Dostoevsky Famous Quotes

It turns out that the famous dictum, associated with Dostoevsky's Ivan Karamazov, can run both ways: yes, without God everything is theoretically permissible... but believers can find ways to use God to justify just about anything as well.

Jean-Paul Sartre is one of the most widely recognized and cited thinkers of existential philosophy. A movement of thinking that took form during the 19th century, fashioned by individuals like Soren Kierkegaard, Friedrich Nietzche, and Fyodor Dostoevsky, and then further popularized by individuals including Albert Camus, Martin Heidegger, and of course, Sartre. In Sartre’s lecture, Existentialism is a Humanism, he famously summarized the primary existential principle with the line, “Existence precedes essence.” The essence here meaning the qualities of a thing that creates its purpose. For example, Sartre references how a paper-knife is designed with a specific purpose in mind before it is made. And only once it is given a predetermined purpose and designed accordingly, is it manufactured into being. In which case, its essence precedes its existence. With exception to itself, humanity does this with nearly everything it makes. As rational beings, we create out of reason. Even if the reason is to make the point that we can create things for no reason, we have merely found ourselves in the paradox of creating for the reason of having none, which remains a reason. We exist with the innate desire for a reason. What we do. Who we are. Why we are. And so on. And here lies the beginning of our existential problem. According to Sartre and many others, there is no predetermined meaning or reason to human life. There is no authority figure designing us or our lives. And there is no essence to our existence prior to our existence. But rather, life exists for itself, and beyond itself, it is intrinsically meaningless. Whenever our sense of reason and logic confront this potential realization, that the nature of life, including the most essential part of our life, our self, appears to not agree with the same order of reason, we can often find ourselves in a sort of existential crisis. However, Sartre and the existentialists don’t see this as despairing, but rather, justification for living.

For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America. The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years. Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised. “Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.” But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.

Of the Elder Zosima it was said by many that in admitting for so many years into his presence all those who came to him in order to confess their hearts and who thirsted for counsel and healing discourse, he had taken into his soul so many revelations, griefs and unbosomings that in the end he had acquired a perspicacity of such subtle depth as made the first glance at the face of a stranger who had come to him sufficient for him to be able to guess correctly the reason for his arrival, the object of his need, and even the nature of the torment that was racking his conscience, and that he would astonish, embarrass and sometimes almost frighten the newcomer by such intimacy with his secret before the latter had even uttered a word. In this context, however, Alyosha nearly always observed that many, indeed practically all of those who came to the Elder for the first time in order to have a private talk with him made their entrances in fear and trembling, but always came out radiant and joyful, and the blackest of countenances turned to happy ones. Alyosha was also singularly impressed by the fact that the Elder was in no wise stern; on the contrary, there was unfailingly what almost amounted to gaiety in his demeanour. The monks used to say of him that he formed close soul-attachments precisely to those who were more sinful, and that those who were most sinful, those too were most beloved by him. Of the monks there were some, even towards the very end of the Elder’s life, who were his haters and enviers, but they were by this time growing few, and they kept silent, though there were among their number several persons very famous and important in the monastery, as for example one of the most ancient cenobites, a great observer of the vow of silence and an exceptional faster. But all the same it was now beyond question that the vast majority had taken the side of the Elder Zosima, and of these there were very many who positively loved him with all their hearts, ardently and sincerely; some were even attached to him with a kind of fanaticism. They used to say openly, though not quite out loud, that he was a saint, that of this there was no longer any doubt and, foreseeing his imminent decease, went in expectation from the departed of immediate miracles and great glory in the very nearest future for the monastery.

Deeply ambivalent also is the image of fire in carnival. It is a fire that simultaneously destroys and renews the world. In European carnivals there was almost always a special structure (usually a vehicle adorned with all possible sorts of gaudy carnival trash) called "hell," and at the close of carnival this "hell" was triumphantly set on fire (sometimes this carnival "hell" was ambivalently linked with a horn of plenty). Characteristic is the ritual of "moccoli" in Roman carnival: each participant in the carnival carried a lighted candle ("a candle stub"), and each tried to put out another's candle with the cry "Sia ammazzato!" ("Death to thee!"). In his famous description of Roman carnival (in Italienische Reise)h Goethe, striving to uncover the deeper meaning behind carnival images, relates a profoundly symbolic little scene: during "moccoli" a boy puts out his father's candle with the cheerful carnival cry: "Sia ammazzato il Signore Padre!" [that is, "death to thee, Signor Father!"]

That's his perception of reality," Nenad responded. "He has adopted it as his interpretation and cannot break free from it, and probably doesn't even consider doing so. In fact, we too are unable to escape his worldview as it partly is our own. However, when faced with the choice between the cat and the belt, I choose the cat. It's not doomed, it's not poisoned, and it can be easily removed by hand from the engine, even if it comes at a financial cost. I have enough space in my cage for its rescue. I can imagine that within its mind, this engine has become a prison for his hopes of salvation. Overcoming our phobias of losing money in the pursuit of something else, even in small amounts, is healthy. A ground strap costs nothing, and though it may require a bit of time in a repair shop, in this day and age, we are used to wasting our time for far less. The reality of our daily lives is filled with every online distraction, like a sheet riddled with holes from moths that we wrap ourselves in out of habit without even noticing. It’s so comforting. At first, you embrace what everyone else does, what you are told to think. But eventually, you come to the realization that you have the power to dictate your thought patterns and become the architect of your ideology. You can construct a personal propaganda machine that aligns with your values and desires, creating a unique model of the world that is entirely your own. Your mind is still going to be a box in one of the billions of drawers, but it’s going to be YOUR box. Your true home. Manipulate yourself. We should manipulate ourselves towards common sense, compassion, and hope that we’ll get a good batch of people at some point so we can live among more like-minded peers. Now it’s up to our online feed. Now the education in our phone holds the reins, encapsulated in the three-second video of someone's take on history, the five-second clip of fitness models or investment strategies. And if we're fortunate, some famous person would quote Epictetus' Discourses, perhaps echoing the wisdom of Dostoevsky, Camus, Kafka, Marcus Aurelius, Sartre, etc. This is our chance for us to avoid descending into mere survival instincts without the tempering influence of morality and an understanding of the absurdity that we have created around us. To get addicted to the freedom in our minds. OR to choose the ground strap, choose to sacrifice someone else’s life so we can preserve our resources, because that’s what greed is, on a deep ancient level it’s you hoarding resources the same way a squirrel does with its winter supplies. Choose to be a squirrel rather than a human and live off your acorns. Choose to kill the cat. Choose not to ruin your precious machine. Choose the current model of society and disappear in it like a pelican getting caught in an airplane engine. Perhaps responsibility is the first and maybe even the only synonym for human purpose. Of course, there is value in the small moments we experience, but they lack foundation if they don’t fit into the break from working on something meaningful.

Shortly after reading Tolstoy I discovered his countryman Fyodor Dostoevsky. These two, the most famous and accomplished of all Russian writers, lived and worked during the same period of history. Though they read each other’s work with admiration, they never met, and perhaps it was just as well—they were opposites in every way. Where Tolstoy wrote bright, sunny novels, Dostoevsky wrote brooding, interior ones. Where Tolstoy worked out ascetic schemes for self-improvement, Dostoevsky periodically squandered his health and fortune on alcohol and gambling. Dostoevsky made many mistakes in life, but achieved an amazing feat in art. His novels communicate grace and forgiveness, the heart of the Christian gospel, with a Tolstoyan force. [Continued

The soul is healed by being with children. ― Fyodor Dostoevsky

A half century earlier, Fyodor Dostoevsky had hinted at a possible answer in The Brothers Karamazov. His Grand Inquisitor observes, long before Viktor Frankl famously made the same point, that more than anything else—more even than food or shelter—humans need meaning. We are nothing without it. We will patiently endure the worst tortures, the deepest humiliations, so long as we know why we are going through all that. The “mystery of man’s being is not only in living, but in what one lives for,” says the Grand Inquisitor. “Without a firm idea of what he lives for, man will not consent to live and will sooner destroy himself than remain on earth, even if there is bread all around him.”3

This is the age of railways, Dmitri Fyodorovitch. You’ll become famous and indispensable to the Department of Finance, which is so badly off at present.