Distance And Displacement Quotes

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The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.
Richard Adams (Watership Down (Watership Down, #1))
Distance is the journey. Displacement is the result.
Jaclyn Moriarty (The Cracks in the Kingdom (The Colours of Madeleine, #2))
A lack of affiliation may mean a lack of accountability, and forming a sense of commitment can be hard without a sense of community. Displacement can encourage the wrong kinds of distance, and if the nationalism we see sparking up around the globe arises from too narrow and fixed a sense of loyalty, the internationalism that's coming to birth may reflect too roaming and undefined a sense of belonging.
Pico Iyer
And so you travel. Forgetting that the problem is you. And where ever you go, you carry yourself.
Ezinne Orjiako, Nkem.
But home is 6617 miles away; a burning building. A sinking ship. A dying thing.
Ezinne Orjiako, Nkem.
Name the colors, blind the eye” is an old Zen saying, illustrating that the intellect’s habitual ways of branding and labeling creates a terrible experiential loss by displacing the vibrant, living reality with a steady stream of labels. It is the same way with space, which is solely the conceptual mind’s way of clearing its throat, of pausing between identified symbols. At any rate, the subjective truth of this is now supported by actual experiments (as we saw in the quantum theory chapters) that strongly suggest distance (space) has no reality whatsoever for entangled particles, no matter how great their apparent separation.
Robert Lanza (Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe)
Now all I know about her is my memories of her. And these memories fade further and further into the distance like displaced cells. Was it all biology?
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Now all I know about her is my memories of her. And these memories fade further and further into the distance like displaced cells. Now I have no way of knowing precisely how many times she and I had sex.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
Jet lag results from our rapid motion between time zones, across the lines that we have drawn on the earth that equate light with time, and time with geography. Yet our sense of place is scrambled as easily as our body’s circadian rhythms. Because jet lag refers only to a confusion of time, to a difference measured by hours, I call this other feeling ‘place lag’: the imaginative drag that results from our jet-age displacements over every kind of distance; from the inability of our deep old sense of place to keep up with our aeroplanes.
Mark Vanhoenacker (Skyfaring: A Journey with a Pilot)
We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return?
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
Jimi on the box, thirty stories up, everything immediate, yet distanced. Jimi's chords locked in aerial dogfights, gliding, riding, sliding, hiding, belligerent bursts, hallucinogenic, a head-warping face-wiping mind melt, chords live dive bombers screaming in for the kill, scintillating, serrated chords shot through with arc-light shrieks of staccato mayhem, as immediate and horrific as the firefight racketing away this very second below our red and puffy eyes; chords that hang in the air like the retinal reflection of an eerie afterburn, the stars displaced and the smell of a world that burned. Overhead, night birds flying, Huey, Apache, Chinook, whooshing with murderous potential. And over everything - every apocalyptic bang, boom, and rattle - Jimi, bleating like Braxton and bonding with the bombast.
Roger Steffens
In the distance, beyond the stretch of burned, dead dirt, beyond the carcass of the submarine now slowly moving away, a patch of wildflowers in yellow and blue stood, and looking at it, she felt her despair displaced by something simultaneously heavier and lighter. Han. There was no English equivalent, no translation. It was an overwhelming sorrow and regret, a grief and yearning so deep it pervades your soul - buy with a sprinkling of resilience, of hope.
Angie Kim
The doctor from the mainland came and went. Silence settled over the island again, like a displaced curtain falling back in thickened, heavier folds. For there was a different quality in the silence now. It had tasted something, rich food on which it had long been thinly rationed. Shadowy things were trooping up, called by that scent of blood, like flies that smell carrion. They were not strangers to the old house; they had been ill-fed and at a distance, now they were hungry and avid and near.
Evangeline Walton (Witch House)
I had never seen this type of clock, carved from hardwood into the shape of our homeland (...) Some craftsman in exile had understood that this was exactly the timepiece his countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return? Refugee, exile, immigrant — whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time-travelers. But while science fiction imagined time-travelers as moving forwards and backwards in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
The generalized theory of relativity has furnished still more remarkable results. This considers not only uniform but also accelerated motion. In particular, it is based on the impossibility of distinguishing an acceleration from the gravitation or other force which produces it. Three consequences of the theory may be mentioned of which two have been confirmed while the third is still on trial: (1) It gives a correct explanation of the residual motion of forty-three seconds of arc per century of the perihelion of Mercury. (2) It predicts the deviation which a ray of light from a star should experience on passing near a large gravitating body, the sun, namely, 1".7. On Newton's corpuscular theory this should be only half as great. As a result of the measurements of the photographs of the eclipse of 1921 the number found was much nearer to the prediction of Einstein, and was inversely proportional to the distance from the center of the sun, in further confirmation of the theory. (3) The theory predicts a displacement of the solar spectral lines, and it seems that this prediction is also verified.
Albert Abraham Michelson (Studies in Optics)
Work is simply, “force x distance” or the product of a force applied to an object and the displacement of the object in the direction of the applied force…holding an object in the air does not involve any work, no matter how painful your hand will be after a few minutes… reflect on your daily activities and the results from them. Are you really working or just increasing your potential without progress or desired results? Your work must produce some movement, progress and change, by effectively using all your energies whether intellectual or physical.
Archibald Marwizi (Making Success Deliberate)
As a displaced community, Tibetans often speak of learning to look to the future without forsaking tradition. And as Tibetans continue their flight from Tibet to India or Nepal and then scatter farther and farther away from the physical land of Tibet, the conversations on identity and culture become more crucial and complex. As the distance increases so does the desperation in keeping Tibet as the eventual home, our aspired home. Yet it is the loss of Tibet and its very distance that also awakens us to view patriotism and identity in new ways that are not guided solely by Buddhist philosophy. Self-assertion- an approach avoided in the past because of the Buddhist aspiration to prevent focus on the self- enters our identity as Tibetans.
Tsering Wangmo Dhompa (A Home in Tibet)
The crust [of the earth] is very thin. Estimates of its thickness range from a minimum of about twenty to a maximum of about forty miles. The crust is made of comparatively rigid, crystalline rock, but it is fractured in many places, and does not have great strength. Immediately under the crust is a layer that is thought to be extremely weak, because it is, presumably, too hot to crystallize. Moreover, it is thought that pressure at that depth renders the rock extremely plastic, so that it will yield easily to pressures. The rock at that depth is supposed to have high viscosity; that is, it is fluid but very stiff, as tar may be. It is known that a viscous material will yield easily to a comparatively slight pressure exerted over a long period of time, even though it may act as a solid when subjected to a sudden pressure, such as an earthquake wave. If a gentle push is exerted horizontally on the earth's crust, to shove it in a given direction, and if the push is maintained steadily for a long time, it is highly probable that the crust willl be displaced over this plastic and viscous lower layer. The crust, in this case, will move as a single unit, the whole crust at the same time. This idea has nothing whatever to do with the much discussed theory of drifting continents, according to which the continents drifted separately, in different directions. [...] Let us visualize briefly the consequences of a displacement of the whole crustal shell of the earth. First, there will be the changes in latitude. Places on the earth's surface will change their distances from the equator. Some will be shifted nearer the equator, and others farther away. Points on opposite sides of the earth will move in opposite directions. For example, if New York should be moved 2,000 miles south, the Indian Ocean, diametrically opposite, would have to be shifted 2,000 miles north. [...] Naturally, climatic changes will be more or less proportionate to changes in latitude, and, because areas on opposite sides of the globe will be moving in opposite directions, some areas will be getting colder while others get hotter; some will be undergoing radical changes of climate, some mild changes of climate, and some no changes at all. Along with the climatic changes, there will be many other consequences of a displacement of the crust. Because of the slight flattening of the earth, there will be stretching and compressional effects to crack and fold the crust, possibly contributing to the formation of mountain ranges. there will be changes in sea level, and many other consequences.
Charles H. Hapgood (Earth's Shifting Crust: A Key To Some Basic Problems Of Earth Science)
... - the Age of Anxiety, dating from around August 1945, is twenty three years old this very month - and her daily life is in essence a sandbagging operation against its seas and their tides. But this is worry and it is a little different from anxirty: Particular rather than pervasive, it arrives unannounced, without anxiety's harbingers, dread and forboding, the fearful tea in which we steep awaiting oblivion. Instead, worry turns up on the door step, the overbearing, passive aggressive out-of-town relative who insists he "won't be any trouble" even as he displaces every known routine and custom of the house for days and weeks on end; as he expropriates the sofa, the bathroom, the contents of the liqour cabinet and cigarette carton, and monopolises the telephone and the ear of anyone within shouting distance. Worry displaces the entire mood, the entire ethos of the house - even if that mood hitherto consisted largely of anxiety - and replaces it with something more substantive, more real than mere mood. You would be mightily pleased to have ordinary anxiety back in residence, for under worry there is no peace whatsoever, not even the peace of cynicism, pessimism or despair. Even when the rest of the world is abed, worry is awake, plundering the kitchen cupboards, raiding the refrigerator, playing the hifi, watching the late show until the national anthem closes the broadcast day; then noisily treading the halls, standing in your bedroom door, wondering if by any chance you are still up (knowing that of course you are), breathing and casting its shadow upon you, the silhouette of its slope-shouldered hulk and towering black wings.
Robert Clark (Love Among the Ruins)
Visible over Madame’s shoulder was a clock, hanging on the wall between a flag and a poster. The poster was for a new brand of beer, featuring three bikini-clad young women sprouting breasts the size and shape of children’s balloons; the flag was of the defeated Republic of Vietnam, three bold red horizontal stripes on a vivid field of yellow. This was the flag, as the General had noted more than once to me, of the free Vietnamese people. I had seen the flag countless times before, and posters like that one often, but I had never seen this type of clock, carved from hardwood into the shape of our homeland. For this clock that was a country, and this country that was a clock, the minute and hour hands pivoted in the south, the numbers of the dial a halo around Saigon. Some craftsman in exile had understood that this was exactly the timepiece his refugee countrymen desired. We were displaced persons, but it was time more than space that defined us. While the distance to return to our lost country was far but finite, the number of years it would take to close that distance was potentially infinite. Thus, for displaced people, the first question was always about time: When can I return? Speaking of punctuality, I said to Madame, your clock is set to the wrong time. No, she said, rising to fetch the beer. It’s set to Saigon time. Of course it was. How could I not have seen it? Saigon time was fourteen hours off, although if one judged time by this clock, it was we who were fourteen hours off. Refugee, exile, immigrant—whatever species of displaced human we were, we did not simply live in two cultures, as celebrants of the great American melting pot imagined. Displaced people also lived in two time zones, the here and the there, the present and the past, being as we were reluctant time travelers. But while science fiction imagined time travelers as moving forward or backward in time, this timepiece demonstrated a different chronology. The open secret of the clock, naked for all to see, was that we were only going in circles.
Viet Thanh Nguyen (The Sympathizer)
The attachment voids experienced by immigrant children are profound. The hardworking parents are focused on supporting their families economically and, unfamiliar with the language and customs of their new society, they are not able to orient their children with authority or confidence. Peers are often the only people available for such children to latch on to. Thrust into a peer-oriented culture, immigrant families may quickly disintegrate. The gulf between child and parent can widen to the point that becomes unbridgeable. Parents of these children lose their dignity, their power, and their lead. Peers ultimately replace parents and gangs increasingly replace families. Again, immigration or the necessary relocation of people displaced by war or economic misery is not the problem. Transplanted to peer-driven North American society, traditional cultures succumb. We fail our immigrants because of our own societal failure to preserve the child-parent relationship. In some parts of the country one still sees families, often from Asia, join together in multigenerational groups for outings. Parents, grandparents, and even frail great-grandparents mingle, laugh, and socialize with their children and their children's offspring. Sadly, one sees this only among relatively recent immigrants. As youth become incorporated into North American society, their connections with their elders fade. They distance themselves from their families. Their icons become the artificially created and hypersexualized figures mass-marketed by Hollywood and the U.S. music industry. They rapidly become alienated from the cultures that have sustained their ancestors for generation after generation. As we observe the rapid dissolution of immigrant families under the influence of the peer-oriented society, we witness, as if on fast-forward video, the cultural meltdown we ourselves have suffered in the past half century. It would be encouraging to believe that other parts of the world will successfully resist the trend toward peer orientation. The opposite is likely to be the case as the global economy exerts its corrosive influences on traditional cultures on other continents. Problems of teenage alienation are now widely encountered in countries that have most closely followed upon the American model — Britain, Australia, and Japan. We may predict similar patterns elsewhere to result from economic changes and massive population shifts. For example, stress-related disorders are proliferating among Russian children. According to a report in the New York Times, since the collapse of the Soviet Union a little over a decade ago, nearly a third of Russia's estimated 143 million people — about 45 million — have changed residences. Peer orientation threatens to become one of the least welcome of all American cultural exports.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
The historical story of Judas the Galilean confirms the 6 CE date while the later date of 29 CE is fraught with contradictions. The reason is clear for the displacement of John: the early church had to distance itself from the "Jesus" of history or Judas the Galilean. In his place was inserted the Gospel Jesus of Nazareth.
Daniel T. Unterbrink (The Three Messiahs: The Historical Judas the Galilean, the Revelatory Christ Jesus, and the Mythical Jesus of Nazareth)
if we have come here t o t alk, it is only bec aus e we have been persuaded of this: we must be done with radicalism and its meager comforts - now. The intellectual, the academic, both remain mesmerized by the contradictions that banish thought to the clouds. By never beginning from the situation, from their own situation, intellectuals distance themselves from the world so much that, finally, it is their intelligence itself that abandons them. If hipsters succeed in perceiving the world with precision and subtlety, it is only to aestheticize the sensible ever further, that is to say, to keep it at a distance, to contemplate their lives and their beautiful souls and thereby to promote their own impotence - their particular autism, which expresses itself in a valorization ofthe tiniest aspects of life.Meanwhile, the activist, in refusing to think, in adopting the ethic of middle managers, runs grinning into every single wall before him before finally collapsing into cynicism. If taking part is the only option in war, the lines that are offered to us visibly are not the ones that we should follow. We have to displace them and we have to move ourselves in between them
Anonymous
For our story, the most important proposed expansion of the equations of physics is supersymmetry, often fondly called SUSY. Supersymmetry, as the name suggests, proposes that we should use equations with larger symmetry. SUSY's new symmetry is related to the boost symmetry of special relativity. As you may recall, boost symmetry says that the basic equations don't change when you impart a common, constant velocity to all the components of the system you're describing. (Dirac had to modify Schrodinger's equation to give it that property.) Supersymmetry likewise says that the equations don't change when you impart a common motion to all the components of the system you're describing. But it's a very different kind of motion from what's involved in boost symmetry. Instead of motion through ordinary space with a constant velocity, supersymmetry involves motion into new dimensions! Before you get carried away with visions of spirit worlds and wormholes through hyperspace, let me hasten to add that the new dimensions have a very different character from the familiar dimensions of space and time. They're quantum dimensions. What happens to a body when it moves in the quantum dimensions isn't that it gets displace-there's no notion of distance out there-instead, its spin changes. The "superboosts" turn particles with a given amount of intrinsic spin into particles with a different amount of spin. Because the equations are supposed to stay the same, supersymmetry relates properties of particles with different spin. SUSY allows us to see them as the same particle, moving in different ways through the quantum dimensions of superspace. You can visualize the quantum dimensions as new layers of the Grid. When a particle hops into these layers its spin changes, and so does its mass. Its charges-electric, color, and weak-stay the same. SUSY might allow us to complete the work of unifying the Core. Unification of the different charges, using the symmetry SO(10), united all the gauge bosons into a common cluster, and all the quarks and leptons into a common cluster. But no ordinary symmetry is capable of joining those two clusters, for they describe particles with different spins. Sypersymmetry is the best idea we have for connecting them.
Frank Wilczek (The Lightness of Being: Mass, Ether, and the Unification of Forces)
The difference between illusion and perception is intrinsic, and the truth of perception can only be read in perception itself. If I believe I see a large flat stone, which is in reality a patch of sunlight, far ahead on the ground in a sunken lane, I cannot say that I ever see the flat stone in the sense in which I will see the patch of sunlight while moving closer. The flat stone only appears, like everything that is far off, in a field whose structure is confused and where the connections are not yet clearly articulated. In this sense, the illusion, like the imagine, is not observable, that is, my body is not geared into it and I cannot spread it out before myself through some exploratory movements. And yet, I am capable of omitting this distinction, and I am capable of illusion. It is not true that, if I hold myself to what I see, I never make an error, nor is it true that sensation, at least, is indubitable...I say that I perceive correctly when my body has a precise hold on the spectacle, but this does not mean that my hold is ever complete...which is in principle impossible. In the experience of a perceptual truth, I presume that the concordance experienced up until now would be maintained for a more detailed observation, I put my confidence in the world. To perceive is suddenly to commit to an entire future of experiences in a present that never, strictly speaking, guarantees that future; to perceive is to believe in a world. It is this opening to a world that makes perceptual truth possible...and permits us to 'cross out' the preceding illusion, to hold it to be null and void. I saw a large shadow moving on the periphery of my visual field and at a distance, I turn my gaze to this side and the phantasm shrinks and takes its proper place: it was only a fly close to my eye. I was conscious of seeing a shadow and now I am conscious of having only seen a fly. My belonging to the world allows me to compensate for the fluctuations of the cogito, to displace one cogito in favor of another, and to meet up with the truth of my thought beyond its appearance. In the very moment of illusion, this correction was presented to me as possible because the illusion itself makes use of the same belief in the world, only contracts into a solid appearance thanks to this contribution, and hence, being always open to an horizon of presumptive verifications, the illusion does not separate me from truth. But, for the same reason, I am not protected from error since the world that I am at through each appearance...never necessarily requires this particular appearance. There is an absolute certainty of the world in general, but not of any particular thing.
Maurice Merleau-Ponty (Phenomenology of Perception)
Several requirements typify positivist methodological approaches. First, research methods generally require a distancing of the researcher from her of his “object” of study by defining the researcher as a “subject” with full human subjectivity and by objectifying the “object” of study. A second requirement is the absence of emotions from the research process. Third, ethics and values are deemed inappropriate in the research process, either as the reason for scientific inquiry or as part of the research process itself. Finally, adversarial debates, whether written or oral, become the preferred method of ascertaining truth: The arguments that can withstand the greatest assault and survive intact become the strongest truths. Such criteria ask African-American women to objectify ourselves, devalue our emotional life, displace our motivations for furthering knowledge about Black women, and confront in an adversarial relationship those with more social, economic, and professional power.
Patricia Hall Collins
Greece’s children, stars scattered over distant shores, connected by the one heartbeat, they dream the same dream. Distanced and sometimes displaced, yet strong enough to hold up the sky.
Olympia Panagiotopoulos (Beneath the Fig Leaves)
During the last 3,000 years, long-distance trading cultures have steadily conquered, displaced, absorbed, or erased indigenous clans less enthusiastic about peddling wares across wide stretches of both sea and land.
Howard Bloom (Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century)
Even while I dreamed I prayed that what I saw was only fear and no foretelling, for I saw the last known landscape destroyed for the sake of the objective, the soil bludgeoned, the rock blasted. Those who had wanted to go home would never get there now. I visited the offices where for the sake of the objective the planners planned at blank desks set in rows. I visited the loud factories where the machines were made that would drive ever forward toward the objective. I saw the forest reduced to stumps and gullies; I saw the poisoned river, the mountain cast into the valley; I came to the city that nobody recognized because it looked like every other city. I saw the passages worn by the unnumbered footfalls of those whose eyes were fixed upon the objective. Their passing had obliterated the graves and the monuments of those who had died in pursuit of the objective and who had long ago forever been forgotten, according to the inevitable rule that those who have forgotten forget that they have forgotten. Men, women, and children now pursued the objective as if nobody ever had pursued it before. The races and the sexes now intermingled perfectly in pursuit of the objective. the once-enslaved, the once-oppressed were now free to sell themselves to the highest bidder and to enter the best paying prisons in pursuit of the objective, which was the destruction of all enemies, which was the destruction of all obstacles, which was the destruction of all objects, which was to clear the way to victory, which was to clear the way to promotion, to salvation, to progress, to the completed sale, to the signature on the contract, which was to clear the way to self-realization, to self-creation, from which nobody who ever wanted to go home would ever get there now, for every remembered place had been displaced; the signposts had been bent to the ground and covered over. Every place had been displaced, every love unloved, every vow unsworn, every word unmeant to make way for the passage of the crowd of the individuated, the autonomous, the self-actuated, the homeless with their many eyes opened toward the objective which they did not yet perceive in the far distance, having never known where they were going, having never known where they came from.
Wendell Berry (A Timbered Choir: The Sabbath Poems 1979-1997)
come alive and to speak, had to be chosen by the reader, who would vary the sounded breath according to the written context. By this innovation, the aleph-beth was able to greatly reduce the necessary number of characters for a written script to just twenty-two—a simple set of signs that could be readily practiced and learned in a brief period by anyone who had the chance, even by a young child. The utter simplicity of this technical innovation was such that the early Semitic aleph-beth, in which were written down the various stories and histories that were later gathered into the Hebrew Bible, was adopted not only by the Hebrews but by the Phonecians (who presumably carried the new technology across the Mediterranean to Greece), the Aramaeans, the Greeks, the Romans, and indeed eventually gave rise (directly or indirectly) to virtually every alphabet known, including that which I am currently using to scribe these words. With the advent of the aleph-beth, a new distance opens between human culture and the rest of nature. To be sure, pictographic and ideographic writing already involved a displacement of our sensory participation from the depths of the animate environment to the flat surface of our walls, of clay tablets, of the sheet of papyrus. However, as we noted above, the written images themselves often related us back to the other animals and the environing earth. The pictographic glyph or character still referred, implicitly, to the animate phenomenon of which it was the static image; it was that worldly phenomenon, in turn, that provoked from us the sound of its name. The sensible phenomenon and its spoken name were, in a sense, still participant with one another—the name a sort of emanation of the sensible entity. With the phonetic aleph-beth, however, the written character no longer refers us to any sensible phenomenon out in the world, or even to the name of such a phenomenon (as with the rebus), but solely to a gesture to be made by the human mouth. There is a concerted shift of attention away from any outward or worldly reference of the pictorial image, away from the
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
Children displaced from their families, unconnected to their teachers, and not yet mature enough to relate to one another as separate beings, automatically regroup to satisfy their instinctive drive for attachment. The culture of the group is either invented or borrowed from the peer culture at large. It does not take children very long to know what tribe they belong to, what the rules are, whom they can talk to, and whom they must keep at a distance. Despite our attempts to teach our children respect for individual differences and to instill in them a sense of belonging to a cohesive civilization, we are fragmenting at an alarming rate into tribal chaos. Our very own children are leading the way. The time we as parents and educators spend trying to teach our children social tolerance, acceptance, and etiquette would be much better invested in cultivating a connection with them. Children nurtured in traditional hierarchies of attachment are not nearly as susceptible to the spontaneous forces of tribalization. The social values we wish to inculcate can be transmitted only across existing lines of attachment. The culture created by peer orientation does not mix well with other cultures. Because peer orientation exists unto itself, so does the culture it creates. It operates much more like a cult than a culture. Immature beings who embrace the culture generated by peer orientation become cut off from people of other cultures. Peer-oriented youth actually glory in excluding traditional values and historical connections. People from differing cultures that have been transmitted vertically retain the capacity to relate to one another respectfully, even if in practice that capacity is often overwhelmed by the historical or political conflicts in which human beings become caught up. Beneath the particular cultural expressions they can mutually recognize the universality of human values and cherish the richness of diversity. Peer-oriented kids are, however, inclined to hang out with one another exclusively. They set themselves apart from those not like them. As our peer-oriented children reach adolescence, many parents find themselves feeling as if their very own children are barely recognizable with their tribal music, clothing, language, rituals, and body decorations. “Tattooing and piercing, once shocking, are now merely generational signposts in a culture that constantly redraws the line between acceptable and disallowed behavior,” a Canadian journalist pointed out in 2003. Many of our children are growing up bereft of the universal culture that produced the timeless creations of humankind: The Bhagavad Gita; the writings of Rumi and Dante, Shakespeare and Cervantes and Faulkner, or of the best and most innovative of living authors; the music of Beethoven and Mahler; or even the great translations of the Bible. They know only what is current and popular, appreciate only what they can share with their peers. True universality in the positive sense of mutual respect, curiosity, and shared human values does not require a globalized culture created by peer-orientation. It requires psychological maturity — a maturity that cannot result from didactic education, only from healthy development. Only adults can help children grow up in this way. And only in healthy relationships with adult mentors — parents, teachers, elders, artistic, musical and intellectual creators — can children receive their birthright, the universal and age-honored cultural legacy of humankind. Only in such relationships can they fully develop their own capacities for free and individual and fresh cultural expression.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
A persisting latent structure of hostile beliefs towards Jews as a collectivity manifested in individuals as attitudes, and in culture as myth, ideology, folklore, and imagery, and in actions—social or legal discrimination, political mobilization against Jews, and collective or state violence—which results in and/or is designed to distance, displace, or destroy Jews as Jews.
Deborah E. Lipstadt (Antisemitism: Here and Now)
As with modern totalitarian regimes, people developed techniques for speaking in code, addressing at one or more removes what most mattered to them. But it was not only caution that motivated Shakespeare's penchant for displacement. He seems to have grasped that he thought more clearly about the issues that preoccupied his world when he confronted them not directly but from an oblique angle. His plays suggest that he could best acknowledge the truth- to possess it fully and not perish of it- through the artifice of fiction or through historical distance.
Stephen Greenblatt (Tyrant: Shakespeare on Politics)