Blue Uniforms Quotes

We've searched our database for all the quotes and captions related to Blue Uniforms. Here they are! All 100 of them:

In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world. Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in. Humiliation and joy warred furiously inside Adam. Gansey strode between the pews as Adam's father stared at him. He went directly to the bench, straight up to the judge. Now that he stood directly beside Adam, not looking at him, Adam could see that he was a little out of breath. Ronan, behind him, was as well. they had run. For him.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
You have your wonderful memories," people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
Joan Didion (Blue Nights)
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
Lemony Snicket
Soren huffed. “I saw her looking at me when we were changing into our uniforms.” “She was looking at you because you’re built like a bull.” Soren’s laugh was nervous, clipped. “Is that good?” “It’d be great if she were a cow.
Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
We might all be different - we may ship different things or be in different fandoms - but if I learned anything from twenty-three days in a too-blue uniform playing a character I thought I could never be, it's that when we become those characters, pieces of ourselves light up like glow sticks in the night. They shine. We shine. Together. And even when some of us fall to different universes, those lights never go out.
Ashley Poston (Geekerella (Once Upon a Con, #1))
I tugged at the hem of my brand-new Hecate Hall-issue blue plaid skirt(Kilt? Some sort of bizarre skirt/kilt hybrid? A skilt?) and wondered why a school in the middle of the Deep South would have wool uniforms.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
Gansey sat behind the wheel, wearing both his Aglionby uniform and an electric expression that startled Blue. It was wide-awake and glittering, a match struck just behind his eyes. She’d seen this vivid Gansey before, but usually only when they were alone.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Beyond them stood a far greater number of men, all dressed like human versions of classic tin soldiers; dark blue jackets, white shirts, red sashes and black top hats. Definitely not 21st century military uniform; I’d have thought that they were actors had they not, on a drum roll, unshouldered their rifles and fired into the air.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Disorder is inherent in stability. Civilized man doesn't understand stability. He's confused it with rigidity. Our political and economic and social leaders drool about stability constantly. It's their favorite word, next to 'power.' 'Gotta stabilize the political situation in Southeast Asia, gotta stabilize oil production and consumption, gotta stabilize student opposition to the government' and so forth. Stabilization to them means order, uniformity, control. And that's a half-witted and potentially genocidal misconception. No matter how thoroughly they control a system, disorder invariably leaks into it. Then the managers panic, rush to plug the leak and endeavor to tighten the controls. Therefore, totalitarianism grows in viciousness and scope. And the blind pity is, rigidity isn't the same as stability at all. True stability results when presumed order and presumed disorder are balanced. A truly stable system expects the unexpected, is prepared to be disrupted, waits to be transformed.
Tom Robbins (Even Cowgirls Get the Blues)
The police cannot be considered simply the custodians of the legal order, but must be seen as the guardians of the social order as well. That they defend it wearing blue uniforms rather than white sheets is a matter of only minor importance.
Kristian Williams (Our Enemies in Blue: Police and Power in America)
The youthful stationmaster wore a Blue Spot on his uniform and remonstrated with the driver that the train was a minute late, and that he would have to file a report. The driver retorted that since there could be no material differene between a train that arrived at a station and a station that arrived at a train, it was equally the staionmaster's fault. The stationmaster replied that he could not be blamed, because he had no control over the speed of the station; to which the engine driver replied that the stationmaster could control its placement, and that if it were only a thousand yards closer to Vermillion, the problem would be solved. To this the stationmaster replied that if the driver didn't accept the lateness as his fault, he would move the station a thousand yards farther from Vermillion and make him not just late, but demeritably overdue.
Jasper Fforde (Shades of Grey (Shades of Grey, #1))
Dan was shorter than me, especially as I was wearing sky blue silk stilettos. He appeared to be my age or a few years older,stocky, and thick necked with swirling tattoos just visible beneath the blue collar of his uniform.Dan gave me a plain once over as he walked me to an elevator and placed his palm against a glass screen. The screen retracted to reveal keypad. Dan then punched in a series of numbers and he said- “You’re very big.”I gave him a cursory smile, “Yes. I ate all my vegetables as a child.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Navy personnel began clamoring for it. To the embarrassment of many, the current Navy working uniform is a blue camouflage print. Unsure whether perhaps I was missing the point, I asked a Navy commander about the rationale. He looked down at his trousers and sighed. “That’s so no one can see you if you fall overboard.” No
Mary Roach (Grunt: The Curious Science of Humans at War)
Of a new-era’d nation that looked out for Uno, of a one-time World Policeman that was now going to retire and have its blue uniform deep-dry-cleaned and placed in storage in triple-thick plastic dry-cleaning bags and hang up its cuffs to spend some quality domestic time raking its lawn and cleaning its refrigerator and dandling its freshly bathed kids on its neatly pressed mufti-pants’ knee.
David Foster Wallace (Infinite Jest)
I had let it all grow. I had supposed It was all OK. Your life Was a liner I voyaged in. Costly education had fitted you out. Financiers and committees and consultants Effaced themselves in the gleam of your finish. You trembled with the new life of those engines. That first morning, Before your first class at College, you sat there Sipping coffee. Now I know, as I did not, What eyes waited at the back of the class To check your first professional performance Against their expectations. What assessors Waited to see you justify the cost And redeem their gamble. What a furnace Of eyes waited to prove your metal. I watched The strange dummy stiffness, the misery, Of your blue flannel suit, its straitjacket, ugly Half-approximation to your idea Of the properties you hoped to ease into, And your horror in it. And the tanned Almost green undertinge of your face Shrunk to its wick, your scar lumpish, your plaited Head pathetically tiny. You waited, Knowing yourself helpless in the tweezers Of the life that judges you, and I saw The flayed nerve, the unhealable face-wound Which was all you had for courage. I saw that what you gripped, as you sipped, Were terrors that killed you once already. Now I see, I saw, sitting, the lonely Girl who was going to die. That blue suit. A mad, execution uniform, Survived your sentence. But then I sat, stilled, Unable to fathom what stilled you As I looked at you, as I am stilled Permanently now, permanently Bending so briefly at your open coffin.
Ted Hughes (Birthday Letters)
You have your wonderful memories,” people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.
Joan Didion (Blue Nights)
Near him were two men in hip-hop uniform, spotless footwear and new baggy jeans and tilted Yankees caps. Shopping for blue jeans at Macy’s, Dismas had discovered that hip-hop labels were as expensive as, if not more expensive than some of the high-end names he coveted. Functional clothing designed to absorb sweat and repel mud cost as much as designer eveningwear. Phat Farm, Armani, same difference.
Jeet Thayil (The Book of Chocolate Saints)
The massive bronze gates were wide open now, too late. Inside, the cemetery had been turned into a grotesque place gleaming with high-powered searchlights, blue flashlight flares, winking pocket torches. Uniformed men were already swarming about. Red cigarette-embers showed oddly amidst the headstones here and there. ("The Street Of Jungle Death")
Cornell Woolrich (Vampire's Honeymoon)
Adam miserably wondered which of the neighbors were coming to his father’s defense. In an hour, this will be over. You will never have to do it again. All you have to do is survive. The door cracked open. Adam didn’t want to look, but he did anyway. In the hall stood Richard Campbell Gansey III in his school uniform and overcoat and scarf and gloves, looking like someone from another world. Behind him was Ronan Lynch, his damn tie knotted right for once and his shirt tucked in. Humiliation and joy warred furiously inside Adam.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
If he’s a false prince, then I’m his street Cinderella. I don’t need glass slippers or a pretty gown to change our stars. I can do it in my quiet leather boots and my gray uniform.
Saffron A. Kent (Bad Boy Blues (St. Mary’s Rebels, #0))
They came across more ragged men resting in the shade of an oak tree. These soldiers all wore blue uniforms. Again,
Mary Pope Osborne (Civil War on Sunday)
the buttons of his dark blue uniform allude to an ongoing border dispute with his soft belly.
Colson Whitehead (The Intuitionist)
There were twelve in all in the party, five adults and six children—and Ona, who was a little of both. They had a hard time on the passage; there was an agent who helped them, but he proved a scoundrel, and got them into a trap with some officials, and cost them a good deal of their precious money, which they clung to with such horrible fear. This happened to them again in New York—for, of course, they knew nothing about the country, and had no one to tell them, and it was easy for a man in a blue uniform to lead them away, and to take them to a hotel and keep them there, and make them pay enormous charges to get away. The law says that the rate card shall be on the door of a hotel, but it does not say that it shall be in Lithuanian.
Upton Sinclair (The Jungle)
Words present us with little pictures, clear and familiar, like those that are hung on the walls of schools to give children an example of what a workbench is, a bird, an anthill, things conceived of as similar to all others of the same sort. But names present a confused image of people--and of towns, which they accustom us to believe are individual, unique like people--an image which derives from them, from the brightness or darkness of their tone, the color with which it is painted uniformly, like one of those posters, entirely blue or entirely red, in which, because of the limitations of the process used or by a whim of the designer, not only the sky and the sea are blue or red, but the boats, the church, the people in the streets.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Even though I couldn't see it, I had a feeling Archer was raising an eyebrow at me. "Who are you supposed to be?" he asked in a low voice. I took deep breaths and tried to keep my face as impassive as possible. If anyone glanced over here, they had to think I was just talking to a waiter, not facing down an Eye in their midst. "Hecate," I said, plucking one of the glasses off his tray. "What are you doing here?" He shrugged, managing somehow to look elegant even in his waiter's uniform. "Who doesn't love a party? Plus, I thought there might be a chance you'd wear that blue dress again." My fingers tightened so hard on the crystal goblet that I'm surprised I didn't snap the stem. "You are a crazy person," I said, struggling to keep my voice calm. "Or an idiot. Or a crazy idiot person. Why aren't you at least glamoured or something?
Rachel Hawkins (Demonglass (Hex Hall, #2))
I didn’t know what it meant to have a nervous breakdown. I’d heard people jokingly exaggerate that they’d had one. Until that moment on my bathroom floor, I had no concept. Then the frayed strands of my sanity that I’d fought so hard to keep together snapped in two, and I started to free fall into chaos. First, I screamed. I screamed and I screamed until I was hoarse. Then my screams turned over to cries of agony. Pain, both physical and emotional, consumed me. Will tried to console me, but it was useless. He panicked and called my parents. When they heard my sobs in the background, they told him to call the paramedics. So he did. By the time they arrived, I was spent of emotions. Instead, I lay motionless on the floor. They were a hazy blur of blue uniforms and soft voices. I could hear them calling my name from far off—like I was under the surface of water. But I couldn’t muster the strength to reply. I heard crying behind me. It must’ve been Will because one of the paramedics said, “Don’t worry, son, we’re gonna take good care of her.” Then I felt myself floating upwards as they put me on a gurney. I rattled and shook as they pulled me out of the house. The flashing lights hurt my eyes. But then a needle pierced my vein, bringing liquid peace to my soul."--Melanie
Katie Ashley (Nets and Lies)
Cal was dressed in a Hex Hall uniform. The blazer was a little tight on his broad shoulders, more so when he shrugged. "It was mine.Mrs. Casnoff brought it with her. I don't really, uh, do costumes. Figured this was a good compromise." I'd thought no one but Archer could make that uniform look good, but Cal proved me wrong. The bright blue was nice against his tan skin and golden hair, and he looked younger. There was a dimple in his cheek as he smiled at me-something I'd never noticed before. "You make a good Hecate," he said. I would have snorted and made a sarcastic comment, but there was something in his eyes that made me just say, "Thanks.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Your basic-type jailhouse tatt is homemade with sewing needles from the jailhouse canteen and some blue ink from the cartridge of a fountain pen promoted from the breast pocket of an unaltert public defender, is why the jailhouse genre is always the same night-sky blue. The needle is dipped in the ink and jabbed as deep into the tattooee as it can be jabbed without making him recoil and fucking up your aim. Just a plain ultraminimal blue square like Gately's got on his right wrist takes half a day and hundreds of individual jabs. How come the lines are never quite straight and the color's never quite all the way solid is it's impossible to get all the individualized punctures down to the same uniform deepness in the, like, twitching flesh. This is why jailhouse tatts always look like they were done by sadistic children on rainy afternoons.
David Foster Wallace (Infinite Jest)
It's entirely possible that the Great Sorting Hat at the End of Time won't give a damn which side we thought we were on - Rebel or stormtrooper, Red Pill or Blue - but only our intentions. Which flag we flew, which uniform we wore will yield to something much simpler. Were we coming from fear or love? Were we standing for all of us or only some of us? Were we playing Team Finite, or Team Infinite?
Jamie Wheal (Recapture the Rapture: Rethinking God, Sex, and Death in a World That's Lost its Mind)
The differences which exist between every one of our real impressions -- differences which explain why a uniform depiction of life cannot bear much resemblance to the reality -- derive probably from the following cause: the slightest word that we have said, the most insignificant action that we have performed at anyone epoch of our life was surrounded by, and colored by the reflection of things which logically had no connection with it and which later have been separated from it by our intellect which could make nothing of it for its own rational purposes, things, however, in the midst of which -- here the pink reflection of the evening upon the flower-covered wall of a country restaurant, a feeling of hunger, the desire for women, the pleasure of luxury; here the blue volutes of the morning sea and, enveloped in them, phrases of music half emerging like the shoulders of water-nymphs -- the simplest act or gesture remains immured as within a thousand vessels, each one of them filled with things of a color, a scent, a temperature that are absolutely different one from another, vessels, moreover, which being disposed over the whole range of our years, during which we have never ceased to change if only in our dreams and our thoughts, are situated at the most various moral altitudes and give us the sensation of extraordinarily diverse atmospheres.
Marcel Proust
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters)
One of them hasn't got a uniform on or plainclothes either like the rest. He has on the white coat that is my nightmare and my horror. And in the crotch of one arm he is upending two long poles intertwined with canvas. The long-drawn-out death within life. The burial-alive of the mind, covering it over with fresh graveyard earth each time it tries to struggle through to the light. In this kind of death you never finish dying. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
When we found each other, I was very flabbergasted by his appearance. This is an American? I thought. And also, This is a Jew? He was severely short. He wore spectacles and had diminutive hairs which were not split anywhere, but rested on his head like a Shapka. (If i were like Father, I might even have dubbed him Shapka.) He did not appear like either the Americans I had witnessed in magazines, with yellow hairs and muscles, or the Jews from history books, with no hair and prominent bones. He was wearing nor blue jeans nor the uniform. In truth, he did not look like anything special at all. I was underwhelmed to the maximum.
Jonathan Safran Foer (Everything Is Illuminated)
Gansey appeared in the doorway. He was speaking to a teacher in the hall, thumb poised on his lower lip, eyebrows furrowed handsomely, uniform worn with confident ease. He stepped into the classroom, shoulders square, and for just a second, it was like he was a stranger again — once more that lofty, unknowable Virginia princeling.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
Not if you’ve been where we have. Forty years ago, in Südwest, we were nearly exterminated. There was no reason. Can you understand that? No reason. We couldn’t even find comfort in the Will of God Theory. These were Germans with names and service records, men in blue uniforms who killed clumsily and not without guilt. Search-and-destroy missions, every day. It went on for two years. The orders came down from a human being, a scrupulous butcher named von Trotha. The thumb of mercy never touched his scales.” “We have a word that we whisper, a mantra for times that threaten to be bad. Mba-kayere. You may find it will work for you. Mba-kayere. It means ‘I am passed over.’ To those of us who survived von Trotha, it also means that we have learned to stand outside our history and watch it, without feeling too much. A little schizoid. A sense for the statistics of our being. One reason we grew so close to the Rocket, I think, was this sharp awareness of how contingent, like ourselves, the Aggregat 4 could be—how at the mercy of small things…dust that gets in a timer and breaks electrical contact…a film of grease you can’t even see, oil from the touch of human fingers, left inside a liquid-oxygen valve, flaring up soon as the stuff hits and setting the whole thing off—I’ve seen that happen…rain that swells the bushings in the servos or leaks into a switch: corrosion, a short, a signal grounded out, Brennschluss too soon, and what was alive is only an Aggregat again, an Aggregat of pieces of dead matter, no longer anything that can move, or that has a Destiny with a shape—stop doing that with your eyebrows, Scuffling. I may have gone a bit native out here, that’s all. Stay in the Zone long enough and you’ll start getting ideas about Destiny yourself.
Thomas Pynchon (Gravity’s Rainbow)
It’s not the tattoos, my dear boy,” Jack’s father said, standing naked before him—the shocking white of William’s hands and face and neck and penis being the only parts of him that weren’t an almost uniform blue-black, some of which had faded to gray. “It’s everything I truly heard and felt—it’s everything I ever loved! It’s not the tattoos that marked me.
John Irving (Until I Find You)
She was styled for abundant lactation, and her uniform blouse was not.
John D. MacDonald (The Deep Blue Good-By)
He looks very authoritative—even more so now in his uniform of brass buttons and blue wool—but authority and reason are two different things.
Neal Shusterman (Challenger Deep)
The sight of all the boys in their uniforms immediately provoked an unpleasant emotion in Blue. It was a long-held, multi-headed sensation formed from judgement, experience and envy.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
We might all be different. We may ship different things or be in different fandoms, but if I learned anything from 23 days in a too-blue uniform, playing a character I thought I could never be, it’s that when we become those characters, pieces of ourselves light up like glow sticks in the night. They shine. We shine, together. And even when some of us fall into different universes, those lights never go out.
Ashley Poston (Geekerella (Once Upon a Con, #1))
At least fifty people were taken down to the Trinity River bottoms in Dallas for whippings and acid brandings. Should they call the police, they would be reporting something already known and even encouraged within the blue wall, for a majority of Dallas officers were now oath-bound members of the hooded order. Proof of Malcolm X’s later observation that the Klan had ‘changed its bedsheets for a policeman’s uniform
Timothy Egan (A Fever in the Heartland: The Ku Klux Klan's Plot to Take Over America, and the Woman Who Stopped Them)
The dream pool is pushed out in the open and the dappled depths of our imagination become a uniformly blue intruder, often out of scale with its surroundings and nearly always discordant in colour and texture.
Elisabeth Beazley (Designed for recreation: A practical handbook for all concerned with providing leisure facilities in the countryside;)
College life is different, entirely different like you don't have to get ready and wear that red and crisp blue school uniform and look alike every day. Free to define ourselves with statement attire. Good thing.
Parul Wadhwa (The Masquerade)
Wagstaff was a trim little man in a dark-blue uniform with an armband embroidered with the words CIVIL DEFENSE. "Thank you, Headmaster, and good morning, young gentlemen. Yesterday, as I'm sure you'll remember, I spoke to you about the ways you can help your parents prepare their homes against the possibility of nuclear attack." Clem grinned, noting Tash Harmsworth's scowl. Tash was a bugger for an incorrect proposition.
Mal Peet (Life: An Exploded Diagram)
Two uniformed officers approached him at speed. Both were wearing Salvation Army badges and carrying some fearsomely bulky weapons labelled as ‘Googles’. One of them drew his Google and aimed it barrel-forward at my grandfather.
Tim Roux (The Blue Food Revolution)
Why is this so critical to the ruling junta? Because they know that the moment the People realize that their common enemies are not ‘the blacks’, and are not ‘the whites’, but the men in thousand dollar suits; in black robes of office; men with leather brief cases, fancy haircuts, and Rolex watches; men protected by blue uniforms and gold badges; no security force on earth will be sufficient to protect them from the righteous wrath of those whom they have conspired to exploit.
Joseph Befumo (The Republicrat Junta: How Two Corrupt Parties, in Collusion with Corporate Criminals, have Subverted Democracy, Deceived the People, and Hijacked Our Constitutional Government)
He had a narrow raccoon face that drew Elwood’s attention to his tiny nose and dark circles under his eyes and thick bristly eyebrows. Spencer was fastidious with his dark blue Nickel uniform; every crease in his clothes looked sharp enough to cut, as if he were a living blade.
Colson Whitehead (The Nickel Boys)
I’m sorry,” I said turning to him. His clear hazel eyes met mine, and a tiny bit of humor flickered there. “You say that a lot.” Tugging at my Defense uniform (which was even uglier than I remembered; bright blue stretchy cotton was not a good look on anyone), I gave a little laugh. “Yeah, well, I feel it a lot.” Especially where you’re concerned, I wanted to add. Cal didn’t say anything to that, and after a moment, started walking toward the house. I waited a few seconds before following. There was so much I wanted to say to him, but I didn’t even know where to start. Cal, I think I love you, but I’m maybe not in love with you, even though kissing you was pretty boss was maybe one approach. Or: Cal, I love Archer, but my feelings for you are all confused because you are both awesome and smoking hot, and we’re already technically engaged to be married, which adds to the giant pot of boiling emotions and hormones I’ve become. Okay, maybe don’t say boiling… “You okay?” “Huh?” I blinked, surprised to see we’d come to the front of the house. Cal was standing with one foot on the bottom porch step, staring at me. “You have this weird look on your face,” he said. “Like you’re doing really complicated math in your head.” I couldn’t help a little snort of laughter. “I was, in a manner of speaking.” As I moved past him and into the house, I resolved to talk to Cal like a mature grown-up person. Eventually. For now, I gave him a little wave and ran away to my room.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Usually, we think of an apple as being red. This is not the same red as that of a cherry or tomato. A lemon is yellow and an orange like that of its name. Bricks vary from beige to yellow to orange, and from ochre to brown to deep violet. Foliage appears in innumerable shades of green. In all these cases the colors named are surface colors. In a very different was, distant mountains appear uniformly blue, no matter whether covered with green trees or consisting of earth and rocks. The sun is glaring white in daytime, but it is full red at sunset. The white ceiling of houses surrounded by lawns or the white-painted eaves of a roof on a sunny day appear in bright green, which is reflected from the grass on the ground. All these cases present film colors. They appear as a thin, transparent, translucent layer between the eye and an object, independent of the object's surface color.
Josef Albers (Interaction of Color)
truck…Black soliders returning from American’s wars abroad were tarred and feathered…Black soldiers returning from America’s wars in uniform were castrated and lynched…Brave Black soldiers had their medals of honor retracted and denied   So Truman passed a law not for Black people…we have always been better than the country we served…but to tell the whites who thought it more important to be white than united…that Black people are an integral if not essential part of this nation…And we are to be accepted…and honored…for the historic good wishes and sacrifices we offered America…Not only fifty years ago
Nikki Giovanni (Blues: For All the Changes: New Poems)
On the switchboard of my memory two pair of gloves have crossed wires - those leather gloves of Omi's and a pair of white ceremonial gloves. I never seem to be able to decide which memory might be real, which false. Perhaps the leather gloves were more in harmony with his coarse features. And yet again, precisely because of his coarse features, perhaps it was the white pair which became him more. Coarse features - even though I use the words, actually such a description is nothing more than that of the impression created by the ordinary face of one lone young man mixed in among boys. Unrivaled though his build was, in height he was by no means the tallest among us. The pretentious uniform our school required, resembling a naval officer's, could scarely hang well on our still-immature bodies, and Omi alone filled his with a sensation of solid weight and a sort of sexuality. Surely I was not the only one who looked with envious and loving eyes at the muscles of his shoulder and chest, that sort of muscle which can be spied out even beneath a blue-serge uniform. Something like a secret feeling of superiority was always hovering about his face. Perhaps it was that sort of feeling which blazes higher and higher the more one's pride is hurt. It seemed that, for Omi, such misfortunes as failures in examinations and expulsions were the symbols of a frustrated will. The will to what? I imagined vaguely that it must be some purpose toward which his 'evil genius' was driving him. And i was certain that even he did not yet know the full purport of this vast conspiracy against him.
Yukio Mishima (Confessions of a Mask)
Where were we? 6:01 A.M. on Thursday, huh?" I grinned He swalled. "What exactly are we talking about?" "Oh, no. You're not entrapping me. I've watched prostitution stings on Cops. I won't be the first one to mention the sex act. Under his dark blue uniform, his chest rose and fell rapidly. I wished I dared put my hand there to feel how his heartbeat sped up. It was nothing compared to mine... I, blue-haired girl-felon was seducing Officer After. ... He passed his fist across his clean-shaven jaw, then picked up his pen and busied himseld scribbling on the clipboard. "6:01 A.M. on Thursday then. Write that down in your notebook, and we'll call it a plan.
Jennifer Echols (Going Too Far)
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Charlotte was used to all the marks of war: the shabbiness of things, bad food, shop queues, posters about the war effort, people with worried faces, people dressed in black. She was used to seeing the wounded men from the hospital with their bright blue uniforms and bright red ties, the colours, she thought, if not the clothes of Arthur's soldiers. Such things did not disturb her, and the war seemed quite remote. But this disturbed her, the grotesque kind of circus that came now. It did not seem remote at all, nor did it fit with her vague ideas of war gained from those books of Arthur's she had read, with their flags and glory and brave drummer boys. How could you dare to become a soldier, knowing that you might end like this? There were men like clowns with white heads, white arms, white legs, men with crutches, slings, and bloodied bandages, and all so distressingly like men you would expect to see walking down the street, two armed, two legged, in hats instead of bandages and suits of black not battered khaki. Some came on stretchers borne by whole and ordinary men, some hobbled and leaned on whole ordinary arms. Most had mud dried thick across their clothes, and all came from the dark station's mouth with the spewings of trains behind, the clankings, thumpings, grindings, the sounds like great devils taking in breaths and blowing them out again.
Penelope Farmer (Charlotte Sometimes (Aviary Hall, #3))
MEMORY believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by a ten foot steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant as the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
My eyes lifted from the blue, white, and yellow pattern of my uniform skirt, to meet those of Dr. Cruz—school psychologist and seeker of the ever-elusive, emotional breakthrough. I realized that was her goal sometime during our first session. I suppose, in her world, that was a benchmark of successful treatment, but, from where I sat, it was just incredibly annoying.
Rachel Jonas (The Genesis of Evangeline (The Lost Royals Saga, #1))
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
Cambria Hebert (#Hater (Hashtag, #2))
It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then. 'I do,' she said. 'I do,' he said. They did. They would. Our children will be so fucking beautiful, he thought, looking at her. Home, she thought, looking at him. 'You may kiss,' said the officiant. They did, would. Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness. The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared. Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard. Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him. These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...
Lauren Groff (Fates and Furies)
We were scarecrows in blue uniforms. After a grand total of five days of blackboard instruction and fifty rounds at the NYPD firing range, my new police academy classmates and I were standing out on the sidewalks of central Brooklyn pretending to be police officers. They gave us badges. They gave us handcuffs. They gave us guns—standard police-issue Smith & Wesson .38 Specials. They told us, “Good luck.” In early July 1966, riots had broken out in East New York, Bedford-Stuyvesant, and Brownsville, Brooklyn. Hundreds of angry young men were roaming the streets and throwing bottles and rocks. Already they had injured police officers and attempted to flip over a radio car. On one corner, police found eighteen Molotov cocktails. The borough commander was calling for reinforcements—and fast.
Ray Kelly (Vigilance: My Life Serving America and Protecting Its Empire City)
The uniformed man led him along a short corridor and turned right at an electronic display proclaiming “The new collection from Kelloggs” and portraying several variations of luminous crotchless panties. Grandfather frowned. “Can you eat those?” he asked the man, pointing at the display. The man grinned. “If you buy them, Sir, I am sure that you can do anything you want with them. Eat the panties, devour the contents …. This way, Sir.
Tim Roux (The Blue Food Revolution)
Campbell was an ordinary-looking man, but he was extravagantly costumed in a uniform of his own design. He wore a white ten-gallon hat and black cowboy boots decorated with swastikas and stars. He was sheathed in a blue body stocking which had yellow stripes running from his armpits to his ankles. His shoulder patch was a silhouette of Abraham Lincoln’s profile on a field of pale green. He had a broad armband which was red, with a blue swastika in a circle of white.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Seamstresses had been working all night making uniforms for me. As I waited to be fitted, I looked over at a rack of uniforms tagged with the word “Custer” and the name of another actor. I watched a wardrobe man come in and gather up the uniforms, toss them like rags in a corner, and replace them on the rack with blue and gold-braided uniforms marked “Custer” with my name on them. I looked at those uniforms piled up on the floor and said to myself: “That can happen to me some day.
Ronald Reagan (An American Life: The Autobiography)
Next day they were in the Atlantic. Ponderous waves rising over murky, opaque depths. Dappled with foam at the crests, like downland where on the high, exposed places, snow has survived the thaw. Lead-grey and slate in the sun, olive, field blue and khaki like the uniforms of a battlefield; the sky overhead was neutral and steely with swollen clouds scudding across it, affording rare half hours of sunlight. The masts swung slowly across this sky and the bows heaved and wallowed below the horizon.
Evelyn Waugh (A Handful of Dust)
The Sabbath had passed and in the gray Monday dawn a procession of schoolchildren dressed in blue uniforms all alike were being led along the gritty walkway. The woman had stepped from the curb to take them across at the intersection when she saw the man coming up the street all dark with blood bearing in his arms the dead body of a friend. She held up her hand and the children stopped and huddled with their books at their breasts. He passed. They could not take their eyes from him. The dead boy in his arms hung with his head back and those partly opened eyes beheld nothing at all out of that passing landscape of street or wall or paling sky or the figures of the children who stood blessing themselves in the gray light. This man and his burden passed on forever out of that nameless crossroads and the woman stepped once more into the street and the children followed and all continued on to their appointed places which as some believe were chosen long ago even to the beginning of the world.
Cormac McCarthy (Cities of the Plain (The Border Trilogy, #3))
He really did have far too many things to do, and as soon as this foolishness - whatever it was - was out of the way, perhaps he could get back to them and- He froze, hazel eyes flaring wide as they locked on the tall, slim figure in a blue-on-blue uniform identical to his own, and his mental grousing slithered to an incoherent halt. He could not possibly be seeing what he thought he was, a small, still voice told him logically. Only one woman had ever been authorized to wear the uniform of a Grayson admiral. Just as only one woman in the Grayson navy had ever carried a six-legged, cream-and-gray treecat everywhere she went. Which meant his eyes must be lying to him, because that woman was dead. Had been dead for over two T-years. And yet- "I told you I wouldn't apologize," Benjamin IX told his senior military officer, and this time there was no amusement at all in his soft voice. Matthews looked at him, his eyes stunned, and Benjamin smiled gently. "It may be a little late," he said, "but better late than never. Merry Christmas, Wesley.
David Weber (Ashes of Victory (Honor Harrington, #9))
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her. She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years. "I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that. The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing! She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
Stephen King (Lisey's Story)
Then Lu Wing entered, no longer in chauffeur’s uniform but wearing a high-buttoned, deep blue silk tunic, an entourage of smooth, modern men of south China at his heels, ready, I heard him say, to do any further work required of them. The conversation turned to a more distant moment when his father died and he would claim the crown of the Wing emirates, to rule over a subcontinent and its colonies again. Sending his men off, he said, upon their errands and to visit their many relatives in Limehouse, Lu Wing leaned against the bar, as relaxed as he had probably been during his student days at Oxford.
Michael Moorcock (The Whispering Swarm (Sanctuary of the White Friars, #1))
THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
One of the problems for the United Nations Expeditionary Force was that its members had no uniform apart from those of their own countries—yet they had to be distinguishable from the fighting men of Britain, France, Israel, or Egypt. Somebody at the United Nations came up with the idea that they should wear berets in the organization’s distinctive blue. There was no time to have them made, so the Expeditionary Force borrowed thousands of American plastic helmet liners, which were spray-painted blue.25 The blue berets or blue helmets of the United Nations would become an international symbol of peacekeeping for the rest of the century and beyond.
Alex von Tunzelmann (Blood and Sand: Suez, Hungary, and Eisenhower's Campaign for Peace)
How serious we were, how deadly serious. I was going to be killed and she was prepared to devote her life to my heroic memory. It was one of a million identical dreams of a million olive uniforms and cotton prints. And it might well have ended with the traditional Dear John letter except that she devoted her life to her warrior. Her letters, sweet with steadfastness, followed me everywhere, round, clear handwriting, dark blue ink on light blue paper, so that my whole company recognized her letters and every man was curiously glad for me. Even if I hadn’t wanted to marry Mary, her constancy would have forced me to for the perpetuation of the world dream of fair and faithful women.
John Steinbeck (The Winter of Our Discontent)
Maybe you’ve been there. You go into a police or sheriff’s station after a gang of black kids forced you to stop your car while they smashed out your windows with garbage cans; a strung-out addict made you kneel at gunpoint on the floor of a grocery store, and before you knew it the begging words rose uncontrollably in your throat; some bikers pulled you from the back of a bar and sat on your arms while one of them unzippered his blue jeans. Your body is still hot with shame, your voice full of thumbtacks and strange to your own ears, your eyes full of guilt and self-loathing while uniformed people walk casually by you with Styrofoam cups of coffee in their hands. Then somebody types your words on a report and you realize that this is all you will get.
James Lee Burke (Black Cherry Blues (Dave Robicheaux #3))
The sharpie uniform is perhaps the most unlikely fashion statement you will ever see, a Frankenstein’s monster of baby-doll plucked eyebrows, skinhead-meets-mullet hair, 1970s fat ties and just a hint of bovver boy. Clothes worn too tight and too small. Kerry had prepared a shopping list: • bluebird earrings • three-inch Mary Jane corkie platform shoes • treads (shoes made using recycled tyres for the sole with suede thonging for the upper) • Lee canvas jeans • beachcombers • short white bobby socks • ribbed tights • a short, flared, preferably panelled skirt • satin baggies • a striped Golden Breed t-shirt or a KrestKnit polo shirt • a tight coral necklace from the surf shop • a Conti brand striped cardigan • blue metallic eye shadow from a small pot or a crayon
Magda Szubanski (Reckoning: A Memoir)
Unburdening, she’d told Laurie about a vision she’d had when she was four or five years old. Unable to sleep on Christmas Eve, she’d tiptoed downstairs and seen a fat bearded man standing in front of her family’s tree, checking items off a list. He wasn’t wearing a red suit—it was more like a blue bus driver’s uniform—but she still recognized him as Santa Claus. She watched him for a while, then snuck back upstairs, her body filled with an ecstatic sense of wonder and confirmation. As a teenager, she convinced herself that the whole thing had been a dream, but it had seemed real at the time, so real that she reported it to her family the next morning as a simple fact. They still jokingly referred to it that way, as though it were a documented historical event—the Night Meg Saw Santa.
Tom Perrotta (The Leftovers)
In his work Maladies and Remedies of the Life of the Flesh, published in Leiden under the pseudonym Christianus Democritus, he claimed to have discovered the Elixir of Life—a liquid counterpart to the Philosopher’s Stone—which would heal any ailment and grant eternal life to the person who drank it. He tried, but failed, to exchange the formula for the deed to Frankenstein Castle, and the only use he ever made of his potion—a mixture of decomposing blood, bones, antlers, horns and hooves—was as an insecticide, due to its incomparable stench. This same quality led the German troops to employ the tarry, viscous fluid as a non-lethal chemical weapon (therefore exempt from the Geneva Convention), pouring it into wells in North Africa to slow the advance of General Patton and his men, whose tanks pursued them across the desert sands. An ingredient in Dippel’s elixir would eventually produce the blue that shines not only in Van Gogh’s Starry Night and in the waters of Hokusai’s Great Wave, but also on the uniforms of the infantrymen of the Prussian army, as though something in the colour’s chemical structure invoked violence: a fault, a shadow, an existential stain passed down from those experiments in which the alchemist dismembered living animals to create it, assembling their broken bodies in dreadful chimeras he tried to reanimate with electrical charges, the very same monsters that inspired Mary Shelley to write her masterpiece, Frankenstein; or, The Modern Prometheus, in whose pages she warned of the risk of the blind advancement of science, to her the most dangerous of all human arts.
Benjamín Labatut (When We Cease to Understand the World)
Words present to us little pictures of things, lucid and normal, like the pictures that are hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter’s bench, a bird, an ant-hill; things chosen as typical of everything else of the same sort. But names present to us — of persons and of towns which they accustom us to regard as individual, as unique, like persons — a confused picture, which draws from the names, from the brightness or darkness of their sound, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction, or by a whim on the designer’s part, are blue or red not only the sky and the sea, but the ships and the church and the people in the streets.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
The Vicar stood aghast, with his smoking gun in his hand. It was no bird at all, but a youth with an extremely beautiful face, clad in a robe of saffron and with iridescent wings, across whose pinions great waves of colour, flushes of purple and crimson, golden green and intense blue, pursued one another as he writhed in his agony. Never had the Vicar seen such gorgeous floods of colour, not stained glass windows, not the wings of butterflies, not even the glories of crystals seen between prisms, no colours on earth could compare with them. Twice the Angel raised himself, only to fall over sideways again. Then the beating of the wings diminished, the terrified face grew pale, the floods of colour abated, and suddenly with a sob he lay prone, and the changing hues of the broken wings faded swiftly into one uniform dull grey hue. “Oh!
H.G. Wells (The Wonderful Visit)
It was the first time that I had ever been in a town where the working class was in the saddle. Practically every building of any size had been seized by the workers and was draped with red flags and with the red and black flag of the Anarchists; every wall was scrawled with the hammer and sickle and with the initials of the revolutionary parties; almost every church had been gutted and its images burnt. Churches here and there were being systematically demolished by gangs of workmen. Every shop and cafe had an inscription saying that it had been collectivized; even the bootblacks had been collectivized and their boxes painted red and black. Waiters and shop-walkers looked you in the face and treated you as an equal. Servile and even ceremonial forms of speech had temporarily disappeared. Nobody said 'Señor' or 'Don' or even 'Usted'; everyone called everyone else 'Comrade' or 'Thou', and said 'Salud!' instead of 'Buenos días'. Tipping had been forbidden by law since the time of Primo de Rivera; almost my first experience was receiving a lecture from a hotel manager for trying to tip a lift-boy. There were no private motor-cars, they had all been commandeered, and the trams and taxis and much of the other transport were painted red and black. The revolutionary posters were everywhere, flaming from the walls in clean reds and blues that made the few remaining advertisements look like daubs of mud. Down the Ramblas, the wide central artery of the town where crowds of people streamed constantly to and from, the loud-speakers were bellowing revolutionary songs all day and far into the night. And it was the aspect of the crowds that was the queerest thing of all. In outward appearance it was a town in which the wealthy classes had practically ceased to exist. Except for a small number of women and foreigners there were no 'well-dressed' people at all. Practically everyone wore rough working-class clothes, or blue overalls or some variant of militia uniform. All this was queer and moving. There was much in this that I did not understand, in some ways I did not even like it, but I recognized it immediately as a state of affairs worth fighting for...so far as one could judge the people were contented and hopeful. There was no unemployment, and the price of living was still extremely low; you saw very few conspicuously destitute people, and no beggars except the gypsies. Above all, there was a belief in the revolution and the future, a feeling of having suddenly emerged into an era of equality and freedom. Human beings were trying to behave as human beings and not as cogs in the capitalist machine.
George Orwell (Homage to Catalonia)
The “United States” does not exist as a nation, because the ruling class of the U.S./Europe exploits the world without regard to borders and nationality.  For instance, multinational or global corporations rule the world.  They make their own laws by buying politicians– Democrats and Republicans, and white politicians in England and in the rest of Europe.  We are ruled by a European power which disregards even the hypocritical U.S. Constitution.  If it doesn’t like the laws of the U.S., as they are created, interpreted and enforced, the European power simply moves its base of management and labor to some other part of the world.   Today the European power most often rules through neocolonial regimes in the so-called “Third World.”  Through political leaders who are loyal only to the European power, not to their people and the interests of their nation, the European power sets up shop in Africa, Asia, and Latin America.  By further exploiting the people and stealing the resources of these nations on every continent outside Europe, the European power enhances its domination.  Every institution and organization within the European power has the purpose of adding to its global domination: NATO, the IMF, the World Bank, the military, and the police.   The European power lies to the people within each “nation” about national pride or patriotism.  We foolishly stand with our hands over our hearts during the “National Anthem” at football games while the somber servicemen in their uniforms hold the red, white and blue flag, then a military jet flies over and we cheer.  This show obscures the real purpose of the military, which is to increase European power through intimidation and the ongoing invasion of the globe.  We are cheering for imperialist forces.  We are standing on Native land celebrating the symbols of de-humanizing terrorism.  Why would we do this unless we were being lied to?   The European imperialist power lies to us about its imperialism.  It’s safe to say, most “Americans” do not recognize that we are part of an empire.  When we think of an empire we think of ancient Rome or the British Empire.  Yet the ongoing attack against the Native peoples of “North America” is imperialism.  When we made the “Louisiana Purchase” (somehow the French thought Native land was theirs to sell, and the U.S. thought it was ours to buy) this was imperialism.  When we stole the land from Mexico, this was imperialism (the Mexican people having been previously invaded by the European imperialist power).  Imperialism is everywhere.  Only the lies of capitalism could so effectively lead us to believe that we are not part of an empire.
Samantha Foster (Center Africa / and Other Essays To Raise Reparations for African Liberation)
To anyone who had been there since the beginning it probably seemed even in December or January that the revolutionary period was ending; but when one came straight from England the aspect of Barcelona was something startling and overwhelming. It was the first time that I had ever been in a town where the working class was in the saddle. Practically every building of any size had been seized by the workers and was draped with red flags or with the red and black flag of the Anarchists; every wall was scrawled with the hammer and sickle and with the initials of the revolutionary parties; almost every church had been gutted and its images burnt. Churches here and there were being systematically demolished by gangs of workman. Every shop and cafe had an inscription saying that it had been collectivised; even the bootblacks had been collectivized and their boxes painted red and black. Waiters and shop-walkers looked you in the face and treated you as an equal. Servile and even ceremonial forms of speech had temporarily disappeared. Nobody said 'Sen~or' or 'Don' ort even 'Usted'; everyone called everyone else 'Comrade' or 'Thou', and said 'Salud!' instead of 'Buenos dias'. Tipping had been forbidden by law since the time of Primo de Rivera; almost my first experience was receiving a lecture from a hotel manager for trying to tip a lift-boy. There were no private motor-cars, they had all been commandeered, and the trams and taxis and much of the other transport were painted red and black. The revolutionary posters were everywhere, flaming from the walls in clean reds and blues that made the few remaining advertisements look like daubs of mud. Down the Ramblas, the wide central artery of the town where crowds of people streamed constantly to and fro, the loud-speakers were bellowing revolutionary songs all day and far into the night. And it was the aspect of the crowds that was the queerest thing of all. In outward appearance it was a town in which the wealthy classes had practically ceased to exist. Except for a small number of women and foreigners there were no 'well-dressed' people at all. Practically everyone wore rough working-class clothes, or blue overalls or some variant of militia uniform. All this was queer and moving. There was much in this that I did not understand, in some ways I did not not even like it, but I recognized it immediately as a state of affairs worth fighting for. Also, I believed that things were as they appeared, that this was really a workers' State and that the entire bourgeoisie had either fled, been killed or voluntarily come over to the workers' side; I did not realise that great numbers of well-to-do bourgeois were simply lying low and disguising themselves as proletarians for the time being.
George Orwell (Homage to Catalonia)
He ran his hand across his forehead. His skin felt clammy. Fine time to be coming down with the flu, he thought, and he almost laughed at the absurdity of it. The president gets no sick days, he thought, because a president’s not supposed to be sick. He tried to focus on who at the oval table was speaking to him; they were all watching him—the vice-president, nervous and sly; Admiral Narramore, ramrod-straight in his uniform with a chestful of service decorations; General Sinclair, crusty and alert, his eyes like two bits of blue glass in his hard-seamed face; Secretary of Defense Hannan, who looked as kindly as anyone’s old grandfather but who was known as “Iron Hans” by both the press corps and his associates; General Chivington, the ranking authority on Soviet military strength; Chief of Staff Bergholz, crewcut and crisp in his ubiquitous dark blue pinstriped suit; and various other military officials and advisors
Robert McCammon (Swan Song)
In Cootamundra the station was quiet. Tina looked around but before she could see anyone she saw the poster on the wall. Lockie saw it too. It stopped him mid-stride. It was surrounded by For Sale notices and babysitting flyers.Over the months it could have become covered over as hope was lost but it hadn’t been. Right in the middle, with some clear space around it, was the colour poster of a blue-eyed boy. His head was covered in golden curls and he had a deep dimple on his right cheek. His face had been enlarged so that every freckle could be counted. He was Lachlan Williams and in this town they were still looking for him. He looked nothing like the pale, skinny boy Tina was with. Underneath the picture were the words - Missing:Lachlan Williams Aged 8 Disappeared from the Easter Show April 2010. If you have any information please contact...There were a whole lot of numbers and a website address. Lockie stared at the poster for a minute. He pushed his hood back down and ran his hand over his brush-cut blond hair. ‘What—’ Tina began. ‘He shaved it,’ said Lockie before she could complete the question. ‘Every few weeks, when it got longer, he would shave it again.’ His voice was two hundred years old.Tina saw her hand on the poker and felt a surge of triumph at what she had done. Some people just deserved to die. It wasn’t a nice thought but it was true. You couldn’t change someone who was fundamentally evil. Of everything Lockie must have suffered, and Tina could not even wrap her mind around what he must have gone through, the shaving of his head seemed somehow the worst. The uniform had changed who Lockie was. He was a golden boy with golden curls and the uniform had taken the gold from him. Lockie looked nothing like the poster. His face was all angles and his smile was lost. He hadn’t needed to conceal himself beneath a hood. No one would have recognised him anyway.
Nicole Trope (The Boy Under the Table)
Even more interesting is that with all these millions of "fortuitous" colors, it appears that particularity is so rampant that any object we identify as, say, "blue" shares almost nothing in common with any other object we might identify as the same color. We tend to think that color operates like crayons. We use one crayon to fill in a tree, a bird, jacket, and a roof. But it appears that the same color can be served by very different microstructures. For example, what we see as simple blue can be produced by incandescnce, transitions, vibrations, refraction, scattering, diffraction, etc. As Hardin points out, the "same blue" found in the sky, water, a rainbow, a beetle, a sapphire, the star Sirius, and a television dot results from very different microstructures. This may be a tough swallow for some Platonists who hope for a uniform basis for each color, but it should be a joy for those who seek to honor our God of the details. Like the true particularity of the persons of the Trinity, creation boasts in real individuality too.
Douglas M. Jones III
That woman,” he mused. “She’s like a …” He searched his mind for a way of describing their formidable friend. A railway engine? A bolt of lightning? A determined cow? No, that was uncomplimentary, and he did not mean to be disrespectful. A stately hippopotamus, then? No, that was worse. “She is like a matron,” said Mma Ramotswe. “Don’t you think?” “Of course. Yes.” That was it. She was like a matron and she was a matron. And we needed matrons, he thought—we needed them. He had read that hospitals were getting rid of matrons and appointing all sorts of people who were not matrons to run them—people who did not wear matrons’ blue and white uniforms and did not have watches pinned onto their fronts. How would such people know how to run a hospital—or a children’s home, for that matter? Who were these people to imagine that they could do the things that matrons had always done? No wonder hospitals were full of infections and people lying in unmade beds; matrons would never have tolerated that—not for one moment. “So what did Matron say?” he asked.
Alexander McCall Smith (The Handsome Man's Deluxe Café (No. 1 Ladies' Detective Agency, #15))
The couple went into the vestry and came out again, Lilibet radiant with happiness. She passed back down the aisle and then, reaching the place where her parents stood, paused and swept them a deep, beautiful curtsey. As the memory of that very first curtsey to the king on his accession day came back with force, Marian fumbled for her handkerchief. Outside it was all wild pealing of the bells and the cheers of the crowds clustering about the Abbey. Margaret emerged with Peter Townsend beside her, dashing in his RAF uniform. She was looking up at him in a manner that could be interpreted only in one way. The queen was coming out now. She paused beside Marion and smiled. "I think she is happy, Crawfie." The glassy blue eyes were wistful. "I know how you feel, ma'am," Marion said, from her full heart. "I feel as if I've lost a daughter as well." The queen drew back. There was a beat or two before she said, with her usual serene smile, "I'm sure you do, Crawfie. But they grow up and leave us, and we must make the best of it." With that, she passed on to her carriage. Lilibet and Philip's had already set off, glittering in the sunlight, borne by cheers, into their glorious future.
Wendy Holden (The Royal Governess (Royal Outsiders, #1))
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.
Alain de Botton (The Art of Travel)
Dex squinted at the palace. “Their queen is a white-haired lady, right? I think I saw some pictures of her when I was researching about the cameras.” “Yeah, Queen Elizabeth,” Sophie said. “I don’t know much about her. Just that she likes little dogs and wears a lot of hats. And I think that flag means she’s actually here right now.” She pointed to the red, gold, and blue standard flying from a pole in the center of the palace, instead of the British Union Jack. “Same with the fact that there are four of those guys instead of two.” She nudged her chin toward the four members of the queen’s guard, standing stolid and motionless in what appeared to be narrow blue houses. The soldier’s faces looked blank, but Sophie had no doubt their eyes were seeing everything, and it made her hope the obscurer was keeping them hidden—especially when she noticed their guns. “So wait—the dorky guys in the red coats with the big furry hats are important?” Dex asked, covering his mouth to block a giggle. “And you had the nerve to complain about our Foxfire uniforms!” “Hey—I never had to wear anything like that. That’s strictly a British soldier thing!” “Soldier?” Dex repeated, frowning at the guards. “So… is that uniform supposed to be intimidating? Because I feel like if a dude marched up to an army of ogres wearing that, he’d mostly get laughed at.” “Goblins definitely wouldn’t be able to suppress their snickers,” Sandor noted, his lips twitching with a smile.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
Is this a date? Are you on a date with him? And who the hell’s car is this?” Before I can answer, Genevieve makes a move toward me, which I dodge. I run behind the pillar. “Don’t be such a baby, Lara Jean,” she says. “Just accept that you lose and I win!” I peek from behind the pillar, and John is giving me a look--a look that says, Get in. Quickly I nod. Then he throws open the passenger door, and I run for it, as fast as I can. I’ve barely got the door closed before he’s driving off, Peter and Gen in our dust. I turn back to look. Peter is staring after us, his mouth open. He’s jealous, and I’m glad. “Thanks for the save,” I say, still trying to catch my breath. My heart is pounding in my chest so hard. John is looking straight ahead, a broad smile on his face. “Anytime.” We stop at a stoplight, and he turns his head and looks at me, and then we’re looking at each other, laughing like crazy, and I’m breathless again. “Did you see the looks on their faces?” John gasps, dropping his head on the steering wheel. “It was classic!” “Like a movie!” He grins at me, jubilant, blue eyes alight. “Just like a movie,” I agree, leaning my head back against the seat and opening my eyes wide up at the moon, so wide it hurts. I’m in a red Mustang convertible sitting next to a boy in uniform, and the night air feels like cool satin on my skin, and all the stars are out, and I’m happy. The way John is still grinning to himself, I know he is too. We got to play make-believe for the night.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Lost Things" There are many ways to understand the word lost, my love. When you were born, the last Pyrenean ibex, a tawny female named Celia, had not yet lived to see the view from Torla overlooking Monte Perdido, but her great- grandsire stood on the cliffs of Ordesa, positioned on hoof-tips dainty as dimes, and he shook his impregnable skull, a coffer of brass and nobility crowned with bayonets, as though in defiance of all who dwelt in the highlands from Catalonia to Aquataine. Their kind is vanished now. Forever lost. Perdido. And when you dressed in a Girl Guide’s uniform of Persian blue on Tuesday nights, my love, in the long-lost basement of Grace United Church, to play indoor baseball and make believe that faerie magic could make you rich or important or happy, pods of baiji dolphins still swam in a river you’d never heard of and would not think about until years later, when together we would learn from the evening news that the baiji were lost, at last, from the Yangtze, and in their place there came a universal emptiness. There are many ways to understand the word lost, but it does not help to imagine a secret place where lost things go. When last I held you in my arms, my love, the West African black rhinoceros was still magnificent and still alive, but now the gentleness of your breath on my bare neck is as lost as the dusty, confident snort of that once breath-taking beast. Great strength is no protection, and neither is love. We are born, and our births are lost. We can’t go back to them. Each embrace ends with an ending. When we become, what we once thought we’d be is lost. We keep becoming.
Paul Vermeersch (The Reinvention of the Human Hand)
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))
I need only, to make them reappear, pronounce the names Balbec, Venice, Florence, within whose syllables had gradually accumulated the longing inspired in me by the places for which they stood. Even in spring, to come upon the name Balbec in a book sufficed to awaken in me the desire for storms at sea and for Norman Gothic; even on a stormy day the name Florence or Venice would awaken the desire for sunshine, for lilies, for the Palace of the Doges and for Santa Maria del Fiore. But if these names thus permanently absorbed the image I had formed of these towns, it was only by transforming that image, by subordinating its reappearance in me to their own special laws; and in consequence of this they made it more beautiful, but at the same time more different from anything that the towns of Normandy or Tuscany could in reality be, and, by increasing the arbitrary delights of my imagination, aggravated the disenchantment that was in store for me when I set out upon my travels. They magnified the idea that I had formed of certain places on the surface of the globe, making them more special and in consequence more real. I did not then represent to myself cities, landscapes, historical monuments, as more or less attractive pictures, cut out here and there of a substance that was common to them all, but looked on each of them as on an unknown thing, different in essence from all the rest, a thing for which my soul thirsted and which it would profit from knowing. How much more individual still was the character they assumed from being designated by names, names that were for themselves alone, proper names such as people have! Words present to us a little picture of things, clear and familiar, like the pictures hung on the walls of schoolrooms to give children an illustration of what is meant by a carpenter's bench, a bird, an anthill, things chosen as typical of everything else of the same sort. But names present to us— of persons, and of towns which they accustom us to regard as individual, as unique, like persons— a confused picture, which draws from them, from the brightness or darkness of their tone, the colour in which it is uniformly painted, like one of those posters, entirely blue or entirely red, in which, on account of the limitations imposed by the process used in their reproduction or by a whim on the designer's part, not only the sky and the sea are blue or red, but the ships and the church and the people in the streets.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
(I scream) 'Do you see my teardrops, that splash out of my blue eyes? Do you see everything I do? Do you see my brown hair that covers them and hides my true emotions in class? Do you even care? Do you feel what I felt right now? Can you feel my hurting insides? Nope, no one can feel that unless they exist!' 'Have you ever had to feel just like I do? Can you see my makeup mixing with my teardrops, as it all falls to the ground like my emotions, passions, and caring? If not you're just as heartless as them!' 'No one is born condemning another soul because of the sensuality of or skin or their background or their faith, it just seems that everything in my life is like trickling down my body, and away from me in every way imaginable.' 'As a result, the only thing I can do is get up and raise my hands to the heavens in the rain. While shouting the question- 'Why did you let this happen to me?' 'I hear that small voice in my head again it's a small whisper saying: 'End it! End it! As I was looking into the glow of the light of the envisioned angel of death.'' 'I have nothing but my split thoughts rushing in my head. Like a screaming bolt of lightning cracking in the sky above me.' ''Hum, should I just end it all?' I mean I'm only fourteen years old. Though there is not one person around here for me. Not one which is going to miss me at all.' 'I proceeded to that gloomy conclusion a long time ago. I would not be remembered. Would anyone remember me? Would anyone care? I should end it all right now?' 'I reminisce about me clutching my uniform, and how I would achieve my departure. The same awful uniform that I tugged, unsnapped, and ripped off myself, an hour ago, I see it over there like it's staring me down with a glint of evil.' 'Calling out as it's lying in the mud. I crawl over on my hands and knees, grabbing my minor skirt away from the button-down top, pulling the tie out of the collar. To do what must be fulfilled obeyed.' 'Holding the tie in my small hands. I pause and glance at my fingernails, which are painted lime green with pink straps, knowing this would be the last time I will.' ''Curse them all!' I say, will make the undone dark blue tie into a noose, looping, twisting, and coiling it through itself making it snugger around my neck.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.' 'Notwithstanding that pain is nothing like what they put me through. Just like chivalry is dead, just like everything I do is mainly felonies attached, by trying to live.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
When the commander of one of the brigades Gilbert had sent to reinforce McCook approached an imposing-looking officer to ask for instructions as to the posting of his troops—“I have come to your assistance with my brigade!” the Federal shouted above the uproar—the gentleman calmly sitting his horse in the midst of carnage turned out to be Polk, who was wearing a dark-gray uniform. Polk asked the designation of the newly arrived command, and upon being told raised his eyebrows in surprise. For all his churchly faith in miracles, he could scarcely believe his ears. “There must be some mistake about this,” he said. “You are my prisoner.” Fighting without its commander, the brigade gave an excellent account of itself. Joined presently by the other brigade sent over from the center, it did much to stiffen the resistance being offered by the remnants of McCook’s two divisions. Sundown came before the rebels could complete the rout begun four hours ago, and now in the dusk it was Polk’s turn to play a befuddled role in another comic incident of confused identity. He saw in the fading light a body of men whom he took to be Confederates firing obliquely into the flank of one of his engaged brigades. “Dear me,” he said to himself. “This is very sad and must be stopped.” None of his staff being with him at the time, he rode over to attend to the matter in person. When he came up to the erring commander and demanded in angry tones what he meant by shooting his own friends, the colonel replied with surprise: “I don’t think there can be any mistake about it. I am sure they are the enemy.” “Enemy!” Polk exclaimed, taken aback by this apparent insubordination. “Why, I have only just left them myself. Cease firing, sir! What is your name, sir?” “Colonel Shryock, of the 87th Indiana,” the Federal said. “And pray, sir, who are you?” The bishop-general, learning thus for the first time that the man was a Yankee and that he was in rear of a whole regiment of Yankees, determined to brazen out the situation by taking further advantage of the fact that his dark-gray blouse looked blue-black in the twilight. He rode closer and shook his fist in the colonel’s face, shouting angrily: “I’ll soon show you who I am, sir! Cease firing, sir, at once!” Then he turned his horse and, calling in an authoritative manner for the bluecoats to cease firing, slowly rode back toward his own lines. He was afraid to ride fast, he later explained, because haste might give his identity away; yet “at the same time I experienced a disagreeable sensation, like screwing up my back, and calculated how many bullets would be between my shoulders every moment.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
three men came dressed in U.S Air Force uniforms, dark navy blue with shirt, metal buttons, the flight cap, air force seals and insignia. They looked commandingly handsome and they knew it. One of them, who seemed
Lily Zante (The Proposal (A Perfect Match #1))
I remember a rainbow spectrum of men’s wing tips parked in rows, triple-A narrow, the leather dyed snake green, lemon yellow, and unstable shades of vermilion and Ditto-ink blue. All of humanity dresses in uniforms of one sort or another, and these shoes were for pimps.
Rachel Kushner (The Flamethrowers)
THE BLUE FLANNEL SUIT" I had let it all grow. I had supposed It was all OK. Your life Was a liner I voyaged in. Costly education had fitted you out. Financiers and committees and consultants Effaced themselves in the gleam of your finish. You trembled with the new life of those engines. That first morning, Before your first class at College, you sat there Sipping coffee. Now I know, as I did not, What eyes waited at the back of the class To check your first professional performance Against their expectations. What assessors Waited to see you justify the cost And redeem their gamble. What a furnace Of eyes waited to prove your metal. I watched The strange dummy stiffness, the misery, Of your blue flannel suit, its straitjacket, ugly Half-approximation to your idea Of the properties you hoped to ease into, And your horror in it. And the tanned Almost green undertinge of your face Shrunk to its wick, your scar lumpish, your plaited Head pathetically tiny. You waited, Knowing yourself helpless in the tweezers Of the life that judges you, and I saw The flayed nerve, the unhealable face-wound Which was all you had for courage. I saw that what you gripped, as you sipped, Were terrors that killed you once already. Now I see, I saw, sitting, the lonely Girl who was going to die. That blue suit, A mad, execution uniform, Survived your sentence. But then I sat, stilled, Unable to fathom what stilled you As I looked at you, as I am stilled Permanently now, permanently Bending so briefly at your open coffin.
Ted Hughes
Ding! Ding! Ding! I tapped the brass bell in rapid succession until Violet bustled in from the back room, wearing the blue-and-white pinafore that was the SugarWerks’s uniform and a frown that was not. The same age as Nic and I, Violet wore her amethyst hair spiked and a brass gearring stud on the left side of her nose. On one set of knuckles, BAKE was tattooed in elaborate black calligraphy; CAKE was on the other. Today she had an aquamarine bow pinned to the top of her head, a silver cupcake and crossbones marking the spot between the two loops of ribbon.
Lisa Mantchev (Ticker)
Sir Graham walked to the window, very aware of two worshipful pairs of young eyes on his back. He knew well how to make himself noticed; he knew well how to draw a lady’s eye, and with this in mind—and despite the heat—he had purposely and cunningly exchanged his seagoing frock coat for his finest full-dress uniform. The dark blue coat was carefully brushed, with bright gold bars of lace at sleeve and lapel, more lace at collar, cuffs, and pockets, and the epaulets with the single star winking proudly from each shoulder; the waistcoat and breeches were snowy white, and a cocked hat was framed with even more gold trim. Uniforms—especially full-dress ones usually reserved for formal occasions—were a sure bet for winning female hearts and with this in mind, the admiral turned just so, knowing that the sunlight would—move a little more to starboard, Gray—he heard one of the girls gasp—yes, that's it—touch upon the gold fringe of his epaulets with blinding brilliance. With a private, wicked smile, he struck a deliberate pose, relaxed yet commanding all at once;
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))