“
And I know the past isn't a mirror image of the future, but it's a reflection of what can be; and when your first love breaks your heart, the shards of that can draw blood for a long, long time.
”
”
Elizabeth Acevedo (With the Fire on High)
“
We were fools.”
“You were children. Was there no one to protect you?”
“Was there anyone to protect you?”
“My father. My mother. They would have done anything to keep me from being stolen.”
“And they would have been mowed down by slavers.”
“Then I guess I was lucky I didn’t have to see that.”
How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.”
“They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.”
“The fact that you’re bleeding through your bandages tells me otherwise.”
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.”
He didn’t mean to say it. He meant to let her go. “I can help you.”
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
You want an ending," she says. "Then take my life when I am done with it. You can have my soul when I don't want it anymore."
The shadow tips his head, suddenly intrigued.
A smile - just like the smile in her drawings, askance, and full of secrets - crosses his mouth. And then he pulls her to him. A lover's embrace. he is smoke and skin, air and bone, and when his mouth presses against hers, the first thing she tastes is the turning of the seasons, the moment when dusk gives way to night. And then his kiss deepens. His teeth skim her bottom lip, and there is pain in the pleasure, followed by the copper taste of blood on her tongue.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Tell me not, sweet, I am unkind,” he said, “That from the nunnery, Of they chaste breast and quiet mind.”
I looked up at him, and said the next line, “To war and arms I fly.”
“True, a new mistress now I chase,” he said.
“The first foe in the field,” I said, and let him draw me closer.
“And with a stronger faith embrace,” he said.
“A sword, a horse, a shield.” And the last word was whispered against his chest, still looking up into those eyes, searching his face.
“Yet this inconstancy is such, As thou too shalt adore,” he whispered against my hair.
I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. “I could not love thee, dear, so much, Loved I not honor more.
”
”
Laurell K. Hamilton (Incubus Dreams (Anita Blake, Vampire Hunter, #12))
“
They were kissing again, carefully at first, learning the shape and texture of each other's lips, testing the sharpness of the teeth behind them.
It's too fast, said a panicky voice in his mind. And too dangerous. He'll drink your juices, taste your brain, crack your soul open like an egg!
Hell, I think I want him to do all that.
”
”
Poppy Z. Brite (Drawing Blood)
“
want to draw you,” I said. “As my birthday present to me.” His smile was positively feline. I added, flipping open my sketchbook and turning to the first page, “You said once that nude would be best.” Rhys’s eyes glowed, and a whisper of his power through the room had the curtains parting, flooding the space with midmorning sunshine. Showing every glorious naked inch of him sprawled across the bed, illuminating the faint reds and golds of his wings. “Do your worst, Cursebreaker.” My very blood sparking, I pulled out a piece of charcoal and began.
”
”
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
“
That’s what I learned, about him and most guys: who they are when they’re giving you flowers and trying to get in your pants is not who they REALLY are when it’s no longer spring and they’ve found a new jawn to hang out with. And I know the past isn’t a mirror image of the future, but it’s a reflection of what can be; and when your first love breaks your heart, the shards of that can still draw blood for a long, long time.
”
”
Elizabeth Acevedo (With the Fire on High)
“
Her poetry is written on the ghost of trees, whispered on the lips of lovers.
As a little girl, she would drift in and out of libraries filled with dead poets and their musky scent. She held them in her hands and breathed them in -- wanting so much to be part of their world...
It was on her sixteenth birthday that she first fell in love. With a boy who brought her red roses and white lies. When he broke her heart, she cried for days.
Then hopeful, she sat with a pen in her hand, poised over the blank white sheet, but it refused to draw blood...
She learned too late that poets are among the damned, cursed to commiserate over their loss, to reach with outstretched hands -- hands that will never know the weight of what they seek.
”
”
Lang Leav (Lullabies (Volume 2) (Lang Leav))
“
Look around you, Mr. Groyne. This is where every nation draws its first breath. Women have been paying the blood tax since time began.
”
”
Emma Donoghue (The Pull of the Stars)
“
And I know the past isn’t a mirror image of the future, but it’s a reflection of what can be. And when your first love breaks your heart, the shards of that can still draw blood for a long, long time.
”
”
Elizabeth Acevedo (With the Fire on High)
“
The skin is an integral part of the body and depends upon the general system for its supply of food and to carry away its waste. Skin health depends primarily upon the general health of the body. All attempts to deal with the skin as an independent entity, without due regard to its reliance upon the general system, must of necessity result in failure. The skin is nourished by the blood and there is no other source from which it can draw sustenance. "Skin foods" are all frauds. These are composed chiefly of grease. No fat can be assimilated by the skin or other tissues of the body until it has first been broken down into its constituent fatty acids in the process of digestion. Even were this not true, the skin contains very little fat and these "skin foods" would still not constitute proper nourishment for it. Blood is the only skin food.
”
”
Herbert M. Shelton (The Science and Fine Art of Natural Hygiene (The Hygienic System))
“
Brown paper represents the primal twilight of the first toil of creation, and with a bright-coloured chalk or two you can pick out points of fire in it, sparks of gold, and blood-red, and sea-green, like the first fierce stars that sprang out of divine darkness.
”
”
G.K. Chesterton
“
I have to clean up first. I’m still all sweaty and stuff from the crime scene.” I realized he was wearing a white shirt and I might have dried blood on me. It made me draw back and look at the front of him.
“What is wrong, ma petite?”
“I may have dried blood and things on me, and you’re wearing white.”
He drew me back into his arms. “I would rather hold you close than worry about my clothes. The shirt will wash, or we can throw it away. I do not care.”
I pushed back just enough to turn my face up, resting my chin on his chest so that I gazed up the line of his body, and he looked down so that our eyes met down the line of his chest. “I know you love me, but when you don’t care about your clothes, I know it’s true love for you.” I grinned as I said it.
He laughed, abrupt, surprised, and for a moment I got to see what he must have looked like centuries ago before being a vampire had taught him to control his face and show nothing for fear it would be used against him by those more powerful than him.
I smiled up at him, held as close to him as I could with clothes and weapons still on, and loved him. I loved that I could make him laugh like that, loved that he felt safe enough to show me this part of him, loved that even when we were ass-deep in alligators, being with each other made it better. The alligators would be chewing on our asses either way, but with each other it was more fun, and we were more likely to be able to make a matching set of alligator luggage out of our enemies rather than end up as their dinner.
I gazed up at him as the laughter filled his face, and just loved him. The day had sucked, but Jean-Claude made it suck a lot less, and that was what love was supposed to do. It was supposed to make things better, not worse, which made me wonder if Asher truly loved anyone. I pushed the thought away, and enjoyed the man in my arms, and the fact that I had made him laugh.
”
”
Laurell K. Hamilton (Kiss the Dead (Anita Blake, Vampire Hunter, #21))
“
What am I to call it? Diffidence? The fear of ridicule? Inverted vanity? What matters names, if it has brought me to this? I could never bear to be bustling about nothing; I was ashamed of this toy kingdom from the first; I could not tolerate that people should fancy I believed in a thing so patently absurd! I would do nothing that cannot be done smiling. I have a sense of humour, forsooth! I must know better than my Maker. And it was the same thing in my marriage," he added more hoarsely. "I did not believe this girl could care for me; I must not intrude; I must preserve the foppery of my indifference. What an impotent picture!"
"Ay, we have the same blood," moralised Gotthold. "You are drawing, with fine strokes, the character of the born sceptic."
"Sceptic?—coward!" cried Otto. "Coward is the word. A springless, putty-hearted, cowering coward!
”
”
Robert Louis Stevenson (Prince Otto: a Romance)
“
Although she had a slight build, Eilidh was solid and heavier than she first appeared. Rather than throw her over his shoulder, he tried to carry her as though propping up a drunken friend. People would accept the latter without question, but a burly guy carrying a woman fireman-style? That might draw second looks.
”
”
India Drummond (Blood Faerie (Caledonia Fae, #1))
“
Mother inexhaustible and incorruptible, creatures, born the first, engendered by thyself and by thyself conceived, issue of thyself alone and seeking joy within thyself, Astarte! Oh! Perpetually fertilized, virgin and nurse of all that is, chaste and lascivious, pure and revelling, ineffable, nocturnal, sweet, breather of fire, foam of the sea! Thou who accordest grace in secret, thou who unites, thou who lovest, thou who seizes with furious desire the multiplied races of savage beasts and the couplets the sexes in the wood. Oh, irresistible Astarte! hear me, take me, possess me, oh, Moon! and thirteen times each year draw from my womb the sweet libation of my blood!
”
”
Pierre Louÿs (The Songs of Bilitis)
“
This is where every nation draws its first breath. Women have been paying the blood tax since time began.
”
”
Emma Donoghue
“
Strike first, draw blood, and take no prisoners.
”
”
Mink (Possessive Stepbrother)
“
Many of the warriors followed suit, for no demon wanted to give their enemy the satisfaction of drawing first blood.
”
”
Harley Laroux (Soul of a Witch (Souls Trilogy, #3))
“
And I know the past isn’t a mirror image of the future, but it’s a reflection of what can be; and when your first love breaks your heart, the shards of that can still draw blood for a long, long time.
”
”
Elizabeth Acevedo (With the Fire on High)
“
There's folly in her stride
that's the rumor
justified by lies
I've seen her up close
beneath the sheets
and sometime during the summer
she was mine for a few sweet months in the fall
and parts of December
((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. )))
I found her looking through a window
the same window I'd been looking through
She smiled and her eyes never faltered
this folly was a crime
((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” )))
She had an identity I could identify with
something my fingertips could caress in the night
((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other.
What constitutes peace is in the mind of the beholder. )))
Have you heard the argument?
This displacement of men and women
and women and men
the minds we all have
the beliefs we all share
Slipping inside of us
thoughts and religions and bodies
all bare
((( “Without darkness, there can be no light,”
he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. )))
When she left
she kissed with eyes open
I knew this because I'd done the same
Sometimes we saw eye to eye like that
Very briefly,
she considered an apotheosis
a synthesis
a rendering of her folly
into solidarity
((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. )))
Experiencing the subsequent sunrise
inhaling and drinking
breaking mirrors and regurgitating
just to start again
all in all
I was just another gash in the bark
((( Plato once said:
“Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. )))
Leaving town and throwing shit out the window
drinking boroughs and borrowing spare change
I glimpsed the rear view mirror
stole a glimpse really
I've believed in looking back for a while
it helps to have one last view
a reminder in case one ever decides to rebel
in the event the self regresses
and makes the declaration of devastation
once more
((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
”
”
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
“
Bad Kitty. That's what Charlie said. I bite my lip hard enouth to draw blood and savor the metallic taste in my mouth.
If Charlie wants to think of me as just another pussy, he's dead wrong. Because I'm going to be the one cat that has more than nine lives.
”
”
Laurie Elizabeth Flynn (Firsts)
“
...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country.
He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must.
He digs foxholes and latrines and can apply first aid like a professional.
He can march until he is told to stop, or stop until he is told to march.
He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient.
...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts.
If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low.
He has learned to use his hands like weapons and weapons like they were his hands.
He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed.
He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking.
...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years.
He has asked nothing in return, except our friendship and understanding.
Remember him, always, for he has earned our respect and admiration with his blood.
And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so.
As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
”
”
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
“
I lean toward him, expecting him to unconsciously move away. To be repulsed. But he only watches me curiously.
As I draw closer, his eyes widen a little.
'Wren,' he whispers. I am not sure if it's a warning or not. I hate that I don't know.
At every moment, I expect him to flinch or pull back as I put one hand on his shoulder, then go up on my toes, and kiss him.
This is ridiculous. Kissing him is profane. It gives me all the horrible satisfaction of smashing a crystal goblet.
It's quick. Just the quick press of my dry mouth against his lips. A brief senses of softness, the warmth of breath, and then I pull away, my heart thrumming with fear, with the expectation that he will be disgusted.
With the certainty that I have well and truly punished him for trying to flirt with me.
The angry, feral part of me feels so close to the surface that I can almost scent its blood-clotted fur. I want to lick the scratches I made.
He doesn't look alarmed, though. He's studying my face, as though he's trying to work something out.
After a moment, his eyes close, pale lashes against his cheek, and he dips foward to press his mouth to mine again. He goes slower, one of his hands cupping my head. A shivery feeling courses down my spine, a flush coming up on my skin.
When he draws back, he is not wearing his usual complicated smile. Instead, he looks as though someone just slapped him. I wonder if a kiss from me is like being clawed on the cheek.
Did he force himself to go through with it? For the sake of keeping me on this quest? For the sake of his father and his plans?
I thought to punish him, but all I have succeeded in doing is punishing myself.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
He fell on his back and lay there, staring stupidly up at the sky. Then he began to tremble with fear. In the blue curve of the sky he saw a great rent, a cleft which, he perceived, was an open, gaping wound. The two irregular edges were jagged as though it had been made with something blunt, something which had first cut and then ripped and torn. Here and there shreds of the flesh, still attached to the edges, stuck out across the wound, obscuring whatever was behind. All that he could see in the suppurating depth of the wound was blood and pus, a glistening, viscous, uneven surface like a marsh. The edges were messy too, fringed all along with blood and yellow matter on which flies were walking. As he stared in horror, the dead body of a rabbit fell out of the wound, but disappeared as it fell. To El-ahrairah’s distraught eyes, the whole gash seemed to be slowly moving, two parted lips descending to close over him and draw him in.
”
”
Richard Adams (Tales from Watership Down (Watership Down, #2))
“
you come to rely, more than anything else, on first sight. You walk into the room and you think, sick or not sick. Not sick goes home as fast as possible. Sick, you watch. You draw blood, you order X rays, you give them fluids. You are careful, because a little bell went off in your head when you walked into the room and saw them.
”
”
Frank Huyler (The Blood of Strangers: Stories from Emergency Medicine)
“
For the first time I understood the dogma of eternal pain -- appreciated "the glad tidings of great joy." For the first time my imagination grasped the height and depth of the Christian horror. Then I said: "It is a lie, and I hate your religion. If it is true, I hate your God."
From that day I have had no fear, no doubt. For me, on that day, the flames of hell were quenched. From that day I have passionately hated every orthodox creed. That Sermon did some good.
In the Old Testament, they said. God is the judge -- but in the New, Christ is the merciful. As a matter of fact, the New Testament is infinitely worse than the Old. In the Old there is no threat of eternal pain. Jehovah had no eternal prison -- no everlasting fire. His hatred ended at the grave. His revenge was satisfied when his enemy was dead.
In the New Testament, death is not the end, but the beginning of punishment that has no end. In the New Testament the malice of God is infinite and the hunger of his revenge eternal.
The orthodox God, when clothed in human flesh, told his disciples not to resist evil, to love their enemies, and when smitten on one cheek to turn the other, and yet we are told that this same God, with the same loving lips, uttered these heartless, these fiendish words; "Depart ye cursed into everlasting fire, prepared for the devil and his angels."
These are the words of "eternal love."
No human being has imagination enough to conceive of this infinite horror.
All that the human race has suffered in war and want, in pestilence and famine, in fire and flood, -- all the pangs and pains of every disease and every death -- all this is as nothing compared with the agonies to be endured by one lost soul.
This is the consolation of the Christian religion. This is the justice of God -- the mercy of Christ.
This frightful dogma, this infinite lie, made me the implacable enemy of Christianity. The truth is that this belief in eternal pain has been the real persecutor. It founded the Inquisition, forged the chains, and furnished the fagots. It has darkened the lives of many millions. It made the cradle as terrible as the coffin. It enslaved nations and shed the blood of countless thousands. It sacrificed the wisest, the bravest and the best. It subverted the idea of justice, drove mercy from the heart, changed men to fiends and banished reason from the brain.
Like a venomous serpent it crawls and coils and hisses in every orthodox creed.
It makes man an eternal victim and God an eternal fiend. It is the one infinite horror. Every church in which it is taught is a public curse. Every preacher who teaches it is an enemy of mankind. Below this Christian dogma, savagery cannot go. It is the infinite of malice, hatred, and revenge.
Nothing could add to the horror of hell, except the presence of its creator, God.
While I have life, as long as I draw breath, I shall deny with all my strength, and hate with every drop of my blood, this infinite lie.
”
”
Robert G. Ingersoll
“
Anna imagines that, were she able to visit the caves in which people first dwelled, she would find scrawled drawings that have been omitted from museums and history books. There would be scenes of ritual aggression and submission, painted in blood, caked with dried seminal fluid. They are the very antithesis of fresh, the rites between men and women; age-old and rotten to the core.
”
”
Jenna Blum (Those Who Save Us)
“
Christ is all in the entire work of salvation. Let me just take you back to the period before this world was made. There was a time when this great world, the sun, the moon, the stars, and all which now exist throughout the whole of the vast universe, lay in the mind of God, like unborn forests in an acorn cup. There was a time when the Great Creator lived alone, and yet he could foresee that he would make a world, and that men would be born to people it; and in that vast eternity a great scheme was devised, whereby he might save a fallen race. Do you know who devised it? God planned it from first to last. Neither Gabriel nor any of the holy angels had anything to do with it. I question whether they were even told how God might be just, and yet save the transgressors. God was all in the drawing up of the scheme, and Christ was all in carrying it out. There was a dark and doleful night! Jesus was in the garden, sweating great drops of blood, which fell to the ground; nobody then came to bear the load that had been laid upon him. An angel stood there to strengthen him, but not to bear the sentence. The cup was put into his hands, and Jesus said, "Father, must I drink it?" and his Father replied, "If thou dost not drink, sinners cannot be saved"; and he took the cup and drained it to its very dregs. No man helped him. And when he hung upon that accursed tree of Calvary, when his precious hands were pierced, when: "From his head, his hands, his feet, Sorrow and love flowed mingled down," there was nobody to help him. He was "all" in the work of salvation. And, my friends, if any of you shall be saved, it must be by Christ alone. There must be no patchwork; Christ did it all, and will not be helped in the matter. Christ will not allow you, as some say, to do what you can, and leave him to make up the rest. What can you do that is not sinful? Christ has done all for us; the work of redemption is all finished. Christ planned it all, and worked out all; and we, therefore, preach a full salvation through Jesus Christ.
”
”
Charles Haddon Spurgeon
“
Sprawled out, the Suriel's bony chest heaved unevenly, its breaths few and far between.
Dying.
I slid to my knees before it, sinking into the blood moss. 'Let me help you. I can heal you.'
I'd do it the same way I'd helped Rhysand. Remove those arrows- and offer it my blood.
I reached for the first one, but a dry, bony hand settled on my wrist. 'Your magic...' it rasped, 'is spent. Do not... waste it.'
'I can save you.'
It only gripped my wrist. 'I am already gone.'
'What- what can I do?' The words turned thin- brittle.
'Stay...' it breathed. 'Stay... until the end.'
I took its hand in mine. 'I'm sorry.' It was all I could think to say. I had done this- I had brought it here.
'I knew,' it gasped, sensing my shift in thoughts. 'The tracking... I knew of it.'
'Then why come at all?'
'You... you were kind. You... fought your fear. You were... kind,' it said again.
I began crying.
'And you were kind to me,' I said, not brushing away the tears that fell onto its bloodied, tattered robe. 'Thank you- for helping me. When no one else would.'
A small smile on that lipless mouth. 'Feyre Archeron.' A laboured breath. 'I told you- to stay with the High Lord. And you did.'
Its warning to me that first time we'd met. 'You- you meant Rhys.' All this time, all this time-
'Stay with him... and live to see everything righted.'
'Yes, I did- and it was.'
'No- not yet. Stay with him.'
'I will.' I always would.
Its chest rose- then fell.
'I don't even know your name,' I whispered. The Suriel- it was a title, a name for its kind.
That small smile again. 'Does it matter, Cursebreaker?'
'Yes.'
Its eyes dimmed, but it did not tell me. It only said, 'You should go now. Worse things- worse things are coming. The blood... draws them.'
I squeezed its bony hand, the leathery skin growing colder. 'I can stay a while longer.'
I had killed enough animals to know when a body neared death. Soon, now- it would be a matter of breaths.
'Feyre Archeron,' the Suriel said again, gazing at the leafy canopy, the sky peeking through it. A painful inhale. 'A request.'
I leaned close. 'Anything.'
Another rattling breath. 'Leave this world... a better place than how you found it.'
And as its chest rose and stopped altogether, as its breath escaped in one last sigh, I understood why the Suriel had come to help me, again and again. Not just for kindness... but because it was a dreamer.
And it was the heart of a dreamer that had created healing inside that monstrous chest.
Its sudden silence echoed in my own.
I laid my head on its chest, on that now-silent vault of bone, and wept.
I wept and wept, until there was a strong hand at my shoulder.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Angry heat tightens my skin. “Never took you for a coward,” I blurt.
His head snaps in my direction. “What do you mean by that?”
“You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?”
Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all.
His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him.
His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.”
He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.”
At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse.
I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs.
His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder.
“Your skin,” he whispers against my mouth,” it’s so . . .”
I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back.
He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
All my life I was taught to stay out of the way of the powerful. Don’t draw attention to yourself. Don’t show off. Guard your blood, because it will betray you. If you bleed, wipe it clean and burn the rag. Burn the bandages. If someone manages to obtain some of your blood, kill him and destroy the sample. At first it was a matter of survival. Later it became a matter of vengeance.
Meeting the Beast Lord meant plunging head first into the supernatural politics of Atlanta. He was one of the heavyweights.
”
”
Ilona Andrews (Magic Bites (Kate Daniels, #1))
“
Yet the hunger to treat patients still drove Farber. And sitting in his basement laboratory in the summer of 1947, Farber had a single inspired idea: he chose, among all cancers, to focus his attention on one of its oddest and most hopeless variants—childhood leukemia. To understand cancer as a whole, he reasoned, you needed to start at the bottom of its complexity, in its basement. And despite its many idiosyncrasies, leukemia possessed a singularly attractive feature: it could be measured. Science begins with counting. To understand a phenomenon, a scientist must first describe it; to describe it objectively, he must first measure it. If cancer medicine was to be transformed into a rigorous science, then cancer would need to be counted somehow—measured in some reliable, reproducible way. In this, leukemia was different from nearly every other type of cancer. In a world before CT scans and MRIs, quantifying the change in size of an internal solid tumor in the lung or the breast was virtually impossible without surgery: you could not measure what you could not see. But leukemia, floating freely in the blood, could be measured as easily as blood cells—by drawing a sample of blood or bone marrow and looking at it under a microscope. If leukemia could be counted, Farber reasoned, then any intervention—a chemical sent circulating through the blood, say—could be evaluated for its potency in living patients. He could watch cells grow or die in the blood and use that to measure the success or failure of a drug. He could perform an “experiment” on cancer.
”
”
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
“
I slide to the floor. I feel something warm on my neck, and under my cheek. Red. Blood is a strange color. Dark.
From the corner of my eye, I see David slumped over in his chair.
And my mother walking out from behind him.
She is dressed in the same clothes she wore the last time I saw her, Abnegation gray, stained with her blood, with bare arms to show her tattoo. There are still bullet holes in her shirt; through them I can see her wounded skin, red but no longer bleeding, like she’s frozen in time. Her dull blond hair is tied back in a knot, but a few loose strands frame her face in gold.
I know she can’t be alive, but I don’t know if I’m seeing her now because I’m delirious from the blood loss of if the death serum has addled my thoughts or if she is here in some other way.
She kneels next to me and touches a cool hand to my cheek.
“Hello, Beatrice,” she says, and she smiles.
“Am I done yet?” I say, and I’m not sure if I actually say it or if I just think it and she hears it.
“Yes,” she says, her eyes bright with tears. “My dear child, you’ve done so well.”
“What about the others?” I choke on a sob as the image of Tobias comes into my mind, of how dark and how still his eyes were, how strong and warm his hand was, when we first stood face-to-face. “Tobias, Caleb, my friends?”
“They’ll care for each other,” she says. “That’s what people do.”
I smile and close my eyes.
I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death.
This time I know it’s my mother’s hand, drawing me into her arms.
And I go gladly into her embrace.
Can I be forgiven for all I’ve done to get here?
I want to be.
I can.
I believe it.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
The history of the thing might amuse you," he said. "When first I became one of the New Anarchists I tried all kinds of respectable disguises. I dressed up as a bishop. I read up all about bishops in our anarchist pamphlets, in Superstition the Vampire and Priests of Prey. I certainly understood from them that bishops are strange and terrible old men keeping a cruel secret from mankind. I was misinformed. When on my first appearing in episcopal gaiters in a drawing-room I cried out in a voice of thunder, 'Down! down! presumptuous human reason!' they found out in some way that I was not a bishop at all. I was nabbed at once. Then I made up as a millionaire; but I defended Capital with so much intelligence that a fool could see that I was quite poor. Then I tried being a major. Now I am a humanitarian myself, but I have, I hope, enough intellectual breadth to understand the position of those who, like Nietzsche, admire violence--the proud, mad war of Nature and all that, you know. I threw myself into the major. I drew my sword and waved it constantly. I called out 'Blood!' abstractedly, like a man calling for wine. I often said, 'Let the weak perish; it is the Law.' Well, well, it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe.
”
”
G.K. Chesterton
“
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones
as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
”
”
Mariam Petrosyan (Дом, в котором...)
“
Go back. Open the bedroom door and send young Aster down the stairs. Place the groom on his feet and draw him away from the bed. Wipe the sheet clean of the bride’s blood. Shake it straight and flatten its wrinkles. Slide off that necklace and return it to the girl as she races to her mother. Fix what has been broken in her, mend it shut again. Clothe him in his wedding finery. Let there be no light. Allow only shadows into this kingdom of man’s making. See him alone in the room. See him free of a father’s attention. See him step beyond the reach of elders and all who advise growing boys on the perils of weakness. Here is Kidane, shaking loose of unseen bindings. Here he is, gifting himself the freedom to tremble. All advice has been taken back and he is no longer the groom instructed to break flesh and draw blood and bring a girl to earthy cries.
See this man in the tender moment before he takes his wife. See him wrestle with the first blooms of untapped emotion. Let the minutes stretch. Remove the expectations of a father. Remove the admonishments to stand tall and stay strong. Eliminate the birthright, the privilege of nobility, the weight of ancestors and blood. Erase his father’s name and that of his grandfather’s father and that of the long line of men before them. Let him stand in the middle of that empty bedroom in his wedding tunic and trousers, in his gilded cape and gold ring, and then disappear his name, too. Make of him nothing and see what emerges willingly, without taint of duty or fear.
”
”
Maaza Mengiste (The Shadow King)
“
As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.”
They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot.
Their silence broke when the carriage door closed them in.
“You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?”
“Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.”
“It’s not yours to fight.”
“You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.”
He gave her a cynical look. “Do you deny that he is the superior fighter?”
“So he will draw first blood. He will be satisfied, and we will both walk away with honor.”
“He said something about a death-price.”
That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.”
Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god.
“Really, Arin.”
His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?”
She thought of his claim that Enai could never have loved her, or if she had, it was a forced love.
“You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Some things are hurrying into existence, and others are hurrying out of it; and of that which is coming into existence part is already extinguished. Motions and changes are continually renewing the world, just as the uninterrupted course of time is always renewing the infinite duration of ages. In this flowing stream then, on which there is no abiding, what is there of the things which hurry by on which a man would set a high price? It would be just as if a man should fall in love with one of the sparrows which fly by, but it has already passed out of sight. Something of this kind is the very life of every man, like the exhalation of the blood and the respiration of the air. For such as it is to have once drawn in the air and to have given it back, which we do every moment, just the same is it with the whole respiratory power, which thou didst receive at thy birth yesterday and the day before, to give it back to the element from which thou didst first draw it.
”
”
Marcus Aurelius (Meditations)
“
I looked to Rei, wondering if his vague answer to Betsy meant he might let me slip away downstairs, but A’isha had once again engaged him, hooking one of the many melos scarves she wore around his waist in an attempt to draw him into the dance.
The crow looked at it with shock. A’isha plucked the scarf away with a flourish.
“No need to be shy, little crow,” A’isha said. “If the gods didn’t want people to admire you, they wouldn’t have made you so stunning.”
I got to see Rei flush for the first time, blood creeping into his tanned skin. A’isha flipped her scarf around his neck.
“One dance,” A’isha implored. “I’m sure Zane would go elsewhere; you would be performing only for the nest.”
“I’m sure Zane would,” Rei said dryly, glancing at me.
I shrugged.
“What is your lady friend going to think, if she hears you are learning to dance but are ashamed to perform?” A’isha goaded the crow.
“One dance,” Rei said, relenting. “And only because I know you’ll never forgive me if I don’t take my opportunity to make a public fool of myself.” He turned to me. “You get out of here and thank A’isha for giving me an excuse to leave you alone.”
I would indeed.
”
”
Amelia Atwater-Rhodes (Snakecharm (The Kiesha'ra, #2))
“
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder.
He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms.
He checked her. “This isn’t the time.”
She flushed.
“General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.”
Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said.
Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away.
Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.”
“I know.”
He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.”
The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military.
“I want you to be at the front of the crowd,” Kestrel said.
“I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.”
Kestrel nodded, though she had no intention of taking his advice.
She walked through the throngs of people to meet Irex.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Dying.
I slid to my knees before it, sinking into the bloody moss. “Let me help you. I can heal you.”
I’d do it the same way I’d helped Rhysand. Remove those arrows—and offer it my blood.
I reached for the first one, but a dry, bony hand settled on my wrist. “Your magic …,” it rasped, “is spent. Do not … waste it.”
“I can save you.”
It only gripped my wrist. “I am already gone.”
“What—what can I do?” The words turned thin—brittle.
“Stay …,” it breathed. “Stay … until the end.”
I took its hand in mine. “I’m sorry.” It was all I could think to say. I had done this—I had brought it here.
“I knew,” it gasped, sensing my shift in thoughts. “The tracking … I knew of it.”
“Then why come at all?”
“You … were kind. You … fought your fear. You were … kind,” it said again.
I began crying.
“And you were kind to me,” I said, not brushing away the tears that fell onto its bloodied, tattered robe. “Thank you—for helping me. When no one else would.”
A small smile on that lipless mouth. “Feyre Archeron.” A labored breath. “I told you—to stay with the High Lord. And you did.”
Its warning to me that first time we’d met. “You—you meant Rhys.” All this time. All this time—
“Stay with him … and live to see everything righted.”
“Yes. I did—and it was.”
“No—not yet. Stay with him.”
“I will.” I always would.
Its chest rose—then fell.
“I don’t even know your name,” I whispered. The Suriel—it was a title, a name for its kind.
That small smile again. “Does it matter, Cursebreaker?”
“Yes.”
Its eyes dimmed, but it did not tell me. It only said, “You should go now. Worse things—worse things are coming. The blood … draws them.”
I squeezed its bony hand, the leathery skin growing colder. “I can stay a while longer.”
I had killed enough animals to know when a body neared death. Soon, now—it would be a matter of breaths.
“Feyre Archeron,” the Suriel said again, gazing at the leafy canopy, the sky peeking through it. A painful inhale. “A request.”
I leaned close. “Anything.”
Another rattling breath. “Leave this world … a better place than how you found it.”
And as its chest rose and stopped altogether, as its breath escaped in one last sigh, I understood why the Suriel had come to help me, again and again. Not just for kindness … but because it was a dreamer.
And it was the heart of a dreamer that had ceased beating inside that monstrous chest.
Its sudden silence echoed into my own.
I laid my head on its chest, on that now-silent vault of bone, and wept.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.”
Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.”
Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady.
“My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly.
The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.”
Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally.
“Anything, my dear,” he said huskily.
“I would like to-to rest before supper.”
He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.”
Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.”
“Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.”
“We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.”
“The butler stared at my bosom,” Berta complained. “I saw him!”
Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.”
They walked swiftly down the halls--Arin’s halls--and when Kestrel stole sidelong looks at him he still seemed stunned and dizzy. Kestrel had been seasick before, at the beginning of her sailing lessons, and she wondered if this was how Arin felt, surrounded by his home--like when the eyes can pinpoint the horizon but the stomach cannot.
Their silence broke when the carriage door closed them in.
“You are mad.” Arin’s voice was furious, desperate. “It was my book. My doing. You had no right to interfere. Did you think I couldn’t bear the punishment for being caught?”
“Arin.” Fear trembled through her as she finally realized what she had done. She strove to sound calm. “A duel is simply a ritual.”
“It’s not yours to fight.”
“You know you cannot. Irex would never accept, and if you drew a blade on him, every Valorian in the vicinity would cut you down. Irex won’t kill me.”
He gave her a cynical look. “Do you deny that he is the superior fighter?”
“So he will draw first blood. He will be satisfied, and we will both walk away with honor.”
“He said something about a death-price.”
That was the law’s penalty for a duel to the death. The victor paid a high sum to the dead duelist’s family. Kestrel dismissed this. “It will cost Irex more than gold to kill General Trajan’s daughter.”
Arin dropped his face into his hands. He began to swear, to recite every insult against the Valorian’s the Herrani had invented, to curse them by every god.
“Really, Arin.”
His hands fell away. “You, too. What a stupid thing for you to do. Why did you do that? Why would you do such a stupid thing?”
She thought of his claim that Enai could never have loved her, or if she had, it was a forced love.
“You might not think of me as your friend,” Kestrel told Arin, “but I think of you as mine.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
...He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively is he must.
He digs foxholes and latrines and can apply first aid like a professional.
He can march until he is told to stop, or stop until he is told to march.
He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient.
...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cool his own meals, mend his own clothes, and fix his own hurts.
...He'll even split his ammunition with you in the midst of battle when you run low.
He has learned to use his hands like weapons and weapons like they were his hands.
He can save your life- or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed.
He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking.
...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years.
He has asked nothing in return, except our friendship and understanding.
Remember him, always, for he has earned our respect and admiration with his blood.
And now we even have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so.
As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
”
”
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
“
The pacifist-humanitarian idea may indeed become an excellent one when the most superior type of manhood will have succeeded in subjugating the world to such an extent that this type is then sole master of the earth. This idea could have an injurious effect only in the measure in which its application became difficult and finally impossible.
So, first of all, the fight, and then pacifism. If it were otherwise, it would mean that mankind has already passed the zenith of its development, and accordingly, the end would not be the supremacy of some moral ideal, but degeneration into barbarism and consequent chaos.
People may laugh at this statement, but our planet moved through space for millions of years, uninhabited by men, and at some future date may easily begin to do so again, if men should forget that wherever they have reached a superior level of existence, it was not as a result of following the ideas of crazy visionaries but by acknowledging and rigorously observing the iron laws of Nature.
What reduces one race to starvation stimulates another to harder work.
All the great civilisations of the past became decadent because the originally creative race died out, as a result of contamination of the blood.
The most profound cause of such a decline is to be found in the fact that the people ignored the principle that all culture depends on men, and not the reverse.
In other words, in order to preserve a certain culture, the type of manhood that creates such a culture must be preserved, but such a preservation goes hand in hand with the inexorable law that it is the strongest and the best who must triumph and that they have the right to endure.
He who would live must fight. He who does not wish to fight in this world, where permanent struggle is the law of life, has not the right to exist.
Such a saying may sound hard, but, after all, that is how the matter really stands. Yet far harder is the lot of him who believes that he can overcome Nature, and thus in reality insults her. Distress, misery, and disease, are her rejoinders.
Whoever ignores or despises the laws of race really deprives himself of the happiness to which he believes he can attain, for he places an obstacle in the victorious path of the superior race and, by so doing, he interferes with a prerequisite condition of, all human progress.
Loaded with the burden of human sentiment, he falls back to the level of a helpless animal.
It would be futile to attempt to discuss the question as to what race or races were the original champions of human culture and were thereby the real founders of all that we understand by the word ‘humanity.’
It is much simpler to deal with this question in so far as it relates to the present time. Here the answer is simple and clear.
Every manifestation of human culture, every product of art, science and technical skill, which we see before our eyes to-day, is almost, exclusively the product of the Aryan creative power. All that we admire in the world to-day, its science and its art, its technical developments and discoveries, are the products of the creative activities of a few peoples, and it may be true that their first beginnings must be attributed to one race.
The existence of civilisation is wholly dependent on such peoples. Should they perish, all that makes this earth beautiful will descend with them into the grave.
He is the Prometheus of mankind, from whose shining brow the divine spark of genius has at all times flashed forth, always kindling anew that fire which, in the form of knowledge, illuminated the dark night by drawing aside the veil of mystery and thus showing man how to rise and become master over all the other beings on the earth.
Should he be forced to disappear, a profound darkness will descend on the earth; within a few thousand years human culture will vanish and the world will become a desert.
”
”
Adolf Hitler (Mein Kampf)
“
Oh, Gray, she said. Oh, gray, indeed. As in, oh Gray what the holy hell has come over you and what the devil do you intend to do about it?
He took the coward’s way out. He looked away.
“I thought you were painting a portrait. Of me.”
She turned her head, following his gaze to her easel. A vast seascape overflowed the small canvas. Towering thunderclouds and a violent, frothy sea. And slightly off center, a tiny ship cresting a massive wave.
“I am painting you.”
“What, am I on the little boat, then?” It was a relief to joke.
The relief was short-lived.
“No,” she said softly, turning back to look at him. “I’m on the little boat. You’re the storm. And the ocean. You’re…Gray, you’re everything.”
And that was when things went from “very bad” to “worse.”
“I can’t take credit for the composition. It’s inspired by a painting I once saw, in a gallery on Queen Anne Street. By a Mr. Turner.”
“Turner. Yes, I know his work. No relation, I suppose?”
“No.” She looked back at the canvas. “When I saw it that day, so brash and wild…I could feel the tempest churning in my blood. I just knew then and there, that I had something inside me-a passion too bold, too grand to keep squeezed inside a drawing room. First I tried to deny it, and then I tried to run from it…and then I met you, and I saw you have it, too. Don’t deny it, Gray. Don’t run from it and leave me alone.”
She sat up, still rubbing his cheek with her thumb. Grasping his other hand, she drew it to her naked breast. Oh, God. She was every bit as soft as he’d dreamed. Softer. And there went his hand now. Trembling.
“Touch me, Gray.” She leaned forward, until her lips paused a mere inch away from his. “Kiss me.”
Perhaps that dagger had missed his heart after all, because the damned thing was hammering away inside his chest. And oh, he could taste her sweet breath mingling with his. Her lips were so close, so inviting.
So dangerous.
Panic-that’s what had his knees trembling and his heart hammering and his lips spouting foolishness. It had to be panic. Because something told Gray that he could see her mostly naked, and watch her toes curl as she reached her climax, and even cup her dream-soft breast in his palm-but somehow, if he touched his lips to hers, he would be lost.
“Please,” she whispered. “Kiss me.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
I want to test him, said Saphira. She slapped her tail against the ground, causing Fírnen to pause.
Test him? How? For what?
To find out if he has the iron in his bones and the fire in his belly to match me.
Are you sure? he asked, understanding her intent.
She again slapped her tail against the ground, and he felt her certainty and the strength of her desire. I know everything about him--everything but this. Besides--she displayed a flash of amusement--it’s not as if dragons mate for life.
Very well…But be careful.
He had barely finished speaking when Saphira lunged forward and bit Fírnen on his left flank, drawing blood and causing Fírnen to snarl and spring backward. The green dragon growled, appearing uncertain of himself, and retreated before Saphira as she prowled toward him.
Saphira! Chagrined, Eragon turned to Arya, intending to apologize.
Arya did not seem upset. To Fírnen, and to Eragon as well, she said, If you want her to respect you, then you have to bite her in return.
She raised an eyebrow at Eragon, and he responded with a wry smile, understanding.
Fírnen glanced at Arya and hesitated. He jumped back as Saphira snapped at him again. Then he roared and lifted his wings, as if to make himself appear larger, and he charged Saphira--and nipped her on a hind leg, sinking his teeth into her hide.
The pain Saphira felt was not pain.
Saphira and Fírnen resumed circling, growling and yowling with increasing volume. Then Fírnen jumped at her again. He landed on Saphira’s neck and bore her head to the ground, where he held her pinned and gave her a pair of playful bites at the base of her skull.
Saphira did not struggle as fiercely as Eragon would have expected, and he guessed that she had allowed Fírnen to catch her, as it was not something even Thorn had managed to do.
“The courting of dragons is no gentle affair,” he said to Arya.
“Did you expect soft words and tender caresses?”
“I suppose not.”
With a heave of her neck, Saphira threw Fírnen off and scrambled backward. She roared and clawed at the ground with her forefeet, and then Fírnen lifted his head toward the sky and loosed a rippling pennant of green fire twice the length of his own body.
“Oh!” exclaimed Arya, sounding delighted.
“What?”
“That’s the first time he has breathed fire!
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
I tilted my head and kissed his cheek. The whiskers abraded my lips, but I didn’t mind. I moved lower, finding his lips. He didn’t resist me, but didn’t join in as he had in the car. I frowned slightly. A stab of doubt pierced my heart. This didn’t feel right, yet. He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck. My lips skimmed his smooth skin. His pulse jumped under my mouth. Finally, he reacted. Both his hands came up, holding my sides, kneading me, encouraging. My breath quickened, and my heart hammered. Yes! This was right. Something took possession of me. With one hand, I gripped his hair and tugged it. He tilted his head to the side and exposed his neck, giving in willingly. My eyes traced his neck where his pulse skipped erratically. The beat matched my own. I couldn’t look away from that clean-shaven spot. I recalled when he had started shaving it. He’d known I would need to see it. For this. I kissed it lightly and felt him shudder. Before the shudder ended, I bit him hard on the same spot. Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside. I pulled back slightly to look at the small marks I’d left. They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence. Behind me, someone moved and called attention to the fact that we still had an audience. A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather. I wiped the blood from my mouth with a shaky hand. I didn’t regret Claiming him, but wished we could have talked first. I needed reassurance. Would this mean I’d have to quit school? Would he want me to live in the woods with him? If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface. Had I just forced him? Panic bloomed in my chest. Before I could scramble off his lap, he reached up and gently stroked my hair. I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice. He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper. Now, he could talk? I scowled at him. The man had the audacity to laugh then scoop me up in his arms. The
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
He ought to be more clever in his murder attempt. Done properly, he could make a wealthy widow of you, and then you’d both have your happy ending.” Harry knew instantly that he shouldn’t have said it—the comment was the kind of cold-blooded sarcasm he had always resorted to when he felt the need to defend himself. He regretted it even before he saw Merripen out of the periphery of his vision. The Rom was giving him a warning shake of his head and drawing a finger across his throat. Poppy was red faced, her brows drawn in a scowl. “What a dreadful thing to say!” Harry cleared his throat. “I’m sorry,” he said brusquely. “I was joking. It was in poor—” He ducked as something came flying at him. “What the devil—” She had thrown something at him, a cushion. “I don’t want to be a widow, I don’t want Michael Bayning, and I don’t want you to joke about such things, you tactless clodpole!” As all three of them stared at her openmouthed, Poppy leapt up and stalked away, her hands drawn into fists. Bewildered by the immediate force of her fury—it was like being stung by a butterfly—Harry stared after her dumbly. After a moment, he asked the first coherent thought that came to him. “Did she just say she doesn’t want Bayning?” “Yes,” Win said, a smile hovering on her lips. “That’s what she said. Go after her, Harry.” Every cell in Harry’s body longed to comply. Except that he had the feeling of standing on the edge of a cliff, with one ill-chosen word likely to send him over. He gave Poppy’s sister a desperate glance. “What should I say?” “Be honest with her about your feelings,” Win suggested. A frown settled on Harry’s face as he considered that. “What’s my second option?” “I’ll handle this,” Merripen told Win before she could reply. Standing, he slung a great arm across Harry’s shoulders and walked him to the side of the terrace. Poppy’s furious form could be seen in the distance. She was walking down the drive to the caretaker’s house, her skirts and shoes kicking up tiny dust storms. Merripen spoke in a low, not unsympathetic tone, as if compelled to guide a hapless fellow male away from danger. “Take my advice, gadjo . . . never argue with a woman when she’s in this state. Tell her you were wrong and you’re sorry as hell. And promise never to do it again.” “I’m still not exactly certain what I did,” Harry said. “That doesn’t matter. Apologize anyway.” Merripen paused and added in whisper, “And whenever your wife is angry . . . for God’s sake, don’t try logic.” “I heard that,” Win said from the chaise.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
Gentleman,” I purr smoothly in greeting.
Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable.
While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress.
I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait.
“Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing.
No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy.
“I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot.
“And who are you, Ma’am?” Ezra asks respectfully.
“Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling.
“Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment.
I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely.
“What did you say to upset her?” Ezra accuses Cortez.
“Nothing,” Cort complains in confusion.
“Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
”
”
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
“
Everyone knew there had never been a cowardly Confederate soldier and they found this statement peculiarly irritating. He always referred to the soldiers as “our brave boys” or “our heroes in gray” and did it in such a way as to convey the utmost in insult. When daring young ladies, hoping for a flirtation, thanked him for being one of the heroes who fought for them, he bowed and declared that such was not the case, for he would do the same thing for Yankee women if the same amount of money were involved. Since Scarlett’s first meeting with him in Atlanta on the night of the bazaar, he had talked with her in this manner, but now there was a thinly veiled note of mockery in his conversations with everyone. When praised for his services to the Confederacy, he unfailingly replied that blockading was a business with him. If he could make as much money out of government contracts, he would say, picking out with his eyes those who had government contracts, then he would certainly abandon the hazards of blockading and take to selling shoddy cloth, sanded sugar, spoiled flour and rotten leather to the Confederacy. Most of his remarks were unanswerable, which made them all the worse. There had already been minor scandals about those holding government contracts. Letters from men at the front complained constantly of shoes that wore out in a week, gunpowder that would not ignite, harness that snapped at any strain, meat that was rotten and flour that was full of weevils. Atlanta people tried to think that the men who sold such stuff to the government must be contract holders from Alabama or Virginia or Tennessee, and not Georgians. For did not the Georgia contract holders include men from the very best families? Were they not the first to contribute to hospital funds and to the aid of soldiers’ orphans? Were they not the first to cheer at “Dixie” and the most rampant seekers, in oratory at least, for Yankee blood? The full tide of fury against those profiteering on government contracts had not yet risen, and Rhett’s words were taken merely as evidence of his own bad breeding. He not only affronted the town with insinuations of venality on the part of men in high places and slurs on the courage of the men in the field, but he took pleasure in tricking the dignified citizenry into embarrassing situations. He could no more resist pricking the conceits, the hypocrisies and the flamboyant patriotism of those about him than a small boy can resist putting a pin into a balloon. He neatly deflated the pompous and exposed the ignorant and the bigoted, and he did it in such subtle ways, drawing his victims out by his seemingly courteous interest, that they never were quite certain what had happened until they stood exposed as windy, high flown and slightly ridiculous.
”
”
Margaret Mitchell (Gone with the Wind)
“
Switching on the ground-floor lights, she checked the gas jet and the main gas plug and poured water over the smoldering, half-buried charcoal in the brazier. She stood before the upright mirror in the four-and-a-half-mat room and held up her skirts. The bloodstains made it seem as if a bold, vivid pattern was printed across the lower half of her white kimono. When she sat down before the mirror, she was conscious of the dampness and coldness of her husband’s blood in the region of her thighs, and she shivered. Then, for a long while, she lingered over her toilet preparations. She applied the rouge generously to her cheeks, and her lips too she painted heavily. This was no longer make-up to please her husband. It was make-up for the world which she would leave behind, and there was a touch of the magnificent and the spectacular in her brushwork. When she rose, the mat before the mirror was wet with blood. Reiko was not concerned about this.
(...)
The lieutenant was lying on his face in a sea of blood. The point protruding from his neck seemed to have grown even more prominent than before. Reiko walked heedlessly across the blood. Sitting beside the lieutenant’s corpse, she stared intently at the face, which lay on one cheek on the mat. The eyes were opened wide, as if the lieutenant’s attention had been attracted by something. She raised the head, folding it in her sleeve, wiped the blood from the lips, and bestowed a last kiss.
(...)
Reiko sat herself on a spot about one foot distant from the lieutenant’s body. Drawing the dagger from her sash, she examined its dully gleaming blade intently, and held it to her tongue. The taste of the polished steel was slightly sweet.
Reiko did not linger. When she thought how the pain which had previously opened such a gulf between herself and her dying husband was now to become a part of her own experience, she saw before her only the joy of herself entering a realm her husband had already made his own. In her husband’s agonized face there had been something inexplicable which she was seeing for the first time. Now she would solve that riddle. Reiko sensed that at last she too would be able to taste the true bitterness and sweetness of that great moral principle in which her husband believed. What had until now been tasted only faintly through her husband’s example she was about to savor directly with her own tongue.
Reiko rested the point of the blade against the base of her throat. She thrust hard. The wound was only shallow. Her head blazed, and her hands shook uncontrollably. She gave the blade a strong pull sideways. A warm substance flooded into her mouth, and everything before her eyes reddened, in a vision of spouting blood. She gathered her strength and plunged the point of the blade deep into her throat.
”
”
Yukio Mishima
“
NOTE: The character of Aoleon is deaf. This conversation takes place in the book via sign language...
“Feeling a certain kind of way Aoleon?”
She snapped-to and quickly became defensive. “What in the name of the Goddess are you on about?”
Shades of anger and annoyance. The old Aoleon coming out.
“I’m sorry. I shouldn’t poke at you like that. It’s okay you know. There’s nothing wrong about the way you feel.”
As if suddenly caught up in a lie, Aoleon cleared her throat and ran her fingers absentmindedly over her ear and started to fidget with one of the brass accents in her snowy hair.
A very common nervous reaction.
“No…I mean…well I was…uh...”
“Aoleon, I know about you and Arjana.” he admitted outrightly as he pointed at the drawing.
She coughed, stuttered, smiled, but could bring herself to fully say nothing. Words escaped her as she looked about the room for answers.
“My sight is Dįvįnë, lest we forget. I knew you were growing close.”
“Yes. Well…she’s…something else.”
“Indeed?” he responded.
Images flashed briefly in Aoleon’s head of her father’s old friend. Verging on her fiftieth decade of life. She was a fierce woman by all accounts. One who’d just as soon cut you with words as she would a blade. Yet, she was darling and caring towards those she held close to her. Lovely to a fault; in a wild sort of way. Dark skin, the colour of walnut stained wood. Thick, kinky hair fashioned into black locs that faded into reddish-brown tips that were dyed with Assamian henna; the sides of her head shaved bare in an undercut fashion. Tattoos and gauged ears. Very comfortable with her sexuality. Dwalli by blood, but a native of the Link by birth although she wasn’t a Magi. Magick was her mother’s gift.
“I heard her say something very much the same about you once Aoleon.”
“Really?” Aoleon perked up right away. “Did she?”
“Yes. After she first met you in fact. Nearly exactly.”
Aoleon’s smile widened and she beamed happiness. She sat up assertively and gave a curt nod. “Well, of course she did.”
“She’s held such a torch for you for so long that I was starting to wonder if anything would actually come of it.”
“Yeah. Both you and Prince Asshole.” Aoleon exclaimed with a certainty that was absolute as she once again tightened up with defensiveness.
Samahdemn walked his statement back. “Peace daughter. I didn't know your brother had been giving you a row about her. Then again, he is your brother. So anything is possible.”
Aoleon sighed and nodded. “Not so much problems as he’s been giving me the silent treatment over it. Na’Kwanza. It’s always Na’ Kwanza.”
Samahdemn nodded knowingly and waived a dismissive hand. “He’s just jealous. He always has been.”
“So I’ve noticed.”
“Why would you hide it? Why not tell me?”
“I don’t know.” she said; shrugging her shoulders. “I didn’t know how you’d take it I suppose.”
“Seriously? You were afraid of rejection? From me? Love, have I ever held your individuality against you? Have I ever not supported you or your siblings?”
She shook her head; a bit embarrassed that she hadn't trusted him. "No, I suppose not."
-Reflections on the Dįvonësë War: The Dįvįnë Will Bear Witness to Fate
”
”
S.H. Robinson
“
The boy's smile was a mockery of innocence. 'Are you frightened?'
'Yes,' I said. Never lie- that had been Rhys's first command.
The boy stood, but kept to the other side of the cell. 'Feyre,' he murmured, cocking his head. The orb of faelight glazed the inky hair in silver. 'Fay-ruh,' he said again, drawing out the syllables as if he could taste them. At last, he straightened his head. ''Where did you go when you died?'
'A question for a question,' I replied, as I'd been instructed over breakfast.
...
Rhys gave me a subtle nod, but his eyes were wary. Because what the boy had asked...
I had to calm my breathing to think- to remember.
But there was blood and death and pain and screaming- and she was breaking me, killing me so slowly, and Rhys was there, roaring in fury as I died. Tamlin begging for my life on his knees before her throne... But there was so much agony, and I wanted it to be over, wanted it all to stop-
Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there.
I bunched my hands into fists.
I had lived; I had gotten out. I would get out today.
'I heard the crack,' I said. Rhys's head whipped toward me. 'I heard the crack when she broke my neck. It was in my ears, but also inside my skull. I was gone before I felt anything more than the first lash of pain.'
The Bone Carver's violet eyes seemed to glow brighter.
'And then it was dark. A different sort of dark than this place. But there was a... thread,' I said. 'A tether. And I yanked on it- and suddenly I could see. Not through my eyes, but- but his,' I said, inclining my head toward Rhys. I uncurled the finger of my tattooed hand. 'And I knew I was dead, and this tiny scrap was all that was left of me, clinging to the thread of our bargain.'
'But was there anyone there- were you seeing anything beyond?'
'There was only that bond in the darkness.'
Rhysand's face had gone pale, his mouth a tight line. 'And when I was Made anew,' I said, 'I followed that bond back- to me. I knew that home was on the other end of it. There was light then. Like swimming up through sparkling wine-'
'Were you afraid?'
'All I wanted was to return to- to the people around me. I wanted it badly enough I didn't have room for fear. The worst had happened and the darkness was calm and quiet. It did not seem like a bad thing to fade into. But I wanted to go home. So I followed the bond home.'
'There was no other world,' the Bone Carver pushed.
'If there was or is, I did not see it.'
'No light, no portal?'
Where is it that you want to go? The question almost leaped off my tongue. 'It was only peace and darkness.'
'Did you have a body?'
'No.'
'Did-'
'That's enough from you,' Rhysand purred- the sound like velvet over sharpest steel. 'You said a question for a question. Now you've asked...' He did a tally on his fingers. 'Six.'
The Bone Carver leaned back against the wall and slid to a sitting position. 'It is a rare day when I meet someone who comes back from true death. Forgive me for wanting to peer behind the curtain.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Elizabeth?” Ian said in a clipped voice.
She whirled around, her heart slamming against her ribs, her hand flying to her throat, her knees turning to jelly.
“What’s wrong?” he asked.
“You-you startled me,” she said as he strolled up to her, his expression oddly impassive. “I didn’t expect you to come here,” she added nervously.
“Really?” he mocked. “Whom did you expect after that note-the Prince of Wales?”
The note! Crazily, her first thought after realizing ti was from him, not Valerie, was that for an articulate man his handwriting verged on the illiterate. Her second thought was that he seemed angry about something. He didn’t keep her long in doubt as to the reason.
“Suppose you tell me how, during the entire afternoon we spent together, you neglected to mention that you are Lady Elizabeth?”
Elizabeth wondered a little frantically how he’d feel if he knew she was the Countess of Havenhurst, not merely the eldest daughter of some minor noble or knight.
“Start talking, love. I’m listening.”
Elizabeth backed away a step.
“Since you don’t want to talk,” he bit out, reaching for her arms, “is this all you wanted from me?”
“No!” she said hastily, backing out of his reach. “I’d rather talk.”
He stepped forward, and Elizabeth took another step backward, exclaiming, “I mean, there are so many interesting topics for conversation, are there not?”
“Are there?” he asked, moving forward again.
“Yes,” she exclaimed, taking two steps back this time. Snatching at the first topic she could think of, she pointed to the table of hyacinths beside her and exclaimed, “A-Aren’t these hyacinths lovely?”
“Lovely,” he agreed without looking at them, and he reached for her shoulders, obviously intending to draw her forward.
Elizabeth jumped back so swiftly that his fingers merely grazed the gauze fabric of her gown. “Hyacinths,” she babbled with frantic determination as he began stalking her step for step, pas the table of potted pansies, past the table of potted lilies, “are part of genus Hyacinthus, although the cultivated variety, which we have here, is commonly called the Dutch hyacinth, which is part of H. orientalis-“
“Elizabeth,” he interrupted silkily, “I’m not interested in flowers.” He reached for her again, and Elizabeth, in a frantic attempt to evade his grasp, snatched up a pot of hyacinths and dumped it into his outstretched hands.
“There is a mythological background to hyacinths that you may find more interesting than the flower itself,” she continued fiercely, and an indescribable expression of disbelief, amusement, and fascination suddenly seemed to flicker across his face. “You see, the hyacinth is actually named for a handsome Spartan youth-Hyacinthus-who was loved by Apollo and by Zephyrus, god of the west wind. One day Zephyrus was teaching Hyacinthus to throw the discus, and he accidentally killed him. It is said that Hyacinthus’s blood caused a flower to spring up, and each petal was inscribed with the Greek exclamation of sorrow.” Her voice trembled a little as he purposefully set the pot of hyacinths on the table. “A-Actually, the flower that sprang up would have been the iris or larkspur, not the modern hyacinth, but that is how it earned its name.”
“Fascinating.” His unfathomable eyes locked onto hers.
Elizabeth knew he was referring to her and not the history of the hyacinth, and though she commanded herself to move out of his reach, her legs refused to budge.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Naturally, without intending to, I transitioned from these dreams in which I healed myself to some in which I cared for others: I am flying over the Champs-Élysées Avenue in Paris. Below me, thousands of people are marching, demanding world peace. They carry a cardboard dove a kilometer long with its wings and chest stained with blood. I begin to circle around them to get their attention. The people, astonished, point up at me, seeing me levitate. Then I ask them to join hands and form a chain so that they can fly with me. I gently take one hand and lift. The others, still holding hands, also rise up. I fly through the air, drawing beautiful figures with this human chain. The cardboard dove follows us. Its bloodstains have vanished. I wake up with the feeling of peace and joy that comes from good dreams. Three days later, while walking with my children along the Champs-Élysées Avenue, I saw an elderly gentleman under the trees near the obelisk whose entire body was covered by sparrows. He was sitting completely still on one of the metal benches put there by the city council with his hand outstretched, holding out a piece of cake. There were birds flitting around tearing off crumbs while others waited their turn, lovingly perched on his head, his shoulders, his legs. There were hundreds of birds. I was surprised to see tourists passing by without paying much attention to what I considered a miracle. Unable to contain my curiosity, I approached the old man. As soon as I got within a couple of meters of him, all the sparrows flew away to take refuge in the tree branches. “Excuse me,” I said, “how does this happen?” The gentleman answered me amiably. “I come here every year at this time of the season. The birds know me. They pass on the memory of my person through their generations. I make the cake that I offer. I know what they like and what ingredients to use. The arm and hand must be still and the wrist tilted so that they can clearly see the food. And then, when they come, stop thinking and love them very much. Would you like to try?” I asked my children to sit and wait on a nearby bench. I took the piece of cake, reached my hand out, and stood still. No sparrow dared approach. The kind old man stood beside me and took my hand. Immediately, some of the birds came and landed on my head, shoulders, and arm, while others pecked at the treat. The gentleman let go of me. Immediately the birds fled. He took my hand and asked me to take my son’s hand, and he another hand, so that my children formed a chain. We did. The birds returned and perched fearlessly on our bodies. Every time the old man let go of us, the sparrows fled. I realized that for the birds when their benefactor, full of goodness, took us by the hand, we became part of him. When he let go of us, we went back to being ourselves, frightening humans. I did not want to disrupt the work of this saintly man any longer. I offered him money. He absolutely would not accept. I never saw him again. Thanks to him, I understood certain passages of the Gospels: Jesus blesses children without uttering any prayer, just by putting his hands on them (Matthew 19:13–15). In Mark 16:18, the Messiah commands his apostles, “They shall lay hands on the sick, and they shall recover.” St. John the Apostle says mysteriously in his first epistle, 1.1, “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon, and our hands have handled, of the Word of life.
”
”
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
“
The Old Issue
October 9, 1899
“HERE is nothing new nor aught unproven,” say the Trumpets,
“Many feet have worn it and the road is old indeed.
“It is the King—the King we schooled aforetime !”
(Trumpets in the marshes—in the eyot at Runnymede!)
“Here is neither haste, nor hate, nor anger,” peal the Trumpets,
“Pardon for his penitence or pity for his fall.
“It is the King!”—inexorable Trumpets—
(Trumpets round the scaffold at the dawning by Whitehall!)
“He hath veiled the Crown and hid the Sceptre,” warn the Trumpets,
“He hath changed the fashion of the lies that cloak his will.
“Hard die the Kings—ah hard—dooms hard!” declare the Trumpets,
Trumpets at the gang-plank where the brawling troop-decks fill!
Ancient and Unteachable, abide—abide the Trumpets!
Once again the Trumpets, for the shuddering ground-swell brings
Clamour over ocean of the harsh, pursuing Trumpets—
Trumpets of the Vanguard that have sworn no truce with Kings!
All we have of freedom, all we use or know—
This our fathers bought for us long and long ago.
Ancient Right unnoticed as the breath we draw—
Leave to live by no man’s leave, underneath the Law.
Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the King.
Till our fathers ’stablished, after bloody years,
How our King is one with us, first among his peers.
So they bought us freedom—not at little cost
Wherefore must we watch the King, lest our gain be lost,
Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.
Give no ear to bondsmen bidding us endure.
Whining “He is weak and far”; crying “Time shall cure.”,
(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people’s loins.)
Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.
They that beg us barter—wait his yielding mood—
Pledge the years we hold in trust—pawn our brother’s blood—
Howso’ great their clamour, whatsoe’er their claim,
Suffer not the old King under any name!
Here is naught unproven—here is naught to learn.
It is written what shall fall if the King return.
He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom’s name.
He shall take a tribute, toll of all our ware;
He shall change our gold for arms—arms we may not bear.
He shall break his judges if they cross his word;
He shall rule above the Law calling on the Lord.
He shall peep and mutter; and the night shall bring
Watchers ’neath our window, lest we mock the King—
Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.
Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell—deny—delay.
We shall drink dishonour, we shall eat abuse
For the Land we look to—for the Tongue we use.
We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.
Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.
Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old—
Long-forgotten bondage, dwarfing heart and brain—
All our fathers died to loose he shall bind again.
Here is naught at venture, random nor untrue—
Swings the wheel full-circle, brims the cup anew.
Here is naught unproven, here is nothing hid:
Step for step and word for word—so the old Kings did!
Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed—
All the right they promise—all the wrong they bring.
Stewards of the Judgment, suffer not this King!
”
”
Rudyard Kipling
“
Montreal
October 1704
Temperature 55 degrees
Eben was looking at Sarah in the way every girl prays some boy will one day look at her. “I will marry you, Sarah,” said Eben. “I will be a good husband. A Puritan husband. Who will one day take us both back home.”
Wind shifted the lace of Sarah’s gown and the auburn of one loose curl.
“I love you, Sarah,” said Eben. “I’ve always loved you.”
Tears came to Sarah’s eyes: she who had not wept over her own family. She stood as if it had not occurred to her that she could be loved; that an English boy could adore her. “Oh, Eben!” she whispered. “Oh, yes, oh, thank you, I will marry you. But will they let us, Eben? We will need permission.”
“I’ll ask my father,” said Eben. “I’ll ask Father Meriel.”
They were not touching. They were yearning to touch, they were leaning forward, but they were holding back. Because it is wrong? wondered Mercy. Or because they know they will never get permission?
“My French family will put up a terrible fuss,” said Sarah anxiously. “Pierre might even summon his fellow officers and do something violent.”
Eben grinned. “Not if I have Huron warriors behind me.”
The Indians rather enjoyed being French allies one day and difficult neighbors the next. Lorette Indians might find this a fine way to stab a French soldier in the back without drawing blood.
They would need Father Meriel. He could arrange anything if he chose; he had power among all the peoples. But he might say no, and so might Eben’s Indian family.
Mercy translated what was going on for Nistenha and Snow Walker. “They want to get married,” she told them. “Isn’t it wonderful?” She couldn’t help laughing from the joy and the terror of it. Ransom would no longer be the first word in Sarah’s heart. Eben would be. Mercy said, “Eben asked her right here in the street, Snow Walker. He wants to save her from marriage to a French soldier she doesn’t want. He’s loved Sarah since the march.”
The two Indians had no reaction. For a moment Mercy thought she must have spoken to them in English. Nistenha turned to walk away and Snow Walker turned with her.
If Nistenha was not interested in Sarah and Eben’s plight, no Indian would be.
Mercy called on her memory of every speech in every ceremony, every dignified phrase and powerful word. “Honored mother,” she said softly. “Honored sister. We are in need and we beg you to hear our petition.”
Nistenha stopped walking, turned back and stared at her in amazement. Sarah and Eben and Snow Walker stared at her in amazement.
Sam can build canoes, thought Mercy. I can make a speech. “This woman my sister and this man my brother wish to spend their lives together. My brother will need the generous permission of his Indian father. Already we know that my sister will be refused the permission of her French owners. We will need an ally to support us in our request. We will need your strength and your wisdom. We beseech you, Mother, that you stand by us and help us.”
The city of Montreal swirled around them.
Eben, property of an Indian father in Lorette; Sarah, property of a French family in Montreal; and Mercy, property of Tannhahorens, awaited her answer.
“Your words fill me with pride, Munnunock,” said Nistenha softly. She reached into her shopping bundle. Slowly she drew out a fine French china cup, undoubtedly meant for the feast of Flying Legs. She held it for a moment, and then her stern face softened and she gave it to Eben.
Indians sealed a promise with a gift.
She would help them.
From her bundle, Snow Walker took dangling silver earrings she must have bought for Mercy and handed them to Sarah.
Because she knew that Sarah’s Mohawk was not good enough and that Eben was too stirred to speak, Mercy gave the flowery thanks required after such gifts.
“God bless us,” she said to Sarah and Eben, and Eben said, “He has.
”
”
Caroline B. Cooney (The Ransom of Mercy Carter)
“
Canto I
And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us out onward with bellying canvas,
Circe’s this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day’s end.
Sun to his slumber, shadows o’er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities
Covered with close-webbed mist, unpierced ever
With glitter of sun-rays
Nor with stars stretched, nor looking back from heaven
Swartest night stretched over wretched men there.
The ocean flowing backward, came we then to the place
Aforesaid by Circe.
Here did they rites, Perimedes and Eurylochus,
And drawing sword from my hip
I dug the ell-square pitkin;
Poured we libations unto each the dead,
First mead and then sweet wine, water mixed with white flour.
Then prayed I many a prayer to the sickly death’s-heads;
As set in Ithaca, sterile bulls of the best
For sacrifice, heaping the pyre with goods,
A sheep to Tiresias only, black and a bell-sheep.
Dark blood flowed in the fosse,
Souls out of Erebus, cadaverous dead, of brides
Of youths and of the old who had borne much;
Souls stained with recent tears, girls tender,
Men many, mauled with bronze lance heads,
Battle spoil, bearing yet dreory arms,
These many crowded about me; with shouting,
Pallor upon me, cried to my men for more beasts;
Slaughtered the herds, sheep slain of bronze;
Poured ointment, cried to the gods,
To Pluto the strong, and praised Proserpine;
Unsheathed the narrow sword,
I sat to keep off the impetuous impotent dead,
Till I should hear Tiresias.
But first Elpenor came, our friend Elpenor,
Unburied, cast on the wide earth,
Limbs that we left in the house of Circe,
Unwept, unwrapped in sepulchre, since toils urged other.
Pitiful spirit. And I cried in hurried speech:
“Elpenor, how art thou come to this dark coast?
“Cam’st thou afoot, outstripping seamen?”
And he in heavy speech:
“Ill fate and abundant wine. I slept in Circe’s ingle.
“Going down the long ladder unguarded,
“I fell against the buttress,
“Shattered the nape-nerve, the soul sought Avernus.
“But thou, O King, I bid remember me, unwept, unburied,
“Heap up mine arms, be tomb by sea-bord, and inscribed:
“A man of no fortune, and with a name to come.
“And set my oar up, that I swung mid fellows.”
And Anticlea came, whom I beat off, and then Tiresias Theban,
Holding his golden wand, knew me, and spoke first:
“A second time? why? man of ill star,
“Facing the sunless dead and this joyless region?
“Stand from the fosse, leave me my bloody bever
“For soothsay.”
And I stepped back,
And he strong with the blood, said then: “Odysseus
“Shalt return through spiteful Neptune, over dark seas,
“Lose all companions.” And then Anticlea came.
Lie quiet Divus. I mean, that is Andreas Divus,
In officina Wecheli, 1538, out of Homer.
And he sailed, by Sirens and thence outward and away
And unto Circe.
Venerandam,
In the Cretan’s phrase, with the golden crown, Aphrodite,
Cypri munimenta sortita est, mirthful, orichalchi, with golden
Girdles and breast bands, thou with dark eyelids
Bearing the golden bough of Argicida. So that:
”
”
Ezra Pound
“
These guidelines will help put you in the right frame of mind to begin practicing relaxation techniques:
1. Give yourself permission to relax. You must nurture yourself. Even if it has been difficult for you to relax in the past, now is a new beginning. It may not be easy at first, but in time, and with practice, relaxation is possible for everyone.
2. Create the right environment. This means no distractions: no TV, no telephone, no music, no food. This is a time for you to be at peace with yourself. Wear comfortable clothing and allow yourself to focus only on the present. Allow yourself to let go, to relax emotionally as well as physically. Be careful not to think of letting go as losing control. The opposite—holding on—is what causes heightened anxiety. To really control anxiety, you have to let go of it, become familiar with it, and then find a new way to lessen its intensity. The process of letting go and achieving relaxation can sometimes feel uncomfortable. But it is this uncomfortable feeling that has to be worked through to achieve success.
3. Learn diaphragmatic breathing. Diaphragmatic breathing is the basis of all relaxation and internal self-regulation. Often, breathing exercises of this type are in and of themselves a good means of stress management. Start breathing deeply to slow your body and mind down in preparation for relaxation. Conscious breathing is an essential part of this exercise. Inhale through nose, draw slowly into stomach (diaphragmatic region) and exhale through your mouth. This process should be done slowly and rhythmically.
4. Learn muscle relaxation. This is fairly easy to learn. The first step is to become aware of the difference between tense muscles and relaxed muscles. Then, learn to make your muscles feel limp and heavy.
5. Cultivate warm, dry hands. As you relax, your blood vessels dilate and the peripheral blood flow (at the skin’s surface) increases, resulting in warm hands. Anxiety is related to the fight-or-flight response. When confronted with stress, the body naturally sends blood away from extremities toward the torso in preparation for escape. While normal body temperature is 98.6 degrees, hand temperature is slightly cooler, and varies considerably depending on the degree of stress or relaxation. Don’t confuse the two—extremities are always cooler. Remember the mood rings of the 1970s? True, they were a gimmick, but they relied on stress-related surface temperature changes to create the desired effect. Bio-dots and stress cards available today work the same way, and can be a useful tool in learning to bring yourself down from an anxiety state. Still, you may not need a machine or other equipment to tell you how cold your hands are. If your hands feel cold to you, they are responding to stress. If your hands are warm and dry, you’ve achieved relaxation.
”
”
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
“
could jab my thumb with it and draw blood. The brown smear across the top of this page can be tested in any twenty-first-century DNA lab. Compare
”
”
Neal Stephenson (The Rise and Fall of D.O.D.O. (D.O.D.O., #1))
“
and capable. I respect them,” Tariq said. “There are a few others but they’re relatively new and I’m not certain of them yet.” “How many there?” “Another seven. I’ve taken their blood, know they live by their word, but haven’t seen them in battle against vampires. The first time human fighters see the undead in action, especially in their true form, it is . . . disconcerting. That’s when I know whether they’ll be able to handle it. I wipe their minds clean if they can’t. These are good men and valuable assets.” Dragomir nodded. He had never considered drawing humans into their fight. Humans had always seemed very vulnerable. Tariq had always had the reputation of being fascinated by them. He spent a great deal of his time with them. He’d studied them, and now, he surrounded himself with them. He fit into their world with ease. Dragomir wasn’t the kind of man to dismiss an idea just because he wasn’t comfortable with it. He’d seen the security force in action and they’d helped tremendously. They hadn’t flinched in the face of the enemy, and Vadim had brought a strong force with him. The weapons they’d developed were impressive. Matt Bennett had been a huge help in the battle with Vadim. “The Waltons. I’ve seen them on the property,” Dragomir admitted, “but I
”
”
Christine Feehan (Dark Legacy (Dark, #27))
“
Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
Waving his friends away, Hunter hunkered down and scooped a handful of dirt, pressing it to the shallow cut on his shoulder. Loretta stared at the blood trailing down his arm. If not for his quick thinking, it could have been her own. Survival instinct and common sense warred within her. She knew death might be preferable to what was in store for her, but she couldn’t help being glad she was alive.
As if he felt her staring at him, the Comanche lifted his head. When his eyes met hers, the fury and loathing in them chilled her. He stood and jerked the feathers from his braid, wrapping them in his shirt. Never taking his gaze off her, he stuffed the bundle into a parfleche hanging from his surcingle.
“Keemah,” he growled.
Uncertain what he wanted and afraid of doing the wrong thing, Loretta stayed where she was. He caught her by the arm and hauled her to her feet.
“Keemah, come!” He gave her a shake for emphasis, his eyes glittering. “Listen good, and learn quick. I have little patience with stupid women.”
Grasping her waist, he tossed her on the horse and scooted her to the back of the blanket saddle. The hem of her nightgown rode high. She could feel all the men staring at her. Had he no decency? With trembling hands, she tugged at the gown and tried to cover her thighs. There wasn’t enough material to stretch. And it was so thin from years of wear, it was nearly transparent. The morning breeze raised gooseflesh on her naked arms and back.
With a grim set to his mouth, her captor opened a second parfleche, withdrawing a length of braided wool and a leather thong. Before she realized what he was about to do, he knotted the wool around one of her ankles, looped it under his horse’s belly, and swiftly bound her other foot.
“We must ride like the wind!” he yelled to the others. “Meadro! Let’s go!”
The other men ran for their horses. Grasping the stallion’s mane, Hunter vaulted to its back and settled himself in front of her. When he reached for her arms and pulled them around him, she couldn’t stifle a gasp. Her breasts were flattened against his back.
“Your woman does not like you, cousin,” someone called in English. Loretta turned to see who spoke and immediately recognized the brave who had encouraged Hunter to kill her that first day. His scarred face was unforgettable. He flashed her a twisted smile that seemed more a leer, his black eyes sliding insolently down her body to rest on her naked thighs. Then he laughed and wheeled his chestnut horse. “She won’t be worth the trouble she will make for you.”
Hunter glanced over his shoulder at her. The fiery heat of his anger glowed like banked embers in his eyes. “She will learn.” With an expertise born of long practice, he lashed her wrists together with the leather. “She will learn quick.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
It hit me hard today, Winnie. I can't believe I'll have to do this chemotherapy thing again. Three more times. I feel like crap."
What could I possibly say? It had been a bad day for Nancy. The phlebotomist who normally draws Nancy's blood was off, and her replacement "missed" the first two times. She had to stand to have a chest X-ray even though she felt particularly weak. And she had to give three different urine specimens. By late morning, fever and chills were return visitors to Room 842. Nancy had no energy to walk. She even turned down her daily shower, too tired to make another trip to her bathroom.
"You know, Nancy, the day before yesterday, when Chuck and I took our mountain bake ride, we went on a brand new trail in Round Valley. It was really hard for me. But yesterday, we rode the same trail. And it wasn't so bad. Actually it was almost easy. Your treatments will be like that."
Nancy grabbed my hand between both of hers. There were fewer wrinkles on her forehead than moments before. Her eyes speak volumes and I couldn't speak. I didn't need to. For once, I chose the correct words. She smiled, closed her eyes and feel asleep.
”
”
Timothy R. Pearson (Night Reflections: A True Story of Friendship, Love, Cancer, and Survival)
“
Monkstown Hospital by Stewart Stafford
My first time away from Mam,
Tonsillectomy at six years old,
Teddy bear fights Action Man,
Pinball Pocketeer for company.
Silver torch lights the dark hours,
A miniscule pack of playing cards,
A made-up game played undercover,
My best guess of what picture follows.
An older man awaits surgery too,
Seeing that I'm alone and scared,
He draws pictures to amuse me or,
We watch "funnies" in the TV room.
Waking from the operation in the bed,
Congealed blood covers my pyjamas,
My mother makes her shock known,
We go home for my First Communion.
© Stewart Stafford, 2022. All rights reserved.
”
”
Stewart Stafford
“
But as my gaze landed on Tory Vega where she stood alone at the bar, looking utterly devastating in a black gown which clung to her figure like a spill of oil, those doubts rose in me again.
She ordered herself a drink and I shot through the crowd before I could stop myself, coming to a halt at her side and leaning against the bar like I'd been there for hours instead of moments.
“It’s not too late,” I said, unable to help myself as I cast a quick glance around the room for the other Heirs. I wasn’t entirely sure what they had planned for her aside from it taking place at the pool, but I knew it wouldn’t be anything good.
Tory turned to look at me, offering me half a smile as she gave me a solid once over with those deep green eyes of hers which made my chest puff up and my dick start paying a whole lot more attention.
“Not too late for what?” she asked, taking a sip of her drink and drawing my focus to the blood red lipstick she wore.
“To sneak out of here and have some real fun,” I offered, reaching out to brush my fingertips along her arm. If she'd just agree then I could get her out of here in less than a heartbeat, I could save her from this attempt to get rid of her and spend the night dedicating myself to her pleasure.
I told myself I was offering that because she was my Source and it was my duty to protect her, but it was more than that, like this feeling in my gut that what me and the other Heirs were planning was the wrong thing. The wrong move. I still believed it would make us look weak rather than strong and though I’d been forced to back down against the three of them, I got the feeling this wouldn’t even work anyway. These girls might not have been raised in this kingdom, but they were Fae and I was sure they’d come back fighting no matter how hard we went at them tonight, so why do it?
Tory looked like she was actually considering my offer but then she just shook her head lightly in refusal, dashing my hopes.
“You’ll have to work harder than that if you want me,” she taunted and any other night I'd have been more than willing to take her up on that offer, but tonight I needed her to let me get her back to my room first.
I leaned a little closer, my mouth against her ear as I spoke seductively, trying to coax an agreement from her lips. “I promise you, I’ll work really hard.”
She looked at me with heat in her eyes and for a moment I thought I had her, but then she shrugged a little and shook her head like she'd never considered it at all.
“Tempting...but no.”
I pursed my lips in disappointment, opening my mouth to say something else to convince her, but before I could figure out what that might have been, Max and Darius appeared at the other end of the bar.
The two of them shot me and Tory death glares like they knew exactly what I'd been up to and my stomach dropped as I gave in to the inevitable.
Darius beckoned me over and I straightened, suppressing a sigh. I might not have liked this but I knew where my loyalties lay and that would always be right alongside the other Heirs.
“Off you run,” Tory muttered and I hesitated a moment, not liking the implication that I was being summoned like a good dog, but I also couldn't deny that my place was with them. And if I had to choose then it would be my brothers every time against every alternative.
I smiled ruefully as I took a step away. “I’m not switching allegiances, Tory,” I said, resigning myself to how the night had to play out now. “No matter how good you look in that dress. We still can’t let you take our throne.”
I walked away but I heard the words she muttered bitterly at my back. “I don’t want your damn throne.”
I just wished her saying that was enough for the Councillors to accept it.
(Caleb POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
Very well, Mistress.” Next, more softly: “May your ancestors cheer you on from the Etherlands, and may you draw first blood.” Pru cringed at the second part
Fae Champion -
”
”
Lucía Ashta
“
Very well, Mistress.” Next, more softly: “May your ancestors cheer you on from the Etherlands, and may you draw first blood.” Pru cringed at the second part.
”
”
Lucía Ashta (Fae Champion (Royals of Embermere #2))
“
Ruhn shook his head. “The sword doesn’t work like that. Aside from being picky about who draws it, the sword has no power without the knife.” “The knife?” Hunt asked. Ruhn drew the sword, the metal whining, and laid it on the table between them. Bryce leaned back, away from it, as a bead of starlight sang down the fuller and sparkled at the tip. “Fancy,” Hunt said, earning a glare from Ruhn, who had raised a brow at Bryce, no doubt expecting some kind of reverence from her at a sword that was older than this city, older than the Vanir’s first step in Midgard. “The sword was part of a pair,” Ruhn said to him. “A long-bladed knife was forged from the iridium mined from the same meteorite, which fell on our old world.” The world the Fae had left to travel through the Northern Rift and into Midgard. “But we lost the knife eons ago. Even the Fae Archives have no record of how it might have been lost, but it seems to have been sometime during the First Wars.” “It’s another of the Fae’s countless inane prophecies,” Bryce muttered. “When knife and sword are reunited, so shall our people be.” “It’s
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
The word automaton first appears in Western literature in Homer’s Iliad, where it’s used to describe the “self-moving and intelligent machines fabricated by Hephaestus,” the blacksmith god of technology, according to the Stanford folklorist and historian of ancient science Adrienne Mayor. Around 700 BCE, Homer wrote about Hephaestus’s various automated inventions, which included “a fleet of driverless three-wheeled carts that delivered nectar and ambrosia to the god’s banquets,” automatic gates, bellows that self-adjusted their trumpet blasts as needed, and a crew of artificially intelligent golden female androids that could anticipate the blacksmith god’s every need. And the Greeks were drawing on even older oral traditions.
”
”
Brian Merchant (Blood in the Machine: The Origins of the Rebellion Against Big Tech)
“
He wove his fingers into her hair and brought his mouth down to hers. Iris felt the shock ripple through her the moment their lips met. His kiss was hungry, as if he had longed to taste her for some time, and at first she couldn’t breathe. But then the shock melted, and she felt a thrill warm her blood. She opened her mouth against his, returning the kiss. She felt him shiver as her hands raced up his arms, clinging to him. When he shifted their bodies, Iris sensed they were falling and she was utterly helpless to it until she felt the wall at her back. Roman pressed against her, his lean body blazing as if he had caught fire. His heat seeped into her skin, settled into her bones, and she couldn’t stop the moan that escaped her. Roman cradled her face in his hands. Yes, he had wanted her for a long time. She could feel it in the way he touched her, in the way his lips claimed hers. As if he had endlessly imagined this moment happening. Iris hardly knew the hour or the day or where they stood. They were both caught in a storm of their own making and she didn’t know what would happen when it broke. She only knew that something ached within her chest. Something that Roman must need, because his mouth and his breath and his caresses were trying to draw it from her.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
What is it about us teenage girls that claws so deeply under people’s skin? We’re reviled and desired in equal measure; cringed at, laughed at, then lunged at. The sheer effort people like my father and my teachers have spent trying to control us. So many dress codes and rigid rules and unspoken ones we have taken on the mantel of policing ourselves, looking in the mirror and wincing at our reflections, drawing our own blood first, before others can.
”
”
Ashley Winstead (Midnight Is the Darkest Hour)
“
Seven Cities was an ancient civilization, steeped in the power of antiquity, where Ascendants once walked on every trader track, every footpath, every lost road between forgotten places. It was said the sands hoarded power within their susurrating currents, that every stone had soaked up sorcery like blood, and that beneath every city lay the ruins of countless other cities, older cities, cities that went back to the First Empire itself. It was said each city rose on the backs of ghosts, the substance of spirits thick like layers of crushed bone; that each city forever wept beneath the streets, forever laughed, shouted, hawked wares and bartered and prayed and drew first breaths that brought life and the last breaths that announced death. Beneath the streets there were dreams, wisdom, foolishness, fears, rage, grief, lust and love and bitter hatred. The historian stepped outside into the rain, drawing in lungfuls of clean, cool air as he once more wrapped cloak about him. Conquerors could overrun a city’s walls, could kill every living soul within it, fill every estate and every house and every store with its own people, yet rule nothing but the city’s thin surface, the skin of the present, and would one day be brought down by the spirits below, until they themselves were but one momentary layer among many. This is an enemy we can never defeat, Duiker believed. Yet history tells the stories of those who would challenge that enemy, again and again. Perhaps victory is not achieved by overcoming that enemy, but by joining it, becoming one with it.
”
”
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
“
She digs her nails into the back of my neck. Like a kitten trying to draw first blood. Fucking cute.
”
”
Raven Kennedy (Goldfinch (The Plated Prisoner, #6))
“
No. 1, when you ask who’s interested in this, the usual answer is, terminally ill people with excruciating pain. False. Factually not true. It tends to be a preoccupation of people who are depressed or hopeless for other reasons. No surprise, actually, if you look at what leads to suicide: hopelessness and depression. You have to look at euthanasia or assisted suicide as more like suicide than like a good death. Second, this notion that there’s no slippery slope, as advocates have long claimed? Totally wrong. Look at Belgium and the Netherlands: First, it’s accepted for adults who are competent and give consent. Then, it’s “We’re going to extend it to neonates with genetic defects, and adolescents.” Any time we do anything in medicine, it’s the same way: We develop an intervention for a narrow group of people, and once it’s well accepted, it gets expanded. I think it’s false to say, “We can hold the line here.” It doesn’t work that way. Third, people say this is a quick, reliable, painless intervention. No medical intervention in history is quick, reliable, painless and has no flaws. In the Netherlands, there’s about a 17 to 20 percent rate of problems, something screwing up. Initially, when the Oregon people published — “We have no problems. Every case went flawlessly!” — you knew the data was wrong. It had to be wrong. Either you’re not getting every case, so the denominator was wrong, or people are lying. There’s nobody who does a procedure, not even blood draws, and it’s perfect every time. So this idea that this is quick, reliable and painless is nonsense. And the last and most important point is: You want to legalize these interventions to improve end-of-life care in this country? That’s your motivation and this is your method? PS: I don’t think people argue that–— ZE: [interrupting] Oh, people do argue that! That is the justification for these procedures: It’s going to improve end-of-life care and give people control. The problem is, even in countries that have legalized it for a long time, at best 3 percent of people die this way in the Netherlands and Belgium. At best, 10 percent express interest in it. That is not a way to improve end-of-life care. You don’t focus lots of attention and effort on 3 percent. It’s the 97 percent, if you want to improve care. The typical response is, we can do both. Hmmm. Every system I’ve ever seen has a bandwidth problem: You can only do so much. We ought to focus our attention on the vast, vast majority, 97 percent of people, for whom this is not the right intervention and get that right — and we are far from that. I don’t think legalizing euthanasia and assisted suicide are the way to go. It’s a big, big distraction.
”
”
Paula Span (Ezekiel Emanuel: The Kindle Singles Interview (Kindle Single))
“
One moment,” Haung said, and drew the small knife from his belt. He rolled up his sleeve and drew the sharp edge over his skin, drawing a thin line of blood, black against his skin in the dark. Collecting the first, fresh well of blood from the cut he drew a smeared symbol on each eyelid. A deep breath and he opened the locked door in his mind, the place where he had contained the cold power of the void. He let a tiny bit leak out and then slammed the door shut again. He pushed the power along the meridian pathways of his body, focusing their energy in his eyes and locking it in place with blood symbols. There was a feeling of sickness in his stomach that passed quickly. “Done.
”
”
G.R. Matthews (The Red Plains (The Forbidden List, #3))
“
Tell me, does it seem worth it to you to suffer this punishment for a rag?”
“Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
Rava’s lip curled into a sneer and she walked behind him, motioning to the Cokyrians holding the ropes to pull them tight, spreading his arms wide. With a swift and practiced motion, she raised the whip and brought it down hard upon his broad back, drawing blood with her first stroke, and gasps reverberated almost as loudly as had the cheers.
“Is it worth it?” she demanded.
“Yes,” he managed to answer, gritting his teeth against the pain.
She struck him twice more, and though I could hardly bear it, I forced myself to watch, the muscles of my back spasming as each stroke landed.
“Is it worth it?”
“Yes!”
Once more she struck, and again, until the ragged flesh and sinew of Steldor’s back was coated with blood--blood that flowed so heavily it ran down his sides. Women in the crowd now wept openly, while men cursed and shouted. I took in a shaky breath, knowing only one lash remained. Steldor would survive, and so would I. So would we all.
Rava brought the whip down on Steldor for the sixth time, and his head hung forward. Was he still conscious? Or were the ropes around his wrists the only things keeping him from collapsing? Evidently wondering the same, Rava approached him and reached down, grasping a handful of his nearly black hair to pull his head up. His eyes were open, but barely focused.
“Tell me, boy. Is it worth it?” she said in a near whisper.
He smiled, revealing teeth smeared with blood from biting his tongue to hold back screams.
“Yes.”
Rage marred Rava’s face at her inability to break him, and she brutally shoved his head down. Backing up, she uncoiled the whip that was supposed to have retired, and flayed him again, more viciously than before. Steldor cried out this time, the sound tearing at my heart, and when the soldiers dropped the ropes, he crumpled forward. Knowing he had to be in tremendous pain, I was thankful for the respite the darkness would provide. Silence now reigned around us--no voices, no movements, hardly any breathing. It felt like the world had temporarily been turned to stone.
Rava handed the whip to another soldier and stalked back toward the Bastion without a glance or word for anyone. She was cruel and heartless and arrogant, and hatred for her boiled within me as I watched the Cokyrians remove the ropes from Steldor’s wrists. They hauled him up by his arms and dragged him inside, leaving a crimson trail on the white walk.
The rest of us followed, and I glanced at Cannan, who had managed more stoicism during the proceeding than had I. He had been witness to greater brutality during both wars with Cokyri, but I knew he would have willingly taken his son’s punishment in his stead. After seeing him in the cave, holding and protecting Steldor when we’d all feared the King’s death, I knew that beneath his strength and bravery, he ached.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
Date?” Paul glanced at Henry, who wore an equally puzzled expression. “I heard Charlene talking about that once. Sounds weird.” “Really? You guys don’t date?” I didn’t ask what they did to get to know a girl instead of dating. “No, we get invited to Introductions,” Paul said as if reading my mind. “What’s that?” Sam hadn’t mentioned anything like that to me, and I wondered if I should add it to his list of omissions. “When a female comes of age, she’s brought to the Introduction room where she can meet werewolves she has never met before. The Elders are there to make sure the girl is safe and to give the guys a few minutes to talk to her. You know, to really get her scent. When there’s a connection, a guy just knows and Claims her. If not, the next group comes in for their chance.” I started to sweat as I sat there. First, what did he mean by Claim? Second, they kept a girl in a room while guys came in to look her over and smell her? I reached for my water that sat on the coffee table in the center of our sitting arrangement. My hands shook a little, and I tried really hard to calm down and not let my imagination run away. “Hey, Gabby, you okay? Did Paul say something wrong? Charlene said we could ask any questions we wanted...” They had no idea how foreign what they’d just said sounded to me. “Hey, Gabby, you don’t have to worry about Introductions if that’s what’s scaring you.” Paul looked at me with concern. “For you and Charlene, the attraction works different. She explained it to us when she said that you were coming. You guys have a level of appeal, or chemistry, with just about all werewolves.” He is not helping, I thought while he continued. “Because the level of attraction to you varies, it wouldn’t be safe to put you in an Introduction room.” “Yeah,” Henry agreed and, with a spark of excitement in his eyes, leaned forward in his chair. “That’s when the mating duels happen. It’s rare with a werewolf couple, but when Charlene was first brought here, I heard the guys went crazy because they didn’t know what was happening. They fought over who had the strongest tie to her. But you don’t have to worry about that with us. Paul and I think you’re okay, and you smell good and everything, but we knew when we met you that you’re not right for either of us. That’s why Charlene left you alone with us.” My stomach churned. Werewolves were going to start fighting each other for me? No thanks. They both smiled at me encouragingly. They probably thought their explanations helpful, but the information they threw at me stunned me. “What did you mean by ‘Claim’?” My voice came out light and airy with anxiety, but I needed to know. “It’s when we bite our Mate. The bite draws blood but doesn’t hurt,” Paul explained reassuringly. “What?” I nearly shouted. My freak-o-meter bypassed meltdown. My head spun dizzily, and no doubt, all the color had drained from my face. “Oh, not for you, Gabby,” Paul said, quickly leaning forward. He made shushing motions with his hands. “We can’t Claim humans like that. When your Mate finds you, it’s up to you to Claim him.” So,
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
His hands cradled her head as he kissed her again, openmouthed and deep, as if he were trying to draw the soul from her body. Beatrix answered eagerly, holding him with her arms and legs. But then he let go with a hoarse exclamation, and moved away.
“No,” she heard herself moan. “Please--”
His fingers came to her lips, gently stroking her into silence.
They lay side by side, facing each other, struggling to regain their breath.
“My God, I want you.” Christopher sounded far from pleased by the fact. His thumb swpt over her kiss-swollen lips.
“Even though I annoy you?”
“You don’t annoy me.” Carefully he rebuttoned the placket of her skirt. “I thought you did, at first. But now I realize it was more like the feeling you get when your foot’s been asleep. And when you start moving, the blood coming back into it is uncomfortable…but also good. Do you understand what I mean?”
“Yes. I make your feet tingle.”
A smile came to his lips. “Among other things.”
They continued to lie together, staring at each other.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
What You Pray Toward
“The orgasm has replaced the cross as the focus of longing and the image of fulfillment.”
—Malcolm Muggeridge, 1966
I.
Hubbie 1 used to get wholly pissed when I made
myself come. I’m right here!, he’d sputter, blood
popping to the surface of his fuzzed cheeks,
goddamn it, I’m right here! By that time, I was
in no mood to discuss the myriad merits of my
pointer, or to jam the brakes on the express train
slicing through my blood, It was easier to suffer
the practiced professorial huff, the hissed invectives
and the cold old shoulder, liver-dotted, quaking
with rage. Shall we pause to bless professors and
codgers and their bellowed, unquestioned ownership
of things? I was sneaking time with my own body.
I know I signed something over, but it wasn’t that.
II.
No matter how I angle this history, it’s weird,
so let’s just say Bringing Up Baby was on the telly
and suddenly my lips pressing against
the couch cushions felt spectacular and I thought
wow this is strange, what the hell, I’m 30 years old,
am I dying down there is this the feel, does the cunt
go to heaven first, ooh, snapped river, ooh shimmy
I had never had it never knew, oh i clamored and
lurched beneath my little succession of boys I cried
writhed hissed, ooh wee, suffered their flat lapping
and machine-gun diddling their insistent c’mon girl
c’mon until I memorized the blueprint for drawing
blood from their shoulders, until there was nothing
left but the self-satisfied liquidy snore of he who has
rocked she, he who has made she weep with script.
But this, oh Cary, gee Katherine, hallelujah Baby,
the fur do fly, all gush and kaboom on the wind.
III.
Don’t hate me because I am multiple, hurtling.
As long as there is still skin on the pad of my finger,
as long as I’m awake, as long as my (new) husband’s
mouth holds out, I am the spinner, the unbridled,
the bellowing freak. When I have emptied him,
he leans back, coos, edges me along, keeps wondering
count. He falls to his knees in front of it, marvels
at my yelps and carousing spine, stares unflinching
as I bleed spittle unto the pillows.
He has married a witness.
My body bucks, slave to its selfish engine,
and love is the dim miracle of these little deaths,
fracturing, speeding for the surface.
IV.
We know the record. As it taunts us, we have giggled,
considered stopwatches, little laboratories. Somewhere
beneath the suffering clean, swathed in eyes and silver,
she came 134 times in one hour. I imagine wires holding
her tight, her throat a rattling window. Searching scrubbed
places for her name, I find only reams of numbers. I ask
the quietest of them:
V.
Are we God?
”
”
Patricia Smith (Teahouse of the Almighty)
“
The man who draws first sparks an unconscious response from a trained opponent, who tends to draw more smoothly and with greater speed. It is counter-intuitive, but as Japanese kendo fighters will affirm, the instinctive reaction after thousands of hours of training is often faster than a blow resulting from a controlled decision. On
”
”
Conn Iggulden (The Blood of Gods (Emperor, #5))
“
Her father loved rain. His strength came from the second season, and he knew how to draw from water. Rain held the element of air and the earth rose to meet it, bringing the power of the first and third seasons with it.
”
”
India Drummond (Blood Faerie (Caledonia Fae, #1))
“
I never draw blood on a first date.
”
”
Talla Demoniac Dance
“
Abalone stared into the fizzing glass. “My father served yours.”
“Yeah. Very well, I might add.”
“Through your blood’s generosity, mine has prospered.” Abalone took another sip, his shaking hand making the ice tinkle. “May I say something about your father?”
The King seemed to stiffen. “Yeah.”
Abalone looked up to the sunglasses. “The night he and your mother were killed, a part of my father died, too. He was never the same thereafter. I can remember our house being in mourning for a full seven years, the mirrors draped in black cloth, the incense burning, the threshold marked with a black jamb.”
Wrath rubbed his face. “They were good people, my parents.”
Abalone put the soda aside and shifted off the armchair, getting on his knees before his King. “I will serve you just as my father did, down to the bone and marrow.” Abalone was dimly aware that others had filed into the room and were looking at him. He cared naught. History had come full circle . . . and he was prepared to carry forward with pride.
Wrath nodded once. “I’m making you my chief cleric. Right here and now. Saxton,” he barked out. “What do I need to do?”
A cultured voice answered smoothly, “You just did it all. I’ll draw up the paperwork.”
The King smiled and put out his palm. “You’re the first member of my court. Boom!
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
Isibel,” he began.
Her sword moved so quickly even Dom could not see the steel, nor feel the blade as it plunged through his body. There was only the hole it left behind, through steel, cloth, and immortal flesh.
The roaring in his head intensified, as if a hurricane tore through the castle. He blinked slowly, his knees going weak.
Andry grabbed for Corayne, restraining her before she could lunge at his traitorous aunt.
“My daughter is dead because of you,” Isibel screamed, her gray eyes gone to white fire. Dom only heard her as if through water, distant and muffled. “It is only fair I return the favor.”
As her voice worked through his mind, so did the pain work through his shock. It was dull at first, then so sharp his vision spun. Dom expected the smack of his body hitting the ground, but it never came.
Small, wiry arms caught him instead, lowering him to the ground with her, until his back rested against her chest. Bronze fingers worked at the buckles of his armor, tearing off the plates of steel and tossing them away to expose the wound beneath. The same hands ripped his shirt apart and pressed the scraps against the hole in his torso. Despite her quick thinking, blood bubbles through Sorasa’s fingers. Her face crumpled at the sight of it, and Dom knew.
This would not be like a dagger to his ribs. Sorasa Sarn could not sew up this wound.
“It’s fine,” she hissed, lying, one hand still holding pressure. The other went around his chest, drawing him to her, letting him lean back into her body. “It’s fine.”
“That is what mortals say when they are in grave pain,” he sputtered, choking on his own blood.
A tear hit his cheek, the only one Sorasa would spare.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
animal with her hair blowing behind her. It was simultaneously inhuman and intoxicating. Seth didn’t want to fight it anymore. He kissed her. It wasn’t like their first kiss when Jericho attacked the summer camp, which had been brief and hurried. His lips fell on hers, and they both paused—waiting, probably, to see if one of them would draw back. She reached up and laid her fingers on the back of his neck. That small gesture was enough. His lips parted, and then they were kissing, really kissing. She tasted like blood. He didn’t care. When they parted, she was smiling. He smiled back. A voice spoke from behind them. “So that’s how it is.” Eleanor. Seth moved to conceal Rylie, but his mom lifted her hands in the universal gesture of peace. She looked terrible. It was like she had aged a decade overnight. Deep lines scored the sides of her mouth and between her eyebrows. He couldn’t see a gun, but that didn’t mean it wasn’t there. “What do you want?” Rylie growled. “This isn’t worth it, Seth,” Eleanor said. “Let’s go. We’ll leave her alone. That’s what you want, isn’t it?” She looked defeated. He had never seen his mother like that. “Where’s Abel?” “He’s packing,” she said stiffly. “For what?” “He says…” She cleared his throat. “He doesn’t like what I’ve done. He thinks it’s time to go out on his own. So it’s time for you and me to go.” She thought Seth would go with her? The idea was ridiculous. He might have been seventeen, but he wasn’t an idiot. “Would you have shot me?” Seth asked. A muscle in her jaw twitched. “You’re my baby. I would never shoot you.” He couldn’t tell if she was lying or not. “I’m not going with you. I’m done fighting Dad’s battles.” She stiffened.
”
”
S.M. Reine (All Hallows' Moon (Seasons of the Moon, #2))
“
The Nightmare perked a brow. “Very well.” He drew air into his nose. “Listen closely. The journey to the twelfth Card will three barters take. The first comes at water—a dark, mirrored lake. The second begins at the neck of a wood, where you cannot turn back, though truly, you should.” The Nightmare’s gaze shifted to Ravyn. His words came out sharp, as if to draw blood. “The last barter waits in a place with no time. A place of great sorrow and bloodshed and crime. No sword there can save you, no mask hide your face. You’ll return with the Twin Alders… “But you’ll never leave that place.
”
”
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
“
Yes.” Then his lips were against mine, softly, sweetly, a featherlight touch. The kind of kiss you imagine when you’re a tween dreaming about your first kiss. He’d obviously intended for it to be sweet and gentle. Which meant that it should have made me feel dreamy and nostalgic and swoony. It did none of those things. From the moment his lips touched mine, it was like someone had plugged my mouth into an electrical socket. A surge zipped through me, giving me goose bumps and heating my blood. It lasted for only a few seconds but it almost zapped my ability to hold myself upright. He pulled back slightly, still within kissing range. I felt his warm breath against my face and it took all my restraint not to press my mouth against his and keep this going. Which he may not have wanted. I swallowed, trying to figure out what to do next. I settled on finding out what he’d thought of our experiment. “How,” I started to speak, surprised at the breathy quality to my voice. “How was that?” His lips pulled up into a smile. “I think I need more data before I can draw any conclusions.” Again, perfectly sound logic. I nodded, feeling as if I couldn’t quite catch my breath. I noticed that he was looking at my lips. As if he’d only had a fleeting impression and now needed to do a more thorough investigation. The look in his intense blue eyes made the air around me feel charged with energy, like lightning could strike us both then and there. That feeling didn’t lessen when he pressed his lips against mine again, this time kissing me. Not just a peck, but moving his mouth against mine with a gentle firmness that left me weak and shivering. He made the nerve endings in my lips explode from sheer pleasure. Now both of his hands were on the side of my face, guiding my head this way and that as he kissed me over and over again. Some
”
”
Sariah Wilson (Roommaid)
“
From the first moment he had set eyes on Eliana, he had known her in his bones, in the knit of his muscles, in the roar of his blood. As a boy, he had cradled her tiny infant body in his arms and done everything he could to hold on to her even as the world ripped itself apart at their feet. And now, as a man, her closeness changed the air around him, drawing his senses taut as bowstrings and lighting his skin from the inside out, as if he had consumed a brew of stars that wouldn’t stop spinning. But in the war room, the air remained dull and unremarkable, and he knew she wasn’t there even before he scanned the room to confirm it. Ordinarily, he wasn’t one to make a scene, but in that instance, he felt dangerously close to it. “Where is she?” he said very quietly,
”
”
Claire Legrand (Kingsbane (Empirium, #2))
“
Celaena panted through her bared teeth as she yanked the pickax out of the overseer’s stomach. The man gurgled blood, clutching at his gut as he looked to the slaves in supplication. But one glance from Celaena, one flash of eyes that showed she had gone beyond the edge, kept the slaves at bay. She merely smiled down at the overseer as she swung the ax into his face. His blood sprayed her legs. The slaves still stayed far away when she brought down the ax upon the shackles that bound her ankles to the rest of them. She didn’t offer to free them, and they didn’t ask; they knew how useless it would be. The woman at the end of the chain gang was unconscious. Her back poured blood, split open by the iron-tipped whip of the dead overseer. She would die by tomorrow if her wounds were not treated. Even if they were, she’d probably die from infection. Endovier amused itself like that. Celaena turned from the woman. She had work to do, and four overseers had to pay a debt before she was done. She stalked from the mine shaft, pickax dangling from her hand. The two guards at the end of the tunnel were dead before they realized what was happening. Blood soaked her clothes and her bare arms, and Celaena wiped it from her face as she stormed down to the chamber where she knew the four overseers worked. She had marked their faces the day they’d dragged that young Eyllwe woman behind the building, marked every detail about them as they used her, then slit her throat from ear to ear. Celaena could have taken the swords from the fallen guards, but for these four men, it had to be the ax. She wanted them to know what Endovier felt like. She reached the entrance to their section of the mines. The first two overseers died when she heaved the ax into their necks, slashing back and forth between them. Their slaves screamed, backing against the walls as she raged past them. When she reached the other two overseers, she let them see her, let them try to draw their blades. She knew it wasn’t the weapon in her hands that made them stupid with panic, but rather her eyes—eyes that told them they had been tricked these past few months, that cutting her hair and whipping her hadn’t been enough, that she had been baiting them into forgetting that Adarlan’s Assassin was in their midst.
”
”
Sarah J. Maas (Throne of Glass)
“
Rousseau this first modern man, idealist and canaille in one person; who was in need of moral “dignity,” in order even to endure the sight of his own person,—ill with unbridled vanity and wanton self-contempt; this abortion, who planted his tent on the threshold of modernity, also wanted a “return to nature”; but, I ask once more, whither did he wish to return? I hate Rousseau, even in the Revolution itself: the latter was the historical expression of this hybrid of idealist and canaille. The bloody farce which this Revolution ultimately became, its “immorality,” concerns me but slightly; what I loathe however is its Rousseauesque morality—the so-called “truths” of the Revolution, by means of which it still exercises power and draws all flat and mediocre things over to its side. The doctrine of equality! ... But there is no more deadly poison than this; for it seems to proceed from the very lips of justice, whereas in reality it draws the curtain[Pg 109] down on all justice.... “To equals equality, to unequals inequality”—that would be the real speech of justice and that which follows from it “Never make unequal things equal.” The fact that so much horror and blood are associated with this doctrine of equality, has lent this “modern idea” par excellence such a halo of fire and glory, that the Revolution as a drama has misled even the most noble minds.—That after all is no reason for honouring it the more.—I can see only one who regarded it as it should be regarded—that is to say, with loathing; I speak of Goethe.
”
”
Friedrich Nietzsche
“
Threw a punch that missed. I threw one back that connected. Next thing I know, he’s on the floor, face covered in blood, not moving. He never got up.” Drawing a slow breath, he opens his eyes and looks at me. “He was Bratva. First cousin of Pakhan, just my fucking luck.
”
”
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
“
Monday muscles in like the first rooster in the ring, talons out, ready to draw blood
”
”
Stacey Lee
“
Can you see Jesus through the tabernacle window? He has no need, like those high priests, to offer sacrifices daily, first for his own sins and then for those of the people, since he did this once for all when he offered up himself. (Heb. 7:27) He entered once for all into the holy places, not by means of the blood of goats and calves but by means of his own blood, thus securing an eternal redemption. (Heb. 9:12) But as it is, he has appeared once for all at the end of the ages to put away sin by the sacrifice of himself. (Heb. 9:26) For since the law has but a shadow of the good things to come instead of the true form of these realities, it can never, by the same sacrifices that are continually offered every year, make perfect those who draw near. (Heb. 10:1) The details of the tabernacle worship highlight the manifold perfections of the person and work of Jesus. Someday a perfect High Priest would come and put an end to the sacrifices, once and for all, by sacrificing himself.
”
”
Gloria Furman (Missional Motherhood: The Everyday Ministry of Motherhood in the Grand Plan of God (The Gospel Coalition))
“
THE COMPANY INSPECTOR SAID, “You’ve been high-grading, Webb.” “Who don’t walk out of here with rocks in their dinner pail?” “Maybe over in Telluride, but not in this mine.” Webb looked at the “evidence” and said, “You know this was planted onto me. One of your finks over here. Maybe even you, Cap’n—” “Watch what you say.” “—no damned inspector yet ain’t taken a nugget when he thought he could.” Teeth bared, almost smiling. “Oh? seen a lot of that in your time?” “Everybody has. What’re we bullshittin’ about, here, really?” The first blow came out of the dark, filling Webb’s attention with light and pain. IT WAS TO BE a trail of pain, Deuce trying to draw it out, Sloat, closer to the realities of pain, trying to move it along. “Thought we ‘s just gonna shoot him simple and leave him where he fell.” “No, this one’s a special job, Sloat. Special handling. You might say we’re in the big time now.” “Looks like just some of the usual ten-day trash to me, Deuce.” “Well that’s where you’d be wrong. It turns out Brother Traverse here is a major figure in the world of criminal Anarchism.” “Of what’s that again?” “Apologies for my associate, the bigger words tend to throw him. You better get a handle on ‘Anarchism’ there, Sloat, because it’s the coming thing in our field. Piles of money to be made.” Webb just kept quiet. It didn’t look like these two were fixing to ask him any questions, because neither had spared him any pain that he could tell, pain and information usually being convertible, like gold and dollars, practically at a fixed rate. He didn’t know how long he’d hold out in any case if they really wanted to start in. But along with the pain, worse, he guessed, was how stupid he felt, what a hopeless damn fool, at just how deadly wrong he’d been about this kid. Before, Webb had only recognized it as politics, what Veikko called “procedure”—accepting that it might be necessary to lay down his life, that he was committed as if by signed contract to die for his brothers and sisters in the struggle. But now that the moment was upon him . . . Since teaming up, the partners had fallen into a division of labor, Sloat tending to bodies, Deuce specializing more in harming the spirit, and thrilled now that Webb was so demoralized that he couldn’t even look at them. Sloat had a railroad coupling pin he’d taken from the D.&R.G. once, figuring it would come in handy. It weighed a little over seven pounds, and Sloat at the moment was rolling it in a week-old copy of the Denver Post. “We done both your feet, how about let’s see your hands there, old-timer.” When he struck, he made a point of not looking his victim in the face but stayed professionally focused on what it was he was aiming to damage. Webb found himself crying out the names of his sons. From inside the pain, he was distantly surprised at a note of reproach in his voice, though not sure if it had been out loud or inside his thoughts. He watched the light over the ranges slowly draining away. After a while he couldn’t talk much. He was spitting blood. He wanted it over with. He sought Sloat’s eyes with his one undamaged one, looking for a deal. Sloat looked over at Deuce. “Where we headed for, li’l podner?” “Jeshimon.” With a malignant smile, meant to wither what spirit remained to Webb, for Jeshimon was a town whose main business was death, and the red adobe towers of Jeshimon were known and feared as the places you ended up on top of when nobody wanted you found. “You’re going over into Utah, Webb. We happen to run across some Mormon apostles in time, why you can even get baptized, get a bunch of them proxy wives what they call sealed on to you, so’s you’ll enjoy some respect among the Saints, how’s that, while you’re all waiting for that good bodily resurrection stuff.” Webb kept gazing at Sloat, blinking, waiting for some reaction, and when none came, he finally looked away.
”
”
Thomas Pynchon (Against the Day)
“
I think it would be for the best if we both pretend yesterday afternoon- in the woods- it never happened. Wouldn't you agree?"
"I would." He takes a step closer, his eyes still locked on hers. He is no longer smiling.
"And I think we should avoid any future situations that put us in close proximity to each other."
"Like this one?"
"Yes."
Jack nods, still holding her eye, and she tries hard to control the rise of blood to her face as a fragment of something from the woods comes back to her- the sensation of his fingers running down the curve of her collarbone, his mouth against her neck.
"Good." She clears her throat. "I'm glad we understand each other."
"We do." He takes another step towards her, so close now that she wonders if it is the breeze through the open window she can feel on her skin, or his warm breath. "I think that is our problem, Lillian. We understand each other. You and I, we seem to share something."
Lillian can hear her heart beating in her ribcage.
"I felt it that first moment I saw you... at the party."
Lillian swallows.
"You feel it too, don't you?" he asks.
The sun, now low in the sky, filters through the trees outside in the arboretum, casting them both in a burnished glow. She knows she must go. She knows she must turn and leave the room, but something in his eyes holds her fixed to the spot.
"Tell me that it's not just me, that I'm not imagining this," he says in a low voice.
There is a stillness in the room, as if they both await the next breath, the next word.
She swallows. "I feel it, too."
She isn't sure who takes the next step but it doesn't really matter; she is in his arms again and he is kissing her, pulling her close and all reason and rational thought- all the jumbled arguments she has agonized over- fly away like a flock of birds startled from the branches of a tree. Her arms are wrapped around his waist and his hands are on her face and in her hair as they stumble backwards. She meets the edge of the desk, and then he is lifting her onto its surface, several brushes clattering to the floor as he presses against her.
"We mustn't," she sighs, but already her fingers are tugging at the buttons of his shirt. She parts her legs and his hands move under her skirt, his fingertips grazing the bare skin above her silk stockings.
"Do you want me to stop?" he asks, his breath hot against her neck.
But she draws him to her again, pressing her mouth against his ear to whisper her answer. "Don't stop. I don't want you to stop.
”
”
Hannah Richell (The Peacock Summer)
“
It is an old tradition,” he began. “Even among the fey. A lady asks a warrior to become her knights, her chosen protector, for as long as they both draw breath. Only those with royal blood can enact this ritual, and the choosing of a champion is something only the lady can do. But it is the ultimate show of faith between the lady and the knight, for she trusts him above all others to keep her safe, knowing that he would lay down his life for her. The knight still obeys his queen and court, to the best of his ability, but his first and only duty is to his lady.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
MILD HYPOTHERMIA
Mild hypothermia has been termed by some experts as “a case of the umbles”: the patient typically first stumbles, then fumbles, grumbles, and later, mumbles. As gross motor skills are affected a stumbling gait begins. Fine motor skills decrease and give rise to fumbling. The patient begins to draw inward, becoming less and less sociable. Designed to function optimally at approximately 98.6 degrees F (37 degrees C), the brain will begin to malfunction when its temperature drops below the ideal. In the case of hypothermia, normal thought processes become impaired. Mild hypothermia could be termed “mild stupidity.” Patients begin to make poor decisions, such as not putting on rain gear when rain begins to fall. Patients typically show increasing confusion and apathy. Fine shivering, relatively controllable by the patient, begins. A healthy sign, shivering is the body’s involuntary form of exercise to increase core heat. But mild hypothermia is insidious, affecting the ability of the patient to think, to be aware of its onset, to take care of self.
When the brain first senses heat loss is gaining on heat production, it stimulates the primary defense mechanism against further heat loss—vasoconstriction of the peripheral circulation (shrinking of the blood vessels in the skin). This vasoconstriction dramatically slows blood flow to the surface of the skin, where it will lose heat into the surrounding environment. The lack of blood causes the skin to become pale and cool. BMR will increase in response to the threat of cold, with an accompanying increase in heart rate and respiratory rate.
”
”
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
“
To his left Finn saw the little tribesman, Ecko, weaving his magic with brutal efficiency against a group of soldiers. It spread out from his hands like a spider’s web. An intricate and invisible net of wires that he laid over their heads. At first glance it looked harmless. Finn looked closer and this time he could see the hooks, spikes and blades hidden in the weave. With a twist of both wrists Ecko pulled the net tight, drawing it towards him like a fisherman reeling in his catch. A dozen men were split apart and sliced into gobbets of meat. Heads flew off and fountains of blood erupted from gaping mouths as invisible blades tore into their bodies. At first he thought Ecko was dancing with glee, but watching closely he saw his feet weaving patterns in the dirt. Even as he slaughtered the enemy, he wove a protective shield against surprise attacks.
”
”
Stephen Aryan (Battlemage (The Age of Darkness Trilogy, #1))