Perfume Happiness Quotes

We've searched our database for all the quotes and captions related to Perfume Happiness. Here they are! All 100 of them:

Happiness is a perfume you cannot pour on others without getting some on yourself.
Ralph Waldo Emerson
Love. Because of you, in gardens of blossoming Flowers I ache from the perfumes of spring. I have forgotten your face, I no longer Remember your hands; how did your lips Feel on mine? Because of you, I love the white statues Drowsing in the parks, the white statues that Have neither voice nor sight. I have forgotten your voice, your happy voice; I have forgotten your eyes. Like a flower to its perfume, I am bound to My vague memory of you. I live with pain That is like a wound; if you touch me, you will Make to me an irreperable harm. Your caresses enfold me, like climbing Vines on melancholy walls. I have forgotten your love, yet I seem to Glimpse you in every window. Because of you, the heady perfumes of Summer pain me; because of you, I again Seek out the signs that precipitate desires: Shooting stars, falling objects.
Pablo Neruda
Realize that true happiness lies within you. Waste no time and effort searching for peace and contentment and joy in the world outside. Remember that there is no happiness in having or in getting, but only in giving. Reach out. Share. Smile. Hug. Happiness is a perfume you cannot pour on others without getting a few drops on yourself.
Og Mandino
When you're unhappy, you get to pay a lot of attention to yourself. And you get to take yourself oh so very seriously. Your truly happy people, which is to say, your people who truly like themselves, they don't think about themselves very much. Your unhappy person resents it when you try to cheer him up, because that means he has to stop dwellin' on himself and start payin' attention to the universe. Unhappiness is the ultimate form of self-indulgence.
Tom Robbins (Jitterbug Perfume)
It is almost impossible to describe happiness, because at the time it feels entirely natural, as if all the rest of your life has been the aberration; only in retrospect does it swim into focus as the rare and precious thing it is. When it is present, it seems to be eternal, abiding forever, and there is no need to examine it or clutch it. Later, when it has evaporated, you stare in dismay at your empty palm, where only a little of the perfume lingers to prove that once it was there, and now is flown.
Margaret George (The Memoirs of Cleopatra)
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
Once upon a time, [...]. There was a world that was perfectly made and full of birds and striped creatures and lovely things like honey lilies and star tenzing and weasels— [...] And this world already had light and shadow, so it didn't need any rouge stars to come and save it, and it had no use for bleeding suns or weeping moons, either, and most important, it had never known war, which is a terrible and wasteful thing that no world needs. It had earth and water, air and fire, all four elements, but it was missing the last element. Love. [...] And so this paradise was like a jewel box without a jewel. There it lay, day after day of rose-colored dawns and creature sounds and strange perfumes, and waited for lovers to find it and fill it with their happiness. The end. [...] The story is unfinished. The world is still waiting.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Erase from your vocabulary the word “someday.” Do not save things for “special occasions.” Take into account the fact that every day is special. Every day is a gift that we must appreciate and be thankful for. Wear your attractive clothes, wear your nice perfume, use your fine silverware and dishes, and drink from your expensive crystal glasses … just because. Live every day to the fullest and savor every minute of it.
Rodolfo Costa (Advice My Parents Gave Me: and Other Lessons I Learned from My Mistakes)
Joy knows itself. As children we didn’t even know the word joy, we were joy.
Francis Lucille (The Perfume of Silence)
When we are happy, we don’t know that we are happy, because happiness requires childlike innocence. When a child is happy, he doesn’t know that he is happy. He doesn’t formulate it, he simply enjoys it.
Francis Lucille (The Perfume of Silence)
Life is a celebration. Consider everything that makes you happy as a gift from God and say, 'Thank you.
Francis Lucille (The Perfume of Silence)
I thought of myself mixing the fragrance of a certain day – the heavy musk of the hillside after the rain with the lightness of fresh blossoms doused in the downpour. I thought of each little bottle as the essence of a happy day or a sad one. I mixed the scent of a lonely moment – sandalwood and bergamot lingering over a rich, peppery base.
Sara Sheridan (The Secret Mandarin)
He dreams he is happy; that his corporeal nature has changed; or at least that he has flown off upon a purple cloud of another sphere peopled by beings of the same kind as himself. Alas! May his illusion last till dawn’s awakening! He dreams the flowers dance round him in a ring like immense demented garlands, and impregnate him with their balmy perfumes while he sings a hymn of love, locked in the arms of a magically beautiful human being. But it is merely twilight mist he embraces, and when he wakes their arms will no longer be entwined. Awaken not, hermaphrodite. Do not wake yet, I beg you. Why will you not believe me? Sleep … sleep forever. May your breast heave while pursuing the chimerical hope of happiness — that I allow you; but do not open your eyes. Ah! do not open your eyes.
Comte de Lautréamont (Maldoror and the Complete Works)
There were no mad flashings of the eye, no lunatic grimace passed over his face. He was not out of his mind, which was so clear and buoyant that he asked himself why he wanted to do it at all. And he said to himself that he wanted to do it because he was evil, thoroughly evil. And he smiled as he said it and was content. He looked quite innocent, like any happy person.
Patrick Süskind (Perfume: The Story of a Murderer)
What is politics, after all, but the compulsion to preside over property and make other peoples' decisions for them? Liberty, the very opposite of ownership and control, cannot, then, result from political action, either at the polls or the barricades, but rather evolves out of attitude. If it results from anything, it may be levity. If civilization is ever going to be anything but a grandiose pratfall, anything more than a can of deodorizer in the sh*thouse of existence, the people are going to have to concern themselves with magic and poetry. Reality is subjective, and there's an unenlightened tendency in this culture to regard something as 'important' only if it's sober and severe. Your Cheerful Dumb are not so much happy as lobotomized. But your Gloomy Smart are just as ridiculous. When you're unhappy, you get to pay a lot of attention to yourself. And you get to take yourself oh so very seriously. Your truly happy people, which is to say, your people who truly LIKE themselves, they don't think about themselves very much. Your unhappy person resents it when you try to cheer him up, because that means he has to stop dwelling on himself and start paying attention to the universe. Unhappiness is the ultimate form of self-indulgence. Humanity has advanced, when it has advanced, not because it has been sober, responsible, and cautious, but because it has been playful, rebellious, and immature.
Tom Robbins (Jitterbug Perfume)
Reality is subjective, and there’s an unenlightened tendency in this culture to regard something as ‘important’ only if ‘tis sober and severe. Sure and still you’re right about your Cheerful Dum, only they’re not so much happy as lobotomized. But your Gloomy Smart are just as ridiculous. When you’re unhappy, you get to pay a lot of attention to yourself. And you get to take yourself oh so very seriously. Your truly happy people, which is to say, your people who truly like themselves, they don’t think about themselves very much. Your unhappy person resents it when you try to cheer him up, because that means he has to stop dwellin’ on himself and start payin’ attention to the universe. Unhappiness is the ultimate form o’ self-indulgence.
Tom Robbins (Jitterbug Perfume)
Life is a celebration. Consider everything that makes you happy as a gift from God and say, 'Thank you.' Lucille, Francis. The Perfume of Silence . Unknown. Kindle Edition.
Francis Lucille (The Perfume of Silence)
Let ghosts sleep, don’t wake them up. Celebrate and just get used to celebrating more and more.
Francis Lucille (The Perfume of Silence)
Of all the billions of people in this world Raphael is the one I know best and love most. I understand much better now – better than Piranesi ever could – the magnificent thing she did in coming to find me, the magnitude of her courage. I know that she returns to the labyrinth often. Sometimes we go together; sometimes she goes alone. The quiet and the solitude attract her strongly. In them she hopes to find what she needs. It worries me. ‘Don’t disappear,’ I tell her sternly. ‘Do not disappear.’ She makes a rueful, amused face. ‘I won’t,’ she says. ‘We can’t keep rescuing each other,’ I say. ‘It’s ridiculous.’ She smiles. It is a smile with a little sadness in it. But she still wears the perfume – the first thing I ever knew of her – and it still makes me think of Sunlight and Happiness.
Susanna Clarke (Piranesi)
Realise that true happiness lies within you. Waste no time and effort searching for peace and contentment and joy in the world outside. Remember that there is no happiness in having or in getting, but only in giving. Reach out. Share. Smile. Hug. Happiness is a perfume you cannot pour on others without getting a few drops on yourself.
Og Mandino
When the first fine spring days come, and the earth awakes and assumes its garment of verdure, when the perfumed warmth of the air blows on our faces and fills our lungs, and even appears to penetrate to our heart, we feel vague longings for undefined happiness, a wish to run, to walk at random, to inhale the spring.
Guy de Maupassant (The Complete Short Stories of Guy de Maupassant, Part One)
What a happy woman I am living in a garden, with books, babies, birds, and flowers, and plenty of leisure to enjoy them! Yet my town acquaintances look upon it as imprisonment, and I don't know what besides, and would rend the air with their shrieks if condemned to such a life. Sometimes I feel as if I were blest above all my fellows in being able to find my happiness so easily. I believe I should always be good if the sun always shone, and could enjoy myself very well in Siberia on a fine day. And what can life in town offer in the way of pleasure to equal the delight of any one of the calm evenings I have had this month sitting alone at the foot of the verandah steps, with the perfume of young larches all about, and the May moon hanging low over the beeches, and the beautiful silence made only more profound in its peace by the croaking of distant frogs and hooting of owls?
Elizabeth von Arnim (Elizabeth and Her German Garden)
Throughout the month of May, every night, in that poor, wild garden, under that shrubbery, each day, more perfumed and dense, two human beings composed of every chastity and every innocence, every flowing with all the felicities of Heaven, closer to archangels than men, pure, honest, intoxicated, radiant, glowed for each other in the darkness. It seemed to Cosette that Marius had a crown, and to Marius that Cosette had a halo. They touched, they gazed at each other, they clasped hands, they pressed close together, but there was a distance they did not pass. Not that they respected it; they were ignorant of it. Marius felt a barrier, Cosette’s purity, and Cosette felt a support, Marius’ loyalty. The first kiss was also the last. Since then, Marius had not gone beyond touching Cosette’s hand, or her scarf, or her curls, with his lips. Cosette was to him a perfume, not a woman. He breathed her. She refused nothing, and he asked nothing. Cosette was happy, and Marius was satisfied. They were living in that ravishing condition that might be called the dazzling of one soul by another. It was that ineffable first embrace of two virginities within the ideal. Two swans meeting on the Jung Frau.
Victor Hugo (Les Misérables)
Ralph Waldo Emerson is believed to have said, “Happiness is a perfume which you cannot pour on someone without getting some on yourself.
Will Bowen (Happy This Year!: The Secret to Getting Happy Once and for All)
How happy is the blameless vestal's lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray'r accepted, and each wish resign'd; Labour and rest, that equal periods keep; "Obedient slumbers that can wake and weep;" Desires compos'd, affections ever ev'n, Tears that delight, and sighs that waft to Heav'n. Grace shines around her with serenest beams, And whisp'ring angels prompt her golden dreams. For her th' unfading rose of Eden blooms, And wings of seraphs shed divine perfumes, For her the Spouse prepares the bridal ring, For her white virgins hymeneals sing, To sounds of heav'nly harps she dies away, And melts in visions of eternal day.
Alexander Pope (Eloisa to Abelard)
Never before in his life had he known what happiness was. He knew at most some very rare states of numbed contentment. But now he was quivering with happiness and could not sleep for pure bliss. It was as if he had been born a second time; no, not a second time, the first time, for until now he had merely existed like an animal with a most nebulous self-awareness. but after today, he felt as if he finally knew who he really was: nothing less than a genius... He had found the compass for his future life. And like all gifted abominations, for whom some external event makes straight the way down into the chaotic vortex of their souls, Grenouille never again departed from what he believed was the direction fate had pointed him... He must become a creator of scents... the greatest perfumer of all time.
Patrick Süskind (Perfume: The Story of a Murderer)
As for me, I feel myself living and thinking in a room where everything is the creation and the language of lives profoundly different from mine, of a taste opposite to mine, where I find nothing of my conscious thought, where my imagination is excited by feeling itself plunged into the depths of the non-ego; I feel happy only when setting foot—on the Avenue de la Gare, on the Port, or on the Place de l'Eglise—in one of those provincial hotels with cold, long corridors where the wind from outside contends successfully with the efforts of the heating system, where the detailed geographic map of the district is still the sole ornament on the walls, where each noise helps only to make the silence appear by displacing it, where the rooms keep a musty perfume which the open air comes to wash, but does not eliminate, and which the nostrils inhale a hundred times in order to bring it to the imagination, which is enchanted with it, which has it pose like a model to try to recreate it with all the thoughts and remembrances that it contains...
Marcel Proust
Have you any unfulfilled dreams, Anne?” asked Gilbert. Something in his tone—something she had not heard since that miserable evening in the orchard at Patty’s Place—made Anne’s heart beat wildly. But she made answer lightly. “Of course. Everybody has. It wouldn’t do for us to have all our dreams fulfilled. We would be as good as dead if we had nothing left to dream about. What a delicious aroma that low-descending sun is extracting from the asters and ferns. I wish we could see perfumes as well as smell them. I’m sure they would be very beautiful.” Gilbert was not to be thus sidetracked. “I have a dream,” he said slowly. “I persist in dreaming it, although it has often seemed to me that it could never come true. I dream of a home with a hearth-fire in it, a cat and dog, the footsteps of friends— and YOU!” Anne wanted to speak but she could find no words. Happiness was breaking over her like a wave. It almost frightened her. “I asked you a question over two years ago, Anne. If I ask it again today will you give me a different answer?” Still Anne could not speak. But she lifted her eyes, shining with all the love-rapture of countless generations, and looked into his for a moment. He wanted no other answer.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Back in Paris they had happy moments together, like stills from a perfume ad (dashing hand in hand down the steps of Montmartre; or suddenly revealed in motionless embrace on the Pont des Arts by the lights of a bateau-mouche as it turned). There were the Sunday afternoon half-arguments, too, the moments of silence when bodies curl up beneath the sheets on the long shores of silence and apathy where life founders. Annabelle's studio was so dark they had to turn on the lights at four in the afternoon. They sometimes were sad, but mostly they were serious. Both of them knew that this would be their last human relationship, and this feeling lacerated every moment they spent together. They had a great respect and a profound sympathy for each other, and there were days when, caught up in some sudden magic, they knew moments of fresh air and glorious, bracing sunshine. For the most part, however, they could feel a gray shadow moving over them, on the earth that supported them, and in everything they could glimpse the end.
Michel Houellebecq (The Elementary Particles)
MADDY’S TRUTHS Make room for who you are by knowing who you’re not. Smile all the time, at everyone, without exception: when you’re happy it will be contagious, and when you’re angry it will drive the person you’re mad at bonkers. Blow-dry before lipstick. Counters before sweeping. Water before dinner. To hell with what everyone thinks about your life, but you should know what you think about it. Don’t stay out past one a.m.—nobody is proud of the stories born later than that. Plans contingent on perfection fail. It’s dangerous to fight who you are. The stupidest thing you can do is believe your own bullshit, but you probably will every once in a while. Flowery perfume smells like a cover-up. Don’t have a room your kids can’t play in or a couch your kids can’t sit on; it’s their house too. If you don’t know what to say, say, “I don’t know what to say.” If you mess up, say, “I messed up.” If you need help, say, “I need help.” Never count on any one thing. Don’t confuse wanting to have sex and rent movies with someone for wanting to marry him. Never buy button-fly jeans—they aren’t flattering on anyone ever.
Abby Fabiaschi (I Liked My Life)
Her joyful spirit would bring laughter and happiness to anyone in her life with the same natural ease that a rose blooms and sheds its perfume.
Aleksandra Layland (Of Wisdom and Valor: The Art of War. The Path of Peace. (The Windflower Saga Book 2))
In moments like these, offering up his heart at the hour that night flowers offer up their perfume, lit up like a lamp in the middle of the starry night, full of ecstasy in the middle of the universal radiance of creation, he could not perhaps have said himself what was happening in his spirit; he felt something soar up out of him and something fly down into him. Mysterious exchanges between the bottomless well of the soul and the bottomless well of the universe!
Victor Hugo (Les Misérables)
Don’t disappear,’ I tell her sternly. ‘Do not disappear.’ She makes a rueful, amused face. ‘I won’t,’ she says. ‘We can’t keep rescuing each other,’ I say. ‘It’s ridiculous.’ She smiles. It is a smile with a little sadness in it. But she still wears the perfume – the first thing I ever knew of her – and it still makes me think of Sunlight and Happiness.
Susanna Clarke (Piranesi)
Know that your happiness is not in the next situation, in the next object, but that the next situation or object is simply a celebration of this happiness that we already are. Stick to happiness throughout all situations. Don’t stick to the situations.
Francis Lucille (The Perfume of Silence)
It is almost impossible to describe happiness, because at the time it feels entirely natural, as if all the rest of your life has been the aberration; only in retrospect does it swim into focus as the rare and precious thing it is. When it is present, it seems to be eternal, abiding forever, and there is no need to examine it or clutch it. Later, when it has evaporated, you stare in dismay at your empty palm, where only a little of the perfume lingers to prove that once it was there, and now is flown.
Margaret George (The Memoirs of Cleopatra)
His youth reappeared, bringing with it all those sweet souvenirs which are rather perfumes than thoughts. Between that past and the present there was an abyss. But imagination has the angel's or lightning's wing; it clears seas in which we should certainly have been shipwrecked; it removes the darkness in which our illusions were lost, the precipice where our happiness was engulfed.
Alexandre Dumas (Twenty Years After (The d'Artagnan Romances, #2))
Perishable, It Said Perishable, it said on the plastic container, And below, in different ink, The date to be used by, the last teaspoon consumed. I found myself looking; Now at the back of each hand, Now inside the knees, Now turning over each foot to look at the sole. Then at the leaves of the young tomato plants, Then at the arguing jays. Under the wooden table and lifted stones, looking. Coffee cups, olives, cheeses, Hunger, sorrow, fears- These too would certainly vanish, without knowing when. How suddenly then The strange happiness took me, Like a man with strong hands and strong mouth, Inside that hour with its perishing perfumes and clashings.
Jane Hirshfield (Come, Thief)
These were virtuoso odours, executed as wonderful little trifles that of course no one but he could admire or would ever take note of. He was enchanted by their meaningless perfection; and at no time in his life, either before or after, were there moments of such truly innocent happiness as in those days when he playfully and eagerly set about creating fragrant landscapes, still lifes and studies of individual objects.
Patrick Süskind (Perfume: The Story of a Murderer)
One Sufi mystic who had remained happy his whole life—no one had ever seen him unhappy—he was always laughing. He was laughter, his whole being was a perfume of celebration. In his old age, when he was dying—he was on his deathbed, and still enjoying death, laughing hilariously—a disciple asked, “You puzzle us. Now you are dying. Why are you laughing? What is there funny about it? We are feeling so sad. We wanted to ask you many times in your life why you are never sad. But now, confronting death, at least one should be sad. You are still laughing! How are you managing it?” And the old man said, “It is a simple clue. I had asked my master. I had gone to my master as a young man; I was only seventeen, and already miserable. And my master was old, seventy, and he was sitting under a tree, laughing for no reason at all. There was nobody else, nothing had happened, nobody had cracked a joke or anything. And he was simply laughing, holding his belly. And I asked him, ‘What is the matter with you? Are you mad or something?’ “He said, ‘One day I was also as sad as you are. Then it dawned on me that it is my choice, it is my life. Since that day, every morning when I get up, the first thing I decide is, before I open my eyes, I say to myself, “Abdullah”—that was his name—‘what do you want? Misery? Blissfulness? What are you going to choose today? And it happens that I always choose blissfulness.’” It is a choice. Try it. The first moment in the morning when you become aware that sleep has left, ask yourself, “Abdullah, another day! What is your idea? Do you choose misery or blissfulness?” And who would choose misery? And why? It is so unnatural—unless one feels blissful in misery, but then too you are choosing bliss, not misery.
Osho (Meditation: The First and Last Freedom: A Practical Guide to Osho Meditations)
Next morning, his nose still in the dreambag of a deep pillow contributed to his otherwise austere bed by sweet Blanche (with whom, by the parlour-game rules of sleep, he had been holding hands in a heart-breaking nightmare– or perhaps it was just her cheap perfume), the boy was at once aware of the happiness knocking to be let in. He deliberately endeavored to prolong the glow of its incognito by dwelling on the last vestiges of jasmine and tears in a silly dream...
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.
Guy de Maupassant (Selected Short Stories)
But, you see, what I like about you is not that you feel foreign. And I don't think you ever did feel entirely foreign. But I like the fact that something about you still resists, refuses to become familiar, remains invincibly foreign. And it means that when I'm with you, I'm always rubbing up against a foreign element, something mysterious, irreducible, ever present, and full of happiness…It makes the way you walk and some of the things you do feel foreign to me for a moment. Your voice, on the end of the phone, from time to time: foreign. Your perfume, its vetiver fragrance, your own delicate smell: both foreign. Your subtly sinuous thought processes are so foreign to my own meanderings, and yet clearer and sharper. Of course you are not a foreigner, but how I value this foreignness in you. Perhaps keeping that foreign element is the secret.
Hervé Le Tellier
Every one of us, unconsciously, works out a personal philosophy of life, by which we are guided, inspired, and corrected, as time goes on. It is this philosophy by which we measure out our days, and by which we advertise to all about us the man, or woman, that we are... It takes but a brief time to scent the life philosophy of anyone. It is defined in the conversation, in the look of the eye, and in the general mien of the person. It has no hiding place. It's like the perfume of a flower -- unseen, but known almost instantly. It is the possession of the successful, and the happy. And it can be greatly embellished by the absorption of ideas and experiences of the useful of this earth.
George Matthew Adams
She thought, sometimes, that, after all, this was the happiest time of her life—the honeymoon, as people called it. To taste the full sweetness of it, it would have been necessary doubtless to fly to those lands with sonorous names where the days after marriage are full of laziness most suave. In post chaises behind blue silken curtains to ride slowly up steep road, listening to the song of the postilion re-echoed by the mountains, along with the bells of goats and the muffled sound of a waterfall; at sunset on the shores of gulfs to breathe in the perfume of lemon trees; then in the evening on the villa-terraces above, hand in hand to look at the stars, making plans for the future. It seemed to her that certain places on earth must bring happiness, as a plant peculiar to the soil, and that cannot thrive elsewhere. Why could not she lean over balconies in Swiss chalets, or enshrine her melancholy in a Scotch cottage, with a husband dressed in a black velvet coat with long tails, and thin shoes, a pointed hat and frills? Perhaps she would have liked to confide all these things to someone. But how tell an undefinable uneasiness, variable as the clouds, unstable as the winds? Words failed her—the opportunity, the courage.
Gustave Flaubert (Madame Bovary)
It is far more important to love your wife than to love God, and I will tell you why. You cannot help him, but you can help her. You can fill her life with the perfume of perpetual joy. It is far more important that you love your children than that you love Jesus Christ. And why? If he is God you cannot help him, but you can plant a little flower of happiness in every footstep of the child, from the cradle until you die in that child's arms. Let me tell you to-day it is far more important to build a home than to erect a church. The holiest temple beneath the stars is a home that love has built. And the holiest altar in all the wide world is the fireside around which gather father and mother and the sweet babes.
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol. 1 (of 12) Dresden Edition—Lectures)
Understand that a moment of happiness comes from grace, and this moment of happiness is teaching us that happiness is not in an object.
Francis Lucille (The Perfume of Silence)
the shit would be hitting the fan very soon in my world and until it did I was more than happy to accompany him wherever he was going.
Michael Imperioli (The Perfume Burned His Eyes)
If you are not happy reading books, don’t read them. If you are not happy doing anything, don’t do it. Nobody forces you. This “follow your bliss” attitude will lead you towards bliss. Read the book as long as it makes you happy. When the book no longer makes you happy, put it aside. Don’t keep reading out of habit. Happiness is the highest good. It is sacred.
Francis Lucille (The Perfume of Silence)
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
In Cecil B. DeMille’s 1920 film Why Change Your Wife?, the usually glamorous Gloria Swanson played a wife who wore glasses, listened to classical music, and read such books as How to Improve Your Mind. It was obvious to the audience why her husband left her for a perfumed, short-skirted man chaser. But a happy ending was achieved when Swanson’s character ordered some sleeveless, backless dresses and devoted herself to improving her dance steps instead of her mind.
Stephanie Coontz
Not branded dresses, expensive perfumes, studded sandals, glamorous accessories, the true beauty of a woman is her smile, willpower, confidence, intelligence and her ability to survive and rule with pride in a man's world. Happy Woman's Day !
Harshada Pathare (You Complete Me)
This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of the summer. Messengers, with tidings from unknown skies, greet me and speed along the road. My heart is glad within, and the breath of the passing breeze is sweet. From dawn till dusk I sit here before my door, and I know that of a sudden the happy moment will arrive when I shall see. In the meanwhile I smile and I sing all alone. In the meanwhile the air is filling with the perfume of promise.
Rabindranath Tagore (Gitanjali)
As for Proust, his contribution has been to create, from an obstinate contemplation of reality, a closed world that belonged only to him and that indicated his victory over the transitoriness of things and over death. But he uses absolutely the opposite means. He upholds, above everything, by a deliberate choice, a careful selection of unique experience, which the writer chooses from the most secret recesses of his past. Immense empty spaces are thus discarded from life because they have left no trace in the memory. If the American novel is the novel of men without memory, the world of Proust is nothing but memory. It is concerned only with the most difficult and most exacting of memories, the memory that rejects the dispersion of the actual world and derives, from the trace of a lingering perfume, the secret of a new and ancient universe. Proust chooses the interior life and, of the interior life, that which is more interior than life itself in preference to what is forgotten in the world of reality— in other words, the purely mechanical and blind aspects of the world. But by his rejection of reality he does not deny reality. He does not commit the error, which would counterbalance the error of American fiction, of suppressing the mechanical. He unites, on the contrary, into a superior form of unity, the memory of the past and the immediate sensation, the twisted foot and the happy days of times past.
Albert Camus (The Rebel)
Funny, I didn't think much about apples fore we came to the Black Swamp. when I was growin up we had an orchard like everybody else but I didn't pay it no attention cept when the blossom was out in May. Then Id go and lie there smellin some sweet perfume and listenin to the bees hum so happy cause they had flowers to play with. That was where James and I lay our first time together. I shouldve known then he wasnt for me. He was so busy inspectin my familys trees and askin how old each was - like I would know - and what the fruit was like (Juicy like me, I said) that finally I had to unbutton my dress myself. That shut him up a while.
Tracy Chevalier (At the Edge of the Orchard)
Humiecki and Graef asked Laudamiel to create a perfume that captures the state of ‘how men cry’—eruptive and sensual. Pictures from Slavic culture, as well as how they deal with melancholia and happiness served as inspiration [sic]. The result is a perfume that combines raw eruption, sensual strength, melancholic warmth and deep mysticism.
Luca Turin (Perfumes: The Guide)
Stronger Than Time Since I have set my lips to your full cup, my sweet, Since I my pallid face between your hands have laid, Since I have known your soul, and all the bloom of it, And all the perfume rare, now buried in the shade; Since it was given to me to hear on happy while, The words wherein your heart spoke all its mysteries, Since I have seen you weep, and since I have seen you smile, Your lips upon my lips, and your eyes upon my eyes; Since I have known above my forehead glance and gleam, A ray, a single ray, of your star, veiled always, Since I have felt the fall, upon my lifetime's stream, Of one rose petal plucked from the roses of your days; I now am bold to say to the swift changing hours, Pass, pass upon your way, for I grow never old, Fleet to the dark abysm with all your fading flowers, One rose that none may pluck, within my heart I hold. Your flying wings may smite, but they can never spill The cup fulfilled of love, from which my lips are wet; My heart has far more fire than you can frost to chill, My soul more love than you can make my soul forget
Victor Hugo
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
The most beautiful word on the lips of mankind is the word Mother,' and the most beautiful call is the call of My Mother.' It is a word full of hope and love, a sweet and kind word coming from the depths of the heart. The mother is every thing-she is our consolation in sorrow, our hope in misery, and our strength in weakness. She is the source of love, mercy, sympathy and forgiveness. He who loses his mother loses a pure soul who blesses and guards him constantly..Every thing in nature bespeaks the mother. And the mother, the prototype of all existence, is the eternal spirit, full of beauty and love.. The word mother is hidden in our hearts, and it comes upon our lips in hours of sorrow and happiness as the perfume comes from the heart of the rose and mingles with clear and cloudy air.
Kahlil Gibran
We do not have time for a proper ceremony," lamented Lady Manami, "not that foreigners would know to expect such." Percy said, hoping it wasn't rude, "Much more interested in simply getting tea into me. Thank you." Lady Manami regarded him with amusement. "Sensible boy." She passed him the tiny cup. Percy sipped, eyes closed, happy. It was perfumed and quite grassy in flavour but warm and necessary and comforting. Percy drank gratefully.
Gail Carriger (Reticence (The Custard Protocol, #4))
Living away from the present, in an artificial paradise, Bertha was almost completely happy. She found indifference to the whole world a trusty armour: life was easy without love or hate, hope or despair, without ambition, desire of change, or tumultuous passion. So bloom the flowers; unconscious, uncaring, the bud bursts from the enclosing leaf, and opens to the sunshine, squanders its perfume to the breeze and there is none to see its beauty—and then it dies.
W. Somerset Maugham (The W. Somerset Maugham Collection)
It is not challenging to be happy. It is challenging to be unhappy. When you say that it is challenging to be happy, it suggests that happiness involves effort, constant vigilance, struggle. If we believe that happiness requires effort and struggle, it only perpetuates misery. Happiness is when we let go and let God. Liberate yourself from the belief that happiness is challenging. Think instead, “Misery is challenging. It requires a constant struggle to fulfill an ego that can never be fulfilled.
Francis Lucille (The Perfume of Silence)
He had left a huge bucket of narcissi beside the door. The tiny white flowers had been picked before dawn and they glowed as if they had been drenched in moonlight. A second, smaller bucket was packed with bluebells and Lara could smell some hyacinths in there too. She bent down and felt around for the little waxy blossoms, and their fragrance rose up to meet her. If perfumes were the feelings of flowers, as her mother used to say, then the hyacinths were as happy to see her as she was to see them.
Ella Griffin (The Flower Arrangement)
In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The camera does a close-up on the girl who can miraculously see again. It cuts to the mother-in-law, then to the clueless husband. All at once, the credits run. “Maldito sea!” Lila shoves the coffee table with her foot. “We have to wait to see that hussy get what’s coming?” “Please. You know what’s coming.” I rub perfume on my wrists and sniff. It’s better than sour milk, and it reminds me of fancy department stores where I can only browse. I stuff a few samples in my pocket. “It’s going to end the way all the novelas end. Everybody happy.” She shoos away my idea like it’s a bad smell. “So what? Nobody gets happy the same way. That’s what’s interesting.
Meg Medina (Yaqui Delgado Wants to Kick Your Ass)
Becky fell unusually quiet as she smoothed Macy's overalls that had scrunched under her legs. A tender gesture probably nobody else had noticed. "I don't want to say this the wrong way, Shah-loh, but we're all gonna die." "Of course we are." A drop of water fell from the end of the snapdragon stem. "But I prefer not to kill my flowers before their time." "Well, cut er not cut, we're all goin'." Becky spoke so soberly that I turned my eyes to her. "Ain't no stoppin' it. You know that." "Sure I do, but isn't it a waste? All that beautiful bloom for what-an hour?" "Mebbe in some ways, but..." She gathered a handful of roses and freesia, delicately perfumed, and pressed them in my hands. "Ya gotta remember though-this was their purpose all along. And they did it to their fullest. It's their gift." I felt strangely moved, standing there with shoppers laughing in the background. And me looking down at those beautiful doomed flowers in my hands, their glowing colors trembling with drops. "But it's such a waste, Becky!" "Or a sacrifice. Depends on how ya look at it. They lived and bloomed, jest like they were made to do. And when it was time to go, they gracefully said yes." She ran her hands over the petals, which gleamed like bits of satin. "We're seein' their last magnificent moments and enjoyin' 'em. If you was a flower, wouldn't that make ya happy to know you'd done what you was born ta do? Even if ya didn't get to do it very long?
Jennifer Rogers Spinola ('Til Grits Do Us Part (Southern Fried Sushi #3))
Reality is subjective, and there's an unenlightened tendency in this culture to regard something as 'important' only if 'tis sober and severe. Sure and still you're right about your Cheerful Dumb, only they're not so much happy as lobotomized. But your Gloomy Smart are just as ridiculous. When you're unhappy, you get to pay a lot of attention to yourself. And you get to take yourself oh so very seriously. Your truly happy people, which is to say, your people who truly like themselves, they don't think about themselves very much. Your unhappy person resents it when you try to cheer him up, because that means he has to stop dwellin' on himself and start payin' attention to the universe. Unhappiness is the ultimate form o' self-indulgence.
Tom Robbins (Jitterbug Perfume)
She lifted the cup to her lips. “You make good coffee.” “You haven’t tasted it yet.” “I can smell it. And I love the way it smells.” It’s not the coffee, he thought. Not all of it, at any rate. “Well, I love your perfume,” he said, because he was a dolt. She frowned. “I’m not wearing any. I mean, other than the soap and shampoo I use.” “Well, I like them, then. And I’m glad you stayed.” “Is this what you planned?” Their eyes met. Shit, she was perfect. Radiant as the candles had been. “You making it all the way to the coffee? Yeah, I guess a date was what I was after.” “I thought you agreed with me.” Man, that breathless quality in her voice made him want to have her up against his naked chest. “Agreed with you?” he said. “Hell, if it would make you happy, I’d say yes to anything. But what are you specifically referring to?” “You said…I shouldn’t date anyone.” Ah, right. “You shouldn’t.” “I don’t understand.” Fuck him, but he went for it. Rehv put his numb elbow on the table and leaned into her. As he closed the distance, her eyes got wider, but she didn’t pull back. He paused, to give her a chance to tell him to cut the shit. Why? He had no clue. His symphath side was into pauses only for analysis or to better capitalize on a weakness. But she made him want to be decent. Ehlena didn’t tell him to step off, however. “I don’t…understand,” she whispered. “It’s simple. I don’t think you should date anyone.” Rehv moved in even closer, until he could see the flecks of gold in her eyes. “But I’m not just anyone.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
And yet to possess a young soul that has barely developed is a source of very deep delight. It is like a flower whose richest perfume goes out to meet the first ray of the sun. One must pluck it at that very moment and, after inhaling its perfume to one's heart's content, discard it along the wayside on the chance that someone will pick it up. I sense in myself that insatiable avidity that devours everything in its path. And I regard the sufferings and joys of others merely in relation to myself, as food to sustain my spiritual strength. Passion is no longer capable of robbing me of my sanity. My ambition has been crushed by circumstances, but it has manifested itself in a new form, for ambition is nothing but lust for power, and my greatest pleasure I derive from subordinating everything around me to my will. Is it not both the first token of power and its supreme triumph to inspire in others the emotions of love, devotion and fear? Is it not the sweetest fare for our vanity to be the cause of pain or joy for someone without the least claim thereto? And what is happiness? Pride gratified. Could I consider myself better and more powerful than anyone else in the world, I would be happy. Were everybody to love me, I'd find in myself unending wellsprings of love. Evil begets evil; one's first suffering awakens a realization of the pleasure of tormenting another. The idea of evil cannot take root in the mind of man without his desiring to apply it in practice. Someone has said that ideas are organic entities: their very birth imparts them form, and this form is action. He in whose brain the most ideas are born is more active than others, and because of this a genius shackled to an office desk must either die or lose his mind, just as a man with a powerful body who leads a modest, sedentary life dies from an apoplectic stroke
Mikhail Lermontov
Is it not very important, while we are young, to be loved and to love? It seems to me that most of us neither love nor are loved. And I think it is essential, while we are young, to understand this problem very seriously because it may be that while we are young, we can be sensitive enough to feel it, to know its quality, to know its perfume and perhaps, when we grow older, it will not be entirely destroyed. So, let us consider the question—that is, not that you should not be loved, but that you should love. What does it mean? Is it an ideal? Is it something far away, unattainable? Or is it something that can be felt by each one at odd moments of the day? To feel it, to be aware, to know the quality of sympathy, the quality of understanding, to help naturally, to aid another without any motive, to be kind, to be generous, to have sympathy, to care for something, to care for a dog, to be sympathetic to the villager, to be generous to your friend, to be forgiving, is that what we mean by love? Or is love something in which there is no sense of resentment, something which is everlasting forgiveness? And is it not possible while we are young, to feel it? Most of us, while we are young, do feel it—a sense of outward agony, sympathy to the villager, to the dog, to those who are little. And should it not be constantly tended? Should you not always have some part of the day when you are helping another or tending a tree or garden or helping in the house or in the hostel so that as you grow into maturity, you will know what it is to be considerate naturally—not with an enforced considerateness that is merely a negative word for one’s own happiness, but with that considerateness that is without motive. So, should you not when you are young, know this quality of real affection? It cannot be brought into being; you have to have it, and those who are in charge of you, like your guardian, your parents, your teachers, must also have it. Most people have not got it. They are concerned with their achievements, with their longings, with their success, with their knowledge, and with what they have done. They have built up their past into such colossal importance that it ultimately destroys them. So, should you not, while you are young, know what it is to take care of the rooms, to care for a number of trees that you yourself dig and plant so that there is a feeling, a subtle feeling of sympathy, of care, of generosity, the actual generosity—not the generosity of the mere mind—that means you give to somebody the little that you may have? If that is not so, if you do not feel that while you are young, it will be very difficult to feel that when you are old. So, if you have that feeling of love, of generosity, of kindness, of gentleness, then perhaps you can awaken that in others.
J. Krishnamurti (Relationships to Oneself, to Others, to the World)
If I could cut out my beating heart and put it in a box and forget about it, I would. Maybe I would pad the box with our photos of you, our love letters, a lock of your hair and that heart-shaped perfume bottle, the one that I gave you for your birthday. You always said it was your favorite. Maybe if I put the box up in the attic, some place out of sight and sound, I could forget you. (sigh) I force myself to look around my yard. The sun is brilliant against the bright blue sky, birds are singing out their borders and gathering twigs and grasses for nesting, and the late-season daffodils are bursting an egg-yolk yellow. I feel myself smile. For the first time this season, I spot a Peace rose, a sunshine-swelled bloom of yellow and pink flame. I inhale the bloom's faintly sweet fragrance, which floats delicate memories of you across my mind's eye — I am happy. Without thinking, I turn to the house to call you. If only It was that easy.
Jeffrey A. White
Although I have afflicted you, . . . I will afflict you no more. (Nahum 1:12) There is a limit to our affliction. God sends it and then removes it. Do you complain, saying, “When will this end?” May we quietly wait and patiently endure the will of the Lord till He comes. Our Father takes away the rod when His purpose in using it is fully accomplished. If the affliction is sent to test us so that our words would glorify God, it will only end once He has caused us to testify to His praise and honor. In fact, we would not want the difficulty to depart until God has removed from us all the honor we can yield to Him. Today things may become “completely calm” (Matt. 8:26). Who knows how soon these raging waves will give way to a sea of glass with seagulls sitting on the gentle swells? After a long ordeal, the threshing tool is on its hook, and the wheat has been gathered into the barn. Before much time has passed, we may be just as happy as we are sorrowful now. It is not difficult for the Lord to turn night into day. He who sends the clouds can just as easily clear the skies. Let us be encouraged—things are better down the road. Let us sing God’s praises in anticipation of things to come. Charles H. Spurgeon “The Lord of the harvest” (Luke 10:2) is not always threshing us. His trials are only for a season, and the showers soon pass. “Weeping may remain for a night, but rejoicing comes in the morning” (Ps. 30:5). “Our light and momentary troubles are achieving for us an eternal glory that far outweighs them all” (2 Cor. 4:17). Trials do serve their purpose. Even the fact that we face a trial proves there is something very precious to our Lord in us, or else He would not spend so much time and energy on us. Christ would not test us if He did not see the precious metal of faith mingled with the rocky core of our nature, and it is to refine us into purity and beauty that He forces us through the fiery ordeal. Be patient, O sufferer! The result of the Refiner’s fire will more than compensate for our trials, once we see the “eternal glory that far outweighs them all.” Just to hear His commendation, “Well done” (Matt. 25:21); to be honored before the holy angels; to be glorified in Christ, so that I may reflect His glory back to Him—ah! that will be more than enough reward for all my trials. from Tried by Fire Just as the weights of a grandfather clock, or the stabilizers in a ship, are necessary for them to work properly, so are troubles to the soul. The sweetest perfumes are obtained only through tremendous pressure, the fairest flowers grow on the most isolated and snowy peaks, the most beautiful gems are those that have suffered the longest at the jeweler’s wheel, and the most magnificent statues have endured the most blows from the chisel. All of these, however, are subject to God’s law. Nothing happens that has not been appointed with consummate care and foresight. from Daily Devotional Commentary
Jim Reimann (Streams in the Desert: 366 Daily Devotional Readings)
Man in this world resembles the guest who was invited to partake of the hospitality of a rich man. In token of respect, the servants set before him silver washing-basins, vessels of costly stones, perfumes of musk and amber with chafing dishes. The poor guest is overjoyed at the sight of these things, thinking that they have been made his own property, and belays hold of them with the intention of retaining them. The next day, when he is upon the point of departure, they are all taken from him by force, and the measure of his disappointment and regret is clear to every person of discrimination. Seeing that this world is itself a mansion built for travellers, by the road over which they are to pass, that they may make a halt, and lay in provisions preparatory to leaving it again, he is a wise guest who does not lay bis hand upon other things than his necessary provisions, lest on the morrow when about to move on, they take them out of his hands, and he expose himself to regret and sorrow.
Abu Hamid al-Ghazali (The Alchemy of Happiness)
Man in this world resembles the guest who was invited to partake of the hospitality of a rich man. In token of respect, the servants set before him silver washing-basins, vessels of costly stones, perfumes of musk and amber with chafing dishes. The poor guest is overjoyed at the sight of these things, thinking that they have been made his own property, and belays hold of them with the intention of retaining them. The next day, when he is upon the point of departure, they are all taken from him by force, and the measure of his disappointment and regret is clear to every person of discrimination. Seeing that this world is itself a mansion built for travellers, by the road over which they are to pass, that they may make a halt, and lay in provisions preparatory to leaving it again, he is a wise guest who does not lay bis hand upon other things than his necessary provisions, lest on the morrow when about to move on, they take them out of his hands, and he expose himself to regret and sorrow. The people of this world are
Abu Hamid al-Ghazali (The Alchemy of Happiness)
Maybe in the case of true human, their mind, their soul, their consciousness flows through their bodies like blood, inhabiting every cell of their physical being, and so Aristotle was right, in humans the mind and body are one and cannot be separated, the self is both with the body and perishes with it too. She imagined that union with a thrill. How lucky human beings were if that was the case, she wanted to tell Geronimo who was and was not Ibn Rushd: lucky and doomed. When their hearts pounded with excitement their souls pounded too, when their pulses raced their spirits were aroused, hen their eyes moistened with tears of happiness it was their minds that felt the joy. Their minds touched the people their fingers touched, and when they in turn were touched by others it was as if two consciousnesses were briefly joined. The mind gave the body sensuality, it allowed the body to taste delight and to smell love in their lover's sweet perfume; not only their bodies but their minds, too, made love. And at the end the soul, as mortal as the body, learned the last great lesson of life, which was the body's death.
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
I doubt; Therefore, I think Therefore, I am. I see; I take in the colours around me. The patterns, the lights, the rainbows. I see the night and the stars that glow. I dream; Therefore, I think. Therefore, I am. I smell; The perfumes, the roses. The stench, the rotten and the putrid. The aromas and delicacies; Cooking. I inhale; The green, the forest, the trees. Therefore, I think. Therefore, I am. I hear; The noises. The people, the cheer. The wails, the screams, the tears. The rejoicing. The laughter, and happiness. I listen; Therefore, I think. Therefore, I am. I taste; The sweetness, the fire. The treats, and savoury delights. The burnt, the spoilt and the tasteless. The sourness and the bitterness. I eat; Therefore, I think. Therefore, I am. I speak; Short messages. Long speeches. Quiet whispers. Bellowing noises. I scream; Therefore, I think, Therefore, I am. I feel; The despair. The anguish, the fear. The pricks, the cuts, the injuries. The joy. The pride. The seething. The envy, greed, and jealousy. The cold, the heat and the shivering. The pain, the sickness, the ageing. I die; Therefore, I lived. Therefore, I was.
René Descartes
A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.
Jan Moran (Scent of Triumph)
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)
May 1 MORNING “His cheeks are as a bed of spices, as sweet flowers.” — Song of Solomon 5:13 LO, the flowery month is come! March winds and April showers have done their work, and the earth is all bedecked with beauty. Come my soul, put on thine holiday attire and go forth to gather garlands of heavenly thoughts. Thou knowest whither to betake thyself, for to thee “the beds of spices” are well known, and thou hast so often smelt the perfume of “the sweet flowers,” that thou wilt go at once to thy well-beloved and find all loveliness, all joy in Him. That cheek once so rudely smitten with a rod, oft bedewed with tears of sympathy and then defiled with spittle — that cheek as it smiles with mercy is as fragrant aromatic to my heart. Thou didst not hide Thy face from shame and spitting, O Lord Jesus, and therefore I will find my dearest delight in praising Thee. Those cheeks were furrowed by the plough of grief, and crimsoned with red lines of blood from Thy thorn-crowned temples; such marks of love unbounded cannot but charm my soul far more than “pillars of perfume.” If I may not see the whole of His face I would behold His cheeks, for the least glimpse of Him is exceedingly refreshing to my spiritual sense and yields a variety of delights. In Jesus I find not only fragrance, but a bed of spices; not one flower, but all manner of sweet flowers. He is to me my rose and my lily, my heartsease and my cluster of camphire. When He is with me it is May all the year round, and my soul goes forth to wash her happy face in the morning-dew of His grace, and to solace herself with the singing of the birds of His promises. Precious Lord Jesus, let me in very deed know the blessedness which dwells in abiding, unbroken fellowship with Thee. I am a poor worthless one, whose cheek Thou hast deigned to kiss! O let me kiss Thee in return with the kisses of my lips.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
April 13 MORNING “A bundle of myrrh is my well-beloved unto me.” — Song of Solomon 1:13 MYRRH may well be chosen as the type of Jesus on account of its preciousness, its perfume, its pleasantness, its healing, preserving, disinfecting qualities, and its connection with sacrifice. But why is He compared to “a bundle of myrrh”? First, for plenty. He is not a drop of it, He is a casket full. He is not a sprig or flower of it, but a whole bundle. There is enough in Christ for all my necessities; let me not be slow to avail myself of Him. Our well-beloved is compared to a “bundle” again, for variety: for there is in Christ not only the one thing needful, but in “Him dwelleth all the fulness of the Godhead bodily,” everything needful is in Him. Take Jesus in His different characters, and you will see a marvellous variety — Prophet, Priest, King, Husband, Friend, Shepherd. Consider Him in His life, death, resurrection, ascension, second advent; view Him in His virtue, gentleness, courage, self-denial, love, faithfulness, truth, righteousness — everywhere He is a bundle of preciousness. He is a “bundle of myrrh” for preservation — not loose myrrh tied up, myrrh to be stored in a casket. We must value Him as our best treasure; we must prize His words and His ordinances; and we must keep our thoughts of Him and knowledge of Him as under lock and key, lest the devil should steal anything from us. Moreover, Jesus is a “bundle of myrrh” for speciality. The emblem suggests the idea of distinguishing, discriminating grace. From before the foundation of the world, He was set apart for His people; and He gives forth His perfume only to those who understand how to enter into communion with Him, to have close dealings with Him. Oh! blessed people whom the Lord hath admitted into His secrets, and for whom He sets Himself apart. Oh! choice and happy who are thus made to say, “A bundle of myrrh is my wellbeloved unto me.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Let him that thinketh he standeth take heed lest he fall.” — 1 Corinthians 10:12 IT is a curious fact, that there is such a thing as being proud of grace. A man says, “I have great faith, I shall not fall; poor little faith may, but I never shall.” “I have fervent love,” says another, “I can stand, there is no danger of my going astray.” He who boasts of grace has little grace to boast of. Some who do this imagine that their graces can keep them, knowing not that the stream must flow constantly from the fountain head, or else the brook will soon be dry. If a continuous stream of oil comes not to the lamp, though it burn brightly to-day, it will smoke to-morrow, and noxious will be its scent. Take heed that thou gloriest not in thy graces, but let all thy glorying and confidence be in Christ and His strength, for only so canst thou be kept from falling. Be much more in prayer. Spend longer time in holy adoration. Read the Scriptures more earnestly and constantly. Watch your lives more carefully. Live nearer to God. Take the best examples for your pattern. Let your conversation be redolent of heaven. Let your hearts be perfumed with affection for men’s souls. So live that men may take knowledge of you that you have been with Jesus, and have learned of Him; and when that happy day shall come, when He whom you love shall say, “Come up higher,” may it be your happiness to hear Him say, “Thou hast fought a good fight, thou hast finished thy course, and henceforth there is laid up for thee a crown of righteousness which fadeth not away.” On, Christian, with care and caution! On, with holy fear and trembling! On, with faith and confidence in Jesus alone, and let your constant petition be, “Uphold me according to Thy word.” He is able, and He alone, “To keep you from falling, and to present you faultless before the presence of His glory with exceeding joy.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
     Ivo,      I may not remember what we were. I may not remember the color of your eyes when you look at the sunset or when you stare at the night sky. I may not remember how it feels like to touch your hand. I may not remember how you would like your coffee, whether black or white or sweet. I may not remember the little things that could make you smile and I may not remember how your laugh sounds each time you hear a very funny joke. I may not remember how your perfume smells like and may not remember how your favorite sweater looks like. I may not remember a lot of things about you. But one thing I remember is that I gave you my heart and it will always be yours. Wherever I may be. I am wishing for nothing but for you to be happy. I hope you find someone that will love you as much as I loved you. I hope you find something that could make you happy even if it is not me. I hope you are okay. I will be okay. I promise.   Brandy   P.S: I will love you until I die and if there’s a life after that, I’ll love you then.
Ysa Arcangel (Forever Night Stand)
I notice perfume smells on his shirts and even later hours. I suspect he's having an affair but really don't care.
Martha Lemasters (The Step: One Woman's Journey to Finding Her Own Happiness and Success During the Apollo Space Program)
It was her concern and commitment to a friend which last year involved her in perhaps the most emotional period of her life. For five months she secretly helped to care for Adrian Ward-Jackson who had discovered that he was suffering from AIDS. It was a time of laughter, joy and much sorrow as Adrian, a prominent figure in the world of art, ballet and opera, gradually succumbed to his illness. A man of great charisma and energy, Adrian initially found it difficult to come to terms with his fate when in the mid-1980s he was diagnosed as HIV positive. His word as deputy chairman of the Aids Crisis Trust, where he first met the Princess, had made him fully aware of the reality of the disease. Finally he broke the news in 1987 to his great friend Angela Serota, a dancer with the Royal Ballet until a leg injury cut short her career and now prominent in promoting dance and ballet. For much of the time, Angela, a woman of serenity and calm practicality, nursed Adrian, always with the support of her two teenage daughters. He was well enough to receive a CBE at Buckingham Palace in March 1991 for his work in the arts--he was a governor of the Royal Ballet, chairman of the Contemporary Arts Society and a director of the Theatre Museum Association--and it was at a celebratory lunch held at the Tate Gallery that Angela first met the Princess. In April 1991 Adrian’s condition deteriorated and he was confined to his Mayfair apartment where Angela was in almost constant attendance. It was from that time that Diana made regular visits, once even brining her children Princes Willian and Harry. From that time Angela and the Princess began to forge a supportive bond as they cared for their friend. Angela recalls: “I thought she was utterly beautiful in a very profound way. She has an inner spirit which shines forth though there was also a sense of pervasive unhappiness about her. I remember loving the way she never wanted me to be formal.” When Diana brought the boys to see her friends, a reflection of her firmly held belief that her role as mother is to bring them up in a way that equips them for every aspect of life and death, Angela saw in William a boy much older and more sensitive than his years. She recalls: “He had a mature view of illness, a perspective which showed awareness of love and commitment.” At first Angela kept in the background, leaving Diana alone in Adrian’s room where they chatted about mutual friends and other aspects of life. Often she brought Angela, whom she calls “Dame A”, a gift of flowers or similar token. She recalls: “Adrian loved to hear about her day-to-day work and he loved too the social side of life. She made him laugh but there was always the perfect degree of understanding, care and solicitude. This is the point about her, she is not just a decorative figurehead who floats around on a cloud of perfume.” The mood in Mount Street was invariably joyous, that sense of happiness that understands about pain. As Angela says: “I don’t see death as sad or depressing. It was a great journey he was going on. The Princess was very much in tune with that spirit. She also loved coming for herself, it was an intense experience. At the same time Adrian was revitalized by the healing quality of her presence.” Angela read from a number of works by St. Francis of Assisi, Kahil Gibran and the Bible as well as giving Adrian frequent aromatherapy treatments. A high spot was a telephone call from Mother Teresa of Calcutta who also sent a medallion via Indian friends. At his funeral they passed Diana a letter from Mother Teresa saying how much she was looking forward to meeting her when she visited India. Unfortunately Mother Teresa was ill at that time so the Princess made a special journey to Rome where she was recuperating. Nonetheless that affectionate note meant a great deal to the Princess.
Andrew Morton (Diana: Her True Story in Her Own Words)
But I saw Bryce's face onstage tonight. She didn't even know how happy she was. You only know that kind of joy by its absence. And sometimes even when the curtain falls and the audience goes home and so do you, the perfume of that joy will linger. Like dead but still perfect roses.
Meg Howrey (The Cranes Dance)
Unhappiness is a slow drowning descent into the darkest knowledges, while happiness blasts us like rootless party-rooms smelling of pot inside caramel bullets shot at doomed star-clusters shelled with swirling astronomical dust! I want the dusty dadaist perfume. The smashed caramel glow of galactic bliss! I choose brain freedom! Happiness!
Ron Androla (The Sun Spits Light)
I spread some fresh goat cheese onto a baguette and bit into it. The bread was flaky and buttery, clearly freshly baked this morning, and the cheese was tangy and tart. For an instant, the cheese, the taste, transported me to my childhood, to the kitchen I remembered- the one with the red-and-white-checked curtains- to many days of happiness, to the cheese I was eating right now. I didn't remember it tasting so good. "Oh my God," I mumbled with this mouthful of excitement, so delicious it was sinful. "Ma puce, is something wrong?" "No, this is the best meal I've had in weeks," I said. "It's sublime." "Bah," she said. "It's simple. But sometimes simple is the best, non?" I couldn't have agreed with her more. I wanted- no, needed- simple. Lately everything in my world was so complicated; I prayed for simple. "Madame Pélissier makes our goat cheese right on her farm- also other fresh cheeses like le Cathare, a goat cheese dusted with ash with the sign of the Occitania cross, as well as a Crottin du Tarn, which is the goat cheese we use for the pizza, and Lingot de Cocagne, which is a sheep's milk cheese. Do you want to do a little tasting of her cheeses?" "Would I? You bet." Clothilde ambled over to the refrigerator, returning with a platter of lumpy cheese heaven straight from the cooking gods' kitchen. "Et voila," she said, placing it down and bringing her fingers to her lips, blowing out a kiss. There were veiny cheeses marked with blue and green channels and spots, soft cheeses with natural or washed rinds, and fresh and creamy cheeses, like the goat cheese. The scents hit me, some mild with hints of lavender, some heavily perfumed, some earthy, and some garlicky.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux, #1))
Happiness is like perfume: you can’t pour it on others without getting some on yourself.
Cathy Bramley (A Perfect Arrangement (My Kind of Happy, #4))
I know that men are children who chase away their despair with anger, their fear with love; they respond to the void by building castles and temples. They cling to stories, they shove them in front of them like banners; everyone makes some story his own so as to attach himself to the crowd that shares it. You conquer people by telling them of battles, kings, elephants, and marvelous beings; by speaking to them about the happiness they will find beyond death, the bright light that presided over their birth, the angels wheeling around them, the demons menacing them, and love, love, that promise of oblivion and satiety. Tell them about all of that, and they will love you; they will make you the equal of a god. But you will know, since you are here pressed against me, you ill-smelling Frank whom chance has brought to my hands, you will know that all this is nothing but a perfumed veil hiding the eternal suffering of night.
Mathias Énard (Parle-leur de batailles, de rois et d'éléphants)
So the smells I associate with the Elders are freshly cut garden flower arrangements- roses, lilac and endless sweet peas and the fougère hints of random greenery lavishly added to the vases, in the Constance Spry style. Also, modest shop-bought flowers, particularly daffodils, tulips and freesias, which are such an economical way to brighten a room for that thrifty generation. My scents for the elders are: Lavender by Yardley Blue Grass by Elizabeth Arden Rose in Wonderland by Atkinsons Femme by Rochas Ostara by Penhaligon's Tweed by Lenthéric (A mention of this elicited a big response at the event; it seemed all the women had worn it at some time and had happy associations with it. I do wish they would re-release it in the original tweed-fabric effect box.) The men in this age group are the last of the true British gentlemen, so especially for them: Old Spice St Johns Bay Rum by St Johns Fragrance Company Royal Mayfair by Creed
Maggie Alderson (The Scent of You)
The fragrance started off bright and happy, fresh-cut grass and sunshine, iced hibiscus tea, the best of a Sunday afternoon. Lavender and rose released their sweetness into the air so serenely you knew there was not a weed within ten yards of them. The scents filtered out through the store, and as Victoria and I watched, the customers began putting down their phones, looking about with greater interest, smiling at one another. "Well, you certainly made them friendly," Victoria said. I just smiled. The fragrance began to deepen. Vanilla, the clarion call of mothers in aprons and after-school cookies warm from the oven. The women's expressions softened. Your life can be like this, the fragrance said. Your children will love you. Then, slowly, lazily, in came the scent of jasmine. Victoria tilted her head. "Hello, troublemaker," she said. It floated out across the room, heavy and sensual, the essence of beautiful, younger women. Women who birthed children and wore bikinis within a month, or worse yet, never had children at all, their stomachs taut, their breasts ripe. Women who drew the wandering eyes of husbands. Then, even as the customers began shifting away from each other with polite, nervous smiles, there came another scent, lurking inside the jasmine, where it always waited- a touch of indole. A trail that led you downward, into the dirt. But not enough- the fragrance was still too sweet. It hovered in the store, off-kilter. "Hmm," Victoria said, her eyebrows pulling together. "Wait," I said. The want of balance was like an ache in the air. The fragrance reached out, searching, begging for completion. It didn't want sweet. It didn't want nice. And then, out of the skin, the sweat, the very heat of the women's thoughts, came the missing base note. Keen edged as a knife, it rose to meet the sweetness. Jealousy. As we watched, one of the women picked up a cashmere throw and clutched it to her chest. Another sat down on a leather couch, her arms spread out like a claim jumper. Mine. "Brilliant," Victoria said, stifling a laugh. "Absolutely brilliant.
Erica Bauermeister (The Scent Keeper)
This is a story that begins in Summer, because it is the type of thing that can only happen when the sun is too hot, the nights are too long, and your heart rules everything. Just north of the Black Mountains, there exists a town called Hay-on-Wye. It is a town populated by more books then people. Which is, perhaps why, it was the only place that could have fashioned a modern fairytale such as the one that happened on a summer’s night in August. A girl got drunk at a pub. Trying to forget someone. A boy joined her, matching her drink for drink. Trying to forget responsibility. In a flurry of laughter, false bravado, perfume, and charming smiles they found themselves vacationing in the others world for brief respite. They were a rest from the troubles of their own worlds. Where family, money, obligation, and responsibility tormented the bright, young things like a dementor waiting to suck joy at every step. Neither was certain if it was the booze that made them have stars in their eyes, or if the stars came before. But they shared a moment spurred on by Ed Sheeran playing over pub speakers, messy sheets, and tangled limbs as most modern English love stories are. In the morning, they woke up, sobered, and all that was left was a poem scribbled on a pillow by the girl for the boy. It would have all been forgotten, if not for the stars, and that Ed Sheeran music is designed for soulmates and happy endings. The stars saw how the couple shined for each other that night, and knew they’d make the world shine together. So, the stars did what they do best. They shined down on them, starting their journey back to each other knowing they’d need the light through the dark times to come. -Royals and Rebels: Love and War, book 2 only on Dreame
Cambria Covell
I’m happy to blame you, as long as that means I wasn’t the cause of any delay in Aunt Mary’s birthday celebration,” Celeste said with a smile as she headed for her great-aunt. She kissed the woman’s lined cheek as the familiar scent of Mary’s favorite White Shoulders perfume washed over her. “Happy birthday, my dear. You are still just as stunning as ever.
RaeAnne Thayne (A Cold Creek Christmas Story)
Every one of us casts a shadow. There hangs about us a sort of penumbra,—a strange, indefinable something,—which we call personal influence, which has its effect on every other life on which it falls. It goes with us wherever we go. It is not something we can have when we want to have it, and then lay aside when we will, as we lay aside a garment. It is something that always pours out from our life, like light from a lamp, like heat from flame, like perfume from a flower. No one can live, and not have influence. Says Elihu Burritt: "No human being can come into this world without increasing or diminishing the sum total of human happiness, not only of the present, but of every subsequent age of humanity. No one can detach himself from this connection. There is no sequestered spot in the universe, no dark niche along the disk of non-existence, to which he can retreat from his relations to others, where he can withdraw the influence of his existence upon the moral destiny of the world; everywhere his presence or absence will be felt, everywhere he will have companions who will be better or worse for his influence." These are true words. To be at all is to have influence, either for good or evil, over other lives.
J.R. Miller (Making the Most of Life)
Sweet and kind words are enough as the perfume of all the women of the world.
Mwanandeke Kindembo
She hated flowers, and I wondered why That was; When diamonds less radiant Diminished her gloom, And she delighted in the fragrance of her favorite perfume. She hated that they withered and faded, I thought; That their petals broke loose, And they barely hung on. She hated that they were thrown away, With every trace of them gone. They were delicate and fragile like her, I’d say; The kind of thing She felt so undeserving of. It’s such taxing work for the weary, Simply to nurture and love. She clung to her own greenness and vigor, I thought. Exquisite as they were, They brought too much sorrow; She detested caring for those that, Would not need her tomorrow. She was too oppressed to provide refuge, I found. I heard heartbreaking stories, Where she had it rough. She did the best she could, I know, But it was just never enough. She is every bit like the flowers, You know, Warms your vulnerable heart, With kindness and grace; Brings happy tears to your eyes, And the most joyful smile to your face! She regales like a queen, and she stuns, I say; And I love her, As I do those flowers she hates! Some have penetrable walls, you know; She has padlocked iron gates.
D.K. Sanz/Kyrian Lyndon
Take perfume advertisements. What’s the product? A yellowish liquid that looks a bit like urine. Now that doesn’t equate to compelling ad copy. What is the product’s product? The yellowish liquid smells nice. Yet smelling nice is still not why people buy perfume. Advertisements selling the smell are not very successful. No, it’s the product’s product’s product that you must sell. For perfume? Yes, it’s sex.
Annie Grace (This Naked Mind: Control Alcohol, Find Freedom, Discover Happiness & Change Your Life)
Santal perfume on her wrists. It had a subtle woodsy fragrance. She was happy she had gotten off the patchouli kick years ago. How she
Fern Michaels (Hidden (Lost and Found, #1))
Perfume is to smells what eroticism is to sex: an aesthetic, cultural, emotional elaboration of the raw materials provided by nature. The ladies of the court, led by Marie-Antoinette, resorted to the only thing that could keep them one step ahead of the commoners, however wealthy they were: fashion. In fact, this is how fashion as we know it came into existence: the latest trend adopted by a happy few for a season before trickling down to the middle classes. Just a touch of the negligence etudiee that distinguishes chic Parisian women from their fiercely put-together New Yorker or Milanese counterparts. Perfume needs to be supported by image. You're not just doing it to smell good: you're perpetuating a ritual of erotic magic that's been scaring and enticing men in equal measure for millennia. Perfumes are our subconscious. They read us more revealingly than any other choice of adornment, perhaps because their very invisibility deludes us into thinking we can get away with the message they carry. These scents severed fragrance from its function as an extension of a female or male persona - the rugged guy, the innocent waif or the femme fatale - to turn it into a thing that was beautiful, interesting and evocative in and of itself. Perfume's advertising relies on the 3 aspiration S: stars, sex and seduction, with a side helping of dreams or exoticism. Descriptions, impressions, analogies, short stories, snippets or real-life testing, bits of history, parallels with music or literature. Connecting a scent with emotions, impressions, atmospheres, isn't that why we wear it? Isn't it all subjective? Just because you don't want it in your life doesn't make it bad. And it's not entirely impossible to consider perfumes beyond their "like/don't like" status. What intent does t set out to fulfill? How does it achieve its effects? How does it fit in with the history of the brand or its identity? How does it compare to the current season's offerings? Does it bring something new? The story told by the perfumer blends with the ones we tell ourselves about it; with our feelings, our moods, our references, our understanding of it. Once it is released from the bottle, it becomes a new entity. We make it ours: we are the performers of our perfume. Both lust and luxury are coupled in the same Latin word: luxuria is one of the 7 deadly sins. The age-old fear of female sexuality. The lure of beauty, set off by costly and deceitful adornments, could lead men to material and moral ruin but, more frighteningly, suck them into a vortex of erotic voracity. A man's desire waxes and wanes. But how can a woman, whose pleasure is never certain and whose receptive capacity is potentially infinite, ever be controlled?
Denyse Beaulieu (The Perfume Lover: A Personal History of Scent)
Happiness is a perfume you cannot pour on others without getting a few drops on yourself.
Peter O'Mahoney (Gates of Power (Jack Valentine #1))