustice and tyranny. He who does not prefer exile to servility is not free in the true and necessary sense of freedom.
”
”
Kahlil Gibran
“
Step Away from the Mean Girls…
…and say bye-bye to feeling bad about your looks.
Are you ready to stop colluding with a culture that makes so many of us feel physically inadequate? Say goodbye to your inner critic, and take this pledge to be kinder to yourself and others.
This is a call to arms. A call to be gentle, to be forgiving, to be generous with yourself. The next time you look into the mirror, try to let go of the story line that says you're too fat or too sallow, too ashy or too old, your eyes are too small or your nose too big; just look into the mirror and see your face. When the criticism drops away, what you will see then is just you, without judgment, and that is the first step toward transforming your experience of the world.
”
”
Oprah Winfrey
“
Alec isn’t happy,” said Magnus, as if she hadn’t spoken.
“Of course he isn’t,” Isabelle snapped. “Jace—”
“Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said:
“I thought you were friends.”
“It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.”
Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —”
“I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—”
“Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said.
“How dare you make this worse than it is —”
“Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.”
“There is nothing weak about Alec,” said Isabelle.
“No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.”
“Of course he loves me. I’m his sister.”
“Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Have you heard of the illness hysteria siberiana? Try to imagine this: You're a farmer, living all alone on the Siberian tundra. Day after day you plow your fields. As far as the eye can see, nothing. To the north, the horizon, to the east, the horizon, to the south, to the west, more of the same. Every morning, when the sun rises in the east, you go out to work in your fields. When it's directly overhead, you take a break for lunch. When it sinks in the west, you go home to sleep. And then one day, something inside you dies. Day after day you watch the sun rise in the east, pass across the sky, then sink in the west, and something breaks inside you and dies. You toss your plow aside and, your head completely empty of thought, begin walking toward the west. Heading toward a land that lies west of the sun. Like someone, possessed, you walk on, day after day, not eating or drinking, until you collapse on the ground and die. That's hysteria siberiana.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….
”
”
Bret Easton Ellis (American Psycho)
“
He started to say something, maybe an apology and maybe not, and then he stopped, he leaned over and pulled me toward him - like by gravitational force. He kissed me, hard, and his skin was stubbly and rough against my cheek. My first thought was, I guess he didn't have time to shave this morning, and then - I was kissing him back, my fingers winding through his soft yellow hair and my eyes closed. He kissed like he was drowning and I was air. It was passionate, and desperate, and like nothing I had ever experienced before.
This was what people meant when they said the earth stopped turning. It felt like a world outside of that car, that moment, didn't exist. It was just us.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
We’re so self-important. Everybody’s going to save something now. “Save the trees, save the bees, save the whales, save those snails.” And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. I’m tired of this shit. I’m tired of f-ing Earth Day. I’m tired of these self-righteous environmentalists, these white, bourgeois liberals who think the only thing wrong with this country is that there aren’t enough bicycle paths. People trying to make the world safe for Volvos. Besides, environmentalists don’t give a shit about the planet. Not in the abstract they don’t. You know what they’re interested in? A clean place to live. Their own habitat. They’re worried that some day in the future they might be personally inconvenienced. Narrow, unenlightened self-interest doesn’t impress me.
The planet has been through a lot worse than us. Been through earthquakes, volcanoes, plate tectonics, continental drift, solar flares, sun spots, magnetic storms, the magnetic reversal of the poles … hundreds of thousands of years of bombardment by comets and asteroids and meteors, worldwide floods, tidal waves, worldwide fires, erosion, cosmic rays, recurring ice ages … And we think some plastic bags and some aluminum cans are going to make a difference? The planet isn’t going anywhere. WE are!
We’re going away. Pack your shit, folks. We’re going away. And we won’t leave much of a trace, either. Maybe a little Styrofoam … The planet’ll be here and we’ll be long gone. Just another failed mutation. Just another closed-end biological mistake. An evolutionary cul-de-sac. The planet’ll shake us off like a bad case of fleas.
The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?”
Plastic… asshole.
”
”
George Carlin
“
Women matter. Women are half of us. When you raise every woman to believe that we are insignificant, that we are broken, that we are sick, that the only cure is starvation and restraint and smallness; when you pit women against one another, keep us shackled by shame and hunger, obsessing over our flaws rather than our power and potential; when you leverage all of that to sap our money and our time—that moves the rudder of the world. It steers humanity toward conservatism and walls and the narrow interests of men, and it keeps us adrift in waters where women’s safety and humanity are secondary to men’s pleasure and convenience.
”
”
Lindy West (Shrill: Notes from a Loud Woman)
“
Music is crucial. Beyond no way can I overstress this fact. Let's say you're southbound on the interstate, cruising alone in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you--do you want to be hearing another radio commercial for a mega, clearance, closeout, blow-out liquidation car-stereo sale?
”
”
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
“
I can't--I can't think about anything or anyone else," he whispered. A hand drifted up, dragging back through his hair. "I can't think straight when you're around. I can't sleep. It feels like I can't breathe--I just--"
"Liam, please," I begged. "You're tired. You're barely over being sick. Let's just... Can we just go back to the others?"
"I love you." He turned toward me, that agonized expression still on his face. "I love you every second of everyday, and I don't understand why, or how to make it stop--"
He looked wild with pain; it pinned me in place, even before what he had said registered in my mind.
"I know it's wrong; I know it down to my damn bones. And I feel like I'm sick. I'm trying to be a good person, but I can't. I can't do this anymore.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.'
Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.'
'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.'
Spook rushed over and fetched Breeze a cup of wine.
'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.'
Spook frowned. 'Niceing the not on the playing without.'
'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.'
Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.'
'Riding the rile of the rids to the right,' Spook said with a nod.
'What are you two babbling about?' Breeze said testily.
'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.'
'Ever wasing the doing of this,' Kelsier agreed.
'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.'
Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.'
Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
”
”
Pablo Neruda (If You Forget Me)
“
I want you, Anastasia,” he murmurs. “I love and I hate, and I love arguing with you. It’s very new. I need to know that we’re okay. It’s the only way I know how.”
“My feelings for you haven’t changed,” I whisper.
His proximity is overwhelming, exhilarating. The familiar pull is there, all my synapses goading me toward him, my inner goddess at her most libidinous. Staring at the patch of hair in the V of his shirt, I bite my lip, helpless, driven by desire—I want to taste him there.
He’s so close, but he doesn’t touch me. His heat is warming my skin.
“I’m not going to touch you until you say yes,” he says softly. “But right now, after a really shitty morning, I want to bury myself in you and just forget everything but us.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
Once there was a young warrior. Her teacher told her that she had to do battle with fear. She didn’t want to do that. It seemed too aggressive; it was scary; it seemed unfriendly. But the teacher said she had to do it and gave her the instructions for the battle. The day arrived. The student warrior stood on one side, and fear stood on the other. The warrior was feeling very small, and fear was looking big and wrathful. They both had their weapons. The young warrior roused herself and went toward fear, prostrated three times, and asked, "May I have permission to go into battle with you?" Fear said, "Thank you for showing me so much respect that you ask permission." Then the young warrior said, "How can I defeat you?" Fear replied, "My weapons are that I talk fast, and I get very close to your face. Then you get completely unnerved, and you do whatever I say. If you don’t do what I tell you, I have no power. You can listen to me, and you can have respect for me. You can even be convinced by me. But if you don’t do what I say, I have no power." In that way, the student warrior learned how to defeat fear.
”
”
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times)
“
I think there is no suffering greater than what is caused by the doubts of those who want to believe. I know what torment this is, but I can only see it, in myself anyway, as the process by which faith is deepened. A faith that just accepts is a child's faith and all right for children, but eventually you have to grow religiously as every other way, though some never do.
What people don't realize is how much religion costs. They think faith is a big electric blanket, when of course it is the cross. It is much harder to believe than not to believe. If you feel you can't believe, you must at least do this: keep an open mind. Keep it open toward faith, keep wanting it, keep asking for it, and leave the rest to God.
”
”
Flannery O'Connor (The Habit of Being: Letters of Flannery O'Connor)
“
You can close your eyes and think of England, if you like."
"I've never even been to England," she said, but she shut her eyelids. She could feel the dank heaviness of her clothes, cold and itchy against her skin, and the cloying sweet air of the cave, colder yet, and the weight of Jace's hands on her shoulders, the only things that were warm. And then he kissed her.
She felt the brush of his lips, light at first, and her own opened automatically beneath the pressure. Almost against her will she felt herself go fluid and pliant, stretching upward to twine her arms around his neck the way that a sunflower twists toward light. His arms slid around her, his hands knotting in her hair, and the kiss stopped being gentle and became fierce, all in a single moment like tinder flaring into a blaze.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
”
”
Paulo Coelho
“
Do you remember infinity?”
Slowly, I turned around. “What about it?”
Tossing something toward me, he said, “Catch.”
I reached out and caught it in the air. A silver necklace. I held it up and examined it. The infinity necklace.
It didn’t shine the way it used to; it looked a bit coppery now. But I recognized it. Of course I recognized it.
“What is this?” I asked.
“You know what it is,” he said.
I shrugged. “Nope, sorry.”
I could see that he was both hurt and angry. “Okay, then. You don’t remember it. I’ll remind you. I bought
you that necklace for your birthday.”
My birthday.
It had to have been for my sixteenth birthday. It was the only year he ever forgot to buy me a birthday
present—the last summer we’d all been together at the beach house, when Susannah was still alive.
”
”
Jenny Han (We'll Always Have Summer (Summer, #3))
“
Things could change, Gabe," Jonas went on. "Things could be different. I don't know how, but there must be some way for things to be different. There could be colors. And grandparents," he added, staring through the dimness toward the ceiling of his sleepingroom. "And everybody would have the memories."
"You know the memories," he whispered, turning toward the crib.
Garbriel's breathing was even and deep. Jonas liked having him there, though he felt guilty about the secret. Each night he gave memories to Gabriel: memories of boat rides and picnics in the sun; memories of soft rainfall against windowpanes; memories of dancing barefoot on a damp lawn.
"Gabe?"
The newchild stirred slightly in his sleep. Jonas looked over at him.
"There could be love," Jonas whispered.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
Like This
If anyone asks you
how the perfect satisfaction
of all our sexual wanting
will look, lift your face
and say,
Like this.
When someone mentions the gracefulness
of the nightsky, climb up on the roof
and dance and say,
Like this.
If anyone wants to know what "spirit" is,
or what "God’s fragrance" means,
lean your head toward him or her.
Keep your face there close.
Like this.
When someone quotes the old poetic image
about clouds gradually uncovering the moon,
slowly loosen knot by knot the strings
of your robe.
Like this.
If anyone wonders how Jesus raised the dead,
don’t try to explain the miracle.
Kiss me on the lips.
Like this. Like this.
When someone asks what it means
to "die for love," point
here.
If someone asks how tall I am, frown
and measure with your fingers the space
between the creases on your forehead.
This tall.
The soul sometimes leaves the body, the returns.
When someone doesn’t believe that,
walk back into my house.
Like this.
When lovers moan,
they’re telling our story.
Like this.
I am a sky where spirits live.
Stare into this deepening blue,
while the breeze says a secret.
Like this.
When someone asks what there is to do,
light the candle in his hand.
Like this.
How did Joseph’s scent come to Jacob?
Huuuuu.
How did Jacob’s sight return?
Huuuu.
A little wind cleans the eyes.
Like this.
When Shams comes back from Tabriz,
he’ll put just his head around the edge
of the door to surprise us
Like this.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I must make two honest confessions to you, my Christian and Jewish brothers. First, I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection.
”
”
Martin Luther King Jr. (Letter from the Birmingham Jail)
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
Death comes for all of us. For us, for our patients: it is our fate as living, breathing, metabolizing organisms. Most lives are lived with passivity toward death -- it's something that happens to you and those around you. But Jeff and I had trained for years to actively engage with death, to grapple with it, like Jacob with the angel, and, in so doing, to confront the meaning of a life. We had assumed an onerous yoke, that of mortal responsibility. Our patients' lives and identities may be in our hands, yet death always wins. Even if you are perfect, the world isn't. The secret is to know that the deck is stacked, that you will lose, that your hands or judgment will slip, and yet still struggle to win for your patients. You can't ever reach perfection, but you can believe in an asymptote toward which you are ceaselessly striving.
”
”
Paul Kalanithi (When Breath Becomes Air)
“
Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then -the glory- so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man's importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men.
”
”
John Steinbeck (East of Eden)
“
Beasts bounding through time.
Van Gogh writing his brother for paints
Hemingway testing his shotgun
Celine going broke as a doctor of medicine
the impossibility of being human
Villon expelled from Paris for being a thief
Faulkner drunk in the gutters of his town
the impossibility of being human
Burroughs killing his wife with a gun
Mailer stabbing his
the impossibility of being human
Maupassant going mad in a rowboat
Dostoevsky lined up against a wall to be shot
Crane off the back of a boat into the propeller
the impossibility
Sylvia with her head in the oven like a baked potato
Harry Crosby leaping into that Black Sun
Lorca murdered in the road by the Spanish troops
the impossibility
Artaud sitting on a madhouse bench
Chatterton drinking rat poison
Shakespeare a plagiarist
Beethoven with a horn stuck into his head against deafness
the impossibility the impossibility
Nietzsche gone totally mad
the impossibility of being human
all too human
this breathing
in and out
out and in
these punks
these cowards
these champions
these mad dogs of glory
moving this little bit of light toward
us
impossibly
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.
We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.
You burn with hunger for food that does not exist.
A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.
”
”
David Foster Wallace
“
It's not that students don't "get" Kafka's humor but that we've taught them to see humor as something you get -- the same way we've taught them that a self is something you just have. No wonder they cannot appreciate the really central Kafka joke -- that the horrific struggle to establish a human self results in a self whose humanity is inseparable from that horrific struggle. That our endless and impossible journey toward home is in fact our home. It's hard to put into words up at the blackboard, believe me. You can tell them that maybe it's good they don't "get" Kafka. You can ask them to imagine his art as a kind of door. To envision us readers coming up and pounding on this door, pounding and pounding, not just wanting admission but needing it, we don't know what it is but we can feel it, this total desperation to enter, pounding and pushing and kicking, etc. That, finally, the door opens...and it opens outward: we've been inside what we wanted all along. Das ist komisch.
”
”
David Foster Wallace (Consider the Lobster and Other Essays)
“
All beauty comes from beautiful blood and a beautiful brain. If the greatnesses are in conjunction in a man or woman it is enough...the fact will prevail through the universe...but the gaggery and gilt of a million years will not prevail. Who troubles himself about his ornaments or fluency is lost. This is what you shall so: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body...
”
”
Walt Whitman (Leaves of Grass)
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
Where have you been?" she cried. "Damn you, where have you been?" She took a few steps toward Schmendrick, but she was looking beyond him, at the unicorn.
When she tried to get by, the magician stood in her way. "You don't talk like that," he told her, still uncertain that Molly had recognized the unicorn. "Don't you know how to behave, woman? You don't curtsy, either."
But Molly pushed him aside and went up to the unicorn, scolding her as though she were a strayed milk cow. "Where have you been?" Before the whiteness and the shining horn, Molly shrank to a shrilling beetle, but this time it was the unicorn's old dark eyes that looked down.
"I am here now," she said at last.
Molly laughed with her lips flat. "And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?" With a flap of her hand she summed herself up: barren face, desert eyes, and yellowing heart. "I wish you had never come. Why did you come now?" The tears began to slide down the sides of her nose.
The unicorn made no reply, and Schmendrick said, "She is the last. She is the last unicorn in the world."
"She would be." Molly sniffed. "It would be the last unicorn in the world to come to Molly Grue." She reached up then to lay her hand on the unicorn's cheek; but both of them flinched a little, and the touch came to rest on on the swift, shivering place under the jaw. Molly said, "It's all right. I forgive you.
”
”
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
That is the idea -- that we should all be wicked if we did not hold to the Christian religion. It seems to me that the people who have held to it have been for the most part extremely wicked. You find this curious fact, that the more intense has been the religion of any period and the more profound has been the dogmatic belief, the greater has been the cruelty and the worse has been the state of affairs. In the so-called ages of faith, when men really did believe the Christian religion in all its completeness, there was the Inquisition, with all its tortures; there were millions of unfortunate women burned as witches; and there was every kind of cruelty practiced upon all sorts of people in the name of religion.
You find as you look around the world that every single bit of progress in humane feeling, every improvement in the criminal law, every step toward the diminution of war, every step toward better treatment of the colored races, or every mitigation of slavery, every moral progress that there has been in the world, has been consistently opposed by the organized churches of the world. I say quite deliberately that the Christian religion, as organized in its churches, has been and still is the principal enemy of moral progress in the world.
You may think that I am going too far when I say that that is still so. I do not think that I am. Take one fact. You will bear with me if I mention it. It is not a pleasant fact, but the churches compel one to mention facts that are not pleasant. Supposing that in this world that we live in today an inexperienced girl is married to a syphilitic man; in that case the Catholic Church says, 'This is an indissoluble sacrament. You must endure celibacy or stay together. And if you stay together, you must not use birth control to prevent the birth of syphilitic children.' Nobody whose natural sympathies have not been warped by dogma, or whose moral nature was not absolutely dead to all sense of suffering, could maintain that it is right and proper that that state of things should continue.
That is only an example. There are a great many ways in which, at the present moment, the church, by its insistence upon what it chooses to call morality, inflicts upon all sorts of people undeserved and unnecessary suffering. And of course, as we know, it is in its major part an opponent still of progress and improvement in all the ways that diminish suffering in the world, because it has chosen to label as morality a certain narrow set of rules of conduct which have nothing to do with human happiness; and when you say that this or that ought to be done because it would make for human happiness, they think that has nothing to do with the matter at all. 'What has human happiness to do with morals? The object of morals is not to make people happy.
”
”
Bertrand Russell (Why I Am Not a Christian and Other Essays on Religion and Related Subjects)
“
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.”
Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?”
… “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.”
“You don’t have to do this, Clary, it’s a trick—” (Simon)
...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.”
“That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too.
Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count.
He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said.
Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough.
His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud...
His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up.
...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?”
The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
”
”
James Patterson (Maximum Ride Five-Book Set)
“
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.”
At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes.
“The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.”
“Yeah but Maestra—”
“Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.”
“But what about self-esteem?”
“Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
”
”
Tom Robbins (Fierce Invalids Home from Hot Climates)
“
You cannot have my pain.”
“Dalinar—”
Dalinar forced himself to his feet. “You. Cannot. Have. My. Pain.”
“Be sensible.”
“I killed those children,” Dalinar said.
“No, it—”
“I burned the people of Rathalas.”
“I was there, influencing you—”
“YOU CANNOT HAVE MY PAIN!” Dalinar bellowed, stepping toward Odium. The god frowned. His Fused companions shied back, and Amaram raised a hand before his eyes and squinted.
Were those gloryspren spinning around Dalinar?
“I did kill the people of Rathalas,” Dalinar shouted. “You might have been there, but I made the choice. I decided!” He stilled. “I killed her. It hurts so much, but I did it. I accept that. You cannot have her. You cannot take her from me again.”
“Dalinar,” Odium said. “What do you hope to gain, keeping this burden?”
Dalinar sneered at the god. “If I pretend … If I pretend I didn’t do those things, it means that I can’t have grown to become someone else.”
“A failure.”
Something stirred inside of Dalinar. A warmth that he had known once before. A warm, calming light.
Unite them.
“Journey before destination,” Dalinar said. “It cannot be a journey if it doesn’t have a beginning.”
A thunderclap sounded in his mind. Suddenly, awareness poured back into him. The Stormfather, distant, feeling frightened—but also surprised.
Dalinar?
“I will take responsibility for what I have done,” Dalinar whispered. “If I must fall, I will rise each time a better man.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
What are my options?"
"You could read obscure poetry while I play the triangle, I suppose. Or we can smother ourselves in peanut butter and howl at the moon. Use your imagination."
"Fine,"I said. "You take my hand and back up toward the bed."
"Excellent choice. What then?"
"You sit down, and pull me down with you."
"Where are you?" he asked.
"You pull me onto your lap."
"Where are your legs?"
"Around your waist."
"Well," Noah said, his voice slightly rough. "This is getting interesting. So I'm on the edge of your bed. I'm holding you on my lap as you straddle me. My arms are around you, bracing you there so you don't fall. What am I wearing?"...
"What do you usually wear to bed?" I asked.
Noah said nothing. I opened my eyes to an arched brow and a devious grin.
Oh my God.
"Close. Your. Eyes," he said. I did. "Now, where were we?"
"I was straddling you," I said.
"Right. And I'm wearing..."
"Drawstring pants."
"Those are quite thin, you know."
I'm aware.
...
"Right," he said. "So what are you wearing?"
"I don't know. A space suit. Who cares?"
"I think this should be as vivid as possible," he said. "For you," he clarified, and I chuckled. "Eyes closed," he reminded me. "I'm going to have to institute a punishment for each time I have to tell you."
"What did you have in mind?"
"Don't tempt me. Now, what are you wearing?"
"A hoodie and drawstring pants too, I guess."
"Anything underneath?"
"I don't typically walk around without underwear."
"Typically?"
"Only on special occasions."
"Christ. I meant under your hoodie."
"A tank top, I guess."
"What color?"
"White tank. Black hoodie. Gray pants. I'm ready to move on now."
I felt him nearer, his words close to my ear. "To the part where I lean back and pull you down with me?"
Yes.
"Over me," he said.
Fuck.
"The part where I tell you that I want to feel the softness of the curls at the nape of your neck? To know what your hipbone would feel like against my mouth?" he murmured against my skin. "To memorize the slope of your navel and the arch of your neck and the swell of your-
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
”
”
Carolyn Parkhurst (The Dogs of Babel)
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?”
Vin looked up, glaring at him. “Yes.”
“What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.”
She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!”
“He’s a nobleman!”
“So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!”
She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst.
“What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?”
She fell silent, puffing slightly, the crewmembers staring at her.
“Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.”
She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt.
And, for once, found himself without anything to say.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it.
I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting.
The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it.
I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look.
Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted.
Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is.
You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural.
You are more than dust and bones.
You are spirit and power and image of God.
And you have been given Today.
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Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
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There are only two ways to influence human behavior: you can manipulate it or you can inspire it.
Very few people or companies can clearly articulate WHY they do WHAT they do. By WHY I mean your purpose, cause or belief - WHY does your company exist? WHY do you get out of bed every morning? And WHY should anyone care?
People don’t buy WHAT you do, they buy WHY you do it.
We are drawn to leaders and organizations that are good at communicating what they believe. Their ability to make us feel like we belong, to make us feel special, safe and not alone is part of what gives them the ability to inspire us.
For values or guiding principles to be truly effective they have to be verbs. It’s not “integrity,” it’s “always do the right thing.” It’s not “innovation,” it’s “look at the problem from a different angle.” Articulating our values as verbs gives us a clear idea - we have a clear idea of how to act in any situation.
Happy employees ensure happy customers. And happy customers ensure happy shareholders—in that order.
Leading is not the same as being the leader. Being the leader means you hold the highest rank, either by earning it, good fortune or navigating internal politics. Leading, however, means that others willingly follow you—not because they have to, not because they are paid to, but because they want to.
You don’t hire for skills, you hire for attitude. You can always teach skills.
Great companies don’t hire skilled people and motivate them, they hire already motivated people and inspire them. People are either motivated or they are not. Unless you give motivated people something to believe in, something bigger than their job to work toward, they will motivate themselves to find a new job and you’ll be stuck with whoever’s left.
Trust is maintained when values and beliefs are actively managed. If companies do not actively work to keep clarity, discipline and consistency in balance, then trust starts to break down.
All organizations start with WHY, but only the great ones keep their WHY clear year after year.
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Simon Sinek (Start with Why: How Great Leaders Inspire Everyone to Take Action)
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Your job then, should you choose to accept it, is to keep searching for the metaphors, rituals and teachers that will help you move ever closer to divinity. The Yogic scriptures say that God responds to the sacred prayers and efforts of human beings in any way whatsoever that mortals choose to worship—just so long as those prayers are sincere.
I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. I think you are free to search for any metaphor whatsoever which will take you across the worldly divide whenever you need to be transported or comforted. It's nothing to be embarrassed about. It's the history of mankind's search for holiness. If humanity never evolved in its exploration of the divine, a lot of us would still be worshipping golden Egyptian statues of cats. And this evolution of religious thinking does involve a fair bit of cherry-picking. You take whatever works from wherever you can find it, and you keep moving toward the light.
The Hopi Indians thought that the world's religions each contained one spiritual thread, and that these threads are always seeking each other, wanting to join. When all the threads are finally woven together they will form a rope that will pull us out of this dark cycle of history and into the next realm. More contemporarily, the Dalai Lama has repeated the same idea, assuring his Western students repeatedly that they needn't become Tibetan Buddhists in order to be his pupils. He welcomes them to take whatever ideas they like out of Tibetan Buddhism and integrate these ideas into their own religious practices. Even in the most unlikely and conservative of places, you can find sometimes this glimmering idea that God might be bigger than our limited religious doctrines have taught us. In 1954, Pope Pius XI, of all people, sent some Vatican delegates on a trip to Libya with these written instructions: "Do NOT think that you are going among Infidels. Muslims attain salvation, too. The ways of Providence are infinite."
But doesn't that make sense? That the infinite would be, indeed ... infinite? That even the most holy amongst us would only be able to see scattered pieces of the eternal picture at any given time? And that maybe if we could collect those pieces and compare them, a story about God would begin to emerge that resembles and includes everyone? And isn't our individual longing for transcendence all just part of this larger human search for divinity? Don't we each have the right to not stop seeking until we get as close to the source of wonder as possible? Even if it means coming to India and kissing trees in the moonlight for a while?
That's me in the corner, in other words. That's me in the spotlight. Choosing my religion.
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Elizabeth Gilbert (Eat, Pray, Love)
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Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it’s written.)
Now I surely will not plague you
With such words as plaque and ague.
But be careful how you speak:
Say break and steak, but bleak and streak;
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.
Hear me say, devoid of trickery,
Daughter, laughter, and Terpsichore,
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles;
Scholar, vicar, and cigar,
Solar, mica, war and far;
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel;
Gertrude, German, wind and mind,
Scene, Melpomene, mankind.
Billet does not rhyme with ballet,
Bouquet, wallet, mallet, chalet.
Blood and flood are not like food,
Nor is mould like should and would.
Viscous, viscount, load and broad,
Toward, to forward, to reward.
And your pronunciation’s OK
When you correctly say croquet,
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live.
Ivy, privy, famous; clamour
And enamour rhyme with hammer.
River, rival, tomb, bomb, comb,
Doll and roll and some and home.
Stranger does not rhyme with anger,
Neither does devour with clangour.
Souls but foul, haunt but aunt,
Font, front, wont, want, grand, and grant,
Shoes, goes, does. Now first say finger,
And then singer, ginger, linger,
Real, zeal, mauve, gauze, gouge and gauge,
Marriage, foliage, mirage, and age.
Query does not rhyme with very,
Nor does fury sound like bury.
Dost, lost, post and doth, cloth, loth.
Job, nob, bosom, transom, oath.
Though the differences seem little,
We say actual but victual.
Refer does not rhyme with deafer.
Foeffer does, and zephyr, heifer.
Mint, pint, senate and sedate;
Dull, bull, and George ate late.
Scenic, Arabic, Pacific,
Science, conscience, scientific.
Liberty, library, heave and heaven,
Rachel, ache, moustache, eleven.
We say hallowed, but allowed,
People, leopard, towed, but vowed.
Mark the differences, moreover,
Between mover, cover, clover;
Leeches, breeches, wise, precise,
Chalice, but police and lice;
Camel, constable, unstable,
Principle, disciple, label.
Petal, panel, and canal,
Wait, surprise, plait, promise, pal.
Worm and storm, chaise, chaos, chair,
Senator, spectator, mayor.
Tour, but our and succour, four.
Gas, alas, and Arkansas.
Sea, idea, Korea, area,
Psalm, Maria, but malaria.
Youth, south, southern, cleanse and clean.
Doctrine, turpentine, marine.
Compare alien with Italian,
Dandelion and battalion.
Sally with ally, yea, ye,
Eye, I, ay, aye, whey, and key.
Say aver, but ever, fever,
Neither, leisure, skein, deceiver.
Heron, granary, canary.
Crevice and device and aerie.
Face, but preface, not efface.
Phlegm, phlegmatic, ass, glass, bass.
Large, but target, gin, give, verging,
Ought, out, joust and scour, scourging.
Ear, but earn and wear and tear
Do not rhyme with here but ere.
Seven is right, but so is even,
Hyphen, roughen, nephew Stephen,
Monkey, donkey, Turk and jerk,
Ask, grasp, wasp, and cork and work.
Pronunciation (think of Psyche!)
Is a paling stout and spikey?
Won’t it make you lose your wits,
Writing groats and saying grits?
It’s a dark abyss or tunnel:
Strewn with stones, stowed, solace, gunwale,
Islington and Isle of Wight,
Housewife, verdict and indict.
Finally, which rhymes with enough,
Though, through, plough, or dough, or cough?
Hiccough has the sound of cup.
My advice is to give up!!!
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Gerard Nolst Trenité (Drop your Foreign Accent)