Different Fonts Quotes

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I can offer you water or, um, water. Some of the pouches have a slightly different font, so you can choose serif hydration or sans serif hydration.
Eliot Schrefer (The Darkness Outside Us (The Darkness Outside Us, #1))
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
My Mother’s Lungs—began their dying sometime in the past. Doctors talked around tombstones. About the hedges near the tombstones, the font. The obituary writer said the obituary is the moment when someone becomes history. What if my mother never told me stories about the war or about her childhood? Does that mean none of it happened? No one sits next to my mother’s small rectangular tombstone, flush to the earth. The stone is meant to be read from above. What if I’m in space and can’t read it? Does that mean she didn’t die? She died at 7:07 a.m. PST. It is three hours earlier in Hawaii. Does that mean in Hawaii she hasn’t died yet? But the plane ride to Hawaii is five hours long. This time gap can never be overcome. The difference is called grieving.
Victoria Chang (Obit)
I saw [Chennai]. It had the usual Indian elements like autos, packed public buses, hassled traffic cops and tiny shops that sold groceries, fruits, utensils, clothes or novelty items. However, it did feel different. First, the sign in every shop was in Tamil. The Tamil font resembles those optical illusion puzzles that give you a headache if you stare at them long enough. Tamil women, all of them, wear flkowers in their hair. Tamil men don't believe in pants and wear lungis even in shopping districts. The city is filled with film posters. The heroes' pictures make you feel even your uncles can be movie stars. The heroes are fat, balding, have thick moustaches and the heroine next to them is a ravishing beauty.
Chetan Bhagat (2 States: The Story of My Marriage)
Most people take the way words look for granted ... Words are there to be read – end of story. Once however typomania sets in, it becomes quite a different story.
Simon Garfield (Just My Type: A Book About Fonts)
I know this about imagination: It needs a place to go. If I don't work at my cards and images and letterpress, if I don't touch the cut metal and carved wood fonts and imagine different patterns as I place letters next to others in a new way, my ideas will turn inward.
Patti Callahan Henry (The Stories We Tell)
How, in fact, the font does matter, or it can – likewise the timing and circumstances of my reading, the books I am reading the book with, the people I am talking to about it, who might make me think differently; the difference between reading a book for the first time and for the third.
Kate Briggs (This Little Art)
Notice anything different?” She tucked her pinstriped hair behind her ear and squinted at the screen. “I’m using the wrong font?” “Notice anything different about my boobs?” That got her attention. She whirled around in her chair and peered at my chest. “You changed your boobs?” “I’m showing my boobs,” I said proudly, moving my palm in front of them like presenting them on a TV commercial. All this can be yours! Or, rather, your son’s.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
By the time they emerged from the stacks, satchels heavy with books and eyes dizzy from squinting at tiny fonts, the sun had long gone down. At night, the moon conspired with streetlamps to bathe the city in a faint, otherworldly glow. The cobblestones beneath their feet seemed like roads leading into and out of different centuries. This could be the Oxford of the Reformation, or the Oxford of the Middle Ages. They moved within a timeless space, shared by the ghosts of scholars past.
R.F. Kuang (Babel)
A.J. walks over to the crime section. He looks across the spines, which are, for the most part, black and red with all capitalized fonts in silvers and whites. An occasional burst of fluorescence breaks up the monotony. A.J. thinks how similar everything in the crime genre looks. Why is any one book different from any other book? They are different, A.J. decides, because they are. We have to look inside many. We have to believe. We agree to be disappointed sometimes so that we can be exhilarated every now and again.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
The Book of Man (in Twenty-Three Volumes) It has 3,088,286,401 letters of DNA (give or take a few). Published as a book with a standard-size font, it would contain just four letters...AGCTTGCAGGGG...and so on, stretching, inscrutably, page upon page, for over 1.5 million pages-sixty-six times the size of the Encyclopedia Britannica. It encodes about 20,687 genes in total-only 1,796 more than worms, 12,000 fewer than corn, and 25,000 fewer genes than rice or wheat. The difference between "human" and "breakfast cereal" is not a matter of gene numbers, but of the sophistication of gene networks. It is not what we have; it is how we use it.
Siddhartha Mukherjee (The Gene: An Intimate History)
   Æsthetic and moral education are closely related to this sensory education. Multiply the sensations, and develop the capacity of appreciating fine differences in stimuli and we refine the sensibility and multiply man’s pleasures.    Beauty lies in harmony, not in contrast; and harmony is refinement; therefore, there must be a fineness of the senses if we are to appreciate harmony. The æsthetic harmony of nature is lost upon him who has coarse senses. The world to him is narrow and barren. In life about us, there exist inexhaustible fonts of æsthetic enjoyment, before which men pass as insensible as the brutes seeking their enjoyment in those sensations which are crude and showy, since they are the only ones accessible to them.    Now, from the enjoyment of gross pleasures, vicious habits very often spring. Strong stimuli, indeed, do not render acute, but blunt the senses, so that they require stimuli more and more accentuated and more and more gross.
Montessori Maria (The Montessori Method)
In 2012, noted font design group Monotype worked with a team of researchers at MIT’s AgeLab to study the impact of type design on what the study called “glance behavior,” the type of quick display reading most often utilized by drivers when interacting with a car’s dashboard. The study found that using “humanist” typefaces with open shapes, wider inter-character spacing and varying proportions could produce a 13% increase in overall response time among males taking the study. Clearly, reducing glance time is potentially lifesaving in a high-risk activity such as driving. It turns out the same feature may also be critical for any content creator trying to contend with one of the most profound consequences of our information-filled world: the shrinking human attention span.
Rohit Bhargava (Non-Obvious: How to Think Different, Curate Ideas & Predict The Future)
The minute I dropped out I could stop taking the required classes that didn’t interest me, and begin dropping in on the ones that looked interesting. It wasn’t all romantic. I didn’t have a dorm room, so I slept on the floor in friends’ rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example: Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn’t have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can’t capture, and I found it fascinating. None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it’s likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later. Again, you can’t connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something—your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life. The narrator of this story is Steve Jobs, the legendary CEO of Apple. The story was part of his famous Stanford commencement speech in 2005.[23] It’s a perfect illustration of how passion and purpose drive success, not the crossing of an imaginary finish line in the future. Forget the finish line. It doesn’t exist. Instead, look for passion and purpose directly in front of you. The dots will connect later, I promise—and so does Steve.
Jesse Tevelow (The Connection Algorithm: Take Risks, Defy the Status Quo, and Live Your Passions)
Guideline #6: Be sure the résumé is well organized and reader-friendly. It won’t help much if you have extraordinary skills and qualifications but a hiring manager is unable to access the information. Take care not to use many different fonts or bullets. Balance your information with white space so the document is pleasant to read. You might want to limit the use of italics, as information presented in italics is normally difficult to read. The presentation should be crisp, exciting, and inviting. If you can’t get totally jazzed about your résumé, how do you expect a potential employer to?
Jay A. Block (101 Best Ways to Land a Job in Troubled Times)
Optimizing London Park Lane City Apartments Maintenance For Greater Success Most imperative for any new site is drawing in guests. Ensure that you have designed your website well and that you use search engine advertising to bring in visitors. There're a number of internet marketing tools available to you; make use of them to get the very best results. Here are some great recommendations on how to make a booming website. The most popular websites are well designed in appearance in addition to content. The experts advise against getting too creative with oddball fonts or crazy color schemes, or including so many graphics that the message gets lost in the confusion. Do not depend on your own eyes to catch blunders in spelling, punctuation, or grammar. Even minor blunders in grammar, spelling, or punctuation make people question your professionalism and credibility. If your website has been designed to run successfully on all different browsers then your online business will likely be even more fruitful. Maximizing your traffic can be achieved if your online site is accessed on all devices on any browser. You can lose a lot of visitors if your online site is just compatible with a select few internet browsers. Ensure that you address the issue of browser compatibility problems with your website designer, who will probably be your best friend in fixing this issue. If your pages do not load quickly, you'll have a tough time retaining visitors. Visitors have a relatively short attention span; on average, studies show that you have only five to ten seconds to hook their attention. It's important to do everything you can to effectively ensure quick load times, like compressing images and not using too many of them. Consider using a dedicated server to give your website more speed and precision. Use multiple domains to get a better ranking in search engine results. Using the proper search phrases is essential to driving visitors to your website through searches. The more search phrases are in your domain name, the more visitors your website will receive. Additionally, put copy on the page that is directly related to the search in order to maximize your numbers. London park lane city apartmentss require a high rate of speed in order to be used effectively. The operating speed of your webpage can be improved by using a high-quality hosting site. You can increase your website's speed and functionality by using CSS. The most vital thing to ask a potential designer for your website is how much they know about making your website faster. Choose key phrases that correlate closely with the content on your website. If you emphasize key phrases that do not align with your webpage, you may very well draw visitors you do not want. A poor choice in key phrases could damage your website's reputation. Ask a professional in the internet presence industry to critique your choice of key phrases to ensure you have the very best possible use. Park Lane City Apartments 92 Middlesex St London E1 7EZ 44 20 7377 1763
Park Lane City Apartments
Hemisphere-Alluding Stimulation In this method, we ‘allude’ (originated from a Latin word which means ‘refer to’) the text that is read to either the right or the left hemisphere of the brain. Alluding to the right hemisphere can be done by printing the reading materials in a very complicated or unusual fashion- for example, using different typefaces and bold fonts, which makes it more difficult to process the symbols.
Craig Donovan (Dyslexia: For Beginners - Dyslexia Cure and Solutions - Dyslexia Advantage (Dyslexic Advantage - Dyslexia Treatment - Dyslexia Therapy Book 1))
I need the job. I need to spend a certain amount of my day focused on things like fonts and resolutions and links, or else my mind will go to that dark, cold place it goes whenever it has nothing else to do. I’ll relive that night five years ago, relive it over and over again but with different outcomes. Impossible outcomes. I’ll break things. I’ll drink. I’ll hurt people who don’t deserve to be hurt, when the one person who does deserve it continues to thrive. To sparkle. To win awards. I need this job to survive.
Alison Gaylin (The Collective)
You must become a prey to know the hunter. Yes. That’s true. You must endure the pain to know what others unknown to you must have felt. ‘No cause can be causeless,’ a wise man once wrote. We need that jolting moment to arouse us from slumber. Henceforth, the pages in history will be written in different fonts and colours. The words shall be Bolder! Stronger! Fearsome! The prey has woken its killer instinct, or as they say—the hunters become the hunted.
Udayakumar D.S. (FT Legacy 1: Who is Frank Twine?)
I do have an interest in dissidents. My mother believes 5G may harm us, and I think she’s silly. But what of the nonconformist who warned back in 1940 that cigarettes kill? What of the contrarian who said the CIA was spying on Martin Luther King, Jr.? I mean, I’ve seen no evidence that 5G or the Covid vaccines are harmful. But have I done that research myself? No. I just trust the media would tell me if they were. My media. Whatever media my mom is consuming, they’re quoting “research, studies.” They’re slinging medical articles and YouTube videos of doctors saying that mRNA vaccines kill. A month before our road trip, she sent me one of these videos. It’s a clip of a longer talk, but even the clip is twelve minutes long. “Something to consider,” she wrote in the subject line. “Doctor calls out deadly vaccine!” Twelve minutes is annoyingly long for something I instinctively discredit, but short enough to give it a go. So I do. It’s a doctor on a stage with a PowerPoint. He has studies and graphs and lists of ingredients in tiny fonts and words like “embryonic stem cells.” I write my mom a long response. “OK I’m six minutes in and here are my thoughts: he’s using a lot of technical science speak that is above my pay grade. And so, what I’m doing is I’m trusting the lingo of an expert.
Jedidiah Jenkins (Mother, Nature: A 5,000-Mile Journey to Discover if a Mother and Son Can Survive Their Differences)
Ch 7: Read Blogs, Periodicals, and Other Web Content for Free on the Kindle Amazon might prefer that you get all your Kindle blogs and periodicals for a price in the Kindle Store, and those Kindle editions are tough to match when it comes to elegant formatting and the convenience of having new issues and posts pushed wirelessly to your Kindle in real time. However, there are a number of increasingly user-friendly ways to enjoy newspapers, magazines, and blogs free of charge on a Kindle, and we'll break them down and show you how in this chapter and the next. Here are the basic approaches: •     You can use your Kindle's web browser to read any of millions of blogs and online periodical editions directly from the web. •     You can use any of several RSS feed services such as Google Reader to read content summaries on your Kindle and then click through to content that interests you. •     You can use Instapaper to flag, sort, and organize interesting articles as you surf the web and send them individually or in digest form to your Kindle. •     You can set up Calibre to fetch the latest issues of newspapers, magazines and blogs and transfer them directly to your Kindle via an easy-to-use Calibre-to-Kindle USB connection. All of these feature are better than ever on the latest generation Kindle 3G and Kindle Wi-Fi models for the following reasons: •     Both models come with wi-fi, which is must faster than 3G for any activities other than reading an ebook or listening to an audio file. •     These latest generation Kindle 3G and Kindle Wi-Fi models both come with the Kindle's relatively new WebKit web browser based on the same platform that powers the Safari web browser. It's still a bit slow, but it is miles ahead of the previous Kindle web browser. •     These latest generation Kindle 3G and Kindle Wi-Fi models feature the new eInk Pearl display that renders 50 percent better contrast than previous Kindle displays, which is especially important when viewing web content formatted for a larger color screen. •     These latest generation Kindle 3G and Kindle Wi-Fi models provide other features to enhance web page viewing and reading, including Article Mode (a Menu selection while viewing any web page on these Kindles) and several different "zoom" options using the "Aa" font key or the Menu. Reading
Stephen Windwalker (Kindle free for all: how to get millions of free kindle books and other free content)
It was no accident that one of the advertising slogans for Holiday Inn, a chain that found success by building hundreds of motels near freeways and interstates, was “Holiday Inn. The best surprise is no surprise.” In this way, freeways have helped to rob many places of their personalities, smothering regional character under a blanket of sand and gravel. The interstates are designed to be monotonous, engineered to the same standards, governed by the same speed limits, with signs in identical colors and fonts indicating the distance to the next city. As a result they induce highway hypnosis, providing an experience less like motoring than like sitting on a vast concrete conveyor belt, cruise-controlling along with no effort required beyond keeping one eye on the road and another on your gas gauge, for mile after mile after mile. That numbing sameness reduces the landscape to a blur interrupted at regular intervals by overbright outposts of gas stations and fast-food chains, replicated in slightly different configurations right across the entire country, so that you can have breakfast at a Denny’s in the morning in Nashville and dinner at what appears to
Vince Beiser (The World in a Grain: The Story of Sand and How It Transformed Civilization)
As a foundation of democracy, science itself is a font of tolerance. It is also a great beneficiary of diversity because it thrives on challenges from differing viewpoints to find unexpected breakthroughs and to make its conclusions stronger. All these cherished values of postmodern society, ironically, have their foundation in the thinking and practice of science.
Shawn Lawrence Otto (the war on Science)
The mid-century Conservative Party in England had arrived at a universal font truth: we tend to treat the traditional and familiar as trustworthy. We are dubious of fonts that alert us to their difference, or fonts that seem to be trying too hard. We don't like being consciously sold things, or paying for fancy design we don't need.
Simon Garfield (Just My Type: A Book About Fonts)
You do know, don't you, Allen, that God is a bookseller? He publishes one book-the text of suffering - over and over again. He disguises it between new boards, in different shapes and sizes, prints on varying papers, in many fonts, adds prefaces and postscripts to deceive the buyer, but it's always the same book.
Joyce Carol Oates (The Oxford Book of American Short Stories)
What can explain this difference? On the surface, much appears to hinge on Richard’s programming feat, his software shim. Otherwise, his effort with Konqueror seems much like my struggles with Mozilla. Perhaps he was just a better programmer than me, and without his coding cleverness, there would be no story. That explanation is too simple. Richard made his shim only after determining he needed one last link in a chain of inspiration, intuition, reasoning, and estimation. His shim was a consequence of his overall plan. To show what I mean, here’s an accounting of what Richard did in his first couple of days at Apple. He began by quizzing us on the browser analysis we had done before his arrival, and after hearing it, he quickly discarded our effort with Mozilla as unlikely to bear fruit. By doing so, he demonstrated the self-confidence to skip any ingratiating display of deference to his new manager, a person who had years of experience in the technical field he was newly entering. Next, Richard resolved to produce a result on the shortest possible schedule. He downloaded an open source project that held genuine promise, the Konqueror code from KDE, a browser that might well serve as the basis for our long-term effort. In getting this code running on a Mac, he decided to make the closest possible approximation of a real browser that was feasible on his short schedule. He identified three features—loading web pages, clicking links, and going back to previous pages. He reasoned these alone would be sufficiently compelling proofs of concept. He then made his shortcuts, and these simplifying choices defined a set of nongoals: Perfect font rendering would be cast aside, as would full integration with the Mac’s native graphics system, same for using only the minimum source code from KDE. He reasoned that these shortcuts, while significant, would not substantially detract from the impact of seeing a browser surf web pages. He resolved to draw together these strands into a single demo that would show the potential of Konqueror. Then, finally, he worked through the technical details, which led him to develop his software shim, since that was the only thing standing between him and the realization of his plan. His thought process amplified his technical acumen. In contrast, Don and I were hoping Mozilla would pan out somehow. I was trying to get the open source behemoth to build on the Mac, with little thought beyond that. I had no comparable plan, goals, nongoals, tight schedule, or technical shortcuts.
Ken Kocienda (Creative Selection: Inside Apple's Design Process During the Golden Age of Steve Jobs)
It is not possible to teach someone to treat everyone the same. We can be told, and often are told, to treat everyone the same, but we cannot successfully be taught to do so because human beings are not objective. Further, we wouldn’t want to treat everyone the same because people have different needs and different relationships with us. Differential treatment in itself is not the problem. For example, I wouldn’t give a document with a twelve-point font to a person with low vision, even though someone else wouldn’t have any trouble reading it. The problem is the misinformation that circulates around us and causes our differential treatment to be inequitable. The feedback I have heard repeatedly
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
I’ve known far too many people who get hung up on designing packaging when they should be getting their product ready to sell. They work and rework a logo, change out the color of their plastic wrapping, consider a hundred different fonts for their brand name. Honestly, if you’re selling a product on Amazon, most people won’t even notice your packaging. For the customer, the packaging is a brown Amazon box on the doorstep. If the product speaks to them, they’ll get it regardless of the plastic you wrap it in.
Ryan Daniel Moran (12 Months to $1 Million: How to Pick a Winning Product, Build a Real Business, and Become a Seven-Figure Entrepreneur)
choose different fonts by selecting Font from the Format menu or by pulling down on fonts in the Formatting Bar. You can also select the size and style.TIP: By using the Formatting Bar, you will be able to see the font stylePrepared by
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