Dog Barking At Sun Quotes

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Funeral Blues Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead Scribbling on the sky the message He is Dead, Put crêpe bows round the white necks of the public doves, Let the traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong. The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood; For nothing now can ever come to any good.
W.H. Auden (Another Time)
Quiet descended on her, calm, content, as her needle, drawing the silk smoothly to its gentle pause, collected the green folds together and attached them, very lightly, to the belt. So on a summer’s day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying “that is all” more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.
Virginia Woolf (Mrs. Dalloway)
Let me adapt some of Nietzsche's words and say this to you: "To become wise, you must learn to listen to the wild dogs barking in your cellar.
Irvin D. Yalom (Staring at the Sun: Overcoming the Terror of Death)
How's your foot?” Hadrian asked. “It hurts.” “He had a good hold.” “Bit right through my boot.” “Yeah, that looked painful.” “So why exactly didn't you help?” Hadrian shrugged. “It was a dog, Royce. A cute, little dog. What did you want me to do, kill an innocent little animal?” Royce tilted his head, squinting into the light of the late evening sun to focus on his friend. “Is that a joke?” “It was a puppy.” “It was not a puppy, and it was eating my foot.” “Yeah, but you were invading his home.” .... “You know, you didn't have to throw it out the window,” Hadrian said as they walked. Royce, who was still preoccupied with his foot, looked up. “What did you want me to do with it? Scratch behind the little monster’s ears as it gnawed my toes off? What if it started barking? That would have been a fine mess.” “It's a good thing there was a moat right under the window.” Royce stopped. “There was?
Michael J. Sullivan (The Viscount and the Witch (The Riyria Chronicles, #1.5))
I was surrounded on all sides by the indifferent torpidity of summer, somewhere there were dogs barking lazily, while the machine-gun barrel of the sun was strafing the earth in a continuous, never-ending burst of fire.
Victor Pelevin (Buddha's Little Finger)
But I, that am not shaped for sportive tricks, Nor made to court an amorous looking-glass; I, that am rudely stamped, and want love's majesty To strut before a wanton ambling nymph; I, that am curtailed of this fair proportion, Cheated of feature by dissembling nature, Deformed, unfinished, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them,-- Why, I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun.
William Shakespeare
Flowers were blooming, withered soon.. Rains kept falling, wasn't forever.. Dogs were barking, just for sometime.. Sun, moon & stars were invisible at times, but they kept watching you.. Let them shine for you, before it’s too late..
Heshan Udunuwara
Dogs asleep in the sun often whined and barked, but they were unable to tell what they saw that made them whine and bark. He had often wondered what it was. And that was all he was, a dog asleep in the sun.
Jack London
I admit it, I'm tired. Over the years, I've hidden away my suffering. I smile when I feel like crying. I laugh when I feel like dying. I have to stare at pictures of my children and my grandchildren to see them grow up. I miss the simplest things of ordinary life — having dinner with friends, taking walks in the woods. I miss gardening. I miss children's laughter. I miss dogs barking. I miss the feel of the rain on my face. I miss babies. I miss the sound of birds singing and of women laughing. I miss winter and summer and spring and fall. Yes, I miss my freedom. So would you.
Leonard Peltier (Prison Writings: My Life Is My Sun Dance)
The sun went, and it was dark. He sat beside her in the comfortable darkness and they listened, contentedly, to the sounds of Africa settling down for the night. A dog barked somewhere; a car engine raced and then died away; there was a touch of wind, warm dusty wind, redolent of thorn trees.
Alexander McCall Smith (The No. 1 Ladies' Detective Agency)
For as long as I could remember, I had been transparent to myself, unselfconscious, learning, doing, most of every day. Now I was in my own way; I myself was a dark object I could not ignore. I couldn't remember how to forget myself. I didn't want to think about myself, to reckon myself in, to deal with myself every livelong minute on top of everything else - but swerve as I might, I couldn't avoid it. I was a boulder blocking my own path. I was a dog barking between my own ears, a barking dog who wouldn't hush. So this was adolescence. Is this how the people around me had died on their feet - inevitably, helplessly? Perhaps their own selves eclipsed the sun for so many years the world shriveled around them, and when at least their inescapable orbits had passed through these dark egoistic years it was too late, they had adjusted. Must I then lose the world forever, that I had so loved? Was it all, the whole bright and various planet, where I had been so ardent about finding myself alive, only a passion peculiar to children, that I would outgrow even against my will?
Annie Dillard (An American Childhood)
So on a summer’s day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying “that is all” more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.
Virginia Woolf (Mrs. Dalloway)
If a dog barks at the sun, it does not dim the sun's brightness. (44)
Padma Venkatraman (Climbing the Stairs)
The two “idiots” Ginger and Zach, both golden retrievers, both beautiful-looking dogs—and both thicker than bricks when it came to brains—had been out sunning on the bedroom deck. They stood up and barked madly, as if he were an invader. Though if he were a real invader they’d have cowered in terror and stained the carpet as they fled into Jennifer’s room to hide.
William R. Forstchen (One Second After)
Benjamin was cackling and it shot fear through me and shutters and blinds closed and horses reared and the ghostly sun took shelter in an ancient elm and my throat was full of blood and dogs barked like an insane chorus and I was home and new born and ready to fuck.
Matthew M. Bartlett (Gateways to Abomination)
And he had to say farewell to his hands, his eyes, to hunger and thirst, to love, to playing the lute, to sleeping and waking, to everything. Tomorrow a bird would fly through the air and Goldmund would no longer see it, a girl would sing in a window and he would not hear her song, the river would run and the dark fish would swim silently, the wind would blow and sweep the yellow leaves on the ground, the sun would shine and stars would blink in the sky, young men would go dancing, the first snow would lie on the distant mountains—everything would go on, trees would cast their shadows, people would look gay or sad out of their living eyes, dogs would bark, cows would low in the barns of villages, and all of it without Goldmund.
Hermann Hesse (Narcissus and Goldmund)
The sigh of all the seas breaking in measure round the isles soothed them; the night wrapped them; nothing broke their sleep, until, the birds beginning and the dawn weaving their thin voices into its whiteness, a cart grinding, a dog somewhere barking, the sun lifted the curtains, broke the veil on their eyes, and Lily Briscoe stirring in her sleep clutched at her blankets as a faller clutches at the turf on the edge of a cliff.
Virginia Woolf (To the Lighthouse)
At that moment we caught sight of a drunken man, reeling along at the far end of the street. With head thrust forward, arms dangling, and nerveless legs, he advanced towards us by short rushes of three, six, or ten rapid steps, followed by a pause. After a brief spasm of energy, he found himself in the middle of the street, where he stopped dead, swaying on his feet, hesitating between a fall and a fresh burst of activity. Suddenly he made off in a new direction. He ran up against a house, and clung to the wall as if to force his way through it. Then, with a start, he turned round, and gazed in front of him, open-mouthed, his eyes blinking in the sun. With a movement of the hips, he jerked his back away from the wall and continued on his way. A small yellow dog, a half-starved mongrel, followed him barking, halting when he halted, and moving when he moved. ‘Look,’ said Marambot, ‘there’s one of Madame Husson’s Rose-kings'.
Guy de Maupassant (The House of Madame Tellier and Other Stories (32 stories))
So on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.
Virginia Woolf (Mrs. Dalloway)
Tell me, Mar,” she would say (and here it must be explained, that when she called him by the first syllable of his first name, she was in a dreamy, amorous, acquiescent mood, domestic, languid a little, as if spiced logs were burning, and it was evening, yet not time to dress, and a thought wet perhaps outside, enough to make the leaves glisten, but a nightingale might be singing even so among the azaleas, two or three dogs barking at distant farms, a cock crowing—all of which the reader should imagine in her voice)—“Tell me, Mar,” she would say, “about Cape Horn.” Then Shelmerdine would make a little model on the ground of the Cape with twigs and dead leaves and an empty snail shell or two. “Here’s the north,” he would say. “There’s the south. The wind’s coming from hereabouts. Now the Brig is sailing due west; we’ve just lowered the top-boom mizzen; and so you see—here, where this bit of grass is, she enters the current which you’ll find marked—where’s my map and compasses, Bo’sun?—Ah! thanks, that’ll do, where the snail shell is. The current catches her on the starboard side, so we must rig the jib boom or we shall be carried to the larboard, which is where that beech leaf is,—for you must understand my dear—” and so he would go on, and she would listen to every word; interpreting them rightly, so as to see, that is to say, without his having to tell her, the phosphorescence on the waves, the icicles clanking in the shrouds; how he went to the top of the mast in a gale; there reflected on the destiny of man; came down again; had a whisky and soda; went on shore; was trapped by a black woman; repented; reasoned it out; read Pascal; determined to write philosophy; bought a monkey; debated the true end of life; decided in favour of Cape Horn, and so on. All this and a thousand other things she understood him to say and so when she replied, Yes, negresses are seductive, aren’t they? he having told her that the supply of biscuits now gave out, he was surprised and delighted to find how well she had taken his meaning. “Are you positive you aren’t a man?” he would ask anxiously, and she would echo, “Can it be possible you’re not a woman?” and then they must put it to the proof without more ado.
Virginia Woolf (Orlando: A Biography)
I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph; I, that am curtail'd of this fair proportion, Cheated of feature by dissembling nature, Deform'd, unfinish'd, sent before my time Into this breathing world scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them;-- Why, I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun, And descant on mine own deformity: And therefore,--since I cannot prove a lover, To entertain these fair well-spoken days,-- I am determined to prove a villain,
William Shakespeare (The Complete Works of Shakespeare (40 works) [Illustrated])
The first day we met, she kept on looking at me with her tender and sensitive eyes. And from that day, whenever she and I met, I have felt strange sensations erupt inside my heart. She would come from wherever she would be to welcome me at my apartment. She gets into tumultuous joy when she sees me in the garden area, where I sit in the afternoon to sunbath in the Sun. And in the evenings when I make coffee for myself, she stays nearby to give me company. Leela truly loves me. Sometimes during my evening online classes, she suddenly starts barking loudly. And I tell my students "She is Leela. The doggie who stays near my apartment. Kindly wait for 1 or 2 mins and she will be quite.
Avijeet Das
I have to admit, for a second it was sort of turning me on, because I kept imagining Georgia in a very positive light. She was donning designer swimwear with fringe or whatever and she was lying on her stomach with the bikini-top straps untied. I was lathering her up with sun block and my hands were getting into all the cracks and crevices. The image got me pretty excited, and before I knew it, I had an erection. At first I thought it would go away, but it kept getting worse, like harder in that painful way. So that’s when I did something a little weird – I started barking at it. Like a Great Dane or a pit bull or whatever. I literally barked at my erection! And it worked, I’m not kidding.
Adam Rapp (Under the Wolf, Under the Dog)
I know that the pale faces are a proud and hungry race. I know that they claim not only to have the earth, but that the meanest of their color is better than the Sachems of the red man. The dogs and crows of their tribes," continued the earnest old chieftain, without heeding the wounded spirit of his listener, whose head was nearly crushed to the earth in shame, as he proceeded, "would bark and caw before they would take a woman to their wigwams whose blood was not of the color of snow. But let them not boast before the face of the Manitou too loud. They entered the land at the rising, and may yet go off at the setting sun. I have often seen the locusts strip the leaves from the trees, but the season of blossoms has always come again.
James Fenimore Cooper (Last of the Mohicans)
Those who pass their time immured in the smoky circumference of the city, amid the rattling of carts, the brawling of the multitude, and the variety of unmeaning and discordant sounds that prey insensibly upon the nerves, and beget a weariness of the spirits, can alone understand and feel that expansion of the heart, that physical renovation which a citizen experiences when he steals forth from his dusty prison, to breathe the free air of heaven, and enjoy the unsophisticated face of nature. Who that has rambled by the side of one of our majestic rivers, at the hour of sun-set, when the wildly romatick scenery around is softened and tinted by the voluptuous mist of evening; when the bold and swelling outlines of the distant mountain seem melting into the glowing horizon, and rich mantle of refulgence is thrown over the whole expanse of the heavens, but must have felt how abundant is nature in sources of pure enjoyment; how luxuriant in all that can enliven the senses or delight the imagination. The jocund zephyr full freighted with native fragrance, sues sweetly to the senses; the chirping of the thousand varieties of insects with which our woodlands abound, forms a concert of simple melody; even the barking of the farm dog, the lowing of the cattle, the tinkling of their bells, and the strokes of the woodman's axe from the opposite shore, seem to partake of the softness of the scene and fall tunefully upon the ear; while the voice of the villager, chaunting some rustick ballad, swells from a distance, in the semblance of the very musick of harmonious love.
Washington Irving (Salmagundi)
Dogs asleep in the sun often whined and barked, but they were unable to tell what they saw that made them whine and bark. He had often wondered what it was. And that was all he was, a dog asleep in the sun. He would stand up, with open eyes, and he would struggle and toil and learn until, with eyes unblinded and tongue untied, he could share with her his visioned wealth. Other men had discovered the trick of expression, of making words obedient servitors, and making combinations of words mean more than the sum of their separate meanings. He was stirred profoundly by the passing glimpse at the secret, and he was again caught up in the vision of sunlit spaces and starry voids - until it came to him taht it was very quiet, and he saw Ruth regarding him with an amused expression and a smile in her eyes.
Jack London (Martin Eden)
Patricia kept her distance while Blue and Korey hung all over Ragtag that weekend, soothing him when he barked at things that weren't there, driving to the store and getting him wet food when he wouldn't eat dry, sitting with him in the backyard or on the sofa in the sun. And on Sunday night, when things got bad, and Dr. Grouse's office was closed, the two of them sat up with Ragtag as he walked around the den in circles, barking and snapping at things they couldn't see, and they talked to him in low voices, and told him he was a good dog, and a brave dog, and they weren't going to leave him alone. When Patricia went to bed around one, both kids were still sitting up with Ragtag, patting him when his wanderings brought him close, speaking to him, showing him patience that Patricia had never seen in them before. Around four in the morning she woke up with a start and crept downstairs. The three of them lay on the den sofa. Korey and Blue were on either end, asleep. Ragtag lay between them, dead.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
The kitchen is full of people and food. The turkey sits on the table, Grandfather carving it and cursing at it. Papa laughs at this, as if it is something old, something familiar. Sun comes in the windows so that everything and everyone is touched by it, like gold, even Seal and Min by the fire. Papa is smiling again. Sarah has not stopped. Even Lottie and Nick seem to smile as they hope for Grandfather to drop the turkey for them to eat. Cassie is practicing saying a new grace, one that does not have “fuud” in it. I like the “fuud” grace myself. Soon, Sam and Justin and Anna will drive up the road and into the yard. Everyone will run outside to greet them, and the dogs will bark and leap up, and I can tease Anna again about Justin because he is home again and safe. Grandfather will stay. He has started writing in the journal I gave him, but he won’t let me read it yet. He says it is private. The winter came early and will stay longer. There will be winds and storms, but I don’t care. There is happiness here now. What Sarah told Cassie is true. Not one thing in the world is wrong.
Patricia MacLachlan (Caleb's Story (Sarah, Plain and Tall #3))
The unhappy priest was breathing hard; sincere horror at the foreseen dispersal of Church property was linked with regret at his having lost control of himself again, with fear of offending the Prince, whom he genuinely liked and whose blustering rages as well as disinterested kindness he knew well. So he sat down warily, glancing every now and again at Don Fabrizio, who had taken up a little brush and was cleaning the knobs of a telescope, apparently absorbed. A little later he got up and cleaned his hands thoroughly with a rag; his face was quite expressionless, his light eyes seemed intent only on finding any remaining stain of oil in the cuticles of his nails. Down below, around the villa, all was luminous and grandiose silence, emphasised rather than disturbed by the distant barking of Bendicò baiting the gardener’s dog at the far end of the lemon-grove, and by the dull rhythmic beat from the kitchen of a cook’s knife chopping meat for the approaching meal. The sun had absorbed the turbulence of men as well as the harshness of earth. The Prince moved towards the priest’s table, sat down and began drawing pointed little Bourbon lilies with a carefully sharpened pencil which the Jesuit had left behind in his anger. He looked serious but so serene that Father Pirrone no longer felt on tenterhooks. “We’re not blind, my dear Father, we’re just human beings. We live in a changing reality to which we try to adapt ourselves like seaweed bending under the pressure of water. Holy Church has been granted an explicit promise of immortality; we, as a social class, have not. Any palliative which may give us another hundred years of life is like eternity to us. We may worry about our children and perhaps our grandchildren; but beyond what we can hope to stroke with these hands of ours we have no obligations. I cannot worry myself about what will happen to any possible descendants in the year 1960. The Church, yes, She must worry for She is destined not to die. Solace is implicit in Her desperation. Don’t you think that if now or in the future She could save herself by sacrificing us She wouldn’t do so? Of course She would, and rightly.
Giuseppe Tomasi di Lampedusa (The Leopard)
The next morning came early at the Circle T Ranch.  The sun had begun its climb over the eastern hills, greeted by the clang of the breakfast bell mixed with the roosters’ crows and barking dogs.  Wade pushed back his blanket and, feeling the early September chill, wished someone had built a fire in the pot-bellied stove a few feet away. Looking half-asleep, Emmett sat up and stared out the window at the barn and corral, wishing he could crawl back under the covers.  He turned from the window, looked at Wade under his covers, and told him it was time to get up. Getting out of bed, he grabbed his pants from a peg on the wall next to his bunk and headed for the outhouse dressed in his faded red underwear. Wade tossed his covers back, greeted by the same chilly morning that greeted Emmett.  He put his feet on the cold wooden floor, stood, took his pants off the peg, and slipped into them.  Pulling his suspenders up, he followed Emmett and the others out back to take his turn. Wade
Richard Greene (Wade Garrison's Promise)
First, let the storm pass, let the sun shine, let the barking dogs be silent, let the potholes in the road disappear, then everything will be easy and I will start the journey! If you have such thoughts then you will fail because of overcalculation! Make the right decision and then start the journey, focus on the goal, not on the obstacles!
Mehmet Murat ildan
I made my way to the back of the house and saw Clay sunning on the deck. “Nice to know you can let yourself out,” I said as I walked past him.  I nudged open the door and kicked it closed behind me.  With a sigh, I put the bags on the table and began to unpack. After a sharp bark from outside, I grudgingly turned to let Clay in. “What?  Can’t let yourself back in?”  He didn’t respond, except to sit by the sink.  I went back to the table and reached into one of the bags. “Look what I got you.”  I pulled out a small bag of dog food. Clay growled again, but it lacked any menace. “You want to look like a normal dog don’t you?  Well... as normal as a dog your size can look, anyway.
Melissa Haag (Hope(less) (Judgement of the Six #1))
The whitewashed village basked in the summer sun, the red-tiled roofs hazy in the heat. The road shimmered, the dust along its edges still. Not even a dog barked.
Sara Alexi (The Explosive Nature of Friendship)
So you’ve run off from him, have you?” Beatrix asked, smoothing the wiry ruff on his head. “Naughty boy. I suppose you’ve had a fine old time chasing rabbits and squirrels. And there’s a damaging rumor about a missing chicken. You had better stay out of poultry yards, or it won’t go well for you in Stony Cross. Shall I take you home, boy? He’s probably looking for you. He--” She stopped at the sound of something…someone…moving through the thicket. Albert turned his head and let out a happy bark, bounding toward the approaching figure. Beatrix was slow to lift her head. She struggled to moderate her breathing, and tried to calm the frantic stutters of her heart. She was aware of the dog bounding joyfully back to her, tongue dangling. He glanced back at his master as if to convey Look what I found! Letting out a slow breath, Beatrix looked up at the man who had stopped approximately three yards away. Christopher. It seemed the entire world stopped. Beatrix tried to compare the man standing before her with the cavalier rake he had once been. But it seemed impossible that he could be the same person. No longer a god descending from Olympus…now a warrior hardened by bitter experience. His complexion was a deep mixture of gold and copper, as if he had been slowly steeped in sun. The dark wheaten locks of his hair had been cut in efficiently short layers. His face was impassive, but something volatile was contained in the stillness. How bleak he looked. How alone. She wanted to run to him. She wanted to touch him. The effort of standing motionless caused her muscles to tremble in protest. She heard herself speak in a voice that wasn’t quite steady. “Welcome home, Captain Phelan.” He was silent, staring at her without apparent recognition. Dear Lord, those eyes…frost and fire, his gaze burning through her awareness. “I’m Beatrix Hathaway,” she managed to say. “My family--” “I remember you.” The rough velvet of his voice was a pleasure-stroke against her ears. Fascinated, bewildered, Beatrix stared at his guarded face. To Christopher Phelan, she was a stranger. But the memories of his letters were between them, even if he wasn’t aware of it. Her hand moved gently over Albert’s rough fur. “You were absent in London,” she said. “There was a great deal of hullabaloo on your behalf.” “I wasn’t ready for it.” So much was expressed in that spare handful of words. Of course he wasn’t ready. The contrast would be too jarring, the blood-soaked brutality of war followed by a fanfare of parades and trumpets and flower petals. “I can’t imagine any sane man would be,” she said. “It’s quite an uproar. Your picture is in all the shop windows. And they’re naming things after you.” “Things,” he repeated cautiously. “There’s a Phelan hat.” His brows lowered. “No there isn’t.” “Oh, yes there is. Rounded at the top. Narrow-brimmed. Sold in shades of gray or black. They have one featured at the milliner’s in Stony Cross.” Scowling, Christopher muttered something beneath his breath.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
After Sidney had given her his handkerchief and ordered further drinks, Amanda turned the conversation towards her childhood; how she wanted to run away back to the time when she was last happy, holidaying on the island of Skye, on a day with strong winds and dark skies, the barking of dogs, the bleating of sheep, the collapse of telephone wires – with no boat daring to go out to sea, and everyone stuck inside. ‘No one thought we would ever go out again, but then the dark clouds moved and everything blew over the Cuillins and the sun came through the clouds and light fell across the tops. The wind was stilled and we could go out again and I felt such happiness that the darkness had passed. I often think that if I ever go back there then the same thing will happen, that the clouds will clear and the air will still be fresh, and the dogs will stop barking, and the light on the mountains will be sharp even if it’s only for a short time. I will still have seen it. Do you understand, Sidney?’ ‘Like Noah after the flood.’ ‘We always need something to remember. A time when everything was possible. Do you think this too will pass?’ ‘Eventually. The compensation for losing happiness, for discovering that it never lasts, is that our troubles are transient too.’ ‘I don’t think that’s of much comfort to those who are in distress.’ ‘One cannot be trite about these things. But the ultimate end to suffering is death.’ ‘Then perhaps I could find the person behind all this and kill them myself?’ ‘I’ll ignore that remark, Amanda.
James Runcie (Sidney Chambers and The Forgiveness of Sins: Grantchester Mysteries 4)
Behind the shoulders of the Virgin or some bearded Father of the Church, the Italian painter joyfully depicted a miniature town or a well-cultivated landscape, so small that only from a very short distance could all the details be discerned, the walls, towers, churches, streets, the artisans at work, the ships in the river, the ladies on the balcony, the children, the barking dogs, the gaily coloured clothes drying in the sun, the ploughman and the hunter. Many nordic travellers who lagged behind the times apprehensively thought they detected a slight odour of sulphur and brimstone about art and life in Italy, the ‘odour of unsanctity’. They still detect it today. The country was in fact slowly acquiring that pagan, slightly irreverent, sacrilegious reputation which it was never to lose. The reputation did not repel visitors. In fact, the danger of losing their souls attracted as many of them as the hope of gaining everlasting salvation.
Luigi Barzini (The Italians)
Sometimes you spend hours contemplating a tree, describing it, dissecting it: the roots, the trunk, the branches, the leaves, every leaf, every rib of every leaf, every branch again, and the unending play of the indifferent shapes that your eager gaze solicits or conjures up: a face, a town, a maze or a path, coats of arms and cavalcades. As your perception gets sharper, more patient and more versatile, the tree shatters and then reforms, a thousand shades of green, a thousand leaves, identical and yet all different. You think that you could spend your whole life in front of a tree, never exhausting it and never understanding it, because there is nothing for you to understand, just something to look at: when all is said and done, all you can say about this tree is that it is a tree; all this tree can say to you is that it is a tree, a root, then a trunk, then branches, then leaves. You can't expect to extract any other truth from it. The tree has no moral to offer you, no message to impart. Its strength, its majesty, its life - if you still hope to draw some meaning, some courage, from these outworn metaphors - are only ever images, neat illustrations, as useless as the tranquillity of the fields, as the still waters which, reputedly, run deep, or the courage of the little paths that don't climb very high but do so all alone, or the smiling hillsides upon which bunches of grapes ripen in the sun. And that is why the tree fascinates you, or astounds you, or calms you: because of the unsuspected and unimpeachable obviousness of the bark, the branches and the leaves. That is why, perhaps, you never go walking with a dog, because the dog looks at you, pleads with you, speaks to you. Its eyes brimming with tears of gratitude, its servile expression, its canine frolicking, constantly force you to confer on it the ignoble status of pet. You cannot remain neutral in the company of a dog any more than in the company of a man. But you will never hold a conversation with a tree. You cannot live in the company of a dog, because the dog is constantly calling upon you to make it live, to feed it, to stroke it, to be a man for it, to be its master, to be the god roaring the name - dog - that will make it instantly grovel on the ground. But the tree asks nothing of you. You can be the God of the dogs, God of the cats, God of the poor, all you need is a leash, a little tenderness, a little money, but you will never be master of the tree. All you can ever wish for is to become a tree in your turn.
Georges Perec (Un homme qui dort)
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
Andrew Peterson
Your friends have made you weak. Did they teach you how to cry like a babe at her mammy's side? Stranders don't cry, Maraly." "I'm not a Strander," she said, looking him in the eye. "Then I'll have to MAKE you one," Claxton barked. "You've got my blood in yer veins, girl, and nothin' can change that. You've got MY name written in yer bones, Maraly Weaver. You can go take yer bath and eat yer fancy food and giggle with yer friend, but you'll always know deep down that you were born in the mud of the Strand, along with the mud of the Blapp, and once that mud gets on you, NOTHIN' ever gets it off." Claxton seemed to know Maraly's deepest fear and was speaking it aloud. She had lain awake at night, fighting to believe that Gammon's fatherly love was real, that the change she had been feeling--the lightening of heart and the almost painful flashes of joy--was more than a silly girlish notion. She thought back to the day of the Battle of Kimera, when Gammon had looked her in the eye and held out his hand and asked if she would let him care for her. Even then something had bubbled up in the dry well of her soul, and over these last months she had felt that spring slowly fill her. With the coming of the warmer sun she had finally allowed herself to believe that the water was pure enough to drink--but every word Claxton spewed poisoned the water, darkened it, muddied it like the Mighty Blapp, and now she felt herself drowning in it. "I'm going to give you one last chance, girl. Either Claxton is yer father or Gammon is. Only one of those names is true to your nature. Answer carefully now. Who's your father?" Maraly shook her head and wept. She wished the Fangs would appear, or more Stranders--she had given up on wishing for Gammon. That sort of thing only happened in storybooks. "WHO'S YOUR FATHER?" Claxton bellowed. He struck her in the mouth. "You're a Strander down to the bone, girl! Who's your father? What do you think runs thicker than blood in your veins?" Maraly mumbled. "What?" Claxton shouted, clenching her throat tighter. She blinked through her tears and took a trembling breath, then looked him in the eye as fiercely as she could manage. "Love." "Love," Claxton sputtered. He snorted with laughter. Maraly sniffled and said, "Love runs stronger than blood. Deeper than any name you could give me." "You worthless dog," Claxton spat. He balled his fingers into a fist and reared back to strike. Maraly smiled through her tears. She knew she had chosen well, because she had BEEN chosen. She believed in her heart that Gammon was even now fighting to find her, that his affection was more real than the hand that gripped her throat and the first that was about to pound her. She closed her eyes and waited for the pain. But Claxton's blow never fell. He gasped and made a choking sound, and his grip on her neck loosened. Maraly crumpled to the ground, looking up at Claxton in confusion. He staggered backward and spun around, and she saw a knife in his back, buried to the hilt. "Maker help you, boy," said [Nurgabog's] thin, quavering voice. "Maker help me too.
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
They were at the top now, barking in that speculative, nervous manner that dogs adopt to reassure themselves when they encounter something unexpected in familiar territory. I reached the top of the hill with the sun full in my eyes, but I could make out the backlit silhouette of a figure in the trees, a nimbus of smoke around his head, the dogs inspecting him noisily from a safe distance. As I came up to him, he extended a cold, horny hand. “Bonjour.” He unscrewed a cigarette butt from the corner of his mouth and introduced himself. “Massot, Antoine.
Peter Mayle (A Year in Provence (Provence, #1))
Nothing was different afterward except for my fresh loser eyes, noticing it all. People steering clear. Not touching me in gym, not even cheering if I sank a shot. Holding up their plate to my face in the lunchroom, like I’d eat off it like a dog. I wanted no sun shining on me now. I erased myself like a chalkboard. In my outgrown high-water jeans and the old-man shoes Mr. Peg had loaned me at Christmas, I joined the tribe of way-back country kids with no indoor plumbing and the Pentecostals that think any style clothes invented since Bible times is a sin. My specialty, acid holes. Who was going to take me shopping for new clothes? Hair over my collar, and who’s going to cut it? Miss Barks had noticed I was getting ratty, and kept reminding Mrs. McCobb how the monthly check from DSS should more than cover those things. And Mrs. McCobb kept saying she meant to get around to it, but just so busy with her kids. I’d been thinking about Emmy moving here in a few months, the walks we were going to take. Hand-holding. Now I just hoped she and June would move to some far-distant part of the county where she’d be in a different school and never find out what I was.
Barbara Kingsolver (Demon Copperhead)
CHAPTER TWO The way back led them through a shallow valley lined with thorn-scrub and thistles, the shadows of even the smallest trees thrown far across the ground by the Red Leaf rays of the Sun-Dog. The camp was not far ahead, but Lucky had no intention of letting his guard down. The air was still, with a hint of frost, so Lucky was immediately alert when something rustled close by. He paused to see a golden shape push through the leafless twigs of the bushes. “Bella,” he greeted his litter-sister warily. Bella glanced awkwardly toward Fiery and Lick. She shook herself, but held her ground. “Hello, Lucky.” Lucky laid his rabbits on the ground and barked to Fiery. “I’ll catch up with you.” Fiery looked back over his shoulder, nodded, then summoned Lick on. Lucky shifted his attention to Bella, who was pacing back and forth, not meeting his eye. My litter-sister, he reminded himself; and yet she seemed more of a stranger than Fiery. Not
Erin Hunter (The Broken Path (Survivors, #4))
On the way back to Nádori, the driver stopped at Emerence’s old home. It was still apparently referred to as the Szeredás house. It stood out clearly in the gathering dusk of one of those improbable summer evenings when the sun doesn’t linger but withdraws its rays suddenly, leaving variegated streaks of orange, blue and violet glowing behind the grey. We took a good look at this scene from the past. It was just as Emerence had described it — the painted façade, the trees round the side, the general line and height of the building. She had neither embellished nor understated. What was most surprising was her perfect recall of the proportions. She hadn’t dreamed up a fairy-tale castle in place of her charming old home. It was quite beautiful enough the way József Szeredás had built it, a house designed not just with affection but with love. It had all the force of a timeless statement. There was still a workshop where the old one had stood, but this one had a power saw standing inside, and chained dogs that barked a warning. The little garden was still there. The roses had aged into trees, someone had planted a pair of maples near the sycamore and the walnut had filled out and shot up. A swing hung from one of its branches and there were children playing beneath it. I didn’t find the farmyard.
Magda Szabó (The Door)
Palo Alto is lined with magnolia trees full of creamy blossoms, blue mailboxes, oranges like round dots on trees. Temperatures average in the seventies, you can smell the sun baking fallen shards of eucalyptus bark. There's mottled shade in spotless parks, pink-tongued dogs. Cul-de-sacs with Eichler houses, wooden garage doors, Japanese maples. Sidewalks are smoothly paved, kids bicycle to school and adults bicycle to work; everybody has degrees and everybody recycles.
Chanel Miller