Don't Pop Up Quotes

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I want a life that sizzles and pops and makes me laugh out loud. And I don't want to get to the end, or to tomorrow, even, and realize that my life is a collection of meetings and pop cans and errands and receipts and dirty dishes. I want to eat cold tangerines and sing out loud in the car with the windows open and wear pink shoes and stay up all night laughing and paint my walls the exact color of the sky right now. I want to sleep hard on clean white sheets and throw parties and eat ripe tomatoes and read books so good they make me jump up and down, and I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Would you like me to grovel with gratitude for bringing me here, High Lord?" "Ah. The Suriel told you nothing important, did it?" That smile of his sparked something bold in my chest. "He also said that you liked being brushed, and if I'm a clever girl, I might train you with treats." Tamlin tipped his head to the sky and roared with laughter. Despite myself, I let out a quiet laugh. "I might die of surprise," Lucien said behind me. "You made a joke, Feyre." I turned to look at him with a cool smile. "You don't want to know what the Suriel said about you." I flicked my brows up, and Lucien lifted his hands in defeat. "I'd pay good money to hear what the Suriel thinks of Lucien," Tamlin said. A cork popped, followed by the sounds of Lucien chugging the bottle's contents and chuckling with a muttered, "Brushed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Fanfiction is what literature might look like if it were reinvented from scratch after a nuclear apocalypse by a band of brilliant pop-culture junkies trapped in a sealed bunker. They don't do it for money. That's not what it's about. The writers write it and put it up online just for the satisfaction. They're fans, but they're not silent, couchbound consumers of media. The culture talks to them, and they talk back to the culture in its own language.
Lev Grossman
It's an odd thing to think about, but try imagining that your breakup is a disease. If you were told that you had a serious yet curable disease, would you go get hammered on a regular basis? Eat two bags of Oreos? Chain-smoke, pop, pills, get stoned, or fuck around? NO YOU WOULDN'T. You would take great care of yourself and cut all the unhealthy things out of your life. Because you love yourself, and even if you don't right now, WE DO. So put the (insert vice here) and start moving on.
Greg Behrendt (It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy)
I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
There are young men and women up and down the land who happily (or unhappily) tell anyone who will listen that they don’t have an academic turn of mind, or that they aren’t lucky enough to have been blessed with a good memory, and yet can recite hundreds of pop lyrics and reel off any amount of information about footballers. Why? Because they are interested in those things. They are curious. If you are hungry for food, you are prepared to hunt high and low for it. If you are hungry for information it is the same. Information is all around us, now more than ever before in human history. You barely have to stir or incommode yourself to find things out. The only reason people do not know much is because they do not care to know. They are incurious. Incuriosity is the oddest and most foolish failing there is.
Stephen Fry (The Fry Chronicles)
Why would Gaia be back at camp?’ Leo asked. ‘Percy’s nosebleed was here.’ ‘Dude,’ Percy said, ‘first off, you heard Athena – don’t blame my nose. Second, Gaia’s the earth. She can pop up anywhere she wants. Besides, she told us she was going to do this. She said the first thing on her to-do list was destroying our camp. Question is: how do we stop her?
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Sometimes if you let people do things to you, you’re really doing it to them,” Amma said, pulling another Blow Pop from her pocket. Cherry. “Know what I mean? If someone wants to do fucked-up things to you, and you let them, you’re making them more fucked up. Then you have the control. As long as you don’t go crazy.
Gillian Flynn (Sharp Objects)
Funny how new facts pop up and make you doubt that there's any goodness in life. Everyone pretends to be normal and be your friend, but underneath, everyone is living some other life you don't know about...
James Franco (Palo Alto)
Don't be an asshole" Rhage summed up the regurgitation with two words: "Kettle.Black." Fucking hell. "Did you guys plan that out?" "Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time" "Spare me." "Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..." The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers. Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough. "For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home" Someone else chimed in, "You know, I never thought there were advantages to being blind..." "Or deaf" "Or mute," somebody added
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
Back up,” I said. “What did Sam mean by again? You’ve lost your hammer before?” “Once,” Thor said. “Okay, twice. Three times if you count this time, which you shouldn’t, because I am not admitting that the hammer is missing.” “Right…” I said. “So how did you lose it?” “I don’t know!” Thor started to pace again, his long red hair sparking and popping. “It was just like…Poof! I tried retracing my steps. I tried the Find My Hammer app, but it doesn’t work!
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
Art isn't only a painting. Art is anything that's creative, passionate, and personal. And great art resonates with the viewer, not only with the creator. What makes someone an artist? I don't think is has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artists who works with oil paints or marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances. An artists is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artists takes it personally. That's why Bob Dylan is an artist, but an anonymous corporate hack who dreams up Pop 40 hits on the other side of the glass is merely a marketer. That's why Tony Hsieh, founder of Zappos, is an artists, while a boiler room of telemarketers is simply a scam. Tom Peters, corporate gadfly and writer, is an artists, even though his readers are businesspeople. He's an artists because he takes a stand, he takes the work personally, and he doesn't care if someone disagrees. His art is part of him, and he feels compelled to share it with you because it's important, not because he expects you to pay him for it. Art is a personal gift that changes the recipient. The medium doesn't matter. The intent does. Art is a personal act of courage, something one human does that creates change in another.
Seth Godin (Linchpin: Are You Indispensable?)
And then, when he’s been underwater so long I feel certain he’s drowned, his head pops up right next to me and I start. “Don’t do that,” I say. “What? Come up or stay under?” he says. “Either. Neither. Whatever
Suzanne Collins (Catching Fire (The Hunger Games, #2))
At the beginning of the semester, when you asked who I loved the most, an image of my mother popped in my head. When you asked me who I loved the most for the second time, it wasn’t an image of my mother. Instead, it was replaced by an image of a strawberry blonde with big, blue eyes. It took me a long time to figure out the exact moment I fell in love with her, partly because I denied that I did until it was too late. I fucked up so badly and did so many things wrong, to the point of no return, so I let her go. The selfless part inside of me wants to say I did the right thing, and the selfish part of me thinks I made the biggest mistake of my life. I guess the selfless side won out because, every time I look at her and see what I did, I realize I don’t deserve her. I was never supposed to fall in love with her, but that was the best mistake of my life. I will always love her; I have ever since I purposely bumped into her in the hallway.
Sarah Brianne (Nero (Made Men, #1))
Someone will always pop up to say, "You would be more effective if you were nicer." "You would have a more receptive audience if you adjusted your tone." "You catch more flies with honey." Well, I don't want flies. The most likable woman in the world is crawling with fucking flies.
Lindy West (The Witches Are Coming)
people always say that it hurts at night and apparently screaming into your pillow at 3am is the romantic equivalent of being heartbroken. but sometimes it’s 9am on a tuesday morning and you’re standing at the kitchen bench waiting for the toast to pop up and the smell of dusty sunlight and earl gray tea makes you miss him so much you don’t know what to do with your hands.
rosie scanlan
A lie is when you say something happened which didn't happen. But there is only ever one thing which happened at a particular time and a particular place. And there are an infinite number of things which didn't happen at that time and that place. And if I think about something which didn't happen I start thinking about all the other things which didn't happen. For example, this morning for breakfast I had Ready Brek and some hot raspberry milkshake. But if I say that I actually had Shreddies and a mug of tea I start thinking about Coco-Pops and lemonade and Porridge and Dr Pepper and how I wasn't eating my breakfast in Egypt and there wasn't a rhinoceros in the room and Father wasn't wearing a diving suit and so on and even writing this makes me feel shaky and scared, like I do when I'm standing on the top of a very tall building and there are thousands of houses and cars and people below me and my head is so full of all these things that I'm afraid that I'm going to forget to stand up straight and hang onto the rail and I'm going to fall over and be killed. This is another reason why I don't like proper novels, because they are lies about things which didn't happen and they make me feel shaky and scared. And this is why everything I have written here is true.
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Sometmes when you pull knives on people, they get this impression that you're going to hurt them, and then they're completely terrified. Crazy, I know!" "Okay," said Nick. He turned to Jamie & popped his left wrist sheath again. "Look." Jamie backed up. "Which part of 'completely terrified' did you translate as 'show us your knives, Nick'? Don't show me your knives, Nick. I have no interest in your knives." Nick rolled his eyes. "This is a quillon dagger. That's a knife with a sword handle. I like it because it has a good grip for stabbing." "Why do you say these things?" Jamie inquired piteously. "Is it to make me sad?" "I didn't have you cornered," Nick went on. "You could've run. And this dagger doesn't have an even weight distribution; it's absolute rubbish for throwing. If I had any intention of hurting you, I'd have used a knife I could throw." Jamie blinked. "I will remember those words always. I may try to forget them, but I sense that I won't be able to.
Sarah Rees Brennan (The Demon's Covenant)
Hmm,” Logan hummed in his ear. “You don’t taste like a cherry anymore.” Tate turned his head on the pillow. “A cherry? I don’t—” “Yep,” Logan interrupted, kissing his cheek. “I popped it, sucked on the seed, then licked it all up, and made it mine.
Ella Frank (Try (Temptation, #1))
How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing. “Great, thanks, Big Josh. How You Doing?” “Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug. I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.” We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives. “Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.” We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?” Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force. “Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.” “It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
Sally Thorne (The Hating Game)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Fucking hell. "Did you guys plan that out?" "Yeah, and if you don't fight us"--Hollywood bit down on his grape Tootsie-Pop--"we'll do it again--only with dance moves this time." "Spare me." "Fine. Unless you agree to home it, we will rock the dance moves.". To prove the point, the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of, "Uh-huh, uh-huh, ohhh, yeeeeeeaaaah, who's your daddy....
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
I want to grow up with my audience. I don't expect to be getting through to the younger pop crowd. I learned that from Paul Simon.
Joe Strummer
You shouldn't make friends with crows,” he'd told her. “Why not?” she asked. He'd looked up from his desk to answer, but whatever he'd been about to say had vanished on his tongue. The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her checks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world. “Why not” shed repeated, eyes still closed. He said the first thing that popped into his head. “They don't have any manners.” “Neither do you, Kaz.” She'd laughed, and if he could have a bottled the sound and gotten drunk on it every night, he would have. It terrified him.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I had a dream this morning too, and you were in it," he said. "I don't remember what it was about, exactly, but when I woke up I looked at the clock and it was exactly six thirty-two." I felt an eerie tingle all down my back and froze with my spoon halfway to my mouth. "Really?" He smirked and popped the cookie into his mouth. "No
Kate Brian (Ominous (Private, #13))
And that was like twenty years ago and you still hate him.” “So?” He pops up a cucumber slice into his mouth. “So don’t you think maybe it’s time to bury the hatchet?” “Can I bury it in his skull?
Elle Kennedy (The Risk (Briar U, #2))
You decent?” I pulled the towel up a little higher. “Yes, if my wrinkled toes don’t offend.” Marco’s swarthy head popped around the doorjamb. “Naw, they’re cute.
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
Having autism is like having too many tabs open on a computer. Or more accurately, it’s like trying to surf the web without an ad blocker. Every time you click on something, another window pops up.
Michael McCreary (Funny, You Don't Look Autistic: A Comedian's Guide to Life on the Spectrum)
The manager turned up his palms. "I don't have those answers, Samirah, but Huginn and Muninn will brief you privately. Go with them to the high places of Valhalla. Let them show you thoughts and memories." To me, that sounded like some trippy vision quest with Darth Vader appearing in a foggy cave.
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
You want to …?” His other eye popped open as I started to slide down his body, intent on exploring that part of him which had given me so much pleasure. He grabbed me before I was able to move four inches. I looked up, worried that I had done something wrong. A familiar strained, tense look was on his face, his eyes screwed up tight. I looked down at his penis. It was no longer in a resting state. “I thought you were sated?” I was. Until you went and mentioned doing that to me. No! Don’t touch me there, woman! For the love of – grk!” A half hour later, Gabriel, his arm wrapped around me because my legs were unusually weak, hustled me toward the house with a grim look on his face. I will beat this,” he muttered. “I am a wyvern, I am strong. I will control my needs long enough to give you pleasure, and you will enjoy it, dammit!” I said nothing, but I smiled. A lot. [May and Gabriel, pg. 307]
Katie MacAlister (Playing With Fire (Silver Dragons, #1))
Step 6: Stop enjoying things ironically. Just enjoy them Know what? I love Britney Spears and Forever 21. And I could pretend like it’s this whole meta thing where I’m not actually enjoying it but rather just making this esoteric statement on lowbrow culture, but (insert handjob motion here). The truth is that I love trashy dance pop and the garments that are its clothing equivalent. You don’t need to make your tastes a self-conscious statement about who you are. Just unapologetically like the things you like.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Honey, you could suck the center out of a Tootsie Pop and I’d still say no. Not that I don’t appreciate your offer.
Kristen Callihan (The Hook Up (Game On, #1))
David Foster Wallace: I think the reason why people behave in an ugly manner is that it’s really scary to be alive and to be human, and people are really really afraid. And that the reasons… That the fear is the basic condition, and there are all kinds of reasons for why we’re so afraid. But the fact of the matter is, is that, is that the job that we’re here to do is to learn how to live in a way that we’re not terrified all the time. And not in a position of using all kinds of different things, and using people to keep that kind of terror at bay. That is my personal opinion. Well for me, as an American male, the face I’d put on the terror is the dawning realization that nothing’s enough, you know? That no pleasure is enough, that no achievement is enough. That there’s a kind of queer dissatisfaction or emptiness at the core of the self that is unassuageable by outside stuff. And my guess is that that’s been what’s going on, ever since people were hitting each other over the head with clubs. Though describable in a number of different words and cultural argots. And that our particular challenge is that there’s never been more and better stuff comin’ from the outside, that seems temporarily to sort of fill the hole or drown out the hole. Personally, I believe that if it’s assuageable in any way it’s by internal means. And I don’t know what that means. I think it’s fine in some way. I think it’s probably assuageable by internal means. I think those internal means have to be earned and developed, and it has something to do with, um, um, the pop-psych phrase is lovin’ yourself. It’s more like, if you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do this.
David Lipsky (Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
We only see what we want to see, and hear what we want to hear. We don’t perceive things the way they are. We have the habit of dreaming with no basis in reality. We literally dream things up in our imaginations. Because we don’t understand something, we make an assumption about the meaning, and when the truth comes out, the bubble of our dream pops and we find out it was not what we thought it was at all.
Miguel Ruiz (The Four Agreements: A Practical Guide to Personal Freedom)
The problem is, it's just not enough to live according to the rules. Sure, you manage to live according to the rules. Sometimes it's tight, extremely tight, but on the whole you manage it. Your tax papers are up to date. Your bills paid on time. You never go out without your identity card (and the special little wallet for your Visa!). Yet you haven’t any friends. The rules are complex, multiform. There’s the shopping that needs doing out of working hours, the automatic dispensers where money has to be got (and where you so often have to wait). Above all there are the different payments you must make to the organizations that run different aspects of your life. You can fall ill into the bargain, which involves costs, and more formalities. Nevertheless, some free time remains. What’s to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don’t interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven’t always wanted to die. You have had a life. There have been moments when you were having a life. Of course you don't remember too much about it; but there are photographs to prove it. This was probably happening round about the time of your adolescence, or just after. How great your appetite for life was, then! Existence seemed so rich in new possibilities. You might become a pop singer, go off to Venezuela. More surprising still, you have had a childhood. Observe, now, a child of seven, playing with his little soldiers on the living room carpet. I want you to observe him closely. Since the divorce he no longer has a father. Only rarely does he see his mother, who occupies an important post in a cosmetics firm. And yet he plays with his little soldiers and the interest he takes in these representations of the world and of war seems very keen. He already lacks a bit of affection, that's for sure, but what an air he has of being interested in the world! You too, you took an interest in the world. That was long ago. I want you to cast your mind back to then. The domain of the rules was no longer enough for you; you were unable to live any longer in the domain of the rules; so you had to enter into the domain of the struggle. I ask you to go back to that precise moment. It was long ago, no? Cast your mind back: the water was cold.
Michel Houellebecq (Whatever)
She’d heard my theory on funnel cake and celery stalker men before. Most men were either like funnel cake: delicious and interesting, but who at the end of the day just aren’t good for the heart or complexion. Or they were celery: a sensible, healthy choice that didn’t really bring much to the table but an occasional crunch. If you OD on celery, you end up bingeing on cake behind closed doors. Funnel cake, while warm and delicious, is difficult to make. But you go there because you long for it like the double-twist stomach-dropping roller coaster as soon as you arrive at the amusement park. Wet ribbons of batter crackle and pop until golden and crisp, yielding in the center. The steamy swirls of tender yellow dough absorb confectioners’ sugar like pores. When the luxurious fat melts on your tongue, you exhale. You’ve got sticky batter, dribbling down spouts, leaving rings on your clean countertops, splattering oil growing darker and beginning to smoke. Layers of paper towels and oil-draining weapons clutter your space. With funnel cake, you’ve got steps to follow. Procedures. Rules. No one makes rules about celery. It’s always around for the snacking. You choose it when you’re dieting or trying not to consume too many wings over football. Come to think of it, you don’t even bother eating it when you diet. Instead it’s a conduit for blue cheese. You use it to make stocks and stuffing. It becomes filler, pantry almost.
Stephanie Klein (Straight Up and Dirty)
One day you'll do something, see something or get an idea that seems to pop up from nowhere. And you'll feel a kind of stirring- like a warm flicker inside your chest. When that happens, whatever you do, don't ignore it. Open your mind and explore the idea. Fan your flame.
Beth Hoffman (Saving CeeCee Honeycutt)
Imagine somewhere there is a poem that tastes like our goodbye felt. Biting down on foil, swallowing an unexpected mouthful of ocean water. Too much of a good thing: cotton candy, soda pop, licking chocolate icing from the jar. Acidic throat. A stomach ache. I have given up trying to write it. I don’t need to hold onto it anymore
Trista Mateer (Honeybee)
Um… Eve…can I ask…?” “About what?” Eve was still frowning at the pasta like she suspected it to do something clever, like try to escape the pot. “You and Michael.” “Oh.” A surge of pink to Eve’s cheeks. Between that and the fact that she was wearing colors outside of the Goth red and black rainbow, she looked young and very cute. “Well. I don’t know if it’s – God, he’s just so–” “Hot?” Claire asked. “Hot,” Eve admitted. “Nuclear hot. Surface of the sun hot. And–” She stopped, the flush in her cheeks getting darker. Claire picked up a wooden spoon and poked the pasta, which was beginning to loosen up. “And?” “And I was planning on putting the moves on him before all this happened. That’s why I had on the garters and stuff. Planning ahead.” “Oh, wow.” “Yeah, embarrassing. Did he peek?” “When you were changing?” Claire asked. “I don’t think so. But I think he wanted to.” “That’s okay then.” Eve blinked down at the pasta, which had formed a thick white foam on top. “Is it supposed to be doing that?” Claire hadn’t ever seen it happen at her parents’ house. But then again, they hadn’t made spaghetti much. “I don’t know.” “Oh, crap!” The white foam kept growing, like in one of those cheesy science fiction movies. The foam that ate the Glass House…it mushroomed up over the top of the pot and down over the sides, and both girls yelped as it hit the burners and began to sizzle and pop. Claire grabbed the pot and moved it. Eve turned down the burner. “Right, pasta makes foam, good to know. Too hot. Way too hot.” “Who? Michael?” Claire asked, and they dissolved in giggles.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
I yawned and I stretched. I sure was needing some sleep, but I guess I'm always in need of sleep like I'm always in need of food. Because my labors were mighty ones--ol' Hercules didn't know what hard work was--and what is there to do but eat and sleep? And when you're eatin' and sleepin' you don't have to fret about things you can't do nothing about. And what else is there to do but laugh an' joke...how else can you bear up under the unbearable?
Jim Thompson (Pop. 1280 (Crime Masterworks))
I think that even in all your worst moments of grief, you've wished for companionship. I think you're always, secretly, hoping for happy endings, even when they don't seem possible. You say compulsive but I think they're actually kind of just... tenacious. Like daisies popping up out of the snow. Grief has been sort of, I don't know, it sounds sappy, but like winter for you. And I think that the part of you that can't help but manufacture happiness, because that's who you are, it's been sending up these little flowers to pop up and keep you company.
Cara Bastone (Promise Me Sunshine)
Who is that woman? How did she find us?” “She’s ex-Mafia.” I inhale, like I just admitted I’m ex-Mafia or something. It doesn’t help that Mom glares at me as if I just confessed it, too. “Seriously, ex-Mafia? Like, the Mafia?” I nod. “Poseidon’s beard,” she mutters. I’m pretty sure I won’t get used to my mom using fishy cuss words anytime soon. “Try to lose her.” “It’s a long straight road with hardly any turns.” “Well, speed up!” She pops open the glove compartment. Then pulls out a freaking gun. “Mom-“ “Don’t start. It’s just to scare her. Usually all you have to do is show someone that you have a gun and that you’re not going to take any crap-“ “Did you hear what I said? She’s ex-Mob. Her gun probably eats guns like that for breakfast.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof. “You shouldn’t make friends with crows,” he’d told her. “Why not?” she asked. He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue. The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world. “Why not?” she’d repeated, eyes still closed. He said the first thing that popped into his head. “They don’t have any manners.” “Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Couples in distress too often turn to solutions that can be summed up by "You do your thing and I'll do my thing" or "You take care of yourself and I'll take care of myself." We hear pop psychology pronouncements such as "I'm not ready to be in a relationship" and "You have to love yourself before anyone can love you." Is any of this true? Is it really possible to love yourself before someone ever loves you? Think about it. How could this be true? If it were true, babies would come into this world already self-loving or self-hating. And we know they don't. In fact, human beings don't start by thinking anything about themselves, good or bad. We learn to love ourselves precisely because we have experienced being loved by someone. We learn to take care of ourselves because somebody has taken care of us.
Stan Tatkin (Wired for Love: How Understanding Your Partner's Brain and Attachment Style Can Help You Defuse Conflict and Build a Secure Relationship)
I figure sometimes that maybe that's why we don't make as much progress as other parts of the nation. People lose so much time from their jobs in lynching other people, and they spend so much money on rope and kerosene and getting likkered-up in advance and other essentials, that there ain't an awful lot of money or man-hours left for practical purposes.
Jim Thompson (Pop. 1280 (Mulholland Classic))
Dr. Bone Specialist came in, made me stand up and hobble across the room, checked my reflexes, and then made me lie down on the table. He bent my right knee this way and that, up and down, all the way out to the side and in. Then he did the same with my left leg. He ordered X rays then started to leave the room. I panicked. I MUST GET DRUGS. "What can I take for the pain?" I asked him before he got out the door. "You can take some over the counter ibuprofen," he suggested. "But I wouldn't take more than nine a day." I choked. Nine a day? I'd been popping forty. Nine a day? Like hell. I couldn't even go to the bathroom on my own, I hadn't slept in three weeks, and my normally sunny cheery disposition had turned into that of a very rabid dog. If I didn't get good drugs and get them now, it was straight to Shooter's World and then Walgreens pharmacy for me. "I don't think you understand," I explained. "I can't go to work. I have spent the last four days with my mother who is addicted to QVC, watching jewelry shows, doll shows and make-up shows. I almost ordered a beef-jerky maker! Give me something, or I'm going to use your calf muscles to make the first batch!" Without further ado, he hastily scribbled out a prescription for some codeine and was gone. I was happy. My mother, however, had lost the ability to speak.
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
Let me set this straight in case there’s any question about how many girls I’ve had or this whole girl-of-the-month thing that keeps popping up. It’s a rumor people like to perpetuate because of who I am. I date girls and we break up and I really don’t think about them much again. This isn’t that. You aren’t them. Never in a million years.” She kisses me. And shit, the world is golden.
Ilsa Madden-Mills (Boyfriend Bargain (Hawthorne University, #1))
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled. The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.” “Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?” A growl like none Butch had ever heard came out of the guy. “Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.” It took a minute before the model let go. “That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.” Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.” The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly. “Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?" “Don’t have one.” “Then I’m coming after your girlfriend.” Butch dragged in some air. “Got no woman.” “So if the chicks won’t do you, what makes you think I’d want to?” “Was hoping to piss you off.” “Now why’d you want to do that?” Blondie asked. “If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight. Would’ve killed me first. Before I had a chance at you.” Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone. “You know, I kind of like this big dummy,” the guy drawled. Someone cleared a throat. Rather officiously. Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray. “Pardon me, gentlemen. Dinner will be served in about fifteen minutes.” “Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray. “Yes, Sire.” “Hot damn.” The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this? “Might I ask a favor?” the butler said. Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.” Yeah, guess the guy wasn’t really normal. Just relatively so. The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?” “No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
He watches me eat for a moment. “Let me see it again.” “No.” “Okay.” He pulls a can of carbonated water out of his backpack and pops the lid. Sometimes I want to punch him. I find the letter and slide it across the table. He reads it again. It makes me feel all jittery inside. His eyes flick up. “She likes you.” I shrug and steal his drink. It tastes like someone drowned an orange in a bottle of Perrier, and I cough. Rev smiles. “You like her.” “How can you drink this crap?” His smile widens. “Is it making you crazy that she won’t reveal herself?” “Seriously, Rev, do you have any regular water?” He’s no fool. “What do you want to do?” I take a long breath and blow it out. I run a hand through my hair. “I don’t know.” “You know.” “I want to stake out the grave. This waiting between letters is killing me.” “Suggest email.” “She doesn’t want to tell me anything more than her age. She’s not going to give me her email address.” “Maybe not her real email. But you could set up a private account and give her the address. See if she writes you.” It’s so simple it’s brilliant. I hate that I didn’t think of it. “Rev, I could kiss you.” “Brush your teeth first.” He reclaims his bizarre can of water.
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
She glanced over her shoulder at the house, which was now bathed in a warm tint of yellow from the sun. "Yes, everyone needs to find the one thing that brings out her passion. Its what we do and share with the world that matters. I believe its important that we leave our communities in better shape that we found them. Cecelia Rose," she said, reaching for my hand, "Far too many people die with a heart that's gone flat with indifference, and it surely must be a terrible way to go. Life will offer us amazing opportunities, but we've got to be awake to recognize them." She rested her hands on my shoulders and looked into my eyes. "If there's one thing I'd like most for you, its that you'll find your calling in life. That's where true happiness and purpose lie. Whether its taking care of abandoned animals, saving old houses from the wreckin' ball or reading to the blind, you've got to find your fire, sugar. You'll never be fulfilled if you don't." "But how will I know what my fire is?" "Oh, you'll know. One day you'll do something, see something or get an idea that seems to pop up from nowhere. And you'll feel a kind of stirring- like a warm flicker inside your chest. When that happens, whatever you do, don't ignore it. Open your mind and explore the idea. Fan your flame. And when you do, you'll have found it.
Beth Hoffman (Saving CeeCee Honeycutt)
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
They see my beat-up face and assume I’m some troublemaker. But I don’t do nothin’ wrong. I try, every day, to be a good person. To help out and take care of Pops, ya know? I don’t ask for nothin’. I don’t have anything and I don’t blame the world for that. I don’t think nobody owes me a goddamn thing. I’m just trying to get through each fucking day.
N.R. Walker (On Davis Row)
Pop said life was like learning to drive. You were bound to fuck up, make mistakes, maybe even cause an accident, but if you practice and follow the rules, people didn’t have to get hurt—and one day you’d just get better at it. Just don’t . . . give it up, he said.
Anyta Sunday (St-st-stuffed (Enemies to Lovers, #2))
My apologies, see, I forgot my manners. I get on the mic ’cause it’s my life. You show off for girls and cameras. You a pop star, not a rapper. A Vanilla Ice or a Hammer. Y’all hear this crap he dumping out? Somebody get him a Pamper. And a crown for me. The best have heard about me. You can only spell “brilliant” by first spelling Bri. You see, naturally, I do my shit with perfection. Better call a bodyguard ’cause you gon’ need some protection, And on this here election, the people crown a new leader. You didn’t see this coming, and your ghostwriters didn’t either. I came here to ether. I’m sorry to do this to you. This is no longer a battle, it’s your funeral, boo. I’m murdering you. On my corner they call me coroner, I’m warning ya. Tell the truth, this dude is borin’ ya. You confused like a foreigner. I’ll explain with ease: You’re just a casualty in the reality of the madness of Bri. No fallacies, I spit maladies, causin’ fatalities, And do it casually, damaging rappers without bandaging. Imagining managing my own label, my own salary. And actually, factually, there’s no MC that’s as bad as me. Milez? That’s cute. But it don’t make me cower. I move at light speed, you stuck at per hour. You spit like a lisp. I spit like a high power. Bri’s the future, and you Today like Matt Lauer. You coward. But you’re a G? It ain’t convincing to me. You talk about your clothes, about your shopping sprees. You talk about your Glock, about your i-c-e. But in this here ring, they all talking ’bout me, Bri!
Angie Thomas (On the Come Up)
I don’t want all these germs all over my kid. “What’s her name?” the woman asks. “Jamie.” I stare steadily at the crosswalk signal, willing the little green man to pop up before the chick starts flirting. “And what’s her daddy’s name?” Too late. “Tucker, but my wife calls me Tuck.” That shuts her up fast. Normally I’m not this rude during these random street pick-ups, but I really don’t like the way she touched my child without permission. Fuck that.
Elle Kennedy (The Goal (Off-Campus, #4))
It isn’t difficult to determine that someone doesn’t treasure you. It’s always there, popping out in every direction. It’s in the moments they don’t show up when they say they will, the times they don’t take a minute out of their days to let you know they won’t make it anymore.
Elelwani Anita Ravhuhali (From Seeking To Radiating Love: Evolution is unavoidable in the process of overpowering doubt)
We've always used stories as a way to pass on our history, as a way to explain things in life that we don't understand. We use them to make us feel connected to everything around us, and to help us escape to another time or place. Bookshops across the world are full of these stories. From travelling booksellers and undercover bookshops, to pop-up stalls and community hubs, walking into a good bookshop is like walking into another zone.These places are time machines, spaceships, story-makers, secret-keepers. They are dragon-tamers, dream-catchers, fact-finders and safe places. They are full of infinite possibilities, and tales worth taking home. Because whether we're in the middle of the desert or in the heart of a city, on the top of a mountain or on an underground train: having good stories to keep us company can mean the whole world.
Jen Campbell (The Bookshop Book)
I got a pole and fishing line from under my bed. I came back out of the bedroom and called to Myra, asking her if she could pack me up a lunch because I was going fishing. And I guess you know what she told me. So I left. There weren’t many people on the street that late at night, almost nine o’clock, but practically everybody that was up asked me if I was going fishing. I said, why, no, I wasn’t, and where did they ever get an idea like that? “Well, how come you’re carryin’ a fish pole and line, then?” this one fella said. “How come you’re doin’ that if you ain’t goin’ fishin’.” “Oh, I got that to scratch my butt with,” I said. “Just in case I’m up a tree somewheres, an’ I can’t reach myself from the ground.” “But, looky here now—” He hesitated, frowning. “That don’t make no sense.
Jim Thompson (Pop. 1280)
She glanced pointedly at the flopping tadpole. "What?" "Take it back." "You're kidding, right?" he said disbelievingly. "Do we have time?" He considered that. "Yes, but--" "Then, no I'm not." "That lake was three hops ago," he said impatiently. "If you don't take it back it's going to die, and while you may think it's just a pathetic little thing with an abbreviated little life that hardly even signifies in the fairy scheme of things, I'll bet in the tadpole scheme of things it's really looking forward to becoming a frog. Now take it back. A life is a life. I don't care how tiny an almighty fairy thinks it is." One dark brow arched and he inclined his head. "Yes, Gabrielle." Scooping up the tadpole in one big hand, gently enough that it gave her pause, he popped out. -Gabrielle and Adam Black
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
I’d found my niche. Since I belonged to no group I learned to move seamlessly between groups. I floated. I was a chameleon, still, a cultural chameleon. I learned how to blend. I could play sports with the jocks. I could talk computers with the nerds. I could jump in the circle and dance with the township kids. I popped around to everyone, working, chatting, telling jokes, making deliveries. I was like a weed dealer, but of food. The weed guy is always welcome at the party. He’s not a part of the circle, but he’s invited into the circle temporarily because of what he can offer. That’s who I was. Always an outsider. As the outsider, you can retreat into a shell, be anonymous, be invisible. Or you can go the other way. You protect yourself by opening up. You don’t ask to be accepted for everything you are, just the one part of yourself that you’re willing to share. For me it was humor. I learned that even though I didn’t belong to one group, I could be a part of any group that was laughing. I’d drop in, pass out the snacks, tell a few jokes. I’d perform for them. I’d catch a bit of their conversation, learn more about their group, and then leave. I never overstayed my welcome. I wasn’t popular, but I wasn’t an outcast. I was everywhere with everybody, and at the same time I was all by myself.
Trevor Noah (Born a Crime: Stories from a South African Childhood (One World Essentials))
It’s sort of like a hobby, but kind of like addiction?” he says, voice tipping up as he cocks his head. “You think you’re gonna get just one, but then one starts looking really good with another and before you know it you want every piece of you drawn on. I wish I had more space. Some people don’t like their skin, you know?” He pops a piece of broccoli into his mouth, using his fingers. “I picked mine.
Erika Swyler (The Book of Speculation)
I sat there listening to him talk and talk and I realised something really important. I thought I was in love with him for all those years but it turned out I was in love with the idea of William. The actual reality was a bit of an anti-climax. I thought, well, William would never shove the word WAG into pop songs to make me laugh and he wouldn’t bite the chocolate off chocolate-covered strawberries for me and he’d never, ever watch a film with Sandra Bullock in it, unless it was a Shakespeare adaptation and then he’d spend the entire film listing all the historical inaccuracies and he’d never go down on me for half an hour because he’d lost a game of Scrabble. Point of fact, I can’t imagine William doing anything that would mess up his hair, and he’s started popping the collars of his shirts and have I mentioned that he’s not you? He’s not you, Max, and that’s why I’m actually really pleased that he’s engaged and he’s moving to Warwickshire so I don’t have a constant reminder of what an idiot I’ve been.
Sarra Manning (You Don't Have to Say You Love Me)
Don’t you ever turn your back on me when I’m talking. CITIGROUP SENIOR EXECUTIVE JAMIE DIMON TO THE COMPANY’S VICE CHAIRMAN, DERYCK MAUGHAN, AT A BLACK-TIE DINNER. WHEN MAUGHAN TURNED AWAY FROM HIM, DIMON GRABBED HIM BY THE SHOULDERS AND SPUN HIM AROUND, POPPING A BUTTON FROM THE LAPEL OF HIS DINNER JACKET
Stanley Bing (Throwing the Elephant: Zen and the Art of Managing Up – A Wickedly Funny Survival Guide for Stressed Employees and Difficult Bosses)
You know that joke, about why you can’t be a therapist and smoke? Because it means you’re still fucked up.” He laughed and popped one of the cigars into his mouth. “I think we’re all a bit crazy in this place. You know that sign they used to have in offices? ‘You don’t need to be mad to work here, but it helps’?
Alex Michaelides (The Silent Patient)
Always remember, you don’t need bad people to get bad deeds done. All you need is somebody clever enough to convince good people that a nefarious policy is actually the greatest thing since the pop-up toaster. As I have frequently observed, most of the serious evils in the world have been done in the name of good.
Robert Farrar Capon (Light Theology and Heavy Cream: The Culinary Adventures of Pietro and Madeline)
Funny how new facts pop up and make you doubt that there’s any goodness in life. Everyone pretends to be normal and be your friend, but underneath, everyone is living some other life you don’t know about, and if only we had a camera on us at all times, we could go and watch each other’s tapes and find out what each of us was really like. But then you’d have to watch girls go poo and boys trying to go down on themselves.
James Franco (Palo Alto)
The questions that undermine our faith don’t arrive through deep meditation and diligent study. They pop up like soldiers from a fox-hole, ready to shoot you down before you even have the time to realize you’re dead.
Stephan Eirik Clark (Sweetness #9)
A true thing about seeds is that they don't always stay seeds. In addition, most seeds grow up to be something. Some become plants or trees that then go about producing more seeds. Some seeds get popped and eaten and...well, you probably have a pretty good idea of what happens to things after they get eaten. Some seeds are dried, some are pressed for oil, and some simply end up in bean bags or as the rattle in a baby's toy. It's probably fair to say that the life and times of a seed isn't necessarily the most exciting thing in the world, but what the seed lacks in excitement, it makes up for in miracles. It's a miracle that a tiny seed can change from a dot in your palm into a towering tree whose wood can be made into the home you live in or the paper books are printed on.
Obert Skye (Leven Thumps and the Gateway to Foo (Leven Thumps, #1))
Cyrus walked straight to the tallest crack of light, a seam between two doors. They were locked, but they were also thin and old, and they bent a little with pressure from his shoulder. He backed up. "Try one of Skelton's keys," said Antigone. "Is there a keyhole?" "Nope." Cyrus threw himself against the doors. Wood popped, but he bounced back. "I can break it." "You mean a rib? Maybe your shoulder?" Antigone adjusted her grip, propping Horace in front of her. "There's just one little bolt," said Cyrus. "And it's set in old wood." He paused. What was he hearing? Voices. Shouting. "You hear that?" he asked. Antigone nodded. "They don't sound happy." This time, Cyrus used his foot. The wood splintered, and the two doors wobbled open onto a world of emerald and sunlight.
N.D. Wilson (The Dragon's Tooth (Ashtown Burials, #1))
Is Etienene okay?" "Haven't seen him.He went to Ellie's last night." Just when I thought I couldn't feel any worse.I twist the corners of my pillow. "Did I,uh,say anything weird to him last night?" "Apart from acting like a jealous girlfriend and saying you never wanted to speak to him again? No. Nothing weird at all." I moan as she recounts the night for me blow by blow. "Listen," she says when she finishes, "what's the deal with you two?"" "What do you mean?" "You know what I mean.You two are inseparable." "Except when he's with his girlfriend." "Right.So what's the deal?" I groan again. "I don't know." "Have you guys...you know...done anything?" "No!" "But you like him.And he likes you, too." I stop choking my pillow. "You think?" "Please.The boy gets a boner every time you walk in the room." My eyes pop back open. Does she mean that figuratively or has she actually seen something? No. Focus, Anna. "So why-" "Why is he still with Ellie? He told you last night. He's lonely, or at least he's scared of being lonely. Josh says with all of this stuff with his mom, he's been too freaked out to change anything else in his life." So Meredith was right. Etienne is afraid of change. Why haven't I talked about this with Rashmi before? It seems obvious now.Of course she has inside information,because Etienne talks to Josh,and Josh talks to Rashmi. "You really think he likes me?" I can't help it. She sighs. "Anna.He teases you all the time. It's classic boy-pulling-girl's-pigtai-syndrome.And whenever anyone else even remotely does it,he always takes your side and tells them to shove it." "Huh." She pauses. "You really like him, don't you?" I'm struggling not to cry. "No.It's not like that." "Liar.So are you getting up today or what? You need sustenance.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Luke!...We have to be able to do cool dancing so we don't embarrass our child!" "I'm a very cool dancer," replies Luke. "Very cool indeed," "No you're not!" "I had dance lessons in my teens, you know," he retorts. "I can waltz like Fred Astire." "Waltz?" I echo derisively. "That's not cool! We need to know all the street moves. Watch me." I do a couple funky head-wriggle body-pop maneuvers, like they do on rap videos. When I look up, Luke is gaping at me. "Sweetheart," he says. "What are you doing?" "It's hip-hop!" I say. "It's street!" "Becky! Love!" Mum has pushed her way through her dancing guests to reach me. "What's wrong? Has labour started?" Honestly. My family has no idea about contemporary urban steet dance trends.
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
Jamie leaned over. “And your perfect world?” “Mmm,” Helen smiled. “Perfect is complicated. Hard to explain.” “Give it a shot,” I prodded her. “It’s… beautiful is the best word to describe it,” she said. Jamie and I nodded. “Everything that isn’t necessary to getting what we want is gone,” she said, eyes closing, as if she was vividly imagining. “There’s an abundance of it all, thanks to science. Food is everywhere and it overflows and there’s nothing to worry about because we have and we want and we take. We’re, and by we I mean people, we’re everywhere and we spill over into one another and we’re all knit together, physically and mentally. It’s an exquisite landscape of things that don’t ever run out to see and touches and tastes and smells and mating and eating and mindless fighting and eating-mating and fighting-eating and fighting-” “Okay,” I said, interrupting. I paused, then when I couldn’t think of what to say. “Okay.” Helen reached down to her plate, used a fingertip to wipe up a bit of frosting, and popped it into her mouth, sucking it off. “Okay,” I said, still at a bit of a loss for words. “That’s a mental image that’s going to be with me forever,” Jamie said, dropping his head down until his face was in his hands. “I don’t see where ethics come into that world,” I said, more to see Jamie’s reaction than out of curiosity. “No,” Jamie said. “Don’t-” “The closer you get to perfection, the further you get from ethics,” Helen said, as if it was common sense.
Wildbow (Twig)
My condition isn't an impediment. I'm not defined by it, and it doesn't limit me. It doesn't make me less, or different, and even if I fail, I'll just get back up and try again. So please don't come back into my life, unless you understand it isn't yours to run.
Cynthia Timoti (Salty, Spiced, and a Little Bit Nice)
But then, he said, "Cute nose." Cute. I have a cute nose. And a cute boyfriend. With cute elk kisses. Also, elk do not sleep standing up. Also, female elk don't have antlers. Also, male elk (bulls) have a harem of cows. Which is maybe why elk popped into my head randomly. Me and Sadie were the cows in Heck's harem. That's weird. But it does explain why I'd randomly think of elks. Elk. Also, though, elk remind me of when we went to Yellowstone—me, Mom, Dad, Mr. Griffin—and saw elk. It was nice. Happy family. And fun. Therefore, elk make me feel happy. And that's probably the real reason for elk randomly popping into my head. Or maybe my mind is a bull with a harem of way too many thought cows! Weirdo.
Nicole Schubert (Saoirse Berger's Bookish Lens In La La Land)
I saw them,” he said. I frowned. “Saw what?” He took a deep breath as he eyed me. “The paintings.” For a moment, I didn’t get where he was going with this. Not when he traced the curve of my cheek with his thumb and not when a soft smile curved his lips. And then it hit me. “The paintings?” I swallowed and started to sit up, but he didn’t let me get very far. “The paintings at my place?” When he nodded, I felt my face heat like I was out under the summer sun. “The ones that are . . . ?” “Of me?” he supplied. I squeezed my eyes shut. “Oh my God. Seriously?” “Yes.” Mortified, I didn’t know what to say. “They were in my closet. Why were you in my closet?” “Looking for a psycho stalker,” he answered. My eyes popped opened. “That . . . that was like two weeks ago! You saw them back then and didn’t say anything.” Reece sat up, bringing me with him. Somehow my body ended up between his legs and we were face-to-face. “I didn’t say anything, because I figured you’d respond this way.” “Of course I’d respond this way! It’s embarrassing. You probably think I’m some kind of freak. A stalker—a creepy stalker who paints pictures of you when you’re not around.” “I don’t think you’re a stalker, babe.” His voice was dry. I screwed up my face. “I can’t believe you saw them.” He chuckled, and my eyes narrowed on him. “Honestly? I really didn’t know how you truly felt about me until I saw them.” My brows flew up. “I thought you were all-knowing.” Reece smirked. “I had my suspicions that you were in love with me from the first time you laid eyes on me.” “Oh dear baby Jesus in a manger,” I muttered. “But I don’t think I was a hundred percent until I saw those paintings, especially the one of me in the kitchen. You painted that after . . . after I left.” His brows lowered as he gave a little shake of his head. “It’s nothing to be embarrassed about. I think it’s sweet.
Jennifer L. Armentrout (Fall with Me (Wait for You, #4))
Sophie removed the tiny marble from her pocket. As soon as the light hit the glass, Iggy zipped off her shoulder and snatched the cache in his tiny paws. “Give that back!” Sophie shouted as he flitted to the top of the waterfall. Iggy’s eyes narrowed and he dragged his teeth along the cache with a cringe-worthy scraaaaaaaaaaaaaaaaaaaape. Edaline snapped her fingers and the cache popped back into Sophie’s palm. When Iggy dove to steal it back, Edaline snapped again, bringing his cage from Havenfield and dropping it right in his flight path. The startled imp crashed inside, and Edaline slammed the cage shut behind him. “Well,” Mr. Forkle said, clutching his chest. “Perhaps we should send that infernal creature home, before it does any permanent damage.” “Aw, we can’t send him away,” Biana said. “He looks so sad. Can’t he stay here?” “You want to keep him?” Dex asked. “You don’t think he’s gross and stinky?” “Uh, I grew up with two older brothers—and Keefe. I’m an expert on gross and stinky—and troublemakers,
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Peabody, why don't I have any damn coffee?" "I don't know, sir, but I will rectify that immediately." Peabody popped up, was actually humming under her breath as she programmed the AutoChef. And there was a bright look in her eyes when she carried the coffee to Eve. "Eat any good pizza lately?" Eve muttered, and the light in Peabody's eyes turned instantly to embarrassed guilt. "Maybe. Just a slice ... or two." Eve leaned in. "Ate the whole damn pie, didn't you?" "It was really good pizza. I sort of, you know, missed the taste of it." "No more humming on duty." Peabody squared her shoulders. "No, sir. All humming will cease immediately." "And no sparkly-eye crap either," Eve added and yanked open the door to look for Louise. "You can look pretty sparkly-eyed after really good pizza, too," Peabody muttered, then decided not to press her luck when Eve snarled.
J.D. Robb (Seduction in Death (In Death, #13))
I don't like killing, but I'm good at it. Murder isn't so bad from a distance, just shapes popping up in my scope. Close-up work though - a garrotte around a target's neck or a knife in their heart - it's not for me. Too much empathy, that's my problem. Usually. But not today. Today is different . . .
Graeme Shimmin (A Kill in the Morning)
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake. When I told my mother about the dream, she was puzzled. 'But what's scary about that? You were never scared of that doll.' I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying. My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears. Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")
Lisa Tuttle (Best New Horror 16 (The Mammoth Book of Best New Horror, #16))
So let me get this straight. You have no hobbies. You don't care what this woman looks like as long as she can "doll herself up" and entertain herself and pop out a few babies for you?" His gray eyes gave away nothing, but she again had the sneaking suspicion that he was testing her. "That sounds about right.
Katee Robert (Meeting His Match (Match Me, #1))
Don't ya'll have anything better to do than to mess with Myles?" she asked. "Sadly, Mom, they don't," Myles said. It's the only respite they have from their monotonous, inconsequential tedium of an existence." Amir's eyes widened. "Duck, Pop! He's gonna big word us to death." Amir lifted his forearm. "Thesaurus-shields up!
Marcus Major (A Family Affair)
It's a lot to live up to. These pressures of achieving. From the moment you're born, you're pounded with the expectations of what you need to actualize in order to become a success. Go to college. Get married. Raise a family. It's what you're supposed to do. The plans you're supposed to make. The life you're supposed to live. Diverge from the norm and you're frowned upon. Questioned. Shunned. There's something wrong with you if you're not interested in improving yourself. If you can't make a commitment of marriage. If you don't want to have children. So people earn a college degree so they can get a good job. They work at a job they hate just to earn a living. They spend two months' salary on an engagement ring. They pop out a couple of kids they don't really want just so they can fit in. Because it's what their parents did. Because it's what society expects you to do. Because it's safer to take the same path everyone else has traveled. Truth is, no one's listening to Robert Frost.
S.G. Browne (Big Egos)
Sir Gerek handed her a gray wool blanket, then lay down next to the fire. "Don't you have a blanket?" "I forgot to get one when we were at the castle, but I don't need one. It's warm enough now." "The nights are still quite cool. Here you take the blanket and I will put on the rest of my clothes. It's the perfect solution." "No, thank you. I don't need it." She let out an exasperated sigh... ...Sir Gerek was laying down near the fire, his eyes closed. Rapunzel moved as quietly as she could toward his still form, then carefully laid the the blanket over him. She lay down with her head near his and closed her eyes. Her eyes popped open. Something was touching her legs and was gradually being laid over the rest of her body. She suspected it was the gray woolen blanket she had laid on Sir Gerek. When he finished, he walked back over to where he had been sleeping and lay down again. Gerek awoke with the blanket laying over him. How had she managed to cover him without him waking up? He sat up. She lay asleep on her side, her thick braid touching her cheek. The sun was casting a soft glow over her and making her look even more otherworldly. He found himself smiling as he draped the blanket over her while she slept. When she awoke, he already had Donner saddled and breakfast ready. "When did you do this?" She held out the blanket. With the scolding half frown and lowered her brows, she took his breath away... ... He shrugged. "You looked cold." She eyed him, shook her head, then folded up the blanket.
Melanie Dickerson (The Golden Braid (Hagenheim, #6))
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
We don't realize how excess stuff draws on our energy until it's removed.
Mary Vraa (PopUpPurge(TM) Release Midlife Clutter & Reclaim Inner Clarity)
Don’t go and fuck this up with logic and rational thought, because after that kiss, I don’t know if they even exist in this universe anymore.
Eden Finley (Pop Star (Famous, #1))
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
I'd keep an open mind, consider all possibilities. That's all any of us can do. Life is a box you don't get to open all at once. You can touch it, pick it up, shake it even, but you can only guess at the contents. There's a hole in the top of the box where things come out, on their own timetable, on their own terms. You think you have things figured out" he said, with a note of bitterness in his voice, "only to find you saw everything completely wrong, didn't understand a bloody bit of it. So, you wait to see what pops out next. And you go on living in the meantime.
Karen Marie Moning (High Voltage (Fever, #10))
You told me about what you called the light in the darkness. About how life was neither good nor bad, but a combination of both and occasionally good things pop up in the middle of tragedy, but they still don't make the tragedy go away. They can't protect you. They're just light. But what you didn't say is that sometimes, certain people can be a light in the darkness. There are some people in this world who are worth saving when other people decide they shine the wrong kind of light on the wrong kind of things. You have been and will always be my light in the darkness.
Christopher Rice
I like to think that even these people, whose hardships seem to come all at once, might get to experience the same number of joys in their lives as everyone else (and sometimes those feelings of joy pop up smack in the middle of hardship). And on the flip side, people whose lives seem perfect might also be suffering in ways we don't see, or might face hardships down the road." -Ari
Jennifer Richard Jacobson (Paper Things)
Why did we come back this way instead of popping up somewhere less…cramped?” I asked, substituting the word cramped for creepy. I was trying not to feel weirded out that I was in my boyfriend’s crypt. It was only a building, after all. A very unpleasant one. “This is a portal,” he said, as if that explained everything. “A what?” “A portal,” John whispered. “A direct link from here to the Underworld. That’s why you don’t feel dizzy this time.” I hadn’t even noticed, but he was right. I didn’t feel sick, for once, though we’d just jumped between astral planes. “This is a doorway through which the souls of the departed enter the world of the dead after they pass,” John explained softly. “The doorway closes behind the dead once they enter. They can never leave again-“ “Unless they escape,” I interrupted. Because this was what had happened to me. He glanced down at me with a teasing smile. “Unless I choose to let them escape,” he said, “because they seem to want their mothers so badly.” “That was two years ago,” I reminded him. I shouldn’t have mentioned the thing that morning about being inexperienced with men, even if it was technically true. He was never going to let me help him if he always thought of me as someone he had to protect. “And do I have to remind you that you didn’t let me escape, I-“ “Shhh.” He held up a hand. “Someone’s coming.
Meg Cabot (Underworld (Abandon, #2))
Sometimes, when we don’t learn a lesson in life, it pops up repeatedly until we do. Might this person be giving you an opportunity to learn an unlearned lesson from the past? What lesson(s) might that be?
Liisa Kyle (Acceptance: A Workshop for Perfectionists)
Looking at personal issues is like pulling just the top of the weeds out of your lawn: they pop right back up. You may have some relief from the trouble of the day, but the root is still there, totally untouched. But having experiences, even if they clear up problems or offer beautiful insights, is very different than finding the root of who you are. If you don’t get to the root, you just get another weed.
Adyashanti (Emptiness Dancing)
I made decaf,” he said. “Caffeine isn’t good for you.” “Thank you, Mama Lane.” He made a face at her. “Tate and I used to share everything. Let him go off in a snit. I’ll share his baby. If he doesn’t come back, I’ll appropriate it, and you.” “That’s one area where all your commando skills will fail, dear man,” she said affectionately. “I like you very much, and you can be baby’s godfather. But I’m raising this child myself.” “Godfather.” He was savoring the word when the toast popped up. “Bad choice of words,” she murmured. “I wouldn’t want to give you any bad ideas. I don’t want my child outfitted in a fedora and a machine gun.” “Commando godfathers are a different breed.” “Black bags and camo gear aren’t much better,” she informed him. “Spoilsport. Where’s your sense of adventure?” “Hanging in the shower trying to dry out.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Where did this whole thing begin? If what we think of as reality is just a pattern that somebody brought Outside, and the universe just popped into bring, then whoever it was is probably still wandering around giving off universes wherever she goes So where did she come from? And what was there before she started doing it? And how did Outside come to exist, for that matter?” That's Inspace thinking,” said Olhado. “That's the way you conceive of things when you still believe in space and time as absolutes. You think of everything starting and stopping, of things having origins, because that's the way it is in the observable universe. The thing is, Outside there's no rules like that at all. Outside was always there and always will be there. The number of philotes there is infinite, and all of them always existed. No mater how many of them you pull out and put into organized universes, there'll be just as many left as there always were” But somebody had to start making universes.” Why?” asked Olhado. Because-because I-“ Nobody ever started. It's always been going on. I mean, if it weren’t already going on, it couldn’t start. Outside where there weren’t any patterns, it would be impossible to conceive of a pattern. They can’t act, by definition, because they literally can’t even find themselves.” But how could it have always been going on?” Think of it as this moment in time, the reality we live in at this moment, this condition of the entire universe-of all the universes-” You mean now.” Right. Think of it as if now were the surface of a sphere. Time is moving forward through the chaos of Outside like the surface of an expanding sphere, a balloon inflating. On the outside, chaos. On the inside, reality. Always growing-like you said, Valentine. Popping up new universes all the time.” But where did this balloon come from?” OK, you’ve got the balloon. The expanding sphere. Only now think of it as a sphere with an infinite radius.” Valentine tried to think of what that would mean. “The surface would be completely flat.” That’s right” And you could never go all the way around it” That’s right, too. Infinitely large. Impossible even to count all the universes that exist on the reality side. And now, starting from the edge, you get on a starship and start heading inward toward the center. The farther in you go, the older everything is. All the old universes back and back. When do you get to the first one?” You don’t” said Valentine. “Not it you’re traveling at a finate rate.” You don’t reach the center of a sphere on infinite radius, if you’re starting at the surface, because no matter how far you go, no matter how quickly, the center, the beginning, is always infinitely far away.” And that’s where the universe began.
Orson Scott Card (Xenocide (Ender's Saga, #3))
I was once asked to pick a couple of records for an interview I was doing on Radio 2. I picked one by Will Oldham and one by Joanna Newsom. Someone on the production phoned me to say that I couldn't have either record because they were 'too alternative' and I could just pick two from their playlist. Now, personally, I think that Radio 2's listeners would dig both Joanna Newsom and Will Oldham if they heard their records, and that the fact they don't get to hear them contributes to the cultural wasteland we live in. I told them that I'd been to see Joanna Newsom in the Albert Hall a couple of weeks before and it had been sold out. How could she be 'too alternative'? 'Alternative' and 'mainstream' aren't strictly to do with whether things are popular or minority interest. They are ideological labels. Someone like Joe Pasquale would be called 'mainstream' and regularly pops up on TV, but would play the smaller end of the touring-theatre circuit. If Joanna Newsom can sell out Albert Hall, why can't she get played on Radio 2? I would agree that it's because her work is too layered, challenging and interesting. Think about that. What you get to hear about is filtered, and not filtered to get rid of useless cunts like Joe Pasquale, but of things that might enrich your life.
Frankie Boyle (Work! Consume! Die!)
I know,' said Winter, 'but they don't know.' And he went on with a thought he had been having. 'A time-minded people,' he said, 'and the time is nearly up. They think that just because they have only one leader and one head, we are all like that. They know that ten heads lopped off will destroy them, but we are a free people; we have as many heads as we have people, and in a time of need leaders pop up among us like mushrooms.
John Steinbeck
The smile that curled his lips was as arrogant as it was beautiful. “You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me. “I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?” Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—” He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.” “You said you would help me,” I whispered. He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.” I looked away. “Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.” His finger caught the stretched-out collar of my shirt and gave it a tug. “Stop it.” I was proud of how steady my voice was. As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine. “I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…” My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out. “Ruby! Wait, I didn’t mean—!” A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her. “Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs. Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger. I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack. “You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him. “You’re okay,” he says again. I like that, how he’s so sure. Not Are you okay? No question about it. You’re okay. He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.” I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?” “Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.” I take the one Declan offered and nibble a bit from the side. It is awesome. I peer up at him sideways. “How did you know?” He hesitates, but he doesn’t ask me what I mean. “I know the signs.” “I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.” I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once. This is okay. I’m okay. Declan was right. “Take it out on the punching bag,” calls Rev. “That’s what I do.” My eyes go wide. “Really?” “Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.” Rev returns with three sodas. “We’re doing something meaningful right now.” “We are?” I say. He meets my eyes. “Every moment is meaningful.” The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt. Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.” “No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?” Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
I have a system with bathrooms. I spend a lot of time in them. They are sanctuaries, public places of peace spaced throughout the world for people like me. When I pop into Aaron’s, I continue my normal routine of wasting time. I turn the light off first. Then I sigh. Then I turn around, face the door I just closed, pull down my pants, and fall on the toilet— I don’t sit; I fall like a carcass, feeling my butt accommodate the rim. Then I put my head in my hands and breathe out as I, well, y’know, piss. I always try to enjoy it, to feel it come out and realize that it’s my body doing something it has to do, like eating, although I’m not too good at that. I bury my face in my hands and wish that it could go on forever because it feels good. You do it and it’s done. It doesn’t take any effort or any planning. You don’t put it off. That would be really screwed up, I think. If you had such problems that you didn’t pee. Like being anorexic, except with urine. If you held it in as self-punishment. I wonder if anyone does that? I finish up and flush, reaching behind me, my head still down. Then I get up and turn on the light. (Did anyone notice I was in here in the dark? Did they see the lack of light under the crack and notice it like a roach? Did Nia see?) Then I look in the mirror. I look so normal. I look like I’ve always looked, like I did before the fall of last year. Dark hair and dark eyes and one snaggled tooth. Big eyebrows that meet in the middle. A long nose, sort of twisted. Pupils that are naturally large—it’s not the pot— which blend into the dark brown to make two big saucer eyes, holes in me. Wisps of hair above my upper lip. This is Craig. And I always look like I’m about to cry. I put on the hot water and splash it at my face to feel something. In a few seconds I’m going to have to go back and face the crowd. But I can sit in the dark on the toilet a little more, can’t I? I always manage to make a trip to the bathroom take five minutes.
Ned Vizzini (It's Kind of a Funny Story)
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
Remember... Keystrokes are hammer taps. Get words on paper. Don’t worry about connections, character or plot. Work for an hour. Promise yourself an hour. Do nothing else but move your fingers. Make coarse shapes. Follow any emotion that pops up but never impose emotion, never fake it, and don’t make up your mind or your heart ahead of time. Understand you don’t know what you’re doing. That’s why you’re here. Rough it out. Anything goes. You can decide later what any piece of text looks like, what it might mean. Don’t stop. Don’t question. Don’t quit. Don’t stop to read what you wrote. Move your fingers. You mind will have no other option but to keep up. Remember that writer’s block is merely the cold marble waiting for the chisel to heat up.
Bob Thurber
I swear, that woman’s got a mouth on her worse than you do,” Tyler commented, following in after Bones. “Ian gave her the tiniest smack on the rear when she walked by, and she told him to—” “Ian smacked my mother on the ass?” I cut him off. At Tyler’s nod, I stopped lighting sage and grabbed a silver knife, feeling my fangs pop out of their own accord. “Wait here, I’ll be right back.” Bones blocked my path to the door. “I have it sorted, luv. He won’t do anything like that again, promise.” I stood there for a moment, debating whether to push past Bones so I could slice and dice Ian before stringing him up by the silver rings he had pierced through his parts, when Bones raised his brow. “Don’t you trust me?” “I trust you, not him,” I muttered. He grasped my shoulders. “Then if you trust me, believe that it’s sorted. If he proves me wrong, I vow I’ll hold him down and let you stab him as many times as you please.” That image brought a smile to my face. Talk about looking on the bright side!
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
So what's your story?" Maddie didn't try to hide the singsong lilt of her voice as she spoke. She didn't want to. She'd learned at a very young age that nothing annoyed manly men more than girly girls, and if Maddie had one talent, it was truly exceptional girliness. "Shut up and be quiet," Stefan snapped. "That's just a tad redundant, FYI." "Shut up!" he hissed near her ear. Maddie couldn't help but shift her weight from foot to foot, almost pacing in place. She was careful of the ice and the snow, though. No use falling to the ground and having Stefan accidentally pull the trigger. "You really do give a lot of orders," she told him. He tightened his grip. "I'm the one with the gun." "Well, yeah. Sure. Technically. But I'm the one with the winning personality, and that should count for something." "You should be scared," he said in the same tone a movie villain might use to say You should be dead when the hero materializes five years later, hungry for vengeance. Stefan was confused, and Maddie couldn't blame him. So she turned back and shrugged. "Maybe. But I don't think you're a bad guy." He let her go and spun her around, grabbing Logan's unzipped coat and pulling her closer. "I. Have. The. Gun," he reminded her. Maddie smiled and pulled away. "And I have Taylor Swift's signature scent. Doesn't make me a pop star. It just makes me smell like Taylor Swift, which isn't as great as it sounds because, to a bear, Taylor Swift smells delicious. Stefan stuttered for a moment, then fell silent.
Ally Carter (Not If I Save You First)
Nana and Pops were waiting in the living room. They had their recliners pushed in front of the couch, the only place available for Cole and me to sit. The moment we were in position, the interrogation began. Pops: Plans for the future? Groaning, I dropped my head in my hands. He'd kicked things off with Justin the exact same way. Guaranteed, he'd end the same way. Cole: College, law enforcement. Nana: Oh, I like him better than that other boy already. Pops: Good, that's good. Now finish this sentence for me. When a girl says no, she means... Yep. Exactly the same. Cole: No. And that's that. I don't push for more. Nana: Another excellent answer. But here's an even tougher sentence for you to finish. Premarital sex is... I should have let the zombies have me. Cole: Up to the couple. What happens between them is no one else's business. Sorry, but not even yours. Both Pops ans Nana blustered over that for a minute, but they soon calmed down. I, of course, blushed the most horrifying shade of lobster. (That was just a guess.) However, I found Cole's answer exceptional. Pops: That's fair enough, I guess. So how do you feel about drinking and driving? Cole: I think it's stupid, that's one thing you'll never have to worry about with me and Ali. I never drink, and if she does, I won't take advantage of her. I'd bring her home. I'll always look out for her safety, you have my word. "I won't be drinking, either," I said. "Ever." Nana: Aren't you just a breath of fresh air? Pops: He is. He is indeed. I think I was as impressed with him as my grandparents were. Underneath the muscles, scars and tattoos (which my grandparents couldn't see, since he wore a long-sleeved shirt) he was a really good guy. And because they were so impressed, they let us go with no more fuss!
Gena Showalter
Will you say my name when you come?” Warm, wet lips skate up my throat before hovering inches from my mouth. “Shout it, if you can. It’ll make me crazy.” Another laugh pops out. “Dude. I can’t control what I say during orgasm. It’s mostly gibberish.” He kisses me, his tongue toying with mine until we’re both breathless. “You’ll say my name,” he murmurs, and I don’t know if that’s another question or him just stating a fact, but either way, I don’t have the mental capacity to decode it, because he’s moving again.
Sarina Bowen (Good Boy (WAGs, #1))
The grass is always greener…wherever you water and mow. No matter how big or how small, take care of the things you currently have. See to it that your marriage, your children, your job and the blessings you have been entrusted with get plenty of water and sunshine. Pull the inevitable weeds that pop up, keep that lawn of life manicured and trimmed; don’t forget the edging. Add seeds of growth where you find deficiencies, nurture the flowers that bloom and rejoice in the sight of the healthy beauty that lies within your very own fence line.
Jason Versey (A Walk with Prudence)
We go quiet as the next episode picks up exactly where it left off. Antoine manages to subdue Marie-Thérèse, and the two proceed to argue for ten minutes. Don’t ask me about what, because it’s in French, but I do notice that the same word—héritier—keeps popping up over and over again during their fight. “Okay, we need to look up that word,” I say in aggravation. “I think it’s important.” Allie grabs her cell phone and swipes her finger on the screen. I peek over her shoulder as she pulls up a translation app. “How do you think you spell it?” she asks. We get the spelling wrong three times before we finally land on a translation that makes sense: heir. “Oh!” she exclaims. “They’re talking about the father’s will.” “Shit, that’s totally it. She’s pissed off that Solange inherited all those shares of Beauté éternelle.” We high five at having figured it out, and in the moment our palms meet, pure clarity slices into me and I’m able to grasp precisely what my life has become. With a growl, I snatch the remote control and hit stop. “Hey, it’s not over yet,” she objects. “Allie.” I draw a steady breath. “We need to stop now. Before my balls disappear altogether and my man-card is revoked.” One blond eyebrow flicks up. “Who has the power to revoke it?” “I don’t know. The Man Council. The Stonemasons. Jason Statham. Take your pick.” “So you’re too much of a manly man to watch a French soap opera?” “Yes.” I chug the rest of my margarita, but the salty flavor is another reminder of how low I’ve sunk. “Jesus Christ. And I’m drinking margaritas. You’re bad for my rep, baby doll.” I shoot her a warning look. “Nobody can ever know about this.” “Ha. I’m going to post it all over the Internet. Guess what, folks—Dean Sebastian Kendrick Heyward-Di Laurentis is over at my place right now watching soaps and drinking girly drinks.” She sticks her tongue out at me. “You’ll never get laid again.” She’s right about that. “Can you at least add that the night ended with a blowjob?” I grumble. “Because then everyone will be like, oh, he suffered through all that so he could get his pole waxed.” “Your pole waxed? That’s such a gross description.” But her eyes are bright and she’s laughing as she says it.
Elle Kennedy (The Score (Off-Campus, #3))
Shawshank’s good,” he says. “But you can’t beat the way Woody Harrelson kills zombies. He takes such joy in it.” “Uh-huh,” I say, making a face. “I’ve always found zombies to be the least threatening of the scary monsters. I mean, come on. They’re slow. They’re brain-dead. They don’t plot evil or try to take over the world. They just—” I put my arms out in front of me and give him my best zombie groan. I shake my head. “So not scary.” “But they just. Keep. Coming,” Christian says. “You can run, you can kill them, but more of them always pop up, and they never stop.” He shudders. “And they try to eat you, and if you get bitten, that’s it—you’re infected. You’re doomed to become a zombie yourself. End of story.” “Okay,” I concede, “they’re kind of scary,” and now I’m vaguely disappointed that we’re not here to watch a zombie movie.
Cynthia Hand (Boundless (Unearthly, #3))
The eye in this city acquires an autonomy similar to that of a tear. The only difference is that it doesn't sever itself from the body but subordinates it totally. After a while - on the third or fourth day here- the body starts to regard itself as merely the eye's carrier, as a kind of submarine to its now dilating, now squinting periscope. Of course, for all its targets, its explosions are invariably self-inflicted: it's own heart, or else your mind, that sinks; the eye pops up to the surface. This, of course, owes to local topography, to the streets - narrow, meandering like eels - that finally bring you to a flounder of a campo with a cathedral in the middle of it, barnacled with saints and flaunting its Medusa-like cupolas. No matter what you set out for as you leave the house here, you are bound to get lost in these long, coiling lanes and passageways that beguile you to see them through to follow them to their elusive end, which usually hits water, so that you can't even call it a cul-de-sac. On the map this city looks like two grilled fish sharing a plate, or perhaps like two nearly overlapping lobster claws ( Pasternak compared it to a swollen croissant); but it has no north, south, east, or west; the only direction it has is sideways. It surrounds you like frozen seaweed, and the more you dart and dash about trying to get your bearings, the more you get lost. The yellow arrow signs at intersections are not much help either, for they, too, curve. In fact, they don't so much help you as kelp you. And in the fluently flapping hand of the native whom you stop to ask for directions, the eye, oblivious to his sputtering, A destra, a sinistra, dritto, dritto, readily discerns a fish.
Joseph Brodsky (Watermark)
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
Rick Riordan (Percy Jackson's Greek Gods)
As Mia Mingus wrote in her essay “You Are Not Entitled to Our Deaths”: “We know the state has failed us. We are currently witnessing the pandemic state-sanctioned violence of murder, eugenics, abuse and bone-chilling neglect in the face of mass suffering, illness, and death.29 In my and many others’ nightmares, this is a final solution for disabled people: all COVID mitigation strategies are thrown out the window so abled people can shop, work, and watch football, and disabled people either die or stay within our immune-safer bubbles for the rest of our lives. I believe in disabled resilience, but my suicidal ideation popped up again when I thought about that. I don’t want a future where I never get to have in-person communion with people I love again, where I get harassed for wearing my N95 in the supermarket, and/or where most of the people I love are living with even more disability from long COVID with no government support, or are dead.
Leah Lakshmi Piepzna-Samarasinha (The Future Is Disabled: Prophecies, Love Notes and Mourning Songs)
I’m over him. I don’t want him back, but I don’t know if I’ll ever be over us.” “I get that.” “Do you? Because I'm not sure I do. Like, when will I stop being shocked by how full the medicine cabinet is, now that it's Rose and Larry living with me instead of Stuart? Or how quiet it is when I get home from work? When will the damn theme song to The Office not make me sad? Why can't I not care about all the little things that pop up on a daily basis and remind me of what I thought we'd be?” “Because it was your whole world. Every moment of every day belonged to the two of you, together. So how do you not feel a loss when those moments are only yours now?
Lynn Painter (Happily Never After)
I look in the jewelry box where Joanie found the drugs. She showed me a miniature Ziploc bag filled with a clear, hard rock. “What is this?” I said. I never did drugs, so I had no idea. Heroin? Cocaine? Crack? Ice? “What is this?” I screamed at Alex, who screamed back, “It’s not like I shoot it!” A plastic ballerina pops up and slowly twirls to a tinkling song whose sound is discordant and deformed. The pink satin liner is dirty, and other than a black pearl necklace, the box holds only rusty paper clips and rubber bands noosed with Alex’s dark hair. I see a note stuck to the mirror and pick up the jewelry box and move the ballerina aside. She twirls against my finger. The note says, I wouldn’t hide them in the same place twice. I let out a short breath through my nose. Good one, Alex. I close the jewelry box and shake my head, missing her tremendously. I wish she never went back to boarding school, and I don’t understand her sudden change of plans. What did they fight about? What could have been so bad?
Kaui Hart Hemmings (The Descendants)
Thus is the defining characteristic of gay millennials: we straddle the pre-Glee and post-Glee worlds. We went to high school when faggot wasn’t even considered an F-word, when being a lesbian meant boys just didn’t want you, when being nonbinary wasn’t even a remote option. We grew up without queer characters in our cartoons or Nickelodeon or Disney or TGIF sitcoms. We were raised in homophobia, came of age as the world changed around us, and are raising children in an age where it’s never been easier to be same-sex parents. We’re both lucky and jealous. As the state of gay evolved culturally and politically, we were old enough to see it and process it and not take it for granted–old enough to know what the world was like without it. Despite the success of Drag Race, the existence of lesbian Christmas rom-coms, and openly transgender Oscar nominees, we haven’t moved on from the trauma of growing up in a culture that hates us. We don’t move on from trauma, really. We can’t really leave it in the past. It becomes a part of us, and we move forward with it. For LGBTQ+ millennials, our pride is couched in painful memories of a culture repulsed and frightened by queerness. That makes us skittish. It makes us loud. It makes us fear that all this progress, all this tolerance , all of Billy Porter's red carpet looks can vanish as quickly as it all appeared.
Grace Perry (The 2000s Made Me Gay: Essays on Pop Culture)
Let's use our exclusion and invisibility as a power to create impermeable spaces for ourselves, unburdened by the ridiculous and biased premises of the dominant class. Let's use our erasure from this rotten-to-the-core Western notion of humanity to build up a different “new world,” one that is not defined in terms of dichotomies or hierarchies or emotional death—but centered on love: one in which we accept ambiguity and difference, grounded in an expansive, limitless “we.” We are at the center of a radical shift taking place in pro-animal discourse precisely because, upon self-reflection, we can see that our struggle is their struggle. I don't mean this symbolically. I mean this literally.
Aph Ko (Aphro-ism: Essays on Pop Culture, Feminism, and Black Veganism from Two Sisters)
Lao Tzu, Chuang Tzu, Bodhidharma, Sosan – they are the Masters of this law of reverse effect. And this is the difference between Yoga and Zen. Yoga makes every effort and Zen makes no effort, and Zen is truer than any Yoga. But Yoga appeals, because as far as you are concerned doing is easy – howsoever hard, but doing is easy. Non-doing is difficult. If someone says, ”Don’t do anything,” you are at a loss. You again ask, ”What to do?” If someone says, ”Don’t do anything,” that is the most difficult thing for you. It should not be so if you understand. Non-doing does not require any qualification. Doing may require qualification, doing may require practice. Non-doing requires no practice. That’s why Zen says enlightenment can happen in a single moment – because it is not a question of how to bring it, it is a question of how to allow it. It is just like sleep: you relax and it is there, you relax and it pops up. It is struggling within your heart to come up. You are not allowing it because you have too much activity on the surface.
Osho (Hsin Hsin Ming: The Book of Nothing)
You might want to pop your collar." "Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas." "Yeah, but it still comes in handy when you're sporting a hickey." "What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron." "Gabriel has a curling iron?" "No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it." "I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect." "He's not going to wave it in your face." "No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that." "I won't." I finished applying the concealer. "Better?" "Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?" "Shit! No. Damn it. Ricky laughed as I frantically applied more makeup.
Kelley Armstrong (Rituals (Cainsville, #5))
Big Jason walked into the club, stared at the band beginning their sound check and quickly walked over to the bar. Lily looked up from her rinsing and smiled. "Big Jason Gulliver, back in town. Raquel said Godzilla returned to Tokyo, I wondered how soon you'd drop by here". "Front me a soda, Lily. How's the night club racket?" Jason barked over the noisy band. "Guys still hitting on me, including your stupid friend King Steve", Lily shot a jet of soda pop from her beverage gun into a water glass. Jason chortled. "He's slow on the draw. You're a fuckin' dyke but a cool fuckin' dyke. I don't even care if you sleep with my girl". "Why thank you, Caveman", Lily smiled, handing him the soda with a cherry on top.
Andy Seven (Every Bitch For Himself)
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
Every now and then somebody would ask, “Whatever happened to Danny from The Shining?… When the [sequel] idea would pop up in my mind I would think, “Now Danny’s 20, or now he’s 25 … I wonder if he’s drinking like his father?’ ” Finally I decided “Okay, why don’t I use that in the story and just revisit that whole issue? Like father, like son.” —Stephen King, February 2013
Stephen King (The Shining (The Shining #1))
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
On the way to after-prom, Peter says he’s hungry, and can we stop at the diner first. “I think there’s going to be pizza at after-prom,” I say. “Why don’t we just eat there?” “But I want pancakes,” he whines. We pull into the diner parking lot, and after we park, he gets out of the car and runs around to the passenger side to open my door. “So gentlemanly tonight,” I say, which makes him grin. We walk up to the diner, and he opens the door for me grandly. “I could get used to this royal treatment,” I say. “Hey, I open doors for you,” he protests. We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play. Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister? It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in. Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others. That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success." Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton. So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
That has got to be the worst ‘I love you’ in the history of romance.” His eyebrows popped up. “This isn’t romance, Rhion. This is real life.” “The two things are not mutually exclusive. Take it back and I’ll give you a do-over later.” “I’m not taking shit back. I love you.” “No, you don’t.” “Yeah, I fucking do.” “Well, I don’t accept. You weren’t even smiling.” All at once, he knifed up off the bed. His upper body crushed me as he landed on top of me. He dipped low so his face was close with mine. “Love rarely makes a man smile. Especially if said man is me and he has to deal with a crazy woman like you. That doesn’t mean I wouldn’t burn the world down for you. Extinguish an entire species. And then place their ashes at your feet if it meant you’d smile. But I probably won’t be grinning while I do it.
Aly Martinez (Singe (Guardian Protection, #1))
In just a few decades, Minnesota has gone from being approximately 99 percent German, Dutch, Finnish, Danish, and Polish to 20 percent African immigrant,7 including at least one hundred thousand Somalis.8 And that’s not counting the Somalis who have recently left the country to fight with al Qaeda and ISIS. One hundred thousand is just an estimate. We don’t know precisely how many Somalis the federal government has brought in as “refugees” because the government won’t tell us. The public can’t be trusted with the truth. Since becoming more multicultural, Minnesota has turned into a hotbed of credit card skimming, human trafficking, and smash-and-grab robberies.9 Mosques have popped up all over the state—as have child prostitutes and machete attacks. Welfare consumption in Minnesota has more than doubled on account of the newcomers—only half of whom have jobs. Those Somalis who do have jobs earn an average of $21,000 a year, compared with $46,000 for the average Minnesotan. (Consider yourself lucky, Minnesota: In Sweden, only 20 percent of Somalis have jobs.) Eighty percent of Somalis in Minnesota live at or below the poverty line. Nearly 70 percent have not graduated from high school, compared with only 8.4 percent of non-Somali Minnesotans.10
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
Turner let the work speak for itself. Harper wanted to be certain about Elwood's comfort with his new detail. 'You don't look surprised,' the young white man said. 'It has to end up somewhere,' Elwood responded. 'How things are done. Spencer tells me where to go, and he kicks it up to Director Hardee.' Harper fiddled the dial after more rock and roll: Elvis popped up again. He was everywhere. 'It used to be worse in the old days,' Harper said, 'from what my aunt says. But the state cracked down and now we lay off the south-campus stuff.' Meaning, they old sold the black students' supplies. 'We had this god old boy who used to run Nickel, Roberts, who would've sold the air you breathe if he could've. Now that was a crook!' 'Beats cleaning the toilets,' Turner said. 'Beats cutting grass, if you ask me.' It was nice to be out, and Elwood said so.
Colson Whitehead (The Nickel Boys)
The ARM, Adjustable Rate Mortgage, was invented in the early 1980s. Prior to that, those of us in the real estate business sold fixed-rate 7 or 8 percent mortgages. What happened? I was there in the middle of that disaster of an economy when fixed-rate mortgages went as high as 17 percent and the real estate world froze. Lenders paid out 12 percent on CDs but had money loaned out at 7 percent on hundreds of millions of dollars in mortgages. They were losing money, and lenders don’t like to lose money. So the Adjustable Rate Mortgage was born, in which your interest rate goes up when the prevailing market interest rates go up. The ARM was born to transfer the risk of higher interest rates to you, the consumer. In the last several years, home mortgage rates have been at a thirty-year low. It is not wise to get something that adjusts when you are at the bottom of rates! The mythsayers always seem to want to add risk to your home, the one place you should want to make sure has stability. Balloon mortgages are even worse. Balloons pop, and it is always strange to me that the popping sound is so startling. Why don’t we expect it? It is in the very nature of balloons to pop. Wise financial people always move away from risk, and the balloon mortgage creates risk nightmares.
Dave Ramsey (The Total Money Makeover: A Proven Plan for Financial Fitness)
Do you really think my feet smell?” I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice. “Take it upstairs,” she says, sitting down on the floor. “This is a public area.” Disentangling myself, I give her a glare. “We aren’t doing anything private, Katherine.” “Your sister says my feet stink,” Peter says, pointing his foot in her direction. “She’s lying, isn’t she?” She deflects it with a pop of her elbow. “I’m not smelling your foot.” She shudders. “You guys are kinky.” I yelp and throw a pillow at her. She gasps. “You’re lucky you didn’t knock over my juice! Daddy will kill you if you mess up the rug again.” Pointedly she says, “Remember the nail-polish-remover incident?” Peter ruffles my hair. “Clumsy Lara Jean.” I shove him away from me. “I’m not clumsy. You’re the one who tripped over his own feet trying to get to the pizza the other night at Gabe’s.” Kitty bursts into giggles and Peter throws a pillow at her. “You guys need to stop ganging up on me!” he yells.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Is that...the Looney Tunes theme?" Mer and St. Clair cock their ears. "Why,yes.I believe it is," St. Clair says. "I heard 'Love Shack' a few minutes ago," Mer says. "It's official," I say. "America has finally ruined France." "So can we go now?" St. Clair holds up a small bag. "I'm done." "Ooo,what'd you get?" Mer asks. She takes his bag and pulls out a delicate, shimmery scarf. "Is it for Ellie?" "Shite." Mer pauses. "You didn't get anything for Ellie?" "No,it's for Mum.Arrrgh." He rakes a hand through his hair. "Would you mind if we pop over to Sennelier before we go home?" Sennelier is a gorgeous little art supply sore,the kind that makes me wish I had an excuse to buy oil paints and pastels. Mer and I went with Rashmi last weekend. She bought Josh a new sketchbook for Hanukkah. "Wow.Congratulations,St. Clair," I say. "Winner of today's Sucky Boyfriend award.And I thought Steve was bad-did you see what happened in calc?" "You mean when Amanda caught him dirty-texting Nicole?" Mer asks. "I thought she was gonna stab him in the neck with her pencil." "I've been busy," St. Clair says. I glance at him. "I was just teasing." "Well,you don't have to be such a bloody git about it." "I wasn't being a git. I wasnt even being a twat, or a wanker, or any of your other bleeding Briticisms-" "Piss off." He snatches his bag back from Mer and scowls at me. "HEY!" Mer says. "It's Christmas. Ho-ho-ho. Deck the halls. Stop fighting." "We weren't fighting," he and I say together. She shakes her head. "Come on,St. Clair's right. Let's get out of here. This place gives me the creeps." "I think it's pretty," I say. "Besides, I'd rather look at ribbons than dead rabbits." "Not the hares again," St. Clair says. "You're as bad as Rashmi." We wrestle through the Christmas crowds. "I can see why she was upset! The way they're hung up,like they'd died of nosebleeds. It's horrible. Poor Isis." All of the shops in Paris have outdone themselves with elaborate window displays,and the butcher is no exception. I pass the dead bunnies every time I go to the movies. "In case you hadn't noticed," he says. "Isis is perfectly alive and well on the sixth floor.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Few people would adopt such a negative identity. Self-professing secularists view secularism in a very different way. For them, secularism is a very positive and active worldview, defined by a coherent code of values rather than by opposition to this or that religion. In fact, many of the secular values are shared by various religious traditions. Unlike some sects that insist they have a monopoly over all wisdom and goodness, one of the chief characteristics of secular people is that they claim no such monopoly. They don’t think that morality and wisdom came down from heaven in one particular place and time. Rather, they view morality and wisdom as the natural legacy of all humans. Therefore it is only to be expected that at least some values would pop up in human societies all over the world and would be common to Muslims, Christians, Hindus, and atheists.
Yuval Noah Harari (21 Lessons for the 21st Century)
What’s it about this time?” I ask. “Pop Tarts,” Britt says. Hailey turns to us and points at Luke. “This jerk actually said they’re better warmed up in the microwave.” “Eww,” I say, instead of my usual “Ill,” and Maya goes, “Are you serious?” “I know, right?” says Hailey. “Jesus Christ!” Luke says. “I only asked for a dollar to buy one from the machine!” “You’re not wasting my money to destroy a perfectly good Pop Tart in a microwave.” “They’re supposed to be heated up!” he argues. “I actually agree with Luke,” Jess says. “Pop Tarts are ten times better heated up.” I move my shoulder so her head isn’t resting on it. “We can’t be friends anymore.” Her mouth drops open, and she pouts. “Fine, fine,” I say, and she rests her head on my shoulder with a wide grin. Total weirdo. I don’t know how she’ll survive without my shoulder when she graduates in a few months.
Angie Thomas (The Hate U Give six-chapter sample)
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
A tiny little baby!' says Tam. 'People look at me like I'm an animal. People who don't know me judge me. I always remember going up to visit someone in prison, and this woman was sitting there. She was looking at me, growling a bit, and I could imagine what she was thinking: "There's a pedophile!" Anyway, I later discovered about her character. And I'll tell you, it outweighed anything I'd ever done.' 'What had she done?' I ask. 'Shoplifting,' says Tam. There is silence.
Jon Ronson
and we were started, and I fainted. Metaphorically, that is, because at this point my mind stopped and I switched one hundred per cent on to automatic, as had happened before on opening nights: you do all the things you’ve practised, like soldiers attacking a machine-gun nest, you switch your mind off and something takes over and does it all for you, provided – PROVIDED – you don’t think. Or even think about thinking. So when I was cued for my first line, the something did it for me. I was then taken to stand on my next mark, and when it was time for me to speak, it did my line for me again. At which point I was taken and put in front of another camera, and told my headmaster monologue was coming up in ten seconds and ‘Just look into the lens,’ and I stared at the Cyclops-like eye of this weird pile of ironwork, and the first line popped into my head, and the floor manager waved to cue me, and whatever it was started doing my lines for me.
John Cleese (So, Anyway...: The Autobiography)
All changed! Even the thing with the spades. All of a sudden the Negroes are out of the hip scene, except for a couple of pushers like Superspade and a couple of characters like Gaylord and Heavy. The explanation around Haight-Ashbury is that Negroes don’t take to LSD. The big thing with spades on the hip scene has always been the quality known as cool. And LSD freaking well blows that whole lead shield known as cool, like it brings you right out front, hang-ups and all. Also the spades don’t get much of a kick out of the nostalgia for the mud that all the white middle-class kids who are coming to Haight-Ashbury like, piling into pads and living freaking basic, you understand, on greasy mattresses on the floor that the filthiest spade walkup in Fillmore wouldn’t have, and slopping up soda pop and shit out of the same bottle, just passing it around from mouth to mouth, not being hung up on that old American plumbing & hygiene thing, you understand, even grokking the weird medieval vermin diseases that are flashing through every groin—crab lice! you know that thing, man, where you first look down at your lower belly and see these little scars, they look like, little scabs or something, tiny little mothers, and like you pick one, root it out, and it starts crawling! Oh shit! and then they’re all crawling and you start exploring your mons pubis and your balls and they’re alive. It’s like a jungle you never saw before,
Tom Wolfe (The Electric Kool-Aid Acid Test)
The Sinsar Dubh popped up on my radar, and it was moving straight toward us. At an extremely high rate of speed. I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do. Barrons looked at me sharply. “What? Do you sense it?” Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears. He didn’t even try to pat me down. He just said, “Liar.” I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.” “No, I don’t know, Ms. Lane. Why don’t you enlighten me?” A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain. “That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?” I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.” “I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.” My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant. And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?
Karen Marie Moning (Faefever (Fever, #3))
Just consider the next thought that pops up in your mind. Where did it come from? Did you freely choose to think it, and only then did you think it? Certainly not. The process of self-exploration begins with simple things, and becomes progressively harder. At first, we realise that we do not control the world outside us. I don’t decide when it rains. Then we realise that we do not control what’s happening inside our own body. I don’t control my blood pressure. Next, we understand that we don’t even govern our brain. I don’t tell the neurons when to fire. Ultimately we should realise that we do not control our desires, or even our reactions to these desires. Realising this can help us become less obsessive about our opinions, about our feelings, and about our desires. We don’t have free will, but we can be a bit more free from the tyranny of our will. Humans usually give so much importance to their desires that they try to control and shape the entire world according to these desires. In pursuit of their cravings, humans fly to the moon, wage world wars, and destabilise the entire ecosystem. If we understand that our desires are not the magical manifestations of free choice, but rather are the product of biochemical processes (influenced by cultural factors that are also beyond our control), we might be less preoccupied with them. It is better to understand ourselves, our minds and our desires rather than try to realise whatever fantasy pops up in our heads.
Yuval Noah Harari (21 Lessons for the 21st Century)
Angry heat tightens my skin. “Never took you for a coward,” I blurt. His head snaps in my direction. “What do you mean by that?” “You came here tonight for a reason. Why don’t you own up to it?” Before I can think about it, I lean across the center console and stare him directly in the face. “Do you always run from what you want?” Maybe I’m going out on a limb to imply he wants me, but the pulse throbbing at his neck tells me it’s so. And he is here, after all. His gaze drops to my mouth. “I can’t think of the last time I had anything I truly wanted,” he says huskily, so low I could hardly hear him. It’s more like I felt him. His words echo through me, striking a chord so deep that I’m sure there’s a reason for all this. A reason we’ve found each other, first in the mountains and now here. A reason. Something more. Something bigger than coincidence. “Me too.” He leans across the console. Sliding a hand behind my neck, he tugs my face closer. I move fluid, melting toward him. “Maybe it’s time to change that then.” At the first brush of his mouth, stinging heat surges through me, shocking me motionless. My veins and skin pop and pulse. I rise on my knees, clutch his shoulders with clawing fingers, trying to get closer. My hands drift, rounding over his smooth shoulders, skimming down a rock-hard chest. His heart beats like a drum beneath my fingers. My blood burns, lungs expand and smolder. I can’t draw enough air through my nose . . . or at least not enough to chill my steaming lungs. His hands slide over my cheeks, holding my face. His skin feels like ice to my blistering flesh, and I kiss him harder. “Your skin,” he whispers against my mouth,” it’s so . . .” I drink him in, his words, his touch, moaning at his taste, at the sudden burning pull of my skin. The delicious tugging in my back. He kisses me deeper with cool, dry lips. Moves his hands down my face, along my jaw to my neck. His fingertips graze beneath my ear, and I shiver. “Your skin is so soft, so warm . . .
Sophie Jordan (Firelight (Firelight, #1))
Who cheats? Well, just about anyone, if the stakes are right. You might say to yourself, I don’t cheat, regardless of the stakes. And then you might remember the time you cheated on, say, a board game. Last week. Or the golf ball you nudged out of its bad lie. Or the time you really wanted a bagel in the office break room but couldn’t come up with the dollar you were supposed to drop in the coffee can. And then took the bagel anyway. And told yourself you’d pay double the next time. And didn’t. For every clever person who goes to the trouble of creating an incentive scheme, there is an army of people, clever and otherwise, who will inevitably spend even more time trying to beat it. Cheating may or may not be human nature, but it is certainly a prominent feature in just about every human endeavor. Cheating is a primordial economic act: getting more for less. So it isn’t just the boldface names — inside-trading CEOs and pill-popping ballplayers and perkabusing politicians — who cheat. It is the waitress who pockets her tips instead of pooling them. It is the Wal-Mart payroll manager who goes into the computer and shaves his employees’ hours to make his own performance look better. It is the third grader who, worried about not making it to the fourth grade, copies test answers from the kid sitting next to him. Some cheating leaves barely a shadow of evidence. In other cases, the evidence is massive. Consider what happened one spring evening at midnight in 1987: seven million American children suddenly disappeared. The worst kidnapping wave in history? Hardly. It was the night of April 15, and the Internal Revenue Service had just changed a rule. Instead of merely listing the name of each dependent child, tax filers were now required to provide a Social Security number. Suddenly, seven million children — children who had existed only as phantom exemptions on the previous year’s 1040 forms — vanished, representing about one in ten of all dependent children in the United States.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
Stir fry!” Rhys proclaimed. “Really?” Finn leaned over his shoulder and peered down at the ingredients in the pan. Rhys moved to the side a little so Finn could reach in and grab something out of it. He sniffed it, then popped it into his mouth. “Well, it’s not terrible.” “Stop my beating heart!” Rhys put his hand over his heart and feigned astonishment. “Has my food passed the test of the hardest food critic in the land?” “No. I just said it wasn’t terrible.” Finn shook his head at Rhys’s dramatics and went to the fridge to get a bottle of water. “And I’m certain that Elora is a much harsher food critic than I’ll ever be.” “That’s probably true, but she’s never let me cook for her,” Rhys admitted, shaking the wok to stir up the vegetables more. “You really shouldn’t let him cook for you,” Finn advised, looking at me for the first time. “He gave me food poisoning once.” “You cannot get food poisoning from an orange!” Rhys protested and looked back at him. “It’s just not possible! And even if you can, I handed you the orange. I didn’t even have a chance to contaminate it!” “I don’t know.” Finn shrugged. A smile was creeping up, and I could tell he was amused by how much Rhys was getting worked up. “You didn’t even eat the part I touched! You peeled it and threw the skin away!” Rhys sounded exasperated. He wasn’t paying attention to the wok as he struggled to convince us of his innocence, and a flame licked up from the food. “Food’s on fire,” Finn nodded to the stove. “Dammit!
Amanda Hocking (Switched (Trylle, #1))
He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
He was beautiful. Whatever else he was, Sage was by far the most magnetic man I had ever seen. I had felt it in my dreams, and it was even more true in real life. I welcomed the chance to study him without his knowledge. He glanced up, and I quickly closed my eyes, feigning sleep. Had he seen me? The scratching stopped. He was looking at me, I knew it. I held my breath and willed my eyes not to pop open and see if he was staring. Finally the scratching started up again. I forced myself to slowly count to ten before I opened my eyelids the tiniest bit and peeked through my lashes. Good-he wasn’t looking at me. I opened my eyes a little wider. What was he doing? Moving only my eyes, I glanced down at the dirt floor in front of him… …and saw a picture of me, fast asleep. It was incredible. I could see his tools laid out beside the picture: rocks in several sizes and shapes, a couple of twigs…the most rudimentary materials, and yet what he was etching into the floor wouldn’t look out of place on an art gallery wall. It was beautiful…far more beautiful than I thought I actually looked in my sleep. Is that how he saw me? Sage lifted his head again, and I shut my eyes. I imagined him studying me, taking careful note of my features and filtering them through his own senses. My heartbeat quickened, and it took all my willpower to remain still. “You can keep pretending to be asleep if you’d like, but I don’t see a career for you as an actress,” he teased. My eyes sprang open. Sage’s head was again bent over his etching, but a grin played on his face as he worked. “You knew?” I asked, mortified. Sage put a finger to his lips, glancing toward Ben. “About two minutes before you woke up, I knew,” he whispered. “Your breathing hanged.” He bent back over the drawing, then impishly asked, “Pleasant dreams?” My heart stopped, and I felt myself blush bright crimson as I remembered our encounter in the bottom of the rowboat. I sent a quick prayer to whoever or whatever might be listening that I hadn’t re-enacted any of it in my sleep, then said as nonchalantly as possible, “I don’t know, I can’t remember what I dreamed about. Why?” He swapped out the rock in his hand for one with a thinner edge and worked for another moment. “No reason…just heard my name.” I hoped the dim moonlight shadowed the worst of my blush. “Your name,” I reiterated. “That’s…interesting. They say dreams sort out things that happen when we’re awake.” “Hmm. Did you sort anything out?” he asked. “Like I said, I can’t remember.” I knew he didn’t believe me. Time to change the subject. I nodded to the etching. “Can I come look?
Hilary Duff (Elixir (Elixir, #1))
Life, in short, just wants to be. But—and here’s an interesting point—for the most part it doesn’t want to be much. This is perhaps a little odd because life has had plenty of time to develop ambitions. If you imagine the 4.5 billion odd years of Earth’s history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flashbulb pop of light marking the impact of a Manson-sized meteor or one even larger. It’s a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long. Perhaps an even more effective way of grasping our extreme recentness as a part of this 4.5-billion-year-old picture is to stretch your arms to their fullest extent and imagine that width as the entire history of the Earth. On this scale, according to John McPhee in Basin and Range, the distance from the fingertips of one hand to the wrist of the other is Precambrian. All of complex life is in one hand, “and in a single stroke with a medium-grained nail file you could eradicate human history.” Fortunately, that moment hasn’t happened, but the chances are good that it will. I don’t wish to interject a note of gloom just at this point, but the fact is that there is one other extremely pertinent quality about life on Earth: it goes extinct. Quite regularly. For all the trouble they take to assemble and preserve themselves, species crumple and die remarkably routinely. And the more complex they get, the more quickly they appear to go extinct. Which is perhaps one reason why so much of life isn’t terribly ambitious.
Bill Bryson (A Short History of Nearly Everything)
The core components of high EQ are the following: The ability to self-soothe. The key to managing emotion is to allow, acknowledge, and tolerate our intense emotions so that they evaporate, without getting stuck in them or taking actions we’ll later regret. Self-soothing is what enables us to manage our anxiety and upsets, which in turn allows us to work through emotionally charged issues in a constructive way. Emotional self-awareness and acceptance. If we don’t understand the emotions washing over us, they scare us, and we can’t tolerate them. We repress our hurt, fear, or disappointment. Those emotions, no longer regulated by our conscious mind, have a way of popping out unmodulated, as when a preschooler socks his sister or we (as adults) lose our tempers or eat a pint of ice cream. By contrast, children raised in a home in which there are limits on behavior but not on feelings grow up understanding that all emotions are acceptable, a part of being human. That understanding gives them more control over their emotions. Impulse control. Emotional intelligence liberates us from knee-jerk emotional reactions. A child (or adult) with high EQ will act rather than react and problem-solve rather than blame. It doesn’t mean you never get angry or anxious, only that you don’t fly off the handle. As a result, our lives and relationships work better. Empathy. Empathy is the ability to see and feel something from the other’s point of view. When you’re adept at understanding the mental and emotional states of other people, you resolve differences constructively and connect deeply with others. Naturally, empathy makes us better communicators.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
The Beatles were particularly prominent examples, and Dylan’s central position in rock history is rooted in that brief period when he and the Beatles were running neck and neck. He released Bringing It All Back Home in the spring of 1965, Highway 61 Revisited that summer, and Blonde on Blonde a year later. Rubber Soul, the first Beatles album conceived as a cohesive artistic statement, was released in December 1965, followed by Revolver seven months later. In commercial terms the Beatles were in a different league: on the American market, they released four LPs of new material in 1965 and two in 1966, and each spent more than five weeks at number one on Billboard’s album chart, while Dylan would not have a number one album until the mid-1970s. But they were evolving from teen-pop hit-makers into mature, thoughtful artists, with Dylan as their acknowledged model. McCartney recalled playing him a tape of their new songs when he came through London in the spring of 1966: “He said, ‘O I get it, you don’t want to be cute anymore!’ That summed it up. . . . The cute period had ended. It started to be art.
Elijah Wald (Dylan Goes Electric!: The Inspiration for the Major Motion Picture A Complete Unknown)
Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!” “They seem to have already left.” She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression. “I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.” “Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?” His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it. No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility. “Ahem.” She crossed her arms over her chest, abruptly aborting his mission. “It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.” “We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“ “Summerfield? You didn’t say Summerfield.” Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge. She was tall for a woman. He liked his women tall. “I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?” Her brow creased. “What business do you have with Sir Lewis Finch?” “Men’s business, love. The specifics needn’t concern you.” “Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Marissa,” he mumbled, taking her hand. “Don’t want to see you drink so much.” Wait, not really what he’d been going for. “Ah . . . don’t want you to see me drink so much . . . want.” Whatever. God . . . he was so confused. V smiled a little, but it was the kind of falsey number doctors gave to patients who were about to throw up. “He’s going to need something with sugar in it. Rhage, you got a lollipop on you?” Butch looked over as a wicked handsome blond guy knelt down. “I know you,” Butch said. “Hey . . . buddy.” “Hey, my man.” Rhage reached into the pocket of his fleece and pulled out a Tootsie Pop. After ripping the wrapper off, he put the thing into Butch’s mouth. Butch groaned. Goddamn, that was the best thing he’d ever tasted in his whole life. Grape. Sweet. Ahhhh . . . “Is he seizing again?” Marissa asked. “I think he likes it,” Rhage murmured. “That right, cop?” Butch nodded and nearly lost the lollipop, so Rhage took control of the stick, holding it in place. Man, they were so good to him. Marissa stroking his hair and holding his hand. V’s palm a warm weight on his leg. Rhage making sure the Toosie Pop stayed where it needed to be—
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
After school, Peter and I are lying on the couch; his feet are hanging off the end. He’s still in his costume, but I’ve changed into my regular clothes. “You always have the cutest socks,” he says, lifting up my right foot. These ones are gray with white polka dots and yellow bear faces. Proudly I say, “My great-aunt sends them from Korea. Korea has the cutest stuff, you know.” “Can you ask her to send me some too? Not bears, but maybe, like, tigers. Tigers are cool.” “Your feet are too big for socks as cute as these. Your toes would pop right out. You know what, I bet I could find you some socks that fit at…um, the zoo.” Peter sits up and starts tickling me. I gasp out, “I bet the--pandas or gorillas have to--keep their feet warm somehow…in the winter. Maybe they have some kind of deodorized sock technology as well.” I burst into giggles. “Stop…stop tickling me!” “Then stop being mean about my feet!” I’ve got my hand burrowed under his arm, and I am tickling him ferociously. But by doing so, I have opened myself up to more attacks. I yell, “Okay, okay, truce!” He stops, and I pretend to stop, but sneak a tickle under his arm, and he lets out a high-pitched un-Peter-like shriek. “You said truce!” he accuses. We both nod and lie back down, out of breath. “Do you really think my feet smell?” I don’t. I love the way he smells after a lacrosse game--like sweat and grass and him. But I love to tease, to see that unsure look cross his face for just half a beat. “Well, I mean, on game days…” I say. Then Peter attacks me again, and we’re wrestling around, laughing, when Kitty walks in, balancing a tray with a cheese sandwich and a glass of orange juice. “Take it upstairs,” she says, sitting down on the floor. “This is a public area.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
So Tony played baseball. That is, indeed, just about all that Tony did do. I don't know why it appealed so much to Tony. I suppose it was because in baseball you a part of something, the team, but at the same time you are alone. No one can get close to you, everyone is at his specific position on the field. Mostly, Tony liked to hit. That's what baseball is about, finally - one person with one stick of wood finding that one spot on the baseball that makes everything connect. Everything. Not just the bat and ball. It makes everything connect.' Tanya tilted her head and raised her eyebrows. 'Do you know what I mean?' Crybaby nodded violently - he'd had a few nips at the bottle himself. 'A guy I played with called it 'the sweet spot.' Oh boy, do I know what you mean! Sometimes you could smack that ball and everything would make sense. As long as that ball was up in the air, everything would make sense. I used to have a dream, when I was younger, that one day I'd pop one, and it'd go up in the air and over the infield and over the outfield and out of the park and just keep going. Around and around the world, just like the moon. And everything would make sense.
Paul Quarrington (Home Game)
character. And I’ll tell you, it outweighed anything I’d ever done.” “What had she done?” I ask. “Shoplifting,” says Tam. There is a silence. “People have their own little guilt trips,” says Tam. “They look around. ‘Who’s a beast? Who’s a pedo?’ Now it’s on my record for the rest of my life. If I want to go into business, I have to state that I was done for lewd and libidinous. Gross indecency. People think, ‘Oh my God! He must have been crawling about in a nursery.’” “Can I ask about the boys who live here?” I say. “What do they do?” “They clean up,” he replies, a little sharply. “They feed the dogs. They take them for walks. They help me with my property business. They are eighteen years of age, and I don’t have a relationship with them. You can interview them until the cows come home. Maybe I just like nice people floating about. We don’t have orgies. There’s no swinging from the chandeliers. Even if there was,” he adds, “it would be legal.” Tam believes he was targeted because of his fame, because he was a celebrity Svengali. He blames his arrest, then, on the pop business. And now he is out of it. He has become a property millionaire, with forty flats in Edinburgh’s
Jon Ronson (Lost At Sea: The Jon Ronson Mysteries)
Prusis told me that the fluke's raging in Moscow, and there's nothing to bury people in. All the material's been used up. So I decided to come out and set things straight.' Ostap, who had been listening curiously to the entire conversation, stepped in. 'Listen, pops. It's Paris where the flu is raging.' 'In Paris?' 'Well, yes. So go to Paris. You'll rake it in there! It's true that you'll have a few difficulties with the visa, but don't get down about it, pops. If Briand takes a shine to you, your life won't be half-bad: you'll be set up as personal coffin-maker to the municipality of Paris.
Ilya Ilf (The Twelve Chairs)
Even if fate decreed that we had a bond, I definitely don’t recognize it. I don’t even like you.” “If we had no bad blood between us, would you . . . like me?” “I’d be attracted to you, but there’s no way I’d want anything permanent with you—bad blood or not.” “What the hell’s so wrong with me?” His eyes flickered, and the hint of uncertainty he’d just revealed was drowned out by a surge of arrogance. “I’m strong, I can protect you, and I’m rich. And I vow to you, lass, once you experience what it’s like to share my bed, you will no’ ever want to leave it.” His eyes bored into hers as he said the last, and despite herself, his utter confidence in this area affected her, forcing herself to wonder what tricks a twelve-century-old immortal would’ve picked up over the years. She inwardly shook herself. “MacRieve, when I settle down it’s going to be with a male that has—oh, I don’t know—a sense of humor, or of modesty. How about a lack of scathing hatred towards witches? Maybe a zest for life? Too much to ask that he’s born in the same millennium?” “Some of these things canna be changed, but know that I was no’ always so . . . grave as I am now.” “It doesn’t matter. We’re just too different. I need a male who will get along with my friends, my witch friends, who’ll be current enough to know the difference between emo rock and jangle pop, and who’ll be able to get me through the ice world in Zelda.” MacRieve was no doubt speculating in what ice dimension this mysterious land of Zelda was. He finally said, “These differences are surmountable—” “And the age difference? You keep talking about how young I am, but all you’re doing is reminding me how old you are. Any minute now you’re going to say something really lame like ‘When I was your age . . .,’ and I’m just not going to be able to keep from laughing at you.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
The room was deathly quiet. Maybe because I was holding my breath. You know that feeling you get when you know you’re doing something that you shouldn’t be doing but you’re doing it anyway? I felt that if someone were to sneak up behind me and go “Boo” that my heart would say “Fuck it” and just stop beating. I told myself to think of something else. Think of that gorgeous young man who had served us at dinner. Think of how he’d look naked. Okay, maybe don’t think of that. The only thing worse than being found in someone else’s room rifling through their things would be to be found in someone else’s room pleasuring yourself.
Stephen Osborne (Pop Goes the Weasel)
What's taking you so long in the privy, son?" "Nothing, mama." "If you stay in there much longer, a snake will come and bite you" "Yes, mama." I was thinking of you, Susana of the green hills. Of when we used to fly kites in the windy season. We could hear the sounds of life from the town below; we were high above on the hill, playing out string to the wind. "Help me, Susana." And soft hands would tighten on mine. "Let out more string." The wind made us laugh; our eyes followed the string running through our fingers after the wind until with a faint pop! it broke, as if it had been snapped by the wings of a bird. And high over head, the paper bird would tumble and somersault, trailing its rag tail, until it disappeared into the green earth. Your lips were moist, as if kissed by the dew. "I told you, son, come out of the privy now." "Yes, mama. I'm coming." I was thinking of you. Of the times you were there looking at me with your aquamarine eyes. He looked up and saw his mother in the doorway. "What's taking you so long? What are you doing in there?" "I'm thinking." "Can't you do it somewhere else? It's not good for you to stay in the privy so long. Besides, you should be doing something. Why don't you go help your grandmother shell corn?" "I'm going, mama. I'm going.
Juan Rulfo (Pedro Páramo)
What happened?” Dallas asked immediately, his hand reaching out toward Louie. I didn’t miss how Lou took his hand instantly. “She called me a brat,” Louie blurted out, his other little hand coming up to meet with the one already clutching our neighbor’s. I blinked and told myself I was not going to look at Christy until I had the full story. “Why?” Dallas was the one who asked. “He spilled some of his hot chocolate on her purse,” it was Josh who explained. “He said sorry, but she called him a brat. I told her not to talk to my brother like that, and she told me I should have learned to respect my elders.” For the second time around this woman, I went to ten. Straight through ten, past Go, and collected two hundred dollars. “I tried to wipe it up,” Louie offered, those big blue eyes going back and forth between Dallas and me for support. “You should teach these boys to watch where they’re going,” Christy piped up, taking a step back. Be an adult. Be a role model, I tried telling myself. “It was an accident,” I choked out. “He said he was sorry… and your purse is leather and black, and it’ll be fine,” I managed to grind out like this whole thirty-second conversation was jabbing me in the kidneys with sharp knives. “I’d like an apology,” the woman, who had gotten me suspended and made me cry, added quickly. I stared at her long face. “For what?” “From Josh, for being so rude.” My hand started moving around the outside of my purse, trying to find the inner compartment when Louie suddenly yelled, “Mr. Dallas, don’t let her get her pepper spray!” The fuck? Oh my God. I glared at Louie. “I was looking for a baby wipe to offer her one, Lou. I wasn’t getting my pepper spray.” “Nuh-uh,” he argued, and out of the corner of my eye, I noticed Christy take a step back. “I heard you on the phone with Vanny. You said, you said if she made you mad again you were gonna pepper spray her and her mom and her mom’s mom in the—” “Holy sh—oot, Louie!” My face went red, and I opened my mouth to argue that he hadn’t heard me correctly. But… I had said those words. They had been a joke, but I’d said them. I glanced at Dallas, the serious, easygoing man who happened to look in that instant like he was holding back a fart but was hopefully just a laugh, and finally peeked at the woman who I’d like to think brought this upon herself. “Christy, I would never do that—” ... I cleared my throat and popped my lips. “Well, that was awkward.” “I’m not a brat.” Louie was still hung up and outraged. I pointed my finger at him. “You’re a tattletale, that’s what you are. Nosey Rosie. What did I tell you about snitches?” “You love them?
Mariana Zapata (Wait for It)
Wit,” I tried again, and this time, I put my hand on his knee and squeezed it. “Wit!” Something flashed in his eyes when he turned and saw the terror on my face, and before I could count to ten, he’d eased on the brakes, pulled onto the side of the road, and put the Jeep in park. “Shit, shit, shit,” I heard him mutter as he hopped out of the car and came around to my side to pop open my door. “I’m sorry.” He looked up at me, high off the ground in the passenger seat. “I’m an asshole. I’m sorry.” Don’t cry, I told myself. Don’t cry. But it had taken him less than ten seconds. It had taken him less than ten seconds to connect the dots, while Ben had never connected them.
K.L. Walther (The Summer of Broken Rules)
Where are you going this hot day, Mis’ DeJong?” Selina sat up very straight. “To Bagdad, Mrs. Pool.” “To — Where’s that? What for?” “To sell my jewels, Mrs. Pool. And to see Aladdin, and Harun-al-Rashid and Ali Baba. And the Forty Thieves.” Mrs. Pool had left her rocker and had come down the steps. The wagon creaked on past her gate. She took a step or two down the path, and called after them. “I never heard of it. Bag — How do you get there?” Over her shoulder Selina called out from the wagon seat. “You just go until you come to a closed door. And you say ‘Open Sesame!’ and there you are.” Bewilderment shadowed Mrs. Pool’s placid face. As the wagon lurched on down the road it was Selina who was smiling and Mrs. Pool who was serious. The boy, round eyed, was looking up at his mother. “That’s out of Arabian Nights, what you said. Why did you say that?” Suddenly excitement tinged his voice. “That’s out of the book. Isn’t it? Isn’t it! We’re not really ——” She was a little contrite, but not very. “Well, not really, perhaps. But ’most any place is Bagdad if you don’t know what will happen in it. And this is an adventure, isn’t it, that we’re going on? People in disguise in the Haymarket. Caliphs, and princes, and slaves, and thieves, and good fairies, and witches.” “In the Haymarket! That Pop went to all the time! That is just dumb talk.
Edna Ferber (So Big)
Not many of us will be able to go, because a crowd that large would draw too much attention. Evelyn won’t let us leave without a fight, so I thought it would be best to recruit people who I know to be experienced with surviving danger.” I glance at Tobias. We certainly are experienced with danger. “Christina, Tris, Tobias, Tori, Zeke, and Peter are my selections,” Cara says. “You have all proven your skills to me in one way or another, and it’s for that reason that I’d like to ask you to come with me outside the city. You are under no obligation to agree, of course.” “Peter?” I demand, without thinking. I can’t imagine what Peter could have done to “prove his skills” to Cara. “He kept the Erudite from killing you,” Cara says mildly. “Who do you think provided him with the technology to fake your death?” I raise my eyebrows. I had never thought about it before--too much happened after my failed execution for me to dwell on the details of my rescue. But of course, Cara was the only well-known defector from Erudite at that time, the only person Peter would have known to ask for help. Who else could have helped him? Who else would have known how? I don’t raise another objection. I don’t want to leave this city with Peter, but I’m too desperate to leave to make a fuss about it. “That’s a lot of Dauntless,” a girl at the side of the room says, looking skeptical. She has thick eyebrows that don’t stop growing in the middle, and pale skin. When she turns her head, I see black ink right behind her ear. A Dauntless transfer to Erudite, no doubt. “True,” Cara says. “But what we need right now are people with the skills to get out of the city unscathed, and I think Dauntless training makes them highly qualified for that task.” “I’m sorry, but I don’t think I can go,” Zeke says. “I couldn’t leave Shauna here. Not after her sister just…well, you know.” “I’ll go,” Uriah says, his hand popping up. “I’m Dauntless. I’m a good shot. And I provide much-needed eye candy.” I laugh. Cara does not seem to be amused, but she nods. “Thank you.
Veronica Roth (Allegiant (Divergent, #3))
I don’t want to hold you back.” Shannon’s face scrunched up in confusion. “Why would you think you hold me back?” John clamped his jaw and looked away. “Ah,” she said softly. John hated that one small sound, and the wealth of meaning that went with it. Something popped in his jaw. “Let me tell you something, John.” She leaned back in the chair and took a deep breath. He didn’t dare look at her, but the breath stalled in his lungs as he waited. He kept his face deliberately turned to the window. “I want you to listen to what I say, and actually hear. Your disability is more of a hurdle to you than me, and I don’t mean physically. I’ve lived with a paraplegic, so I’m probably a little more cognizant of what you go through every day than anybody else here. As well as the kind of care you may eventually need.” He caught a glimpse of her hand in the air, and he assumed she had waved at the building. John had to admit, she was probably right. Other than Duncan, none of the other operatives were wheelchair-bound. Several had been in the chair during recovery, but only he and his partner had spent any length of time in one. She was silent, but she leaned toward him enough to catch his gaze with her own. John couldn’t look away from her gentle smile. “I like you. A lot. I wasn’t flirting with that cop because he didn’t do anything for me. You’re the one that makes my heart race.” Fear
J.M. Madden (Embattled Hearts (Lost and Found, #1))
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
I can’t abandon my dad’s store.” “Abandon what? Look around you, fool. There ain’t nothin’ here left to protect!” “You’re right.” She sobs harder. “We have nothing left.” “This can all be replaced. Can’t replace us if someone comes in here and cracks our head open because they want a power tool or a hammer. Or if the cops run up in here and want to put my ass in jail because they think I’m the one takin’ things.” “You don’t get it,” she says, tears running down her face. “This place is all my dad has.” “I don’t understand? You got us sitting in a broken window like ducks at a carnival game lined up to get popped. Quit crying over a store! You so busy feeling sorry for yourself, we gonna get killed.
Kimberly Jones (I'm Not Dying with You Tonight)
The gnarled pine, I would have said, touch it. This is China. Horticulturalists around the world have come to study it. Yet no one has ever been able to explain why it grows like a corkscrew, just as no one can adequately explain China. But like that tree, there it is, old, resilient, and oddly magnificent. Within that tree are the elements in nature that have inspired Chinese artists for centuries: gesture over geometry, subtlety over symmetry, constant flow over static form. And the temples, walk and touch them. This is China. Don't merely stare at these murals and statues. Fly up to the crossbeams, get down on your hands and knees, and press your head to the floor tiles. Hide behind that pillar and come eye to eye with its flecks of paint. Imagine that you are the interior decorator who is a thousand years in age. Start with a bit of Tibetan Buddhism, plus a dash each of animism and Taoism. A hodgepodge, you say? No, what is in those temples is an amalgam that is pure Chinese, a lovely shabby elegance, a glorious new motley that makes China infinitely intriguing. Nothing is ever completely thrown away and replaced. If one period of influence falls out of favor, it is patched over. The old views still exist, one chipped layer beneath, ready to pop through with the slightest abrasion. That is the Chinese aesthetic and also its spirit. Those are the traces that have affected all who have traveled along China's roads.
Amy Tan (Saving Fish from Drowning)
Maybe if he hadn't paused to take an audible breath, we wouldn't have heard it. But as it was, the creak from the floor outside my half-open door came in loud and clear. Alex shot up like he'd been poked with a sharp stick. I crossed the room in a single breath and jerked open the door. Nonna, halwayf past my room and clearly heading for the stairs, looked like something out of a cartoon. Her shoulders were hunched, she had one foot lifted off the floor, and she was cringing. "Oh,Fiorella. I am sorry!" In an alernate universe, another Ella was frantically reassuring her shrieking grandmother that nothing had happened, she had not endangered her immortal soul, and it would be a very good thing, please, if Poppa's revolver went back into its dusty case. In this one,Nonna had a gun forefinger to her own temple. She popped her thumb and rolled her eyes. Not knowing what else to do, I stepped aside. "Um...Nonna, this is Alex Bainbridge. Alex, this is my grandmother..." He was already across the room, hand extended. "Buongiorno, Signora Marino. Piacere di conosceria." She responded with a delighted cackle and a torrent of Italian. I caught "welcome" and "sausage." Of course, I might have been wrong about both. Alex listened attentively, then gave her a crooked smile. "Scusi, signora. I don't speak Italian. Well, much,anyway. I just practiced a couple phrases for...um...practice." "Ah"-Nonna reached up to pinch Alex's cheek, not to hard-"it doesn't matter. You have me at buongiorno. Now, come,come.
Melissa Jensen (The Fine Art of Truth or Dare)
Gentle hands, soft lips, and hot little breaths down my stomach. Pleasure, a thick syrup pouring over my limbs. My cock rose, growing heavy with desire. We were so new together, by all accounts, I should be panting madly, trying to take over. But I was slowly heating wax molding to her will. Emma palmed me through my briefs, and I grunted. I wanted them off, no barriers between us. As if she heard the silent demand, she kissed my nipple and slowly eased the briefs down. I lifted my butt to help her. My dick slapped against my belly as it was freed. Emma made a noise of appreciation and then wrapped her clever fingers around me. "Please," I whispered. My body was weak, but my need grew stronger, drowning out everything else. She complied, stroking, her lips on my lower abs, teasing along the V leading to my hips. "Em..." My plea broke off into a groan as her hot mouth enveloped me. There were no more words. I let her have me, do as she willed, and I was thankful for it. And it felt so good I could only lie there and take it, try not to thrust into her mouth like an animal. But she pulled free with a lewd pop and gazed up at me. Panting lightly, I stared back at her, ready to promise her anything, when she kissed my pulsing tip. "Go ahead," she said. "Fuck my mouth." I almost spilled right there. She sucked me deep once more, and a sound tore out of me that was part pained, part "Oh God, please don't ever stop." The woman was dismantling me in the best of ways. Waves of heat licked up over my skin as I pumped gently into her mouth, keeping my moves light because I didn't want to hurt her, and because denying myself was outright torture. Apparently, I was into that. She sucked me like I was dessert----all the while, her hand stroking steady circles on the tight, sensitive skin of my lower abs. It was that touch, the knowledge that she was doing this because she wanted to take care of me, that rushed me straight to the edge. My trembling hand touched the crown of her head. "Em. Baby, I'm gonna..." I gasped as she did something truly inspired with her tongue. "I'm gonna..." She pulled free with one last suck and surged up to kiss me, her hand wrapping around my aching dick and stroking it. Panting into her mouth, my kiss frantic and sloppy, I came with a shudder of pleasure. And all the tension, all the pain, dissolved like a sugar cube dropped into hot tea.
Kristen Callihan (Make It Sweet)
Look back at history,” he said, after a minute or two. “Most great and remarkable men weren't tame or politically correct. They were raving loonies. They acted out. Heroes are badasses, not alter-boys.” “You don't think Jesus was a hero?” I asked. “Jesus was the bad-ass,” he said, chuckling a little. “...talk about somebody knowing how to make some noise.” Nick confused me. Half the time what he said sounded completely hypocritical. The other half of the time, what he said sounded completely insane. He always had an opinion though, no matter how nonsensical it was to me. I admired that about him. “You think Jesus would throw a book at someone?” I asked, before I could stop myself. His eyes popped open. I dropped my pen again. He sat up straight and focused his eyes on me. “I'm not Jesus,” he said simply. No kidding.
Elizabeth Nicole (Chronicles of a Mermaid Out of Water)
Although Daisy was the mildest-tempered of all the Bowmans, she was by no means a coward. And she would not accept defeat without a fight. “You’re forcing me to take desperate measures,” she said. His reply was very soft. “There’s nothing you can do.” He had left her no choice. Daisy turned the key in the lock and carefully withdrew it. The decisive click was abnormally loud in the silence of the room. Calmly Daisy tugged the top edge of her bodice away from her chest. She held the key above the narrow gap. Matthew’s eyes widened as he understood what she intended. “You wouldn’t.” As he started around the dresser, Daisy dropped the key into her bodice, making certain it slipped beneath her corset. She sucked in her stomach and midriff until she felt the cold metal slide to her navel. “Damn it!” Matthew reached her with startling speed. He reached out to touch her, then jerked his hands back as if he had just encountered open flame. “Take it out,” he commanded, his face dark with outrage. “I can’t.” “I mean it, Daisy!” “It’s fallen too far down. I’ll have to take my dress off.” It was obvious he wanted to kill her. But she could also feel the force of his longing. His lungs were working like bellows, and scorching heat radiated from his body. His whisper contained the ferocity of a roar. “Don’t do this to me.” Daisy waited patiently. The next move was his. He turned his back to her, the seams of his coat straining over bunched muscles. His fists clenched as he struggled to master himself. He took a shuddering breath, and another, and when he spoke his voice sounded thick, as if he had just awakened from a heavy sleep. “Take off your gown.” Trying not to antagonize him any more than was necessary, Daisy replied in an apologetic tone. “I can’t do it by myself. It buttons up the back.” Matthew said something in a muffled voice that sounded very foul. After an eternity of silence he turned to face her. His jaw could have been cast in iron. “I’m not going to fall apart that easily. I can resist you, Daisy. I’ve had years of practice. Turn around.” Daisy obeyed. As she bent her head forward, she could actually feel his gaze travel over the endless row of pearl buttons. “How do you ever get undressed?” he muttered. “I’ve never seen so many blasted buttons on one garment.” “It’s fashionable.” “It’s ridiculous.” “You can send a letter of protest to Godey’s Lady’s Book,” she suggested. Giving a scornful snort, Matthew began on the top button. He tried to unfasten it while avoiding contact with her body. “It helps if you slide your fingers beneath the placket,” Daisy said. “And then you can pop the button through the—” “Quiet,” he snapped. She closed her mouth.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I panted as he pulled me back through the entryway, hands on my waist, kissing the whole way, and collapsed backward onto the gray leather couch, which felt softer than my skin. I fell on top of him, straddling his lap. He kissed his way down my neck and across the collar of my blouse, leaving a trail of fire behind. "Enough of that," I panted, ripping my shirt over my head. Thank goodness I'd worn a decent bra today---blue satin with a bow in the middle, not frayed or torn anywhere. He eyed it with a growl of approval, but maybe it wasn't a growl for the bra at all, because a moment of fumbling over my back and---pop---I shook off my now unfastened bra. "And to think you didn't like me at first." He drank me in unabashedly, his eyes roaming from belly to breasts to nose to eyes, and each inch his eyes traveled made me feel more and more powerful. Like I could go anywhere, do anything. Except all I wanted to do was right here. I ground against him, feeling his cock already hard and strong under his zipper. "Who says I like you now?" He gasped and pulled me tighter onto him. "If this is what you do to people you don't like, what do you do to people you do like?" I silenced him with another kiss as I rubbed up and down him again. Now my own sex was throbbing, and I sucked in a breath with every movement. I kept moving up and down as he kissed my breasts, tongue tracing lightly over each nipple. When I couldn't take it anymore, I tumbled to the side, lying down on the couch and pulling him on top of me. Because his was an expensive couch and not the cheap one my old roommate had bought at Ikea, there was plenty of room for us to writhe without making me feel like I might topple off the edge. He went down to kiss my breasts again... and kept going. His tongue slid down my stomach, did a lazy circle around my belly button. I clenched my teeth, holding back a beg for more as he slowly, slowly, way too slowly unzipped my skirt and tugged it down. I kicked it off, along with my underwear, when he reached my knees, nearly clipping him on the ear. When I felt close to the edge, I reached down and pulled him up. My hand moved down and took over, zeroing in on just the right spot on my clit. It didn't take long. I shuddered against his shoulder, biting back a cry, then wondered why I was biting it back and let it out. Breathing hard, my head collapsed back into the cushion. I was a little worried that now post-orgasm clarity would descend upon me and be like, What the hell are you doing, Julie? but the post-orgasm clarity seemed to approve. With a wink and a nudge, it made me pull away, and the desire roared back inside me. "That's why it's great to have a clitoris," I told Bennett. "Multiple orgasms.
Amanda Elliot (Best Served Hot)
Last night I had the dream again. Except it's not a dream I know because when it comes for me, I'm still awake. There's my desk. The map on the wall. The Stuffed animals I don't play with anymore but don't want to hurt Dad's feelings by sticking in the closet I might be in bed. I might be just standing there, looking foe a missing sock. Then i'm gone. it doesn't just show me somthing this time, it takes me from here to THERE> standing on the bank of a river of fire. A thousand wasps in my head. Fighting and dying inside my skull, their bodies piling up against the backs of me eyes. Stinging and stinging. Dad's voice. Somewhere across the river. Calling my name. I've never heard him sound like that before. He's so frightened he can't hide it, even though he tries (he ALWAYS tries). The dead boy floats by. Facedown. So I wait for his head to pop up, show the holes where his eye used to be, say somthing with his blue lips. One of the terrible things it might make him do. But he just passes like a chunk of wood. I've never been here before, but I know it's real. The river is the line between this place and the Other Place. And I'm on the wrong side. There's a dark forest behind me but that's not what it is. I try to get to where Dad is. My toes touch the river and it sings with pain. Then there's arms pulling me back. Dragging me into the trees. They feel like a man's arms but it's not a man that sticks its fingers into my mouth. Nails that scratch the back of my throat. Skin that tastes like dirt. But just before that, before I'm back in my room with my missing sock in my hand, I realize I've been calling out to Dad just like he's been calling out to me. Telling him the same thing the whole time. Not words from my mouth through the air, but from my heart through the earth, so only the two of us could hear it. FIND ME
Andrew Pyper (The Demonologist)
It isn’t when we find the secret ingredient. That is to know that this “I” is a fictitious entity that is always ready to wither away the moment we stop sustaining it. We don’t have to go to a holy place to experience this. All we have to do is simply sit and pay attention to our breath, allowing ourselves to let go of all of our fantasies and mental images. Then we can experience connecting to our inner world. As we begin to rest and pay attention, we begin to see everything clearly. We see that the self has no basis or solidity. It is a complete mental fabrication. We also realize that everything we believe to be true about our life is nothing but stories, fabricated around false identifications. “I am an American. I am thirty years old. I am a teacher, a taxi driver, a lawyer . . . whatever.” All of these ideas or identities are stories that have never really happened in the realm of our true nature. Watching the dissolution of these individual stories is not painful. It is not painful to see everything dissolving in front of us. It is not like watching our house burn down. That is very painful because we don’t want to lose everything. Spiritual dissolution is not like that because what is being destroyed is nothing but this sense of false identities. They were never real in the first place. Try this. Pay attention to your breath in silence. Look at your mind. Immediately we see that thoughts are popping up. Don’t react to them. Just keep watching your mind. Notice that there is a gap between each thought. Notice that there is a space between the place where the last thought came to an end and the next one hasn’t arrived yet. In this space there is no “I” or “me.” That’s it. It might be hard to believe how simple it is to realize the truth. As a matter of fact the Tibetan lama Ju Mipham said that the only reason we don’t realize the truth is because it is too simple.
Anam Thubten (No Self, No Problem: Awakening to Our True Nature)
You Are What You Eat Take food for example. We all assume that our craving or disgust is due to something about the food itself - as opposed to being an often arbitrary response preprogrammed by our culture. We understand that Australians prefer cricket to baseball, or that the French somehow find Gerard Depardieu sexy, but how hungry would you have to be before you would consider plucking a moth from the night air and popping it, frantic and dusty, into your mouth? Flap, crunch, ooze. You could wash it down with some saliva beer.How does a plate of sheep brain's sound? Broiled puppy with gravy? May we interest you in pig ears or shrimp heads? Perhaps a deep-fried songbird that you chew up, bones, beak, and all? A game of cricket on a field of grass is one thing, but pan-fried crickets over lemongrass? That's revolting. Or is it? If lamb chops are fine, what makes lamb brains horrible? A pig's shoulder, haunch, and belly are damn fine eatin', but the ears, snout, and feet are gross? How is lobster so different from grasshopper? Who distinguishes delectable from disgusting, and what's their rationale? And what about all the expectations? Grind up those leftover pig parts, stuff 'em in an intestine, and you've got yourself respectable sausage or hot dogs. You may think bacon and eggs just go together, like French fries and ketchup or salt and pepper. But the combination of bacon and eggs for breakfast was dreamed up about a hundred years aqo by an advertising hired to sell more bacon, and the Dutch eat their fries with mayonnaise, not ketchup. Think it's rational to be grossed out by eating bugs? Think again. A hundred grams of dehydrated cricket contains 1,550 milligrams of iron, 340 milligrams of calcium, and 25 milligrams of zinc - three minerals often missing in the diets of the chronic poor. Insects are richer in minerals and healthy fats than beef or pork. Freaked out by the exoskeleton, antennae, and the way too many legs? Then stick to the Turf and forget the Surf because shrimps, crabs, and lobsters are all anthropods, just like grasshoppers. And they eat the nastiest of what sinks to the bottom of the ocean, so don't talk about bugs' disgusting diets. Anyway, you may have bug parts stuck between your teeth right now. The Food and Drug Administration tells its inspectors to ignore insect parts in black pepper unless they find more than 475 of them per 50 grams, on average. A fact sheet from Ohio State University estimates that Americans unknowingly eat an average of between one and two pounds of insects per year. An Italian professor recently published Ecological Implications of Mini-livestock: Potential of Insects, Rodents, Frogs and Snails. (Minicowpokes sold separately.) Writing in Slate.com, William Saletan tells us about a company by the name of Sunrise Land Shrimp. The company's logo: "Mmm. That's good Land Shrimp!" Three guesses what Land Shrimp is. (20-21)
Christopher Ryan
Christmas Cookie Bonanza?” “Christmas Cookie Bonanza,” I confirm. “You’re making my favorite, right?” Josh gives me puppy-dog eyes, which always makes me laugh, because it’s so un-Josh. “You’re such a dork,” I say, shaking my head. “What’s your favorite?” Peter asks him. “Because I think the list is pretty set.” “I’m pretty sure it’s already on the list,” Josh says. I look from Josh to Peter. I can’t tell if they’re kidding or not. Peter reaches out and tickles Kitty’s feet. “Read us the list, Katherine.” Kitty giggles and rolls over to her notepad. Then she stands up and grandly says, “M&M cookies are a yes, cappuccino cookies are a maybe, Creamsicle cookies are a maybe, fruitcake cookies are a no way--” “Wait a minute, I’m a part of this council too,” Peter objects, “and you guys just turned down my fruitcake cookies without a second thought.” “You said to forget the fruitcake cookies, like, five seconds ago!” I say. “Well, now I want them back under consideration,” he says. “I’m sorry, but you don’t have the votes,” I tell him. “Kitty and I both vote no, so that’s two against one.” My dad pops his head into the living room. “Put me down as a yes vote for the fruitcake cookies.” His head disappears back into the kitchen. “Thank you, Dr. Covey,” Peter crows. He drags me closer to him. “See, I knew your dad was on my side.” I laugh. “You’re such a suck-up!” And then I look over at Josh, and he is staring at us with a funny, left-out look on his face. It makes me feel bad, that look. I scoot away from Peter and start flipping through my books again. I tell him, “The list is still a work in progress. The cookie council will strongly consider your white-chocolate cranberry cookies.” “Greatly appreciated,” Josh says. “Christmas isn’t Christmas without your white-chocolate cranberry cookies.” Kitty pipes up, “Hey, Josh, you’re a suck-up too.” Josh grabs her and tickles her until she’s laughing so hard she has tears in her eyes.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
You’re not from around here–you CIA?” he demanded. “I’m not CIA,” I replied wearily. “Just here to see the Buddhas.” “What Buddhas?” “The Buddhas of Bamiyan?” I suggested, doing my best not to let my contempt of this bandit’s ignorance show. “Carved into the mountainside itself ?” “Hell yeah,” mused the man on the truck. “I’ve seen them. You’re right to go now–twenty years from now they won’t even be standing!” I stepped back, surprised, and had another look at this ragged, smelling, dust-covered man. He grinned, touched his hand to his forelock and said, “Well, nice to meet you, even if you aren’t CIA.” He hopped down from the truck and began to head away. I called out, surprised at myself for even doing it, “Tiananmen Square.” He stopped, then swung round on the spot, toe pointing up and ankle digging into the dirt as he did, like a dancer. Still grinning his easy grin, he swaggered back towards me, stopping so close I could feel the stickiness coming off his body. “Hell,” he said at last. “You don’t look much like a Chinese spy neither.” “You don’t look like an Afghan warlord,” I pointed out. “Well, that’s because I’m only passing through this place on the way to somewhere else.” “Anywhere in particular?” “Wherever there’s action. We’re men of war, see–that’s what we do and we do it well–and there’s no shame in that because it’ll happen without us anyway, but with us–” his grin widened “–maybe it’ll happen that little bit faster. But what’s a nice old gentleman like you doing talking about Chinese geography, hey?” “Nothing,” I replied with a shrug. “The word just popped into my head. Like Chernobyl–just words.” Fidel’s eyebrows flickered, though his grin remained fixed. Then he gave a great chuckle, slapped me so hard on the shoulder that I nearly lost my footing, stepped back a little to admire his handiwork, and finally roared out loud. “Jesus, Joseph and the Holy Mary,” he blurted. “Michael fucking Jackson to you too.
Claire North (The First Fifteen Lives of Harry August)
God came up and kissed Day on his forehead. When Day looked over at Johnson, who was still slowly sipping his soda, the guy did look lonely as hell. Before Day could say something kind, his other headache strolled in. “Oh hell. What the fuck is going on in here? This must be the officer’s gay alliance club meeting.” Day blew an exasperated breath. “And now that you’re here, Ronowski, all members are present and we can begin.” Day smiled as God and Johnson practically spit their drinks out laughing. Ronowski fumed. “Day, you’re going to stop calling me gay! I have never been gay! I will never be gay, and I don’t like anyone that is gay! So stop saying that before people start believing your bullshit!” Day clapped his hands together once. “Okay everyone those are the notes from last week’s meeting, now on to new business.” Day leveled Ronowski with a stern glare. “Ronowski, you are gay, man. You’re tightly closeted. But you are indeed gay, ultra-gay. You’re fuckin’ Marvin Gay. You crash landed on Earth when your gay planet exploded.” Day moved away from God and stood in front of an openmouthed Ronowski. “Come out of the closet already. It’s so bright and wonderful out here. Dude, I’ve seen Brokeback Mountain too, don’t believe that bullshit. No one cares who you fuck…ya know…like you tell me every. Single. Day. Of. My. Life,” Day said exaggeratedly. He stepped in so close to Ronowski that he could smell the body wash he used. “Let a man bang your back out one time.” Day leaned in to the man’s ear and felt Ronowski’s body give a fierce shutter. “I mean pound your ass so hard that you can’t walk straight for a week, and I guarantee you, you’ll want to march in the next gay pride parade, wearing nothing but a glitter jockstrap and a fuckin’ hot-pink feather boa.” Day stepped back and saw the beads of sweat that had popped up on Ronowski’s forehead. Satisfied he’d proven his point he refilled his coffee and left the break room.
A.E. Via
I do trust you though. I think if someone tried to take me, you’d at least fight them for me a little…” I watched his face for a moment before narrowing my eyes. “Wouldn’t you?” That had his other eye popping open, his cheeks still slightly pink, but everything else about him completely alert. “You know I would.” Why that pleased me so much, I wasn’t going to overanalyze. “If someone tried to take you, I know aikido, some jiu-jitsu, and kickboxing,” I offered him up. “But my dentist says I have really strong teeth, so I’d be better off trying to bite someone’s finger or ear off instead.” Aaron’s eyebrows climbed up his forehead almost comically. “Like a little Chihuahua,” he suggested, the spoon going into his mouth with a sly grin. I winked at him, immediately regretting it. I didn’t want it to come across like I was flirting. “I was thinking more of a piranha. I’ve only had one filling in my entire life,” I told him, wishing each word coming out of my mouth wasn’t coming out of it. If he thought I was being awkward or a flirt, he didn’t make it known. “Or a raptor.” “A lion.” “A tiger.” “Did you know a jaguar has twice the strength in its bite than a tiger does?” Aaron frowned as he took another bite of his oatmeal. “No shit?” “No. Two thousand pounds per square inch. They’re the only big cat that kills their prey by biting its head, through bone and everything. A tiger bites the neck of whatever animal they’re eating to cut their air and blood flow off. Crazy, huh?” He looked impressed. “I had no idea.” I nodded. “Not a lot of people do.” “Is there anything that bites harder than they do?” “Crocodiles. The really big ones. I’m pretty sure they have about 4000 or 5000 psi bites.” For the fifty-second time, I shrugged. “I like watching the Animal Channel and Discovery,” I said, making it sound like an apology. Aaron gave me that soft smile that made me feel like my insides were on fire. Then he winked. “I don’t know much about crocodiles, but I know all about alligators,” he offered. “Did you know there are only two species left in the world?” “There are?” “American alligator and the Asian alligator. More than a fifth of all of them live in Florida.” “We have some gators in Texas. There’s a state park by Houston where you can go and you can usually see a bunch. I went camping there one time.” One corner of his mouth tilted up as he chewed. “Look at you, Rebel Without a Cause.” With anyone else, I’d probably think they were picking on me, but I could see the affection on Aaron’s face. I could feel the kindness that just came off him in waves, so I winked back at him. “I live life on the edge. I should start teaching a class on how to be bad.” “Right? Quitting your job, coming to Florida even though you were worried….” He trailed off with a grin and a look out of the corner of his eye. “I pretty much have my masters and license to practice. I’ll teach people everything I know.
Mariana Zapata (Dear Aaron)
I think he painted the way he did," I answered, "because he had something perfect with Diana." I braced myself for her next scathing insight and nearly fell over when she reached out to pat my hand. Her wedding ring was a heavy,hammered gold band that could probably pound nails. "Nothing but the occasional espresso is perfect," she said, not unkindly. "Let me share some wisdom, Willing Girl. Relationships are like Whack-a-Mole. You squash one annoying deformity and another one pops up in no time." Not your classic sentiment, there. Or a particularly heartening one. It seemed well meant, though, so I figured it might be a good time to inform her, "Um, my name....is Ella. Marino." "Oh,I know who you are, Miss Marino," she shot back. "Shall I mention again that the Willing Foundation doesn't?" "No,Dr. Rothaus," I said meekly. "No need." "Excellent." Dr. Rothaus headed for the door. "You may call me Maxine. Good luck finding something I haven't. And don't cry on the materials.
Melissa Jensen (The Fine Art of Truth or Dare)
Very important words!” Wasp said. “But you’ll never hear them!” “Okay,” I agreed. “You can’t make us!” Tempest said. “Even though your fate depends on it!” A hint of doubt crept into my cranium. Was it possible—? No, surely not. If I fell for their tricks, I’d most likely get the Gray Sisters’ hot take on which facial products were perfect for my skin undertones. “Not buying it,” I said. “Not selling!” Wasp shrieked. “Too important, these lines! We would only tell you if you threatened us with terrible things!” “I will not resort to threatening you—” “He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
My 1979 Top 40 In no particular order, this is the forty-track rotation I listened to when I was researching, prepping and writing 1979. They were all released in the late 1970s, though not all in 1979 itself. But then, like Allie, we all listen to tunes from our past . . . I hope it gets you in the mood for reading! ‘Picture This’ – Blondie ‘Lovely Day’ – Bill Withers ‘Automatic Lover’ – Dee D. Jackson ‘Brass in Pocket’ – The Pretenders ‘It’s a Heartache’ – Bonnie Tyler ‘Wild West Hero’ – Electric Light Orchestra ‘Because the Night’ – Patti Smith ‘Into the Valley’ – The Skids ‘YMCA’ – Village People ‘Like Clockwork’ – Boomtown Rats ‘Stayin’ Alive’ – Bee Gees ‘Uptown Top Ranking’ – Althea & Donna ‘No More Heroes’ – The Stranglers ‘Take a Chance on Me’ – Abba ‘Werewolves of London’ – Warren Zevon ‘Psycho Killer’ – Talking Heads ‘Kiss You All Over’ – Exile ‘Top of the Pops’ – Rezillos ‘Heroes’ – David Bowie ‘Don’t Hang Up’ – 10cc ‘English Civil War’ – The Clash ‘2-4-6-8-Motorway’ – Tom Robinson Band ‘Rebel Rebel’ – David Bowie ‘Glad to be Gay’ – Tom Robinson Band
Val McDermid (1979)
Spill-what’s the deal with Hottie McDreamMan?” “Sage?” I laughed. “No, I mean Minister Sanders.” She threw a pillow at me. “Of course I mean Sage! He’s the one, right? The guy from your dreams. Oh my God-he’s real and he’s hot! Does he kiss as well in real life as he did in your dreams?” “I wouldn’t know,” I admitted. “We haven’t kissed.” “What are you waiting for?” “So the whole randomly-popping-up-in-pictures thing doesn’t bother you?” “Nope.” “The whole strange-cultists-chasing-after-him? That doesn’t bother you either?” “Nobody’s perfect, Clea.” “How about if I told you he might be a serial killer? Would that bother you?” “Debatable. Elaborate.” I told her about the nightmares and about what I’d seen in his house. As I unrolled the story, her expression went from flip and giddy to openmouthed and riveted. “Oh my God, Clea.” “Crazy, right? And I still have no idea how he got into all those pictures.” “That part’s easy.” “Really?” “Of course,” she said. “You’re soulmates. “Rayna…” “Fine, I know, you don’t like that word. But you can’t possibly deny that you have a deep, powerful soul connection. By definition you have that. You said yourself, he found you in four different countries and four different times. Out of all the people in the world at any given time, he found you. The only possible way he could have done that is if your souls were connected. He’s a soul-seeking missile.” “But he told me he wasn’t there for any of the pictures.” “Yes, he was! Don’t you get it, Clea? Your souls are connected-he’s always with you, whether he’s there physically or not. And you’re the one who told me about cameras capturing people’s souls, right? So that’s what it’s doing-capturing the soul that’s always with you, because you’re always connected. It’s very romantic.” I thought about what she said, ignoring the last sentence because I knew by now that everything was very romantic to Rayna. “Okay,” I ceded, “I’ll give you the connection. But what about the serial killer thing? What fi we’re connected because he tracks these women down, acts like he loves them, and then kills them?” “Kills you. You’re them.” “Yeah, thanks, that’s a much nicer way to put it,” I said, rolling my eyes.
Hilary Duff (Elixir (Elixir, #1))
—and I say you still haven't answered my question, Father Bleu." "Haven't I, dear lady? I thought I stated that death is merely the beginning of—" "No, no, no!" Her voice was as high as a harpy's. "Don't go all gooey and metaphysical. I mean to ask, what is death the act, the situation, the moment?" She watched him foxily. The priest in turn struggled to remain polite. "Madame, I'm not positive I follow." "Let me say it another way. Most people are afraid of dying, yes?" "I disagree. Not those who find mystical union with the body of Christ in—" "Oh, come off it!" Madame Kagle shrilled. "People are frightened of it, Father Bleu. Frightened and screaming their fear silently every hour of every day they live. Now I put it to you. Of what are they afraid? Are they afraid of the end of consciousness? The ultimate blackout, so to speak? Or are they afraid of another aspect of death? The one which they can't begin to foresee or understand?" "What aspect is that, Madame Kagle?" "The pain." She glared. "The pain, Father. Possibly sudden. Possibly horrible. Waiting, always waiting somewhere ahead, at an unguessable junction of time and place. Like that bootboy tonight. How it must have hurt. One blinding instant when his head hit, eh? I suggest, Father Bleu, that is what we're afraid of, that is the wholly unknowable part of dying—the screaming, hurting how, of which the when is only a lesser part. The how is the part we never know. Unless we experience it." She slurped champagne in the silence. She eyed him defiantly. "Well, Father? What have you got to say?" Discreetly Father Bleu coughed into his closed fist. "Theologically, Madame, I find the attempt to separate the mystical act of dying into neat little compartments rather a matter of hairsplitting. And furthermore—" "If that's how you feel," she interrupted, "you're just not thinking it out." "My good woman!" said Father Bleu gently. "Pay attention to me!" Madame Wanda Kagle glared furiously. "I say you pay attention! Because you have never stopped to think about it, have you? If death resembles going to sleep, why, that's an idea your mind can get hold of, isn't it? You may be afraid of it, yes. Afraid of the end of everything. But at least you can get hold of some notion of something of what it's like. Sleep. But can you get hold of anything of what it must feel like to experience the most agonizing of deaths? Your head popping open like that bootboy's tonight, say? A thousand worms of pain inside every part of you for a second long as eternity? Can you grasp that? No, you can't, Father Bleu. And that's what death is at it's worst—the unknown, the possibly harrowing pain ahead." She clamped her lips together smugly. She held out her champagne glass for a refill. A woman in furs clapped a hand over her fashionably green lips and rushed from the group. Though puzzled, Joy was still all eyes and ears. "Even your blessed St. Paul bears me out, Father." The priest glanced up, startled. "What?" "The first letter to the Corinthians, if I remember. The grave has a victory, all right. But it's death that has the sting." In the pause the furnace door behind her eyes opened wide, and hell shone out. "I know what I'm talking about, Father. I've been there." Slowly she closed her fingers, crushing the champagne glass in her hand. Weeping, blood drooling from her palm down her frail veined arms, she had to be carried out. The party broke up at once.
John Jakes (Orbit 3)
What are you talking about?” Major Danby asked in confusion. “What are you both talking about?” “Bring me apples, Danby, and chestnuts too. Run, Danby, run. Bring me crab apples and horse chestnuts before it’s too late, and get some for yourself.” “Horse chestnuts? Crab apples? What in the world for?” “To pop into our cheeks, of course.” Yossarian threw his arms up into the air in a gesture of mighty and despairing self-recrimination. “Oh, why didn’t I listen to him? Why wouldn’t I have some faith?” “Have you gone crazy?” Major Danby demanded with alarm and bewilderment. “Yossarian, will you please tell me what you are talking about?” “Danby, Orr planned it that way. Don’t you understand—he planned it that way from the beginning. He even practiced getting shot down. He rehearsed for it on every mission he flew. And I wouldn’t go with him! Oh, why wouldn’t I listen? He invited me along, and I wouldn’t go with him! Danby, bring me buck teeth too, and a valve to fix and a look of stupid innocence that nobody would ever suspect of any cleverness. I’ll need them all. Oh, why wouldn’t I listen to him. Now I understand what he was trying to tell me.
Joseph Heller (Catch-22)
As soon as we arrived home, I told Bliss I was going to take a shower. Sundays were a two-show day, so I certainly needed it. I let her go in first to brush her teeth. I waited for the water to turn on, then leapt into action. I found Hamlet’s feathered cat toy (the only reason she would ever willingly get close to Bliss), and hid it underneath the bed. Then I went to the closet and found the suit coat pocket where I’d hidden the ring. I popped open the box to look at it one more time. It wasn’t much. I was only an actor, after all. But Bliss wasn’t one to wear much jewelry any way. It was simple and sparkling, and I hoped she would love it as much as I loved her. A popping sensation filled my gut like those silly candy rocks that Bliss loved. What if I was pushing her too fast? No. No, I’d thought this out. It was the best way. I opened the top drawer of the nightstand, and slid the ring box toward the back. The water in the bathroom shut off, and I went back to the closet, shucking my shirt. I tossed it in the hamper at the same time Bliss walked in the room. She came up behind me and placed a hand on my bare back. She pressed a small kiss on my shoulder and asked, “Get Hamlet for me before you shower?” I smiled, and nodded. Bliss was so determined to make Hamlet like her that she played with the cat for at least half an hour before bed every night. Hamlet would stick around for as long as Bliss waved that feathered toy in the air, but the minute Bliss tried to touch her, she was gone. I found Hamlet in the kitchen, hiding underneath the kitchen table. I reached a hand down, and she butted her head against my fingers, purring. I picked her up at the same time that Bliss asked, “Babe, have you seen the cat toy?” I walked into the room, and deposited Hamlet on the bed. She hunkered down and eyed Bliss with distrust. “Where did you see it last?” I asked her. “I thought I’d left it on the dresser, but I can’t find it. “ I petted Hamlet once to keep her calm, then placed a quick kiss on Bliss’s cheek. “I don’t know, honey. Are you sure you didn’t leave it somewhere else?” She sighed, and started looking in other spots around the room. I turned and hid my smile as I left. I nipped into the bathroom and turned the shower on. I waited a few seconds, went back in the hallway.
Cora Carmack
Tim Finnegan’s Wake by Dr. Thom Dedalus When God reeled in good auld Tim Finnegan, And looked into his green Irish peepers, Said He, “Now, what was I thinkin’? Poor lad, he ain’t one of the keepers.” To hell Tim descended without any fear, To the devil, whom not much is lost on, Said he, “I’m sure you’ll be comfortable here, Among all your old friends from South Boston.” Tim’s jokes night and day caused Satan to swear, As migraines crept behind blood red eyelids, “An eternity with you is just too much to bear. You’re going home to your wife and your nine kids.” So up pops Tim at his wake from his casket. “It can’t be,” went a howl from his wife. When he belched the sea from his own breadbasket, Said she, “Someone, hand me a knife.” Now Tim’s fishing off George’s Banks Catching codfish, haddock and hake. The happiest folk in town to give thanks, Is John Hancock for Finnegan’s wake. Finn’s now a legend among life underwriters, In Beantown and all over the States. In him beats the heart of a fighter. Sad to hear how they increased his rates. Finn’s tale is best told with a dram of Jameson. You’re entitled to whatever sense you can make. Just cause you’re dead, it don’t mean you’re gone. You may take comfort in Finnegan’s wake.
David B. Lentz (Bloomsday: The Bostoniad)
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)
AT: oKAYYYY, mY BROMO SAPIEN, AT: r U READY, AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE, AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING, AT: tROLLLLLLLLLLLLLLLLL, TG: dont care AT: oK, lET ME, AT: oRGANIZE MY NOTES HERE, AT: oKAYYY, AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,) AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK, AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY, AT: wHOSE, AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY AT: gOOSE, AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS, AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND, AT: wOW, oK, AT: i AM GETTING OFF THE POINT, wHICH WAS, AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN, AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE, AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN, AT: (aND THEN GOT HANDED BACK TO YOU,) AT: cAUSE THAT'S HOW HUMANS GET SERVED, AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S, AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN, AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,) AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY, AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY, AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,) AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY, AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD, AT: cOMING AT YOU THROUGH TRAFFIC, AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED, AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC, AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,) AT: (aNYTHING SEXUAL,) AT: (eRR, wHOAAAAA,) AT: (nEVERMIND,) AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE, AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,) AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING, AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE, AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE, AT: i'M IN CHARGE, cAUSE i'M CHARGING IN, AT: yOUR CHINASHOP, AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW, AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT, AT: (fUCK,) AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE, AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT, AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT, AT: sO, gIVEN THAT, lET ME BE THE FIRST, AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT, AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,
Andrew Hussie (Homestuck)
You are very quiet,” Archer remarked as they walked together to the refreshment table. They’d just finished a game of whist and when Rose begged off from a second round, Grey’s brother did the same. “My apologies,” she replied. “I do not mean to be rude.” “My brother doesn’t deserve to take up so much room in that lovely head of yours.” She might have been insulted by his disparaging Grey, or his familiarity with her, had she not been so surprised by the remark itself. “You are impertinent, sir.” He grinned-a grin so much more roguish than Grey’s. “One of my more charming traits. I did not mean offense, dear lady. Only that thinking about him will do you no good. The man is bent on punishing himself for the rest of his life.” Rose accepted the plate he offered her. “Thank you. Why would he wish to punish himself?” “Because he’s an ar…idiot. Sandwich?” He held up a cucumber sandwich caught in silver tongs. “Please. I’m not certain I wish to discuss your brother with you, Lord Archer.” “Not even if I can help you win him?” Rose’s heart froze-no, it simply stopped. Her entire body went numb. She would have dropped her plate had Archer not swept it from her hand into his own. “What makes you think I wish to win him?” He flashed her a coy glance. “Please, lady Rose. I’ve not made a career out of studying your sex to fall for your false innocence now.” Oh dear God. Had Grey told him? “I’ve seen the way you look at him, and I’ve had to put with hearing about you for the last four years-no offense.” Rose arched a brow as he piled food upon her plate. “None taken. I wasn’t aware that I looked at your brother in a manner different from how I might look upon anyone else.” “Mm.” He popped a small cake into his mouth, chewed, and swallowed. “That’s just it. You try too hard to treat him like everyone else. It’s obvious you care for him, and not just as the man who saved your life.” “Saved my life? How very dramatic.” He gave her a very serious look as he handed her the laden plate. “Where do you suppose you’d be right now if Grey hadn’t taken you in? Certainly not here, with such good food and charming company.” Point taken. And now she felt simply awful for the way she had spoken to Grey earlier. She was such a cow. “You shame me, sir.” And worse, he’d made tears come to her eyes. Staring at her food-such a wonderful array he’d picked for her-she blinked them away. He steered her toward a window seat where they sat in plain view of the room, but at least with a modicum of privacy. “My apologies, my lady. I did not mean to offend you with my plain and thoughtless words.” “Plain, perhaps. Thoughtless, I highly doubt it.” She managed a small smile. “I don’t think you do anything without thinking first.” Archer laughed, looking so much like Grey it hurt to look at him. “Were that but true.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
In her eyes, he could see the fear, but also the love. The need. Time to show her, that to him, she meant everything. “Before you shower me with kisses for saving you –” “I think it could be argued that I played a part.” “Not when I retell the story you won’t. But we can argue about that later, naked. As I was saying, I have something for you.” Remy pulled the sheet of paper out of his back pocket and unfolded it. Initially he’d worried about it being too short. But as Lucifer assured him when he made the contract and binding, the less clauses he put in, the more his promise would stick out. Handing it to her, he waited. Fidgeted when she didn’t say a word. Almost tore it from her grasp. Then stumbled back as she threw herself at him. I, Remy, the most awesome demon in Hell, do declare to love the witch Ysabel, fiery temper and all, for an eternity. I will never stray. Never betray her trust. Never do anything to cause her pain upon penalty of permanent death. This I do swear in blood, Remy A simple contract, which in its very lack of clauses and sub items, awed her. “You love me that much?” He peered at her with incredulity on his face. “Of course I love you that much. Would I have done all the things I did if I didn’t?” “Well, you are related to a mad woman.” “Yes, and maybe it’s madness for me to love you, but I do. Do you think just any woman would inspire me enough to take on a bloody painful curse. Or put up with the fact you have a giant, demon eating cat. I know you have trust issues, and that I might not have led the kind of life that inspires confidence, but I will show you that you can believe in me. I want you to love me.” “I know you do. And I do love you. Only for you would I come to the rescue wearing nothing to cover my bottom.” His eyebrows shot up. “You came to battle in a skirt without any underwear?” A slow nod was her answer. He grinned, then scowled. “You will not do that again. Do you know how many demons live in the sewer and could have looked up your skirt? I won’t have them looking at what’s mine. On second thought. Throw out all your underwear. I’ll lead the purge on the sewers myself so you can stroll around with your girl parts unencumbered for my enjoyment.” “You’re insane,” she laughed. “Crazy in love with you,” he agreed. “But I do warn you, we’ll have to have dinner with my crazy mother at least once a month.” “Or more often. I quite like your mom. She’s got a refreshing way of viewing the world.” “Oh fuck. Don’t tell me she’s already rubbing off,” he groaned, as he pulled her into his arms. She snuggled against him. This was where she belonged. But she did have a question. “As my new… what should I call you anyway? Boyfriend? Demon I sleep with?” “The following terms are acceptable to me. Yours. Mate. Husband. Divine taster of your –” She slapped a hand over his mouth. “I’ll stick to mate.” “And I’m going with my super, sexy, touch her and die, fabulous cougar, ass kicking witch.” “I dare you shout that five times in a row without stumbling.” He did to her eye popping disbelief. “I told you, I have a very agile tongue.” “I remember.
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
BEST FRIENDS SHOULD BE TOGETHER We’ll get a pair of those half-heart necklaces so every ask n’ point reminds us we are one glued duo. We’ll send real letters like our grandparents did, handwritten in smart cursive curls. We’ll extend cell plans and chat through favorite shows like a commentary track just for each other. We’ll get our braces off on the same day, chew whole packs of gum. We’ll nab some serious studs but tell each other everything. Double-date at a roadside diner exactly halfway between our homes. Cry on shoulders when our boys fail us. We’ll room together at State, cover the walls floor-to-ceiling with incense posters of pop dweebs gone wry. See how beer feels. Be those funny cute girls everybody’s got an eye on. We’ll have a secret code for hot boys in passing. A secret dog named Freshman Fifteen we’ll have to hide in the rafters during inspection. Follow some jam band one summer, grooving on lawns, refusing drugs usually. Get tattoos that only spell something when we stand together. I’ll be maid of honor in your wedding and you’ll be co-maid with my sister but only cause she’d disown me if I didn’t let her. We’ll start a store selling just what we like. We’ll name our firstborn daughters after one another, and if our husbands don’t like it, tough. Lifespans being what they are, we’ll be there for each other when our men have passed, and all the friends who come to visit our assisted living condo will be dazzled by what fun we still have together. We’ll be the kind of besties who make outsiders wonder if they’ve ever known true friendship, but we won’t even notice how sad it makes them and they won’t bring it up because you and I will be so caught up in the fun, us marveling at how not-good it never was.
Gabe Durham (Fun Camp)
I want to share three warnings. First, to stand up for human goodness is to stand up against a hydra–that mythological seven-headed monster that grew back two heads for every one Hercules lopped off. Cynicism works a lot like that. For every misanthropic argument you deflate, two more will pop up in its place. Veneer theory is a zombie that just keeps coming back. Second, to stand up for human goodness is to take a stand against the powers that be. For the powerful, a hopeful view of human nature is downright threatening. Subversive. Seditious. It implies that we’re not selfish beasts that need to be reined in, restrained and regulated. It implies that we need a different kind of leadership. A company with intrinsically motivated employees has no need of managers; a democracy with engaged citizens has no need of career politicians. Third, to stand up for human goodness means weathering a storm of ridicule. You’ll be called naive. Obtuse. Any weakness in your reasoning will be mercilessly exposed. Basically, it’s easier to be a cynic. The pessimistic professor who preaches the doctrine of human depravity can predict anything he wants, for if his prophecies don’t come true now, just wait: failure could always be just around the corner, or else his voice of reason has prevented the worst. The prophets of doom sound oh so profound, whatever they spout. The reasons for hope, by contrast, are always provisional. Nothing has gone wrong–yet. You haven’t been cheated–yet. An idealist can be right her whole life and still be dismissed as naive. This book is intended to change that. Because what seems unreasonable, unrealistic and impossible today can turn out to be inevitable tomorrow. The time has come for a new view of human nature. It’s time for a new realism. It’s time for a new view of humankind.
Rutger Bregman
I flip the lock back in place and turn, hitting a concrete wall of a man. “What’s he made of? Concrete and sex?” I whisper into the phone like the man in front of me can’t hear me. “Good, he’s already there,” I hear Elle say as my eyes travel up and up an endless span of chest. Up, up, up, until my eyes finally land on a hard face with a clenched jaw. He’s hot in that oh-my-God-he-could-crush-me way. Wait, is that hot? “Listen here, Hulk. You can take your incredible body and vacate my home. I won’t be needing your services.” “I’m standing in the middle of your apartment, and you didn't so much as scream. This is despite you knowing someone has been stalking you. I could have been that someone. Fuck. I could be that someone.” I snort and roll my eyes. “Yeah right, Hulk-man.” I pat him on the chest before resting my hand there. I start to rub. I only meant to do a quick pat, but now I can’t seem to remove my hand. I like the feel of him. I don’t think I’ve ever liked the feel of a man before. I don’t think I’ve ever had the urge to touch one before. “You think I couldn’t hurt you?” He grabs my wrist, pulling it away from his chest. The action makes me frown. Oh, I know he could hurt me, but someone like him would never stalk me. That just didn’t add up to me. If anything, I’d end up stalking him. “Oh, I’m sure you could Hulk smash me.” Now that I’m not touching him, I bring my other hand up to his chest and continue doing what I was doing before, but he just grabs that wrist, too. “Then why aren’t you worried?” His words are hard and laced with anger. So unlike the soft hold he has on my wrist. I could easily pull away with one good tug. Maybe. “Someone like you wouldn’t stalk me.In fact, I don’t see anyone stalking me. There has to be a mi...” His mouth hits mine, cutting off my words. He gives a little tug on my wrist, and I fall into him, gasping when I feel his erection press into me. He takes the opening and pushes his tongue into my mouth. I let my eyes close as he devours me. My body feels like I’m buzzing. I push further into him, wanting to be closer. I deepen the kiss. He goes to pull back, but I wrap my hands around his neck, not even noticing that I’m eye level with him and that my feet are no longer on the floor as I pull him back to me. I move against him, needing the friction. His cock is settled against my core, and I move my hips against him, taking what I want. What I need. Everything else is forgotten, my mind just shuts off. He growls into my mouth, and I swear the sound vibrates through my whole body and goes straight to where I need it. My body explodes. A moan falls from my lips as I finally pull them from his. I let my head drop back and enjoy the sensations rocking through my whole body. I feel like I’m floating. When I finally come back down, I realize I kind of am. My legs are wrapped around his waist and I’ve somehow ended up with my back to a wall. I feel his tongue come out and lick my neck, making my body jerk. “I wanna do that again,” I say lazily. I think I could do that over and over again. “Your place isn’t secure. Come to mine and I’ll do it over and over again.” “Mmkay,” is all I say. I’d probably go anywhere he asked me at the moment. “Holy shit.” I roll my head to the side and see my sister standing in the doorway. A man stands beside her with a shocked looked on his face, mirroring Elle’s expression. I’m guessing that’s her guard. “I’m keeping this one,” I say, locking my arms around him, not wanting to do a trade. “Fuck,” Hart says, placing me on the floor. I regretfully let my arms fall from around his neck. He steps in front of me, blocking my view of my sister and the other man. “I don’t think you should be her guard, Hart,” I hear the other man say. His words make my heart drop. “I’m moving in with him,” I retort, popping my head out from behind him. Elle giggles.
Alexa Riley (Guarding His Obsession)
Me: You fucking whore. Hannah: What? Me: You know what. This pizza! Hannah: I don’t know what you’re talking about. Me: Your name is on the receipt. Hannah: CRAP! I thought it’d take you at least ten minutes to figure out it was me. Me: Yeah, crap! I am fucking mortified, you idiot. I’m trying to keep a low profile, but that delivery guy probably had to go talk to the guys at the counter to figure out where I was. I am humiliated, and you are the worst! Don’t you have your own book to write? How do you have time for this? Hannah: I’m shaking so hard with laughter, it’s difficult to type. Me: I had my earbuds in, so I didn’t hear him calling my name. He listed off the food you bought for a football team and then handed it all to me—the chubby ginger creeping in the corner. Goddamn you! Hannah: Is it good, though? I got you extra dipping sauces for those parm breadsticks. That cost extra, you know. I ain’t cheap. Me: I can’t eat it because my mortification has killed my appetite! But…this does give me an excuse to try out the fountain pop machine, so…silver lining. Hannah: My eyes are wet from laughing so hard. Me: Yuck it up, yucky yuckerson. God, I was in the middle of writing an anal scene, so I was super in the zone too…it’s no wonder I didn’t hear him. Hannah: STOP. MY STOMACH IS KILLING ME…ON ACCOUNT OF ALL THE LAUGHING. Me: Well played, whore. Well played. And it’s the burn that keeps on burning b/c my inner cheap girl will NOT let me throw these leftovers away. So I’m going to have to carry them out of here. Hannah: Oh, I was counting on that. Want to hear something horrible? Me: What? Hannah: I was going to do a sub delivery, but then I decided the pizza boxes were more embarrassing. Me: You’re dead to me.   Fifteen minutes later.   Hannah: So I’ve been picturing you sulking and refusing to eat for the past fifteen minutes and then finally giving up and eating it anyway. Am I close? Me: OMG, it’s like you’re here with me. That’s exactly what I did. This food is delicious btw. But I’m still not thankful. Hannah: But you’re always welcome. ;) Best $53 I ever spent.
Amy Daws (Wait With Me (Wait With Me, #1))
do you think Jesus would do if he came back to earth tonight in Bremerton?” C asked, as he spooned some rice onto his plate. “I don’t know,” I said, savoring a mouthful of Mongolian beef. “Would he come in a white robe and sandals, or the dress of this time?” C pressed on. I shrugged my shoulders, forking in the fried rice. “Would he be white, black, Asian, or maybe look like Saddam Hussein instead of Kevin Costner or Tom Cruise? What if he didn’t fit our image of him? What if he was bald? Or, for God’s sake, what if he was gay? “He wouldn’t have any cash, no MasterCard, Visa, Discover Card, or portfolio of any kind. If he went to a bank and said, ‘Hello. I’m Jesus, the son of God. I need some of those green things that say “In God We Trust” on them to buy some food and get a place to stay,’ the bank manager would say, ‘I’m sorry, but I looked in my computer and without a social security number, local address, and credit history, I can’t do anything for you. Maybe if you show me a miracle or two, I might lend you fifty dollars.’ “Where would he stay? The state park charges sixteen dollars a night. Could he go to a church and ask, ‘May I stay here? I am Jesus’? Would they believe him?” As I took a sip of my drink, I wondered just who this character was sitting across from me. Was he some angel sent to save me? Or was he, as the Rolling Stones warned in their song, Satan himself here to claim me for some sin of this life or a past life of which I had no recollection? Or was he an alien? Or was he Jesus, the Christ himself, just “messing” with me? Was I in the presence of a prophet, or just some hopped-up druggie? “‘Ask, and it will be given you; seek, and you will find; knock, and it will be opened to you.’ That’s what Jesus said. What doors would be opened to him?” he asked. “The Salvation Army—Sally’s?” I guessed. “That’s about all,” C said. “Unless he saw Tony Robbins’ TV formula to become a millionaire and started selling miracles to the rich at twenty-thousand dollars a pop. He could go on Regis, Oprah, maybe get an interview with Bill Moyers, or go on Nightline. Or joust with the nonbelievers on Jerry Springer! Think of the book deals! He
Richard LeMieux (Breakfast at Sally's)
Engine room fire alarm’?” Rusty said. There was a moment of confusion before it kicked in. “ENGINE ROOM FIRE ALARM?” * * * “What the hell is that sound?” Harvey Tharpe said, rubbing his eyes as he opened the cabin door. Being on this yacht was better than being on the lifeboat but not much. They were packed in like sardines. There was food but being woken up in the middle of the night by a blaring “Squeee! Squeee! ” was not his idea of fun. The former businessman had been “robust” before being cast adrift on a lifeboat in a zombie apocalypse. He still had his height and some solidity. So he was more than a bit surprised when the short, blonde skipper of the boat, wearing not much more than a camisole and panties smashed him out of the way like an NFL linebacker on her way aft. “MOVE PEOPLE!” the boat captain shouted, continuing to hammer her way through the crowd of refugees. * * * “Fuck a freaking duck,” Sophia said, opening the door to the engine compartment. The smoke wasn’t so bad she needed a respirator but it was bad. And they were dead in the water. All the power except the shrieking alarm was out. She threw the main battery disconnect, then picked up one of the industrial fire extinguishers and played it over the exterior of the main breakers which were the source of the fire. “Skipper?” Paula said, picking another one up. “We need to get it open before we use them all up,” Sophia said, putting her hand on the extinguisher. “Get Rusty to get all the passengers up, out and on the sundeck.” She slid one hand into a rubber glove and popped open the main breaker panel. The whole thing was smoldering so she played the rest of the fire extinguisher over it until it was cold. A tick checker showed that the whole thing was electrically cold as well. Now if only the batteries hadn’t discharged their whole load into the panel and killed themselves as well. “What can I do, Skipper?” Patrick said groggily. The “engineer” was wearing not much more than the skipper. “Get a hand-held,” Sophia said. “See if there’s a sub in range. Tell them we had a major electrical fire. Fire is under control. No power at this time. May be repairable but we may need assistance. Don’t at this time but may. Got it? Do not call mayday or PON-PON. Do not.” “Got it, Skipper,” Patrick said. “And get these people the HELL OUT OF MY ENGINE COMPARTENT!
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
Wake up every day, expecting not to know what's going to happen, and look for the events to unfold with curiosity. Instead of stressing and managing, just be present at anything that pops up with the intention of approaching it with your best efforts. Whatever happens in the process of spiritual awakening is going to be unpredictable and moving forward, if you're just the one who notices it, not fighting or making a big project out there. •       You may have emotional swings, energetic swings, psychic openings, and other unwanted shifts that, as you knew, feel unfamiliar to your personality. Be the beholder. Don't feel like you have something to fix or alter. They're going to pass. •       If you have severe trauma in your history and have never had therapy, it might be very useful to release the pains of memories that arise around the events. Therapy teaches you how to express, bear witness, release, and move forward. Your therapist needn't know much about kundalini as long as he or she doesn't discount that part of your process. What you want to focus on is the release of trauma-related issues, and you want an experienced and compassionate therapist who sees your spiritual orientation as a motivation and support for the healing process. •       This process represents your chance to wake up to your true nature. Some people wake up first, and then experience the emergence of a kundalini; others have the kundalini process going through as a preparation for the emergence. The appearance happens to do the job of wiping out, so is part of either pattern. Waking up means realizing that whoever looks through your eyes, lives through your senses, listens to your thoughts, and is present at every moment of your experience, whether good or bad, is recognized or remembered. This is a bright, conscious, detached and unconditionally loving presence that is universal and eternal and is totally free from all the conditions and memories you associate with as a personal identity. But as long as you believe in all of your personal conditions and stories, emotions, and thoughts, you have to experience life filtered by them. This programmed mind is what makes the game of life to be varied and suspense-filled but it also causes suffering and fear of death. When we are in Samadhi and Satori encounters, we glimpse the Truth about the vast, limitless space that is the foundation for our being. It is called gnosis (knowledge) or the One by the early Gnostics. Some spiritual teachings like Advaita Vedanta and Zen go straight for realization, while others see it as a gradual path through years of spiritual practices. Anyway, the ending is the same. As Shakespeare said, when you know who you are, the world becomes a stage and you the player, and life is more light and thoughts less intrusive, and the kundalini process settles down into a mellow pleasantness. •       Give up places to go and to be with people that cause you discomfort.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
thepsychchic chips clips ii If you think of yourself instead as an almost-victor who thought correctly and did everything possible but was foiled by crap variance? No matter: you will have other opportunities, and if you keep thinking correctly, eventually it will even out. These are the seeds of resilience, of being able to overcome the bad beats that you can’t avoid and mentally position yourself to be prepared for the next time. People share things with you: if you’ve lost your job, your social network thinks of you when new jobs come up; if you’re recently divorced or separated or bereaved, and someone single who may be a good match pops up, you’re top of mind. This attitude is what I think of as a luck amplifier. … you will feel a whole lot happier … and your ready mindset will prepare you for the change in variance that will come … 134-135 W. H. Auden: “Choice of attention—to pay attention to this and ignore that—is to the inner life what choice of action is to the outer. In both cases man is responsible for his choice and must accept the consequences.” Pay attention, or accept the consequences of your failure. 142 Attention is a powerful mitigator to overconfidence: it forces you to constantly reevaluate your knowledge and your game plan, lest you become too tied to a certain course of action. And if you lose? Well, it allows you to admit when it’s actually your fault and not a bad beat. 147 Following up on Phil Galfond’s suggestion to be both a detective and a storyteller and figure out “what your opponent’s actions mean, and sometimes what they don’t mean.” [Like the dog that didn’t bark in the Sherlock Holmes “Silver Blaze” story.] 159 You don’t have to have studied the description-experience gap to understand, if you’re truly expert at something, that you need experience to balance out the descriptions. Otherwise, you’re left with the illusion of knowledge—knowledge without substance. You’re an armchair philosopher who thinks that just because she read an article about something she is a sudden expert. (David Dunning, a psychologist at the University of Michigan most famous for being one half of the Dunning-Kruger effect—the more incompetent you are, the less you’re aware of your incompetence—has found that people go quickly from being circumspect beginners, who are perfectly aware of their limitations, to “unconscious incompetents,” people who no longer realize how much they don’t know and instead fancy themselves quite proficient.) 161-162 Erik: Generally, the people who cash the most are actually losing players (Nassim Taleb’s Black Swan strategy, jp). You can’t be a winning player by min cashing. 190 The more you learn, the harder it gets; the better you get, the worse you are—because the flaws that you wouldn’t even think of looking at before are now visible and need to be addressed. 191 An edge, even a tiny one, is an edge worth pursuing if you have the time and energy. 208 Blake Eastman: “Before each action, stop, think about what you want to do, and execute.” … Streamlined decisions, no immediate actions, or reactions. A standard process. 217 John Boyd’s OODA: Observe, Orient, Decide, and Act. The way to outmaneuver your opponent is to get inside their OODA loop. 224 Here’s a free life lesson: seek out situations where you’re a favorite; avoid those where you’re an underdog. 237 [on folding] No matter how good your starting hand, you have to be willing to read the signs and let it go. One thing Erik has stressed, over and over, is to never feel committed to playing an event, ever. “See how you feel in the morning.” Tilt makes you revert to your worst self. 257 Jared Tindler, psychologist, “It all comes down to confidence, self-esteem, identity, what some people call ego.” 251 JT: “As far as hope in poker, f#¢k it. … You need to think in terms of preparation. Don’t worry about hoping. Just Do.” 252
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)