Donkey Skin Quotes

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Jesus got up one day a little later than usual. He had been dreaming so deep there was nothing left in his head. What was it? A nightmare, dead bodies walking all around him, eyes rolled back, skin falling off. But he wasn't afraid of that. It was a beautiful day. How 'bout some coffee? Don't mind if I do. Take a little ride on my donkey, I love that donkey. Hell, I love everybody.
James Tate
Donkey milk abounds with vitamin C, proteins, and fatty acids, conferring a multitude of antiaging benefits for your skin. Cleopatra was known to bathe in donkey milk to maintain her renowned beauty and youthfulness, so if it’s good enough for the Queen of the Nile, isn’t it good enough for you?
Kevin Kwan (Sex and Vanity)
A labourer sat in a gin shop soon after dawn, reading his Pickwick. He was joined by a fishmonger, also with his Pickwick, whose reeking skin would normally drive men to anywhere else, but not now, for a jolly mood bonded the two and they talked of the antics on a Pickwickian page. Then came a man who parked his donkey cart outside, and, having given the beast a nosebag, he sipped gin noisily in between quoting Sam Weller; and then a milkmaid came, who put down her pails, and she too stopped for a gin and a few minutes’ talk of Pickwick. The surgeon would read Pickwick in a cab on his way to the hospital; the omnibus driver would read Pickwick while the horses were changed; the blacksmith would read Pickwick while waiting for metal in a furnace; the cook would read Pickwick when she was stirring the soup; the mother would read Pickwick when the child was at her breast. In all the unfilled gaps in people’s lives, in all those moments when it was possible for reading to overlap another activity, Pickwick appeared.
Stephen Jarvis (Death and Mr. Pickwick)
The donkey skin - burn it. But not until you find true love. You'll lose your chance at love forever if you shed you skin too soon.
Amber Sparks (And I Do Not Forgive You: Stories & Other Revenges)
Other people just possess you, she'd told her friend, the butcher. Is that so bad ? he'd asked. To be possessed ? It's the worst fate of all, she'd say. The donkey skin, she thought, was everything else in the world; it was solitude : anonymous, bloody, and happy ever after.
Amber Sparks (And I Do Not Forgive You: Stories & Other Revenges)
Eyes of the Cat I wrote this little story for the schoolgirl who said my stories weren’t scary enough. Her comment was ‘Not bad’, and she gave me seven out of ten. Her eyes seemed flecked with gold when the sun was on them. And as the sun set over the mountains, drawing a deep red wound across the sky, there was more than gold in Kiran’s eyes. There was anger; for she had been cut to the quick by some remarks her teacher had made—the culmination of weeks of insults and taunts. Kiran was poorer than most of the girls in her class and could not afford the tuitions that had become almost obligatory if one was to pass and be promoted. ‘You’ll have to spend another year in the ninth,’ said Madam. ‘And if you don’t like that, you can find another school—a school where it won’t matter if your blouse is torn and your tunic is old and your shoes are falling apart.’ Madam had shown her large teeth in what was supposed to be a good-natured smile, and all the girls had tittered dutifully. Sycophancy had become part of the curriculum in Madam’s private academy for girls. On the way home in the gathering gloom, Kiran’s two companions commiserated with her. ‘She’s a mean old thing,’ said Aarti. ‘She doesn’t care for anyone but herself.’ ‘Her laugh reminds me of a donkey braying,’ said Sunita, who was more forthright. But Kiran wasn’t really listening. Her eyes were fixed on some point in the far distance, where the pines stood in silhouette against a night sky that was growing brighter every moment. The moon was rising, a full moon, a moon that meant something very special to Kiran, that made her blood tingle and her skin prickle and her hair glow and send out sparks. Her steps seemed to grow lighter, her limbs more sinewy as she moved gracefully, softly over the mountain path. Abruptly she left her companions at a fork in the road. ‘I’m taking the short cut through the forest,’ she said. Her friends were used to her sudden whims.
Ruskin Bond (The Laughing Skull)
With her left hand, Herself clumsily tucked the shells into her nightgown and straightened them, each cuntshell wrapped in its cradle of braided lavender or gray or black cotton thread now touching her skin. Herself had told Donkey that each shell was a woman's life saved at great cost, and she needed to keep the shells warm and safe while she lived, giving these souls their time in the world. Baba Rose had had over a hundred shells on her necklace when she'd finally been unable to get out of bed under the burden. Every time Herself told the story of how Baba Rose died, there was another cause, and Donkey had to assume that the ghost whose fire had warmed their cottage for so many years had died of all of it, of everything.
Bonnie Jo Campbell (The Waters)
Dear Me, I made a jackass out of myself tonight. I couldn’t stop it. The second I saw Stacy, I sprouted big donkey ears and a tail. I don’t know why she gets under my skin. Why should I care what she thinks of me? She’ll be gone right along with Jason when Alana gets bored. Alana’s lasagna was terrible. No one noticed that I was slipping the harder pieces of it into my salad bowl and hiding them under the lettuce. It’s a good thing they don’t have a dog because if it was to eat the scraps, it would surely die. Jason and Stacy are gonna be shitting pasta shards. I feel sorry for Jason, not so much for Stacy. I’ll have to patch things up with Alana, so this may not be the right time to tell her that her cooking is lethal. She was pissed when I left her house. I’m sure she’ll tell Mom and Grammy I was a jerk. Jason was probably mad at me too. I feel a little bad about that. Me
Robin Alexander (Dear Me)
A rhyming Nativity narrative. "The donkey who carried Mary to the Nativity calmly focuses on feelings of wonderment surrounding the child’s birth. With huge eyes...the little donkey is utterly adorable. Lines like “a bit of tingle-my-toes. / That’s how the evergreen / smelled to me, / a bit of fresh pine to my nose” offer opportunities for caregivers to extend the reading to sensory activities, though the scent of pine doesn’t seem historically accurate. An uncluttered stable features friendly, curious barn animals that greet baby Jesus along with the three Wise Men. Told in verse, the tale evokes a tender, pleasant mood. ...“I lifted my head / above His hay bed // …and sang of this morning of grace.” Jesus, referred to as “the Baby” and “the Babe,” is tan-skinned, as are his parents. Two of the Wise Men are light-skinned, while one is darker-skinned. A gentle, spare tale, part bedtime story, part Christmas fare. (Picture book. 2-5)" Kirkus Reviews
Jacki Kellum (The Donkey's Song: A Christmas Nativity Story)
One goes, if, into a cave of a lion, then he may get pearls obtained from the elephant’s head; but if he goes into a hole of a jackal, then all he may find is a tail of a calf or a piece of a donkey’s skin.
Rajen Jani (Old Chanakya Strategy: Aphorisms)
Alternatively, hunters may have caught and ‘adopted’ a lamb, fattening it during the months of plenty and slaughtering it in the leaner season. At some stage they began keeping a greater number of such lambs. Some of these reached puberty and began to procreate. The most aggressive and unruly lambs were first to the slaughter. The most submissive, most appealing lambs were allowed to live longer and procreate. The result was a herd of domesticated and submissive sheep. Such domesticated animals – sheep, chickens, donkeys and others – supplied food (meat, milk, eggs), raw materials (skins, wool), and muscle power. Transportation, ploughing, grinding and other tasks, hitherto performed by human sinew, were increasingly carried out by animals. In most farming societies people focused on plant cultivation; raising animals was a secondary activity. But a new kind of society also appeared in some places, based primarily on the exploitation of animals: tribes of pastoralist herders.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I thought the horses would run over me, that any moment their feet would crush my back and head. Something struck me, and I fell and landed on my face; dust filled my eyes. I heard the sound of a man landing from his horse and some shuffling. Then I was in the air. I had been lifted by the man, whose hand was gripping my ribs, the other hand my legs. ... He had put me on his saddle and he tied me onto it. I felt a rope against my back, digging into my skin. He was tying me to the horse. ... Two days later I was thrown onto the ground and told that that was where I would be sleeping. I awoke to the smell of something burning. It smelled like flesh on fire... the Arab was putting a burning metal rod to my head. He was branding me. In my ear he branded the number 8, turned on its side. Moses turned to show me. It was a very rough marking, the symbol raised and purple, scarred into the flesh behind his ear. —Now you will always know who owns you, this man said to me. The pain was so intense that I passed out. I woke when I was being lifted. I was thrown on the saddle again and he tied me down again, this time tighter than before. We rode for two more days. ... It was some kind of military camp. Hundreds “of boys like me were there, all under twelve, Dinka and Nuer boys. I was put in a huge barn with all of these boys, and we were locked inside. There was no food. The barn was full of rats; everyone was being bitten by them. ... Every time there was a battle, the boys would be brought out from the barn and made to give blood. ... I was put on a horse again and we rode for many days. We stopped at a house, a very well-built house. It was the house of an important man, Captain Adil Muhammad Hassan. I learned that I was being given as a gift. Hassan was very thankful and the two of them went inside to eat. I was still tied to the horse outside. They were gone inside all evening and I stayed on the horse. ... The man had two wives, and three children, all the children very young. I thought that the kids would be decent to me, but they were crueler than their parents. The kids were taught to beat me and spit on me. “The kids especially liked to whip me. The oldest boy, when he was left alone with me, would whip me without pause. ... I squatted in the yard like a frog, and he brought his children out and told them to jump on me. They sat on my back and pretended that I was a donkey, and they laughed, and Hassan laughed. They called me a stupid donkey. And the kids fed me garbage. They said I had to eat it, so I ate it—anything they gave me. Animal fat, tea bags, rotten vegetables. ... “There was another Sudanese there, a girl named Akol. She worked in the kitchen, mostly, but she was pregnant with Hassan’s baby so his wife hated her. The wife would find Akol crying for her mother and she would scream at her, threatening to slit her throat with a knife. She called her bitch and slave and animal.
Dave Eggers (What Is the What)
Heather’s face was serious. 'What did this boy want to do with you, Jessie?' Jess looked away, her voice low and ashamed. 'He said it would just be a couple of his friends. And a donkey.
Kirsty Eagar (Summer Skin)
Fra Beltramino also mentions the Game of Diana (Ludus Dianae), which is nothing other than a trip taken by Doubles. Petrina, from the time you were sixteen until the date of this confession, you have continually taken part in a certain game of Diana, whom you call Herodias [ fuisti ad ludum Diane quam vos apelatis Herodiadem], and you have come before this mistress and have always given her your devotion, in the following manner: you have bowed down to her and spoken these words, “May you fare well, Lady Horiens” In answer to you, she herself has said, “May you fare well, good people.” And you have said that they go to the game in the form of animals, or more exactly as a donkey, a fox, or as human beings, as living or dead people, and that those who were beheaded or hanged display a great sense of awe and do not dare to lift up their heads in that company. You also said that in that society they kill animals and eat their flesh, but that they place the bones back into the skin, and the mistress herself strikes the skin of the slaughtered animals with the staff that she holds in her hand with the apple [cum bacheta quam portat in manu cum pomo percutit], and these animals at once revive, but they are never much good for work thereafter. You said that they go with their mistress through the houses of various people, and they eat and drink there, and they rejoice [ibi comedunt et bibunt et multum letantur] in finding houses that are spacious and well ordered, and the mistress then gives her blessing to this house [dat illa domina benedictionem dicte domui].
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)