Display Inspirational Quotes

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Heaven wheels above you, displaying to you her eternal glories, and still your eyes are on the ground
Dante Alighieri
Jesus said several times, “Come, follow me.” His was a program of “do what I do,” rather than “do what I say.” His innate brilliance would have permitted him to put on a dazzling display, but that would have left his followers far behind. He walked and worked with those he was to serve. His was not a long-distance leadership. He was not afraid of close friendships; he was not afraid that proximity to him would disappoint his followers. The leaven of true leadership cannot lift others unless we are with and serve those to be led.
Spencer W. Kimball
Some we proudly display on our arms, while others we shyly conceal. Tattoo the moments of sorrow as well as the moments of splendor and beauty. Tattoo in an acknowledgment and tribute to home, and tattooing your beliefs that define who you are. Whether we intended to or not, every moment of our lives are tattooed to our heart.
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
I’m tired of ignorance held up as inspiration, where vicious anti-intellectualism is considered a positive trait, and where uninformed opinion is displayed as fact.
Philip Plait
By the sun and its brightness And [by] the moon when it follows it And [by] the day when it displays it And [by] the night when it covers it And [by] the sky and He who constructed it And [by] the earth and He who spread it And [by] the soul and He who proportioned it And inspired it [with discernment of] its wickedness and its righteousness, He has succeeded who purifies it, And he has failed who instills it [with corruption].
Anonymous (القرآن الكريم)
Often people display a curious respect for a man drunk, rather like the respect of simple races for the insane. Respect rather than fear. There is something awe-inspiring in one who has lost all inhibitions, who will do anything. Of course we make him pay afterward for his moment of superiority, his moment of impressiveness.
F. Scott Fitzgerald (Tender Is the Night)
There is psychological pleasure in this takeoff, too, for the swiftness of the plane’s ascent is an exemplary symbol of transformation. The display of power can inspire us to imagine analogous, decisive shifts in our own lives, to imagine that we, too, might one day surge above much that now looms over us.” P. 38-39
Alain de Botton (The Art of Travel)
Don't swallow: your bulging, blushing cheeks display the saliva you want to share.
Bauvard (Some Inspiration for the Overenthusiastic)
No matter how much you know, your destiny depends on the Wisdom, Knowledge and Understanding you display.
James C. Uwandu (Almost the Whole Thing)
Life is a misery, death an uncertainty. Suppose it steals suddenly upon me, in what state shall I leave this world? When can I learn what I have here neglected to learn? Or is it true that death will cut off and put an end to all care and all feeling? This is something to be inquired into. But no, this cannot be true. It is not for nothing, it is not meaningless that all over the world is displayed the high and towering authority of the Christian faith. Such great and wonderful things would never have been done for us by God, if the life of the soul were to end with the death of the body. Why then do I delay? Why do I not abandon my hopes of this world and devote myself entirely to the search for God and for the happy life?
Augustine of Hippo (Confessions)
Courage can be displayed in many forms, my lord,' I said gently. 'Sometimes it's evident in the knight charging forward with the lance on his steed. But perhaps it can also take the form of a head bowed before the enemy.
Jody Hedlund (An Uncertain Choice (An Uncertain Choice, #1))
Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd.
Hermann Hesse (The Glass Bead Game)
Always make those above you feel comfortably superior. In your desire to please or impress them, do not go too far in displaying your talents or you might accomplish the opposite – inspire fear and insecurity. Make your masters appear more brilliant than they are and you will attain the heights of power.
Robert Greene (The 48 Laws of Power)
Which do I care more about - demanding my rights or displaying right choices?
Lysa TerKeurst (Unglued Devotional: 60 Days of Imperfect Progress)
What is it about Islam, I thought, that can make a woman so strong that she no longer strives to be noticed by men, no longer needs the admiring gaze to feel attractive, no longer puts herself on display when the rest of the world is doing just that?
Na'ima B. Robert (From My Sisters' Lips)
I am constantly surrounded by a display of natural wonders...It is beauty surrounded by ugly fear. I write in my log that it's a view of heaven from a seat in hell. (survivor after 53 days at sea)
Laurence Gonzales (Deep Survival: Who Lives, Who Dies, and Why)
Beauty is the only human aspect which cannot be captured on any canvas howsoever hard an artist tries. At the most, the undaunted artist can replicate the beauty on paper but what is a replica in comparison to the original! The humbling resemblance can only be respected, not truly adored. Beauty cannot be imprisoned in the lens of a camera. The images of beauty are a moment of its essence. Beauty cannot be displayed to evoke pleasure for all on a cinema screen. Those are just its imprints, mere illusions of its existence. Beauty cannot be described by words; it cannot be written or read about. There are no suitable words in all the languages of the world, ancient or modern to hold it between a paper and a pen or a script and an eye. Beauty can only be experienced from far, its delightful aroma can only be tasted through one’s eyes and its pleasurable sight can only be felt from the soul. Beauty can only be best described at its origin through a befuddling silence, the kind that leaves one almost on the verge of a pleasurable death, just because one chooses beauty over life. There is nothing in this world to hold something so pure, so divine except a loving heart. And it is the only manner through which love recognises love; the language of love has no alphabet, no words.
Faraaz Kazi
The Master, by residing in the Tao, sets an example for all beings. Because he doesn't display himself, people can see his light. Because he has nothing to prove, people can trust his words. Because he doesn't know who he is, people recognize themselves in him. Because he has no goal in mind, everything he does succeeds.
Lao Tzu
That,” Cobb said, “was somehow the most embarrassing and inspiring display I’ve ever seen out of cadets! You should be ashamed. And proud.
Brandon Sanderson (Skyward (Skyward, #1))
You must remember that you were made so that the world might be graced with a brilliance that only YOU can display.
Stalina Goodwin (Dear Beautiful: 31 Days of Affirmations for Women)
The Master, by residing in the Tao, sets an example for all beings. Because he doesn't display himself, people can see his light. Because he has nothing to prove, people can trust his words. Because he doesn't know who he is, people recognize themselves in him. Because he has no goal in mind, everything he does succeeds.
Lao Tzu
Thomas Paine was so inspired by the heroism displayed at Fort Mifflin that he published an open letter to William Howe: 'You are fighting for what you can never obtain and we are defending what we never mean to part with.
Nathaniel Philbrick (Valiant Ambition: George Washington, Benedict Arnold, and the Fate of the American Revolution (The American Revolution Series))
We renew our hearts and minds by exhibiting veneration for all living creatures and by unveiling a spirit of reverence and awe. Witnessing the magnificence of nature and displaying empathy for humankind is what inspires all artists.
Kilroy J. Oldster (Dead Toad Scrolls)
What it is about Islam, I thought, that can make a woman so strong that she no longer strives to be noticed by men, no longer needs the admiring gaze to feel attractive, no longer puts herself on display when the rest of the world is doing just that?
Na'ima B. Robert (From My Sisters' Lips)
Synchronicity is only one illustration of eventuality convergence as a visual display for the inner workings of the cosmos as an ordered, harmonious whole.
ELLE NICOLAI
Displays of weapons will not be able to bring peace, only displays of love and understanding can do that.
Debasish Mridha
could you have so little strength that you take pride in displaying your sorrow
Alexandre Dumas (The Count of Monte Cristo)
When it comes to opinions, it is God's that counts most. May you learn to walk in His opinion of you, and display the good things He has placed inside of you for all to see.
Don Mance (Marching Orders)
A young lady is supposed to be classy, kind, generous, and respectful. She is told she should not display any anger and/or badmouth her peers. A young lady is told to think ‘inside the box’ and to limit her expectations because her husband will provide for her in the future. A young lady is taught to never fuss or complain and to always keep a smile on her face. When a young lady speaks her mind, she is told that she is not acting “ladylike”. When a young lady steps out of her comfort zone to challenge herself to fight for what she wants, she is told she is not acting “ladylike”. When a young lady plays a sport, and at times she may be aggressive, she is told that she is not acting “ladylike” When a young lady is bossy, she is told to humble herself, because that is not acting “ladylike”. Maybe she isn’t bossy, maybe she is confident within herself, has high self-esteem and knows she can dare to be different.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
Certain kinds of people, and a fortiori certain kinds of writers, have always experienced the world around them in the Gothic manner, I’m almost positive. Perhaps there was even some little stump of an apeman who witnessed prehistoric lightning as it parried with prehistoric blackness in a night without rain, and felt his soul rise and fall at the same time to behold this sublime and terrifying conflict. Perhaps such displays provided inspiration for those very first imaginings that were not born of our daily life of crude survival, who knows? Could this be why all our primal mythologies are Gothic—that is, fearsome, fantastical, and inhuman?
Thomas Ligotti (Songs of a Dead Dreamer)
Cleverness in itself is useless. It’s like a peacock’s feathers – an extravagant display used by those who crave attention. The mind’s worth is revealed when clever solves real problems.
Sola Kosoko
FLIES IN DISGUISE Tell me, Have you Really seen Flies in a child's eyes Or heard their hungry cries In the middle Of the night? Don't lie. You can protest all you want About peace And genocide, But unless you are willing To take beatings for your fights, Your display of trendy showmanship Simply ain't right. Go on, Carry your useless signs About an issue the world Already abhors, But it's TRUE Heartfelt actions That will prevent Suits and Senators From creating Any more wars.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Small kindnesses, small courtesies, small considerations, habitually practised in our social intercourse, give a greater charm to the character than the display of great talents and accomplishments.
M.A.Kelty
A fork in the developmental path leads a child either to imitate adults in order to become more assertive and powerful themselves, or consciously to display weakness so as to get adult help and attention.
Tom Butler-Bowdon (50 Psychology Classics: Who We Are, How We Think, What We Do: Insight and Inspiration from 50 Key Books (50 Classics))
The short space of threescore years can never content the imagination of man; nor can the imperfect joys of this world satisfy his heart. Man alone, of all created beings, displays a natural contempt of existence, and yet a boundless desire to exist; he scorns life, but he dreads annihilation. These different feelings incessantly urged his soul to the contemplation of a future state, and religion directs his musings thither. Religion, then, is simply another form of hope; and it is no less natural to the human heart than hope itself.
Alexis de Tocqueville (Democracy in America)
Now the journey is ending, the wind is losing heart. Into your hands it's falling, a rickety house of cards. The cards are backed with pictures displaying all the world. You've stacked up all the images and shuffled them with words. And how profound the playing that once again begins! Stay, the card you're drawing is the only world you'll win.
Ingeborg Bachmann
If you have a bright idea with such significance, don't pause but push, play and display that concept, it will be recognized or be seen somehow and it will not be forsaken. ( Taken from my forthcoming book " Ency Bearis' Ameliorated Poems" )
Ency Bearis
Women are more powerful than most of us give ourselves credit for. When we actually decide to stop the jealousy and the finger pointing, and band together to laugh with one another and understand one another, it's like a beautiful firework display on the Fourth of July in Vegas, baby!
Helen Edwards (Nothing Sexier Than Freedom)
Often people display a curious respect for a man drunk, rather like the respect of simple races for the insane. Respect rather than fear. There is something awe-inspiring in one who has lost all inhibitions, who will do anything. Of course we make him pay afterward for his moment of superiority,
F. Scott Fitzgerald (Tender is the Night)
The black mother perceives destruction at every door, ruination at each window, and even she herself is not beyond her own suspicion. She questions whether she loves her children enough- or more terribly, does she love them too much? Do her looks cause embarrassment- or even terrifying, is she so attractive her sons begin to desire her and her daughters begin to hate her. If she is unmarried, the challenges are increased. Her singleness indicates she has rejected or has been rejected by her mate. Yet she is raising children who will become mates. Beyond her door, all authority is in the hands of people who do not look or think or act like her children. Teachers, doctors, sales, clerks, policemen, welfare workers who are white and exert control over her family’s moods, conditions and personality, yet within the home, she must display a right to rule which at any moment, by a knock at the door, or a ring in the telephone, can be exposed as false. In the face of this contradictions she must provide a blanket of stability, which warms but does not suffocate, and she must tell her children the truth about the power of white power without suggesting that it cannot be challenged.
Maya Angelou (The Heart of a Woman)
The Master, by residing in the Tao, sets an example for all beings. Because he doesn't display himself, people can see his light. Because he has nothing to prove, people can trust his words. Because he doesn't know who he is, people recognize themselves in him. Because he has no goal in mind, everything he does succeeds.
Lao Tzu
The best Digital Personal Brand is made by the stories you share, not the items that you display.
Dario Sipos (Digital Personal Branding: The Essential Guide to Online Personal Branding in the Digital Age)
Christ did not die merely to display God's love -- He died because God is love. (I John 4:8)
Kenneth W. Osbeck (Amazing Grace: 366 Inspiring Hymn Stories for Daily Devotions)
To inspire is to lead through a selfless compassionate character, which displays moral integrity as a path for all…
Husam Wafaei (Honourable Defection)
The sweat of hard work is not to be displayed. It is much more graceful to appear favored by the gods.
Maxine Hong Kingston
How did you act when all was not good? Did you rise to the challenge? Did you display grit, resilience, and integrity in your response? Character isn't about being perfect or always doing the right thing. Character is how you respond to your own failures. It’s when you screw up and life hits you in the mouth that you have an opportunity to reveal your inner strength.
Bill Courtney (Against the Grain: A Coach's Wisdom on Character, Faith, Family, and Love)
A person is not religious solely when he worships a divinity, but when he puts all the resources of his mind, the complete submission of his will, and the whole-souled ardour of fanaticism at the service of a cause or an individual who becomes the goal and guide of his thoughts and actions. Intolerance and fanaticism are the necessary accompaniments of the religious sentiment. They are inevitably displayed by those who believe themselves in the possession of the secret of earthly or eternal happiness. These two characteristics are to be found in all men grouped together when they are inspired by a conviction of any kind. The Jacobins of the Reign of Terror were at bottom as religious as the Catholics of the Inquisition, and their cruel ardour proceeded from the same source.
Gustave Le Bon (The Crowd)
To this day, I remain awestruck by the fact that human beings are capable of this type of metamorphosis. We don’t have to stay stuck displaying the same personality traits over the course of our lifetime but are free to transform into higher expressions of ourselves. Today I can honestly say that I know beyond the shadow of a doubt that human beings are capable of making radical and lasting change. After a decade of coaching individuals and leading groups, I have discovered that if I don’t buy into people’s perceptions of who they are and what they are capable of, I can bypass their public personas and see who they are in their highest expression. With a little effort, I can see their magnificence and their potential no matter what they look like or what condition their emotional, spiritual, or financial world is in. I can see through their acts, their personas, their fears and insecurities. I can see who they are apart from the baggage they carry around. The undeniable fact is that underneath all of our public personas, we already are that which we desire to be. Our only job is to see past our own limitations so that we can return to that which we already are.
Debbie Ford (The Best Year of Your Life: Dream It, Plan It, Live It)
I'm a consoomer. Instead of wall-to-wall Funko Pops, I collect ducks, and I store them all in a pen at night where they can be on display to inspire jealous desire in foxes, coyotes, and Miss Marple.
Jarod Kintz (A Memoir of Memories and Memes)
Feeders (A Narc in Love): They'll feed off your energy, Soak up your adoration, Seem perfect in your eyes, As the love-bombing ignites the manipulation They will never truly love you, They do not love themselves, But they'll break you down from the inside-out And demolish your sense of self And then when they see they cannot control you, They'll shout, and shut the door, As you elevate from the ashes, Gone, is the backing down you had displayed before Then, they'll drop you, And from a shaky, fantastical ivory tower you'll fall, Because they've realised, They cannot keep you on their puppet-strings anymore
Christine Evangelou (The Stars In Our Scars: A Collection of Unique, Healing and Inspirational Poetry)
I signed off with Ricky, and I was putting away my phone when TC slunk past, heading for his spot in the front window. "Hey, cat," I said. "We're bringing home a friend for you. A doggie big enough to devour you in a single gulp. Is that okay?" He turned a baleful stare on me, as if he understood. I'm convinced TC isn't just a cat, no more than Lloergan is just a dog. Maybe someday, when I'm moments from perishing at the hands of an intruder, TC will save me in a sudden and awe-inspiring display of supernatural power. Or maybe he'll decide I haven't given him enough tuna that week and leave me to my fate. He's a cat, so I figure my chances are about fifty-fifty.
Kelley Armstrong (Rituals (Cainsville, #5))
There are two things a leader can do: he can either contaminate his environment (and his people) with his attitude and actions, or he can inspire confidence. A leader must be visible to the people he leads. He must be self-confident and always maintain a positive attitude. If a leader thinks he might lose in whatever crisis or situation; then he has already lost. He must exhibit a determination to prevail no matter what the odds or how difficult the situation. He must have and display the will to prevail by his actions, his words, his tone of voice, his appearance, his demeanor, his countenance, and the look in his eyes. He must never give off any hint or evidence that he is uncertain about a positive outcome.
Harold G. Moore (Hal Moore on Leadership: Winning When Outgunned and Outmanned)
As Dylan’s reputation grew over the next couple of years, those traits went hand in hand. Shelton had previously called him “one of the most compelling white blues singers ever recorded,” but now wrote, “His voice is small and homely, rough but ready to serve the purpose of displaying his songs.
Elijah Wald (Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night that Split the Sixties)
The term '20/20 vision' implies good if not perfect sight. May the advent of 2020 - a new year, a new decade - see a lifting of the fog which has recently blurred the edges of what can be described as 'acceptable political discourse', and in the process refocus voter attention on the clear need to demand from elected representatives, a display of basic decency and decorum in public life - both of which have been seriously lacking in the behaviour of some high profile politicians on both sides of the pond, on an eye-watering number of occasions. That indeed would be a sight for sore eyes.
Alex Morritt (Impromptu Scribe)
that girl was not treated well, and when anyone is hurt like that - especially a child - the hurt burrows down inside and makes a kind of museum there, with images of the bad times displayed on every wall. Some people try to forget the museum exits and keep their mind occupied with drink or drugs or food, or by staying busy with work or they chase one kind of excitement after another, while memories fester there in the dark.
Roland Merullo (The Talk-Funny Girl)
No doubt you will be delighted to hear from an adept who has undertaken the operation of his H.G.A. in accord with our traditions. The operation began auspiciously with a chromatic display of psychosomatic symptoms, and progressed rapidly to acute psychosis. The operator has alternated satisfactorily between manic hysteria and depressing melancholy stupor on approximately 40 cycles, and satisfactory progress has been maintained in social ostracism, economic collapses and mental disassociation. These statements are mentioned not in any vainglorious spirit of conceit, but rather that they may serve as comfort and inspiration to other aspirants on the Path. Now I'm off to the wilds of Mexico for a period, also in pursuit of the elusive H.G.A. before winding up in the guard finally via the booby hotels, the graveyard, or—? If the final, you can tell all the little Practicuses that I wouldn't have missed it for anything. —No one. Once called 210
Jack Whiteside Parsons (Sex and Rockets: The Occult World of Jack Parsons)
Those who sat with him saw his eyes go moist when they spoke about something horrible, or crinkle in delight when they told him a really bad joke. He was always ready to openly display the emotion so often missing from my baby boomer generation. We are great at small talk: 'What do you do?' 'Where do you live?' But really listening to someone -- without trying to sell them something, pick them up, recruit them, or get some kind of status in return -- how often do we get this anymore?
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
The agency even had its own mascot—the Blue Eagle. Paying a disturbing, un-American kind of homage to this new, powerful, government agency, shopkeepers displayed the Blue Eagle in their store windows to advertise their compliance with the regulatory rules, and chorus girls wore emblems of the bird on their costumes.11 Consumers, meanwhile, were encouraged to shop only where the Blue Eagle was proudly displayed. In fact, the mascot inspired the name of the NFL franchise created in Philadelphia in 1933, the Philadelphia Eagles.
Mike Lee (Our Lost Constitution: The Willful Subversion of America's Founding Document)
If the Pentateuch be true, religious persecution is a duty. The dungeons of the Inquisition were temples, and the clank of every chain upon the limbs of heresy was music in the ear of God. If the Pentateuch was inspired, every heretic should be destroyed; and every man who advocates a fact inconsistent with the sacred book, should be consumed by sword and flame. In the Old Testament no one is told to reason with a heretic, and not one word is said about relying upon argument, upon education, nor upon intellectual development—nothing except simple brute force. Is there to-day a christian who will say that four thousand years ago, it was the duty of a husband to kill his wife if she differed with him upon the subject of religion? Is there one who will now say that, under such circumstances, the wife ought to have been killed? Why should God be so jealous of the wooden idols of the heathen? Could he not compete with Baal? Was he envious of the success of the Egyptian magicians? Was it not possible for him to make such a convincing display of his power as to silence forever the voice of unbelief? Did this God have to resort to force to make converts? Was he so ignorant of the structure of the human mind as to believe all honest doubt a crime? If he wished to do away with the idolatry of the Canaanites, why did he not appear to them? Why did he not give them the tables of the law? Why did he only make known his will to a few wandering savages in the desert of Sinai? Will some theologian have the kindness to answer these questions? Will some minister, who now believes in religious liberty, and eloquently denounces the intolerance of Catholicism, explain these things; will he tell us why he worships an intolerant God? Is a god who will burn a soul forever in another world, better than a christian who burns the body for a few hours in this? Is there no intellectual liberty in heaven? Do the angels all discuss questions on the same side? Are all the investigators in perdition? Will the penitent thief, winged and crowned, laugh at the honest folks in hell? Will the agony of the damned increase or decrease the happiness of God? Will there be, in the universe, an eternal auto da fe?
Robert G. Ingersoll (Some Mistakes of Moses)
That sacred army, that Christ espoused with his blood, displayed itself in the form of a white rose, but the Angel other, that sees and sings the glory, of him who inspires it with love, as it flies, and sings the excellence that has made it as it is, descended continually into the great flower, lovely with so many petals, and climbed again to where its love lives ever, like a swarm of bees, that now plunges into the flowers, and now returns, to where their labour is turned to sweetness. Their faces were all of living flame, their wings of gold, and the rest of them so white that snow never reached that limit. When they dropped into the flower, they offered, to tier on tier, the peace and ardour that they acquired with beating wings: and the presence of such a vast flying swarm between the flower and what was beyond it, did not dilute the vision or the splendour: because the Divine Light so penetrates the Universe, to the measure of its Value, that nothing has the power to prevent it. This kingdom, safe and happy, crowded with ancient peoples and the new, had sight and Love all turned towards one point.
Dante Alighieri
Of the natural conditions of man is his search after an Exalted Being towards Whom he has an inherent attraction. This is manifested by an infant from the moment of its birth. As soon as it is born, it displays a spiritual characteristic that it inclines towards its mother and is inspired by love of her. As its faculties are developed and its nature begins to display itself openly, this inherent quality is displayed more and more strongly. It finds no comfort anywhere except in the lap of its mother. If it is separated from her and finds itself at a distance from her, its life becomes bitter. Heaps of bounties fail to beguile it away from its mother in whom all its joy is concentrated. It feels no joy apart from her. What, then, is the nature of the attraction which an infant feels so strongly towards its mother? It is the attraction which the True Creator has implanted in the nature of man. The same attraction comes into play whenever a person feels love for another. It is a reflection of the attraction that is inherent in man's nature towards God, as if he is in search of something that he misses, the name of which he has forgotten and which he seeks to find in one thing or another which he takes up from time to time. A person's love of wealth or offspring or wife or his soul being attracted towards a musical voice are all indications of his search for the True Beloved.
Mirza Ghulam Ahmad (The Philosophy of the Teachings of Islam)
Butterflies by Maisie Aletha Smikle Colorfully colored butterflies Black yellow orange and green With their beautiful specks Align the garden decks Butterfly butterfly… Lovely flies that ain't got butter Their beauty makes one stutter And their heart go pitter patter And will soon melt like butter They won’t eat from a platter And one can only mutter Butterfly butterfly .... Radiant as the sunshine Beautiful as the colors of the rainbow Harmless as a deer Adorn for all to see First it was a caterpillar Crawling on its tiny legs It's entire body stretches out on a leaf In the twinkling of an eye The caterpillar transforms And are given wings to fly And fly it must…. It was not created to crawl Miraculous indeed Is the life of a butterfly Displayed for all to see Hope in the life of a radiant butterfly
Maisie Aletha Smikle
The religious utopian hides his pride behind the mask of humility; he recognizes God alone; he does not recognize ministers or sacraments since he puts himself in place of both. He ministers his own religious needs and he consecrates his inner self as a place of worship more worthy of receiving God than the churches. He substitutes his own sentiments and emotions for doctrine, because doctrines are man-made speculations unable to comprehend God's essence. He considers the sacramental, ceremonial and generally institutional aspects of religion as rigid and expendable molds which are adequate for the unthinking who need strong sensations and impressions to sustain their faith. He, on the other hand, puts his trust in his own individual inspiration, strengthens his faith through direct and permanent contact with the divine and so rises as a pure spirit to the level of a "truer" religion. The secular utopian also displays excessive pride. He believes that societies of the past were based on error since they yielded to the political principle of organization and hierarchy. The goal of the utopian is to create a society in its pristine purity, as it were, unsullied by laws and magistrates, functioning through its members' natural good will and cooperativeness. Laws, institutions, symbols, flags, armies, disciplines, patriotic encouragement and the like will all be abolished because, for pure social beings, their inner motivation of social living - togetherness - is quite sufficient and because they would serve to anchor the citizens, bodily and emotionally, in the soil and reality of the State just as pomp and ceremony, rules and institutions anchor the faithful in religion.
Thomas Steven Molnar (Utopia, The Perennial Heresy)
Canadian official multiculturalism has developed through the 1970s and '80s, and has become in the '90s a major part of Canadian political discourse in Canada rather than in the United States, which is also a multi-ethnic country, may be due to the lack of an assimilationist discourse so pervasive in the U.S. The melting pot thesis has not been popular in Canada, where the notion of a social and cultural mosaic has had a greater influence among liberal critics. This mosaic approach has not been compensated with an integrative politics of antiracism or of class struggle which is sensitive to the racialization involved in Canadian class formation. The organized labour movement in Canada has repeatedly displayed anti-immigrant sentiments. For any inspiration for an antiracist theorization and practice of class struggle Canadians have looked to the United States or the Caribbean.
Himani Bannerji (Dark Side of the Nation: Essays on Multiculturalism, Nationalism and Gender)
At night, fishermen are paid for their hard work with one of the Pacific’s greatest views—the gates to the heavens above. Hawaii’s remoteness to the rest of the world leaves the skies unpolluted by man’s industrial byproducts and artificial light known on the mainland. A man can actually look back in time when he gets far enough away from the shores of Hawaii and leaves modern society behind. He will find a sky above him before the hustle and bustle of mankind, a place where a stunning display of rhythmically twinkling stars are the norm and planets lay boldly pronounced. Shooting stars are commonplace and so is the humbling feeling a man gets when looking at this masterpiece before him. The boat churns up neon-green phosphoresce that glows in the water below like fireflies. When the ocean is calm enough and the moon dark enough, it is completely impossible to tell where the earth ends and where the heavens begin.
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
The problem, Augustine came to believe, is that if you think you can organize your own salvation you are magnifying the very sin that keeps you from it. To believe that you can be captain of your own life is to suffer the sin of pride. What is pride? These days the word “pride” has positive connotations. It means feeling good about yourself and the things associated with you. When we use it negatively, we think of the arrogant person, someone who is puffed up and egotistical, boasting and strutting about. But that is not really the core of pride. That is just one way the disease of pride presents itself. By another definition, pride is building your happiness around your accomplishments, using your work as the measure of your worth. It is believing that you can arrive at fulfillment on your own, driven by your own individual efforts. Pride can come in bloated form. This is the puffed-up Donald Trump style of pride. This person wants people to see visible proof of his superiority. He wants to be on the VIP list. In conversation, he boasts, he brags. He needs to see his superiority reflected in other people’s eyes. He believes that this feeling of superiority will eventually bring him peace. That version is familiar. But there are other proud people who have low self-esteem. They feel they haven’t lived up to their potential. They feel unworthy. They want to hide and disappear, to fade into the background and nurse their own hurts. We don’t associate them with pride, but they are still, at root, suffering from the same disease. They are still yoking happiness to accomplishment; it’s just that they are giving themselves a D– rather than an A+. They tend to be just as solipsistic, and in their own way as self-centered, only in a self-pitying and isolating way rather than in an assertive and bragging way. One key paradox of pride is that it often combines extreme self-confidence with extreme anxiety. The proud person often appears self-sufficient and egotistical but is really touchy and unstable. The proud person tries to establish self-worth by winning a great reputation, but of course this makes him utterly dependent on the gossipy and unstable crowd for his own identity. The proud person is competitive. But there are always other people who might do better. The most ruthlessly competitive person in the contest sets the standard that all else must meet or get left behind. Everybody else has to be just as monomaniacally driven to success. One can never be secure. As Dante put it, the “ardor to outshine / Burned in my bosom with a kind of rage.” Hungry for exaltation, the proud person has a tendency to make himself ridiculous. Proud people have an amazing tendency to turn themselves into buffoons, with a comb-over that fools nobody, with golden bathroom fixtures that impress nobody, with name-dropping stories that inspire nobody. Every proud man, Augustine writes, “heeds himself, and he who pleases himself seems great to himself. But he who pleases himself pleases a fool, for he himself is a fool when he is pleasing himself.”16 Pride, the minister and writer Tim Keller has observed, is unstable because other people are absentmindedly or intentionally treating the proud man’s ego with less reverence than he thinks it deserves. He continually finds that his feelings are hurt. He is perpetually putting up a front. The self-cultivator spends more energy trying to display the fact that he is happy—posting highlight reel Facebook photos and all the rest—than he does actually being happy. Augustine suddenly came to realize that the solution to his problem would come only after a transformation more fundamental than any he had previously entertained, a renunciation of the very idea that he could be the source of his own solution.
David Brooks (The Road to Character)
I readily admit that I am not a minimalist. I find solace in the fact that the traditional Japanese minimal aesthetic was made possible by the equally traditional kura (storehouse) where the items not in use or on display in the home would be kept. I like being surrounded by things that inspire me and allow me to start new projects instantly. I know it’s wrong, but I do judge people. An obsession with minimalism has always smacked to me of a romanticism of poverty (and potentially an outdated one at that) from a wealthy perspective. I think of Marie Antoinette having a little farm built on the castle grounds so that she could play at being a peasant shepherdess. Considered minimalism in this day and age is generally a pastime for those with the affluence to buy (or rebuy) what they need, when they need it. The considered minimalist needn’t be as resourceful about keeping things around “just in case,” because, at any moment, he or she can replenish the shelves with abundance.
Clara Parkes (A Stash of One's Own: Knitters on Loving, Living with, and Letting go of Yarn)
Qualities such as honesty, determination, and a cheerful acceptance of stress, which can all be identified through probing questionnaires and interviews, may be more important to the company in the long run than one's college grade-point average or years of "related experience." Every business is only as good as the people it brings into the organization. The corporate trainer should feel his job is the most important in the company, because it is. Exalt seniority-publicly, shamelessly, and with enough fanfare to raise goosebumps on the flesh of the most cynical spectator. And, after the ceremony, there should be some sort of permanent display so that employees passing by are continuously reminded of their own achievements and the achievements of others. The manager must freely share his expertise-not only about company procedures and products and services but also with regard to the supervisory skills he has worked so hard to acquire. If his attitude is, "Let them go out and get their own MBAs," the personnel under his authority will never have the full benefit of his experience. Without it, they will perform at a lower standard than is possible, jeopardizing the manager's own success. Should a CEO proclaim that there is no higher calling than being an employee of his organization? Perhaps not-for fear of being misunderstood-but it's certainly all right to think it. In fact, a CEO who does not feel this way should look for another company to manage-one that actually does contribute toward a better life for all. Every corporate leader should communicate to his workforce that its efforts are important and that employees should be very proud of what they do-for the company, for themselves, and, literally, for the world. If any employee is embarrassed to tell his friends what he does for a living, there has been a failure of leadership at his workplace. Loyalty is not demanded; it is created. Why can't a CEO put out his own suggested reading list to reinforce the corporate vision and core values? An attractive display at every employee lounge of books to be freely borrowed, or purchased, will generate interest and participation. Of course, the program has to be purely voluntary, but many employees will wish to be conversant with the material others are talking about. The books will be another point of contact between individuals, who might find themselves conversing on topics other than the weekend football games. By simply distributing the list and displaying the books prominently, the CEO will set into motion a chain of events that can greatly benefit the workplace. For a very cost-effective investment, management will have yet another way to strengthen the corporate message. The very existence of many companies hangs not on the decisions of their visionary CEOs and energetic managers but on the behavior of its receptionists, retail clerks, delivery drivers, and service personnel. The manager must put himself and his people through progressively challenging courage-building experiences. He must make these a mandatory group experience, and he must lead the way. People who have confronted the fear of public speaking, and have learned to master it, find that their new confidence manifests itself in every other facet of the professional and personal lives. Managers who hold weekly meetings in which everyone takes on progressively more difficult speaking or presentation assignments will see personalities revolutionized before their eyes. Command from a forward position, which means from the thick of it. No soldier will ever be inspired to advance into a hail of bullets by orders phoned in on the radio from the safety of a remote command post; he is inspired to follow the officer in front of him. It is much more effective to get your personnel to follow you than to push them forward from behind a desk. The more important the mission, the more important it is to be at the front.
Dan Carrison (Semper Fi: Business Leadership the Marine Corps Way)
Why do people go to church on Sundays? A question that is very complicated because I know what the answer is supposed to be but I do not really know the answer. . I think people go because it is a kind of tradition . I think some goes because someone told them if tgey do not they might go to hell . Maybe some go to look for a wife or husband ☺ . Maybe some go to church to display their latest designer shoes or handbags . Some goes just to please their Pastor . Some people go to church because they love the music or the preaching . Some goes because of some social reasons and friendship . Some have it in their mind that they will experience the presence of God in the church . Some goes to church because of miracle . Some goes to church when they are expecting something maybe child, comfort, marriage, work etc. . Some felt it is an obligation to give God a day out of the seven days he created Let me tell you that church is not there to entertain you, Ephesians 3:20... there are things going on in the church that some people barely know about. Ask yourself today why do I go to church. I am sure a sincere answer will help you.
Patience Johnson (Why Does an Orderly God Allow Disorder)
Kee Li Tong was one of my favorite chocolatiers in New York. Years earlier, I had a fleeting addiction to her otherworldly crème brûlée truffle, a dainty yet dangerous homemade bonbon that you have to pop into your mouth whole, or suffer the consequences of squirting eggy custard all over your blouse. Now, I discovered, she was handcrafting macarons in wild and wonderful flavors like blood orange, sesame, and rose. How did she create her recipes? What inspired her expanded repertoire? And how did hers compare to Paris's best? Emboldened as I was by my new French history lessons, I asked Kee in her Soho boutique: why macarons? "Because they're so pretty!" Kee laughed. "They're so dainty. I think it's the colors." And, standing as we were above the glass display case, I had to agree. Her blueberry macarons were as bright as the September sky. The lotus flower was the kind of soft pink that's the perfect shade of blush. Kee's favorite flavor, passion fruit, was a snappy corn husk yellow. These were surrounded by greens (lulo and jasmine green tea) and purples (lavender, which was dotted with purple sugar crystals) and some neutral shades as well (white truffle oil and mint mocha).
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd. And, to our mind, this was the very reason his friend cherished him.
Hermann Hesse (The Glass Bead Game)
Well before the end of the 20th century however print had lost its former dominance. This resulted in, among other things, a different kind of person getting elected as leader. One who can present himself and his programs in a polished way, as Lee Quan Yu you observed in 2000, adding, “Satellite television has allowed me to follow the American presidential campaign. I am amazed at the way media professionals can give a candidate a new image and transform him, at least superficially, into a different personality. Winning an election becomes, in large measure, a contest in packaging and advertising. Just as the benefits of the printed era were inextricable from its costs, so it is with the visual age. With screens in every home entertainment is omnipresent and boredom a rarity. More substantively, injustice visualized is more visceral than injustice described. Television played a crucial role in the American Civil rights movement, yet the costs of television are substantial, privileging emotional display over self-command, changing the kinds of people and arguments that are taken seriously in public life. The shift from print to visual culture continues with the contemporary entrenchment of the Internet and social media, which bring with them four biases that make it more difficult for leaders to develop their capabilities than in the age of print. These are immediacy, intensity, polarity, and conformity. Although the Internet makes news and data more immediately accessible than ever, this surfeit of information has hardly made us individually more knowledgeable, let alone wiser, as the cost of accessing information becomes negligible, as with the Internet, the incentives to remember it seem to weaken. While forgetting anyone fact may not matter, the systematic failure to internalize information brings about a change in perception, and a weakening of analytical ability. Facts are rarely self-explanatory; their significance and interpretation depend on context and relevance. For information to be transmuted into something approaching wisdom it must be placed within a broader context of history and experience. As a general rule, images speak at a more emotional register of intensity than do words. Television and social media rely on images that inflamed the passions, threatening to overwhelm leadership with the combination of personal and mass emotion. Social media, in particular, have encouraged users to become image conscious spin doctors. All this engenders a more populist politics that celebrates utterances perceived to be authentic over the polished sound bites of the television era, not to mention the more analytical output of print. The architects of the Internet thought of their invention as an ingenious means of connecting the world. In reality, it has also yielded a new way to divide humanity into warring tribes. Polarity and conformity rely upon, and reinforce, each other. One is shunted into a group, and then the group polices once thinking. Small wonder that on many contemporary social media platforms, users are divided into followers and influencers. There are no leaders. What are the consequences for leadership? In our present circumstances, Lee's gloomy assessment of visual media's effects is relevant. From such a process, I doubt if a Churchill or Roosevelt or a de Gaulle can emerge. It is not that changes in communications technology have made inspired leadership and deep thinking about world order impossible, but that in an age dominated by television and the Internet, thoughtful leaders must struggle against the tide.
Henry Kissinger (Leadership : Six Studies in World Strategy)
Reasons to keep books: To read them one day! If you hope to read the book one day, definitely keep it. It’s fine to be aspirational; no one else will keep score on what you have actually read. It’s great to dream and hope that one day you do have the time to read all your books. To tell your story. Some people give away every book they’ve read explaining, “What’s the point in keeping a book after I’ve read it if I’m not going to read it again? It’s someone else’s turn to read my copy now.” If that works for you, then only keep books on your shelves that you haven’t read yet. However you can probably understand that the books that you haven’t yet read only tell the story of your future, they don’t say much about where you’ve been and what made you who you are today. To make people think you’ve read the book! This one may be hard or easy for you to admit, but we don’t think there is any shame in it. Sometimes we hold on to books because they represent our aspirational selves, supporting the perception of how well read or intelligent we are. They are certainly the books our ideal selves would read, but in reality—if we had to admit it—we probably never will. We would argue that you should still have these books around. They are part of your story and who you want to be. To inspire someone else in your household to read those books one day. Perhaps it’s your kids or maybe your guests. Keeping books for the benefit of others is thoughtful and generous. At the very least, anyone who comes into your home will know that these are important books and will be exposed to the subjects and authors that you feel are important. Whether they actually read Charles Dickens or just know that he existed and was a prolific writer after seeing your books: mission accomplished! To retain sentimental value. People keep a lot of things that have sentimental value: photographs, concert ticket stubs, travel knickknacks. Books, we would argue, have deeper meaning as sentimental objects. That childhood book of your grandmother's— she may have spent hours and hours with it and perhaps it was instrumental in her education. That is much more impactful than a photograph or a ceramic figurine. You are holding in your hands what she held in her hands. This brings her into the present and into your home, taking up space on your shelves and acknowledging the thread of family and history that unites you. Books can do that in ways that other objects cannot. To prove to someone that you still have it! This may be a book that you are otherwise ready to give away, but because a friend gifted it, you want to make sure you have it on display when they visit. This I’ve found happens a lot with coffee table books. It can be a little frustrating when the biggest books are the ones you want to get rid of the most, yet, you are beholden to keeping them. This dilemma is probably better suited to “Dear Abby” than to our guidance here. You will know if it’s time to part ways with a book if you notice it frequently and agonize over the need to keep it to stay friends with your friend. You should probably donate it to a good organization and then tell your friend you spilled coffee all over it and had to give it away! To make your shelves look good! There is no shame in keeping books just because they look good. It’s great if your books all belong on your shelves for multiple reasons, but if it’s only one reason and that it is that it looks good, that is good enough for us. When you need room for new acquisitions, maybe cull some books that only look good and aren’t serving other purposes.
Thatcher Wine (For the Love of Books: Designing and Curating a Home Library)
If anyone had questioned how deeply the summer's activities had penetrated the consciousness of white America, the answer was evident in the treatment accorded the March on Washington by all the media of communication. Normally Negro activities are the object of attention in the press only when they are likely to lead to some dramatic outbreak, or possess some bizarre quality. The March was the first organized Negro operation which was accorded respect and coverage commensurate with its importance. The millions who viewed it on television were seeing an event historic not only because of the subject, but because it was being brought into their homes. Millions of white Americans, for the first time, had a clear, long look at Negroes engaged in a serious occupation. For the first time millions listened to the informed and thoughtful words of Negro spokesmen, from all walks of life. The stereotype of the Negro suffered a heavy blow. This was evident in some of the comment, which reflected surprise at the dignity, the organization and even the wearing apparel and friendly spirit of the participants. If the press had expected something akin to a minstrel show, or a brawl, or a comic display of odd clothes and bad manners, they were disappointed. A great deal has been said about a dialogue between Negro and white. Genuinely to achieve it requires that all the media of communication open their channels wide as they did on that radiant August day. As television beamed the image of this extraordinary gathering across the border oceans, everyone who believed in man's capacity to better himself had a moment of inspiration and confidence in the future of the human race. And every dedicated American could be proud that a dynamic experience of democracy in his nation's capital had been made visible to the world.
Martin Luther King Jr. (Why We Can't Wait)
Palo Mayombe is perhaps best known for its display of human skulls in iron cauldrons and accompanied by necromantic practices that contribute to its eerie reputation of being a cult of antinomian and hateful sorcerers. This murky reputation is from time to time reinforced by uninformed journalists and moviemakers who present Palo Mayombe in similar ways as Vodou has been presented through the glamour and horror of Hollywood. It is the age old fear of the unknown and of powers that threaten the established order that are spawned from the umbra of Palo Mayombe. The cult is marked by ambivalence replicating an intense spectre of tension between all possible contrasts, both spiritual and social. This is evident both in the history of Kongo inspired sorcery and practices as well as the tension between present day practitioners and the spiritual conclaves of the cult. Palo Mayombe can be seen either as a religion in its own right or a Kongo inspired cult. This distinction perhaps depends on the nature of ones munanso (temple) and rama (lineage). Personally, I see Palo Mayombe as a religious cult of Creole Sorcery developed in Cuba. The Kongolese heritage derives from several different and distinct regions in West Africa that over time saw a metamorphosis of land, cultures and religions giving Palo Mayombe a unique expression in its variety, but without losing its distinct nucleus. In the history of Palo Mayombe we find elite families of Kongolese aristocracy that contributed to shaping African history and myth, conflicts between the Kongolese and explorers, with the Trans-Atlantic slave trade being the blood red thread in its development. The name Palo Mayombe is a reference to the forest and nature of the Mayombe district in the upper parts of the deltas of the Kongo River, what used to be the Kingdom of Loango. For the European merchants, whether sent by the Church to convert the people or by a king greedy for land and natural resources, everything south of present day Nigeria to the beginning of the Kalahari was simply Kongo. This un-nuanced perception was caused by the linguistic similarities and of course the prejudice towards these ‘savages’ and their ‘primitive’ cultures. To write a book about Palo Mayombe is a delicate endeavor as such a presentation must be sensitive both to the social as well as the emotional memory inherited by the religion. I also consider it important to be true to the fundamental metaphysical principles of the faith if a truthful presentation of the nature of Palo Mayombe is to be given. The few attempts at presenting Palo Mayombe outside ethnographic and anthropological dissertations have not been very successful. They have been rather fragmented attempts demonstrating a lack of sensitivity not only towards the cult itself, but also its roots. Consequently a poor understanding of Palo Mayombe has been offered, often borrowing ideas and concepts from Santeria and Lucumi to explain what is a quite different spirituality. I am of the opinion that Palo Mayombe should not be explained on the basis of the theological principles of Santeria. Santeria is Yoruba inspired and not Kongo inspired and thus one will often risk imposing concepts on Palo Mayombe that distort a truthful understanding of the cult. To get down to the marrow; Santeria is a Christianized form of a Yoruba inspired faith – something that should make the great differences between Santeria and Palo Mayombe plain. Instead, Santeria is read into Palo Mayombe and the cult ends up being presented at best in a distorted form. I will accordingly refrain from this form of syncretism and rather present Palo Mayombe as a Kongo inspired cult of Creole Sorcery that is quite capable
Nicholaj de Mattos Frisvold (Palo Mayombe: The Garden of Blood and Bones)
He was a good, even a shining light as a Castalian to the extent that he had a many-sided mind, tirelessly active in scholarship as well as in the art of the Glass Bead Game, and enormously hard-working; but in character, in his attitude toward the hierarchy and the morality of the Order he was a very mediocre, not to say bad Castalian. The greatest of his vices was a persistent neglect of meditation, which he refused to take seriously. The purpose of meditation, after all, is adaptation of the individual to the hierarchy, and application in it might very well have cured him of his neurasthenia. For it infallibly helped him whenever, after a period of bad conduct, excessive excitement, or melancholia, his superiors disciplined him by prescribing strict meditation exercises under supervision. Even Knecht, kindly disposed and forgiving though he was, frequently had to resort to this measure. There was no question about it: Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestiblity he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd. And, to our mind, this was the very reason his friend cherished him.
Hermann Hesse (The Glass Bead Game)
The story of Cassius Clay’s lost bicycle would later be told as an indication of the boxer’s determination and the wonders of accidental encounters, but it carries broader meaning, too. If Cassius Clay had been a white boy, the theft of his bicycle and an introduction to Joe Martin might have led as easily to an interest in a career in law enforcement as boxing. But Cassius, who had already developed a keen understanding of America’s racial striation, knew that law enforcement wasn’t a promising option. This subject—what white America allowed and expected of black people—would intrigue him all his life. “At twelve years old I wanted to be a big celebrity,” he said years later. “I wanted to be world famous.” The interviewer pushed him: Why did he want to be famous? Upon reflection he answered from a more adult perspective: “So that I could rebel and be different from all the rest of them and show everyone behind me that you don’t have to Uncle Tom, you don’t have to kiss you-know-what to make it . . . I wanted to be free. I wanted to say what I wanna say . . . Go where I wanna go. Do what I wanna do.” For young Cassius, what mattered was that boxing was permitted, even encouraged, and that it gave him more or less equal status to the white boys who trained with him. Every day, on his way to the gym, Cassius passed a Cadillac dealership. Boxing wasn’t the only way for him to acquire one of those big, beautiful cars in the showroom window, but it might have seemed that way at the time. Boxing suggested a path to prosperity that did not require reading and writing. It came with the authorization of a white man in Joe Martin. It offered respect, visibility, power, and money. Boxing transcended race in ways that were highly unusual in the 1950s, when black Americans had limited control of their economic and political lives. Boxing more than most other sports allowed black athletes to compete on level ground with white athletes, to openly display their strength and even superiority, and to earn money on a relatively equal scale. As James Baldwin wrote in The Fire Next Time, many black people of Clay’s generation believed that getting an education and saving money would never be enough to earn respect. “One needed a handle, a lever, a means of inspiring fear,” Baldwin wrote. “It was absolutely clear the police would whip you and take you in as long as they could get away with it, and that everyone else—housewives, taxi
Jonathan Eig (Ali: A Life)
If the claims of the papacy cannot be proven from what we know of the historical Peter, there are, on the other hand, several undoubted facts in the real history of Peter which bear heavily upon those claims, namely: 1. That Peter was married, Matt. 8:14, took his wife with him on his missionary tours, 1 Cor. 9:5, and, according to a possible interpretation of the "coëlect" (sister), mentions her in 1 Pet. 5:13. Patristic tradition ascribes to him children, or at least a daughter (Petronilla). His wife is said to have suffered martyrdom in Rome before him. What right have the popes, in view of this example, to forbid clerical marriage?  We pass by the equally striking contrast between the poverty of Peter, who had no silver nor gold (Acts 3:6) and the gorgeous display of the triple-crowned papacy in the middle ages and down to the recent collapse of the temporal power. 2. That in the Council at Jerusalem (Acts 15:1–11), Peter appears simply as the first speaker and debater, not as president and judge (James presided), and assumes no special prerogative, least of all an infallibility of judgment. According to the Vatican theory the whole question of circumcision ought to have been submitted to Peter rather than to a Council, and the decision ought to have gone out from him rather than from "the apostles and elders, brethren" (or "the elder brethren," 15:23). 3. That Peter was openly rebuked for inconsistency by a younger apostle at Antioch (Gal. 2:11–14). Peter’s conduct on that occasion is irreconcilable with his infallibility as to discipline; Paul’s conduct is irreconcilable with Peter’s alleged supremacy; and the whole scene, though perfectly plain, is so inconvenient to Roman and Romanizing views, that it has been variously distorted by patristic and Jesuit commentators, even into a theatrical farce gotten up by the apostles for the more effectual refutation of the Judaizers! 4. That, while the greatest of popes, from Leo I. down to Leo XIII. never cease to speak of their authority over all the bishops and all the churches, Peter, in his speeches in the Acts, never does so. And his Epistles, far from assuming any superiority over his "fellow-elders" and over "the clergy" (by which he means the Christian people), breathe the spirit of the sincerest humility and contain a prophetic warning against the besetting sins of the papacy, filthy avarice and lordly ambition (1 Pet. 5:1–3). Love of money and love of power are twin-sisters, and either of them is "a root of all evil." It is certainly very significant that the weaknesses even more than the virtues of the natural Peter—his boldness and presumption, his dread of the cross, his love for secular glory, his carnal zeal, his use of the sword, his sleepiness in Gethsemane—are faithfully reproduced in the history of the papacy; while the addresses and epistles of the converted and inspired Peter contain the most emphatic protest against the hierarchical pretensions and worldly vices of the papacy, and enjoin truly evangelical principles—the general priesthood and royalty of believers, apostolic poverty before the rich temple, obedience to God rather than man, yet with proper regard for the civil authorities, honorable marriage, condemnation of mental reservation in Ananias and Sapphira, and of simony in Simon Magus, liberal appreciation of heathen piety in Cornelius, opposition to the yoke of legal bondage, salvation in no other name but that of Jesus Christ.
Philip Schaff (History Of The Christian Church (The Complete Eight Volumes In One))
Another way to handle these difficult folk(and this is my favorite) is to laugh it off. Even if you are so angry inside, laugh. It will be effective. It will help you feel better and it shows the opposition that they’re not affecting you at all. You are displaying confidence, happiness and strength. Something a lot of these types of people wish they had but are too lazy to obtain. Just remember all the progress you have obtained in your journey and where you see yourself going. Nobody else is going to get that for you, so stay focused.
Harken Headers (Health & Not Screwing It Up)
On my right side there was a young couple making out in public. On my left side an old woman was staring at the young couple maliciously, either wishing she was part of it, or mocking the whole ‘lovemaking’ scene as a grand project of separation.
Louis Yako
Where Do Ideas Come From? As you begin to think like an entrepreneur, you’ll notice that business ideas can come from anywhere. When you go to the store, pay attention to the way they display the signage. Check the prices on restaurant menus not just for your own budget but also to compare them with the prices at other places. When you see an ad, ask yourself: What is the most important message the company is trying to communicate? While thinking like this, you’ll notice opportunities for microbusiness projects everywhere you go. Here are a few common sources of inspiration.
Chris Guillebeau (The $100 Startup: Fire Your Boss, Do What You Love and Work Better To Live More)
Display confidence in all that you do—walk like you own the building.
D. Linn Whorley (To Inspire: A Collection of Inspirational "Quotes" to Dream, Learn and Live By . . .)
The photo of Quang Duc’s self-immolation triggered something primal and universal in people. It goes beyond politics or religion. It taps into a far more fundamental component of our lived experience: the ability to endure extraordinary amounts of pain. I can’t even sit up straight at dinner for more than a few minutes. Meanwhile, this guy was fucking burning alive and he didn’t even move. He didn’t flinch. He didn’t scream. He didn’t smile or wince or grimace or even open his eyes to take one last look at the world he had chosen to leave behind. There was a purity to his act, not to mention an absolutely stunning display of resolve. It is the ultimate example of mind over matter, of will over instinct. And despite the horror of it all, it somehow remains . . . inspiring.
Mark Manson (Everything Is F*cked: A Book About Hope)
When you display an unstoppable vigor, circumstances bow down to you.
Hiral Nagda
Always make those above you feel comfortably superior. In your desire to please and impress them, do not go too far in displaying your talents or you might accomplish the opposite—inspire fear and insecurity. Make your masters appear more brilliant than they are and you will attain the heights of power.
Robert Greene (The 48 Laws of Power)
Cowering behind the fortress of strengths, while evading the gaze of weaknesses, is an act of cowardice. Yet, yielding to the dominance of weaknesses, letting them carve your identity, is an equal display of cowardice and betrayal of potential.
Martin Banič
The newer tactic of scattering bodies on city streets, as happened when Joaquín Guzmán’s goons pushed thirty-five bloody corpses (twelve of them women) off two trucks on Manuel Ávila Camacho Boulevard, near a shopping mall in the prettier part of the port city of Veracruz one day in September 2011, to terrorize their adversaries... Guzmán, known as El Chapo (Shorty) for his small stature, ran the largest airborne opera- tion in Mexico; he owned more aircraft than Aeromexico, the national air- line. Between 2006 and 2015, Mexican authorities seized 599 aircraft — 586 planes and 13 helicopters—from the Sinaloa cartel; by comparison, Aeromexico had a piddling fleet of 127 planes.... One Zeta atrocity I knew nothing about took place in 2010, in the small town of San Fernando, south of Reynosa. A roaming band of Zetas stopped two buses of migrants—men, women, and children from Central and South America, who were fleeing the violence in their countries. The Zetas demanded money. The migrants had no money. The Zetas demanded that the migrants work for them, as assassins or operatives or drug mules. The migrants refused. So they were taken to a building in the village of El Huizachal, blindfolded, their hands and legs bound, and each one was shot in the head. Seventy-two of them died. One man (from Ecuador) played dead, escaped, and raised the alarm... The gory details of this massacre became known when one of the perpetrators was arrested, Édgar Huerta Montiel, an army deserter known as El Wache, or Fat Ass. He admitted killing eleven of the migrants person- ally, in the belief (so he said) that they were working for a gang hostile to his own. A year later, near the same town, police found 47 mass graves containing 193 corpses — mostly migrants or passengers in buses hijacked and robbed while passing through this area of Tamaulipas state, about eighty miles south of the US border... But in the early 2000s headless bodies began to appear, tossed by the roadside, while human heads were displayed in public, at intersections, and randomly on the roofs of cars. This butchery was believed to be inspired by a tactic of the Guatemalan military’s elite commandos, known as Kaibiles. A man I was to meet in Matamoros, on my traverse of the border, explained how the Kaibiles were toughened by their officers. The officers encouraged recruits to raise a dog from a puppy, then, at a certain point in their training, the recruit was ordered to kill the dog and eat it.... When the Kaibiles became mercenaries in the Mexican cartels, the first beheadings occurred, the earliest known taking place in 2006: a gang in Michoacán kicked open the doors of a bar and tossed five human heads on the dance floor. Decapitations are now, according to one authority on the business, “a staple in the lexicon of violence” for Mexican cartels....
Paul Theroux
But the Scottish patron on tour took home with him from Italy much more than his cargo of paintings, sculptures and antique marbles, the tangible souvenirs of his excursion to the south. He took home as well a sophistication of taste and an appreciation of the virtues of classicism which only contact with the Mediterranean inheritance could impart. Only sixty years before the building of the pedimented façade of Duff House in Banff, with its urns and roof-line statuary more in keeping with a southern sky, the typical laird's house in Scotland was still inspired by an economy of display and a strength of fabric deriving from less settled times. The 18th century saw the transportation to Scotland of the idea of the Italian palace, and Hopetoun or Floors or Chatelherault owe their existence to this inspiration.
Basil C. Skinner (Scots in Italy in the 18th Century)
The crowd Passing through the crowded places, Witnessing life’s contours appearing on unknown people’s faces, They all chase someone or something, Almost like seasons changing, Where spring chases the summer, summer chases the autumn, that loves to chase the winter, In crowded places life acts like seasons, sometimes in ways unfair and at times in ways fairer, Because few faces display real smiles, while many act to smile, It is obvious when they cant recognise their own reflections in mirrors, exuding their life’s snippets of million miles, As they go past me and I walk past a lot of these men and women. I feel a common thread of life with which we all are woven, It shows in their glances and it shows in my brief scans of their appearances, But they go past me and I walk past them to chase our own desires and our new chances, After a while the crowd forgets about me and I too forget everything about the crowd, A feeling of silence overcomes the scene and I can hear my own heart beats clear and loud, Then as I walk through the multitude of life’s representations, I feel I am walking towards some lesser known feelings, life’s new sensations, But the crowd does not stop moving or enjoy a moment of pause, Because everyone in the crowd has life’s contours to cross and fulfil fate’s daily clause, That needs them in the arena of life everyday, in the form of crowd that is always moving and sometimes winning and at times losing, But riding the life’s lure and its ocean of uncertainties the crowd relentlessly keeps cruising, How far will each one go and how long will each one last, Is what life wants to know, it is so today and it has been so in the past, That is why life invented crowds where it walks beside each one of them without being recognised, And it tried to evict me from the rhythm of the crowd because her presence I had realised, The crowd keeps getting bigger and the pacing steps never stop, It is autumn now, leaves are falling and many a flowers drop, But the true season of life can be witnessed in the movement of the crowd, Where you always have to move in some direction, whether you are someone who is hated or someone who is loved!
Javid Ahmad Tak (They Loved in 2075!)
It is rather weird in essence anyone understanding you has to be able to comprehend a form of your outer consciousness, the expressive formation of actions and speech that display who you are, in itself a task of extreme difficulty. But yet we still expect more and how could anyone understand you deeper or more intimately when even you yourself do not?
Sayed H Fatimi
Stop chasing anyone who doesn't want to be chased; for the ACTIONS displayed by an individual provide greater signals than WORDS.
Dr Ikoghene S Aashikpelokhai
One jet has all of us for the first time Time to reap what I have labored for many years Years have shown me that I was heading in the right direction Direction is in the pilot’s Head-Up Display Display indicates our destination Destination was determined by me a long time ago until now Now we live in the status of Happiness Happiness Exist
Isaac Nash (HAPPINESS EXIST)
Stop. This first step simply asks you to stop and pause rather than react in habitual ways. When you enter an interaction that feels challenging, work hard to stay open-minded. Open-mindedness means being open to other points of view, other ways of doing things, and staying open to changing your own view point. This might mean not allowing a certain cultural display such as a student’s animated verbal exchange trigger you. Observe. In the second step, check yourself. Don’t react to what is going on. Instead, take a breath. Use the 10-second rule. When the brain gets triggered, it takes stress hormones approximately 10 seconds to move through the body to the prefrontal cortex. In the pre-hijack stage, the biochemicals cortisol and adrenaline are just beginning to kick in. There is still some “wiggle room” to listen to your wiser self and begin using stress management techniques to interrupt the amygdala takeover effectively. Try to describe to yourself what is happening in neutral terms. It is during this step that you can recognize that what was originally perceived as a threat isn’t really. Detach. Sometimes when we get triggered, we get personally invested in being right or exercising our power over others. Deliberately shift your consciousness to more pleasant or inspirational images. If those techniques fail, go get a drink of water, literally take a few steps back to shake yourself up a bit. When we can detach from the goal of being right or defending ourselves, we can redirect our energy toward being more responsive rather than reactive. Awaken. When our amygdala reacts, it’s because we are trying to protect ourselves. Shifting focus from yourself to the other person in front of you helps you “wake up” or become present in the moment. Try to see the other person as someone with his own feelings. He might be scared and reacting out of fear. Ask yourself a few questions about the other person. What are they thinking? How are they feeling in this moment? Shifting over to their perspective will get you out of your own reactive mode and will put you in a better position to have a positive interaction.
Zaretta Lynn Hammond (Culturally Responsive Teaching and The Brain: Promoting Authentic Engagement and Rigor Among Culturally and Linguistically Diverse Students)
There is a big problem that arises from keeping the company of those with limited perceptions. At first you'll think you're being kind, or doing people a favour, but the problem you'll eventually face, comes with the realization that we exist to other people not always as we are; but very often, we exist to people as THEY are. So, imagine taking photos with a primitive lens: the primitive lens will capture your view only within its own capacity to do so, and you end up having an image that does not display a true understanding of what it shot. The same thing happens when you allow yourself to be surrounded by primitive mindsets. And you must not do that to yourself; you must not allow all these images of you floating around, none of which do you any justice at all.
C. JoyBell C.
It is all too easy to focus intently on what is posted on social media that we forget such displays are highly idealized.
Jay D'Cee
Bridges Life did not appear to breathe here, It was covered in endless rounds of thread of fear, So it tread quietly along the fringes, Scared that it might be the cause of collapsing bridges, Bridges that connected life with hope, And it watched these bridges from a distance placing itself on a discreet slope, But it dared not cross them, none of them, It looked at them in desperation, especially some, For it often crossed them to renew its reserves of liveliness, But now it feels pervaded by a deep feeling of sadness, Life here seems to be a part of some sort of purgatory, Waiting to cross over and leave behind this existence derogatory, It may not be a perspicuous show of feelings, But here these are life’s daily dealings, And I wonder what about life’s own posterity, Because in this land of death life somehow loses all its virility, Tamed by some obnoxious devil, Who has had a diabolic conception and then raised by some heinous evil, Maybe that is why the bridges look so frail and hopeless themselves, Bearing stacks of hopelessness displayed on hope’s own shelves, For when life does not cross the bridges of hope, It is death that forsakes life and then time withdraws its rope, That maintains the perfect cohesion, Between beginnings and ends , between fission and fusion, And when this balance is lost anywhere, Life is cast into a place where there exists life everywhere, But nothing else nowhere, Just life, no hopes, no beauty, no bliss, no summer, a life that becomes its own prisoner in this infinity somewhere, However, now the bridges have fallen, but few still stand, And life that is tired of living without hope, feels the dying hope’s hand, And like the rope of time it pulls it unto itself, and makes life cross the bridge, Thus, life once again walks on the happy ridge, Hoping to live another day, feel life in a better and different way, For living the same moment of time begets no joy, if it is lived the same way everyday, And time weaves its threads of mystery and surprises around it, Then death too gets woven somewhere in this loop of time, and life finally says, “so be it!” And it jumps into the sea of time and collects its moments of myriad experiences, While time registers all these instances, And when the loop of death unwinds, In it a new loop of life it always finds, Now, even if the bridges may fall and time may end, Life has learned to create moments of happiness that never end!
Javid Ahmad Tak (They Loved in 2075!)
Paslm 19:1-6 - Interpretation 1 The spacious firmament on high, With all the blue ethereal sky, And spangled heavens, a shining frame, Their great Original proclaim. 2 Th'unwearied sun, from day to day, Does his Creator's power display; And publishes to every land The work of an almighty hand. 3 Soon as the evening shades prevail, The moon takes up the wondrous tale, And nightly to the listening earth Repeats the story of her birth: 4 Whilst all the stars that round her burn, And all the planets in their turn, Confirm the tidings as they roll, And spread the truth from pole to pole. 5 What though in solemn silence all Move round this dark terrestrial ball; What though no real voice or sound Amidst their radiant orbs be found; 6 In reason's ear they all rejoice, And utter forth a glorious voice, For ever singing as they shine, "The hand that made us is divine.
Joseph Addison
Psalm 19 1-6 Interpretation 1 The spacious firmament on high, With all the blue ethereal sky, And spangled heavens, a shining frame, Their great Original proclaim. 2 Th'unwearied sun, from day to day, Does his Creator's power display; And publishes to every land The work of an almighty hand. 3 Soon as the evening shades prevail, The moon takes up the wondrous tale, And nightly to the listening earth Repeats the story of her birth: 4 Whilst all the stars that round her burn, And all the planets in their turn, Confirm the tidings as they roll, And spread the truth from pole to pole. 5 What though in solemn silence all Move round this dark terrestrial ball; What though no real voice or sound Amidst their radiant orbs be found; 6 In reason's ear they all rejoice, And utter forth a glorious voice, For ever singing as they shine, "The hand that made us is divine.
Joseph Addison
Lemon quince gently adrift at sunrise, Sweet harbinger, warmth will grace the near days. Playful breezes spin to catch fragrant sighs, From blooming buds rustling, soft floral sways, Nestled betwixt mighty branched leaves of green, Starry white petals uncoil, one by one; Stretching to drench in rays of late spring’s scene, Fanned floral saucers revive, ‘neath the sun. A strong gust shivers the splendid display, Dusting blissful, dulcet notes through the air; Wayward leaves wander, and scatter astray, Like weightless flutter of butterfly flair. Tumbling relics of a burgeoned giant, Magnolia renewed, abloom, defiant.
Marie Helen Abramyan
Mirrors can be tricky things. Sometimes they display the truth, sometimes only a piece of it. They should be used with the utmost care.
Linda Woolverton (Beauty and the Beast: Belle's Library: A Collection of Literary Quotes and Inspirational Musings)