Underwater Couple Quotes

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What's impossible to communicate, what you can't experience unless you're part of it, is the sensation of being in a real-life marriage. Even little chats seem to be floating in some kind of really ast liquid, and that vast liquid is the ocean of shared feelings and memories and shorthands, of understanding and misunderstandings between the couple-- their history ocean. More and more of their business tends to go underwater, and so even the important words feel only like individual waves popping up from that ocean. All that context, that history, and those impressions from real life that the couple logs and drowns in, it all washes over everything
Darin Strauss (More Than it Hurts You)
When a volcano lets fly or an earthquake brings down a mountainside, people look upon the event with surprise and report it to each other as news. People, in their whole history, have seen comparatively few such events; and only in the past couple of hundred years have they begun to sense the patterns the events represent. Human time, regarded in the perspective of geologic time, is much too thin to be discerned—the mark invisible at the end of a ruler. If geologic time could somehow be seen in the perspective of human time, on the other hand, sea level would be rising and falling hundreds of feet, ice would come pouring over continents and as quickly go away. Yucatáns and Floridas would be under the sun one moment and underwater the next, oceans would swing open like doors, mountains would grow like clouds and come down like melting sherbet, continents would crawl like amoebae, rivers would arrive and disappear like rainstreaks down an umbrella, lakes would go away like puddles after rain, and volcanoes would light the earth as if it were a garden full of fireflies. At the end of the program, man shows up—his ticket in his hand. Almost at once, he conceives of private property, dimension stone, and life insurance. When a Mt. St. Helens assaults his sensibilities with an ash cloud eleven miles high, he writes a letter to the New York Times recommending that the mountain be bombed.
John McPhee (In Suspect Terrain (Annals of the Former World Book 2))
She had survived to age twenty-two with only the usual signs of wear: mild nutritional deficiencies, self-diagnosed anxious attachment style, self-diagnosed avoidant attachment style, stiff neck from excessive phone use. She googled things like “wildfires europe” and “heat wave crop failure famine” and “when will dublin underwater” and “will england fuck ireland over” and “will WHAT IS HAPPENING IN england fuck ireland over” and “why am i lonely” and “why do i hate existing” and “how many painkillers to die” and “how much carpet cleaner to die” and “why wont the government let me die.
Naoise Dolan (The Happy Couple: A Novel)
All the girl could remember was the terrible, irremediable tension between wanting to be somewhere and wanting to be nowhere. And the plant, crazed by its proximity to rich familiar soil, tried repeatedly to Leap out of her. This caused her hand to lift, holding a long knife, and plummet earthward, rooting into the fleshy chest of her lover, feeling deeper and deeper for moisture. The Joshua tree’s greatest victory over the couple comes four months into their stay: they sign a lease. A bungalow on the outskirts of the national park, with a fence to keep out the coyotes and an outdoor shower. When the shower water gets into their mouths, it tastes like poison. Strange reptiles hug the fence posts, like colorful olives on toothpicks. Andy squeezes Angie’s hand and returns the gaze of these tiny monsters; he feels strangely bashful as they bugle their throats at him. Four months into his desert sojourn, and he still doesn’t know the name of anything. Up close, the bungalow looks a lot like a shed. The bloated vowels of his signature on the landlord’s papers make him think of a large hand blurring underwater.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
I awake with a start, shaking the cobwebs of sleep from my mind. It’s pitch-dark out, the wind howling. It takes a couple seconds to get my bearings, to realize I’m in my parents’ bed, Ryder beside me, on his side, facing me. Our hands are still joined, though our fingers are slack now. “Hey, you,” he says sleepily. “That one was loud, huh?” “What was?” “Thunder. Rattled the windows pretty bad.” “What time is it?” “Middle of the night, I’d say.” I could check my phone, but that would require sitting up and letting go of his hand. Right now, I don’t want to do that. I’m too comfortable. “Have you gotten any sleep at all?” I ask him, my mouth dry and cottony. “I think I drifted off for a little bit. Till…you know…the thunder started up again.” “Oh. Sorry.” “It should calm down some when the eye moves through.” “If there’s still an eye by the time it gets here. The center of circulation usually starts breaking up once it goes inland.” Yeah, all those hours watching the Weather Channel occasionally come in handy. He gives my hand a gentle squeeze. “Wow, maybe you should consider studying meteorology. You know, if the whole film-school thing doesn’t work out for you.” “I could double major,” I shoot back. “I bet you could.” “What are you going to study?” I ask, curious now. “I mean, besides football. You’ve got to major in something, don’t you?” He doesn’t answer right away. I wonder what’s going through his head--why he’s hesitating. “Astrophysics,” he says at last. “Yeah, right.” I roll my eyes. “Fine, if you don’t want to tell me…” “I’m serious. Astrophysics for undergrad. And then maybe…astronomy.” “What, you mean in graduate school?” He just nods. “You’re serious? You’re going to major in something that tough? I mean, most football players major in something like phys ed or underwater basket weaving, don’t they?” “Greg McElroy majored in business marketing,” he says with a shrug, ignoring my jab. “Yeah, but…astrophysics? What’s the point, if you’re just going to play pro football after you graduate anyway?” “Who says I want to play pro football?” he asks, releasing my hand. “Are you kidding me?” I sit up, staring at him in disbelief. He’s the best quarterback in the state of Mississippi. I mean, football is what he does…It’s his life. Why wouldn’t he play pro ball? He rolls over onto his back, staring at the ceiling, his arms folded behind his head. “Right, I’m just some dumb jock.” “Oh, please. Everyone knows you’re the smartest kid in our class. You always have been. I’d give anything for it to come as easily to me as it does to you.” He sits up abruptly, facing me. “You think it’s easy for me? I work my ass off. You have no idea what I’m working toward. Or what I’m up against,” he adds, shaking his head. “Probably not,” I concede. “Anyway, if anyone can major in astrophysics and play SEC ball at the same time, you can. But you might want to lose the attitude.” He drops his head into his hands. “I’m sorry, Jem. It’s just…everyone has all these expectations. My parents, the football coach--” “You think I don’t get that? Trust me. I get it better than just about anyone.” He lets out a sigh. “I guess our families have pretty much planned out our lives for us, haven’t they?” “They think they have, that’s for sure,” I say.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Here are the top three warning signs [you're at risk of foreclosure]: * You used to think nobody cared when your phone rarely rang. Then you missed a couple of house payments. * You're glad gas prices have fallen so you can afford it if you have to move into your car. * You're ready to say, "Let's make a deal" and trade your upside-down house for whatever's behind Door #3.
Kathryn Alesandrini (Cash Cow Casa: 51 Ways to Make Your House Pay YOU)
The next morning, Steve took his boat out and saw what had happened. The big male had triggered the trap and was snared in the mesh--sort of. Even though the rectangular-shaped net was the biggest he had, the croc’s tail and back leg stuck out. But the black ghost had finally been caught. At Steve’s approach, the animal thrashed wildly, smashing apart mangrove trees on either side of the trap. Steve tried to top-jaw-rope the croc, but it was fighting too violently. Normally Chilli acted as a distraction, giving Steve the chance to secure the croc. But the dog wanted no part of this. She cowered on the floor of the dinghy, unwilling to face this monstrously large croc. Steve was truly on his own. He finally secured a top-jaw rope and tied the other end to a tree. With a massive “death roll”--a defensive maneuver in which the reptile spins its enormous body--the big croc smashed the tree flat and snapped it off. Steve tried again; the croc thrashed, growling and roaring in protest at the trapper in khaki, lunging again and again to tear Steve apart. Finally, the giant croc death-rolled so violently that he came off the bank and landed in the boat, which immediately sank. Chilli had jumped out and was swimming for shore as Steve worked against time. With the croc underwater, Steve lashed the croc, trap and all, in the dinghy. But moving the waterlogged boat and a ton of crocodile was simply too much. Steve sprinted several miles in the tropical heat to reach a cane farm, where he hoped to get help. The cane farmers were a bit hesitant to lend a hand, so Steve promised them a case of beer, and a deal was made. With a sturdy fishing boat secured to each side of Steve’s dinghy, they managed to tow it downriver where they could winch croc and boat onto dry land to get him into a crate. By this time, a crowd of spectators had gathered. When Steve told me the story of the capture, I got the sense that he felt sorry he had to catch the crocodile at all. “It seemed wrong to remove the king of the river,” Steve said. “That croc had lasted in his territory for decades. Here I was taking him out of it. The local people just seemed relieved, and a couple even joked about how many boots he’d make.” Steve was very clever to include the local people and soon won them over to see just how special this crocodile really was. Just as he was dragged into his crate, the old croc attempted a final act of defiance, a death roll that forced Steve to pin him again. “I whispered to him to calm him down,” Steve said. “What did you say to him?” I asked. “Please don’t die.” The black crocodile didn’t die. Steve brought him back to Beerwah, named him Acco, and gave him a beautiful big pond that Bob had prepared, with plenty of places to hide. We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong.
Terri Irwin (Steve & Me)
When I heard the ear-piercing scream tonight, I figured someone in the Fourth was having a nightmare of the impending-danger variety. Then I realized the shrieks weren’t coming from the barracks but from inside the bathhouse. For our safety, nobody is supposed to be in the baths after eleven, because there are no lifeguards on duty. Janice says the real reason the doors are locked is to thwart romantically inclined legionnaires from getting up to shenanigans in there. That thwarting can be thwarted, though, if you know about the secret entrance to the main pool. Which everybody does, although not many people use it, because you have to swim underwater through a narrow concrete pipe, then squeeze through a small mesh gate that leads into the pool. You’d better hope you’re an underwater-breathing descendent of Neptune if you get stuck in there. Apparently, a girl and a boy from the First Cohort thought the risk was worth it, because they sneaked in via the not-so-secret entrance tonight. I’m thinking their lovey-dovey mood evaporated when they surfaced, though. Because dead rats. Hundreds of them. Floating in the pool. Blocking the hot-springs water supply. Clogging the drains. Even hanging from the basket for used towels. I can’t imagine anything more totally, completely, scream-inducingly disgusting. And mysterious, too, because no one can explain how so many rats got in there so quickly. The filtration system is shut off when the baths close, so they weren’t pumped in with the water. And the lifeguard swears the place was clean when he locked up at eleven. The couple sneaked in around eleven fifteen. Could someone have broken in and distributed all those rats in just fifteen minutes? Didn’t seem likely.
Rick Riordan (The Trials of Apollo: Camp Jupiter Classified: A Probatio's Journal)
After more than thirty years of traveling to Oahu, I no longer gasp when I see the wafting palm trees out the plane window or feel quite as awed by the sight of Diamond Head, the volcanic mountain that sits like a massive green bulwark southeast of Waikiki. What I feel now is the exhilaration of familiarity. I am oriented to this place in ways I’d never have imagined for myself as a kid. Though I remain just a visitor, I do know this one island very well, just as I know this one man who introduced me to it, through our regular and committed returns. I feel like I know every bend in the highway that leads from the airport to the North Shore. I know where to go for excellent shave ice and Korean barbecue. I can recognize the scent of plumeria in the air and take delight in the underwater shadow of a manta ray flapping its way through shallow water. I’m well-acquainted with the quiet waters of Hanauma Bay, where we first showed our toddlers how to swim, and the windy sea cliffs at Lanai Lookout, where my husband goes to remember his beloved mother and grandmother, whose ashes he scattered there. A couple of years ago, to celebrate our wedding anniversary, Barack and I made a special trip to Honolulu, and he surprised me with a celebratory dinner out on the town. He’d rented a private space on the rooftop terrace of a hotel by the ocean and hired a small band to play.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Thoughts at a Café Table Between the Kazan and the Iron Gates Progress has now placed the whole of this landscape underwater. A traveller sitting at my old table on the quay at Orsova would have to peer at the scenery through a thick brass-hinged disc of glass; this would frame a prospect of murk and slime [...] Moving a couple of miles downstream, he would fumble his way on to the waterlogged island and among the drowned Turkish houses; or, upstream, flounder among the weeds and rubble choking Count Széchenyi's road and peer across the dark gulf at the vestiges of Trajan on the other side; and all round him, above and below, the dark abyss would yawn and the narrows where currents once rushed and cataracts shuddered from bank to bank and echoes zigzagged along the vertiginous clefts would be sunk in diluvian since. [...] He could toil many days up these cheerless soundings, for Rumania and Yugoslavia have built one of the world's biggest ferro-concrete dams and hydro-electric power plants across the Iron Gates. This has turned a hundred and thirty miles of the Danube into a vast pond which has swollen and blurred the course of the river beyond recognition. It has abolished cayons, turned beetling crags into mild hills and ascended the beautiful Cerna valley almost to the Baths of Hercules. Many thousands of the inhabitabnts of Orşova and the riparian hamlets had to be uprooted and transplanted elsewhere. The islanders of Ada Kaleh have been moved to another islet downstream and their old home has vanished under the still surface as though it has never been. Let us hope that the power generated by the dam has spread well-being on either bank and lit up Rumanian and Yugoslav towns brighter than ever before because, in everything but economics, the damage is irreparrable. [... M]yths, lost voices, history and hearsay have all been put to rout, leaving nothing but this valley of shadow. Goethe's advice, 'Bewahre Dich vor Räuber und Ritter und Gespenstergeschichten',* has been taken literally, and everything has fled. _____________ * Beware of the robber, the cavalier, and ghost stories.
Patrick Leigh Fermor (Between the Woods and the Water (Trilogy, #2))