Dorothy Miles Quotes

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For the first time ever we are bound together instead of miles apart in the same place.
Dorothy Koomson (The Woman He Loved Before)
Two mornings later, entering her daughter’s room, Kate was struck by the flatness of the bed, and then by the sight of a folded paper laid dead centre of the untenanted pillow. Unfolded, it proved to be a witty and delightfully-written apology from her daughter for upsetting the household, coupled with the information that, having some business of vital importance to transact north of the Border in the immediate future, she had taken the liberty of leaving for a few days without permission, as she just knew that Kate would make a fuss and stop her. She would be back directly with some heather, and Kate was not to worry and not to speak to any strange men. She had, Philippa concluded, taken Cheese-wame Henderson with her: thus becoming the only known fugitive to persuade her bodyguard to run away, too. It was a typical Somerville letter, and in other circumstances Kate no doubt would have been charmed by the spelling alone. As it was, she roused the neighbourhood for ten miles around, and there was no able-bodied Englishman within reach of Flaw Valleys who slept in his own bed that night or the next.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife. Their house was small, for the lumber to build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar—except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
So you pack up your dreams and move here like a hip, arty Dorothy heading to a sexy version of Oz. But then you arrive to find it’s a five-hundred-square-mile parking lot filled with plastic surgery and parties you’re not invited to.
Karen Kilgariff (Stay Sexy & Don't Get Murdered: The Definitive How-To Guide)
She bade her friends good-bye, and again started along the road of yellow brick. When she had gone several miles she thought she would stop to rest, and so climbed to the top of the fence beside the road and sat down. There was a great cornfield beyond the fence, and not far away she saw a Scarecrow, placed high on a pole to keep the birds from the ripe corn. Dorothy leaned her chin upon her hand and gazed thoughtfully at the Scarecrow. Its head was a small sack stuffed with straw, with eyes, nose, and mouth painted on it to represent a face. An old, pointed blue hat, that had belonged to some Munchkin, was perched on his head, and the rest of the figure was a blue suit of clothes, worn and faded, which had also been stuffed with straw. On the feet were some old boots with blue tops, such as every man wore in this country, and the figure was raised above the stalks of corn by means of the pole stuck up its back.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
imagine the communion table stretching on for miles, to remind us that when we take Communion, we mysteriously feast with all those who are in Christ.4 In the Eucharist we commune with Dorothy Day and Saint Augustine, the apostle Paul and Billy Graham, Flannery O’Connor and my own grandmother. One day we will all feast together, in the flesh, with Christ himself.
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
Jerott’s voice was stony. ‘I am prepared to go wherever I can be of most help. I meant only that I expect to be too occupied to give the attention I ought to Mile Marthe’s safety. I think M. Gaultier should come with us.’ ‘Then who,’ said Lymond agreeably, ‘do you suggest looks after the spinet?’ ‘Onophrion?’ ‘Jerott,’ said Lymond, with the thinnest edge beginning to show in his voice.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
I suggested in my last sermon that if Oolon Colluphid had tracked down the "God" who had left a message in five mile high letters of fire on the Quentulus Quazgar Mountains, he still wouldn't have found the person who actually created the The Hitchhiker's Guide to the Galaxy – namely, Douglas Adams. Dorothy L. Sayers pressed the idea that "God is like an author" quite hard, and C.S. Lewis practically broke it. It's also been used by Mr Grant Morrison and Mr David Sim. But seriously. You "brights" will understand us Christians much better once you've grasped that when we talk about "God", we are thinking of something much less like a fairy and much more like a Douglas.
Andrew Rilstone (Where Dawkins Went Wrong)
Depression is suffered by people who see no reason to like themselves at all. Depression is a state of self-hate. It is the horror of feeling oneself inescapably bound within the body of someone you fear, loathe and despise. Depression is a state of mind that inevitably invites paranoia; if you find yourself loathsome, you expect the rest of the world to find you loathsome too. What’s more, you feel you have no business infecting other people’s existence with your unpleasant presence … Because I have this loony belief that I am somehow contagious, and that those who might catch whatever it is hate me anyway, I become hysterically frightened of other people. I ignore the phone and hide if someone knocks at the door. If I have to go to the bank or the shops I will either walk miles the long way round to avoid people I know, or travel to another town where I can be fairly sure of going unrecognised … Many depressives commit suicide, I’m sure, as the last act of unselfishness … I’m convinced that many of the neat, quiet, unexpected suicides are committed by depressives who quite simply wish not to be a nuisance any longer … I find it quite easy when I’m at my lowest to present a logical case for my removal. It would, for instance, be infinitely kinder to my family. Hours are spent working out which would be the least inconvenient moment to lay my head in the gas oven. There never is a convenient moment, of course, because I’ve learnt over the years to crowd my schedule with certain unavoidable commitments … I always make sure I’m permanently in debt because I would feel it rather disgraceful to go leaving other people to pay my bills.
Dorothy Rowe (Depression: The Way Out of Your Prison)
build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar--except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. When Dorothy stood in the doorway and looked around, she could see nothing but the great gray prairie on every side. Not a tree nor a house broke the broad sweep of flat country that reached to the edge of the sky in all directions. The sun had baked the plowed land into a gray mass, with little cracks running through it. Even the grass was not green, for the sun had burned the tops of the long blades until they were the same gray color to be seen everywhere. Once the house had been painted, but the sun blistered the paint and the rains washed it away, and now the house was as dull and gray as everything else. When Aunt Em came there to live she was a young, pretty wife. The sun and wind had changed her, too. They had taken the sparkle from her eyes and left them a sober gray; they had taken the red from her cheeks and lips, and they were gray also. She was thin and gaunt, and never smiled now. When Dorothy, who was an orphan, first came to her, Aunt Em had been so startled by the child's laughter that she would scream and press her hand upon her heart whenever Dorothy's merry voice reached her ears; and she still looked at the little girl with wonder that she could find anything to laugh at. Uncle Henry never laughed. He worked hard from morning till night and did not know what joy was. He was gray also, from his long beard to his rough boots, and he looked stern and solemn, and rarely spoke. It was Toto that made Dorothy laugh, and saved her from growing as gray as her other surroundings. Toto was not gray; he was a little black dog, with long silky hair and small black eyes that twinkled merrily on either side of his funny, wee nose. Toto played all day long, and Dorothy played with him, and loved him dearly. Today, however, they were not playing. Uncle Henry sat upon the doorstep and looked anxiously at the sky, which was even grayer than usual. Dorothy stood in the door with Toto in her arms, and looked at the sky too. Aunt Em was washing the
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
The Meeker Massacre, as newspapers across the country labeled it, gave Governor Pitkin an opportunity to make a special announcement to the press about the Ute threat: “My idea is that, unless removed by the government, they must necessarily be exterminated.” He pointed out “The advantages that would accrue from the throwing open of twelve million acres of land to miners and settlers. . . .” In August 1881 the U.S. Army force-marched virtually all of the Colorado Utes 350 miles to a reservation on a desolate stretch of land near Roosevelt, Utah.
Dorothy Wickenden (Nothing Daunted: The Unexpected Education of Two Society Girls in the West (A Historical Memoir))
Maybe it had been too much of a shock for her, imagining herself on a dusty ranch a thousand miles from the only life she’d ever known. Maybe he’d jumped the gun and proposed before she was ready. But he believed a man should go after what he wanted. And Lord help him, he wanted Ada.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
Since last Friday, too many of his thoughts had been centered on a certain young Bostonian with soft gray eyes and a stubborn streak a mile wide. He found himself thinking of her at the oddest times, imagining her making tea for Lillian or gathering flowers in the garden. He wondered what she’d look like dressed in a riding skirt and a Stetson, cantering with him across a rolling Texas grassland.
Dorothy Love (Beyond All Measure (Hickory Ridge, #1))
You rode sixty miles through the night for a brother who doesn’t exist. I haven’t been here for four years. I have been growing and changing, somewhere else, with different people, speaking a different language. The old ties are gone: my family wouldn’t recognize me: what in God’s name do you think I could find to say to them?
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
He knew what would happen. He has laid wagers with himself, I imagine, for days: how many hours, how many miles towards safety before he has to drop out.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
KATHERINE Here it goes. She turns the key in the ignition. Click, click, click. The engine whines, the car doesn’t start. DOROTHY That’s the starter. It’s definitely the starter. MARY That starter’s startin’ to make us late. We’re all gonna be unemployed driving this hunk of junk to work everyday. DOROTHY You’re welcome to walk the 16 miles. KATHERINE Or sit on the back of the bus.
Nathan Adams (Hidden Figures : Screenplay)
What blocks black women from getting the cancer care available to white women? One barrier is that black women do not have the same access to mammography. Black neighborhoods have fewer facilities that provide breast cancer screening. The sole mammogram machine in Englewood, a predominantly black area on Chicago’s South Side, was broken for months. Women were sent ten miles away to get screened. Even the state-of-the-art John H. Stroger Hospital, which replaced Chicago’s aging Cook County Hospital in 2002 and serves many of the city’s poor African Americans, ran up a backlog of more than ten thousand women seeking mammograms.5 Mammograms cost about $150, which can be prohibitive for a woman struggling to feed her children. Medicaid paid only about half of the cost, so many hospitals in Chicago didn’t offer mammograms to women on Medicaid. “What does it mean if you have to take three buses to get to a place that gives mammograms, and then when you get there, you say, ‘Here is my Medicaid card,’ and they say, ‘Sorry, we don’t take that’?” Whitman asks.
Dorothy Roberts (Fatal Invention: How Science, Politics, and Big Business Re-create Race in the Twenty-First Century)