Aisle Quotes

We've searched our database for all the quotes and captions related to Aisle. Here they are! All 100 of them:

I believe in the magic of books. I believe that during certain periods in our lives we are drawn to particular books--whether it's strolling down the aisles of a bookshop with no idea whatsoever of what it is that we want to read and suddenly finding the most perfect, most wonderfully suitable book staring us right in the face. Unblinking. Or a chance meeting with a stranger or friend who recommends a book we would never ordinarily reach for. Books have the ability to find their own way into our lives.
Cecelia Ahern
In those seconds, I was mourning everything I'd lost. How I'd never get to see you walk down an aisle toward me, how I'd never get to see your face in our children, how I'd never get to see streaks of silver in your hair. But, at the same time, I couldn't be bothered. If me dying meant you living, how could that be anything but good?
Kiera Cass (The One (The Selection, #3))
I get off on a man with strong moral fiber. The closest Barrons ever gets to fiber is walking down the cereal aisle at the grocery store.
Karen Marie Moning (Bloodfever (Fever, #2))
What do you know about dragons?” “They're big, scaly, four-legged creatures with wings who terrorized small villages until a virgin was offered up as a sacrifice.” His grinned again. “I do miss the virgins.
Katie MacAlister (You Slay Me (Aisling Grey, #1))
And I promise . . . I swear . . . that if you choose to end things between us, I will love you more as you’re walking out the door than on the day you walked down the aisle. I hope you choose the road that will make you the happiest. Even if it’s not a choice I’ll love, I will still always love you. Whether I’m a part of your life or not. You deserve happiness more than anyone I know. I love you.
Colleen Hoover (All Your Perfects)
On Undecided Voter​s: "To put them in perspective, I think​ of being​ on an airplane.​ The flight attendant comes​ down the aisle​ with her food cart and, eventually,​ parks​ it beside my seat.​ “Can I inter​est you in the chick​en?​” she asks.​ “Or would​ you prefer the platter of shit with bits of broke​n glass​ in it?” To be undecided in this elect​ion is to pause​ for a moment and then ask how the chick​en is cooked.
David Sedaris
Thorne, on the aisle, held out his hand as Cinder passed. She snorted and accepted the high five before floating up the stairs.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
What peaches and what penumbras! Whole families shopping at night! Aisles full of husbands! Wives in the avocados, babies in the tomatoes!--and you, Garcia Lorca, what were you doing down by the watermelons?
Allen Ginsberg (Howl and Other Poems)
Hey!” I said, indignation filling me. “I’m immortal! Doesn’t that mean I won’t get saggy boobs and gray hair? Because if it doesn’t mean that, I want a refund—
Katie MacAlister (Holy Smokes (Aisling Grey, #4))
What's a horizon?' Lazlo asked, straight-faced. 'Is it like the end of an aisle of books?
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
A few years have gone and come around when we were sittin' at our favorite spot in town and you looked at me, got down on one knee. Take me back to the time when we walked down the aisle; the whole town came and our mammas cried. And you said "I do.", and I did, too. Take me home where we met so many years before; we'll rock our babies on the very front porch. After all this time, you and I. And I'll be eighty-seven you'll be eighty-nine, I'll still look at you like the stars that shine. In the sky. Oh, my my my.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
Daemon always looks hot!!! Stretching into the aisle, I went to drop the note back on Carissa’s desk. Before it could leave my fingertips, it was snatched from my hand. Son of a donkey butt! My mouth dropped open and my cheeks burned. Twisting around in my seat, I glared at Daemon. He held the note close to his chest and grinned. “Passing notes is bad,” he murmured.
Jennifer L. Armentrout (Onyx (Lux, #2))
This isn't over. I won't give up on you." "I've given up on you," he said back, voice also soft. "Love fades. Mine has." I stared at him in disbelief. All this time, he'd never phrased it like that. His protests had always been about some greater good, about the remorse he felt over being a monster of how it had scarred him from love. I've given up on you. Love fades. Mine has. I backed up, the sting of those words hitting me as hard as if he'd slapped me. Something shifted in his features, like maybe he knew how much he'd hurt me. I didn't stick around to see. Instead, I pushed my way out of the aisle and ran out the doors in the back, afraid that if I stayed any longer, everyone in the church would see me cry.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
Halfway down the aisle, Jamie suddenly seemed to tire, and they stopped while she caught her breath...It was, I remembered thinking, the most difficult walk anyone ever had to make. In every way, a walk to remember.
Nicholas Sparks (A Walk to Remember)
I want you to be happy, and him to be happy. And yet when you walk that aisle to meet him and join yourselves forever you will walk an invisible path of the shards of my heart, Tessa. I would give over my own life for your happiness. I thought perhaps that when you told me you did not love me that my own feelings would fall away and atrophy, but they have not. They have grown every day. I love you now more desperately, this moment, than I have ever loved you before, and in an hour I will love you more than that.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
There will be other lives. There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands. And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions. And there will be other lives for fathers walking daughters down aisles. And there will be other lives for sweet babies with skin like milk. And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything. Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.
Gabrielle Zevin (Elsewhere)
I still don't get it" Coach Hedge muttered as they roamed the centre aisle. "They named a whole town after Leo's table?" "I think the town was here first, Coach" Nico said.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
There's information about everything from poetry to pills, from picture frames to pyramids, and from pudding to psychology--and that's just in the P aisle, which we're walking down right now.
Lemony Snicket
Hi," I whisper. He peels off my hands and turns toward the aisle. "Please don't make this any harder than it already is," he whispers back.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
The Guards in front of the dais turned and froze. Then they scattered like roaches. Apollo moved up the aisle. “Yeah, that’s what I thought.” “I will find you! We’re connected. We are one!” Seth was still screaming. His gaze fell to the god. He sneered. “You want to fight me now, in your true form?” “I will fight you in any form, you little punk-ass brat.” Seth laughed. “You can’t kill me.” “But I can beat the living snot out of you.
Jennifer L. Armentrout (Deity (Covenant, #3))
I watch him with amusement. There’s a blue light special on territorial jocks in aisle four.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
There’s an organic grocery store just off the highway exit. I can’t remember the last time I went shopping for food.” A smile glittered in his eyes. “I might have gone overboard.” I walked into the kitchen, with gleaming stainless-steel appliances, black granite countertops, and walnut cabinetry. Very masculine, very sleek. I went for the fridge first. Water bottles, spinach and arugula, mushrooms, gingerroot, Gorgonzola and feta cheeses, natural peanut butter, and milk on one side. Hot dogs, cold cuts, Coke, chocolate pudding cups, and canned whipped cream on the other. I tried to picture Patch pushing a shopping cart down the aisle, tossing in food as it pleased him. It was all I could do to keep a straight face.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
I want you to be happy, and him to be happy. And yet when you walk that aisle to meet him and join yourselves forever you will walk an invisible path of the shards of my heart Tessa. I would give over my own life for either of yours.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Simon shook his head."Look,do you know what you want to eat,or do you just want me to keep pushing this cart up and down aisles because it amuses you?" "That and I'm not really familiar with what they sell in mundane grocery stores.Maryse usually cooks or we order in food."said Jace
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Laugh, and the world laughs with you; Weep, and you weep alone; For the sad old earth must borrow its mirth, But has trouble enough of its own. Sing, and the hills will answer; Sigh, it is lost on the air; The echoes bound to a joyful sound, But shrink from voicing care. Rejoice, and men will seek you; Grieve, and they turn and go; They want full measure of all your pleasure, But they do not need your woe. Be glad, and your friends are many; Be sad, and you lose them all,— There are none to decline your nectared wine, But alone you must drink life’s gall. Feast, and your halls are crowded; Fast, and the world goes by. Succeed and give, and it helps you live, But no man can help you die. There is room in the halls of pleasure For a large and lordly train, But one by one we must all file on Through the narrow aisles of pain.
Ella Wheeler Wilcox
I turned around to see Jim standing in the aisle with a smirk and a box of tampons in his hand. “Very funny asshole. Looks like you’re on the rag this week. Make sure to get yourself some Midol and a copy of Terms of Endearment so you can have yourself a good cry.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Noah had wandered down the aisle, but now he gleefully returned with a snow globe. He stood behind Ronan until he pushed off the shelf to admire the atrocity. "Glitter," whispered Noah reverentially, giving it a shake.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I've been known to slum it and shop in the gag-him-and-bag-him aisles, believe it or not.
Tammara Webber (Easy (Contours of the Heart, #1))
I know you know I love you. What you may not know is that there is nothing I want more than to be your husband. But if you’re not ready, I’ll wait for you, Pigeon. I’m not going anywhere. I mean, yeah. I want this, but only if you do. I just . . . I need you to know that you can open this door and we can walk down the aisle, or we can get a taxi and go home. Either way, I love you.
Jamie McGuire (A Beautiful Wedding (Beautiful, #2.5))
...I couldn't let go of the thought that it had, in fact, been he, restless and moody Heathcliff. Day after day, he floated through all the Wal-Marts in America, searching for me in a million lonely aisles.
Marisha Pessl (Special Topics in Calamity Physics)
Women kill me. They really do. I don't mean I'm oversexed or anything like that—although I am quite sexy. I just like them, I mean. They're always leaving their goddam bags out in the middle of the aisle.
J.D. Salinger (The Catcher in the Rye)
I promise to love you more when you’re hurting than when you’re happy. I promise to love you more when we’re poor than when we’re swimming in riches. I promise to love you more when you’re crying than when you’re laughing. I promise to love you more when you’re sick than when you’re healthy. I promise to love you more when you hate me than when you love me. I promise to love you more as a childless woman than I would love you as a mother. And I promise . . . I swear . . . that if you choose to end things between us, I will love you more as you’re walking out the door than on the day you walked down the aisle.
Colleen Hoover (All Your Perfects)
Jesus waited three days to come back to life. It was perfect! If he had only waited one day, a lot of people wouldn't have even heard he died. They'd be all, "Hey Jesus, what up?" and Jesus would probably be like, "What up? I died yesterday!" and they'd be all, "Uh, you look pretty alive to me, dude..." and then Jesus would have to explain how he was resurrected, and how it was a miracle, and the dude'd be like "Uhh okay, whatever you say, bro..." And he's not gonna come back on a Saturday. Everybody's busy, doing chores, workin' the loom, trimmin' the beard, NO. He waited the perfect number of days, three. Plus it's Sunday, so everyone's in church already, and they're all in there like "Oh no, Jesus is dead", and then BAM! He bursts in the back door, runnin' up the aisle, everyone's totally psyched, and FYI, that's when he invented the high five. That's why we wait three days to call a woman, because that's how long Jesus wants us to wait.... True story.
Matt Kuhn
...stop pacing the aisles and counting the miles. Instead, climb more mountains, eat more ice cream, go barefoot oftener, swim more rivers, watch more sunsets, laugh more and cry less. Life must be lived as we go along.
Robert J. Hastings (Tinyburg Tales)
In the opening to the Mary Tyler Moore Show Mary's in the supermarket, hurrying through the aisles. She pauses at the meat case, picks up a steak and checks the price. Then rolls her eyes, shrugs and tosses it in the cart. That's kind of how I feel. Sure I would have liked things to be different. But, 'roll of eyes' what can you do? 'shrug' I threw the meat in my cart and moved on.
Augusten Burroughs (Running with Scissors)
Adults had the notion that juveniles needed to suffer. Only when they had suffered enough to wipe out most of their naturally joyous spirits and innocence were they staid enough to be considered mature. An adult was essentially a broken-down child.
Piers Anthony (Centaur Aisle (Xanth, #4))
But it seems to me that once you begin a gesture it's fatal not to go through with it.
John Updike (A&P: Lust in the Aisles)
I love you, hugs & kisses, smoochies galore, licks, nibbles & assorted gropages!! -Aisling said to Drake
Katie MacAlister (Holy Smokes (Aisling Grey, #4))
I walked over to Drake and stomped on his foot. Hard. "What will I give you to help me? What will I give you?" He stood on one leg rubbing his foot, grinning a grin so steamy, it almost melted my underwear. "I never doubted you would defeat her. You are my mate. You could do no less." I pointed a finger at him. "You are too arrogant for your own good. I officially de-mate you. Go away. I never want to see you again. Except maybe tonight. Naked. Your place. But after that, no more.
Katie MacAlister (You Slay Me (Aisling Grey, #1))
She bypassed the junk food aisle altogether. “Okay, Faith. Hold up.” He grabbed the end of her cart and pulled it down the aisle. Snagging a bag of potato chips, he tossed them in her cart. “Better. Let’s find you some Twinkies.
Kelly Moran (All of Me (Covington Cove, #2))
You are too arrogant for your own good. I officially de-mate you. Go away. I never want to see you again. Except maybe tonight. Naked. Your place. But after that, no more.
Katie MacAlister (You Slay Me (Aisling Grey, #1))
It’s important to keep up appearances with books,” I explained. “Image goes a long way in this business.” He dared a look over at me, still nervous but steadily recovering his composure. “I go more for content.” "Really?” I repositioned slightly so that we were touching again, the soft flannel of his shirt brushing my bare skin. “Because I could have sworn a moment ago you were pretty caught up in outside appearance.” His eyes shifted down again, but I could see a smile curving his lips. “Well. Some things are so striking, they can’t help but draw attention to themselves.” "And doesn’t that make you curious about what’s inside?” "Mostly it makes me want to get you some advanced copies.” Advanced copies? What did he—? "Seth? Seth, where—ah, there you are.” Paige turned down our aisle, Doug following behind. She brightened when she saw me, and I felt my stomach sink out of me and hit the floor with a thud as I put two and two together. No. No. It couldn’t be— "Ah, Georgina. I see you’ve already met Seth Mortensen.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
I was in the supermarket the other day, and I met a lady in the aisle where they keep the generic brands. Her name was 'woman.
Steven Wright
Thankfully I’m not most women. I don’t get off on danger. I get off on a man with strong moral fiber. The closest Barrons ever gets to fiber is walking down the cereal aisle at the grocery store.
Karen Marie Moning (Bloodfever (Fever, #2))
It was masturbation, not willpower, that made it possible for gazillions of women to walk down the aisle with their reputation and their hymen still intact.
Mokokoma Mokhonoana (On Masturbation: A Satirical Essay)
If I can't wait for you at the end of an aisle on your wedding day, I'll wait for you in heaven.
Lurlene McDaniel (Don't Die, My Love)
Six months since we met up again we are inseparable, an intricate weave. No longer do I believe this is a temporary fling. More like total commitment. More like I have walked down the aisle, holding hands with the monster.
Ellen Hopkins (Glass (Crank, #2))
Rosie, I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say. I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick. He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try. I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to. Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day. I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always. Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy. All my love, Alex
Cecelia Ahern (Love, Rosie)
When you read my texts, you saw a curt, miserable git. And you told me so. Maybe you're right. But you know what I saw when I read yours? - Sam No. And I don't want to know. - Poppy I saw a girl who races to help others but doesn't help herself. And right now you need to help yourself. No one should walk up the aisle feeling inferior or in a different league or trying to be something they're not. - Sam
Sophie Kinsella (I've Got Your Number)
Violet, the Dowager Countess: “I mean, one way or another, everyone goes down the aisle with half the story hidden.
Jessica Fellowes (The World of Downton Abbey)
We'd hoped vaguely to fall in love but hadn't worried much about it, because we'd thought we had all the time in the world. Love had seemed so final and so dull -- love was what ruined our parents. Love had delivered them to a life of mortgage payments and household repairs; to unglamorous jobs and the flourescent aisles of a supermarket at two in the afternoon. We'd hoped for love of a different kind, love that knew and forgave our human frailty but did not miniaturize our grander ideas of ourselves. It sounded possible. If we didn't rush or grab, if we didn't panic, a love both challenging and nurturing might appear. If the person was imaginable, then the person could exist.
Michael Cunningham
If she’d been born at the right time they would have burned her over in Salem.
John Updike (A&P: Lust in the Aisles)
In the wide pile, by others heeded not, Hers was one sacred solitary spot, Whose gloomy aisles and bending shelves contain For moral hunger food, and cures for moral pain.
Walter Scott (Rob Roy (Waverley Novels, #4))
No matter what I think about this, Leila, you're my daughter, so you are not walking down that aisle alone.
Jeaniene Frost (Twice Tempted (Night Prince, #2))
We enter a time of calamity. Blood on the tarmac. Fingers in the juicer. Towers of air frozen in the lunar wastes. Models dead on the runways, with their legs facing backward. Children with smiles that can’t be undone. Chicken shall rot in the aisles. See the pillars fall.
M.T. Anderson (Feed)
But, alas, sleep did not come so easily to our weary friend. Like in a reel in which the dancers form two rows, so that one of their number can come skipping brightly down the aisle, a concern of the Count’s would present itself for his consideration, bow with a flourish, and then take its place at the end of the line so that the next concern could come dancing to the fore.
Amor Towles (A Gentleman in Moscow)
I look at these people and can't quite believe that they exist. Are they professional actors? I wonder. Or are they simply laymen who want a lot of attention? To put them in perspective, I think of being on an airplane. The flight attendant comes down the aisle with her food cart and, eventually, parks it beside my seat. "Can I interest you in the chicken?" she asks. "Or would you prefer the platter of shit with bits of broken glass in it? To be undecided in this election is to pause for a moment and then ask how the chicken is cooked.
David Sedaris
Trojan, Durex, Lifestyles, Trojan Magnum (oh yeah, my three foot cock definitely needed those), Contempo, Vivid and Rough Rider. Seriously? There was a condom brand called Rough Rider? Why not just go with Fuck Her Hard and be done with it? I stood in the "Family Planning" aisle of the grocery store, trying to decide which condom brand was more effective. Family Planning…give me a break. How many people came to this aisle because they were planning a family? They came to this aisle to AVOID planning a family. --Carter
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
what love looks like what does love look like the therapist asks one week after the breakup and i’m not sure how to answer her question except for the fact that i thought love looked so much like you that’s when it hit me and i realized how naive i had been to place an idea so beautiful on the image of a person as if anybody on this entire earth could encompass all love represented as if this emotion seven billion people tremble for would look like a five foot eleven medium-sized brown-skinned guy who likes eating frozen pizza for breakfast what does love look like the therapist asks again this time interrupting my thoughts midsentence and at this point i’m about to get up and walk right out the door except i paid too much money for this hour so instead i take a piercing look at her the way you look at someone when you’re about to hand it to them lips pursed tightly preparing to launch into conversation eyes digging deeply into theirs searching for all the weak spots they have hidden somewhere hair being tucked behind the ears as if you have to physically prepare for a conversation on the philosophies or rather disappointments of what love looks like well i tell her i don’t think love is him anymore if love was him he would be here wouldn’t he if he was the one for me wouldn’t he be the one sitting across from me if love was him it would have been simple i don’t think love is him anymore i repeat i think love never was i think i just wanted something was ready to give myself to something i believed was bigger than myself and when i saw someone who probably fit the part i made it very much my intention to make him my counterpart and i lost myself to him he took and he took wrapped me in the word special until i was so convinced he had eyes only to see me hands only to feel me a body only to be with me oh how he emptied me how does that make you feel interrupts the therapist well i said it kind of makes me feel like shit maybe we’re looking at it wrong we think it’s something to search for out there something meant to crash into us on our way out of an elevator or slip into our chair at a cafe somewhere appear at the end of an aisle at the bookstore looking the right amount of sexy and intellectual but i think love starts here everything else is just desire and projection of all our wants needs and fantasies but those externalities could never work out if we didn’t turn inward and learn how to love ourselves in order to love other people love does not look like a person love is our actions love is giving all we can even if it’s just the bigger slice of cake love is understanding we have the power to hurt one another but we are going to do everything in our power to make sure we don’t love is figuring out all the kind sweetness we deserve and when someone shows up saying they will provide it as you do but their actions seem to break you rather than build you love is knowing who to choose
Rupi Kaur (The Sun and Her Flowers)
I stand in the center aisle of the auditorium, a wounded zebra in a National Geographic special, looking for someone, anyone to sit next to. A predator approaches: gray jock buzz cut, whistle around a neck thicker than his head. Probably a social studies teacher, hired to coach a blood sport.
Laurie Halse Anderson (Speak)
My life used to be boring. A damnation here, a curse there, with an occasional blight or two to break routine. Now I have Aisling...She's better than reality TV, Internet porn sites, and the trashloids all put together.' - Jim
Katie MacAlister (Light My Fire (Aisling Grey, #3))
Sometimes you almost forgot: that you didn't look like everyone else. In homeroom or at the drugstore or at the supermarket, you listened to morning announcements or dropped off a roll of film or picked up a carton of eggs and felt like just another someone in the crowd. Sometimes you didn't think about it at all. And then sometimes you noticed the girl across the aisle watching, the pharmacist watching, the checkout boy watching, and you saw yourself reflected in their stares: incongruous. Catching the eye like a hook. Every time you saw yourself from the outside, the way other people saw you, you remembered all over again.
Celeste Ng (Everything I Never Told You)
Whenever a day comes when I can stand and preach God's Word without an agony of anxiety lest the people will not accept Christ; whenever a day comes when I can see men and women coming down the aisles without joy in my heart, I'll quit preaching.
Billy Sunday
They captured in their ramble all the mysteries and magics of a March evening. Very still and mild it was, wrapped in a great, white, brooding silence -- a silence which was yet threaded through with many little silvery sounds which you could hear if you hearkened as much with your soul as your ears. The girls wandered down a long pineland aisle that seemed to lead right out into the heart of a deep-red, overflowing winter sunset.
L.M. Montgomery
Ronan merely invested a look with as much contempt as he could muster. A lady reached over the top of Noah to pat Matthew's head fondly before continuing down the aisle. She didn't seem to care that he was fifteen, which was all right, because he didn't, either. Both Ronan and Declan observed this interaction with the pleased expressions of parents watching their prodigy at work.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
I now know exactly why they started the tradition of being apart the night before your wedding. It's nothing about romance, or sex, or being chaste, or whatever. It's so you don't have a row and stomp up the aisle seething at your bridegroom, planning all the home truths you're going to tell him as soon as you get this wedding bit out of the way.
Sophie Kinsella (I've Got Your Number)
Almost halfway down the aisle, she saw someone she wasn't expecting, and she almost stumbled on her satin heels. Kingsley Martin stood at the end of a pew, his arms crossed. He was wearing a tuxedo as well. Just like any other guest. What was he doing here? He was supposed to be in Paris! He was supposed to be gone! He looked directly at Mimi. She heard his voice loud and clear in her head. Leave him. Why should I? What do you promise me? Nothing. And everything. A life of danger and adventure. A chance to be yourself. Leave him. Come with me.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
It's just the way things are. Take a moment to consider this statement. Really think about it. We send one species to the butcher and give our love and kindness to another apparently for no reason other than because it's the way things are. When our attitudes and behaviors towards animals are so inconsistent, and this inconsistency is so unexamined, we can safely say we have been fed absurdities. It is absurd that we eat pigs and love dogs and don't even know why. Many of us spend long minutes in the aisle of the drugstore mulling over what toothpaste to buy. Yet most of don't spend any time at all thinking about what species of animal we eat and why. Our choices as consumers drive an industry that kills ten billion animals per year in the United States alone. If we choose to support this industry and the best reason we can come up with is because it's the way things are, clearly something is amiss. What could cause an entire society of people to check their thinking caps at the door--and to not even realize they're doing so? Though this question is quite complex, the answer is quite simple: carnism.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
People think that ghosts only come out at night, or on Halloween, when the world is dark and the walls are thin. But the truth is, ghosts are everywhere. In the bread aisle at your grocery store, in the middle of you grandmother's garden, in the front seat on your bus. Just because you can't see them doesn't mean they aren't there.
Victoria E. Schwab (City of Ghosts (Cassidy Blake, #1))
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
A knife!" I yelled, still brandishing my pillow. "Jim, I command you to get me a gelding knife. If this guy wants to be a stallion—" He dissolved in a flurry of white smoke even before I could finish the sentence. Ha! Victorious again!" Yeah," Jim drawled while I remade the bed and fluffed up my pillows. "Aisling, two; sexy, naked men who just want to give her the pleasure of a lifetime with no commitment, zero.
Katie MacAlister (Fire Me Up (Aisling Grey, #2))
I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you
Rudy Francisco
Sometimes he pursued the call into the forest, looking for it as though it were a tangible thing, barking softly or defiantly... Irresistible impulses seized him. he would be lying in camp, dozing lazily in the heat of the day, when suddenly his head would lift and his ears cock up, intent and listening, and he would spring on his feet and dash away, and on and on, for hours, though the forest aisles.
Jack London (The Call of the Wild)
I looked around the store and what I saw was not very encouraging. There were rows and rows of violent toys...aisle after aisle of training devices for recreational slaughter. No wonder our world was such a mean and violent place...if we teach children that killing is fun, can we really be surprised if now and then someone is smart enough to learn?
Jeff Lindsay (Dexter Is Delicious (Dexter, #5))
He was intensity. He was strength. He was driving will and stubborn determination. He was reckless passion and guarded distrust. He was fucking beautiful.
Carole Cummings (Dream (Aisling Trilogy, #2))
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
Behold your future, Cavendish the Younger. You will not apply for membership, but the tribe of the elderly will claim you. Your present will not keep pace with the world's. This slippage will stretch your skin, sag your skeleton, erode your hair and memory, make your skin turn opaque so your twitching organs and blue-cheese veins will be semivisible. You will venture out only in daylight, avoiding weekends and school holidays. Language, too, will leave you behind, betraying your tribal affiliations whenever you speak. On escalators, on trunk roads, in supermarket aisles, the living will overtake you, incessantly. Elegant women will not see you. Store detectives will not see you. Salespeople will not see you, unless they sell stair lifts or fraudulent insurance policies. Only babies, cats, and drug addicts will acknowledge your existence. So do not fritter away your days. Sooner than you fear, you will stand before a mirror in a care home, look at your body, and think, E.T., locked in a ruddy cupboard for a fortnight.
David Mitchell (Cloud Atlas)
Always the seer is a sayer. Somehow his dream is told; somehow he publishes it with solemn joy: sometimes with pencil on canvas, sometimes with chisel on stone, sometimes in towers and aisles of granite, his soul's worship is builded; sometimes in anthems of indefinite music, but clearest and most permanent, in words.
Ralph Waldo Emerson (Selected Essays)
In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.
Robert Bringhurst (The Elements of Typographic Style)
Ysolde: “You think so? Well maybe your precious Aisling just needs to watch out, because I’m not some pushover, you know. I’m a mage, and mated to the baddest ass in the dragon world.” Brom looked speculatively at Baltic. “That’s you?” Baltic: “Yes. If you were my son, as you should have been, you, too, would have a badass.
Katie MacAlister (Love in the Time of Dragons (Light Dragons, #1))
As the elevator door started to close, she stood and put up one hand to wave goodbye. That’s one of those frozen memories for me, because there was something in Greta’s solemn wave that made me understand it was about something bigger. That as the elevator door eclipsed the look between us, we were really saying goodbye to the girls we used to be. Girls who knew how to play invisible mermaids, who could run through dark aisles, pretending to save the world.
Carol Rifka Brunt (Tell the Wolves I'm Home)
We’re going to get a couple pretty, fluffy inches in the morning for a gorgeous December evening wedding. Go get ready for rehearsal.” “I’m afraid of rehearsal. My voice is going to squeak. I think I’m getting a zit right in the middle of my chin. I’m going to trip coming down the aisle. It’s okay if Carter trips. People expect it. But –” … “Carter isn’t nervous. “Mac narrowed her eyes in a scowl. “I could hate him for that.” “Mackensie.” Parker turned from the computer. “I was in the kitchen this morning when Mrs. G made him sit down and eat some breakfast. He put maple syrup in his coffee.” “He did?” She threw up her arms in a cheer. “He is nervous. I feel better.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
I really am sorry, Micky, for what it's worth. You were the greatest thing that ever happened to me. You were my life. I mean, I know I didn't show that to you, and I'll forever hate myself for that. But you need to know, I loved you so fucking much. I still love you. Whenever I look at my future, it was always you... When I thought about my life... You were the one walking down the aisle towards me, raising our kids. I always smiled to myself when I thought about it, that it was you that was going to be there for me every night, when I got home from work, you in your study, writing your books. A few kids, a decent house. It was perfect in my mind. You were perfect. You are perfect and I threw it all away, because I'm such a fucking asshole, and I can't take it back. I can't fucking take it back, and I can't have you back, and all of this... this life I have, none of this shit is worth it, not without you.
Jay McLean (More Than This (More Than, #1))
I recommend readers to be adventurous and to try things they’ve never heard of or considered reading before. Get out of the comfort zone and discover something new and exciting. If you’d never be caught dead in the mystery section go and read some George Pelecanos, Dennis Lehane, Michael Connelly or many others. If you only read thrillers get deep into the literary fiction aisle and let yourself be seduced. If you only read non-fiction pick up a Ian McDonald novel or a Joyce Carol Oates novel. If you only read comic books, get acquainted with the great Charles Dickens or a certain Monsieur Dumas. Pick up something at random and read a page. Feel the texture of the language, the architecture of the imagery, the perfume of the style… There’s so much beauty, intelligence and excitement to be had between the pages of the books waiting for you at your local bookstore the only thing you need to bring is an open mind and a sense of adventure. Disregard all prejudices, all pre-conceived notions and all the rubbish some people try to make you think. Think for yourself. Regarding books or anything in life. Think for yourself.
Carlos Ruiz Zafón
Jim eyed me for a couple of seconds, then got off the bed and went to curl up on the pile of blankets I'd arranged as its bed. "I don't suppose you'd care to lend me a couple hundred euros?" I pointed at the wall. It turned its back to me so I could get into the nightgown Perdita had lent me. "You are not going to bet on me. Or against me. No betting whatsoever. Got that?" Jim huffed and settled down for the night. "You sure do know how to take all the fun out of life. Bet you even made Drake use a condom.
Katie MacAlister (You Slay Me (Aisling Grey, #1))
You remember what else I said to you that day in the drawing room,” he said. “I want you to be happy, and him to be happy. And yet when you walk that aisle to meet him and join yourselves forever you will walk an invisible path of the shards of my heart, Tessa. I would give over my own life for either of yours. I would give over my own life for your happiness. I thought perhaps that when you told me you did not love me that my own feelings would fall away and atrophy, but they have not. They have grown every day. I love you now more desperately, this moment, than I have ever loved you before, and in an hour I will love you more than that. It is unfair to tell you this, I know, when you can do nothing about it.” He took a shuddering breath. “How you must despise me.
Cassandra Clare
Hey you ! out there in the cold Getting lonely, getting old, can you feel me Hey you ! Standing in the aisles With itchy feet and fading smiles, can you feel me Hey you ! don't help them to bury the light Don't give in without a fight. Hey you ! out there on your own sitting naked by the phone would you touch me Hey you ! with your ear against the wall Waiting for someone to call out would you touch me Hey you ! would you help me to carry the stone Open your heart, I'm coming home But it was only a fantasy The wall was too high as you can see No matter how he tried he could not break free And the worms ate into his brain. Hey you ! out there on the road Always doing what you're told, can you help me Hey you ! out there beyond the wall Breaking bottles in the hall, can you help me Hey you ! don't tell me there's no hope at all Together we stand, divided we fall.
David Gilmour
My grief fills rooms. It takes up space and it sucks out the air. It leaves no room for anyone else. Grief and I are left alone a lot. We smoke cigarettes and we cry. We stare out the window at the Chrysler Building twinkling in the distance, and we trudge through the cavernous rooms of the apartment like miners aimlessly searching for a way out . . . Grief is possessive and doesn’t let me go anywhere without it. I drag my grief out to restaurants and bars, where we sit together sullenly in the corner, watching everyone carry on around us. I take grief shopping with me, and we troll up and down the aisles of the supermarket, both of us too empty to buy much. Grief takes showers with me, our tears mingling with the soapy water, and grief sleeps next to me, its warm embrace like a sedative keeping me under for long, unnecessary hours. Grief is a force and I am swept up in it.
Hope Edelman (Motherless Daughters: The Legacy of Loss)
Exactly one month after he was convicted, when the lights were dimmed and the detention officers made a final sweep of the catwalk, Peter reached down and tugged off his right sock. He turned on his side in the lower bunk, so that he was facing the wall. He fed the sock into his mouth, stuffing it as far back as it would go. When it got hard to breathe, he fell into a dream. He was still eighteen, but it was the first day of kindergarten. He was carrying his backpack and his Superman lunch box. The orange school bus pulled up and, with a sigh, split open its gaping jaws. Peter climbed the steps and faced the back of the bus, but this time, he was the only student on it. He walked down the aisle to the very end, near the emergency exit. He put his lunch box down beside him and glanced out the rear window. It was so bright he thought the sun itself must be chasing them down the highway. 'Almost there,' a voice said, and Peter turned around to look at the driver. But just as there had been no passengers, there was no one at the wheel. Here was the amazing thing: in his dream, Peter wasn't scared. He knew, somehow, that he was headed exactly where he'd wanted to go.
Jodi Picoult (Nineteen Minutes)
I’ve been thinking about the way, when you walk down a crowded aisle, people pull in their legs to let you by. Or how strangers still say “bless you” when someone sneezes, a leftover from the Bubonic plague. “Don’t die,” we are saying. And sometimes, when you spill lemons from your grocery bag, someone else will help you pick them up. Mostly, we don’t want to harm each other. We want to be handed our cup of coffee hot, and to say thank you to the person handing it. To smile at them and for them to smile back. For the waitress to call us honey when she sets down the bowl of clam chowder, and for the driver in the red pick-up truck to let us pass. We have so little of each other, now. So far from tribe and fire. Only these brief moments of exchange. What if they are the true dwelling of the holy, these fleeting temples we make together when we say, “Here, have my seat,” “Go ahead—you first,” “I like your hat.
Danusha Laméris (The Moons of August)
The supermarket shelves have been rearranged. It happened one day without warning. There is agitation and panic in the aisles, dismay in the faces of older shoppers.[…]They scrutinize the small print on packages, wary of a second level of betrayal. The men scan for stamped dates, the women for ingredients. Many have trouble making out the words. Smeared print, ghost images. In the altered shelves, the ambient roar, in the plain and heartless fact of their decline, they try to work their way through confusion. But in the end it doesn’t matter what they see or think they see. The terminals are equipped with holographic scanners, which decode the binary secret of every item, infallibly. This is the language of waves and radiation, or how the dead speak to the living. And this is where we wait together, regardless of our age, our carts stocked with brightly colored goods. A slowly moving line, satisfying, giving us time to glance at the tabloids in the racks. Everything we need that is not food or love is here in the tabloid racks. The tales of the supernatural and the extraterrestrial. The miracle vitamins, the cures for cancer, the remedies for obesity. The cults of the famous and the dead.
Don DeLillo (White Noise)
In the twentieth century, astrophysicists in the United States discovered galaxies, the expanding of the universe, the nature of supernovas, quasars, black holes, gamma-ray bursts, the origin of the elements, the cosmic microwave background, and most of the known planets in orbit around solar systems other than our own. Although the Russians reached one or two places before us, we sent space probes to Mercury, Venus, Jupiter, Saturn, Uranus, and Neptune. American probes have also landed on Mars and on the asteroid Eros. And American astronauts have walked on the Moon. Nowadays most Americans take all this for granted, which is practically a working definition of culture: something everyone does or knows about, but no longer actively notices. While shopping at the supermarket, most Americans aren’t surprised to find an entire aisle filled with sugar-loaded, ready-to-eat breakfast cereals. But foreigners notice this kind of thing immediately, just as traveling Americans notice that supermarkets in Italy display vast selections of pasta and that markets in China and Japan offer an astonishing variety of rice. The flip side of not noticing your own culture is one of the great pleasures of foreign travel: realizing what you hadn’t noticed about your own country, and noticing what the people of other countries no longer realize about themselves.
Neil deGrasse Tyson (Death by Black Hole: And Other Cosmic Quandaries)
Ted: Barney, the 3 days rule is insane. I mean, who even came up with that? Barney: Jesus. Marshall: Barney, don't do this, not with Jesus. Barney: Seriously, Jesus started the whole wait-three-days thing. He waited three days to come back to life. It was perfect. Barney: If he'd have only waited one day, a lotta people wouldn't have even heard that he died. They'd be all "Hey, Jesus. What up?" And Jesus would probably be like, "What up? I died yesterday." Barney: Then they'd be all, "Uh, look pretty alive to me dude." And then Jesus would have to explain how he was resurrected and how it was a miracle. And then the dude would be like "Ah, oh-kay, whatever you say "bro"." Robin: Wow, ancient dialogue sounds so stilted now. Barney: And you're not gonna come back on a Saturday, everybody's busy! Doin' chores, workin' the loom, trimmin' their beards. No, he waits the exact, right number of days - three. Ted: Ok, I promise, I'll wait 3 days. Just please stop talking. Barney: Plus, it's Sunday, so everyone's in church already. They're all in there - "Oh no, Jesus is dead." Barney: Then BAM! He bursts through the back door, runs up the aisle, everyone's totally psyched and FYI, that's when he invented the high-five. Barney: Three days, Ted. We wait three days to call a woman because that's how long Jesus wants us to wait. True story.
Neil Patrick Harris
Show up for your own life, he said. Don't pass your days in a stupor, content to swallow whatever watery ideas modern society may bottle-feed you through the media, satisfied to slumber through life in an instant-gratification sugar coma. The most extraordinary gift you've been given is your own humanity, which is about conciousness, so honor that consciousness. Revere your senses; don't degrade them with drugs, with depression, with wilful oblivion. Try to notice something new everyday, Eustace said. Pay attention to even the most modest of daily details. Even if you're not in the woods, be aware at all times. Notice what food tastes like; notice what the detergent aisle in the supermarket smells like and recognize what those hard chemical smells do to your senses; notice what bare feet fell like; pay attention every day to the vital insights that mindfulness can bring. And take care of all things, of every single thing there is - your body, your intellect, your spirit, your neighbours, and this planet. Don't pollute your soul with apathy or spoil your health with junk food any more than you would deliberately contaminate a clean river with industrial sludge.
Elizabeth Gilbert (The Last American Man)
He says he had to go help someone in a desperate situation. Who, exactly, he refuses to say. He doesn’t know when he’s going to be back, but suggests we put off the wedding for a few days. The rotter! How dare he just zoom off and not tell me where he’s going, or who he’s going to help, or what exactly he’s up to!” Yeah, how dare he go out and be all heroic and stuff when you want him here slobbering over your big boobs.
Katie MacAlister (Holy Smokes (Aisling Grey, #4))
Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.
Gordon Korman (One False Note (The 39 Clues, #2))
And ultimately, they find out everything: How you chew, how you sip, how you hum, how you dance. How you smell at every point in the day, how you are on the phone with your mother, the fact that many of your friends are shallow, that you always have to sit on the aisle, how you never really listen, how whiny you get when you travel, how you’re not gracious to her friends when they call, how certain game shows make you really really happy, how cranky you get because you’re too stupid to remember to eat, how you manage to get confrontational only when it’s with the absolute wrong person to be yelling at, how you don’t like the way you look in any picture you’ve taken since 1973, how you’re unable to get off the phone when you’re running late because you don’t have the ability to say, “This isn’t a good time; can I call you back?” How you have to lick certain fruits before actually eating them, how you have no ability to save receipts - all these things, and they still want to sign on. They still like you.
Paul Reiser (Couplehood)
...a kid, maybe eight years old, ran up and poked her in the ribs with a plastic laser weapon, making electric zinging noises as he repeatedly pulled the trigger. “You’re dead,” he said victoriously. His mother came hurrying up, looking harassed and helpless. “Damian, stop that!” She gave him a smile that was little more than a grimace. “Don’t bother the nice people.” “Shut up,” he said rudely. “Can’t you see they’re Terrons from Vaniot.” The kid poked her in the ribs again. “Ouch!” He made those zinging noises again, taking great pleasure in her discomfort. She plastered a big smile on her face and leaned down closer to precious Damian, then cooed in her most alienlike voice, “Oh, look, a little earthling.” She straightened and gave Sam a commanding look. “Kill it.” Damian’s mouth fell open. His eyes went as round as quarters as he took in the big pistol on Sam’s belt. From his open mouth began to issue a series of shrill noises that sounded like a fire alarm. Sam cursed under his breath, grabbed Jaine by the arm, and began tugging her at a half-trot toward the front of the store. She managed to snag her purse from the buggy as she went past. “Hey, my groceries!” she protested. “You can spend another three minutes in here tomorrow and get them,” he said with pent-up violence. “Right now I’m trying to keep you from getting arrested.” “For what?” she asked indignantly as he dragged her out of the automatic doors. People were turning to look at them, but most were following the sounds of Damian’s shrieks to aisle seven. “How about threatening to kill that brat and causing a riot?” “I didn’t threaten to loll him! I just ordered you to.
Linda Howard (Mr. Perfect)
And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.
Hanif Abdurraqib
So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display. “They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions. Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.” “I don’t get what half these descriptions mean . . . What’s a vibrating ring?” “Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.” I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’” “I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.” “But blue’s my favorite color,” I say, batting my eyelashes at him. “Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?” “For the visually impaired?” I ask, reshelving the boxes. We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave. “Do you think he knew?” I ask. “You’re blushing again,” Jase mutters absently. “Did who know what?” “The sales guy. Why we were buying these?” A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.” Okay, I’m ridiculous. “Or party favors,” I laugh. “Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.” “Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans. “Or little raincoats for . . .” He pauses, stumped. “Barbie dolls,” I suggest. “G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
Huntley Fitzpatrick (My Life Next Door)