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But what horror lacked in size, it made up for in substance, and Chrissy came to understand that someone who loved horror worked there. Had to. No library would order fantastic books like BETA by Sammy Scott, Anathema by Nick Roberts, and Experimental Film by Gemma Files without having an employee who knew, understood, and loved the genre. These weren’t books that the mass public fed on, but the types that nurture a genuine sense of horror, feeding the diehards of literary trauma.
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