Downstairs Girl Quotes

We've searched our database for all the quotes and captions related to Downstairs Girl. Here they are! All 100 of them:

Hello, pickle!” her dad said loudly as Pip and Cara made their way downstairs. “Lauren and I have decided that I should come to your kilometer party too.” “Calamity, Dad. And over my dead brain cells.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder #1))
The tricky thing about giving opinions is that sometimes they cost you more than you wanted to spend.
Stacey Lee (The Downstairs Girl)
OUT. CUT IT ALL OUT. Cut out my father. Cut out my mother. Cut out missing Ellis. Cut out the man in the underpass, cut out Fucking Frank, the men downstairs; the people on the street with too many people inside them, cut out hungry, and sad and tired, and being nobody and unpretty and unloved, just cut it all out, get smaller and smaller until I was nothing.
Kathleen Glasgow (Girl in Pieces)
As soon as she was close, she whispered, "you've got to get out of here." "No, you've got to get out of here," he told her. "Go downstairs. Go now." "No," she countered. "You go." "Why?" he asked. "You tell me first." But before they could say another word, the last elevator slid slowly open and two men in masks rushed out. From the opposite side of the of the ballroom, shots rang out, rapid fire, piercing the ceiling, plaster falling onto the dance floor like snow. And then Hale and Macey whispered in unison, "Because of that.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
The boy sat in my room for fifteen minutes last night working up the nerve to go downstairs and talk to you. Then he cam back and said 'We ate cookies. See you in the morning,' and went to his room. Give me something, Chloe.
Nikki Chartier (American Girl on Saturn (Saturn, #1))
What is the job of a parent, but to teach a child she has worth so that one day she can transform herself into whatever she wants.
Stacey Lee (The Downstairs Girl)
We can run the race as well as any man. We only need the opportunity.
Stacey Lee (The Downstairs Girl)
He reassures her, but he feels her soft laughter travel through their joined hands — how did that happen? — as they make their way downstairs. And he understands. He understands why people hold hands: he’d always thought it was about possessiveness, saying This is mine. But it’s about maintaining contact. It is about speaking without words. It is about I want you with me and don’t go. He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Standing in another's shoes is good for our own postures.
Stacey Lee, The Downstairs Girl
We are all like candles, and whether we are single or joined with another does not affect how brightly we can burn.
Stacey Lee, The Downstairs Girl
You’re growing like a rumor, aren’t you?
Stacey Lee (The Downstairs Girl)
Of course, we can’t ever look out the window or go outside. And we have to be quiet so the people downstairs can’t hear us.
Anne Frank (The Diary of a Young Girl)
I feel like a movie star,” Daphne said as the girls hurried downstairs. “You look like a mental patient,” Sabrina remarked.
Michael Buckley (The Fairy-Tale Detectives (The Sisters Grimm, #1))
Sometimes, things must get harder before they can change.
Stacey Lee (The Downstairs Girl)
Justice and fairness are for other people, umbrellas that open only for certain heads. The Chinese just try to stay out of the rain, and if we are caught in a downpour, we make do, knowing that the rain will not last forever.
Stacey Lee (The Downstairs Girl)
The two words that will change your life are "thank you". Like a candle that can light a thousand more without shortening its own life, appreciation is a gift that, when given, can set the whole world aglow.
Stacey Lee (The Downstairs Girl)
Dignity can only be surrendered, and when it is gone, we are like the snail who has lost its shell.
Stacey Lee, The Downstairs Girl
There are some people, when you meet them, you feel as if you've known them all your life. And then there are people who live under your nose all your life, yet you don't know them at all.
Stacey Lee (The Downstairs Girl)
I squeeze my feelings into something small, like a walnut, and chuck it behind me for some other silly squirrel to find.
Stacey Lee, The Downstairs Girl
Caroline spends her grief by the dollar, until her purse empties and she's down to nickel hiccups and penny whimpers.
Stacey Lee, The Downstairs Girl
Old Gin always says if there are troubles on the ground, then look up. The changing sky reminds us that our troubles are not here to stay.
Stacey Lee, The Downstairs Girl
We are all ike candles, and whether we are single or joined with another does not affect how brightly we can burn. Respectfully submitted, Miss Sweetie
Stacey Lee (The Downstairs Girl)
One should never confuse cost with value.
Stacey Lee (The Downstairs Girl)
The knowledge that the person to whom I am writing is also writing just one floor above me makes my shadow sit up straighter, and if shadows had smiles, I might see one reflected there.
Stacey Lee (The Downstairs Girl)
There you are," Hale told his mother when he found her. "Oh, darling, do you know Michael Calloway? His mother is the event chair. We've just been arguing over whether he is going to let me outbid him for this gorgeous antique clock," Mrs. Hale said, but her son didn't care. "Sorry," Hale told the man in the tux with the small bits of sweat gathering at his brow. "I need her," he said, pulling his mother from the table and toward the bank of elevators on the far sie of the room, the ones that appeared to be operational. "Mom, I need you to come with me," "But, darling," the woman protested, "its Swiss!" The elevator dinged and Hale pushed her inside it. "Sorry, Dad will meet you downstairs.
Ally Carter (Double Crossed: A Spies and Thieves Story (Gallagher Girls, #5.5; Heist Society, #2.5))
Don't be a fool," Vera Claythorne urged herself. "It's all right. Elly Kleinman and others are downstairs. All four of them. There's no one in the room. There can't be. You're imagining things, my girl.
Agatha Christie (And Then There Were None)
Can I tell my daughter that I loved her father? This was the man who rubbed my feet at night. He praised the food that I cooked. He cried honestly when I brought out trinkets I had saved for the right day, the day he gave me my daughter, a tiger girl. How could I not love this man? But it was a love of a ghost. Arms that encircled but did not touch. A bowl full of rice but without my appetite to eat it. No hunger. No fullness. Now Saint is a ghost. He and I can now love equally. He knows the things I have been hiding all these years. Now I must tell my daughter everything. That she is a daughter of a ghost. She has no chi . This is my greatest shame. How can I leave this world without leaving her my spirit? So this is what I will do. I will gather together my past and look. I will see a thing that has already happened. The pain that cut my spirit loose. I will hold that pain in my hand until it becomes hard and shiny, more clear. And then my fierceness can come back, my golden side, my black side. I will use this sharp pain to penetrate my daughter's tough skin and cut her tiger spirit loose. She will fight me, because this is the nature of two tigers. But I will win and give her my spirit, because this is a way a mother loves her daughter. I hear my daughter speaking to her husband downstairs. They say words that mean nothing. They sit in a room with no life in it. I know a thing before it happens. She will hear the table and vase crashing on the floor. She will come upstairs and into my room. Her eyes will see nothing in the darkness, where I am waiting between the trees.
Amy Tan (The Joy Luck Club)
Pop's leg was across the room when I came downstairs.
Kathryn Miller Haines (The Girl Is Murder (The Girl is Murder, #1))
Coincidence is just destiny unfolding.
Stacey Lee, The Downstairs Girl
I shall be fine. Please tell your mother I shall be back in an hour to help her roast the chicken.” “I look forward to that.” “Roast chicken?” “No. You being back.
Stacey Lee, The Downstairs Girl
The farther away you stand from someone, the harder it is to like them.
Stacey Lee, The Downstairs Girl
Sometimes things fall apart so better things can come together.
Stacey Lee (The Downstairs Girl)
Our basement has grown smaller over the years, the brick shrunken and faded, the ceiling lower than I remember. Or perhaps the realities of my life have grown too big and unwieldy for the walls to contain.
Stacey Lee, The Downstairs Girl
Girls?" I heard my dad's voice—from the sound of it, he was on the landing. "Yeah?" we both called back in unison. "Uh—there's someone named Ralph downstairs who claims he's here to marry Linnie." Linnie shot me an exasperated look, and I clapped my hand over my mouth, trying not to burst out laughing. "He's going to marry her to Rodney," I called. "He's a judge." "Ah," my dad said. "Well, that makes more sense. I was worried there was going to have to be a duel or something.
Morgan Matson (Save the Date)
Dear Miss Sweetie, My sisters and I wonder, why must women suffer a few days each month? Sincerely, Bloated, Crampy, and Spotty Dear Bloated, Cramp, and Spotty, Because the alternative is worse, although they do get to vote. Sincrely, Miss Sweetie
Stacey Lee (The Downstairs Girl)
Great souls have wills, while feeble souls, only wishes.
Stacey Lee, The Downstairs Girl
A blessing loves a good surprise.
Stacey Lee (The Downstairs Girl)
An anxious mind makes lions of tumble weeds.
Stacey Lee (The Downstairs Girl)
God wouldn't have given us feet if He didn't want us to walk. By the same token, why give us a brain if He didn't want us to have thoughts?
Stacey Lee (The Downstairs Girl)
Horses are like people. Some work better under pressure.
Stacey Lee (The Downstairs Girl)
Troubles are like weeds, and the longer you avoid them, the bigger they grow.
Stacey Lee (The Downstairs Girl)
A community is like that shawl, and once you are a part of it, you tie your fate to the threads closest to you.
Stacey Lee (The Downstairs Girl)
He killed them, Mr. Torrance, and then committed suicide. He murdered the little girls with a hatchet, his wife with a shotgun, and himself the same way. His leg was broken. Undoubtedly so drunk he fell downstairs.” Ullman spread his hands and looked at Jack self-righteously.
Stephen King (The Shining (The Shining, #1))
Desford said abruptly: "How old are you, my child? Sixteen? Seventeen?" "Oh, no, I am much older than that!" she replied. "I'm as old as Lucasta - all but a few weeks!" "Then why are you not downstairs dancing with the rest of them?" he demanded. "You must surely be out!" "No, I'm not," she said. "I don't suppose I ever shall be, either. Unless my papa turns out not to be dead, and comes home to take care of me himself. But I don't think that at all likely, and even if he did come home it wouldn't be of the least use, because he seems never to have sixpence to scratch with. I am afraid he is not a very respectable person. My aunt says he was obliged to go abroad on account of being monstrously in debt." She sighed, and said wistfully: "I know that one ought not to criticize one's father, but I can't help feeling that it was just a little thoughtless of him to abandon me.
Georgette Heyer (Charity Girl)
Evans, Evans!" He Cried. Mrs. Smith was talking aloud to himself, Agnes the servant girl cries to Mrs. Filmer in the kitchen. "Evans, Evans" he had said as she brought in the tray. She jumped, she did. She scuttled downstairs.
Virginia Woolf (Mrs. Dalloway)
Oooh!" Bill squealed. "Very rococo." "So,I'm really doing this? I'm just going to go down there and pretend-" "No pretending." Bill shook his head. "Own it. Own that cleavage, girl, you know you want to." "Okay,I am pretending you didn't say that." Luce laughed-winced. "So I go downstairs and 'own it' or whatever. But what do I do when I find my past self? I don't know anything about her.Do I just-" "Take her hand," Bill said cryptically. "She'll be very touched by the gesture,I'm sure.
Lauren Kate (Passion (Fallen, #3))
Black women suffered greatly with the failure of Reconstruction, victims of both racism and sexism. Suffrage leaders who had worked toward the idea of universal suffrage antebellum began turning their backs on their black sisters to court the support of white Southern suffragists, whose interest in restoring white supremacy eclipsed their interest in enfranchising women.
Stacey Lee (The Downstairs Girl)
We all must abide by the rules, but some of us must follow more than others...Like Sweet Potato and her twisted leg, we have been born with a defect--the defect of not being white. Only, unlike Sweet Potato's case, there is no correcting it. There is only correcting the vision of those who view it as a defect, though not even a war and Reconstruction have been able to do that.
Stacey Lee, The Downstairs Girl
The noise from the party raging downstairs seeped into my quiet space. I palmed my blue and red bouncy ball as I lay on my bed facing the wall. I threw it in the air a few times to watch the colors blur together before bouncing it off the wall above my headboard.
Aileen Erin (Becoming Alpha (Alpha Girl, #1))
Downstairs, I could hear the return of a long-lost sound: Amy making breakfast. Banging wooden cupboards (rump-thump!), rattling containers of tin and glass (ding-ring!), shuffling and sorting a collection of metal pots and iron pans (ruzz-shuzz!). A culinary orchestra tuning up, clattering vigorously toward the finale, a cake pan drumrolling along the floor, hitting the wall with a cymballic crash.
Gillian Flynn (Gone Girl)
We all must abide by the rules, but some of us must follow more than others
Stacey Lee, The Downstairs Girl
Somehow, Old Gin and I have managed to fit ourselves into a society that, like a newspaper, rarely comes in colors other than black and white.
Stacey Lee, The Downstairs Girl
The tricky thing about giving opinions is that sometimes they cost you more than you wanted to spend
Stacey Lee (The Downstairs Girl)
Life is a chessboard, and if you’ve played it right, your best pieces will be standing in the right squares when you need them most.
Stacey Lee (The Downstairs Girl)
It is better to look out a window than into a glass; otherwise all you see is yourself and what's behind you.
Stacey Lee (The Downstairs Girl)
As long as you have a home, you have a place to plan and dream.
Stacey Lee (The Downstairs Girl)
Being nice is like leaving your door wide-open. Eventually, someone's going to mosey in and steal your best hat.
Stacey Lee (The Downstairs Girl)
She was humming something melancholy and familiar. I strained to make it out—a folk song? a lullabye?—and then realized it was the theme to M*A*S*H. Suicide is painless. I went downstairs.
Gillian Flynn (Gone Girl)
She hurried into a new spring evening dress of the frailest fairy blue. In the excitement of seeing herself in it, it seemed as if she had shed the old skin of winter and emerged a shining chrysalis with no stain; and going downstairs her feet fell softly just off the beat of the music from below. It was a tune from a play she had seen a week ago in New York, a tune with a future...
F. Scott Fitzgerald (The Basil and Josephine Stories)
On either side of Natalie as she walked toward her own room were doors: perhaps behind one door a girl was studying, behind another a girl was crying, behind a third a girl was turning uneasily in her sleep. Behind a certain definite door downstairs Anne and Vicki sat, laughing and speaking in loud voices whatever they chose to say; behind other doors girls lifted their heads at Natalie's footsteps, turned, wondered, and went back to their work. I wish I were the only person in all the world, Natalie thought, with a poignant longing, thinking then that perhaps she was, after all.
Shirley Jackson (Hangsaman)
They don't want to be men, only to be allowed to have a say. God wouldn't have given us feet if He didn't want us to walk. By the same token, why give us a brain if He didn't want us to have thoughts?
Stacey Lee (The Downstairs Girl)
1. Your grandmother/grandfather/Aunt-Suzie-whom-you-never-met-but-trust-me-she-was-nice-and-it's-a-shame is dead. 2. You're letting a girl named Katherine distract you from your studies. 3. Babies are made through an act that you will eventually find intriguing but for right now will just sort of horrify you, and also sometimes people do stuff that involves baby-making parts that does not actually involve making babies, like for instance kiss each other in places that are not on the face. It never meant: 4. A girl named Katherine called while you were in the bathtub. She's sorry. She still loves you and has made a terrible mistake and is waiting for you downstairs.
John Green (An Abundance of Katherines)
Mary Jane, aged just three, said hers in “a tiny piping voice”22 that carried through the quiet house. As her mother lay downstairs—perhaps, to her young mind, merely sleeping—Mary Jane prayed as she had always learned to do. “God bless Mommie and Daddy.
Kate Moore (The Radium Girls: The Dark Story of America's Shining Women)
Sanchez got the phone call, listened carefully, glanced over at Spencer, in Whittaker's office, having his morning coffee. Hung up the phone, got up, went and knocked on the door, asked if he could see Spencer a moment, and lowering his voice said, "Carl downstairs just called me because someone wants to file a vagrancy report. Spencer slapped him on the back. "Detective Sanchez, thank you for bringing the particulars of your job description to my attention. Well done. Go to it. Sanchez hemmed and said, "The young woman says she is Lily Quinn. Specifically asked for me, Carl says. Spencer didn't slap him on the back this time. He stared at Carl and then said, "All right smart-ass, go back to you desk. "That's what I thought," said Sanchez.
Paullina Simons (The Girl In Times Square)
As a teenager, he made screaming noises at night in his room, like a deranged person. He threw his electrical pencil sharpener at the walls. His mother was downstairs in bed, crying a little, mostly asleep. Brian, in his room, felt as if he might explode, might already—in a slow and minuscule and lingering way—be exploding. He needed to explode. He lay there motionless, but he also lay there exploding. He smooshed his head into his mattress, making sounds like, 'aaaghh,' and 'ngggg,' and then went downstairs. He stood in the doorway of his mother’s bedroom. He started yelling things. His mother woke, warm and puffy from sleep, and—after Brian finished yelling—whispered that she was sorry for being a bad mother. Her face, ensconced in hair and pillow, was dramatic and friendless as something cocooning. She looked like a little girl, and Brian stood there, taking this in—trying to get at the meaning of things, to fit at once into his mind all the false and watery moments of his life. He stood there, and he looked. He looked some more. And then he went back to his room. He wrote down on paper: 'Don’t hurt any­one again.
Tao Lin (Bed)
Glancing around the entrance hall, she realized the crate was no longer in the corner. The twins must have raced downstairs the moment it had been mentioned. Clutching it on either side, they lugged it furtively toward the receiving room. "Girls," Kathleen said sharply, "bring that back here at once!" But it was too late. The receiving room's double doors closed, accompanied by the click of a key turning in the lock. Kathleen stopped short, her jaw slackening. West and Helen staggered together, overcome with hilarity. "I'll have you know," Mrs. Church said in amazement, "it took our two stoutest footmen to bring that crate into the house. How did two young ladies manage to carry it away so quickly?" "Sh-sheer determination," Helen wheezed. "All I want in this life," West told Kathleen, "is to see you try to pry that crate away from those two." "I wouldn't dare," she replied, giving up. "They would do me bodily harm.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
The builders forced the lock and found Sylvia sprawled in the kitchen. She was still warm. She had left a note saying, ‘Please call Dr—’, and giving his telephone number. But it was too late. Had everything worked out as it should – had the gas not drugged the man downstairs, preventing him from opening the front door to the au pair girl – there is no doubt she would have been saved. I think she wanted to be; why else leave her doctor’s telephone number? This time, unlike the occasion ten years before, there was too much holding her to life.
Al Álvarez (The Savage God: A Study of Suicide)
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it. "I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear. "Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well." Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes. And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us." But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair. "Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
Richard Yates (Cold Spring Harbor)
All this drinking and dancing and flirting,” Mr. Kent said with a sigh, balancing a glass on the railing for me. “Dreadful business, isn’t it?” “Yes, I don’t understand it,” I mumbled, accepting the champagne as if it could magically transport me away. No, still here. What on earth was he getting at? Was he toying with me? “That’s just it. Perspective is a curious thing. One day, you see everything from one angle and you think you know what’s important,” he continued, looking out at the dancers. Then he turned to me, smiling wryly. “Then another day, from another angle, you see what’s really important, and everything else just . . . melts away.” “I see,” I said without meeting his eyes, hoping he’d be dissuaded. He wasn’t. His hand slid across the railing and caught mine. “I have never seen you here before. Are you one of Mrs. Shine’s girls?” he asked. Seen you here before? Downstairs, the tempo of the violins and cellos quickened. As my blood boiled, I could barely hear my own thoughts, and the response left my lips compulsively. “No.” “Excellent, then might I ask, who is your—” “I’m sorry, I can’t help you,” I interrupted, hurrying away past the bar and the horrible paintings toward the stairs. “Please, wait!” he called from behind, chasing after me. “What is your name?” “Evelyn Wyndham,” I said, giving him a false name. Dammit. Champagne and Mr. Kent did not mix well. “M-miss Wyndham!” he exclaimed. For a moment, it was rather strange to see the confident man look so confused, but he quickly regained himself with a smile. “I . . . I was just having a bit of fun. I knew it was you.” “Oh, was that before or after you propositioned me?” “That is a question with no right answer, but keep in mind what I was saying about perspective earlier—
Tarun Shanker (These Vicious Masks (These Vicious Masks, #1))
Good night, Grandma!” I called as I was skipping out of the kitchen with Adria on my heels. Grandma, who was at the sink rinsing dishes to stack in the dishwasher, stopped and looked at us. She had a funny expression on her face, which made Adria and me pause in the doorway and look back at her, waiting. Grandma wiped her hands on a dishtowel and said, “Simone, Adria, come here.” There was something different in her tone. I didn’t know what to expect “You know, girls,” she said as we stood in front of her, “we adopted you both today. So I’m your mother now, and he”—she pointed at my grandpa, who was wiping the table mats—“he’s your father.” Grandpa paused what he was doing, stood up straight, and smiled. I just glanced from one to the other, my eyes big and round. What had happened in court that day suddenly became clear. “Does that mean I can call you Mom and Dad?” I asked. “It’s up to you,” my grandma said, one hand cupping my cheek, the other one smoothing Adria’s hair. “Call us whatever you want to. Now go to bed.” The two of us scampered upstairs without another word. But when Adria went into the bathroom to brush her teeth, I stood in the middle of our bedroom, my hands pressed against my temples. I was hopping from one foot to the other and jumping up and down, so much excitement was flowing through me. Mom. Dad. Mom. Dad. I kept whispering the words, getting used to the sound of them. Finally, feeling as if I would burst, I ran back downstairs to the kitchen. “Mom?” I said, standing in the doorway. She looked across at me, her lips twitching like she was trying not to smile. “Yes, Simone?” I turned to where Grandpa was putting away the table mats. “Dad?” “What is it, Simone?” “Nothing!” I said, squealing and bouncing up and down gleefully. I had done it—I’d called them Mom and Dad! I turned without another word and raced back up the stairs. In my room, I flopped backward onto my bed and let out a happy sigh. Adria and I were finally and forever home.
Simone Biles (Courage to Soar: A Body in Motion, a Life in Balance)
You haven’t met Boche yet, despite the fact that she was here before we went into hiding. She’s the warehouse and office cat, who keeps the rats at bay in the storeroom. Her odd, political name can easily be explained. For a while the firm Gies & Co. had two cats: one for the warehouse and one for the attic. Their paths crossed from time to time, which invariably resulted in a fight. The warehouse cat was always the aggressor, while the attic cat was ultimately the victor, just as in politics. So the warehouse cat was named the German, or “Boche,” and the attic cat the Englishman, or “Tommy.” Sometime after that they got rid of Tommy, but Boche is always there to amuse us when we go downstairs.
Anne Frank (The Diary of a Young Girl)
emotion. It was all absurd—she had been a silly, romantic, inexperienced goose. Well, she would be wiser in the future—very wise—and very discreet—and very contemptuous of men and their ways. "I suppose I'd better go with Una and take up Household Science too," she thought, as she stood by her window and looked down through a delicate emerald tangle of young vines on Rainbow Valley, lying in a wonderful lilac light of sunset. There did not seem anything very attractive just then about Household Science, but, with a whole new world waiting to be built, a girl must do something. The door bell rang, Rilla turned reluctantly stairwards. She must answer it—there was no one else in the house; but she hated the idea of callers just then. She went downstairs slowly, and opened the front door. A man in khaki was standing on the steps—a tall fellow, with dark eyes and hair, and a narrow white scar running across his brown cheek. Rilla stared at him foolishly for a moment. Who was it? She ought to know him—there was certainly something very familiar about him—"Rilla-my-Rilla," he said. "Ken," gasped Rilla. Of course, it was Ken—but he looked so much older—he was so much changed—that scar—the lines about his eyes and lips—her thoughts went whirling helplessly. Ken took the uncertain hand she held out, and looked at her. The slim Rilla of four years ago had rounded out into symmetry. He had left a school girl, and he found a woman—a
L.M. Montgomery (Rilla of Ingleside (Anne of Green Gables, #8))
I was born a week after New Year’s, on January 8, 1960. In the waiting room, supplied only with pink-ribboned cigars, my father cried out, “Bingo!” I was a girl. Nineteen inches long. Seven pounds four ounces. That same January 8, my grandfather suffered the first of his thirteen strokes. Awakened by my parents rushing off to the hospital, he’d gotten out of bed and gone downstairs to make himself a cup of coffee. An hour later, Desdemona found him lying on the kitchen floor. Though his mental faculties remained intact, that morning, as I let out my first cry at Women’s Hospital, my papou lost the ability to speak. According to Desdemona, my grandfather collapsed right after overturning his coffee cup to read his fortune in the grounds.
Jeffrey Eugenides (Middlesex)
Okay,” I finally said. “Can we all agree that this is maybe the most screwed-up situation we’ve ever found ourselves in?” “Agreed,” they said in unison. “Awesome.” I gave a little nod. “And do either of you have any idea what we should do about it?” “Well, we can’t use magic,” Archer said. “And if we try to leave, we get eaten by Monster Fog,” Jenna added. “Right. So no plans at all, then?” Jenna frowned. “Other than rocking in the fetal position for a while?” “Yeah, I was thinking about taking one of those showers where you huddle in the corner fully clothed and cry,” Archer offered. I couldn’t help but snort with laughter. “Great. So we’ll all go have our mental breakdowns, and then we’ll somehow get ourselves out of this mess.” “I think our best bet is to lie low for a while,” Archer said. “Let Mrs. Casnoff think we’re all too shocked and awed to do anything. Maybe this assembly tonight will give us some answers.” “Answers,” I practically sighed. “About freaking time.” Jenna gave me a funny look. “Soph, are you…grinning?” I could feel my cheeks aching, so I knew that I was. “Look, you two have to admit: if we want to figure out just what the Casnoffs are plotting, this is pretty much the perfect place.” “My girl has a point,” Archer said, smiling at me. Now my cheeks didn’t just ache, they burned. Clearing her throat, Jenna said, “Okay, so we all go up to our rooms, then after the assembly tonight we can regroup and decide what to do next.” “Deal,” I said as Archer nodded. “Are we all going to high-five now?” Jenna asked after a pause. “No, but I can make up some kind of secret handshake if you want,” Archer said, and for a second, they smiled at each other. But just as quickly, the smile disappeared from Jenna’s face, and she said to me, “Let’s go. I want to see if our room is as freakified as the rest of this place.” “Good idea,” I said. Archer reached out and brushed his fingers over mine. “See you later, then?” he asked. His voice was casual, but my skin was hot where he touched me. “Definitely,” I answered, figuring that even a girl who has to stop evil witches from taking over the world could make time for kissage in there somewhere. He turned and walked away. As I watched him go, I could feel Jenna starting at me. “Fine,” she acknowledged with a dramatic roll of her eyes. “He’s a little dreamy.” I elbowed her gently in the side. “Thanks.” Jenna started to walk to the stairs. “You coming?” “Yeah,” I said. “I’ll be right up. I just want to take a quick look around down here.” “Why, so you can be even more depressed?” Actually, I wanted to stay downstairs just a little longer to see if anyone else showed up. So far, I’d seen nearly everyone I remembered from last year at Hex Hall. Had Cal been dragged here, too? Technically he hadn’t been a student, but Mrs. Casnoff had used his powers a lot last year. Would she still want him here? To Jenna, I just said, “Yeah, you know me. I like poking bruises.” “Okay. Get your Nancy Drew on.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Ah, there she was, the woman in yellow who must be Mrs. Croxon. All Peg's senses quickened. What a beanpole, she crowed to herself- stooped shoulders, gown ill-fitting. Why, she looked a born bleater- no match at all for Peg Blissett. She picked up her borrowed ladle, went downstairs, and sauntered over to the new mistress of Delafosse Hall. Then, gathering all her sweetness, Peg smiled at Mrs. Croxon. The woman responded with a slight bow of her head, and then said, so quietly that Peg could barely hear her, "I see by the ladle you must be a cook. Am I led to believe-are you-" Mrs. Croxon had a nasty rash, and slovenly-dressed hair. But looking more closely she was not so ill-looking. And her voice was so pleasant and genteel that Peg couldn't stop herself aping it.
Martine Bailey (A Taste for Nightshade)
A crow lands on the ground in front of us, and Noemi lunges towards it, growling. The crow flaps away with a squawk, and she continues on her way. 'But each of our personal roads got crows on them. With every crow we meet, we get better at shooing them away, the filthy flying rats. And guess what's at the end of the road?' 'Pearl gates?' She tsks her tongue. 'Not that road, that's on a different map. Vic-to-ry.' She cuts the word into pieces and savors every syllable. 'I wasn't too keen to get on that slick-looking August at first. But now that I know how, I'm riding him to the finish line. Victory. Do you understand me?' 'No. What is this victory?' 'It is knowing your worth no matter what the crows tell you. Victory is waiting for us. We have to be bold enough to snatch it.
Stacey Lee (The Downstairs Girl)
So,twice a week I have my own tutor," he said shortly. "Who,trust me, makes my father look like a marshmellow. And on that note..." He picked up the sheaf of French lessons again. "We'll start with the imperfect, used to express actions that are-" "Incomplete,unfulfilled, or repeated over and over." I slumped back in the weird chair. "That I know." At the end of the very imperfect sessions, Alex gave me a full ten minutes in the downstairs bathroom before showing up.All I'd figured out what that Edward's faceless girl had had wide feet, and the Bainbridge's decorator had a preference for green that might merit an intervention. "I could probably give you the stupid thing"-Alex gestured to the picture when he came in- "and my folks would never notice." I winced inwardly. "I can't advocate theft," I told him, "no matter how noble the intent.
Melissa Jensen (The Fine Art of Truth or Dare)
Cynnie’s disappeared while I’ve shut up shop. So has Ty, without even giving me a hug. He’s getting a dozen noogies for that the next time I see him. I lock up, checking and double-checking my security. On the way back from checking the manual lock on the fire escape door, I find the dress Cynnie was wearing draped across the foot of the staircase up into the loft like a fallen flower petal. “Baby?” Her wild giggle answers me. Grinning, I scoop up the dress and carry it up the stairs. I expect her to be n*ked in the bed, but she’s not. There’s no sign of her. “Baby, where are you?” Another wild giggle. With the open plan of my apartment, the stairwell, and the screen of trees in the loft, the acoustics can be weird. I was sure the first giggle came from upstairs. Now, it sounds like her giggle is coming from downstairs. “Come out, come out, wherever you are, bumble baby,” I call. Insane giggles. I spin around in place on the landing, trying to locate the source of those irresistible giggles. “When I find you, I’m going to b*te my bumble very hard on her b*ttom,” I growl. “I sting you!” That was definitely from my bedroom. I tear through the doorway and look around. No naughty bumble in my bed. I yank open the closet doors. No naughty bumble in my closets. There aren’t many hiding places in my bedroom. There’s no way she could fit between the trees. Then I spot the black rectangle half-hidden in the rumpled bedding. A phone. She’s put it on speaker and dimmed the screen. That sneaky little bee. I grab the phone and growl into it. “I’m going to find you.” “I fly away!” “You’ll never get away from me, little girl. And when I catch you, I’m going to eat you up.” I grip the phone, so turned on my hand shakes, muscles bunching. I pant into the phone. “I’m going to find you, wherever you are, and rail you into the ground.” She squees. There’s a very faint echo, and I realize where she is. Game on.
E.J. Frost (Max's Bumble (Daddy P.I. Casefiles, #3))
Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Annabelle drew back to look at both of them with glowing eyes. “How was your journey from London? Have you had any adventures yet? No, you couldn’t possibly, you’ve been here less than a day—” “We may have,” Lillian murmured cautiously, mindful of her mother’s keen ears. “I have to talk to you about something—” “Daughters!” Mercedes interrupted, her tone strident with disapproval. “You haven’t yet finished preparing for the soiree.” “I’m ready, Mother!” Daisy said quickly. “Look—all finished. I even have my gloves on.” “All I need is my reticule,” Lillian added, darting to the vanity and snatching up the little cream-colored bag. “There—I’m ready too.” Well aware of Mercedes’s dislike of her, Annabelle smiled pleasantly. “Good evening, Mrs. Bowman. I was hoping that Lillian and Daisy would be allowed to come downstairs with me.” “I’m afraid they will have to wait until I am ready,” Mercedes replied in a frosty tone. “My two innocent girls require the supervision of a proper chaperone.” “Annabelle will be our chaperone,” Lillian said brightly. “She’s a respectable married matron now, remember?” “I said a proper chaperone—” their mother argued, but her protests were abruptly cut off as the sisters left the room and closed the door. “Dear me,” Annabelle said, laughing helplessly, “that’s the first time I’ve ever been called a ‘respectable married matron’—it makes me sound rather dull, doesn’t it?” “If you were dull,” Lillian replied, locking arms with her as they strode along the hallway, “then Mother would approve of you—” “—and we would want nothing to do with you,” Daisy added. Annabelle smiled. “Still, if I’m to be the official chaperone of the wallflowers, I should set out some principal rules of conduct. First, if any handsome young gentleman suggests that you sneak out to the garden with him alone…” “We should refuse?” Daisy asked. “No, just make certain to tell me so that I can cover for you. And if you happen to overhear some scandalous piece of gossip that is not appropriate for your innocent ears…” “We should ignore it?” “No, you should listen to every word, and then come repeat it to me at once.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
There comes a time when you walk downstairs to pick up a letter you forgot, and the low confidential voices of the little group of girls in the living room suddenly ravels into an incoherent mumble and their eyes slide slimily through you, around you, away from you in a snaky effort not to meet the tentative half-fear quivering in your own eyes. And you remember a lot of nasty little tag ends of conversation directed at you and around you, meant for you, to strangle you on the invisible noose of insinuation. You know it was meant for you; so do they who stab you. But the game is for both of you to pretend you don't know, you don't really mean, you don't understand. Sometimes you can get a shot back in the same way, and you and your antagonist rival each other with brave smiles while the poison darts quiver, maliciously, in your mutual wounds. More often you are too sickened to fight back, because you know the fear and the inadequacy will crawl out in your words as they crackle falsely on the air. So you hear her say to you "We'd rather flunk school and be sociable than stick in our rooms all the time," and very sweetly "I never see you. You're always studying in your rooom!" And you keep your mouth shut. And oh, how you smile!
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You stared out, and then watched the lovely broad-shouldered blonde boy across the room stare broodingly at nothing, and idly flexing his mouth in little grimaces – you felt a feeling of belonging to him curl cosily inside you and go to sleep like a kitten in front of a fire place. To leave him in the rain for a long while – that was next, next and unreal. Lightly he said he wanted to show you his room and told the rest you’d be right back. (Girls can be so careless with affection … you recalled a year ago, a barn, and steps leading upward, as these did.) Almost surprised you let yourself be enfolded in strong arms, in a last futile attempt to conserve and gather the lovely warmth and life pulse spilling from the fibers of the other. You saw blue eyes, light blue and keen, suddenly intent and was it, was it misting? Downstairs then, and good-bye, good-bye my love, good-bye. You felt no reality, no knife of sorrow cut your intestines to bits. Only a weariness, a longing for a shoulder to sleep on, a pair of arms to curl up in – and a lack of that now. Must you wait again, till some boy down the beach likes you, asks you out, kisses you – – – and you see the evening shrink to an artificial two-dimensional slice of time – – – - must you wait till then before you feel the full impact of your loneliness?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
The gate downstairs has a dead bolt,” said Frost. “There’s no way you could pick the lock.” “Then how could anyone …” She went dead silent. Turned toward the doorway. Footsteps were thumping up the stairs. In an instant her weapon was drawn and clutched in both hands. Pushing aside Mr. Kwan, she quickly slipped out of the bedroom. As she eased her way across the living room, she felt her heart banging, heard Frost’s footsteps creaking on her right. Smelled incense and mold and sweat, a dozen details assaulting her at once. But it was the stairwell door she focused on, a black portal to something that was now climbing toward them. Something that suddenly took on the shape of a man. “Freeze!” Frost commanded. “Boston PD!” “Whoa, Frost.” Johnny Tam gave a startled laugh. “It’s just me.” Behind her, Jane heard Mr. Kwan give a squawk of fear. “Who is he? Who is he?” “What the hell, Tam,” said Frost, huffing out a breath as he holstered his weapon. “I could have blown your head off.” “You did tell me to meet you here, didn’t you? I would’ve gotten here sooner, but I got stuck in traffic coming back from Springfield.” “You talk to the owner of that Honda?” “Yeah. Said it was stolen right out of his driveway. And that wasn’t his GPS in the car.” He swept his flashlight around the room. “So what’s going on in here?” “Mr. Kwan’s giving us a tour of the building.” “It’s been boarded up for years.
Tess Gerritsen (The Silent Girl (Rizzoli & Isles, #9))
Are his letters to Diana downstairs?" She sighed. "What is it about girls and letters? My husband left me messages in soap on the bathroom mirror. Utterly impermanent.Really wonderful-" She broke off and scowled. I would have thought she looked a little embarrassed, but I didn't think embarrassment was in her repertoire. "Anyway. Most of the correspondence between the Willings is in private collections. He had their letters with him in Paris when he died. In a noble but ultimately misguided act, his attorney sent them to his neice. Who put them all in a ghastly book that she illustrated. Her son sold them to finance the publication of six even more ghastly books of poetry. I trust there is a circle of hell for terrible poets who desecrate art." "I've seen the poetry books in the library," I told her. "The ones with Edward's paintings on the covers. I couldn't bring myself to read them." "Smart girl. I suppose worse things have been done, but not many.Of course, there was that god-awful children's television show that made one of his landscapes move.They put kangaroos in it. Kangaroos. In eastern Pennsylvania." "I've seen that,too," I admitted. I'd hated it. "Hated it.Not quite as much as the still life where Tastykakes replaced one orange with a cupcake, or the portrait of Diana dressed in a Playtex sports bra, but close." "Oh,God. I try to forget about the bra." Dr. Rothaus shuddered. "Well, I suppose they do far worse to the really famous painters.Poor van Gogh. All those hearing-aid ads." "Yeah." We shared a moment of quiet respect for van Gogh's ear.
Melissa Jensen (The Fine Art of Truth or Dare)
Being raised evangelical in the Midwest gave me a personal experience of the phenomenon called “religious fundamentalism.” A story illustrates. When I was a boy in high school, I was interested in a girl from our church. It was an evangelical church, although some might have called it a bit fundamentalist—taking a hard line on cultural issues. But I took a chance and invited her to a movie, which was certainly frowned upon back then in our church culture (though my own parents snuck us out to Walt Disney movies at the drive-in, where we were unlikely to be spotted). I chose The Sound of Music, thinking it was “safe.” Who could object to Julie Andrews, I confidently thought? I was wrong. As we left the house, my girlfriend’s father stood in the doorway, blocking our exit, and said to his daughter, “If you go to this film, you’ll be trampling on everything that we’ve taught you to believe.” She fled downstairs to her bedroom in tears. We missed the movie, and the evening was a disaster. A year later, the fundamentalist father watched The Sound of Music on his television—and liked it. Fundamentalism is essentially a revolt against modernity. It is a reaction usually based on profound fear and defensiveness against “losing the faith.” My girlfriend’s father instinctively knew that his religion should make him different than the world. That is a fair religious point, and to be honest, there is much about modernity that deserves some revolting against. But I wish he had chosen to break with America at the point of its materialism, racism, poverty, or violence. Instead, he chose Julie Andrews.
Jim Wallis (God's Politics: Why the Right Gets It Wrong and the Left Doesn't Get It)
THE OBEDIENCE GAME DUGGAR KIDS GROW UP playing the Obedience Game. It’s sort of like Mother May I? except it has a few extra twists—and there’s no need to double-check with “Mother” because she (or Dad) is the one giving the orders. It’s one way Mom and Dad help the little kids in the family burn off extra energy some nights before we all put on our pajamas and gather for Bible time (more about that in chapter 8). To play the Obedience Game, the little kids all gather in the living room. After listening carefully to Mom’s or Dad’s instructions, they respond with “Yes, ma’am, I’d be happy to!” then run and quickly accomplish the tasks. For example, Mom might say, “Jennifer, go upstairs to the girls’ room, touch the foot of your bed, then come back downstairs and give Mom a high-five.” Jennifer answers with an energetic “Yes, ma’am, I’d be happy to!” and off she goes. Dad might say, “Johannah, run around the kitchen table three times, then touch the front doorknob and come back.” As Johannah stands up she says, “Yes, sir, I’d be happy to!” “Jackson, go touch the front door, then touch the back door, then touch the side door, and then come back.” Jackson, who loves to play army, stands at attention, then salutes and replies, “Yes, sir, I’d be happy to!” as he goes to complete his assignment at lightning speed. Sometimes spotters are sent along with the game player to make sure the directions are followed exactly. And of course, the faster the orders can be followed, the more applause the contestant gets when he or she slides back into the living room, out of breath and pleased with himself or herself for having complied flawlessly. All the younger Duggar kids love to play this game; it’s a way to make practicing obedience fun! THE FOUR POINTS OF OBEDIENCE THE GAME’S RULES (MADE up by our family) stem from our study of the four points of obedience, which Mom taught us when we were young. As a matter of fact, as we are writing this book she is currently teaching these points to our youngest siblings. Obedience must be: 1. Instant. We answer with an immediate, prompt “Yes ma’am!” or “Yes sir!” as we set out to obey. (This response is important to let the authority know you heard what he or she asked you to do and that you are going to get it done as soon as possible.) Delayed obedience is really disobedience. 2. Cheerful. No grumbling or complaining. Instead, we respond with a cheerful “I’d be happy to!” 3. Thorough. We do our best, complete the task as explained, and leave nothing out. No lazy shortcuts! 4. Unconditional. No excuses. No, “That’s not my job!” or “Can’t someone else do it? or “But . . .” THE HIDDEN GOAL WITH this fun, fast-paced game is that kids won’t need to be told more than once to do something. Mom would explain the deeper reason behind why she and Daddy desired for us to learn obedience. “Mom and Daddy won’t always be with you, but God will,” she says. “As we teach you to hear and obey our voice now, our prayer is that ultimately you will learn to hear and obey what God’s tells you to do through His Word.” In many families it seems that many of the goals of child training have been lost. Parents often expect their children to know what they should say and do, and then they’re shocked and react harshly when their sweet little two-year-old throws a tantrum in the middle of the grocery store. This parental attitude probably stems from the belief that we are all born basically good deep down inside, but the truth is, we are all born with a sin nature. Think about it: You don’t have to teach a child to hit, scream, whine, disobey, or be selfish. It comes naturally. The Bible says that parents are to “train up a child in the way he should go: and when he is old, he will not depart from it” (Proverbs 22:6).
Jill Duggar (Growing Up Duggar: It's All about Relationships)
Geraldine nodded and headed for Mrs. Armstrong's lawn. I felt sorry for her in her carrot pajamas, having no idea what was really going on. I followed the other girls and stood behind the shrubs. Mrs. Armstrong's house was ginormous. Her house was even bigger than Aunt Jeanie's. There was one light on upstairs. I figured that was the bedroom. The rest of the house was dark. Geraldine went to the far end of the yard and removed a can of spray paint from the bag. She shook it and began to spray. "She's such an idiot," Ava said, taking out her phone to record Geraldine's act of vandalism. "You guys are going to get her into so much trouble," I said. "So what?" Hannah replied. "She got us in trouble at the soup kitchen, it's not like she's ever going to become a Silver Rose anyway. She's totally wasting her time." Geraldine slowly made her way up and down the huge yard carefully spraying the grass. It would take her forever to complete it and there wasn't nearly enough spray paint. "Hey, guys!" Geraldine yelled from across the lawn. "How about I spray a rose in the grass? That would be cool, right?" I cringed. The light on upstairs meant the Armstrongs were still awake. Geraldine was about to get us all caught. "O-M-G," Hannah moaned. "Shhhh," Summer hissed, but Geraldine kept screaming at the top of her lungs. "Well, what do you guys think?" My heart dropped into my stomach as a light from downstairs clicked on. We ducked behind the hedges and froze. "Who's out there?" called a man's voice. I couldn't see him and I couldn't see Geraldine. I heard the door close and I peeked over the hedges. "He went back inside," I whispered, ducking back down. At that moment something went shk-shk-shk and Geraldine screamed. We all stood to see what was happening. Someone had turned the sprinklers on and Geraldine was getting soaked. The door flew open and I heard Mrs. Armstrong's voice followed by a dog's vicious barking. "Get 'em, Killer!" "Killer!" Ava screamed and we all took off running down the street with a soggy Geraldine trailing behind us. I was faster than all the other girls. I had no intentions of being gobbled up by a dog named Killer. We stopped running when we got to Ava's street and Killer was nowhere in sight. We walked back to the house at a normal pace. "So, did I prove myself to the sisterhood?" Geraldine asked. Hannah turned to her. "Are you kidding me? Your yelling woke them up, you moron. We got chased down the street by a dog because of you." Geraldine frowned and looked down at the ground. Hopefully what I had told her before about the girls not being her friends was starting to settle in. Inside all the other girls wanted to know what had happened. Ava was giving them the gory details when a knock on the door interrupted her. It was Mrs. Armstrong. She had on a black bathrobe and her hair was in curlers. I chuckled to myself because I was used to seeing her look absolutely perfect. We all sat on our sleeping bags looking as innocent as possible except for Geraldine who still stood awkwardly by the door, dripping wet. Mrs. Armstrong cleared her throat. "Someone has just vandalized my lawn with spray paint. Silver spray paint. Since I know it's a tradition for the Silver Roses to pull a prank on me on the night of the retreat, I'm going to assume it was one of you. More specifically, the one who's soaking wet right now." All eyes went to Geraldine. She looked at the ground and said nothing. What could she possibly say to defend herself? She even had silver spray paint on her fingers. Mrs. Armstrong looked her up and down. "Young lady, this is your second strike and that's two strikes too many. Your bid to become a Junior Silver Rose is for the second time hereby revoked." Geraldine's shoulders drooped, but most of the girls were smirking. This had been their plan all along and they had accomplished it.
Tiffany Nicole Smith (Bex Carter 1: Aunt Jeanie's Revenge (The Bex Carter Series))
And slamming the door in Meg's face, Aunt March drove off in high dudgeon. She seemed to take all the girl's courage with her, for when left alone, Meg stood for a moment, undecided whether to laugh or cry. Before she could make up her mind, she was taken possession of by Mr. Brooke, who said all in one breath, "I couldn't help hearing, Meg. Thank you for defending me, and Aunt March for proving that you do care for me a little bit." "I didn't know how much till she abused you," began Meg. "And I needn't go away, but my stay and be happy, may I, dear?" Here was another fine chance to make the crushing speech and the stately exit, but Meg never thought of doing either, and disgraced herself forever in Jo's eyes by meekly whispering, "Yes, John," and hiding her face on Mr. Brooke's waistcoat. Fifteen minutes after Aunt March's departure, Jo came softly downstairs, paused an instant at the parlor door, and hearing no sound within, nodded and smiled with a satisfied expression, saying to herself, "She has seen him away as we planned, and that affair is settled. I'll go and hear the fun, and have a good laugh over it." But poor Jo never got her laugh, for she was transfixed upon the threshold by a spectacle which held her there, staring with her mouth nearly as wide open as her eyes. Going in to exult over a fallen enemy and to praise a strong-minded sister for the banishment of an objectionable lover, it certainly was a shock to behold the aforesaid enemy serenely sitting on the sofa, with the strong-minded sister enthroned upon his knee and wearing an expression of the most abject submission. Jo gave a sort of gasp, as if a cold shower bath had suddenly fallen upon her, for such an unexpected turning of the tables actually took her breath away. At the odd sound the lovers turned and saw her. Meg jumped up, looking both proud and shy, but `that man', as Jo called him, actually laughed and said coolly, as he kissed the astonished newcomer, "Sister Jo, congratulate us!" That was adding insult to injury, it was altogether too much, and making some wild demonstration with her hands, Jo vanished without a word. Rushing upstairs, she startled the invalids by exclaiming tragically as she burst into the room, "Oh, do somebody go down quick! John Brooke is acting dreadfully, and Meg likes it!
Louisa May Alcott (Little Women)
We danced to John Michael Montgomery’s “I Swear.” We cut the seven-tiered cake, electing not to take the smear-it-on-our-faces route. We visited and laughed and toasted. We held hands and mingled. But after a while, I began to notice that I hadn’t seen any of the tuxedo-clad groomsmen--particularly Marlboro Man’s friends from college--for quite some time. “What happened to all the guys?” I asked. “Oh,” he said. “They’re down in the men’s locker room.” “Oh, really?” I asked. “Are they smoking cigars or something?” “Well…” He hesitated, grinning. “They’re watching a football game.” I laughed. “What game are they watching?” It had to be a good one. “It’s…ASU is playing Nebraska,” he answered. ASU? His alma mater? Playing Nebraska? Defending national champions? How had I missed this? Marlboro Man hadn’t said a word. He was such a rabid college football fan, I couldn’t believe such a monumental game hadn’t been cause to reschedule the wedding date. Aside from ranching, football had always been Marlboro Man’s primary interest in life. He’d played in high school and part of college. He watched every televised ASU game religiously--for the nontelevised games, he relied on live reporting from Tony, his best friend, who attended every game in person. “I didn’t even know they were playing!” I said. I don’t know why I shouldn’t have known. It was September, after all. But it just hadn’t crossed my mind. I’d been a little on the busy side, I guess, getting ready to change my entire life and all. “How come you’re not down there watching it?” I asked. “I didn’t want to leave you,” he said. “You might get hit on.” He chuckled his sweet, sexy chuckle. I laughed. I could just see it--a drunk old guest scooting down the bar, eyeing my poufy white dress and spouting off pickup lines: You live around here? I sure like what you’re wearing… So…you married? Marlboro Man wasn’t in any immediate danger. Of that I was absolutely certain. “Go watch the game!” I insisted, motioning downstairs. “Nah,” he said. “I don’t need to.” He wanted to watch the game so badly I could see it in the air. “No, seriously!” I said. “I need to go hang with the girls anyway. Go. Now.” I turned my back and walked away, refusing even to look back. I wanted to make it easy on him. I wouldn’t see him for over an hour. Poor Marlboro Man. Unsure of the protocol for grooms watching college football during their wedding receptions, he’d darted in and out of the locker room for the entire first half. The agony he must have felt. The deep, sustained agony. I was so glad he’d finally joined the guys.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
came in to ask for molasses. I was alone downstairs, and the nervous trepidation
Sarah Morgan Dawson (A Confederate Girl's Diary)
Past the bouncers outside and the girls smoking long, skinny cigarettes, past the tinted glass doors and the jade stone Novikov has put in near the entrance for good luck. Inside, Novikov opens up so anyone can see everyone in almost every corner at any moment, the same theatrical seating as in his Moscow places. But the London Novikov is so much bigger. There are three floors. One floor is “Asian,” all black walls and plates. Another floor is “Italian,” with off-white tiled floors and trees and classic paintings. Downstairs is the bar-cum-club, in the style of a library in an English country house, with wooden bookshelves and rows of hardcover books. It’s a Moscow Novikov restaurant cubed: a series of quotes, of references wrapped in a tinted window void, shorn of their original memories and meanings (but so much colder and more distant than the accessible, colorful pastiche of somewhere like Las Vegas). This had always been the style and mood in the “elite,” “VIP” places in Moscow, all along the Rublevka and in the Garden Ring, where the just-made rich exist in a great void where they can buy anything, but nothing means anything because all the old orders of meaning are gone. Here objects become unconnected to any binding force. Old Masters and English boarding schools and Fabergé eggs all floating, suspended in a culture of zero gravity.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
A young guy walks his girlfriend home after a date. When they reach her front door he leans up against the house with one hand and says to her, “How about a blow job?” “What! Are you crazy?” “Don’t worry, it will be quick.” “No! Someone might see us.” “It’s just a little blow job,” he insists, “and I know you like it.” “No! I said no!” “Baby. . . don’t be like that.” Suddenly, the girl’s younger sister shows up at the door in her nightgown, with her hair a mess, rubbing her eyes. She says to her sister, “Dad says either you blow him, I blow him, or he’ll come downstairs and blow the guy himself—but for God’s sake tell your boyfriend to take his hand off the intercom.
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
On the one hand, I felt like, as his woman, I should take my ass back downstairs and put her out. On the other, I felt sorry for how she must have felt when her dream was snatched away from her.
Jessica N. Watkins (Good Girls Ain't No Fun: (The Love, Sex, Lies Finale))
Sometimes, during the day, where there are no men here, and it's just the girls, they forget I'm here. They brush each other's hair, or whisper about times when they were young, or they wash out their stockings in a basin. They nap in each other's arms, or just collapse on a bed and snore like puppies, and I sit in the corner, with my sketchbook, saying nothing. Sometimes the only sound is the scratching of my charcoal on the paper, or the gentle splashing of water in the basin. This becomes a world without men, soft and unthreatening, and the girls become tender as virgins. They are not whores, as they would be if they took a step outside, or as they will be when they are called downstairs again by the madame, but they are nothing else, either. They are between. Not what they used to be, and not what they have become. In those times, they are nothing. And I am invisible, and I am nothing too. That is the true demimonde, Lucien, and the secret is, it is not always desperate and dark. Sometimes, it is just nothing. No burden of potential or regret. There are worse things than being nothing, my friend.
Christopher Moore
We all must abide by the rules, but some of us must follow more than others.
Stacey Lee
Monday muscles in like the first rooster in the ring, talons out, ready to draw blood
Stacey Lee
Once trust is lost, it is a mountain of gravel to reclimb.
Stacey Lee
allowed.” “Well, he’s not a dog or a cat, but I suppose he is my pet,” reasoned Zoe. “Of course he is! And get this. The Ogre plays the tuba, I heard her practisin’. It’s awful! All the kids reckon she is only doin’ it because she wants to get off wiv the ’eadmaster.” “She so fancies him!” said Zoe. The two girls laughed. The idea of the unusually small teacher playing the unusually large instrument already seemed hilarious, let alone using the low-noted tuba as a method of seduction! “I have to see her do that!” said Zoe. “Me too,” laughed Tina. “I just need to show Armitage something downstairs quickly, then we can spend this evening working together on the new trick!” “I can’t wait!
David Walliams (RatBurger)
I think it’s time for someone to be in bed.” He nodded at Gwen, who had curled up in a doze in her chair. “Oh, certainly,” Amelia said, moving to pick her up. “I’ll do it.” Nigel easily lifted the sturdy little girl into his arms. He’d discarded his crown but still wore the green robe, and the train fanned out majestically behind him as he crossed the room to Gwen’s bed. Amelia trailed him, watching as he removed her sister’s slippers and tucked her in. She had no doubt Nigel would be a wonderful father—a man who would protect and cherish his children, as he would protect and cherish his wife. As he straightened up to meet her gaze, his mouth lifted in a questioning smile. “I suppose we should go back downstairs,” Amelia said, trying not to sound morose. “Something tells me you’re not keen to do so.” When
Anna Campbell (A Grosvenor Square Christmas)
Mason must have been watching for me because as I pulled into a parking space, he came trotting downstairs. I turned off my car and stepped out. With a huge grin, Mason wrapped me in a hug. “Miss me?” “Not as much as you missed me.” Which was a lie. I’d missed him like crazy. “You’re probably right.” He pressed a kiss to my forehead. I smiled up at him. He ran his finger across my cheek then tucked my hair behind my ear. “I haven’t had anyone to cook for me.” I playfully punched him in the gut. Completely unfazed, he grinned. “You hit like a girl.” “I do a lot of things like a girl. And if you keep this up, this girl won’t be doing any of those things with you.” He smirked. “Point taken. I’ll help with your suitcases.
Renita Pizzitola (Just a Little Kiss (Crush, #3))