Dresden City Quotes

We've searched our database for all the quotes and captions related to Dresden City. Here they are! All 43 of them:

You destroy buildings, fight monsters openly in the streets of the city, work with the police, show up in newspapers, advertise in the phone book, and ride zombie dinosaurs down Michigan Avenue, and think that you work in the shadows? Be reasonable.
Jim Butcher (Skin Game (The Dresden Files, #15))
Mister Dresden," he said. "And Miss Rodriguez, I believe. I didn't realize you were an art collector." "I am the foremost collector of velvet Elvii in the city of Chicago," I said at once. "Elvii?" Marcone inquired. "The plural could be Elvises, I guess," I said. "But if I say that too often, I start muttering to myself and calling things 'my precious,' so I usually go with the Latin plural.
Jim Butcher (Death Masks (The Dresden Files, #5))
I mean it," I said. "You're in danger." "Relax, Harry. I'm not letting anyone lick me, and I'm not looking anyone in the eyes. It's kind of like visiting New York.
Jim Butcher (Grave Peril (The Dresden Files, #3))
I am the foremost collector of velvet Elvii in the city of Chicago," I said at once. "Elvii?" Marcone inquired. "The plural would be Elvises, I guess," I said. "But if I say that too often, I start muttering to myself and calling things 'my precious,' so I usually go with the Latin plural.
Jim Butcher (Death Masks (The Dresden Files, #5))
The city was blacked out because bombers might come, so Billy didn't get to see Dresden do one of the most cheerful things a city can do when the sun goes down, which is to wink its lights on one by one.
Kurt Vonnegut Jr. (Slaughterhouse-five)
I saw the destruction of Dresden. I saw the city before and then came out of an air-raid shelter and saw it afterward, and certainly one response was laughter. God knows, that's the soul seeking some relief.
Kurt Vonnegut Jr. (A Man Without a Country)
How busy are you today?" "Oh," he [Thomas] mused. "I don't know. I mean, I've got to get a new shirt now." "After that," I asked, "would you like to help me save the city? If you don't already have plans." He snorted. "You mean, would I like to follow you around, wondering what the hell is going on because you won't tell me everything, then get in a fight with something that is going to leave me in intensive care?" "Uh-huh," I said, nodding, "pretty much." "Yeah," he said. "Okay.
Jim Butcher (Cold Days (The Dresden Files, #14))
We accepted their congratulations with good grace and proper modesty, but I felt then as I feel now, that I would have given my life to save Dresden for the world’s generations to come. That is how everyone should feel about every city on earth.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
Hell's bells, Susan, you don't know what you've done. You've got to get out of here." She snorted. "Like hell." "I mean it," I said. "You're in danger." "Relax, Harry. I'm not letting anyone lick me, and I'm not looking anyone in the eyes. It's kind of like visiting New York.
Jim Butcher (Grave Peril (The Dresden Files, #3))
You destroy buildings, fight monsters openly in the streets of the city, work with the police, show up in newspapers, advertise in the phone book, and ride zombie dinosaurs down Michigan Avenue, and think that you work in the shadows?
Jim Butcher (Skin Game (The Dresden Files, #15))
The screen came up to light again, showing a devastated section of the city grid. No, not decimated. Had that part of the city been decimated, one out of every ten buildings would be destroyed. That’s what decimated means. Personally, I think some early-years, respected television personality got decimated and devastated confused at some point, and no one wanted to point it out to him, so everyone started using them interchangeably. But dammit, words mean what they mean, even if everyone thinks they ought to mean something else.
Jim Butcher (Ghost Story (The Dresden Files, #13))
The sun had just gone down, and its afterglow was backlighting the city, which formed low cliffs around the bucolic void to the idle stockyards. The city was blacked out because bombers might come, so Billy didn’t get to see Dresden do one of the most cheerful things a city is capable of doing when the sun goes down, which is to wink its lights on one by one. There was a broad river to reflect those lights, which would have made their nighttime winkings very pretty indeed. It was the Elbe.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Time, time,” Toot complained. “Is that all you mortals can ever think about? Everyone’s complaining about time! The whole city rushes left and right screaming about being late and honking horns! You people used to have it right, you know.
Jim Butcher (Storm Front (The Dresden Files, #1))
I feel now, that I would have given my life to save Dresden for the World’s generations to come. That is how everyone should feel about every city on Earth.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
The occupying Russians, when they discovered that we were Americans, embraced us and congratulated us on the complete desolation our planes had wrought. We accepted their congratulations with good grace and proper modesty, but I felt then as I feel now, that I would have given my life to save Dresden for the World's generations to come. That is how everyone should feel about every city on Earth.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
IN SHAME AND SORROW CHRISTIANS KEEP IN MEMORY THE JEWISH CITIZENS OF THIS CITY. IN 1933, 4675 JEWS LIVED IN DRESDEN. IN 1945 IT WAS 70. WE WERE SILENT AS THEIR HOUSES OF WORSHIP BLAZED . . . WE DID NOT RECOGNIZE THEM AS OUR BROTHERS AND SISTERS. WE ASK FOR FORGIVENESS.
Lauren Belfer (And After the Fire)
Chicago. It’s insane and violent and corrupt and vital and artistic and noble and cruel and wonderful. It’s full of greed and hope and hate and desire and excitement and pain and happiness. The air sings with screams and laughter, with sirens, with angry shouts, with gunshots, with music. It’s an impossible city, at war with itself, every horrible and wonderful thing blending together to create something terrifying and lovely and utterly unique. I
Jim Butcher (Ghost Story (The Dresden Files, #13))
There was a big number over the door of the building. The number was five. Before the Americans could go inside, their only English-speaking guard told them to memorize their simple address, in case they got lost in the big city. Their address was this: 'Schlachthof-fünf.' Schlachthof means slaughterhouse. Fünf was good old five.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Auschwitz was a much safer place to be than Dresden or any other city of any size in Germany from 1943 onward.
Michael Hoffman
And for a time, there was nothing else to be done. I wept. And the city burned.
Jim Butcher (Battle Ground (The Dresden Files, #17))
Dresden: of all German cities, Smiley’s favourite. He had loved its architecture, its odd jumble of medieval and classical buildings, sometimes reminiscent of Oxford, its cupolas, towers, and spires, its copper-green roofs shimmering under a hot sun.
John le Carré (Call for the Dead (George Smiley, #1))
You can have your harem change out the bandages later,” I said. “How busy are you today?” “Oh,” he mused. “I don’t know. I mean, I’ve got to get a new shirt now.” “After that,” I asked, “would you like to help me save the city? If you don’t already have plans.” He snorted. “You mean, would I like to follow you around, wondering what the hell is going on because you won’t tell me everything, then get in a fight with something that is going to leave me in intensive care?” “Uh-huh,” I said, nodding, “pretty much.” “Yeah,” he said. “Okay.
Jim Butcher (Cold Days (The Dresden Files, #14))
Industrial production actually rose in Germany during the war. And the cities with the highest morale were the ones—like Dresden—that were bombed the hardest. According to German psychologists who compared notes with their American counterparts after the war, it was the untouched cities where civilian morale suffered the most.
Sebastian Junger (Tribe: On Homecoming and Belonging)
People who live on solid ground, underneath safe skies, know nothing of this; they are like the English POWs in Dresden who continued to pour tea and dress for dinner, even as the alarms went off, even as the city became a towering ball of fire. Born of a green and pleasant land, a temperate land, the English have a basic inability to conceive
Zadie Smith (White Teeth)
The city which lay below was a charnel house built on multi-layered bones centuries older than those which lay beneath the cities of Hamburg or Dresden. Was this knowledge part of the mystery it held for her, a mystery felt most strongly on a bell-chimed Sunday on her solitary exploration of its hidden alleys and squares? Time had fascinated her from childhood, its apparent power to move at different speeds, the dissolution it wrought on minds and bodies, her sense that each moment, all moments past and those to come, were fused into an illusory present which with every breath became the unalterable, indestructible past. In the City of London these moments were caught and solidified in stone and brick, in churches and monuments and in bridges which spanned the grey-brown ever-flowing Thames. She would walk out in spring or summer as early as six o'clock, double-locking the front door behind her, stepping into a silence more profound and mysterious than the absence of noise. Sometimes in this solitary perambulation it seenmed that her own footsteps were muted, as if some part of her were afraid to waken the dead who had walked thse streets and had known the same silence.
P.D. James (The Private Patient (Adam Dalgliesh, #14))
That feeling. That's the real difference in a life. People who live on solid ground, underneath safe skies, know nothing of this; they are like the English POWs in Dresden who continued to pour tea and dress for dinner, even as the alarms went off, even as the city became a towering ball of fire. Born of a green and pleasant land, a temperate land, the English have a basic inability to conceive of disaster, even when it is man-made.
Zadie Smith (White Teeth)
they were on the edge of a desert now. Still—they had opened for business, had polished the glasses and wound the clocks and stirred the fires, and waited and waited to see who would come. There was no great flow of refugees from Dresden. The clocks ticked on, the fires crackled, the translucent candles dripped. And then there was a knock on the door, and in came four guards and one hundred American prisoners of war. The innkeeper asked the guards if they had come from the city. “Yes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
When, late in the war, with the Wehrmacht breaking up on all fronts, our planes were sent to destroy this last major city, I doubt if the question was asked, “How will this tragedy benefit us, and how will that benefit compare with the ill-effects in the long run?” Dresden, a beautiful city, built in the art spirit, symbol of an admirable heritage, so anti-Nazi that Hitler visited it but twice during his whole reign, food and hospital center so bitterly needed now—plowed under and salt strewn in the furrows.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
I was halfway across when the planes came roaring, demolishing the sky over the Severn Valley. Tornados fly over our school several times a day, so I was ready to cover my ears with my hands. But I wasn’t ready for three Hawker Harrier Jump Jets, close enough to the ground to hit with a cricket ball. The slam of noise was incredible! I bent into a tight ball and peeped out. The Harriers curved before they smashed into the Malverns, just, and flew off toward Birmingham, screaming under Soviet radar height. When World War III comes, it’ll be MiGs stationed in Warsaw or East Germany screaming under NATO radar. Dropping bombs on people like us. On English cities, towns, and villages like Worcester, Malvern, and Black Swan Green. Dresden, the Blitz, and Nagasaki.
David Mitchell (Black Swan Green)
Britain and Germany thought they were winning World War II by trying to bomb the other into submission. In reality, they were destroying themselves as global powers, and (ironically, similar to one of the firestorms their city bombings caused), creating a vacuum on the world stage that the United States and the Soviet Union rushed to fill as superpowers in the post-war years.
Stewart Stafford
Theologians and philosophers try to understand and explain the nature of God with varying degrees of success and failure. I admire their efforts. But I’ve never come to an understanding of man’s nature, much less God’s. Does it make sense that the same species that created Athenian democracy and the Golden Age of Pericles and the city of Florence also gifted us with the Inquisition and Dresden and the Nanking Massacre? My insight into my fellow man is probably less informed than it was half a century ago. At my age, that’s not a reassuring thought.
James Lee Burke (Creole Belle (Dave Robicheaux, #19))
the traders of Saxony are little beholden to count Brühl’s dissipations; his shoes come from Paris, 100 pair at once, and his wigs by the dozen; and even his tarts used to be sent by post from the same city, that mother of abominations of the earth. Dresden and Leipsic make very good chocolate, but that for his Excellency must come from Rome or Vienna; in short, I scarce saw anything in his house which was either the produce or manufacture of Saxony.
Susan Jaques (The Empress of Art)
I wept. And the city burned.
Jim Butcher (Battle Ground (The Dresden Files, #17))
The city of Dresden is in the Elbe River valley, and it was known to many Germans and Allies alike as the “Valley of the Clueless”—Tal der Ahnungslosen—because the population there couldn’t receive West German television. Kelley said, “During the Cold War the West German government went to great lengths to inform and influence the East German populace, and the media played a prominent role in the effort. By the early 1980s West German television’s broadcast coverage extended to virtually the entire territory of the GDR, save for the corner of the country near Dresden.
Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
The opening notes of the Guns N’ Roses hit “Welcome to the Jungle” began to echo from the buildings behind us, Slash’s guitar sending those tones bouncing around the concrete and towers, somehow resonating with the steel and stone of the streets and buildings of the city. Chicago herself became the speaker, music ringing off every surface, setting the ground to quivering in resonance.
Jim Butcher (Battle Ground (The Dresden Files, #17))
On 14 September 1869, one hundred years after his birth, Alexander von Humboldt’s centennial was celebrated across the world. There were parties in Europe, Africa and Australia as well as the Americas. In Melbourne and Adelaide people came together to listen to speeches in honour of Humboldt, as did groups in Buenos Aires and Mexico City. There were festivities in Moscow where Humboldt was called the ‘Shakespeare of sciences’, and in Alexandria in Egypt where guests partied under a sky illuminated with fireworks. The greatest commemorations were in the United States, where from San Francisco to Philadelphia, and from Chicago to Charleston, the nation saw street parades, sumptuous dinners and concerts. In Cleveland some 8,000 people took to the streets and in Syracuse another 15,000 joined a march that was more than a mile long. President Ulysses Grant attended the Humboldt celebrations in Pittsburgh together with 10,000 revellers who brought the city to a standstill. In New York City the cobbled streets were lined with flags. City Hall was veiled in banners, and entire houses had vanished behind huge posters bearing Humboldt’s face. Even the ships sailing by, out on the Hudson River, were garlanded in colourful bunting. In the morning thousands of people followed ten music bands, marching from the Bowery and along Broadway to Central Park to honour a man ‘whose fame no nation can claim’ as the New York Times’s front page reported. By early afternoon, 25,000 onlookers had assembled in Central Park to listen to the speeches as a large bronze bust of Humboldt was unveiled. In the evening as darkness settled, a torchlight procession of 15,000 people set out along the streets, walking beneath colourful Chinese lanterns. Let us imagine him, one speaker said, ‘as standing on the Andes’ with his mind soaring above all. Every speech across the world emphasized that Humboldt had seen an ‘inner correlation’ between all aspects of nature. In Boston, Emerson told the city’s grandees that Humboldt was ‘one of those wonders of the world’. His fame, the Daily News in London reported, was ‘in some sort bound up with the universe itself’. In Germany there were festivities in Cologne, Hamburg, Dresden, Frankfurt and many other cities. The greatest German celebrations were in Berlin, Humboldt’s hometown, where despite torrential rain 80,000 people assembled. The authorities had ordered offices and all government agencies to close for the day. As the rain poured down and gusts chilled the air, the speeches and singing nonetheless continued for hours.
Andrea Wulf (The Invention of Nature: Alexander von Humboldt's New World)
that underlay the city of Chicago.
Jim Butcher (Death Masks (The Dresden Files, #5))
He had reduced violence in the streets—while sending the number of dollars made by criminals in this town soaring. He had protected the city’s flesh while siphoning away its blood, poisoning its soul. It changed nothing, nothing at all.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Billy’s story ended very curiously in a suburb untouched by fire and explosions. The guards and the Americans came at nightfall to an inn which was open for business. There was candlelight. There were fires in three fireplaces downstairs. There were empty tables and chairs waiting for anyone who might come, and empty beds with covers turned down upstairs. There was a blind innkeeper and his sighted wife, who was the cook, and their two young daughters, who worked as waitresses and maids. This family knew that Dresden was gone. Those with eyes had seen it burn and burn, understood that they were on the edge of a desert now. Still—they had opened for business, had polished the glasses and wound the clocks and stirred the fires, and waited and waited to see who would come. There was no great flow of refugees from Dresden. The clocks ticked on, the fires crackled, the translucent candles dripped. And then there was a knock on the door, and in came four guards and one hundred American prisoners of war. The innkeeper asked the guards if they had come from the city. “Yes.” “Are there more people coming?” And the guards said that, on the difficult route they had chosen, they had not seen another living soul. The blind innkeeper said that the Americans could sleep in his stable that night, and he gave them soup and ersatz coffee and a little beer. Then he came out to the stable to listen to them bedding down in the straw. “Good night, Americans,” he said in German. “Sleep well.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The occult community he had in mind was the usual New Age, crystal-gazing, tarot-turning, palm-reading crowd you see in any large city. Most of them were harmless, and many had at least a little ability at magic. Add in a dash of feng-shui artists, season liberally with Wiccans of a variety of flavors and sincerities, blend in a few modestly gifted practitioners who liked mixing religion with their magic, some followers of voodoo, a few Santerians and a sprinkling of Satanists, all garnished with a crowd of young people who liked to wear a lot of black, and you get what most folks think of as the “occult community.
Jim Butcher (Death Masks (The Dresden Files, #5))
You needn’t worry about bombs, by the way. Dresden is an open city. It is undefended, and contains no war industries or troop concentrations of any importance.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Now hear me, brother,” I said gently. “Cease your attempts to harm my humans. Depart this city. Do not come back.” “Or else?” he asked. “There is nothing else,” I replied calmly. “You will do these things. The only question is whether you will do them of your own will or if I must teach you how.
Jim Butcher (Brief Cases (The Dresden Files, #15.1))
How busy are you today?” “Oh,” he mused. “I don’t know. I mean, I’ve got to get a new shirt now.” “After that,” I asked, “would you like to help me save the city? If you don’t already have plans.” He snorted. “You mean, would I like to follow you around, wondering what the hell is going on because you won’t tell me everything, then get in a fight with something that is going to leave me in intensive care?” “Uh-huh,” I said, nodding, “pretty much.” “Yeah,” he said. “Okay.
Jim Butcher (Cold Days (The Dresden Files, #14))